Edinburgh Festivals: ‘One of the most remarkable demonstrations of cultural power in the world’

Landmark report evidences the profound impacts of the Edinburgh Festivals, confirming them as one of the most remarkable demonstrations of cultural power in the world

Picture by JANE BARLOW

In the latest of a long line of internationally acclaimed impact studies, the Edinburgh Festivals have published their most recent research across a series of cultural, social and economic indicators – which shows that at a fundamental level the festivals make life better – for residents, artists, visitors, and businesses.

The research identifies the Edinburgh Festivals as a unique civic asset that enhances wellbeing through creative and community engagement, an unrivalled international springboard for Scottish artists and companies, and a major attraction for those choosing to live, work, visit and invest in Edinburgh. The findings clearly indicate that the Festivals define Scotland’s cultural identity on the global stage.

Introducing the latest Impact Study on 29 June, Professor Daisy Fancourt, Director of WHO Collaborating Centre on Arts and Health and UNESCO Chair in Arts & Global Health as well as author of Art Cure: How the Arts Can Transform Your Health and Help You Live Longer said: “The Edinburgh Festivals have long stood as one of the world’s most remarkable demonstrations of the power of arts and culture.

“Shared cultural experiences create opportunities for dialogue, build understanding and challenge ideas. They bring people together across generations, backgrounds and perspectives, helping to build trust and social cohesion. At a time when many communities are grappling with social fragmentation and unrest, cultural participation offers powerful opportunities to strengthen civic life and nurture a sense of common purpose.

“The Festivals show what is possible when culture is placed at the heart of civic life, and this report provides a powerful case for the importance ofsustaining and investing in their future for generations to come.”

The research affirms that while the individual festivals are powerful brands in their respective fields, collectively they are both a unique national asset and a global phenomenon. They are an integral part of the cultural and social fabric of the country and provide an opportunity to showcase a 21st century nation.

The headline findings in this publication show the Edinburgh Festivals as:

  • cultural adventurers, with 90% of audiences acclaiming the festivals as unique places of cultural discovery
  • civic drivers, that enhance community well-being with 79% of local audiences stating that the festivals make Edinburgh a special place to live
  • national investors, spending more than £10m annually with event production companies and creative talent based in Scotland
  • economic powerhouses, calculated to have a gross economic impact of £4.26 billion over the next five years in Scotland.

Commenting on the publication of the Impact Study, the Scottish Government’s Cabinet Secretary for Education, Culture and Gaelic, Màiri McAllan MSP said: “The Edinburgh Festivals are truly world class — and this research confirms their extraordinary cultural, social and economic value to Scotland.

“A projected national economic impact of £4.26 billion over the coming five years, 90% of audiences describing them as unique places of cultural discovery, and 79% of Edinburgh residents saying they make the city a special place to live — these are remarkable findings.

“As we approach the 80th anniversary of Edinburgh’s status as a festival city, the Scottish Government is proud to champion the festivals and committed to ensuring they continue to thrive for the benefit of people across Scotland and on the global stage.”

Councillor Margaret Graham, Culture and Communities Convener at City of Edinburgh Council, said: “Edinburgh’s festivals are at the heart of what makes our city so special, bringing together residents and visitors to enjoy thousands of shows and events throughout the year.

“This research highlights that these celebrations deliver significant cultural, social, and economic benefits, supporting local communities and businesses while enhancing the city’s global reputation.

“As we approach the 80th anniversary of our festivals, we remain committed to supporting their future while balancing the needs of residents, visitors, and business, ensuring Edinburgh continues to thrive as a world-leading festival city.”

Vicki Miller, Chief Executive of VisitScotland, said: “Edinburgh’s festivals are world renowned, and a key part of what makes Scotland a must-visit destination, drawing thousands of international visitors to the country each year.

FURTHER FINDINGS INCLUDE:

The Edinburgh Festivals have seen a major expansion in their community reach

  • Alongside its global scale, the report identifies a major expansion in the Festivals’ community footprint. They offer residents of the city and substantial audiences of all ages throughout Scotland, opportunities that support creative expression, social connection and wellbeing, while breaking down barriers, enhancing community cohesion and civic pride.
  • These core principles were fundamental building blocks of the PlaCE [Partnerships for Creative Excellence] programme, a pioneering three-way partnership between Edinburgh Festivals, Scottish Government and the City of Edinburgh Council. Almost 76,000 community participants took part across the life of the programme.
  • Over the five years spanning 2018 to 2023, the Festivals delivered a 489% increase in engagement with community groups, a 39% increase in schools participation (from 497 to 694) and a 245% increase in partnership activity.
  • This growth reflects a significant development of year-round activity and more equitable access, with programmes increasingly reaching communities less likely to have engaged with the Festivals in the past.

The Edinburgh Festivals are a civic asset as well as a global platform

  • The report reinforces the Festivals’ role within the city itself. Edinburgh residents account for around one third of all attendances, with 79% of local audiences identifying the Festivals as central to the city’s identity and sense of place, making it a special place to live. And 89.9% of audiences say that the Festivals create a welcoming environment in the city.
  • This dual role – as both a global cultural gathering and a locally rooted civic asset – is identified as a defining feature of the Edinburgh Festivals.

The Edinburgh Festivals are a key investor in Scotland’s creative economy

  • Beyond audience impact, the Festivals continue to act as a major investor in Scotland’s cultural sector, supporting artists, production companies and creative organisations across the country.
  • Annual spend with Scottish-based creative talent and production companies exceeds £10 million, helping to sustain jobs, develop skills and build international connections across the sector.

The Edinburgh Festivals provide a platform for Scotland on the world stage

  • With participants from over 80 countries and audiences from more than 100 countries, the Festivals play a central role in projecting Scotland internationally, showcasing a 21st century nation
  • The report affirms the Edinburgh Festivals as a globally significant cultural marketplace, while remaining deeply embedded within Scotland’s communities and creative industries. Both a unique national asset, part of the cultural and social fabric of the country, and a global phenomenon making up part of the appeal that will drive Scotland forward.

The Edinburgh Festivals are economic powerhouses

  • The Edinburgh Festivals delivered an estimated £558 million in net economic impact for Edinburgh and £852 million across Scotland in 2025.
  • A central finding of the research is that this economic impact is driven by the quality and innovation within the Festivals’ cultural programmes which drive attendances, with 90% of audiences acclaiming the festivals as unique places of cultural discovery
  • The report concludes that investment in programming is the primary factor that attracts global audiences and generates wider economic activity across tourism, hospitality and the creative industries. With the right investment the future impact is expected to reach £4.26 billion over the next five years.
  • The findings underline the Festivals’ position as a major national asset, operating at a scale rarely seen in global cultural events. With over 4 million attendances drawn from more than 100 countries last year, Edinburgh hosts one of the largest ticketed event programmes in the world every year, on a scale equivalent with less frequent major events such as the Olympic Games and FIFA World Cup.

The full 2026 Impact Study can be downloaded HERE and any comments/questions should be sent to info@edinburghfestivalcity.com

Cultural events like these provide authentic and immersive experiences for people across Scotland and from around the world and are vital in strengthening our international profile and supporting local businesses, artists, and performers.”

Lori Anderson, Director of Festivals Edinburgh stated:

‘We are facing challenging times which call for boldness, direction, and vision – and the Edinburgh Festivals, through their pioneering collaborative work, focused strategic thinking, and hugely praised programmes, have these qualities in abundance. They have a powerful role to play in increasing the creative capacity, economic strength, and international reputation of Scotland. Ahead of the 80th anniversary of the birth of our world leading festival city, now is the time to champion and invest in the Festivals’ success.’

Further findings in the Impact Study include:

The Edinburgh Festivals have seen a major expansion in their community reach

Alongside its global scale, the report identifies a major expansion in the Festivals’ community footprint. They offer residents of the city and substantial audiences of all ages throughout Scotland, opportunities that support creative expression, social connection and wellbeing, while breaking down barriers, enhancing community cohesion and civic pride.

These core principles were fundamental building blocks of the PlaCE [Partnerships for Creative Excellence] programme, a pioneering three-way partnership between Edinburgh Festivals, Scottish Government and the City of Edinburgh Council. Almost 76,000 community participants took part across the life of the programme.

Over the five years spanning 2018 to 2023, the Festivals delivered a 489% increase in engagement with community groups, 39% increase in schools participation (from 497 to 694) anda 245% increase in partnership activity.

This growth reflects a significant development of year-round activity and more equitable access, with programmes increasingly reaching communities less likely to have engaged with the Festivals in the past.

The Edinburgh Festivals are a civic asset as well as a global platform

The report reinforces the Festivals’ role within the city itself. Edinburgh residents account for around one third of all attendances, with 79% of local audiences identifying the Festivals as central to the city’s identity and sense of place, making it a special place to live. And 89.9% of audiences say that the Festivals create a welcoming environment in the city.

This dual role – as both a global cultural gathering and a locally rooted civic asset – is identified as a defining feature of the Edinburgh Festivals.

The Edinburgh Festivals are a key investor in Scotland’s creative economy

Beyond audience impact, the Festivals continue to act as a major investor in Scotland’s cultural sector, supporting artists, production companies and creative organisations across the country.

Annual spend with Scottish-based creative talent and production companies exceeds £10 million, helping to sustain jobs, develop skills and build international connections across the sector.

The Edinburgh Festivals provide a platform for Scotland on the world stage

With participants from over 80 countries and audiences from more than 100 countries, the Festivals play a central role in projecting Scotland internationally, showcasing a 21st century nation.

The report affirms the Edinburgh Festivals as a globally significant cultural marketplace, while remaining deeply embedded within Scotland’s communities and creative industries. Both a unique national asset, part of the cultural and social fabric of the country, and a global phenomenon making up part of the appeal that will drive Scotland forward.

The Edinburgh Festivals are economic powerhouses

The Edinburgh Festivals delivered an estimated £558 million in net economic impact for Edinburgh and £852 million across Scotland in 2025.

A central finding of the research is that this economic impact is driven by the quality and innovation within the Festivals’ cultural programmes which drive attendances. 90% of audiences acclaimed the festivals as unique places of cultural discovery.

The report concludes that investment in programming is the primary factor that attracts global audiences and generates wider economic activity across tourism, hospitality and the creative industries. With the right investment the future impact is expected to reach £4.26 billion over the next five years.

The findings underline the Festivals’ position as a major national asset, operating at a scale rarely seen in global cultural events. With over 4 million attendances drawn from more than 100 countries last year, Edinburgh hosts one of the largest ticketed event programmes in the world every year, on a scale equivalent with less frequent major events such as the Olympic Games and FIFA World Cup.

Count Binface: Face of the Establishment

ONE NIGHT ONLY AT EDINBURGH FESTIVAL FRINGE

Following his success at the Clacton-on-Sea by-election, Count Binface is to perform at the Edinburgh Festival Fringe for one night only at the Pleasance King Dome on Wednesday 26th August at 16:50.

The universe’s favourite novelty politician returns with COUNT BINFACE: FACE OF THE ESTABLISHMENT, a one-hour dose of political comedy and sci-fi satire.

Galactic phenomenon Count Binface comes back down to Earth for his Edinburgh Festival Fringe appearance. Join Binface for his unique take on Britain, his special brand of sci-fi satire and, of course, his unbeatable manifesto.

Cheaper 99 Flakes? Check. The nationalisation of Adele? Check. The return of Ceefax? Check. Water bosses to take a dip in UK rivers to see how they like it? CHECK! FACE OF THE ESTABLISHMENT brings Binface’s unique dose of political comedy to the Edinburgh Festival Fringe for one night only.

Count Binface is the intergalactic space warrior and novelty politician who has delighted millions with his unlikely tilts at power in the United Kingdom. 

After taking on Theresa May in the 2017 General Election, cunningly disguised as ‘Lord Buckethead’, and challenging Boris Johnson in 2019, he ran for Mayor of London in 2021, receiving a glorious 92,896 votes and soaring into ninth place.

He returned to the mayoral race in 2024, winning 24,260 votes, earning the endorsement of a national newspaper and beating Britain First. 

Following his success at the Clacton-on-Sea by-election, where he won 9455 votes, Binface now returns to the stage with COUNT BINFACE: FACE OF THE ESTABLISHMENT.

Tickets from https://www.pleasance.co.uk/event/count-binface-face-establishment

Festival of Politics: Choppy waters ahead for Scotland’s water?

Our water and how to keep it clean, plentiful, and safe has very much been the subject of many news stories, documentaries, and conversations.

From climate change to scarcity and pollution – what plans are in place to secure Scotland’s water future?

You can be part of the discussion on this issue with panellists from University of Dundee the Environmental Rights Centre for Scotland, campaigner Peter Hammond, and Scottish Water.

📅 Fri 28 Aug – 11:15am

https://ow.ly/Mavj50ZyRMP

South Bridge assaults: Man arrested

A 33-year-old man has been arrested and charged in connection with a serious assault and an assault on South Bridge, on Saturday, 1 August, 2026.

Around 2.10am, a 42-year-old man was seriously assaulted and taken to the Royal Infirmary of Edinburgh for treatment.

Another man was assaulted on the same street and enquiries are continuing to trace the victim of that assault.

The 33-year-old man is due to appear at Edinburgh Sheriff Court at a later date.

A report will be submitted to the Procurator Fiscal.

Ian Murray opens new permanent home for the Fringe

THE Edinburgh Festival Fringe Society officially opened Fringe Central on Infirmary Street in the heart of the Old Town at the weekend.

The new permanent home for the Fringe Society was opened by Culture Minister Ian Murray, City of Edinburgh Council Culture & Communities Committee Convener Cllr Margaret Graham, Chief Executive of the Edinburgh Festival Fringe Society, Tony Lankester, City of Edinburgh Council Leader, Cllr Jane Meagher and Chair of the Edinburgh Festival Fringe Society, Benny Higgins. 

Fringe Central will be an inclusive, year-round hub for the Fringe community, providing support to artists in preparing and delivering their Edinburgh Festival Fringe experience.  They will be able to access services which include guidance on developing their show, support in achieving their future career ambitions and industry engagement, and advice on how to market and promote their work.

Throughout August, Fringe Central will be open daily, providing a friendly hub for artists and industry to connect and build relationships within the Fringe community. The 2026 Fringe Central programme includes a range of networking and industry events, helping performers build relationships with industry professionals from theatre, film and television to aid onward touring opportunities. 

Practical, in-person support from the Fringe Society team will be available to participants through one-to-one advice and artists will be able to access wellbeing services from local mental health partner Health in Mind.

Throughout the project, the Fringe Society has engaged with co-tenants Canongate Youth, who support young people in Edinburgh aged between 5 and 18, as well as other local community schools and groups, such as Royal Mile Primary School, Sciennes Primary School, James Gillespie’s High School and LGBT Youth Scotland, to ensure a space for local cultural expression and development was co-designed.

The project was made possible due to support from a range of partners, including the UK Government via the Department for Culture, Media and Sport, The Foyle Foundation, SP Energy Networks Transmission Net Zero Fund, Garfield Weston Foundation, and Changing Places Toilets Scotland Fund.

The Fringe Society would also like to thank the City of Edinburgh Council for supporting this project with the signing of a 99-year building lease.

Ian Murray, Culture Minister said:  ‘It was an honour to open the Fringe Society’s official new permanent home today. It’s been a long time coming and I am so pleased that we have been able to support this project with £7 million from the government.

“I know from my experience working at the Fringe when I was young just how transformational it can be, both for aspiring artists, comedians and producers, but also for the entire creative and cultural ecosystem of the UK.

“I hope this permanent new home will enable the Fringe Society to keep Edinburgh on the map as a world cultural hub and deliver more and more for our up and coming artists, as well as their international audiences and local communities, for decades to come.’

Cllr Margaret Graham, Culture and Communities Convener, said: ‘I’m so pleased that the new home for the Edinburgh Festival Fringe is now officially open.  This fantastic year-round city centre hub will provide a welcoming space for everyone involved in the Fringe, while also creating valuable opportunities for local cultural organisations to connect, collaborate and thrive.

“This is an important and significant investment by the Council in the future of the Fringe and in Edinburgh’s cultural life, ensuring that the world’s greatest arts festival has a permanent home at the heart of the city it belongs to and that Canongate Youth will be returning to their familiar home too.’

Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society said: ‘Opening Fringe Central today marks the realisation of nearly a decade of work for the Fringe Society, and we are incredibly proud to be opening this physical hub for performers and industry.

From today, Fringe Central is a welcome space to the Fringe community with artists able to access practical in-person support to deliver their work at the Festival Fringe. Year-round, Fringe Central will be open to Edinburgh’s residents, stakeholders, and our local arts community through support services and bookable rehearsal spaces.

“We are grateful for the support from the UK Government, the City of Edinburgh Council, and our wider funders and supporters in achieving this ambition.

“We look forward to welcoming the Fringe community into Fringe Central this August, and we encourage them to make the most of the opportunities available this month and beyond.’

Book of Shadows unleashed at Edinburgh Fringe in new shadow puppet show

Award-winning Japanese shadow puppet company Mochinosha/Book of Shadowz return to Edinburgh to unleash their latest creation upon the Fringe with the premiere of their brand new show, Book of Shadows – a hilarious occult mystery for grown-ups.

Teenage sceptic Vi is forced to live with her grandmother, who claims to be the 200-year-old mystic and spiritual guru Madam Blavatsky. When Vi’s friends begin to disappear, she reluctantly teams up with Granny to uncover a conspiracy of séances, unhinged cultists and suspiciously interested government agents.

A visually stunning dark comedy based on a possibly true story, Book of Shadows dives into the mysterious world of the occult and mysticism where audiences can draw their own conclusions as to what to believe.

Mochinosha / Book of Shadowz was founded in 2012 by Canadian artist Daniel Wishes and Japanese artist Seri Yanai and are known for their use of colourful hand-crafted shadow puppets to create live analogue shadow animation.

The company has been recognised with awards from festivals around the world, including Critic’s Choice (Orlando Fringe, USA), Outstanding Production (Suginami Theatre Festival, Japan), and The Spookies Jury’s Choice Award (Edinburgh Fringe, UK).

Written by Daniel Wishes and performed together with Seri Yanai, Book of Shadows is a prelude to a larger tale exploring the occult and esoteric. The first chapter premieres at the Edinburgh Fringe 2026, told through Mochinosha / Book of Shadowz’ signature shadow animation and puppetry, with a pitch-black sense of humour that will appeal to those of a weird and surrealist disposition.

Book of Shadows premieres at the Edinburgh Fringe, 18:30 at Underbelly Cowgate’s Big Belly, 05 – 30 August 2026 (no show 19-Aug).

Book of Shadows Mochinosha / Book of Shadowz

18:30 05 – 30 Aug | Underbelly Cowgate, Big Belly
edfringe.com/tickets/whats-on/book-of-shadows 

Free Digital Support Sessions at Central Library!

Need help with everyday digital skills? Join us later this month for free support sessions with volunteers from Lloyds Banking Group.

Tuesday 18th & 25th August

2:30pm – 4:30pm

Central Library (Mezzanine Level)

💻 Bring your own device and get one-to-one help with:

✅ Browsing the internet

✅ Using email and apps

✅ Social media and video calls

✅ Staying safe online

✅ Accessing services and banking

✅ Creating documents and sharing photos

Book your spot or drop in on the day!

Email: getonline@edinburgh.gov.uk

Phone: 07716 702180

#GetOnline

#DigitalInclusion

#EdinburghLibraries

#DigitalSkills

Arts festivals put Scotland on global stage

Deputy First Minister attends opening concert

Edinburgh’s festivals provide a “global platform” for Scotland as well as the artists who take part in performances, the Deputy First Minister has said.

Jenny Gilruth will attend the opening concert of the Edinburgh International Festival – All Rise – tonight along with Public Finance Minister Hannah Mary Goodlad.

It comes after the First Minister last night (Friday) attended the opening evening of ‘A Trial’, a special collaboration between the Edinburgh International Festival, Festival d’Avignon and Holland Festival, the three European festivals established in 1947.

Funding for the August festivals in Edinburgh has increased to £6.3 million this year through both the Multi-Year Funding programme and Expanded Festivals Fund provided through Creative Scotland. The Edinburgh Festival Fringe Society received £500,000 in 2026-27 to support ongoing digital transformation work, including a new website to coincide with the 80th anniversary of the Fringe next year.

Ms Gilruth said: “Edinburgh’s festivals provide a global platform for Scotland and for all the talented performers who take part. They also bring hundreds of thousands of visitors to the capital throughout August with all the economic benefits that brings.

“They are invaluable for Scottish artists and performers to develop and support their ambition and creativity, providing opportunities to showcase their work nationally and internationally.

“These festivals also send out a clear message that Scotland is an open and welcoming country, reinforcing how the culture and arts sector occupy such an important place at the heart of our national identity.

“Increasing investment into Edinburgh’s Festivals forms part of the Scottish Government’s commitment to increase culture funding by £100 million annually by 2028-29, ensuring the benefits and chances to participate are enjoyed across the country.    

“I am delighted to be attending the opening concert of this year’s Edinburgh International Festival and thank everyone involved in the tremendous range of shows on offer across all the festivals in the city this month.”

The Scottish Government has a long term commitment to providing £100 million more per year into the culture budget as a whole by 2028-29, compared to 2023-24

As part of this commitment, the 2026-27 Expanded Festivals Fund supports the ambitions of 55 arts festivals across Scotland and recognises their vital role as platforms for artists and performers. 

Taken together, eight Edinburgh Festivals will receive just over £20.5m of Multi-Year Funding under Creative Scotland’s Multi-Year (2025-28) Funding Programme (MYF).

Scotland 2026 – who gets to belong?

FESTIVAL OF POLITICS – SCOTTISH PARLIAMENT

MONDAY 17th AUGUST 5.30 – 6.30pm

With growing polarisation, mistrust, and a sense of being left behind for many communities, how can Scotland bring diverse voices together, move from division to empathy, and ensure community voices are at the heart of decision-making?

Come along and take part in this free panel discussion at the Scottish Parliament on 17 August: https://ow.ly/zmb450Zx3oS

(featuring The artwork of Gerard M Burns)

Chair: 

Katie Hagmann MSP, Convener, Equalities, Human Rights and Civil Justice Committee

Panellists:

Dr Hayley Bennett is Senior Lecturer in Social Policy at the University of Edinburgh. Her research focuses on the design and delivery of social security, labour market programmes, and anti-poverty initiatives for the working-age population in the UK.

Gerard M Burns is an artist and studied drawing and painting at the Glasgow School of Art, graduating in 1983. Burns has had a successful teaching career, leaving his post as Principle of Art at Glasgow’s St Aloysius College to focus full time on painting. He has completed commissions for a number of private and commercial collections, notably his painting The Rowan which hangs in the Scottish Parliament.

Professor Dr Nasar Meer FRSE is Professor of Social and Political Sciences at the University of Glasgow and Academic Chair of the Stuart Hall Foundation. He has been a Commissioner on the Royal Society of Edinburgh’s Post-COVID-19 Futures Inquiry, a Member of the Scottish Government COVID-19 and Ethnicity Expert Reference Group. He has previously held a Minda de Gunzburg Fellowship at Harvard University, and is a Fellow of the Royal Society of Edinburgh, the UK Academy of Social Sciences, and a past recipient of the RSE Thomas Reid Medal.

Yuliia Hryshchenko is the founder of SCIO Music & Art Centre Nightingale. After fleeing Ukraine with her three children in 2022, she rebuilt her life in Scotland and turned her family’s journey into a mission to make arts accessible to every child.

She believes creativity can heal, build confidence and strengthen communities.

Festival of Politics: Caring Scotland?

Join us for a free event exploring the testimony of Scotland’s Care Experienced community on 17 August.

The Promise sets out that by 2030 every child in Scotland will grow up loved, safe and respected to realise their full potential. Yet, over half of Scotland’s looked-after children live in the most deprived areas, are more likely to have additional support needs, lower school attendance and higher rates of exclusion.

How far has Scotland come in fulfilling The Promise?

The panel also features award-winning actor, producer and author Scott Kyle (best known for his role in Outlander).

Book your tickets here: https://ow.ly/PTu250ZwBQ1

National Theatre of Scotland

Royal Conservatoire of Scotland

National Leadership Network – YPCE

The Promise Scotland