Kasia Molga, an acclaimed interdisciplinary artist, designer and storyteller invites you to explore her first iteration of How to Find the Soul of a Sailor, a deeply personal and innovative project that fuses the past, present, and future through the lens of artificial intelligence and memory.
This work is the result of The New Real 2023-2024 commission “Uncanny Machines” supported by the Scottish AI Alliance. Hosted at Inspace Gallery with additional support from Arts Council England, this unique early access version runs from December 12-21, 2024, and January 6-11, 2025.
Immerse yourself in a deeply personal journey to the future of our oceans and sailors’ time at sea. Experience the Mediterranean sea through the eyes of Molga’s late father, Tadeusz Molga, a devoted sailor.
During his voyages, he meticulously documented his passion for the ocean, a love he shared with young Kasia as she accompanied him on his ship. Fifteen years after his passing, Molga is left with a profound sense of loss and a collection of his cherished diaries. When the memories of their time together begin to fade, she turns to these diaries, clinging to the remnants of his voice and their shared experiences at sea.
Molga’s work captures an emotional and environmental journey highlighting the fragility of our oceans, the ever-changing work conditions of sailors, and speculates on the future and what her father would say.
Molga uses The New Real’s specialised experiential AI platform, The New Real Observatory, to reimagine her father’s words, projecting them 50 years into the future. This project is a powerful fusion of memory and technology, blending generative AI tools with climate data to create an emotionally charged narrative that visualises both the past and future of our oceans.
Molga’s exhibition uniquely combines English and Polish, creating a bilingual experience that delves into the profound topics of personal connection to climate change and the digital afterlife. Her work not only honours the enduring power of memory but also showcases the potential benefits and drawbacks of various artificial intelligence tools to preserve and transform our personal histories.
This exhibition is a must-see for those interested in the intersections of art, technology, and the environment, offering a poignant reflection on the future of our planet and the boundless possibilities of human-AI collaboration.
For the first time ever in Scotland, experience one of the finest and most significant collections of drawings and watercolours direct from Chatsworth in Derbyshire.
Exclusive to the National Galleries of Scotland, Dürer to Van Dyck: Drawings from Chatsworth House will take over the lower galleries of the Royal Scottish Academy building this winter, bringing the magic and beauty of Chatsworth’s outstanding collection of drawings to the heart of Edinburgh.
From 9 November 2024, visitors will enjoy a unique opportunity to view almost 50 beautiful and rarely seen drawings by some of the most famous names in European art including Albrecht Dürer, Hans Holbein the Younger, Peter Paul Rubens, Rembrandt van Rijn and Anthony van Dyck.
Not one to miss, this will be the only chance to see Dürer to Van Dyck: Drawings from Chatsworth House anywhere in the world, with all but two of the artworks on display in Scotland for the first time ever.
The exhibition will include a striking double portrait painting of Peter Paul Rubens and Anthony van Dyck, recently returned to Chatsworth after being stolen while on loan in 1979. Lost for over 40 years, this intricate artwork by Flemish artist Erasmus Quellinus II was remarkably tracked down by the Belgian art historian, Bert Schepers, who identified it at a European auction.
The double portrait was reinstated at Chatsworth earlier this year and will make its Scottish debut as part of Dürer to Van Dyck: Drawings from Chatsworth House.
Explore the intricacy of some of the most important Flemish, Dutch, Early Netherlandish, and German drawings and watercolours from the Devonshire Collections, in a dazzling display spanning from 1500 to 1700.
Travel along the idyllic banks of the River Amstel and spot the windmills in Rembrandt’s View on the Amsteldijk at Meerhuizen, Looking Towards the Little Windmill (1648-50). Join the thrill of the chase and engage in epic moments of battle with Anthony van Dyck in works such as A Wolf and Fox Hunt (1616-17) and Horatius Cocles Defending the Tiber Bridge (1618-21).
Witness iconic biblical scenes as realised by Peter Paul Rubens in Five Groups of Figures for a Last Supper (Christ Announcing his Betrayal) (1601), Adam and Eve (1520)by Jan Gossart and the ethereal The Virgin and Child with the Infant St John (1516-18)by Albrecht Dürer, the earliest drawing on display.
Home to the Devonshire family for almost five centuries, Chatsworth is renowned for its Grade I listed house, romantic sprawling grounds and one of the most significant private art collections in Europe.
From holding Mary, Queen of Scots captive in the 16th century, to playing the fictional home of Pride and Prejudice’s Mr. Darcy, Chatsworth has been an important backdrop to some of the most significant moments throughout history and popular culture. The core of this collection was assembled by the 2nd Duke of Devonshire in the early eighteenth century.
Tico Seifert, Senior Curator of Northern European Art at the National Galleries of Scotland said: “This exciting partnership with Chatsworth presents a rare opportunity to bring a world-renowned collection of drawings to Edinburgh for the first time.
“Dürer to Van Dyck: Drawings from Chatsworth House spans two hundred years of exceptional artworks by many of the best-known names in the art world, and it invites an intimate look at some of the most beautiful drawings they ever created.
“It’s a privilege that the National Galleries of Scotland becomes the first and only venue to display these timeless works of art in this specially crafted exhibition and we cannot wait to share it with our visitors.”
Alice Martin, Head of the Devonshire Collections said: “We’re delighted to be partnering with the National Galleries of Scotland on this exhibition.
“We are always looking at ways to increase access to the Devonshire Collections, especially for those unable to visit Chatsworth, and share works with new audiences. We hope that people will take the opportunity to visit the Royal Scottish Academy and enjoy this wonderful collection of drawings and watercolours.”
Dürer to Van Dyck: Drawings from Chatsworth House, a National Galleries of Scotland exhibition at the Royal Scottish Academy, is yours to discover fromfrom Saturday 9 November 2024.
National Museums Scotland has announced the acquisition of an ornate early 18th-century sundial of exceptional precision and design. The Ilay Glynne dial, which is now on display at the National Museum of Scotland in Edinburgh, is a masterpiece of both art and science.
The Ilay Glynne dial, made around 1715, was used to measure local time from the Sun, providing the most accurate means of setting clocks available at the time. It could be used at any latitude, and its form models the celestial sphere, showing the Sun’s apparent motion around the Earth.
The acquisition of the dial, which has important connections to post-Union Scotland, has been supported by the National Heritage Memorial Fund and Art Fund.
The dial was commissioned by and belonged to Archibald Campbell, Earl of Ilay and later 3rd Duke of Argyll (1682-1761).
Ilay was hugely influential figure in post-Union Scotland. He had control over royal patronage in Scotland, and managed Scottish affairs, making him the most politically powerful figure in the first half of the 18th century.
He was a founder and the first governor of the Royal Bank of Scotland. His likeness used to appear on all RBS banknotes, and still appears on the £100 note today. Through his patronage, including at Scottish universities, he became an important sponsor and promoter of the culture of the Scottish Enlightenment
It is signed by Richard Glynne (1681-1755), a successful and well-regarded maker of mathematical instruments and a member of the Clockmakers’ Company. In his business, skills and innovations, Glynne was closely integrated with a growing community of British instrument makers and produced instruments of outstanding quality, of which this dial is the most important surviving example.
The dial is of a type first made for figures such as Peter I of Russia and Queen Anne’s consort, Prince George of Denmark, suggesting Ilay commissioned it from Glynne as a projection of his reputation as a nobleman of wealth and status.
Of imposing size, in brass and silvered brass, it is surmounted with the Ilay coat of arms, with leopard supporters, coronet and motto, and the central plate is decorated with the monogram ‘AC’, for Archibald Campbell, beneath an earl’s coronet.
Dr Rebekah Higgitt, Principal Curator of Science at National Museums Scotland, said: “We’re delighted to be able to acquire the spectacular Ilay Glynne dial and hugely grateful to the funders who have made it possible.
“It is an addition which reflects the breadth of our collections, being at once a significant scientific instrument, an object of great beauty and one with strong connections to key developments in Scotland’s history.”
Dr Simon Thurley, Chair of the National Heritage Memorial Fund, said: ”The Ilay-Glynne dial is a magnificent example of scientific endeavour, and we are delighted to have supported National Museums Scotland to acquire it for a UK public collection.
“Not only is it an exquisite instrument, but its provenance offers an opportunity to explore important stories about scientific, intellectual and cultural currents that saw the birth of the Scottish Enlightenment.”
Jenny Waldman, Director, Art Fund said: “This stunning sundial offers a unique insight into scientific innovations in 18th century Scotland. The precision and detail of the craftsmanship is exquisite, a true work of art.
“I’m so pleased that Art Fund has been able to support National Museums Scotland to acquire this remarkable object for their permanent collection, ensuring it will continue to enlighten visitors from Scotland and beyond on public display in the Spirit of the Age gallery.”
The Ilay Glynne dial reveals the Earl of Ilay not just as the politically powerful and wealthy figure he is best known as, but also as a patron of arts, science and learning. It is through this patronage that Ilay is widely believed to have contributed to the Scottish Enlightenment.
Those he supported include philosopher Francis Hutcheson, chemist Joseph Black, astronomer Alexander Wilson, poet Allan Ramsay and other ingenious individuals who created emblematic works of 18th-century Scottish culture.
In Scotland, Ilay pursued agricultural and infrastructure projects, the development of fisheries and promotion of the linen trade. As founder and governor of the Royal Bank of Scotland and the British Linen Company he aimed to encourage others to invest and improve.
Some of these investments were in overseas trading companies, such as the African Company, East India Company and South Seas Company, which profited from colonisation and the exploitation of enslaved people, an important reminder of a key source of wealth that underlay economic and cultural change in 18th-century Scotland.
The dial has undergone extensive cleaning and conservation work, and is now on permanent display in the Spirit of the Age gallery in the National Museum of Scotland. Admission is free.
InterContinental Edinburgh The George Hotel has unveiled a commissioned artwork in celebration of one of the city’s great literary figures, Susan Ferrier, on the bicentenary of her novel The Inheritance.
The initiative, in collaboration with Edinburgh College of Art (ECA), the University of Edinburgh has culminated in a beautiful piece that will be permanently displayed in the new Ferrier Suite at InterContinental Edinburgh The George Hotel.““
Following a competitive selection process involving numerous talented students from ECA, Ella Williams’ standout piece entitled ‘Studies from Ferrier’s The Inheritance’ was chosen as the winning entry. The piece stood out for its creativity, depth and heartfelt homage to Susan Ferrier’s ‘The Inheritance’ and its contribution to Scottish literature, 200 years after being first published.
The work by Ella Williams, a third-year Fine Art student, features a collection of smaller narrative paintings that portray key elements and scenes from the novel, focusing on Ferrier’s critique of marriage in the novel.
Her work laid bare the realities of the marriage market or the alternative of being an unwed women in 1824, the year of its publication.
The paintings also reference Ferrier’s connection to Edinburgh, specifically the InterContinental Edinburgh The George Hotel townhouse itself, where she once lived. The collected images seek to imply a narrative while remaining ambiguous to inspire curiosity amongst its audience about Ferrier’s work.
Williams’ intention was to illustrate the novel’s protagonist, Getrude St. Clair, and her journey largely through symbolism, representing the strong female character navigating the constraints of the period setting. Leaning into aspects of romantic imagery, Williams was intrigued by Ferrier’s use of the romance genre as a subversive means to comment on the position of women in society.
Williams explained: “Several of the paintings illustrate key settings within the novel, while others represent Gertrude’s journey of self-discovery in pursuit of a suitor that is her equal, symbolised by the clasping of hands and elements of romantic imagery such as roses.”
The figurative paintings are framed to exclude the faces of each subject, avoiding too literal an interpretation of the characters and allowing the viewers imagination to take precedence, deciding if Ferrier or Gertrude in the subject.
Williams continued: “I sought to nod to Ferrier’s residency in the building portraying elements of the hotel that would be recognisable to guests such as Ferrier looking out the window of the suite and a tea set that matches those available to guests.
“I’m delighted to have won this art project and can’t wait to see my piece displayed within the hotel and being enjoyed by visitors to the city.”
Jonathan Dawson, General Manager at InterContinental Edinburgh The George Hotel, said: “We are thrilled to showcase Ella Williams’ stunning piece within the hotel.
“Her work not only honours Susan Ferrier’s literary achievements but adds another piece to our already rich cultural heritage. This partnership with Edinburgh College of Art has been incredibly rewarding, and we looking forward to seeing how Ella’s work will inspire our guests.”
Susan Mowatt, Head of Art, Edinburgh College of Art, said: “Ella Williams’ artwork is a testament to the talent and creativity nurtured at our institution. We are proud to support initiatives that connect our students with the community and celebrate our city’s historical figures.”
As well as becoming part of the hotel’s heritage, Williams also received a purchase price of £3,500 for her artwork, an overnight stay in the Ferrier Suite and dinner in the hotel’s restaurant Le Petit Beefbar.
Artistic runners up from ECA include Chengyi Xu Xu and Amy Sema who each won an overnight stay and dinner in Le Petit Beefbar.
‘Studies from Ferrier’s The Inheritance’ will be displayed in InterContinental Edinburgh The George’s Club InterContinental lounge over the summer, before being put on permanent display in the hotel’s Ferrier Suite in celebration of the author’s unique connection to the hotel.
Do you remember we had an Easter Drawing competition? Well we were so impressed by ALL your eye-catching, creative and imaginative entries that we decided to have a SUMMER DRAWING COMPETITION!
We want to know what summer means to you? Ice cream? Football at the park? Swimming? Movies? Daydreaming in the garden? Trips to the seaside? Sunny sandpits? Waterfights? Fun times with your family and friends? Long walks with the dog?
Looking forward to seeing all your entries pouring in from Monday onwards!
PLEASE ASK FOR YOUR ENTRY SHEET AT THE DESK or bring in your drawing from home but remember to add your name, phone number and age on the back! :0)
Travel back in time toThe World of King James VI and I
Celebrate 250 years of JMW Turner in Turner in January: The Vaughan Bequest from the National Gallery of Ireland
Take to the skies with Alfred Buckham: Daredevil Photographer
Discover magnificent works fromARTIST ROOMS
Mark the centenary of Scottish artistIan Hamilton Finlay
Explore the imaginative creations of young people in Your Art World
National Galleries of Scotland announces an unmissable programme of free and ticketed exhibitions set to take over the National, Portrait and Modern galleries in Edinburgh throughout 2025.
From striking installations in Andy Goldsworthy: Fifty Yearsto time travelling into The World of King James VI and I, taking to the skies with Alfred Buckham: Daredevil Photographer, a celebration of 250 years of JMW Turner with Turner in January: The Vaughan Bequest from the National Gallery of Ireland and more.
There will be a sensational array of art to enjoy in the Scottish capital next year. Ticketed exhibitions can be booked online now What’s on | National Galleries of Scotland
From 26 July until 2 November 2025, immerse yourself in a major large-scale exhibition by Andy Goldsworthy. Andy Goldsworthy: Fifty Years will take over the upper and lower galleries in the Royal Scottish Academy building for the summer.
Based in Scotland, Goldsworthy (born 1956) is internationally famous for his extraordinary work with natural materials.
The exhibition will span five decades of creation with over 200 works including photographs, sculptures, and expansive new installations. Goldsworthy will also create several major new works onsite at the Royal Scottish Academy building especially for Andy Goldsworthy: Fifty Years.
This spectacular summer exhibition is sure to be one of the most talked-about of the year – and it is showing only in Edinburgh.
Next spring at the Portrait, travel back in time and be immersed in The World of King James VI and I. Son of Mary, Queen of Scots, successor to Elizabeth I and the first monarch to rule over Scotland, England and Ireland, get to know King James (1566 – 1625) and step into the world in which he lived, ruled and changed forever.
Marking the 400-year anniversary of King James’s death, this exhibition will chart his remarkable reign through stories of friendship, family, feuds and ambition.
Drawing on themes with contemporary relevance, including national identity, queer history, belief and spirituality, The World of King James VI and Iwill be anenriching journey through the complex life of a King who changed the shape of the United Kingdom.
Over 100 objects will be on display, including ornate paintings, dazzling jewels, lavish designs and important loans from galleries across the UK, celebrating craft and visual art from the 16th and 17th centuries.
From 26 April – 14 September 2025 come and be fully immersed in the sights, sounds (and even smells) of the period, connecting the people of the past with the people of today. Tickets are on sale now.
In 2025 the National Galleries of Scotland will commemorate the 250th birthday of beloved British artist JMW Turner (1775 – 1851) with a once in a lifetime, free exhibition. For the first time, visitors will be able to marvel at over 30 Turner watercolours from Dublin.
Turner in January: The Vaughan Bequest from the National Gallery of Ireland at the Royal Scottish Academy building will be one-off special take on the keenly awaited and much-loved annual tradition.
Spanning the breadth of Turner’s career, visitors can roam through sweeping seascapes, dramatic landscapes and spectacular cities, many displayed in their original frames.
As part of this special partnership, the Turner works from the Scottish national collection will go on display at the National Gallery of Ireland allowing visitors in both Scotland and Ireland to connect with works from the Henry Vaughan Bequest they don’t often get to see.
There will be two new and exciting exhibitions making their way to the Modern in 2025. From next summer you can explore your collection at Modern One with a series of new displays showcasing magnificent and diverse works of 20th and 21st century art belonging to the people of Scotland.
Your World celebration day at the National Galleries.
This includes an opportunity to see compelling works from your ARTIST ROOMS collection, cared for jointly by the National Galleries of Scotland and Tate. Explore this exhibition of the nation’s superb contemporary and modern collection from 12 July 2025.
The centenary of revered Scottish artist Ian Hamilton Finlay (1925 – 2006) will also be marked in a new free display of his work at Modern Two from 8 March to 26 May 2025.
A visionary in his craft, Ian Hamilton Finlay harnessed the power of collaboration throughout his career, drawing on the expertise of fellow makers and creators to bring his artistic visions to life.
Hailed as a poet, sculptor, printmaker, gardener and provocateur, his practice covered a wide range of media, reflected in this display through over 30 sculptures, installations and prints as well as extensive archival materials, all from Scotland’s national collection.
Moving into the autumn at the Portrait, take to the skies and see the world from above the clouds through the remarkable work of Alfred Buckham: Daredevil Photographer.
A trailblazer in his field, Buckham (1879 – 1956) soared above the realms of what was thought to be possible in 20th century photography and aviation.
From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques paved the way for modern technologies such as Photoshop and AI.
Explore the imaginative Your Art World exhibition at the National, showcasing the inspirational new works of young artists from all over Scotland aged 3 – 18-year-olds. The exhibition is a celebration of what happens when young people are encouraged to be wildly creative.
Discover installations from school and community groups who have worked alongside the National Galleries of Scotland. Or even view the creations of the young people in your own life. With the opportunity to upload artwork online via the website, anyone aged 3-18 can see their own digital submissions on screen in the gallery. Immerse yourself in the imagination of these young artists from 10 May to 2 November 2025.
Anne Lyden, Director-General at the National Galleries of Scotlandsaid “We’re really excited to announce our 2025 public programme, which is packed full of fantastic exhibitions.
“Breathtaking installations at the Royal Scottish Academy, soaring above the clouds at the Portrait gallery, and modern and contemporary highlights from your national collection at the Moderns.
“Whether you want to be inspired, find a moment of calm or share a joyful experience with friends – there’s so much to discover at the National Galleries of Scotland.”
For 40 years, Collective has offered a supportive environment for artists to test out new ideas, produce new work and share their work with audiences.
Founded as an artist-run space in 1984, over the course of four decades we have become an integral part of Scotland’s creative ecosystem.
Collective is now recognised nationally and internationally for the quality of our programmes, especially with emergent practitioners based in Scotland.
As we celebrate 40 years, we need your support to continue enabling ground-breaking artists to realise and share their ideas.
Exciting FREE open studios event returns to Out of the Blue Abbeymount Studios
Featuring over 30 artists exhibiting fine art, illustrations, photography, ceramics, mosaics and fashion
Meet the makers, watch demonstrations and get the chance to win an original piece of art in a free raffle
Out of the Blue Abbeymount Studios are delighted to be opening their doors to the public again this next month for another exciting Open Studios weekend (their first of the year) on Saturday 1st & Sunday 2nd June from 12noon – 5pm. This exhibition will be first in the line-up of events to celebrate the 30th anniversary of Out of the Blue.
Come along to see their creative spaces, meet the makers and browse a wide range of original artworks and gifts. Everything is handmade by local designers and makers here in the heart of Edinburgh.
With over 30 artists and makers taking part, there really is something for everyone, from fine art, paintings and illustration to ceramics, mosaics, textiles and photography.
There will be FREE art/craft/animation demonstrations and workshops taking place over the two days, plus a FREE raffle featuring exclusive prizes donated by Abbeymount Studios artists.
Artists include up-and-coming wildlife painter Kirsten Mirrey whose work for the past five years has focussed on both exotic and endangered wildlife in a highly realistic style will also be taking part of the two days. She’s also just completed her first successful solo exhibition at the Watson Gallery.
Robin Paine who exhibited at The Royal Scottish Society of Painters in Watercolour’s winter exhibition, and was twice a finalist in London’s National Portrait Gallery Portrait Award will also be taking part. Her work is in National and International Collections and she has taught widely, with a specialty in drawing and painting from observation.
From ceramics, Frances Priest is represented in national collections including the National Museums of Scotland Edinburgh, the Fitzwilliam Museum Cambridge, the Victoria & Albert Museum London & the McManus Galleries Dundee. She has also been awarded The Wesley Barrell Craft Award and the Arts & Business Scotland Award. Helen Miles represents the world of mosaics. Trained in Greece, Helen designs and makes mosaics for interior and exterior spaces, using a variety of materials from unglazed ceramic tiles to Venetian glass and found objects.
Award-winning designer Judy R Clark is famed for her exquisite hand-tailored womenswear designs comprising of Harris Tweeds, Scottish lace and antique fabric. Judy was crowned Designer of Year at The Scottish Style Awards.
The poster for the Spring Open Studios Weekend was designed by resident printmaker Rosanna Reade. She mainly works with lino, and occasionally screen and risograph printing. She particularly enjoys the tools and processes of linocut, and the sculptural nature of relief printing.
Out of the Blue Abbeymount Studio Manager Bob Guilianotti says: “Out of the Blue Abbeymount biannual open studios showcases the work of all 48 resident artists in an iconic building which is an arts and crafts creative hub right in the centre of Edinburgh.”
Out of the Blue Chief Executive Rob Hoon says: “Out of the Blue is unique and resists classification. Our buildings are not simply artists’ studios, or ‘creative hubs’. Abbeymount Studios is one of our buildings which reflect a model that has developed and been sustained over 30 years, hosting a hybrid of arts, participatory education, enterprise, creativity, and community development.”
Details of the Spring Open Studios Weekend, as well as a list of participating artists and makers can be found on the Abbeymount Studios website.
Our Adult classes cater to individuals eager to draw from life models, providing unwavering support as you cultivate confidence in your unique artistic style. Immerse yourself in a nurturing environment where you’ll receive guidance on fundamental drawing techniques, perspective, and basic human anatomy.
Teaching Approach:
Get ready to be inspired! Each week, you’ll encounter diverse poses and fresh concepts carefully crafted to challenge and expand your artistic perspective. Our instructors will offer valuable insights to enhance your approach to drawing from life models.
What You’ll Learn:
By the end of the 10-session course, you’ll achieve the following milestones:
Gain a solid understanding of perspective and basic human anatomy, effectively applying these concepts to your life drawings.
Develop versatile skills in capturing life models through various poses and mediums.
Cultivate newfound confidence in nurturing your distinct style in life drawing.
Prepare your artwork for a group exhibition.
Required Resources and Costs:
We provide easels and drawing boards for your convenience. To begin, simply bring your preferred paper (A3 size or larger) and your choice of drawing materials. Options may include pencils, charcoal, chalk, colored pencils, or pastels.
For any question regarding the course: Art@grantonhub.org
All Levels welcome
Fee: £96.60 for 10 sessions of two hours each and your participation to a group exhibition
Capacity: 13 persons
Location: Granton:Hub, Madelvic House, Granton Park Avenue, Edinburgh, EH5 1HS, UK
Dates: Tuesdays 6:30pm – 8:30pm
16th April
23rd April
[no session on 30th April]
7th May
14th May
21st May
28th May
4th June
11th June
18th June
25th June
29-30 June Summer Drawing Exhibition / Summer Show at Granton:Hub
The National Galleries of Scotland celebrates the return of Antonio Canova’s The Three Graces to the National in Edinburgh, for the first time in eleven years.
Jointly owned with the Victoria and Albert Museum, London, this extraordinary marble sculpture usually rotates between the two locations every seven years however was delayed due to the opening of the new Scottish galleries at the National.
Regarded internationally as an exquisite example of neoclassical European sculpture, this is an exciting opportunity for visitors to see the work in the heart of Edinburgh for free.
The sculpture represents Euphrosyne, Aglaia and Thalia, the three daughters of Zeus and Eurynome according to Greek mythology.
The three graces are associated with Aphrodite (Venus) and embody qualities such as shared friendship or chastity, beauty and love.
Our Life Drawing course starts next Tuesday from 6:30pm – 8:30pm! 
