Scottish Labour MSP Sarah Boyack has branded Humza Yousaf’s time as Health Secretary “catastrophic” as new figures reveal NHS waiting lists in Lothian soaring on his watch.
At the end of March, as Humza Yousaf departed as Health Secretary, there were 123,481 people in Lothian on an NHS waiting list.
This is a shocking 25 per cent increase since the same point in 2021, shortly after Humza Yousaf took over the role.
Across Scotland waiting lists are at a record high, with around 1 in every 7 Scots currently on an NHS waiting list.
Scottish Labour branded this a “national emergency” and called for the Scottish Government to support NHS Lothian and implement a real NHS catch-up plan.
Commenting, Scottish Labour MSP Sarah Boyack said “People in Lothian have been badly let down by this incompetent SNP government and their disastrous stewardship of our NHS.
“It should worry us all that First Minister Humza Yousaf left behind such a catastrophic legacy as Health Secretary.
“Despite the tireless efforts of NHS staff, record numbers of Scots are stuck languishing on NHS waiting list, including more than 120,000 people in Lothian.
“Blame for this national emergency lies squarely with Humza Yousaf and his failed NHS recovery plan, which saw waiting lists in NHS Lothian spiral by 25% after the pandemic.
“The SNP government must support NHS Lothian and deliver a real catch-up plan to help it recover from the damage inflicted by both the pandemic and by this disastrous government.”
Supporting information from third sector organisations to be given equal consideration
Third sector organisations are to be paid a fee for helping provide supporting information for people applying for Child Disability Payment or Adult Disability Payment. The £33.50 fee will be paid when they are asked by Social Security Scotland to complete a supporting information request form.
People who are applying for disability benefits who find it difficult or face barriers gathering supporting information themselves will be able to name organisations to provide this for them.
These can include third sector organisations that are helping them in their day-to-day lives, such as those offering social care or support during an illness. Collecting supporting information on behalf of people is a key difference in how people are encouraged and supported to apply for Scottish Government disability benefits.
Supporting information request forms are completed to help understand how a person’s health condition or disability affects their lives and what support they need. As well as information from health and social care professions, information could also come from charities and third sector organisations who support disabled people.
The process of requesting and giving equal consideration to supporting information from third sector organisations is not offered by the Department for Work and Pensions in England and Wales and is an example of how Social Security Scotland is doing things differently to better support people applying for benefits.
If disabled people need additional help to apply for Scottish Government benefits the free and independent Advocacy Service, provided by VoiceAbility, helps people throughout the whole of the process, from the point of application, through to any request for redetermination and appeal.
Cabinet Secretary for Social Justice, Shirley-Anne Somerville said:“We know that third sector organisations supporting disabled people are often best placed to provide information on their conditions and needs which is why we are introducing this payment.
We recognise the value of the information that organisations supporting disabled people can supply and we want to put it on an equal footing with the information from other professionals, such as social care staff or GPs
“People who are applying for disability benefits often have extra support from charities and third sector organisations. This new system will give people more choice in who can help them provide Social Security Scotland with the information that is needed as part of their application, which will help them apply for Child Disability Payment or Adult Disability Payment.
“We are committed to making sure everyone gets the financial support they are entitled to and we actively work to encourage take-up of Scottish Government social security benefits by promoting our 13 benefits, collaborating with various organisations and removing barriers to access.”
Social Security Scotland pay a fee for the supporting information form when they have requested the completion of a form in writing from an organisation.
Independent GPs, and those employed by independent GP practices, also get a fee when they are asked to provide information.
Clients can approach third sector organisations to provide supporting information on their behalf. Organisations will not be paid a fee unless Social Security Scotland directly request the information.
Third sector organisations who have already been asked to provide supporting information for clients receiving Child Disability Payment or Adult Disability Payment before the fee payments process was in place will be able to have their payments backdated.
Guidance will be provided to any third sector organisation who is asked by to provide supporting information, with information also available on Social Security Scotland’s website.
If someone applying for disability benefits has supporting information available, they are encouraged provide it with their application, Examples of supporting information are medical reports, a social care assessment, a prescription list or test results.
The Declaration of Arbroath has gone on display at the National Museum of Scotland for the first time in 18 years.
The display has been organised in partnership between National Museums Scotland and National Records of Scotland, who are custodians of the Declaration. The famous document will be on show from 3 June to 2 July 2023.
The Declaration of Arbroath was last displayed 18 years ago at the Scottish Parliament. The iconic and fragile 700-year-old document, which is cared for and preserved for future generations by National Records of Scotland, can only be displayed occasionally in order to ensure its long-term preservation.
The Declaration was due to be displayed in April 2020 to coincide with its 700th anniversary, but this was postponed due to the pandemic. The new summer date has been chosen to give as many people as possible the rare chance to see one of Scotland’s most important historical documents.
The Declaration of Arbroath is a letter dated 6 April 1320, written by the barons and freeholders of Scotland, on behalf of the Kingdom of Scotland, to Pope John XXII asking him to recognise Scotland’s independence and acknowledge Robert the Bruce as the country’s lawful king.
The letter also asks the Pontiff to persuade King Edward II of England to end hostilities against the Scots, so that their energy may be better used to secure the frontiers of Christendom.
The Declaration was probably drafted at a meeting of the King and his council at Newbattle, then written up in the scriptorium of Arbroath Abbey. Written in Latin, it was sealed by eight earls and about 40 barons. It was authenticated by seals, as documents at that time were not signed. Only 19 seals now remain.
Alice Blackwell, Senior Curator of Medieval Archaeology and History at National Museums Scotland said, “It is great to be able to display the Declaration of Arbroath here at the National Museum of Scotland, the home of our nation’s material history and the country’s most visited attraction.
“We look forward to welcoming many visitors to enjoy the rare opportunity of seeing this hugely significant document in person.”
Culture Minister Christina McKelvie said: “The Declaration of Arbroath is of great historic and cultural interest to people living in Scotland as well as the sizeable Scottish diaspora around the world.
“I hope people from across the country, and further afield, will take this rare opportunity to visit our wonderful national museum to view this iconic document which has played such an important part in the history of our country.”
Dr Alan Borthwick, Head of Medieval and Early Modern Records, National Records of Scotland, said: “The Declaration of Arbroath is one of the most significant documents we have in our collections.
“At National Records of Scotland we are hugely proud of the role we play in conserving it to ensure it is still here for future generations to see and study.
“We hope people from Scotland and beyond will take this rare opportunity to see it for themselves.”
The Declaration was written during the long Wars of Independence with England when, despite the Scots’ success at the Battle of Bannockburn, Robert I had not been recognised as king by either Edward II or by the Pope, and had been excommunicated by the latter.
At this time, the Pope desired peace between England and Scotland, so both could help in a crusade to the Holy Land. The Declaration sought to influence him by offering the possibility of support from the Scots for his long-desired crusade if they no longer had to fear English invasion.
After receiving the Declaration, the Pope urged reconciliation between the warring sides and a truce was agreed in 1323. A peace treaty was signed between England and Scotland in March 1328 and the following year the Pope issued a papal bull permitting the anointing and crowning of a King of Scots.
The peace was short-lived, however, as the Second War of Independence broke out in 1332 and went on for 25 years.
Shortening the distance of the £40,000 Edinburgh Cup at Musselburgh today (Sat 3 June) seems to have appealed to Middleham trainer Charlie Johnston who is triple-handed in the nine furlong handicap.
Musselburgh Racecourse general manager Bill Farnsworth revealed earlier that trimming the race from 12 furlongs (1 ½ miles) to just 1⅛ mile was done to attract a larger quality field of three year olds.
Farnsworth said: “At this time of year the pool of three year old horses who can run 12 furlongs is quite small so by reducing The Edinburgh Cup to nine furlongs, that little drop in distance could lead to a bigger quality field.
“By changing the distance the race now provides the ideal steppingstone to the Britannia Handicap for 3 year olds over 8f (1 mile) or the Golden Gates Handicap for 3 year olds over 10f (1 ¼m) at Royal Ascot in mid-June.”
Johnston, now operating with his sole name on the license, will be represented by Venetian, Lion Of War and Gareeb, who is partnered by stable jockey Joe Fanning.
Top-weight, under 9st 9lb, is Coco Jack from the Newmarket stable of George Scott, who has only had one previous runner – without success – at Musselburgh, while Ian Williams-trained Dancing In Paris arrives in great heart having already won at Haydock and finished a close second at Sandown this spring.
Lightly-raced Old Smoke, from the Richard Fahey camp, wasn’t beaten far in the London Gold Cup at Newbury recently while Keith Dalgleish’s Iato’s Angel was only just pipped over course and distance in a fillies’ handicap in April.
The second £40,000 race, The Queen of Scots Fillies’ Stakes, is Musselburgh’s only Class 1 Listed Flat race of the season and the Musselburgh boss reckons this is probably the best race in Scotland for fillies and mares.
Heredia is the likely market-leader and trained in Wiltshire by Richard Hannon, she beat 27 rivals in last year’s Buckingham Palace Stakes at Royal Ascot.
White Moonlight, representing Saeed bin Suroor, was a close runner-up in Group 2 company during the winter in Dubai, and Basil Martini, just the third runner at the track for Irish handler Joseph O’Brien, won a Group 3 contest at the Curragh last autumn.
The Edinburgh Cup Raceday, sponsored by Edinburgh Gin, is also Derby Day and Musselburgh’s first race has been brought forward to the slightly earlier 1.15pm slot in support of the main Epsom classic, which is off at 1.30pm and will be shown throughout the East Lothian track.
“Derby Day is a huge day for racing and it adds an extra dimension to our own fixture, with an extra buzz around the place and everyone gathered in front of our big screens,” added Farnsworth.
“For those unable to be at Epsom itself, Musselburgh offers a great experience to soak up the unique atmosphere that turf racing creates and we expect a big crowd today.”
Gates open at 11.30am, the first race is at 1.15pm and the last race at 4.50pm. Tickets will cost £40 on the day for adults, while children aged 17 and under go for free. Concession tickets will cost £25 on the day for those who are eligible.
For more information and to book tickets please visit:
More than £15 million has been awarded to a range of projects supporting people affected by problem substance use.
These include residential rehabilitation services, support for those affected by addiction and homelessness and programmes working with children and families affected by a loved one’s substance use.
The number of lives lost to drugs is still too high in Scotland and these funds are vital for those services working on the frontline to help those affected and their families.
Simon Community Scotland is one of the latest recipients, receiving £408,000 to deliver a new Edinburgh-based project, ‘We See You’, offering people who are homeless and using substances a safe space and access to a range of support services.
Drugs and Alcohol Policy Minister Elena Whitham said: “The National Mission funds have now supported 300 projects but we know there is much work still to do.
“These organisations save lives and we want to support them so they can extend as far into their communities as possible and offer people the support they need when and where they need it.
“Through our £250 million National Drugs Mission, we are focused on supporting everyone affected by problem substance use, delivering real change on the ground and implementing evidence-based approaches to improve and save lives.”
Simon Community Scotland CEO Lorraine McGrath said: “We are delighted to have been awarded funding for our ‘We See You’ project in Edinburgh.
“The project brings a wide range of partners together to work with people who often feel excluded from services, creating an inclusive response that improves health, saves lives and challenges what is possible.
“Simon Community Scotland has been driving service change and innovation in reducing drug deaths and harms within the population we support. This is an exciting step towards achieving even greater health improvement in Edinburgh.”
These recent awards for multi-year funding are made through the Corra Foundation which supports the Scottish Government with its funding processes as part of the National Drugs Mission. £65 million has been awarded through Corra over the duration of the National Mission to support third sector and grassroots organisations.
A total of 300 grants have now been made from the funds set up as part of the National Drugs Mission.
The NSPCC is calling on nurseries and schools across Scotland to join us for the Childhood Day Mile and raise vital funds to help keep children safe.
Childhood Day, on Friday 9 June, is our flagship day of fundraising where children and adults are encouraged to walk, hop, skip or wheel a mile to help raise money for children across the UK.
We’re asking schools, organisations, families and friends across Scotland to sign up.
Details on how to take part and help us raise funds for NSPCC projects can be found on the NSPCC’s online Childhood Day Hub and there are resources available to schools, nurseries and childcare groups that sign up.
We’re also looking for friendly volunteers to support us at collection points in the following places:
Morrisons, Aberdeen: Saturday, June 3, 10am-6pm
Glasgow City Centre, Buchanan Street: Friday, June 9, 11am-5pm
Asda, Aberdeen: Friday 9 June, 11am-5pm
Lidl Robroyston, Glasgow: Saturday, June 10, 10am-6pm
Old Meldrum Sports & Highland Games, Inverurie: Saturday, June 17, 11am-3pm
Whether it’s by fundraising, donating, volunteering at a collection or taking action, we’re asking people to play their part to help keep children safe from abuse.
Simply search your postcode in the link below to find the nearest collection point to you.
Exhibition marks 200th anniversary of Raeburn’s death, giving fascinating insights into Enlightenment Edinburgh
Exhibition at Georgian House from 2 June to 26 November 2023 is free to NTS members and includes audio of sitters’ experiences, workshops, tours and a Raeburn’s Edinburgh walking route
A new exhibition of Raeburn portraits, at the National Trust for Scotland’s Georgian House in Edinburgh, opens the doors on the painter’s career, his subjects’ experiences of sitting for portraits, and life in Enlightenment Scotland.
The Raeburn’s Edinburgh exhibition brings together 18 carefully-selected portraits and engravings, including a self-portrait, from across six National Trust for Scotland properties for the first time. It tells stories of the artist, the people who sat for him, and the society and attitudes of the city they inhabited.
In parallel, a programme of events and interpretation organised by the conservation charity will illuminate different aspects of Raeburn’s Edinburgh, covering topics from print culture and maps, to historic links to the Caribbean and how visitors can research their own Scottish family history (perhaps finding a link to someone Raeburn painted). Family events include paper-cutting and collage workshops for children aged six and upwards.
Curating the exhibition is Dr Antonia Laurence-Allen, National Trust for Scotland’s Curator (Edinburgh & East), who said: “Many people are familiar with Raeburn’s work, through portraits such as The Skating Minister – or, to use its official title, Reverend Robert Walker (1755-1808) Skating on Duddingston Loch – on show in the Scottish National Gallery.
“But there’s so much more to Raeburn and his world. Using our charity’s Raeburn collection, we’ve created an intimate and inspiring visitor experience which aims to offer insights into the privileged and enlightened world he moved in.
“Raeburn was very much a man of the moment, during one of the capital’s most vibrant periods, painting everyone from advocates to astronomers and aristocrats. This is illustrated through the portraits we have chosen for the exhibition, each of which has a unique Edinburgh connection and an individual story about Raeburn, to provide a unique and fascinating picture of the city.
“We look forward to introducing both local visitors and tourists to Raeburn’s Edinburgh, and hope that the stories and histories woven into this exhibition will give them a richer sense of the city’s wonderful heritage and its relevance today.”
One feature of the exhibition, designed to engage visitors of all ages, is a series of audio recordings. These share the stories and viewpoints of sitters, such as why they commissioned the portrait, how they paid for it, how they chose their outfit, and what they felt about the experience.
The short multi-perspective audio stories give fresh insights into the sitters themselves and the working practices of one of Scotland’s best-known painters.
They also create a vivid mosaic of the time, helping the visitors of the 21st century to imagine, for themselves, the Edinburgh of centuries back.
Also helping them to do this is a map of Edinburgh, dating back to 1821, which covers one wall of the exhibition. This pinpoints key locations in Raeburn’s life, including his studios in the New Town’s George Street and York Place, and Ann Street in Stockbridge, part of a property development scheme he hoped would sort out his financial worries following a bankruptcy. Visitors can then walk around these locations themselves, as the map is also available in a takeaway leaflet.
The exhibition has also been innovative for its focus on developing staff and volunteer skills.
“Our goal has been to increase opportunities for learning as we develop projects like this,” commented National Trust for Scotland conservator for Edinburgh and East, Lesley Scott.
“Employees and volunteers at the Georgian House were invited to take part in workshops on stabilising and cleaning frames, which was necessary for displaying the engraved prints. By upskilling our teams, allowing them to understand how materials age and learn methods for preservation, we are investing in future collections care in line with our strategic engagement objectives.“
Adding to the sense of engagement and community around the exhibition, the audio stories of the sitters have been voiced by Georgian House team members, including volunteers. Dozens of volunteers, and even their family members, have also stepped forward to steward for the exhibition.
Philip Long OBE, Chief Executive of the National Trust for Scotland, added, “Among the 300,000-plus precious objects our conservation charity cares for and shares are remarkable portraits by Raeburn, spread across properties including Alloa Tower, Castle Fraser, Craigievar Castle, Fyvie Castle and Hill of Tarvit, as well as the Georgian House in Edinburgh’s New Town.
“It’s exciting to bring them some of them together for the first time, enabling our members, visitors and other supporters to see some of Raeburn’s finest work, and hear different perspectives on it.
“By using creative, inclusive interpretation and activities that connect and engage different audiences with this work, we’re helping to deliver the engagement objectives in the National Trust for Scotland’s 10-year strategy,
“Nature, Beauty and Heritage for Everyone: providing access and enjoyment for everyone I hope that people of all ages will enjoy seeing and hearing the people, locations, stories, and experiences of Raeburn’s Edinburgh, and I’m very grateful for the support of National Trust for Scotland members, volunteers, donors and visitors. This support makes it possible to organise exhibitions like this and to protect, care for and share Scotland’s heritage.”
Raeburn’s Edinburgh opens at the Georgian House, in Edinburgh’s Charlotte Square today – 2 June 2023 – and runs until 26 November. The exhibition is included in admission to the Georgian House, which is free for National Trust for Scotland members.
Fife musician Cammy Barnes is the only Scot to make it to the live shows and returns to Edinburgh Castle to record special video performance
A talented musician who wowed crowds at last year’s Royal Edinburgh Military Tattoo has become the only Scot to make it through to the Britain’s Got Talent live semi-finals.
Cammy Barnes, 32, from Fife, won over the BGT judges with a passionate performance of Olivia Rodrigo’s ‘Drivers Licence’ and will now vie for a place in Saturday’s live final.
A barber by trade and gifted bagpiper, Cammy was part of the Electro Pipes performers at last year’s Tattoo, who provided a fresh addition to the Show on the Edinburgh Castle Esplanade, mixing the traditional bagpipes with modern, electronic music, combined with state-of-the-art projection and lighting.
To celebrate his success on the show, the Tattoo welcomed Cammy back to Edinburgh Castle to record a special video performance of Wild Mountain Thyme. Cammy was joined by Stevie Small, Production Manager at the Tattoo, who played the pipes, set against the stunning Edinburgh skyline.
The Tattoo is committed to supporting emerging talent and providing talented performers – like Cammy – with a platform to play to audiences from around the world. He also played a starring role in the Show’s finale last year, singing Walking on the Waves in an emotional and powerful performance alongside Tattoo acts from around the world.
Cammy said:“It was always my dream to play at Edinburgh Castle so I’m forever indebted to the Tattoo and the whole team there for giving me the opportunity to play in such an iconic Show alongside so many talented people from around the world.
“My Dad was actually a lone piper at the Tattoo back in the day, so for it to come full circle, with me performing on the same Castle Esplanade was something really special. The team at the Tattoo are so good about giving fresh talent like me a chance to showcase their skills.
“Little did I know just a year on I’d be auditioning in front of Simon Cowell and the other judges and there’s no doubt that my time performing last year in the Tattoo really helped build my confidence to just go for it. I’d really urge people to snap up tickets for this year’s Show as the whole experience of the Tattoo, whether performing or watching, is a spectacle to behold.
“I can’t thank everyone at the Tattoo enough for their support so far and for giving me the opportunity to come back to perform at Edinburgh Castle alongside Stevie. I really hope I can do them and the whole of the country proud at the semi-finals. I’ll definitely be giving it my all for Scotland!”
Cammy recently became a father to his young daughter Bonnie and aims to make her proud throughout his BGT experience.
Buster Howes, Chief Executive of The Royal Edinburgh Military Tattoo, said: “Cammy’s one of those personalities you instantly warm to and we couldn’t be prouder of him and his efforts on Britain’s Got Talent.
“We’re an organisation that places an emphasis on emerging talent so to see Cammy’s talent continue to flourish is fantastic. We were only too happy to help facilitate his special performance of Wild Mountain Thyme at the iconic Edinburgh Castle.
“His energy during both the Electro Pipes and his singing in the finale really captured the imagination at our Show last year and you could feel the buzz he brought to the Esplanade when he and his fellow performers showcased their talents.
“On behalf of everyone at the Tattoo, I wish Cammy all the best in the semi-finals and would urge everyone to get behind him and give him their vote.”
The 2023 Show, Stories will be staged between 4-26 August, and will be a celebration of sagas, myths, and legends, transporting audiences on a journey of ideas – from the earliest campfire stories through to the world stage.
Building on last year’s successful return show, Voices, the 2023 performance, with Presenting Partner, Innis & Gunn, will showcase performers from around the globe, telling tales that connect us through our unique and shared military and cultural heritages.
Tickets for Stories can be purchased online at edintattoo.co.uk/tickets or on the phone on 0131 225 1188. To watch Cammy’s special Edinburgh Castle performance, please visit edintattoo.co.uk or the Tattoo’s social channels.
This week, firefighters have battled a wildfire that started burning on Sunday afternoon near Cannich, south of Inverness in the Scottish Highlands. 7,400 hectares have burned so far, with images of the 22-mile long plume of smoke captured by NASA from space.
Two firefighters injured tackling the blaze have since been released from hospital.
Wildfires require a significant number of firefighters to respond due to the extensive terrain, physically demanding work over long periods of time, transporting equipment by hand while being exposed to significant temperatures.
A decade of budget cuts has left Fire and Rescue Services stretched for resources while climate related incidents have increased in frequency and severity. J
uly 2022 saw the temperature in parts of the UK exceed 40 degrees centigrade for the first time in recorded history, increasing the risk of wildfires.
Last week the Scottish Fire and Rescue Service announced further cuts on top of a decade of austerity. These cuts will see the loss of ten fire appliances, reducing fire cover and impacting firefighters’ ability to respond to incidents.
Since 2010, 11,500 firefighters have been cut across the UK, and Scotland alone has lost 1,100 firefighters since 2013.
Matt Wrack, FBU General Secretary said:“Throughout this week, firefighters in Scotland have bravely battled what is now believed to be one of the biggest wildfires in UK history and which can be seen from space.
“Two of our members have already been injured working in these extreme conditions. Thankfully both have now returned home. However, this shows us the real dangers of the climate emergency.
“Wildfires, such as the ones we are seeing in Cannich at the moment, are on the rise year on year.
“All governments must heed this stark warning: the climate crisis is here now. We need urgent climate action to prevent loss of life, and that must also involve serious investment in our fire services.”
Scottish Conservative & Unionist MSP Miles Briggs is supporting calls for ‘Hugo’s Law’ to pass in the Scottish Parliament, making it law that drivers must contact a vet, the police and the RSPCA in the event that they hit a cat.
The calls come after Hugo, a much-loved cat that stalked the streets of Edinburgh’s West End, sadly died last month after being struck by a car. Those who loved Hugo are now leading the calls for a change in the law.
At present, motorists are obliged to inform the authorities if they hit dogs, horses, sheep, pigs, foxes, badgers, mules, cows and goats with their vehicle, under a section of the Road Traffic Act 1988, which applies to England, Scotland and Wales. A vet must also be contacted to look over the animals and treat them for injuries, however this section does not apply to cats.
Mr. Briggs has already written to the Scottish Government requesting a meeting so that discussions around the law change can begin.
Lothian MSP Miles Briggssaid: “I wholeheartedly support the campaign for ‘Hugo’s Law’ to change the law on stopping for animals to include cats.
“A cat’s life is worth no less than a dog’s and a change in the law would increase the chances of survival for cats who are struck by vehicles.
“It is imperative we include cats so that more people are not left bereft like Hugo’s family.
“A change in the law would bring comfort to Hugo’s family and other cat owners who will be safe in the knowledge that tragic incidents such as Hugo’s passing can be avoided, and that is why I am seeking a meeting with government officials to push this through”.
