Adult Education resuming a limited face to face programme – with a few courses starting at Leith Community Centre from 8th November for a 5 week term.
All precautions will be taken with distancing, mask wearing, sanitising and ventilation to Keep students and tutors safe. So the class can get on with being fun, informal and informative!
Courses available are:
Activity
LVL
Start date
Day
Time
Art(PR): Drawing & Painting – All – (8/11) – LCC12311N
ALL
08/11/2021
Monday
10:00 – 12:00
Yoga: Gentle – All – (9/11) – LCC65852N
ALL
09/11/2021
Tuesday
17:30 – 19:00
Russian – Beginner – (9/11) – LCC55512N
BEG
09/11/2021
Tuesday
15:00 – 17:00
Russian – Post Beginner – (9/11) – LCC55752N
PBG
09/11/2021
Tuesday
18:00 – 20:00
Writing Creative: Life Writing – All – (9/11) – LCC64652N
ALL
09/11/2021
Tuesday
18:30 – 20:30
Art(PR): Drawing & Painting – All – (10/11) – LCC12313N
ALL
10/11/2021
Wednesday
10:00 – 12:00
Yoga – All – (10/11) – LCC65753N
ALL
10/11/2021
Wednesday
17:30 – 19:00
Art(PR): Drawing & Painting – All – (10/11) – LCC12353N
ALL
10/11/2021
Wednesday
18:00 – 20:00
Discover: Archaeology Today – All – (11/11) – LCC32614N
ALL
11/11/2021
Thursday
15:00 – 17:00
Art(PR): Drawing & Painting – All – (12/11) – LCC12315N
You can book on our website: www.joininedinburgh.org – the courses will be available to view and book from today – Thursday morning.
Telephone enrolments will be available for 2 days on Thursday 21st October and Friday 22nd October this week from 10:00 – 16:00 by calling (0131) 469 3003 or (0131) 469 3005.
Courses will be charged at £41.25 for the standard fee and £16.50 for benefits, senior citizens and students.
The first exhibition dedicated to the Scottish artist John Henry Lorimer (1856-1936) will open at the City Art Centre in Edinburgh on Saturday 6 November.
Over the years, Scottish audiences have shown a lot of support for John Henry, voting Spring Moonlight at the Kirkcaldy Galleries and The Flight of the Swallows at the City Art Centre (above) as their favourite paintings in the galleries’ permanent collections. Both paintings will be included in the exhibition, along with many from private collections, some of which have not been on public display for several decades.
Further highlights include the Tate Galleries’ portrait of the artist’s younger brother Sir Robert Lorimer, A.R.A., as a Boy and the Musee d’Orsay’s painting Grandmother’s Birthday. Also known as Benedicte Grandmother’s Birthday, the first painting by a Scottish artist to be bought by the French Government, is displayed with one of the chairs that features in the painting, designed by architect and furniture designer Sir Robert Lorimer. The painting was last exhibited at the Musee d’Orsay in 1989, alongside paintings by Millet, Whistler and Morisot.
Co-curator Charlotte Lorimer said: “While artists such as Claude Monet and Edgar Degas pushed the boundaries of painting and were rejected by traditional galleries and the Paris Salon, John Henry developed a more classical style and won medals from the Salon and praise from critics.
“History tends to remember the rebels. But there is also a place for the quiet craftmanship of artists such as John Henry.”
Co-Curator David Patterson added: “Here at the City Art Centre, we are really excited to be hosting the first ever major exhibition dedicated to the work of John Henry Lorimer.
“His work, which is so often overlooked in favour of his more radical contemporaries, is technically brilliant and his elegant interiors and light-filled landscapes will uplift everyone’s spirits during the winter months.
Culture and Communities Convener Councillor Donald Wilson, said: “I’m delighted that the City Art Centre is able to showcase this fantastic exhibition of the rarely seen works of John Henry Lorimer.
“It’s incredible to think this is the first exhibition dedicated to him since his passing in 1936. Reflections: The Light and Life of John Henry Lorimer will take visitors on a journey of his work through five themes of light, identity, family, femininity and home. Not only will it be an opportunity to celebrate his work, there are pieces from both public and private collections, the majority of which have not been on public display in decades!”
Culture and Communities Vice Convener Councillor Amy McNeese-Mechan said: “We’re excited to be exhibiting the first retrospective of John Henry’s work.
“A technically gifted, but somewhat forgotten artist, this is a chance for audiences to discover his work and learn about the artist himself and the role he played in Scottish art history. Alongside the exhibition there will be a programme of events and we look forward to revealing more details soon.”
In order to protect and maintain the safety of our visitors and staff, the City Art Centre has introduced a range of safety measures and procedures throughout the venue, including a one-way system, installation of screens at reception, hand sanitiser stations, extra barriers and signage. Staff will be wearing face coverings while offering visitors a very warm, socially distanced welcome.
Reflections: The Light and Life of John Henry Lorimer at the City Art Centre opens on Saturday 6 November 2021, and runs until 20 March 2022.
Admission is free.
Reflections: the Light and Life of John Henry Lorimer has been generously supported by The Lorimer Society, The Inches Carr Trust, The Binks Trust, The East Fife Members Centre and all those who contributed to our crowdfunding campaign.
After a year that’s taken its toll on parents’ and children’s physical and mental health, we’re all longing for a bit of rest and relaxation.
But the school holidays can leave children’s learning brains a little too relaxed. So with the Tokyo Olympics in full flow, keep the kids’ brains sharp with these Games-themed activities from former primary school teacher Abby Milnes of education champs PlanBee:
Learn about…
… time zones
There is an eight-hour time difference between the Games and the UK. This is a great opportunity to teach your children about time differences between countries and why they exist. Challenge your children to work out what time they will need to turn on the TV if they want to watch an event live (hypothetically of course; some of the events may be broadcast in the early hours of the morning in the UK!).
Download this FREE Time Zones Map to help teach your children about Time Zones.
… measuring time
Many of the Olympic events are measured and scored against how long it takes to complete the event. Events under a minute such as the 100m sprint, 200m kayak, team sprints in cycling etc will provide suitable contexts for younger children to think about when measuring time. Older children may like to take on slightly longer events.
This PlanBee lesson may help teach your younger child about measuring time.
Challenge your child to see how many things they can do within the same time as it took an athlete to complete their event. For example, the Olympic record for running 100m was 9.63 seconds set by Usain Bolt at the 2012 Olympics. How many blocks can your child stack in this time? How many ticks can they do on a sheet of paper? After showing children how to read the amount of time on a stopwatch, get them to time each other and take it in turns to see who can beat the record in your own events.
… measuring distance
Other Olympic events such as long jump, javelin, shot put and discus are scored and measured using distance.
Using a metre ruler or measuring tape, challenge your children to take part in a long jump event. They can take a run-up, or go from a standing jump. Mark where the back of their foot landed and help your child measure how far they jumped!
… averages
Some events such as gymnastics are scored by a judges panel. Each judge gives the performance a score which is then averaged out to give a final score. Challenge your child to take individual judges scores and find the average score by adding them up and dividing the total by the number of individual scores.
… variables
“I wonder… do you run faster on grass or concrete?” Challenge your children to think about conducting simple investigations with “I wonder…?” questions like the one above. Younger children may need help with timing but they should be able to make verbal conclusions with you such as “I ran faster on the concrete”.
Older children (7+) should be encouraged to think scientifically. Is it fair if you wear sandals to run on the grass, but running shoes on the concrete? No, they should be the same. What about the distance you run?
Other things they could test:
● Do I run faster wearing trainers, or when I’m barefoot?
● Will I jump further with a run-up?
● Will I jump further with a long run-up or a short run-up?
● Does someone with longer legs jump further?
… pentathlons
What’s the difference between a triathlon, a pentathlon and a decathlon? The number of events! (This is also a perfect opportunity to look at the prefixes tri- pent- and dec- to mean three, five and ten e.g. tri-angle, tri-cycle, pent-agon etc.)
Challenge your children to come up with their own events for a family tri, pent or decathlon! They don’t have to be Olympic events, just a number of events that an athlete will be timed to complete. They don’t even have to be sport related: Who will be the fastest person to put on their socks? Who will be the overall winner?
… drawing figures
Do you have a budding artist in the ranks? Why not challenge them to draw their favourite athlete from the Olympics. Up the challenge by asking them to draw the figure in motion as they complete their event.
Having held the Games before in 1964, Tokyo already had venues to host different Olympic events. The newly built National Stadium was finished in November 2019. Challenge your child to investigate its design, including the different ways it has been designed to be eco-friendly.
Work together to create your own model of an Olympic stadium, making sure there’s enough room for a track and spectators.
… map skills
Some of the cycling events in the Olympic Games require a set route to be planned out over a certain area. Print out a map of your local area and identify where you are and any areas they are not allowed to go to. Together, plan out a cycling route for your own Olympic cycling event. You could repeat the route several times to try and beat your personal best!
Beware: If you are riding on roads, make sure your child can ride confidently on them and is aware of safety rules.
… clothing design
Take a look at the designs for the athletes’ kits. How is the country represented in the design? What functionality does there need to be? This could link nicely with investigating the different countries’ flags.
Edinburgh Art Festival officially gets underway, running from 29 July – 29 August 2021. The 17th edition brings together over 35 exhibitions and new commissions in visual art spaces across the city, complemented by an online programme of events and digital presentations.
Following last year’s cancellation and an exceptionally challenging period for the creative sector, this year, more than any, we are proud to cast a spotlight on the uniquely ambitious, inventive and thoughtful programming produced each year by Edinburgh’s visual art community.
This year’s programme continues to place collaboration at its heart, with a series of festival-led commissions and premieres devised and presented in close partnership with leading visual arts organisations and a specially invited programme of new commissions curated in partnership with an Associate Artist.
All our festival venues will be following the latest Scottish Government Covid guidelines to ensure visitor safety, and we will be keeping our website regularly updated on what audiences can expect during their visit.
Highlights from the 2021 Festival Programme
Our festival-led programming features major new commissions and presentations by leading international artists, including the UK & European premiere of Lessons of the Hour by Isaac Julien in partnership with National Galleries of Scotland; and two new festival co-commissions, with work by Sean Lynch in collaboration with Edinburgh Sculpture Workshop; and a sound installation by Emeka Ogboh with Talbot Rice Gallery.
In a new approach for the festival, we are delighted to collaborate with Glasgow based artist, film-maker and programmer, Tako Taal as Associate Artist. Responding to the festival’s invitation to reflect on themes and ideas emerging from Isaac Julien’s Lessons of the Hour, Taal has invited new commissions for public and digital spaces, by a new generation of artists living and working in Scotland: Chizu Anucha, Sequoia Barnes, Francis Dosoo, Thulani Rachia, Camara Taylor and Matthew Arthur Williams.
We will also see the return of Platform, the festival’s annual showcase supporting artists in the early stages of their careers to make and present new work – with Jessica Higgins, Danny Pagarani, Kirsty Russell and Isabella Widger invited to create new work for Platform: 2021 at Institut français d’Ecosse.
There will also be chance to discover new generation artists at some of our partner galleries across Edinburgh, including the work of Satellite participant Alison Scott at Collective, Sekai Machache at Stills, Andrew Gannon at Edinburgh Sculpture Workshop and gobscure at Edinburgh Printmakers.
Solo presentations across the capital include Christine Borland at Inverleith House, Royal Botanic Garden Edinburgh, Alberta Whittle and Rachel Maclean at Jupiter Artland, Frank Walter at Ingleby Gallery, Ian Hamilton Finlay at The City Art Centre, Sonia Mehra Chawla at Edinburgh Printmakers, Jock McFadyen at Dovecot Studios and a major exhibition by the artist Karla Black for the newly developed and reopened Fruitmarket and Alison Watt at The Scottish Portrait Gallery.
This year’s edition will also feature important retrospectives and major survey shows including The Galloway Hoard: Viking-age Treasure at National Museum of Scotland, Victoria & Albert: Our Lives in Watercolourat The Queen’s Gallery and Archie Brennan at Dovecot Studios.
Edinburgh’s commercial galleries present a richly diverse offering including; a new group show from Arusha Gallery and Ella Walker, Shaun Fraser and Will Maclean at The Fine Art Society, Leon Morrocco at Open Eye Gallery and the centenary of the birth of Joan Eardley is marked with an extensive new show at The Scottish Gallery.
The festival is also planning a series of digital events, to include artist and curator conversations, bespoke tours through the programme, events and activities for families and community groups, as well as newly commissioned work for digital space.
Sorcha Carey, Director, Edinburgh Art Festival said: “Festivals have always offered a space for gathering, and this year more than any, we are proud to come together with partners across the city to showcase the work of artists from Scotland, the UK and around the world.
“Some exhibitions are newly made in response to the seismic shifts of the past year; others are the result of many years of planning and careful research; but all are the unique, authentic, and thoughtful products of our city’s extraordinarily rich visual art scene.
“The past year has revealed how precarious things can be for artists and creative freelancers, as well as for the institutions and organisations that support the production and presentation of their work.
“As our summer festival season gets underway, and we look forward to welcoming audiences safely back to the festival and our city, now more than ever we need the space for community and reflection that art and artists can provide.”
Culture Minister Jenny Gilruth said: “Edinburgh Art Festival shines a spotlight on the ambitious, inventive and thoughtful work being produced by Scotland’s visual arts community.
“I am pleased to see that the 17th edition of the Edinburgh Art Festival has brought together over 35 live exhibitions and new commissions, including a series of creative new works by six Scottish artists supported by £135,000 from the Scottish Government’s Festivals Expo Fund.
“A further £215,000 has been awarded through our PLACE programme to provide greater opportunities for artists at the beginning of their careers. I look forward to seeing the results of the Festival’s work during this challenging time.”
For more information, please visit www.edinburghartfestival.com or follow the festival on Facebook, Twitter and Instagram @EdArtFest #EdArtFest #ArtUnlocks
Jimmy Cauty’s ESTATE ‘Municipal Disaster Zone Tour’ has stopped off in Muirhouse and there’s still time to experience this thought-provoking art installation before it moves on to Easterhouse.
ESTATE is a dystopian model village featuring four abandoned concrete tower blocks at 1:24 scale (approx 2 metres high) housed in a 40-foot shipping container in the goods yard off Muirhouse Avenue (beside North Edinburgh Arts).
The tower blocks – Icini Heights, HMP Camp Delta-Zulu, Roman Point and Watch Tower 4 – each serve a different function in the ESTATE and each building contains chilling scenes in miniature of mass social, economic and environmental devastation.
Visitors experience a mini-walking tour like no other. A dark, menacing environment is pierced by spotlights, floodlights and strobes against an aural backdrop of helicopters, alarms, sirens and even the dulcet tones of former Home Secretary Amber Rudd help to set the scene (and chill the blood).
There’s smoke, too, to add to a distinctly unsettling atmosphere; shrouding the brutalist tower blocks and giving them an even greater brooding presence. But for all all the darkness there is also light, and peering through the shattered windows of the blocks tiny scenes are picked out in beautiful detail.
There is so much to see through those blasted windows: a plastic duck here, a faded portrait of Queen Victoria there … but everywhere – destruction and desolation.
Cheerful it’s not, but ESTATES is a powerful experience which haunts you long after you leave the dark confines of the shipping container. As I stepped back into the Muirhouse sunlight I thought: “I must go back.”
You can still catch ESTATE at Muirhouse this afternoon and Saturday morning.
Edinburgh’s skyline was filled with an array of dazzling light last night as an incredible illumination marked one week to go until St James Quarter officially opens its doors.
You can view the highlights of the lightshow here.
The countdown is on for St James Quarter’s’ much-anticipated phase one opening, and the new fashion district was officially welcomed to the city by some of the capital’s most famous landmarks. From the Balmoral and Edinburgh Castle to Forth Ports and the EICC, all roads led to St James Quarter as the whole of the night sky was illuminated- a symbol of this new city centre integration.
With its prime location in the heart of Edinburgh, St James Quarter is set to become a welcoming, cultural and lifestyle hub for art, culture, and fashion.
Through long-term partnerships with Edinburgh Festival Fringe, Edinburgh Jazz & Blues and the Edinburgh Science Festivals – to name a few – the upcoming opening is set to complement the city’s world-renowned cultural offering and support its vibrant events calendar.
Inspired by the spirit of Arthur’s Seat and the meeting of tectonic plates, the light show represents the awakening of St James Quarter, after five years of development. Together with festival, tourism and cultural venues across the city, the display is a celebration of connectivity, bringing together landmarks throughout Edinburgh city centre, all leading to St James Square.
Over 500 light fixtures were placed around the ribbon building with accompanying projections and a soundtrack featuring local sound designer, Keith Fortune.
Mick Hay from The Royal Edinburgh Military Tattoo took centre stage, 55m meters from the ground, conducting the soundtrack with the unmistakable sounds of the drums, as lasers of light travelled across the city in all directions.
Rochelle Weir, Brand and Marketing Director at St James Quarter, said: “As we near the opening of phase one, the anticipation around the city is palpable.
“We wanted to bring this feeling to life, connecting with other landmarks, businesses, and partners across the city to mark our opening and cement our place on the iconic Edinburgh skyline.
“Our phase one opening is a significant moment in Edinburgh’s history, and we’re incredibly excited for the people of Edinburgh and beyond to see what lies behind the quarter. Last night’s display was just the beginning.”
Collective is delighted to present a new exhibition by Satellites Programme participant Becky Šik.
Central to the exhibition is Mercury, an experimental new moving image work. Structured rhythmically and associatively the new film interlaces an evocative, resonating soundtrack (made using homemade instruments and magnetic sound machines) with an array of high production source material.
This includes infrared night-time video of bats and 16mm footage documenting a teenager magnet-fishing in a canal; alongside a ‘cut-up’ narration juxtaposing stories of hobbyists and an amateur satellite tracker; and scientific and philosophic reflections on the nature of communication.
Concepts of ‘echo’ are central to this work, used as both metaphor and audio effect; as locating device and editing strategy. Mercury focuses on that which sits just beyond a human’s everyday perception, where invisible forces become tangible.
Bats use echolocation to navigate; solar winds interfere with radio communications; whirring magnets excite and resonate bass strings; a Theremin allows us to articulate music from magnetic fields.
The event opens this Saturday, admission free.
Find out more, including screening times and how to pre-book tickets on our website.
Satellites Programme is Collective’s development programme for emergent artists and producers based in Scotland.
Jimmy Cauty’s new installation, ESTATE, has been transported to Muirhouse for a month long residency from the end of May and throughout June 2021.
ESTATE is a dystopian model village experience featuring four abandoned concrete tower blocks at 1:24 scale (approx 2 metres high) housed in a 40-foot shipping container.
The tower blocks each serve a different function in the ESTATE and contain amusing scenes of mass social, economic and environmental devastation.
Produced by L-13 Light Industrial Workshop, ESTATE is hosted in Edinburgh by new producing collective, the Society of Spectacles.
This follows the 2016 residency of Cauty’s previous work, The Aftermath Dislocation Principle, at the Grassmarket in Edinburgh.
ESTATE Edinburgh moves out of the city centre to form part of L-13’s UK-wide MdZ ESTATE Tour, which has already been seen in Hull and Stoke-on-Trent.
ESTATE will be presented in the car park off Pennywell Road, next to North Edinburgh Arts.
ESTATE is viewed either individually or in social bubbles in pre-booked 10-minute slots scheduled every 15-minutes. Viewers then walk through a 40-foot shipping container to explore the tower blocks.
WARNING: The experience includes smoke, strobe lighting, wind, loud noise, tiny TV broadcasts, and is suitable for adults and children ages 5+.
ESTATE has been designed so it can be toured and viewed in compliance with Covid-19 hygiene and social distancing measures, and is wheelchair accessible.
As lockdown eases for the time being and the full long-term effects of the Covid-19 pandemic begin to dawn, ESTATE is a glimpse into an uncertain future that looks increasingly familiar.
Advance bookings for free entry to view ESTATE are essential.
10-minute viewing slots available to book on Thursdays to Saturdays, May 28th-June 26th (Thursday & Friday 10am – 4pm, Saturday 10am – 1pm).
ESTATE will be presented off-site in the nearby car park, near North Edinburgh Arts. To learn more and book your free place, click here.
