A recent report from the Health, Social Care and Sport Committee of the Scottish Parliament on ADHD and autism support highlighted that children and adults are frequently waiting multiple years for assessments of these conditions.
It called on the Scottish Government to take urgent action to develop and implement a national plan that ensures adults and children with autism and ADHD across all health boards in Scotland have clear, consistent pathways to support.
The report further reinforces the need for the Scottish Government to introduce the Learning Disabilities, Autism and Neurodivergence (LDAN) Bill to Parliament at the earliest opportunity.
The LDAN Bill would help tackle long waiting times through new national and local strategies and introduce mandatory training for health and social care staff, as well as teachers and school staff, to ensure people’s needs are identified and met.
The importance of the LDAN Bill in tackling the inequalities faced by individuals and their families cannot be overstated, and it has the potential to make a real difference for them in Scotland across education, healthcare, and employment.
Around 10.15pm on Thursday, 12 February, 2026, the body of a man was found near Cockburnspath, East Lothian.
Formal identification is yet to take place, however, the family of Gary Hill, 56, who was reported missing from the area on Monday, 9 February, 2026, has been informed.
The death is being treated as unexplained but is not believed to be suspicious.
A report will be submitted to the Procurator Fiscal.
NATIONAL GALLERIES LARGEST EVER PRINT ACQUISITION BY A LIVING ARTIST
Peter Doig, Morning Paramin Display at Modern One. Photo Credit Paul Watt
Peter Doig| Morning, Paramin
National Galleries Scotland: Modern One, Belford Road, Edinburgh
Open from 14 February
FREE
The National Galleries of Scotland is excited to announce a landmark acquisition of 67 prints by Scottish artist Peter Doig, alongside a commitment that one edition of all future prints made by the artist will also join the national collection.
This is the first time that the National Galleries of Scotland has secured not only an artist’s entire print collection to date, but all prints to be created in the future.
This monumental addition to Scotland’s national collection celebrates Doig’s personal connection to Scotland, as well as his status as a leading artist of his generation. To mark this significant acquisition a selection of prints will go on display for free at National Galleries Scotland: Modern One in Edinburgh from 14 February 2026. Visitors will be able to explore works relating to Morning, Paramin a 2016 book made in collaboration between Doig and the St Lucian poet Derek Walcott.
Peter Doig is a contemporary painter known for his dreamlike landscapes that blur observation and memory, referencing personal experiences, popular culture, and art history alike. Born in Edinburgh in 1959, Doig moved to Canada as a child, and since 2002 has lived and worked in Trinidad. In 2021, Doig relocated his main studio to London, which is now his principal residence.
His breakthrough as a painter was in 1990, while the artist was studying towards a master’s degree at Chelsea School of Art. His inventive style, sensuous colour palette and suggestive imagery set him apart from the conceptualism which then dominated much of contemporary art. Today, Doig is rightly credited with having reinvigorated the medium of painting internationally.
The National Galleries of Scotland has been working in partnership with the Contemporary Art Society (CAS) since 2018 to enable this gift from Doig through the CAS Great Works scheme, supported by the Sfumato Foundation.
The ambition of the Great Works scheme is to ensure that major artworks, which might otherwise be inaccessible to gallery audiences, are able to enter public collections during the lifetime of the artist. Doig is one of the most highly regarded painters working anywhere in the world, and it is only thanks to this partnership with CAS that the acquisition is possible.
A key consideration of the Great Works scheme is the relationship of the artist to the location of the gallery receiving the acquisition, giving artists a lasting presence in a place that is of particular significance to them. This acquisition will provide a unique resource for anyone wanting to research Doig and will mean that Scotland’s national collection will represent the artist across his whole career.
Doig has also generously agreed not only to donate all of his printed work to date, but to give one edition of all future prints too. This incredibly unique agreement ensures that Scotland’s national collection will hold the most comprehensive representation of the artist’s graphic work anywhere in the world.
The prints Doig makes are an essential element of his practice. Working out many of the details of his paintings in print, he is a tireless innovator and image maker across both mediums. The artist has made prints from the very beginning of his career, and continues to do so now, having just installed all the equipment he needs in his London studio. As well as being one of the most powerful painters stylistically, Doig is also a master print maker, employing a number of techniques that makes his prints as interesting and evocative as his paintings.
While the display at Modern One is only a portion of the works that will be added to the national collection, it gives a fascinating insight into the artist’s work.
The one room display explores Doig’s time in Trinidad, where he worked for many years. During this time, he became friends with the St Lucian poet Derek Walcott (1930 – 2017) and the 28 etchings exhibited at Modern One form a lasting expression of this friendship. Morning, Paramin, a book of poems written by Walcott in direct response to Doig’s paintings, was published in 2016.
Walcott describes both the paintings and Doig’s complex relationship with place in his poems. There is an empathy between the two men: “because Art can make us love two countries with one heart, not separately either, but blent”.
The prints selected by Doig for the book are in turn a response to the poems. They suggest a process of looking again, of re-examination, of a reflection on grief and loss, as well as a sense of place and atmosphere. They stand as a memorial to an intimate, creative friendship and a dialogue between painter and poet.
This unprecedented donation facilitated by CAS further develops the National Galleries of Scotland’s long-standing relationship with the artist. A major retrospective of Doig’s work was held at National Galleries Scotland: National in 2013. The exhibition surveyed Doig’s paintings and works on paper following the artist’s move to Trinidad, placing particular emphasis on the artist’s approach to serial motifs and recurring imagery.
At the time Doig said: ‘I left Scotland as a child as many of my generation did; however I know Edinburgh, the city where I was born, through many visits as a child and youth. To be able to exhibit my paintings in the magnificent rooms of the National Galleries is a great great honour.”
In 2021 the National Galleries of Scotland also acquired an important early oil painting, At the Edge of Town 1986-8, thanks to the Acceptance in Lieu scheme. Making this recent and significant acquisition of Doig’s prints all the more meaningful for the collection and the artist.
Peter Doig said: “I am delighted and deeply grateful that the National Galleries of Scotland will be the custodians of my prints.”
Simon Groom, Director of International & National Partnerships at the National Galleries of Scotland, said: “Peter Doig is one of the most consistently inventive artists working anywhere in the world today.
“The works reveal a transforming vision of the world, steeped in a sense of beauty and mystery, rich in their imaginative suggestion yet remaining grounded in the real. This remains as true of his prints, which have been an essential element of his practice from the very beginning of his career.
“We are indebted to Peter and the Contemporary Art Society for their generosity and great vision, in enabling the National Galleries of Scotland to represent Scotland’s greatest contemporary artist across his whole career, and to create an internationally unique resource that will be accessible for exhibition, loan and study now and for future generations.”
Caroline Douglas, Director, Contemporary Art Society, said: “It is absolutely wonderful to see the first group of prints from this remarkable, groundbreaking gift of work go on display in Edinburgh.
“Peter Doig is one of the most important artists working anywhere in the world today and print making lies at the core of his practice. We are delighted that National Galleries Scotland: Modern in Edinburgh will be the home to this remarkable body of work, which will be a resource for artists, scholars and art lovers forever more.”
~ Warning not to ignore subtle stroke signs just because they are uncommon ~
A stroke survivor is warning others to watch out for unusual symptoms after joining a study funded by the British Heart Foundation.
Gordon Robb had a stroke involving a bleed in his brain, but his only symptom was finding that written words suddenly looked as if they were in a foreign language.
The 63-year-old is now taking the drug clopidogrel, as part of a clinical trial run by researchers at the University of Edinburgh. This study will examine if clopidogrel or aspirin, which are ‘antiplatelet’ drugs that reduce the risk of blood clotting, can prevent future strokes, heart attacks and premature deaths in people who have had a haemorrhagic stroke – a stroke caused by a bleed in the brain.
Gordon only discovered his stroke had happened after his cousin, whose husband had died from a stroke a few weeks earlier, insisted he go to hospital.
Having first thought his sudden inability to read was caused by tiredness, he now describes himself as an ‘extremely lucky man’. He had none of the more commonly known symptoms of a stroke, such as problems with his face, arm, speech, eyes or balance.
Difficulty recognising written words on its own, without any other symptoms, affects fewer than one per cent of people at the time of their stroke, say researchers.
A few months on, Gordon’s symptoms are improving, although it now takes him half an hour to read a chapter instead of his previous 10 minutes, and more recently he has noticed he occasionally can’t find the right word during a conversation.
Gordon said: “I am incredibly lucky, and quite honestly felt like a fraud in the stroke ward because I was no different to how I am normally, except that I suddenly could not read words.
“A group of student doctors in neurology who were brought to see me even said they would have struggled to diagnose that I had had a stroke.
“I knew some of the classic signs of a stroke like facial weakness, being unable to raise my arms or speech issues, but had none of these.
“It just shows the importance of paying attention to unusual symptoms, even if they aren’t ones you have heard of before. If I hadn’t gone to the hospital, and quickly received treatment, I could have been walking around with a ticking time-bomb in my head.”
The stroke survivor, from Bonnyrigg in Midlothian, had only been to hospital once in his life previously. A keen cyclist and runner, who had climbed to base camp at Mount Everest two years ago, he felt in perfect health.
So when, on September 27 last year, he checked his emails and could not read them, he put it down to tiredness.
Gordon, the former vice-president of a biotech company, said: “I was in the garden, went in to have a cup of tea, listen to some music and check my emails on my phone – and it was like they were in a foreign language.
“I could see them clearly, and see who they were from, but the words meant nothing to me.
“I just assumed I was tired because I had been up late the night before. When friends were then messaging me about the Ryder Cup that evening and I couldn’t see the messages, I just gave myself an early night.”
The following evening, when he was unable to read the instructions on a cash machine to withdraw money, he resolved to go to see his GP the next day.
However, when he told his cousin – whose husband had died from a sudden stroke just three weeks earlier – she drove straight to his house and insisted on taking him to A&E. There, doctors told him he had had a haemorrhagic stroke.
Approximately 15 per cent of strokes are haemorrhagic. The majority of strokes are ischaemic strokes, caused by a blocked artery.
While in hospital, Gordon signed up to a study being led by Professor Rustam Al-Shahi Salman at the University of Edinburgh, which is called ASPIRING (Antiplatelet Secondary Prevention International Randomised study after INtracerebral haemorrhaGe).
The international study is recruiting people who have had a stroke due to bleeding in the brain, also known as a haemorrhagic stroke. Study participants in the UK will be given ‘antiplatelet’ medicines like clopidogrel or aspirin, which reduce the chances of a stroke or heart attack by preventing cells in the bloodstream, called platelets, from sticking together and forming a blood clot.
Antiplatelet medicines are not routinely prescribed for people who have had a haemorrhagic stroke, because of safety concerns that they may increase the risk of bleeding. But a small study called RESTART, led by the University of Edinburgh and also funded by the British Heart Foundation, found aspirin and clopidogrel are safe after a haemorrhagic stroke.
In this new larger study, researchers in the UK now aim to understand if clopidogrel or aspirin can reduce the likelihood of having future strokes, heart attacks and other clotting and bleeding problems in people who have survived a haemorrhagic stroke.
Major clotting or bleeding problems occur in around one in 10 haemorrhagic stroke survivors every year.
Professor Salman said: “It has been hard to overcome the instinctive fear that if people have had a haemorrhagic stroke, taking aspirin or a drug like it might cause more bleeding. So we were very relieved when our research showed such drugs to be safe after a haemorrhagic stroke.
“The ASPIRING study will gather further evidence to establish if aspirin and clopidogrel can help lower the risk of future strokes and heart attacks, and potentially save the lives of people like Gordon who have had a haemorrhagic stroke.
“I believe there is a huge amount more to be done to help these people, whose lives have been turned upside down and who may be concerned about the future.”
Gordon is one of more than 4,000 people worldwide set to join the study, which is also funded by the Dutch Heart Foundation, the Canadian Institutes of Health Research, the Research Foundation – Flanders and the Medical Research Future Fund in Australia.
The study was endorsed by the Global Cardiovascular Research Funders Forum (GCRFF) multinational clinical trials initiative.
Gordon said: “Being involved in this trial provides some reassurance, that this drug may reduce my risk of another stroke.
“But it is also great to know that being involved could help improve treatment for people like me in the future, and relieve the pressure on the health system.
“I feel extremely lucky that I did not have more long-term effects from my stroke, and that I have had the chance to try to help improve treatments.”
Dr Sonya Babu-Narayan, the British Heart Foundation’s clinical director, said: “Facial weakness, arm or leg weakness and speech problems are well-known signs you or your loved one may be having a stroke, but there are some lesser-known symptoms like being unable to recognise the written word.
“If you have a symptom that you feel is not right, however strange or unusual, it is really important to seek help. Every minute matters if you may be having a stroke or other medical emergency.
“We know stroke survivors often fear having another stroke and how disabling this could be. That is why the BHF is funding clinical trials like ASPIRING, which will test whether prescribing antiplatelet drugs could protect more people.”
The ASPIRING study is recruiting people from England, Wales and Scotland who have had a haemorrhagic stroke.
Volunteers can check their eligibility, depending on the hospital where they received treatment, and express interest by visiting www.ASPIRING.ed.ac.uk
The Community Wealth Building Bill has been passed by the Scottish Parliament.It will support investment in communities with councils, health boards and other public bodies focusing on the generation, circulation and retention of wealth in local and regional economies.
This could include buying or procuring more goods and services from local businesses, boosting social enterprises or helping community groups to acquire vacant buildings and land.
The Community Wealth Building Bill has been passed by the Scottish Parliament.
It will support investment in local economies.
This could include buying more goods and services from local businesses or boosting social enterprises.
Public Finance Minister Ivan McKee said: “Community Wealth Building is an approach to economic development that can deliver sustainable growth and foster resilience in our local economies.
“This unique legislation will help to deliver more benefit from investment in local economies so that they become fairer, greener and more prosperous.
“It will also strengthen partnership working in our communities, and I look forward to working closely with public bodies to building on existing links.”
Neil McInroy, Chair of the Economic Development Association Scotland, commented: “We support the Bill because it marks a positive shift in economic development amid wider global crises and upheaval.
“Some local councils and many organisations across Scotland are already advancing Community Wealth Building, and this Bill provides the enabling framework that secures that progress and deepens it.
“By changing patterns of wealth, it boosts productivity, helps tackle child poverty and cost‑of‑living pressures, and builds economic dynamism. Crucially, it advances economic democracy by giving communities, workers, and all of us a fuller stake in Scotland’s future.”
Stacey Dingwall, Head of Policy & External Affairs (Scotland) at the Federation of Small Business (FSB) said: “FSB is a long-time supporter of the Community Wealth Building agenda, therefore it’s welcome to see the Bill pass today.
“Opening up public procurement contracts to small businesses is crucial to boosting economic growth, yet many still face barriers to accessing opportunities.
“Passing this legislation gives us a real chance to make progress here. Investing more public money in local businesses is also an investment in local job opportunities, ensuring as much wealth as possible is retained in local communities.”
Scotland will become the first country in the world to legislate for implementation of the Community Wealth Building economic development model at national, regional and local level.
Five days of runway shows, creative collaborations, and unmissable shopping land at the end of March 2026
St James Quarter, Edinburgh’s most stylish retail and lifestyle destination, is delighted to announce the return of its much-loved Edinburgh STYLE event for 2026, with an expanded five-day programme running fromWednesday 25th to Sunday 29th March.
Bringing together fashion, beauty and culture in the heart of the capital, Edinburgh STYLE 2026 will deliver a city-wide moment packed with runway shows, trend-led talks, live music and in-store experiences.
Two headline fashion moments will anchor the programme, bringing the drama and energy of the runway to the Quarter. Wednesday 25thMarch will launch this year’s event with a high-octane catwalk show featuring Essential Edinburgh backed brands from the City’sGeorge Street and St James Quarter BID area. In B3 the underground vibe of the location will be brought to life with a runway filled with breakers, skaters, influencers and models.
Then on Saturday 28thMarch during the afternoon there will be a beautifully crafted moment of fashion, dance and music which will surprise and entertain guests. The final show of this year’s event will be a very special one in partnership with Business Beats Cancer Edinburgh, on behalf of Cancer Research UK, during the evening of Saturday 28th March.
At the heart of the event will be the ever-popular STYLE Stage, located on Level 3 of the Galleria, hosting a packed programme of free beauty masterclasses, style workshops and expert panel talks. From confidence-boosting beauty tips and capsule wardrobe refreshes to trend forecasting and insider advice, the stage will offer guests the chance to learn directly from industry leaders and discover what’s shaping the season ahead.
Across the five days visitors can also enjoy a vibrant schedule of in-store activations including exclusive events, live music, refreshments, giveaways and gifts with purchase, bringing fashion, hospitality and culture together under one roof. A beautifully illustrated collectible map by collaborator Holly Sharpe will highlight all the brands across George Street and the Quarter who are participating.
To celebrate the return of Edinburgh STYLE for 2026, St James Quarter has also partnered with Timorous Beasties to create a striking visual takeover within the Quarter. Selected pillars on Level 4 of the Galleria will be wrapped in the studio’s bold new Graffiti Skater wallpaper design for 2026 transforming the space into an unexpected editorial backdrop.
Blending contemporary urban expression with Timorous Beasties’ signature subversive classicism, the design draws on Rococo swirls and Victorian silhouette paper cuts layered with expressive graffiti repeats, creating a visual narrative that feels both anarchic and poetic while celebrating individuality, defiance and the beauty found in urban chaos.
Susan Hewlett, Brand & Marketing Director at St James Quarter, said: “Edinburgh STYLE has become one of the most anticipated moments in our annual calendar, and we’re thrilled to be bringing it back for 2026 with a more diverse and inspiring cultural programme.
“From the return of our STYLE Stage masterclasses and panel talks to incredible in-store experiences, live music and three standout fashion shows, this year is all about celebrating creativity, confidence and self-expression.
“We are also especially proud to partner with Business Beats Cancer Edinburgh, supporting their vital fundraising efforts whilst providing cancer survivors with a meaningful platform to showcase their resilience and inspiring journeys.”
With more still to be announced, Edinburgh STYLE 2026 is set to become the defining moment where fashion, culture and the city come together cementing its place as the biggest shopping and style event of the year in Scotland.
Once again it will brighten up the last weekend of February by transforming the streets of Corstorphine into a magical outdoor illuminated gallery for all to enjoy.
This is a FREE event and everyone is invited to take part – residents, schools, community groups and businesses. We hope you will alll get involved with decorating windows or wandering, or both!
Windows will be lit up between 6pm and 9pm on the evenings of Saturday 28 February, Sunday 1 & Monday 2 March 2026.
Last night, Scottish newspaper The National announced:
LATE on Friday evening, this notice was circulated from representatives of Peter Mandelson, via press regulator IPSO and the Press Association news wire, to all media across the UK.
In it, Mandelson uses clauses of the Editor’s Code most typically associated with grieving families or those suffering harassment from the press to urge journalists to stop scrutinising his links to the most world’s most notorious paedophile.
We believe it is strongly in the public interest to publish this memo. This is it in full:
CONFIDENTIAL – STRICTLY NOT FOR PUBLICATION: Ipso has asked us to circulate the following advisory:
Ipso has today been contacted by a representative acting on behalf of Peter Mandelson.
Mr Mandelson’s representatives state that he does not wish to speak to the media at this time. He requests that the press do not take photos or film, approach, or contact him via phone, email, or in-person. His representatives ask that any requests for his comment are directed to [REDACTED]
We are happy to make editors aware of his request. We note the terms of Clause 2 (Privacy) and 3 (Harassment) of the Editors’ Code, and in particular that Clause 3 states that journalists must not persist in questioning, telephoning, pursuing or photographing individuals once asked to desist, unless justified in the public interest.
Please do not hesitate to contact me to discuss any Code issues on [REDACTED] or out of hours on [REDACTED].
The Eric Liddell Community’s manifesto sets out five crucial priorities to support the estimated 90,000 people living with dementia in Scotland
Edinburgh based care and specialist dementia charity, The Eric Liddell Community, has launched its 2026 Manifesto, ‘Priorities and evidence-based recommendations for the next Scottish Parliament’, setting out five urgent priorities to better support people living with dementia, unpaid carers, volunteers, and the communities that rely on them.
With an estimated 90,000 people living with dementia in Scotland, The Eric Liddell Community says the gap between the vision and commitments made in policy are very different from reality. There are rising costs, reduced statutory funding and an increase in demand for these services due to an ageing population, putting immense pressure on charities.
Founded over 45 years ago, The Eric Liddell Community has long supported people living with dementia and their carers, and is now calling on political parties, candidates and policymakers to recognise voluntary organisations as essential partners in addressing societal challenges and delivering services that communities rely on.
“We ask to be recognised, not as a ‘nice to have’, but as a lifeline for many.”
Irene Adams OBE, Chair of The Eric Liddell Community, comments:“Every day we see the difference that care, compassion, and community make to people living with dementia and also to the unpaid carers volunteering their time.
“This means we also see the consequences when we are underfunded and under supported. We urge all Scottish parties to listen to their communities and work with the third sector by turning policy into reality for people who most need the support.”
While Scotland is recognised for its progression with dementia policy, The Eric Liddell Community states that not enough people are able to access these dementia services and support. In addition, 37% of the Scottish adult population (1.7 million people) have provided unpaid care at some point in their lives. The value of this support totals £15.9 billion each year.
The manifesto is built upon 5 urgent priorities for the next Scottish Government, turn policy dementia into reality, take immediate action to address the third sector funding crisis, deliver unpaid carers a legal right to breaks in practice, ensure social care reform improves real experiences and value the importance of volunteers.
To read the full Eric Liddell Community Manifesto for 2026, please visit:Manifesto.
John MacMillan MBE, CEO of The Eric Liddell Community, added:“Our work shows the powerful impact that care and strong community support can make on the growing dementia challenge in Scotland.
“We see the real struggle caused by underfunding and lack of support and hope the Scottish parties will work with the third sector to deliver support where it is most needed.”
The Eric Liddell Community supports thousands of people each year with befriending services, carer’s programmes and a community filled with volunteer-led activities. Their mission is to bring people together in their local communities and have a positive impact on their lives.
To find out more about The Eric Liddell Community please visit: ericliddell.org
