Edinburgh 900 exhibition reveals the hidden lives of the first ‘Edinburghers’

Visitors to St Giles’ Cathedral will come face-to-face with those of the first ‘Edinburghers’ in a new exhibition as part of Edinburgh 900 celebrations.

Opening to the public on Friday 6 June, Edinburgh’s First Burghers: Revealing the Lives and Hidden Faces of Edinburgh’s Medieval Citizens, delves into the fascinating work carried out by experts from the Francis Crick Institute (London), University of Aberdeen, University of Dundee and the City of Edinburgh Council.

Marking the joint 900th anniversaries of both Edinburgh and St Giles’ Cathedral, this extraordinary exhibition presents the results of new scientific research into the medieval citizens buried within the grounds of the Cathedral.

Originally excavated in 1981, these remains have undergone new detailed analysis using advanced methods including ancient DNA sequencing, isotopic analysis, radiocarbon dating, and forensic facial reconstruction.

This collaborative project offers a compelling look at the lives, diets, health, origins, and identities of Edinburgh’s earliest residents.

The exhibition will feature:

  • Facial reconstructions of five individuals by Maria Maclennan, projected throughout the Cathedral using immersive lighting designs by artist Mettje Hunneman.
  • A specially commissioned short documentary by Cinetopia, featuring interviews with the research team and members of the Cathedral community.
  • A focus on three key burial groups – individuals from the birth of the burgh and foundation of the Cathedral in the 12th century, two 15th-century male pilgrims and eight women buried inside the Chapel of Our Lady between the 15th and 16th centuries.

Lord Provost Robert Aldridge, said: “This exhibition invites visitors to travel back through nine centuries of Edinburgh’s history, to meet the earliest people who called this city home. Thanks to scientific research and creative collaboration, we are able to share new insights into their lives, origins, health, and identities and, to actually see their faces once again.

“Edinburgh 900 is a year-long celebration of our city’s rich history, culture, and bright future. This exhibition brings the faces of our very first residents to life for our audiences of today. My thanks to our partners, scientists, artists, and all those whose contributions have brought this exhibition to life.”

City of Edinburgh Council Archaeologist John Lawson added:This has been a fascinating project that brings together new archaeological science and the creative arts to tell the story of Edinburgh’s first residents in an imaginative and exciting way.

“Visitors to the exhibition will come face-to-face with the first inhabitants of the city, ordinary individuals who lived through extraordinary chapters of history. While we are accustomed to the tales of the famous and powerful, this project shifts the spotlight to the everyday citizens, telling their stories in the very place they once walked, worshipped, and were laid to rest.

“To honour their lives in such a meaningful location has been a rare and powerful opportunity. It’s been an immensely rewarding partnership to be part of, and I’m grateful to the church, talented specialists and the artists whose hard work and dedication have have helped to tell these stories.”

Sarah Phemister, Head of Heritage and Culture, St Giles’ Cathedral, said:This exhibition is a celebration of the remarkable talent, collaboration, and creativity of the scientists and artists who have breathed life into the faces of the past.

“Their work connects us across centuries, reminding us that St Giles’ has always been a place where history, innovation, and human stories have met at the very heart of Edinburgh.”

Free and open to the public from 6 June to 30 November 2025, the exhibition invites visitors to explore the Cathedral’s medieval past in a new way—bringing faces and stories from Edinburgh’s early history to life.

Maria Maclennan, Senior Lecturer School of Design, Edinburgh College of Art (ECA) The University of Edinburgh, said: “It has been an enormous privilege to contribute to such a fascinating and interdisciplinary project, which adopted a truly interdisciplinary approach requiring collaboration on the part of many.

“Each craniofacial approximation involved the marriage of archaeological evidence together with myriad scientific analyses undertaken by the research team, to help inform final facial appearance: forensic anthropology, radiocarbon dating, isotopic signature, DNA profiling, and forensic-artistic techniques.

“Craniofacial Approximation is a hybrid sci-art practice dedicated to restoring the face of an unknown individual from their skeletal remains. In archaeological contexts, as is seen here in St. Giles’ Cathedral, the practice is often an important means of restoring visibility, identity, and humanity to those long lost or forgotten, and/or in promoting education and encouraging public engagement with historical figures of interest from the past.

“For each reconstruction, I produced both a more ‘neutral’ face (depicting how the individual may present in contemporary day Edinburgh), in addition to a ‘historical’ face, depicting the individual dressed in clothing/artefacts typical of the time in which they lived.”

Dr Tobias Houlton, Lecturer in Craniofacial Identification and Forensic Imaging at University of Dundee, said: “This exhibition marks a significant milestone in the longstanding partnership between the City of Edinburgh Council Archaeology Service (CECAS) and the University of Dundee.

“While this particular project has been a year in the making, it builds on many years of collaboration and graduate involvement from the Centre for Anatomy and Human Identification (CAHID). It provides a unique opportunity for CAHID graduates to further develop their expertise in facial identification while contributing to meaningful research in partnership with CECAS.

“The exhibition showcases the powerful synergy between science and art in restoring the faces of Edinburgh’s earliest citizens and enriching our understanding of the city’s medieval past.”

This project has been made possible with support from Historic Environment Scotland, and all partner organisations.

Step Into Two Hidden Worlds Beneath Edinburgh: A New Dual Underground Experience Launches This Summer

– The Real Mary King’s Close and The Lost Close partner for the first time to reveal a forgotten side of Edinburgh’s rich history –

This summer, Edinburgh visitors and locals can delve beneath the city’s streets and explore not one, but two of its best-kept secrets thanks to a new underground experience that unites The Real Mary King’s Close and The Lost Close for the very first time. 

Launching on Thursday 19th June and running every Thursday, Friday and Saturday until 30th August, this exclusive dual-site tour invites guests to journey through two unique underground closes.

The experience begins at The Lost Close, where guests gather at the historic John’s Coffee House – once a vibrant meeting place for Scottish Enlightenment thinkers like Adam Smith and David Hume.

From there, guests will descend into underground vaults and a close sealed off for nearly 200 years following Edinburgh’s Great Fire, only rediscovered in 2019. Guided by an expert storyteller, learn about the fascinating journey of coffee in Scotland, from its early trade roots to the rise of the city’s first coffeehouses and their enduring influence today.

During the tour, guests will enjoy a cup of specialty coffee from local roaster, Common Coffee, before encountering one of the most extraordinary industrial discoveries in recent Scottish history: the world’s second-oldest surviving Crossley four-stroke engine. Originally installed at the Royal Aquarium and later used to ventilate the city’s police chambers, this rare Victorian relic offers a remarkable glimpse into Edinburgh’s innovative past.

Following the 35-minute Coffee Tour at The Lost Close, the journey continues just a few steps away at The Real Mary King’s Close, one of Scotland’s most celebrated heritage attractions. Voted the UK’s best tourist attraction in the Tripadvisor® Travellers’ Choice® Awards – Best of the Best for 2024, the award-winning experience invites guests to step directly into 17th-century Edinburgh.

Led by character guides, guests explore a perfectly preserved warren of underground streets, homes and passageways that once bustled with life above ground. As the Close was gradually buried under the foundations of the Royal Exchange, its stories were sealed in time.

On the immersive one-hour tour, guests will uncover tales of plague, poverty, politics and the perseverance of residents who once called the Close home. Rich in historical detail and theatrical storytelling, The Real Mary King’s Close offers an unfiltered look at Edinburgh’s hidden past and the people who shaped its future.

Paul Nixon, General Manager at The Real Mary King’s Close, said: “We’re delighted to be partnering with The Lost Close to offer a fresh and unique way to experience Edinburgh’s hidden history.

“This joint ticket gives our visitors a rare chance to explore two underground closes in one morning, each with its own powerful story. From coffee culture and Enlightenment thinking to industrial innovation and everyday life, it’s a journey through the layers that have shaped the city we know today.

“We expect this to be a highly popular experience and anticipate that tickets will sell out quickly.”

Copyright James Armandary Photography

James Armandary, Tourism Development Lead at The Lost Close, added: “This partnership with The Real Mary King’s Close is an exciting first for us at The Lost Close.

“With one ticket, guests can explore two very different underground closes and uncover the rich, hidden history they share – from the story of coffee in Scotland to the everyday lives of people who once walked these streets. It’s a unique way to experience Edinburgh’s past from two fascinating perspectives.”

Tours last approximately 1 hour 45 mins. Tickets are priced at £40, including access to both tours and a cup of coffee, making it the perfect experience to start your day. With a maximum of 12 guests per session, availability is limited, and early booking is advised.

Tour Schedule:

Thursdays, Fridays and Saturdays from 19th June – 30th August.

09:15 – 09:50: Coffee Tour at The Lost Close

10:00 – 11:00: Guided tour at The Real Mary King’s Close

To book, please visit: https://www.realmarykingsclose.com/event/closes-coffee/

Pupils take a walk ‘Out of This World’ for Walk to School Week at the Scottish Parliament

Yesterday (Tuesday 20 May) pupils met at the Scottish Parliament for a special space-themed walk for Living Streets’ Walk to School Week. Pupils from Royal Mile Primary School in Edinburgh dressed as astronauts for Living Streets’ Walk to School Week (19-23 May).

Joined by representatives from City of Edinburgh Council they embarked on a space-themed walk to Dynamic Earth and Planetarium, enjoying discovering facts about the solar system and how walking and wheeling to school can help protect our planet. Pupils also enjoyed a visit to Dynamic Earth and Planetarium, the only science centre and planetarium in Edinburgh.

During Walk to School Week, pupils across Scotland are encouraged to walk, cycle, scoot, or wheel to school each day during the week, to feel the benefits of getting active before the school day.

This year’s Walk to School Week theme, The Great Space Walk, has inspired thousands of children to travel actively to school each day of the week, with over 250,000 pupils already signed up for the challenge.

Chris Thompson, Programme Manager, Living Streets Scotland said: “Walk to School Week is a fantastic opportunity to celebrate the extraordinary steps pupils across Scotland are taking to make their journey to school more active, which is better for individuals, communities and the planet.

“By choosing to walk, they’re showing how small actions lead to big impacts, such as easing congestion, improving air quality, and creating cleaner, healthier streets. We hope this week inspires others to walk and wheel to school and discover how easy it can be to make their daily commute truly ‘out of this world’.”

Mrs Black, Head Teacher at Royal Mile Primary School said: “It is wonderful to see how much our children enjoy participating in the WOW challenge, and having their hard work acknowledged in this way is incredibly rewarding.

“We are extremely proud of our pupils for their enthusiasm to walk and wheel to school in all weathers. We’ve also seen a real difference in the number of cars outside the school gates, making the roads safer for pupils and the wider community.”

Cllr Stephen Jenkinson, Transport and Environment Convener at the City of Edinburgh Council, said: “Walking, wheeling and cycling to school has such a positive impact on young people. It helps build independence, improves road awareness, and helps pupils start the day feeling energised and ready to learn.

“From ambitious active travel projects like the City Centre West to East Link (CCWEL) and Roseburn to Union Canal along with traffic calming and road safety measures – we’re committed to making people feel more comfortable walking, wheeling, and cycling, whilst creating more liveable and inclusive streets and neighbourhoods.

“Congratulations to the pupils and staff at Royal Mile Primary School for their outstanding commitment to travelling to school in safer, healthier, and more sustainable ways.”

Living Streets Scotland currently delivers WOW – the walk to school challenge in more than 200 primary schools across the country.

The pupil-led initiative encourages students to log their active journeys to school using the interactive WOW Travel Tracker. Pupils who walk, cycle, scoot, or wheel to school once a week for a month are rewarded with a special collectible badge.

You can find out more about Living Streets, Walk to School Week and WOW – the walk to school challenge at Home | Living Streets.

From pig crisis to pulled pork pioneers – Oink celebrates 25 years

A Scottish hog roast business famed for the freshly roasted pig visible from its three Edinburgh shop windows is celebrating a quarter century of roasting.

The prominent Oink shops celebrate just one product – the 14 hour slow-roasted pork, which available in three sizes of rolls, or in a box, with optional haggis stuffing, crackling, apple sauce or chilli sauce.

Founded by two Borders’ farming families off the back of the 1999 pig price crash, the brand, which has been copied around the world from China to Argentina, is targeting 2025 as being its record year, with an aim to surpass 250,000 rolls sold.

Adam Marshall, who co-founded Oink with Sandy Pate and farms land near Reston in Berwickshire, said: “When we started out, we weren’t trying to build an empire — we were just two farmers trying to stay afloat during a tough time for the pig industry.

“We built our own ovens, turned up at farmers markets, and hoped people would give it a try. To still be here 25 years later, serving hundreds of thousands of rolls a year, is something we’re really proud of.

“We’ve stuck to what we know, kept it simple, and done it our way. The fact people still queue up for it means a lot to us.”

The collaboration started when Adam Marshall and Sandy Pate founded Reiver Country Farm Foods and began selling produce from their farms and neighbours locally.

Then, inspired by what was believed to be the only hog roaster at the time, a business in York, the entrepreneurial pair brought a homemade roasting oven and started venturing up to Castle Terrace to take part in the first established Edinburgh Farmers Market.

Their piping hot pulled pork rolls proved an instant crowd-pleaser, attracting a growing band of hungry regulars, which paired with the demand from tourists, especially those from Asia and mainland Europe, then inspired the move to bricks and mortar in the Scottish capital.  

Oink owners Adam Marshall (Pink shirt) and Sandy Pate

Sandy Pate, who farms around 12 miles away from Adam in Longformacus, said: “We were just two mates with a passion for great meat and a desire to show city folk what Borders farming could deliver.

“We never imagined that a weekend stall would become something that would draw such loyal customers from near and around the world.

“At the end of the day, it’s about making people happy with something that tastes brilliant – and diversifying our farming businesses to ensure a viable and prosperous future for our families.”

The pair opened the doors to their first dedicated shop, Oink, in the heart of Edinburgh’s Old Town in 2008. Nestled on the cobbled Victoria Street, the shop quickly became a firm favourite among tourists, students, and workers alike.

A second opened on the Royal Mile in 2014, followed by a Hanover Street shop in 2018.

Oink has grown into a treasured part of the city’s food scene, dishing out thousands of hand-pulled rolls each week and building a fiercely loyal following. Its famous fans include Radio 1 DJ Greg James, comedian and foodie Ed Gamble, the Australian Rugby Team and Phil Rosenthal – who featured the Victoria Street shop on hit Netflix show “Somebody Feed Phil”. 

Though the original Reiver farm shop in Reston has closed its doors, it laid the foundations for everything that came after. Their commitment to quality and flavour has also powered a thriving outside catering business. The Oink mobile service caters weddings, corporate events, and private parties across Scotland, with pork roast options all prepped in their specialist unit.

Looking back, the founders, who both turn 65 this year and have no plans to slow down or retire, are proud that the business continues to be family-run and fiercely independent, with Adam and Sandy supported by their partners and families and a team of 30 employees.  

Oink owners Adam Marshall (Pink shirt) and Sandy Pate

Adam added: “Edinburgh’s food scene has changed a lot over the years — there’s more chains, more trends, and a lot of investment.

“We’ve just stuck to what we know: good pork, cooked slow, served simply.”

For more information about Oink, visit: https://www.oinkhogroast.co.uk/

Specialists gather in Edinburgh for European Arts Festivals Summit 2025

Pic Greg Macvean 27/04/2025 City of Edinburgh Council – reception at City Chambers for the Arts Festivals Summit

215 festival specialists gathered this week in Edinburgh for the European Arts Festivals Summit 2025.

Hosted by the Edinburgh International Festival, Festivals Edinburgh, and the City of Edinburgh Council, the Arts Festivals Summit 2025 of the European Festivals Association’s (EFA) welcomed over 200 festival professionals for a four-day conversation about festivals, arts, and the role of arts festivals today.

With 215 delegates participating from 44 countries, it has brought diverse perspectives, questions, and themes forward on how festivals can assume a responsible role towards their artists, audiences and societies in an ever-changing world.

Edinburgh International Festival Director, Nicola Benedetti opened the Summit with a keynote talk on her experience of taking on the role and how her perspective as a performing artist has shaped her approach to curation, collaboration and connection.

Ms Benedetti shared reflections on the importance of holding in balance a deep respect for the past whilst providing a fertile ground for daring innovation, risk and unbridled creativity. 

Delegates heard from a range of different voices and perspectives to gain a greater understanding of the interaction between festivals and their city, particularly in the case of Edinburgh, and explored the different aspects that contribute to Edinburgh’s success story.

They had the chance to meet the network of Festivals that exists in Edinburgh and the eleven festivals that contribute to Edinburgh’s unique reputation as The Festival City.

Fittingly Edinburgh is one of the founding members of the recently established EFFE Seal for Festival Cities and Regions, run by EFA which was developed by seven cities – Belgrade, Bergen, Edinburgh, Ghent, Krakow, Leeuwarden, and Ljubljana – to build on the achievements of the EU-funded Europe for Festivals, Festivals for Europe – EFFE programme and sets out to build co-operation between cities and their festivals across Europe.

During the Summit, four cities signed up to the EFFE Seal: Nis (Serbia), Budapest II District (Hungary), Coimbra (Portugal) and Tampere (Finland).

The EFFE Seal recognises cities for their commitment to their festival communities and aims to promote creativity, sustainability, internationalism, and resilience through knowledge exchange.

The future of festivals and their place in society focused delegates on how festivals contribute to societal topics such as sustainability, inclusion, well-being and freedom of speech, discussed from the point of best practices, learning from failures, perspectives and innovative proposals.

Inspiring keynotes by Roman Krznaric, author and social philosopher, and Elena Polivtseva, independent researcher and a co-founder of Culture Policy Room, challenged participants to think through the current tests the arts are facing, their vision for the future and the importance of long term thinking.

Nicola Benedetti, Festival Director, Edinburgh International Festival, said: “The Edinburgh International Festival exists to spark dialogue and cultural exchange – not only on our stages, but across communities and borders.

“It was a privilege to host the European Festivals Association’s 2025 Summit at The Hub, our home in the heart of the Festival City – where the International Festival sparked what is now the largest cultural celebration after the Olympics, every August in Edinburgh.

“Being surrounded by such a dynamic gathering of cultural leaders was a powerful reminder that the most enduring festivals and institutions are driven by a deeper desire to change society for the better.

“Coming together with our international counterparts to reflect, challenge, and collaborate on how we can deepen our impact was both energising and essential.”

Jan Briers, President of European Festivals Association affirmed: “The Summit in Edinburgh was full of new information, permanent networking, and making new collaborations and friends.

“It was a wonderful edition during which festivals coming from many different contexts discussed the future and its shape.”

Lori Anderson, Director of Festivals Edinburgh added: “Seeing our European festival colleagues inspired by cultural conversations across the city, and exhilarated by the beauty of Edinburgh, has been not only heartening but deeply moving – and reminds us that, in the current climate of global uncertainly, there is so much that unites us and so much to gain from deeper international relationships”.

EFA Members elected their President giving a continued mandate to its current chair, Jan Briers 

Jan BRIERS shared: “I am pleased to continue to chair this wonderful organisation and being elected in Edinburgh is very meaningful for my new mandate.” 

Michael Herrmann, Founder and Director of the Rheingau Music Festival, has been appointed as new Honorary Member of EFA.

The Summit concluded with the handing over of Edinburgh to Budva, Montenegro.

“We are excited about the opportunity to host the Arts Festivals Summit in Budva next year. The gem of the Western Balkans has many things to offer.

We are committed to make sure delegates enjoy a fruitful and unforgettable stay., said Milena Lubarda Marojević, Director of Theatre City Budva that will host EFA’s next Arts Festivals Summit in April 2026.

During the Summit, 22 new organisations joined EFA, reinforcing EFA’s desire to increase the more diversity of its membership and adding to the Association’s relevance at a geographical and artistic level.

New members include Africa Simply The Best (Belgium), Anibar International Animation Festival (Kosovo), DokuFest (Kosovo), Festival Fabula (Slovenia), Festival Música Viva (Portugal), Food Film Fest Bergamo (Italy), I Suoni Delle Dolomiti (Italy), KotorArt International Festival (Montenegro), Maribor Theatre Festival (Slovenia), Oeiras International Piano Festival (Portugal), ReMusica Festival (Kosovo), SPRING Utrecht Performing Arts Festival (Netherlands), Turkish State Theatres (Türkiye), and Vicenza Opera Festival (Italy). Five Ukrainian festivals have been reconducted in their membership, expressing EFA’s solidarity with the country: Construction Festival, Festival of Contemporary Art “Gogolfest”, Kharkiv Music Fest, Odessa Classics Music Festival, and Ukrainian Festival Association “Art-Ethno Fest”.

Three organisations also joined as collective and affiliate members: Creative Island (United Kingdom), the Association of Asia Pacific Performing Arts Centres (AAPPAC) and the World Federation of International Music Competitions (WFIMC).

TONIGHT: Safeguarding Scottish Dance Traditions for the Future

Safeguarding Scottish Dance Traditions for the Future 

MONDAY 28 APRIL, 18:30

On the eve of International Dance Day, the Pomegranates Festival (25-30 April) will discuss and demonstrate through dance, the importance of safeguarding Scottish traditional dance in an international context. 

Leading the discussion will be Steve Byrne Director of TRACS (Traditional Arts and Culture Scotland), and an expert advisor to UNESCO on intangible cultural heritage. Joining Steve will be Rachel Hosker of the Centre for Research Collections, University of Edinburgh, Árpád Vörös, recipient of a knighthood for his lifetime contribution towards Hungarian folk dance and Sebastian Wanless, Chair Elect of the Royal Scottish Country Dance Society.

The discussion will start with demonstrations of traditional dance accompanied by live music including Scottish Country Dance, Highland and Polonaise, Leading the display and accompanied on the bagpipes by Stephen Clark will be Eilidh Gammons, twice Junior World Champion in Highland Dancing, followed by Lily and Lucy Clark – all students at Helensburgh’s Margaret Rose School of Dance, run by Margaret MacInnes, a recipient of the British Empire Medal for services to Highland dancing. 

Edinburgh-based members of the Royal Scottish Country Dance Society Andrea Ritchie, Eilidh Garden, Faye McNeil, Rachel Shankland, Andrew Nolan, Jürgen Munz will perform a fine selection of Scottish Country Dances.

These will be followed by a short display of Polonaise(performed by members of Parzenica, Scotland’s  Polish Folk Dance Group – Anthony Carter, Fiona Lynch, Natalia Nowak and Renata Grillanda. 

The Polonaise was inscribed in UNESCO’s list of intangible heritage and list of humanity to be safeguarded in December 2023. It is hoped Scotland’s traditional dances will be put forward for inscription when the UK Government opens its list to nominations for intangible cultural heritage later this year. 

Intangible Cultural Heritage (ICH) encompasses the rich tapestry of traditions, expressions, and practices that communities inherit from their ancestors and pass on to future generations. It resides in the realms of knowledge, skills, rituals, music, dance, language, and other forms of expression and is a dynamic and living heritage that constantly evolves, reflecting the collective wisdom, creativity, and identity of diverse communities worldwide. 

Wendy Timmons and Iliyana Nedkova, Festival Co-curators said: “We are delighted that this year’s Pomegranates Festival is themed around traditional dance and intangible cultural heritage, especially at a time when Scots are soon to be invited to nominate their favourite traditions to be included on an official living heritage list.

“Later this year, submissions for the list will be encouraged from all sectors of society, including the traditional dance communities and people who have brought dance traditions from overseas to the UK.”

Sebastian Wanless, Chair Elect of The Royal Scottish Country Dance Society (RSCDS) said: We are thrilled to participate in theFourth Pomegranates Festivaland to showcase Scottish country dance on the eve of the UNESCO International Day of Dance. 

“For over a century, we have championed the vibrant tradition of Scottish country dancing—an energetic blend of lively music, joyful movement, and deep-rooted culture. More than just steps and tunes, Scottish country dance is a unique social phenomenon that welcomes everyone, everywhere.

“Together with dancers from around the world, let’s celebrate movement, culture, and unity in the lead up to this special day.”

Speakers:

Steve Byrne was appointed as Director of TRACS in 2023. A noted performer, researcher, folklorist and community activist, Steve trained at the School of Scottish Studies at Edinburgh University, before embarking on a distinguished creative career. Steve is a founding member of Scottish folk band Malinky and has contributed to the digitisation of vital early recordings of Scottish music and storytelling.


Rachel Hosker
 is the University Archivist and Research Collections Manager. Rachel originally trained as an archivist, and now manages archivists, librarians and curators responsible for the University’s cultural heritage collections and welcomes IASH fellows to the Centre for Research Collections at the University. Rachel is Chair of the UK UNESCO Memory of the World Programme.

Árpád Vörös (Budapest) is a dancer and folk dance teacher. He was awarded a Knighthood of Hungarian Culture in 2020 for the care of Hungarian folk dance. From 1990, for ten years, he was a teacher at the Árpád Bókay Elementary School in Pestszentlőrinc, and founded the TÉBLÁB Dance Ensemble. Today, he is the president of the foundation that operates the school and a professional assistant and choreographer of several ensembles in Transylvania, Felvidék and Vojvodina, as well as an ethnographic researcher of the region.

Wendy Timmons (Chair) is a Senior Lecturer in Dance Science and Education at the University of Edinburgh, and co-producer of the Pomegranates Festival. She has many years of professional arts practice, and is well experienced in teaching and training dance artists, young dancers and dance teachers. 

Alongside her teaching, research and programme development,  Wendy has undertaken many knowledge exchange and applied Dance Science and Education research projects. She is currently Convenor for the Traditional Dance Forum of Scotland and the Health & Wellbeing Trustee at Dance Base.

The Pomegranates Festival (25 – 30 Apr) is the annual platform for the diverse 250+ individual and organisational members of the Traditional Dance Forum of Scotland to teach, learn and perform in new dance theatre and screen dance shows, as well as new productions and residencies.

This is the fourth edition of Scotland’s annual festival of international traditional dance, initiated, curated and produced by the Traditional Dance Forum of Scotland. It is presented in partnership with TRACS (Traditional Arts and Culture Scotland), Moray House School of Education and Sport, University of Edinburgh, Edinburgh Central Library, Dance Base and the Scottish Storytelling Centre.

In 2025 the Pomegranates Festival is funded by Creative Scotland Multi-Year Funding through TRACS (Traditional Arts and Culture Scotland); the City of Edinburgh Council and University of Edinburgh through the Edinburgh Local Community Fund.

For tickets and more information visit https://www.tdfs.org/pomegranates/

Discover a summer of outdoor adventure with Dynamic Earth

Join an unforgettable Summer Outdoor Club and explore Edinburgh like never before

This summer, Dynamic Earth – Edinburgh’s Science Centre and Planetarium – is welcoming back children to its ever-popular Summer Outdoor Club.

Following a sell-out club in 2024, Dynamic Earth’s Summer Outdoor Club returns to inspire a new generation of young scientists. Designed to give children the skills they need to become scientists through fun outdoor activities like rocket engineering and shelter building, plus lots of crafts and group games.

Running throughout July and early August, the club takes place in Holyrood Park and the stunning green spaces surrounding Dynamic Earth. Each day focuses on a different themes and skills essential for scientific success such as creativity, problem solving and experimenting.

The Summer Outdoor Club gives kids the opportunity to design exciting inventions, crack tricky questions and work together to make the big things happen — all while making new friends and unforgettable memories.

With a mix of outdoor play, science games and nature walk there’s something to spark the imagination of every young scientist. With limited spaces available, Dynamic Earth encourages booking early to avoid disappointment.

Conor Ellis, Director for Science Learning and Engagement at Dynamic Earth, said: “Our Summer Outdoor Club is the perfect solution for parents looking for enriching holiday activities this summer.

“With specialist kit, expertise and access to Holyrood Park – our team will deliver an inspirational outdoor club that highlights the importance of the local natural world in our everyday lives.

“It’s an exciting chance for young minds to connect with nature and embrace the scientific skills needed for success and have a brilliant time doing it.”

Dubbed by families as “the best summer camp in Edinburgh” by previous attendees and loved for its unique mix of fun and education, this year’s programme promises to delight from start to finish.

Summer Outdoor Club Dates:

  • 7th July – 11th July
  • 14th July – 18th July
  • 21st July – 25th July
  • 28th July – 1st August

HOW TO ATTEND:

To find out more about Dynamic Earth’s Summer Outdoor Club, or book your child’s attendance, head to Dynamic Earth’s website (here).

The Great Edinburgh May Day Cabaret

THURSDAY 1st MAY at the WAVERLEY BAR

The Great Edinburgh May Day Cabaret returns for the third year running. There’ll be comedy, music and poetry to celebrate International Workers’ Day.

Compered by Jim Monaghan, and featuring a fantastic line-up of poetry from Stirling Makar, Kevin P Gilday, comedy from Vladimir McTavish and music from Calum Baird, Elsie McDonald and award-winning English folk-punk, Joe Solo.

Supported by Fair Pley, The STUC, Allan McDougall Solicitors and The Edinburgh, Lothians and Borders May Day Committee.

Doors open 7:30pm.

Lost Victorian relic found in attic during Edinburgh renovation

Copyright James Armandary Photography

During renovations, an exceptionally rare Victorian Crossley engine was found tucked away in the attic of CoDE The Court, where it had remained hidden for decades. It is now on display in The Lost Close, the underground vaults of the building.

Built in 1878, this marvel of Victorian engineering, it was far ahead of its time, used to regulate the temperature of the Edinburgh Police Chambers, and its survival offers a rare glimpse into 19th century innovation.

Remarkably, this engine is the second-oldest surviving Crossley four-stroke engine in the world and the oldest in Europe. Only two other examples exist, the oldest is housed at the Henry Ford Museum in Michigan, USA, and another in Denmark. Its discovery, in near original condition, by founder Andrew Landsburgh, adds a significant chapter to Britain’s industrial heritage.

Copyright James Armandary Photography

It’s unclear whether the engine was newly installed in the building or a second-hand acquisition. Adding to the intrigue, research revealed a royal connection.

In the 1800s, Edinburgh Police Chambers and Balmoral Castle, the Royal Family’s Scottish residence, had the same system installed; adding to the royal connection, this rediscovered engine had originally been installed in the short lived “Royal Aquarium” at Waverley, before being moved to the police chambers in 1881 where it was installed for the purpose of ventilation.

Copyright James Armandary Photography

Andrew Landsburgh, Director and Founder of CoDE Concepts, said“This is one of the most exciting finds in Scotland. We found it during The Court’s renovation, posted a photo online not knowing what we had, and suddenly experts from around the world were contacting us telling us we’d uncovered something incredible.

“What began as a refurbishment turned into the discovery of a vital piece of Edinburgh, and the world’s industrial heritage. This engine connects us directly to Scotland’s innovative past and the very beginnings of technology which still powers the modern world.

“We’ve brought it down from the attic to The Lost Close, the underground vaults of the building, where visitors can experience this historic find firsthand.”

Copyright James Armandary Photography

The story of this extraordinary discovery will be featured in an upcoming documentary titled ‘Potential Energy’ airing from 23rd May, which delves into how the engine was found, its relocation from the attic to The Lost Close, underground vaults of the building and the possibilities of restoring it for modern use.

The engine is currently on display at The Lost Close. To mark this discovery, The Lost Close is launching the Scottish Innovations Tour this June, exploring the country’s contributions to innovation and industry.

Visitors will journey through The Lost Close, now the permanent home of the Crossley ‘Otto Silent’ engine, and uncover Edinburgh’s role in shaping global technological progress.

James Armandary, Tourism Development Lead of The Lost Close, said: “This is an incredibly exciting addition to The Lost Close. It’s not every day you uncover a piece of engineering history that bridges the gap between Scotland’s past innovations and technology we take for granted today.

“This building continues to surprise us with its storied history and with the launch of the Scottish Innovations Tour, visitors will not only be able to see the engine up close but also explore Edinburgh’s long-overlooked role in shaping global industry.”

The Lost Close, hidden for nearly two centuries beneath layers of rubble from the Great Fire, was also rediscovered during renovations in 2019.

For more information, please visit https://thelostclose.com/crossley-engine

To book tickets to the ‘Potential Energy’ premier and Q&A, please visit: 

https://www.eventbrite.co.uk/e/potential-energy-documentary-premiere-qa-underground-engine-discovery-tickets-1330781375919 

To book tickets to the Scottish Innovations Tour, please visit: 

https://thelostclose.com/crossley-engine#innovations-tour

Last Call for Community Councillors

Nominations close at 4pm on Thursday 17 April

Community Council Elections 2025 : 2nd call for nominations update

A second call for nominations for the following 8 community councils opened on 27 March 2025. 

Nominations close at 4pm on Thursday 17 April 2025.

If you work with networks, groups, or community organisations in any of these areas we would be most grateful if could pass on this information.

Anyone who wishes to stand should complete a nomination form signed in ink, and return it to the Governance Team at Waverley Court, 4 East Market Street, Edinburgh, EH8 8BG by the closing date at 4pm on Thursday 17 April 2025. Alternatively, a mobile phone picture or scan of the nomination form can be returned by email tocommunity.councils@edinburgh.gov.uk by the same deadline.

Candidates can download a nomination form by clicking on the community council name above (download an example completed nomination form)

Local Interest Groups can download the Local Interest Group Nomination Form (download an example completed Local Interest Group nomination form)

Please visit our community council election webpages for more information.