People in Scotland donated an estimated £910 million to charity last year, declining from £1.1bn in 2024, according to new research by the Charities Aid Foundation (CAF).
CAF’s research finds that the number of people giving to charity has been declining. Last year, 58% of people in Scotland donated or sponsored to support charities. Against the backdrop of household financial pressures, one in five (22%) people in the UK report they don’t donate to charity because they cannot afford it.
CAF’s UK Local Giving Report looks at levels of charitable giving, community engagement and local pride in every UK constituency.
More than a third (38%) already engage in their local community in Scotland, but one in six (17%) would like more opportunities to get involved. More than half (51%) of people in Scotland have a sense of local pride, increasing to 65% in Mid Dunbartonshire which has the strongest sense of satisfaction and belonging.
The report highlights the virtuous circle that when people engage in their local communities, they are more likely to donate to charity and feel a sense of local pride.
Mid Dunbartonshire also gave the highest percentage of household income to good causes with an average of 1.14%. This compares to Aberdeenshire North and Moray East, where people donate 0.64% of their household income.
Mark Greer, Managing Director of the Charities Aid Foundation, commented: “Charities are at the core of our communities. Through their work up and down the country, they strengthen local areas and support those in need.
“When we are facing a sustained trend of declining donations, part of the solution to unlocking greater giving lies in understanding the power of place and community. It might seem obvious, but places matter to people.
“This report shows that when people are engaged in a local area, they tend to give more. It tells us that the people in areas with low levels of engagement and giving aren’t disinterested – they need and want more opportunities.
“We need targeted investment and collaboration from government, philanthropists and businesses to revitalise local cultures of giving and encourage community connections, helping to strengthen charities and the places they support, for the future.”
Ten most generous constituencies in Scotland based on proportion of income donated to charity:
Fruitmarket opens an exhibition championing the creativity of Edinburgh primary school pupils
Fruitmarket’s Creative Connections exhibition marks the culmination of a pioneering three-year programme that places artists in schools to embed creative learning in the classroom. This year’s Creative Connections exhibition will be open to the public on 29.05.26–31.05.26 from 11am–6pm at Fruitmarket, Edinburgh.
The exhibition features artwork inspired by Fruitmarket’s programme, created by Primary 5–7 pupils across six primary schools in South Edinburgh: Craigour Park, Gracemount, Gilmerton, Liberton, Prestonfield and St Catherine’s R.C. Primary.
Since 2023, Fruitmarket has worked in close partnership with classes across the six primary schools in South Edinburgh. The schools have been paired with practising visual artists who have been in residence at the schools, working with pupils on creative projects supported by regular visits to the gallery.
The six artists are Alice Dansey-Wright, Coral Brookes, Georgie Fay, Greer Pester, Kate Temple and Lorna Gallagher. Through regular professional development sessions, Lead Artist Louise Fraser has supported teachers to develop new skills and the confidence to embed arts pedagogy in the classroom across the three years.
Creative Connections was created by Fruitmarket, in close collaboration with participating schools, in response to a demand for creative provision in Primary schools and a focus on pupil wellbeing and confidence following the Covid-19 Pandemic. The project was made possible at this scale and depth through a multi-year grant from Paul Hamlyn Foundation and now has set a benchmark for educational visual arts programmes in Scotland.
Over three years, 757 pupils aged 8 – 11, 23 classroom teachers and six headteachers have participated.
Artists worked with the same classes across the academic year, providing consistent mentoring for pupils and ongoing support for classroom teachers. At the end of each year, pupils showcased their work in a public exhibition celebrating achievement and strengthening connections between schools, families and the gallery.
This year’s cohort has drawn inspiration from recent Fruitmarket exhibitions including What Is Us and What Is Earth, by Glasgow-based artist Ilana Halperin and Wilding, by the Indigenous American artist Jaune Quick-to-See Smith.
One Headteacher said: “I think what’s really made the difference in this project is the fact that we have had the opportunity to work over a number of years. It is not unusual for us to be able to have a project that comes in for a term or a couple of lessons and children enjoy it and they go away afterwards, but it’s that sustainable impact that we don’t necessarily see to the same degree.
“The chance to build up a relationship with an actual artist, to build up a relationship with a gallery has a huge impact for the staff, for the school, also for the children as well, who really, I think, feel that the Fruitmarket is their gallery because of this extended time they’ve had together.
“That depth of the project has been something I’ve not actually seen that before in a project I’ve worked with in my 30 years in education.”
Fiona Bradley, Fruitmarket Director, said: “Over the course of three years, though our ongoing project evaluation, we have seen how working closely with artists in the inclusive context of contemporary art spaces –where there are no right or wrong answers – can help both pupils and teachers express themselves and grow in confidence.
“The annual exhibitions of pupils’ and teachers’ work at Fruitmarket are something we look forward to every year and give our audiences the opportunity to share in a moment of pride with pupils, teachers and families.
“We are very proud that the project has become so valued by the schools, and we have committed to continue to deliver the programme in the new school year in a sustainable form. We are actively fundraising for the continuation of the project and we are very grateful to the funders who are already help make this possible.”
Kevina Khan, Grants Manager, Paul Hamlyn Foundation, said: “Creative Connections shows the incredible things that can happen when artists, teachers and pupils collaborate.
“Through the programme, artists-in-residence and teachers have been building meaningful relationships and finding ways to bring the expressive arts into the curriculum for excellence.
“The impact on children’s educational outcomes, confidence, wellbeing and engagement is powerful.
“The professional learning element of the programme means that these creative approaches to teaching and learning will have a lasting legacy.”
‘Knife robberies have fallen by 21% as government action takes effect’
Knife robberies have fallen sharply in major cities in England thanks to joint government and police action to tackle one of the most harmful forms of violence and make communities safe.
New Home Office data shows that robberies involving a knife in the 7 highest volume areas are now more than a fifth lower (21%) than they were in June 2024. Offences fell from 15,918 in summer 2024 to 12,633 by March 2026, meaning thousands fewer people experiencing the fear and financial impact of this violent crime.
The continuing fall follows a period when knife robberies were rising. Since 2024, the new focused national leadership and close partnership with policing have turned the tide. The results, published at the start of Knife Crime Awareness Week, demonstrate the impact of innovation, collaboration and focusing on proven-to work tactics, that has come out of the Home Office‑led Knife‑Enabled Robbery Group.
The group, set up in October 2024, brings together the Metropolitan, Greater Manchester, West Midlands, West Yorkshire, South Yorkshire, Avon and Somerset and British Transport police forces to work together on tackling the issue.
It has helped forces make better use of intelligence and analysis to spot crime patterns early, strengthen investigations by improving how technology such as CCTV is used to identify suspects and build stronger cases. It has also tightened offender management by targeting repeat and high‑harm offenders in hotspot areas and keeping closer grip on performance and outcomes.
Crime and Policing Minister Sarah Jones said: “These results show what can be achieved when we bring a clear focus and relentless grip to tackling knife crime, working hand in hand with the police and our frontline and grassroots partners.
“I know knife robbery has a devastating impact on victims and communities, so sustained reductions like this matter because they mean fewer people at risk of harm.
“I am determined to build on this progress as part of this government’s mission to halve knife crime, combining tough enforcement with early intervention and prevention to protect young people and keep communities safe.”
Every police force involved has recorded sustained reductions. The largest percentage falls were seen in West Midlands Police and British Transport Police, both down by 39%, alongside a 17% reduction in the Metropolitan Police. Greater Manchester, West Yorkshire, Avon and Somerset and South Yorkshire have also seen decreases, ranging from 10% to 21%.
As part of their ongoing efforts, Greater Manchester Police this month launched its new City of Manchester robbery team with dedicated officers targeting knife robberies and offenders in the heart of the city. Part of the Neighbourhood Policing Guarantee, officers will provide a visible deterrent, proactively targeting offenders and offences when they occur.
Force lead for robbery at Greater Manchester Police, Chief Superintendent Helen Critchley said: “Knife-enabled robbery is a crime that causes untold and lasting harm to its victims. In addition to the impact on the victims themselves these offences often happen in open and public spaces, and so affect feelings of safety in the local community.
“Within GMP, we are committed to the role of effective neighbourhood policing in providing public reassurance, preventing these offences and responding efficiently when they do.
“As part of the Neighbourhood Policing Guarantee the force has invested in the creation of a new City of Manchester robbery team who will be tackling all aspects of robbery, including knife-enabled robbery. These frontline officers will provide a visible deterrent, proactively target offenders and when offences do occur, they will provide a best standard of initial investigation to maximise opportunities to bring offenders to justice.
“We are proud to support the government’s ambition to reduce knife-enabled robbery and to be part to the Home Office taskforce set up to achieve this goal. Through the taskforce we are able to increase knowledge, share best practice and test new ideas to keep our communities safe.”
The reductions are part of a wider and sustained downward trend in knife crime. Recent figures show a 27% fall in knife‑related homicides, alongside an overall reduction in knife crime in England and Wales. 63,611 knives have also been removed from the streets through police seizures, surrender schemes and border interventions. Together, these indicators show real progress in reducing the most serious harm and keeping communities safer.
This targeted action is one example of the government’s broader response to knife crime. The latest results and the week of intensified police activity follow the publication of ‘protecting lives, building hope: a plan to halve knife crime’, which brings together action across government, policing and local partners to drive progress and end the cycle of knife crime. The plan sets out a long‑term approach combining tough enforcement with prevention, early intervention and community‑led solutions, as part of the government’s mission to halve knife crime over the next decade.
Knife Crime Awareness Week is a national week of action and engagement led by organisations including the Ben Kinsella Trust. The week shines a spotlight on the devastating impact of knife crime, while highlighting the action being taken across government, policing and communities to prevent violence, protect young people and save lives.
Patrick Green, CEO of the Ben Kinsella Trust and member of the government’s Coalition to Tackle Knife Crime said: “These figures show that coordinated national leadership from the government, and targeted policing, are making a tangible difference, with thousands fewer knife robberies than just 2 years ago. It’s important to recognise that behind every reduction is a life spared the fear, harm or long-lasting impact of violence.
“However, Knife Crime Awareness Week highlights that real, lasting change depends on all of us. We cannot rely on enforcement alone; we must continue to prioritise prevention, work closely with young people, and ensure they feel supported, informed and empowered to make safe decisions long before they ever feel pressure to carry a knife.”
The week also sees a wave of activity across England and Wales for Operation Sceptre, with intensified action from forces up and down the country to tackle knife crime by taking dangerous weapons off the streets and preventing violence before it happens. Led by the National Police Chiefs’ Council (NPCC), the week will see forces carry out targeted enforcement alongside community engagement, including weapons sweeps, test-purchase operations to stop illegal knife sales, knife surrender activity and work in schools and neighbourhoods.
Commander Stephen Clayman, NPCC lead for knife crime and Head of the National Knife Crime Centre, said: “The impact of knife crime on individuals, families and communities is truly devastating and long lasting.
“While the causes and drivers of knife crime are complex, early intervention and putting in place measures to tackle the root causes are essential and this is a key focus of our work in the newly launched National Knife Crime Centre.
“Reducing knife crime remains a priority and policing plays a pivotal role in enforcement activity, but we can’t do it alone. By working together with our partners and supporting communities we know that we can be more effective, responsive and take steps to prevent young people carrying knives.
“Officers and staff work tirelessly every day to tackle knife crime and this week, Sceptre highlights the many activities policing undertakes to keep our communities safe.”
Delivering on its plan, and building on these results, the Home Office will continue to work closely with policing partners to build on this progress, expand what works and keep the pressure on knife crime – driving down violence now, while building a safer future for the next generation.
Pooja Kanda, founder of Justice for Ronan Kanda, and member of the UK government’s Coalition to Tackle Knife Crime said: “It is encouraging to see knife-enabled robberies down by 21% across key hotspot areas, and over 63,000 knives removed from our streets since July 2024.
“We must remember that behind every statistic is a real child, a real family and a community affected by violence. These reductions show that working in partnership together, targeted policing and stronger prevention measures can make a real difference when action is sustained and coordinated.”
Knife Crime Awareness Week is not only about recognising progress, but about maintaining momentum. Through stronger laws such as Ronan’s Law, better education, earlier intervention and continued accountability around how weapons are sold, we can help protect future generations.
The recent reduction in knife-related homicides is positive, but one young life lost is still one too many, and we must continue working together to build safer communities and lasting change.
Getting Along with Gran is Citadel Arts Group’s forthcoming dark comedy developed from stories and memories of older people living in Royston Wardieburn.
The Social History Group who meet at Royston Wardieburn Community Centre asked Citadel’s Playwrights Workshop to work with them. They wanted to create a play inspired by their stories of life in the area from the 1960s to the times of Margaret Thatcher. The Iron Lady makes a brief appearance in the play but definitely not as the heroine! The stories have been collected in a book ‘Windows to Our Past’, edited by tutor Jim Aitken.
The Citadel Playwrights, Elaine Campbell, San Cassimally, Pamela Hanlon, Rhona McAdam, and Richard Peoples held a series of creative meetings with Jim Aitken’s group at Royston Wardieburn CC.
The script emerged from the life stories of Winifred Burke, Pat Gilhooly, Anna Hutchison, Bill and Greta McPhail, Helen McRae, David Norcliffe, Karen Soso, and Cathie Umobi. They were keen for the play to bring their stories to an all-Edinburgh audience.
They told Citadel ‘We want to see our stories travel . . . reach the wider community, especially as this kind of history isn’t taught in schools.’ Jim Aitken assured Citadel, ‘having a play performed that came out of our social history project would be wonderful.’
A performed reading of the play in the community centre back in March showed how much the play appealed to a local audience. Their feedback was music to Citadel’s ears: ‘enjoyable to share these stories from the community – especially of Thatcher . . .interesting period of history, sadly being repeated by the so-called socialist government . . . it brought back lots of memories . . . interesting social history told through a personal story . . . stirred deep emotions. . . . loved the collaboration with school, community actors and everyone.’
This is an am-pro production, and the audience especially enjoyed the involvement of local actors from the Social History Group, and a P4 class from nearby Granton Primary School who held their own beside Citadel’s professional cast.
Davie Norcliffe, a retired janitor, takes the part of the school janitor back in the 1960s when pupils still got the belt for playing up.
The play focuses on Gran (Laverne Edmonds) who can no longer live alone. She has moved in with her daughter’s family, and it is granddaughter Em (Mairi Jayne Weir) who bears the brunt of the reminiscences Gran and her friends (Deborah Whyte and Chelsea Grace) inflict on her. Some memories disturb her and cause nightmares: she gets the belt from a sadistic teacher (Jim Bryce) and is chased by a giant fish and even menaced by Thatcher in a nightmare.
She learns about the highs and lows of Gran’s fascinating life: her romance on Silverknowes Beach and travelling to China with her employees. Her Gran becomes a person she doesn’t mind spending time with. The play tackles serious themes: privatisation, education, disability, political activism and family, with humour which doesn’t belittle anyone’s memories.
With a class from Granton Primary School playing a key role in the performance, this is a truly intergenerational show. The oldest playwright is over 90 years old.
Creative Producer Liz Hare writes, ‘Once again Citadel Arts Group is working with the community to develop a powerful piece of drama involving performers from the area. The play is a celebration of the cultural richness of Royston Wardieburn and will hopefully take people back to the book that inspired the script.’
‘Windows to Our Past’ is available online.
PERFORMANCE DATES: 16TH and 17TH June 1.30pm
VENUE: North Edinburgh Arts, 12C Macmillan Square, EH4 4AB
DIRECTOR: Mark Kydd
Cast: Jim Bryce, Laverne Edmonds, Chelsea Grace, Mairi Jayne Weir and Deborah Whtye,
Community cast: David Norcliffe and Anna Hutchison, and P4 Granton Primary School pupils, Drama Teacher: Fergus McNicoll
Stage Manager: Maggie Brown
Light and Sound Design: Roddy Simpson
Creative Producer: Liz Hare
Playwrights: Elaine Campbell, San Cassimally, Pamela Hanlon, and Rhona McAdam, with additional material from Richard Peoples.
Citadel Arts Group is a charity (SC 034687) dedicated to giving a voice to older people by preserving their stories and producing their plays in a variety of community venues including schools, care homes, Leith Custom House, churches, libraries and a moving barge.
This project is supported by Awards for All, City of Edinburgh Council Neighbourhood Grant (Forth area) and Gordon Fraser Community Trust.
John Swinney: “I will be a First Minister for all of Scotland”
The Scottish Parliament has nominated John Swinney as First Minister of Scotland, following the 2026 election.
Addressing members of the Scottish Parliament, Mr Swinney outlined his ambitions for the parliamentary term, including action to tackle the cost of living, improve the NHS and grow the economy to create opportunity across Scotland. He also pledged to work together to deliver progress for Scotland and to meet the challenges facing the country.
Mr Swinney is expected to be formally appointed with a Royal Warrant from His Majesty King Charles III. He will be sworn in at the Court of Session today (Wednesday) , where he will take the Official Oath in front of the Lord President of the Court of Session and other senior judges.
First Minister John Swinney said: “I have ambitious goals for this Parliamentary session. I want to ease the cost of living crisis, ensure the NHS is protected and easy to access, ensure cohesion in our communities and protect the environment, and grow the economy and create opportunity across our country.
“I believe I can achieve a majority for every ambition I have for this Parliament and I look forward to working with many here to do so. That, of course, includes the question of Scotland’s constitutional future on which I recognise there are profound differences of opinion. Indeed the people have now elected the largest pro-independence majority in the history of devolution.
“I will be a First Minister for all of Scotland. A First Minister that works to bring people together with a strong sense of national purpose. The country I seek to build is a country where everyone feels accepted and able to contribute to our national story.
“I gratefully accept this opportunity to serve as First Minister. It is the greatest privilege and the greatest responsibility of my life. I promise to work every day to repay the trust that the people of Scotland have placed in me.”
It is shameful to note reports that Edinburgh University has pulled the plug on financial support for a proposed £750,000 sculpture in the heart of the city’s Old Town, marking the capital’s historic links with the slave trade in the Caribbean.
This comes less than a year after a review of its own historic links to slavery and racism revealed that the university had received the equivalent of at least £30m in “philanthropic gifts” that can be traced to the profits of colonial commodities like tobacco, sugar and cotton.
Based on present-day earnings, that is equivalent to £202m today, or as much as £845m based on the UK’s growth in overall wealth and productivity since then.
The Edinburgh report found 27 specific endowments from donors directly linked to the slave trade and colonial profiteering. These were responsible for funding professorial chairs in music, agriculture, and engineering, as well as student bursaries, prizes, and scholarships. Funding also contributed to the construction of university buildings, including Old College, New College and the Medical School.
To put matters in context, in its most recent financial year, the university reported a surplus of £43 million on a total income of £1,477 million.
It is quite disgraceful that a university that has benefited so extensively from the wealth created on the back of slavery is not willing to contribute what is a relatively paltry sum to deliver a memorial to mark this hideous trade.
‘Hecuba: Why Am I In Your Country?’ – At Edinburgh Festival Fringe 2026
5th – 31st August / 11.50am / Gilded Balloon – The Turret at Teviot
What happens when an ancient queen of war becomes a modern refugee at the UK border?
In “Hecuba: Why Am I In Your Country?”, Palestinian Syrian actor Arwa Omaren combines Euripides’ “The Trojan Women” with her own story of displacement in a raw, urgent solo performance that condenses 2,500 years of history into one voice.
Directed and co-written by award-winning filmmaker William Stirling, produced by Scottish founded Trojan Women Project, and recently nominated for an Offie (Off West End Award) – recognising the show’s powerful fusion of classical text and contemporary testimony, as well as Omaren’s extraordinary solo performance – this strikingly original production asks not only how we tell stories of exile, but who gets to tell them.
Performed at the renowned Gilded Balloon as part of the Edinburgh Festival Fringe, the show runs at The Turret at Teviot at 11:50am from 5-31 August 2026.
Arwa Omaren, a trained actor from Damascus, brings both classical know-how and lived experience to the role of Hecuba, the fallen Queen of Troy.
A Palestinian Syrian who fled the Syrian war, Omaren performs the myth alongside her own testimony as a “double refugee” seeking asylum in Britain – dealing with the horrors of homelessness, sleeping on the streets in the UK – and the battle to be re-united with her beloved golden retriever, Jacko, the dog she had to leave behind when she fled Syria.
The result is a really inventive, emotionally engaging piece that blurs the boundary between performer and subject, and myth and memory.
The production is led by the Trojan Women Project, an international initiative pairing and mentoring refugee performers with Greek tragedy as a means of processing displacement and reclaiming their narrative through their very own voices and expertise – they get to do what they know, including writing, acting and more. It has previously been presented at the Voila! Festival, where it drew attention for its intimate storytelling and political resonance.
Developed in community drama workshops supported by the National Lottery Community Fund, it is supported by the Mackintosh Foundation.
At its core, “Hecuba: Why Am I In Your Country?” asks important questions about the language and systems surrounding refuge: borders, bureaucracy, hospitality, and exclusion.
At a time when conversations around migration and identity are increasingly polarised, this production offers a work that is both deeply personal and unmistakably universal.
The Gilded Balloon, one of the Fringe’s longest-running and most respected venues, provides an ideal platform for bold, artist-driven work. Set within the historic Teviot complex, The Turret offers an intimate space that brings audiences into close proximity with Omaren’s performance.
Trojan Women Project is currently welcoming sponsorship and partnership support to help bring this urgent and timely work to its audience and continue its work with refugees, and welcomes conversations with organisations aligned with its themes of displacement, cultural dialogue, and social impact.
SHOW INFORMATION
Title:Hecuba: Why Am I In Your Country?
Dates: 5–31 August 2026 Time: 11:50am Venue: Gilded Balloon – The Turret at Teviot
Harbour Homes is celebrating success after winning the Care Innovation Awardat the Care at Home and Housing Support Awards 2026 ceremony in Glasgow on Friday.
The award recognises the outstanding work taking place across its sheltered housing developments, where the team is creating vibrant, connected communities for older people. Harbour Homes’ Sheltered Housing team was at the heart of this achievement, with its commitment to fostering inclusive and engaging environments for tenants.
One standout initiative, ‘March to the Match,’ has captured attention across Edinburgh. A group of tenants known as the ‘Leith Legends’ have been collectively walking the 3,070 miles from Edinburgh to Boston ahead of Scotland’s first World Cup appearance since 1998. As part of the challenge, participants aged 60-95 took part in a group walk at Easter Road Stadium, home of Hibernian Football Club, bringing many back into a local landmark for the first time in years.
The initiative is one of many designed to promote health, wellbeing and connection. Led by manager Maureen Combe, the team combines day-to-day support with a wide range of activities and events that help tenants feel valued and part of a strong community.
Maureen Combe, Older Person Manager at Harbour Homes, said: “We are absolutely delighted to have won the Care Innovation Award. It is a fantastic achievement and reflects the passion and dedication of our colleagues, who go above and beyond to help tenants feel valued and connected.
“Creating new experiences is central to our approach. We are proud to support people to live well, stay active and enjoy life as part of a strong community.”
Applications open: 18 May – 29 June 2026
Apply here: 
