Swiss art collective PROJEKTIL brings its vivid light and sound show to Edinburgh from 31 January, following acclaimed runs in Glasgow, Liverpool and Leeds
Enlightenment by EONARIUM is coming to Edinburgh’s McEwan Hall on 31 January, following acclaimed runs in Glasgow, Liverpool and Leeds.
In a dynamic immersive journey, visitors will be enveloped in stunning visuals and captivating soundscapes inspired by Vivaldi’s The Four Seasons. The waitlist is now live on Fever, the leading tech platform for discovering live entertainment, for those eager to experience this one-of-a-kind event.
Presented by the Zurich-based artist collective PROJEKTIL, in collaboration with Fever, Enlightenment promises to be visually and spiritually uplifting.
The show will transform the iconic McEwan Hall at the University of Edinburgh into a sensory journey with vibrant light projections and the iconic melodies of Vivaldi’s The Four Seasons.
PROJEKTIL has revitalised Vivaldi’s original compositions by rearranging and recording them specifically to enhance the immersive experience, blending classical elements with a contemporary touch.
Designed by Sir Rowand Anderson in the late 1800s and adorned with 15 hand-painted mural panels, McEwan Hall stands as a stunning Victorian landmark and the perfect backdrop for audiences to be enveloped by the spellbinding visuals and sounds of Enlightenment.
The 30-minute installation is divided into scenes, each designed to be enjoyed while seated on comfortable chairs or bean bags, allowing guests to gaze up at the projections that adorn the ceiling and walls. They can expect to take in spring, summer, autumn and winter like never before.
The journey also consists of two final stops into the magic of the universe, taking viewers directly to “Samsara”, a concept borrowed from Hindu, Buddhist and Jain cultures that describes the endless cycle of rebirth and suffering, and “Nirvana”, the attainment of ultimate enlightenment and liberation from samsara.
It’s a fascinating experience that can be enjoyed by children and adults, friends and families alike.
Using video mapping technology, the show creates a precise and immersive environment, melding imagery with the sounds of classical music to fully engage and mesmerise the audience.
Sign up to the waitlist now on Fever’s platform for an exclusive presale access before general sale on 18 December.
Practical information
Location: McEwan Hall, The University of Edinburgh, Teviot Pl, Edinburgh, EH8 9AG
Duration: 30 minutes
Price: From £10.90 (General Admission), £7.90 (Child) and £9.90 (Students and Seniors)
Exhibition marks 200th anniversary of Raeburn’s death, giving fascinating insights into Enlightenment Edinburgh
Exhibition at Georgian House from 2 June to 26 November 2023 is free to NTS members and includes audio of sitters’ experiences, workshops, tours and a Raeburn’s Edinburgh walking route
A new exhibition of Raeburn portraits, at the National Trust for Scotland’s Georgian House in Edinburgh, opens the doors on the painter’s career, his subjects’ experiences of sitting for portraits, and life in Enlightenment Scotland.
The Raeburn’s Edinburgh exhibition brings together 18 carefully-selected portraits and engravings, including a self-portrait, from across six National Trust for Scotland properties for the first time. It tells stories of the artist, the people who sat for him, and the society and attitudes of the city they inhabited.
In parallel, a programme of events and interpretation organised by the conservation charity will illuminate different aspects of Raeburn’s Edinburgh, covering topics from print culture and maps, to historic links to the Caribbean and how visitors can research their own Scottish family history (perhaps finding a link to someone Raeburn painted). Family events include paper-cutting and collage workshops for children aged six and upwards.
Curating the exhibition is Dr Antonia Laurence-Allen, National Trust for Scotland’s Curator (Edinburgh & East), who said: “Many people are familiar with Raeburn’s work, through portraits such as The Skating Minister – or, to use its official title, Reverend Robert Walker (1755-1808) Skating on Duddingston Loch – on show in the Scottish National Gallery.
“But there’s so much more to Raeburn and his world. Using our charity’s Raeburn collection, we’ve created an intimate and inspiring visitor experience which aims to offer insights into the privileged and enlightened world he moved in.
“Raeburn was very much a man of the moment, during one of the capital’s most vibrant periods, painting everyone from advocates to astronomers and aristocrats. This is illustrated through the portraits we have chosen for the exhibition, each of which has a unique Edinburgh connection and an individual story about Raeburn, to provide a unique and fascinating picture of the city.
“We look forward to introducing both local visitors and tourists to Raeburn’s Edinburgh, and hope that the stories and histories woven into this exhibition will give them a richer sense of the city’s wonderful heritage and its relevance today.”
One feature of the exhibition, designed to engage visitors of all ages, is a series of audio recordings. These share the stories and viewpoints of sitters, such as why they commissioned the portrait, how they paid for it, how they chose their outfit, and what they felt about the experience.
The short multi-perspective audio stories give fresh insights into the sitters themselves and the working practices of one of Scotland’s best-known painters.
They also create a vivid mosaic of the time, helping the visitors of the 21st century to imagine, for themselves, the Edinburgh of centuries back.
Also helping them to do this is a map of Edinburgh, dating back to 1821, which covers one wall of the exhibition. This pinpoints key locations in Raeburn’s life, including his studios in the New Town’s George Street and York Place, and Ann Street in Stockbridge, part of a property development scheme he hoped would sort out his financial worries following a bankruptcy. Visitors can then walk around these locations themselves, as the map is also available in a takeaway leaflet.
The exhibition has also been innovative for its focus on developing staff and volunteer skills.
“Our goal has been to increase opportunities for learning as we develop projects like this,” commented National Trust for Scotland conservator for Edinburgh and East, Lesley Scott.
“Employees and volunteers at the Georgian House were invited to take part in workshops on stabilising and cleaning frames, which was necessary for displaying the engraved prints. By upskilling our teams, allowing them to understand how materials age and learn methods for preservation, we are investing in future collections care in line with our strategic engagement objectives.“
Adding to the sense of engagement and community around the exhibition, the audio stories of the sitters have been voiced by Georgian House team members, including volunteers. Dozens of volunteers, and even their family members, have also stepped forward to steward for the exhibition.
Philip Long OBE, Chief Executive of the National Trust for Scotland, added, “Among the 300,000-plus precious objects our conservation charity cares for and shares are remarkable portraits by Raeburn, spread across properties including Alloa Tower, Castle Fraser, Craigievar Castle, Fyvie Castle and Hill of Tarvit, as well as the Georgian House in Edinburgh’s New Town.
“It’s exciting to bring them some of them together for the first time, enabling our members, visitors and other supporters to see some of Raeburn’s finest work, and hear different perspectives on it.
“By using creative, inclusive interpretation and activities that connect and engage different audiences with this work, we’re helping to deliver the engagement objectives in the National Trust for Scotland’s 10-year strategy,
“Nature, Beauty and Heritage for Everyone: providing access and enjoyment for everyone I hope that people of all ages will enjoy seeing and hearing the people, locations, stories, and experiences of Raeburn’s Edinburgh, and I’m very grateful for the support of National Trust for Scotland members, volunteers, donors and visitors. This support makes it possible to organise exhibitions like this and to protect, care for and share Scotland’s heritage.”
Raeburn’s Edinburgh opens at the Georgian House, in Edinburgh’s Charlotte Square today – 2 June 2023 – and runs until 26 November. The exhibition is included in admission to the Georgian House, which is free for National Trust for Scotland members.
