Butterfly Conservation launches this year’s Big Butterfly Count with a warning that time is running out to help save species.
Wildlife charity Butterfly Conservation are urging the whole nation to help Britain’s butterflies by taking part in the Big Butterfly Count.
Butterfly Conservation revealed in May that half of Britain’s remaining butterfly species are now on the Red List and threatened or near threatened with extinction. Last year’s Big Butterfly Count saw the lowest ever number of butterflies recorded. As butterflies and moths are an important indicator of the health of our environment, a reduction in their numbers is a cause for serious concern.
However, taking part in the Big Butterfly Count is one really positive way that everyone can help.
The information gathered is vital in helping scientists understand more about what is happening to the nation’s butterflies and therefore put in place the conservation measures needed to protect them.
In recent years Butterfly Conservation has helped save two species from extinction in the UK and halted the decline of many others. The charity has proved that with the right information and targeted action, species can be brought back from the brink,
Dr Zoe Randle, Senior Surveys Officer at Butterfly Conservation says: “Thanks to the wonderful British public who take part in their thousands, the Big Butterfly Count is the largest natural history citizen science project involving insects in the world and provides us with a valuable snapshot of what is happening for butterflies across the whole of the UK.
“It can act as an early-warning system, letting us know how various environmental changes are impacting insects, and allows us to gather vital data from places that would otherwise be totally unrecorded.”
With the numbers of butterflies in decline, learning as much as possible about them is more important than ever. Zoe adds: “We really need people’s help this year to help us figure out where our butterflies are and what we need to do to save them. It’s not just the rare species of butterfly – the ones with restricted habitat or foodplants – that we are concerned about. Some of our previously commonly seen butterflies, like the Small Tortoiseshell, are also declining rapidly.”
The Small Tortoiseshell, which can be found all over the UK and was once a familiar species in gardens throughout the country, has declined by 79% since 1976. It’s one of the species included in the Big Butterfly Count, and Butterfly Conservation hope that data from citizen scientists will mean more can be understood about its fate.
Taking part in the Big Butterfly Count is not only good for butterflies – it’s good for humans too!
Dr Amir Khan, Butterfly Conservation Ambassador, is one of a number of famous faces supporting the Big Butterfly Count. He says: “Spending time in nature is hugely beneficial to our mental health. Just a short amount of time spent in the natural world can alleviate stress, and connecting with nature can help us feel happier and more energised.
“Watching butterflies for just fifteen minutes can be a wonderful and calming experience. It is good for you as well as benefitting butterflies by helping Butterfly Conservation gather the important data they need to understand how to better protect these special insects. It is truly a win-win situation for all of us.”
Butterfly Conservation’s Big Butterfly Count is a UK-wide survey open to everyone, of any age, living in towns, cities or the countryside.
Taking part requires you to spend just 15 minutes in an outdoor space counting the amount and type of butterflies, and some day-flying moths, you see. It is easy to do and the more people who do it, the greater the benefits to our understanding of nature and how to help it.
There were over 150,000 counts submitted to the Big Butterfly Count last year, more than ever before. Though worryingly, 2021 also saw the lowest average number of butterflies logged since the event began thirteen years ago. More counts are undertaken and submitted year on year, but it seems there are fewer butterflies and moths to be seen.
Butterfly Conservation scientists are keen to see if this is a trend that continues in 2022, and how the picture differs for butterflies across the whole of the UK. This means it’s more important than ever that the public take part and help to gather the data needed.
This year the Big Butterfly Count is sponsored by garden wildlife specialist Vivara and the DFN Foundation, a commissioning charity focused on influencing sustainable change in special needs education, supported employment, healthcare and conservation.
Sarah Hancocks, Marketing Manager for Vivara, commented: “We are so excited to be extending our partnership with Butterfly Conservation and our sponsorship of the Big Butterfly Count.
“We’re incredibly passionate about nature and know that all types of wildlife play a vital part in our ecosystem. That’s why we’re on a mission to help give parts of Britain back to nature and help restore the balance of biodiversity in back gardens across the country.
“The Big Butterfly Count is a fantastic way of doing this and furthering research into, and support of, butterflies.”
David Forbes Nixon OBE, Chairman of the DFN Foundation, said: “The DFN Foundation is delighted to once more be the official co-sponsor of this great event and support Butterfly Conservation in their vital work helping us protect butterflies from extinction.
“Last year was the biggest count to date, with over 150,000 counts submitted from people across the UK and I hope we can make it even better this year.
“As we enjoy summer, I encourage everyone around the country to take part and use this as an opportunity to connect with nature in an easy and fun way. Not only will it benefit the health and wellbeing of all who take part, no matter their age, but also help save species of butterfly that are crucial to our environment and ecosystem.”
This year’s Big Butterfly Count runs from the 15th July to the 7th August.
For more information and to take part simply visit www.bigbutterflycount.org or download the free Big Butterfly Count app.
Environmental campaigners have commented on the extreme weather conditions in the UK.
Friends of the Earth Scotland Head of Campaigns Mary Church said: “The extreme heat we are experiencing in Scotland, throughout the UK and Europe is one of the many frightening faces of climate change.
“We must be absolutely clear that the impacts of this heatwave on people’s health and wellbeing, on the NHS, on public transport, on the economy are the result of the continued burning of fossil fuels. Climate breakdown is here, it is deadly serious and it will get much worse unless we act urgently to end our reliance on oil and gas.
“The immediate focus should be ensuring that people are kept cool and safe through this period of record-breaking heat. But once it passes, politicians must get serious about stopping the causes of the crisis and about adapting to the increasingly extreme climate impacts that are already locked in due to our leaders’ inadequate action to date.
“Burning fossil fuels is the primary driver of climate breakdown so we must rapidly phase out North Sea oil and gas production, as part of a just transition to a renewable-powered economy with decent green jobs and affordable energy for all.
“The time for rhetorical climate leadership is long past – we need action not words and we need it now.”
Scottish Govt: caution advised in extreme heat
Amber weather warning resilience arrangements remain in place in Scotland today.
People are being asked to consider whether they need to travel and to plan ahead before making any journeys as Scotland copes with the impact of extreme heat.
Justice Secretary and lead minister for resilience Keith Brown has chaired a Scottish Government Resilience Committee meeting (SGoRR) to monitor the impacts of the Met Office Amber warning, while Transport Scotland’s resilience room is closely monitoring impacts across the transport network
The Amber warning has been extended further northeast and now includes Dundee, Edinburgh, the Lothians, Fife, Perth, Clackmannanshire, Falkirk and eastern parts of Lanarkshire as well as the Scottish Borders and Dumfries and Galloway. The warning is currently in force and will last until 23.59 on Tuesday 19 July.
Mr Brown also attended the latest Cabinet Office Briefing Room (COBR) meeting.
He said: “Following the weather warnings, our resilience arrangements have been activated. We are receiving regular updates from partners including Transport Scotland, the Met Office, the NHS and emergency services and we’ll continue to closely monitor developments.
“I would urge people to think about whether they need to travel and if they do, make sure they’re properly equipped, and plan their journey in advance. Rail passengers and drivers should make sure they have water, sunscreen, hats and sunglasses and have a fully charged phone in case of any difficulties. Any drivers who face breakdowns should seek a safe, shady place, and stay hydrated.
“When temperatures increase, it’s important to monitor forecasts and follow public health advice, including staying hydrated and drinking plenty of fluids and avoiding excess alcohol. People should also look out for vulnerable family, friends and neighbours, as older people, those with underlying conditions and those living alone may struggle to keep cool and hydrated.
“Water safety incidents and drownings increase in hot weather and it’s vital that people are aware of the dangers and use supervised beaches and pools when possible – follow the Water Safety Code and in an emergency call 999. People should also be aware of the dangers of wildfires.”
TUC: Urgent heatwave warning to union reps and workers
With the Met Office issuing its first “Red Extreme” and “danger to life” heat warning for Monday (18) and Tuesday (19), and temperatures in some places reaching 40°C, the TUC is calling on bosses to make sure workers are protected from the sun and the heat.
Workers should be aware that employers have a duty of care, and a legal obligation to protect their health, ensuring working temperatures are reasonable, comfortable and safe.
These temperatures present a serious risk of sunstroke, heat stress and sunburn. Working in hot weather can also lead to dehydration, tiredness, muscle cramps, rashes, fainting, and – in the most extreme cases – loss of consciousness.
If a colleague becomes confused or agitated, loses consciousness, or is unable to drink, seek urgent medical attention.
Outdoor work
Employers must work with union health and safety reps to introduce measures to protect their staff who work outdoors when the temperatures rise, including:
Avoiding outside tasks between 11am – 3pm when temperatures, and risks, are highest.
Provide sunscreen and advice on the need for protection, available in other languages for migrant workers where relevant.
Allow staff to take plenty of breaks and provide a supply of drinking water.
Provide canopies or covering over open areas and shaded areas for breaks.
Provide lightweight protective clothing, including hats.
Driving
The heat can be dangerous for workers whose jobs involve driving, as any driver suffering from fatigue is a risk to themselves and other people. vehicles used for long journeys should be temporarily taken out of use if they cannot sustain a reasonable temperature, e.g. they do not have air conditioning.
Indoor work
Indoor workplaces could also become dangerously hot, and TUC advice is that nobody should be working indoors where temperatures exceed 30°C. At 24°C employers must take action to cool the air, and other measures including:
Using fans or other mechanisms to cool the air, as well as adequate ventilation.
Relaxing dress codes and uniform policies.
Allowing rest breaks and adjusting shifts to avoid travelling in peak heat.
Moving workspaces away from windows and other heat sources, using blinds to block out sun.
Providing cool drinking water.
Maximum temperatures
Employers must ensure working temperatures are “reasonable”. The TUC believes employers must take action when indoor temperatures exceed 24°C, with 30°C being an absolute maximum – certainly no longer “reasonable”.
Guidance elsewhere states:
In the US regulations say working temperatures should not go beyond 24°C
Spain has strict guidelines on working temperature: it must not go beyond 27°C indoors or 25°C for physical activity.
In Germany, 26°C is generally considered the maximum for indoor work.
In China, when temperatures reach 37°C outdoor work is banned during the hottest three hours of the day, and at 40°C it must stop altogether.
In the UAE, outdoor work is banned entirely between the hours of 12:30 and 15:00 when it’s hottest.
SPF is PPE
Personal Protective Equipment is defined as “all equipment which is intended to be worn or held by a person at work and which protects him against one or more risks to his health or safety, and any addition or accessory designed to meet that objective.”
Sunburn and complications resulting from UVA radiation are a known risk to health, and outdoor workers are already three times more likely to develop skin cancer than the general working population. Sunscreen creates a barrier between the worker and the risk, and as such should be considered personal protective equipment.
Employers should provide sunscreen with a factor of at least 30, made available free of charge to all workers whose work involves outdoor activities.
Excuses such as allergies should be dismissed. Workers can be allergic to any number of ingredients, fabrics or materials used in equipment, for example hand sanitsier.
Refusal by a worker to wear PPE on that basis is valid. Refusal by the employer to supply it to the wider workforce is not.
The right to refuse
Section 44 of the Employment Rights Act 1996 provides workers protection from detriment (i.e. dismissal, disciplinary or a pay cut) if they withdraw from and to refuse to return to a workplace that is unsafe.
Workers are entitled to remain away from the workplace if – in their opinion – the prevailing circumstances represent a real risk of “serious and imminent danger” which they could not be expected to avert.
The TUC says workers should seek advice from their union before using their rights under Section 44.
TOM Tugenhadt was the latest candidate to be eliminated from the Conservative Party leadership contest when results of yesterday’s ballot was announced last night.
FOUR candidates now go through to the next round of voting. They are:
KEMI BADENOCH (58)
PENNY MORDAUNT (82)
RISHI SUNAK (115)
LIZ TRUSS (71)
The next round of voting takes place today – we’ll know the result at 3pm – and the shortlist will be reduced to two candidates before parliament breaks up on Thursday. Tory Party members will then choose between these final two candidates in a ballot that will take place over the summer recess.
The winner – and the UK’s next Prime Minister – will be announced on 5 September.
3pm UPDATE
KEMI Badenoch is the latest candidate to be eliminated following today’s vote. Exactly where Ms Badenoch’s votes go now will be crucial in determining which two of the final three candidates will fight it out for the votes of Tory party members over the summer to become our next Prime Minister.
The much-anticipated reopening of Meadowbank Sports Centre in Edinburgh takes place tomorrow, as the new £47m project opens its doors to the public at 7 a.m. Tuesday, 19 July 2022, after a closure of four and a half years.
Owned by The City of Edinburgh Council and managed by the charity, Edinburgh Leisure, this new state-of-the-art community sports facility, will support physical activity, sport, health, and wellbeing in Edinburgh for generations to come, whilst also recognising the legacy and heritage of the old Meadowbank.
The new venue supports accessible participation and has improved indoor facilities including two multi-sport games halls with seating, three fitness studios and a gym with triple the number of exercise stations.
Commenting on the reopening, Edinburgh Leisure’s Chief Executive, June Peebles, said: “Donald Goldsmith, the manager at Meadowbank, and his team are incredibly excited (as I am) about this much anticipated opening and are looking forward to welcoming customers old and new to this multi-million-pound investment which will provide countless opportunities for Edinburgh citizens to be active and will undoubtedly contribute to the wellbeing of our City.
City of Edinburgh Council Leader Cammy Day said: “The City of Edinburgh Council Leader Cammy Day said: “We are delighted with the new Meadowbank Sports Centre – I believe it will be one of the best facilities for community and club sport in the country. I hope the fantastic and top of the range facilities will encourage people to get more active and more often. I was very impressed when I was given my first look and I’m confident members old and new will be too.
“Participation and accessibility are at the heart of the centre, and it will bring huge physical, mental, and social benefits to generations of local people for years to come. There is a packed programme of activity and range of classes for all interests and ability. Meadowbank has been an iconic part of the Capital’s sporting history and I’m in no doubt that the new Centre will build on this legacy.”
Chair of sportscotland, Mel Young, Chair said: “Meadowbank Sports Centre has been a sporting and social hub for so many people in the Edinburgh area over the years. Thanks to this incredible £47million refurbishment, people of all ages and abilities will be able to reap the benefits of newly refurbished facilities.
“The re-opening of Meadowbank will provide the local community with access to a state-of-the-art sport and physical activity centre on their doorstep, creating significant participation opportunities.
“This collaboration between The City of Edinburgh Council, Edinburgh Leisure and sportscotland is a great example of partnership working developing genuine opportunities that will help make sport, and physical activity a way of life for local people.’’ sportscotland contributed £5million to the project.”
The new Meadowbank has much to offer the local community and communities throughout Edinburgh and includes the following facilities:
An outdoor eight-lane athletics track with a 499-seat stand and outdoor throwing and jumps area
A 60m six-lane indoor athletics track and jumps space
Two multi-sport halls with fixed and moveable spectator seating
A hall for trampolining and dance
Two fitness studios (capacity – 30 each), which include world-renowned Les Mills programme of classes, smart tech bars and weights
The fitness class timetable will open with 92 classes
A Cycle Studio (capacity – 30) with Life Fitness IC7 bikes and ICG myride and Les Mills RPM classes
A gym with Life Fitness equipment, dumbbells up to 50kg, Watt bikes, SkiErg, row and Cybex SPARC machines (capacity – 90)
Combined bumped plates weighs in the gym – 2927.5kg
Combined dumbbell weight in the gym – 1,918kg
40+ pieces of resistance and free weights equipment
Two squash courts
A combat studio for martial arts
A boxing gym
Two 3G (synthetic) pitches, including one with a 499-seat stand
At the start of Bees’ Needs Week, new research today (Monday 18 July) revealed that improving pollinator populations could help stabilise the production of important crops like oilseeds and fruit.
The new research, published by the University of Reading, found that crops visited by pollinators had more stable yields, with 32% less variation than those crops grown in the absence of pollinators.
Thousands of pollinators – bumblebees, butterflies, moths, flies and honeybees – are essential for food production and biodiversity. But they are under threat, facing growing challenges from climate change, pests and diseases, invasive species and habitat loss.
This year Bees’ Needs Week (18 – 24 July) makes a call on the public to take Five Simple Actions to help pollinators.
These actions are easy to do, and it doesn’t matter how much space is available – every action, big or small, counts. To sustain bee populations, everyone can:
Grow more flowers, shrubs and trees
Let your garden grow wild
Cut your grass less often
Don’t disturb insect nest and hibernation spots
Think carefully about whether to use pesticides
Monitoring for insects in your local area is also a great way to help scientists understand what pollinator populations look like.
The Pollinator Monitoring Scheme is the first scheme in the world to generate data on the abundance of bees, hoverflies and other flower-visiting insects at a national scale. It will provide information that will help us measure trends in pollinator populations and target conservation efforts.
This summer, thousands of people will be taking part in a Flower-Insect-Timed Count (FIT Count) and as part of Bees’ Needs Week, the public are being encouraged to take part. Anyone can get involved by taking ten minutes to observe flowers and insects in good weather before sharing the information on the app.
FIT Counts can be completed anywhere, wherever there is an abundance of flowers, and every observation helps improve survey records and knowledge of pollinator activity.
https://youtu.be/FHIK5x8eMXo
Biodiversity Minister Lord Benyon said: “From bumblebees to moths and butterflies, pollinators are a critical part of our natural ecosystem, playing an essential role in upholding biodiversity and food production.
“Creating wildflower meadows, insect hotels or even a humble window box will boost nature. We can all play our part to support our vital pollinators.”
Marian Spain, chief executive of Natural England, said: “Pollinators are a crucial part of a healthy environment which we all depend on.
“There are many things we can do to help them thrive, from getting involved in monitoring their numbers to leaving any outdoor space we have to flourish. Collectively, even small actions all help pollinators do the job we need them to”.
Bees’ Needs Week, coincides with the ‘Superbloom’, a thriving natural landscape planted in the iconic moat at the Tower of London.
The University of Reading’s Bee Team will be on site today (Monday 18 July), showcasing their projects which display buzzing bumblebee colonies, the world of pollinators through the microscope, and activities to help the public to understand how everyday shopping relies on pollination.
Dr Jake Bishop, from the University of Reading’s Bee Team, who led the new study, said: “This research reminds us just how much we need to look after our pollinating heroes.
“Our study shows how important bees and pollinating insects are for our food security. Every gardener, farmer and landowner in the UK can make a big difference to bees by making small changes to how they mow, grow or spray.”
This Bees’ Needs Week, Defra will also be launching the 2022 Bees’ Needs Champions Awards which celebrate the outstanding action taken by community groups, businesses and farmers to protect pollinators.
Over two million1 kitties are eating away from home with potentially devastating effects on their health
One in six pet parents (14 per cent) have put their cat on a diet because they get fed seconds – and thirds! – by their neighbours
Cat behaviourist, Nicky Trevorrow, shares her tips for ensuring a healthy and happy cat
Cats are courting more than just other people’s affections according to a new survey which found that nearly a third of cat caregivers (30 per cent) suspect their neighbours of feeding their beloved kitty titbits, treats and even full meals2.
Makers of proper food for pets Lily’s Kitchen, which commissioned the poll, is urging people to serve up ‘tough love’ instead. With findings showing that one in six owners (16 per cent) believe their cat is overweight because of being fed by well-meaning neighbours, it highlights that ‘dining out’ can have an impact on our cats’ health.
14 per cent of those surveyed have even admitted to putting their feline friend on a diet as a result.
What is more, it appears our cats are regularly playing away, with nearly two-thirds of pet parents (64 per cent) saying their cat pays visits to ‘other humans’. Admitting their moggies stand them up, staying out all hours of the day and night, a third (34 per cent) say their outings last five or more hours every day.
But our cats’ intrepid nature can end up with more serious consequences than just missing your kitty. Highlighting the impact of treating someone else’s pet, 34 per cent said their cat ‘eating out’ was a real source of stress for them, while 17 per cent have fallen out with neighbours for feeding their feline without permission.
And proving just how damaging this can be, a worrying 19 per cent of owners questioned describe their cat as overweight.
Gaining some extra rolls isn’t the only cause for concern when it comes to feeding cats you don’t know. It’s not uncommon for cats to have allergies or other special dietary requirements related to medical conditions, so falling for the charms of a wide-eyed kitty could lead to more than just disgruntled neighbours.
However, despite pet parents feeling put out by neighbours feeding their own cat, and proving how hard it can be to ignore feline charm, 32 per cent of the same people admitted they themselves have fed local cats, with a whopping 73 per cent feeding them daily or weekly.
Nicky Trevorrow, Cats Protection’s Behaviour Manager, says: “Obesity is a significant welfare issue for our feline friends that can affect their health and behaviour. All cat caregivers should ensure that they feed a good quality, complete food and avoid feeding too many titbits.
It’s important for caregivers to keep an eye on their cat’s weight. You should be able to feel your cat’s ribs easily when you stroke their body lightly and you should clearly see a waistline when you look at them from above.
“If you are in any doubt, speak to a veterinary professional about your cat’s weight and how best to reduce it if necessary. However, even the most diligent owners can still face difficulties with their majestic moggy and their weight, if their cat has a penchant for scoping out food at the neighbour’s house.
“If a cat spends a lot of time at the neighbour’s house, it is important to consider why that may be. In a lot of instances it can be that they get extra food and treats there – this, of course, is very enticing and reinforces the cat’s inclination to visit.
“However, many cats will avoid their homes if there are a lot of stressors present, for example, non-socially bonded cats, toddlers or other stressors. It is therefore always worth evaluating your home set-up to see if it is actively encouraging your cat to go seeking other homes and additional meals.
“For all cats, but especially indoor-only cats, it is important to provide them with plenty of play and enrichment to keep them active and burning off calories. A few short play sessions, with a good fishing rod toy, spread throughout the day can help with this.”
How much a cat needs to eat depends on a variety of factors, but as a guide, on average, a healthy and active outdoor adult cat needs around 275 calories a day3. And it doesn’t take much over-feeding for them to start piling on the pounds.
Feeding your moggy proper, nutritious food could even stop them from popping out for sneaky seconds or hunting for ‘takeaways’. According to a recent study by the University of Exeter4, feeding a delicious meal rich in meat protein, such as Lily’s Kitchen recipes, resulted in a 36% reduction in hunting.
Samantha Crossley, Marketing Director at Lily’s Kitchen, comments: “As much as we love our cats, they are rebels whose affections often spread beyond their owners – and their food bowls. Outdoor cats can roam and do as they please, which can often mean neighbours find themselves at the mercy of a loveable kitty begging them for scraps; when they turn on the charm, it’s hard to resist!
“At Lily’s Kitchen we know the importance of good nutrition, and that means not only proper food and complete recipes, but the right quantity of that food. Lots of owners will know all too well that cats can very easily become overweight, and although the extra tummy rolls might mean an extra cuddly hug, it can have a detrimental effect on their overall health.
“As a pet parent, choosing proper food that your cat goes wild for may wellreduce the chance of them dining out, or prowling for a takeaway and piling on the pounds. Exeter University’s recent study found that feeding cats food containing proper meat has a number of benefits including a reduction in hunting behaviours… it may leave them satisfied enough to reduce their visits to no. 31 as well!”
A vain, pompous buffoon who doesn’t know when to go: How Shakespeare’s grudge destroyed the kingdom he once ruled …
A former king with a lust for revenge is about to murder the entire cast of William Shakespeare’s Hamlet – and a new comedy at this year’s Edinburgh Fringe seeks to discover what has driven him to contemplate this brutal tragic killing spree.
Hamlet’s father’s ghostly return from the grave leaves a string of stabbed, drowned, and poisoned corpses of his family and friends – but Shakespeare never tells us why the dead king makes the fatal mistake that leads to the death of his brother, ex-wife, son, and chief advisor, among others.
Fortunately, Waiting for Hamlet, at the Space Triplex throughout August, does. It’s because he’s a vain, pompous buffoon who doesn’t know when it’s time to lie down and die.
Accompanied only by his Fool Yorick, the King plots revenge for his foul and most unnatural murder. Can Yorick stop him making the biggest mistake of his afterlife?
Waiting for Hamlet imposes itself on the public of the Edinburgh between August 6 and August 26.
5th ANNUAL COUNCILLOR AWARDS – NOMINATIONS ARE OPEN NOW!
THE only national awards ceremony celebrating the work of councillors across Scotland has officially launched its call for nominations.
Local Government Information Unit (LGIU) Scotland and CCLA are proud to host the 5th annual Cllr Awards honouring the achievements of individual councillors who go above and beyond for their communities.
This year’s categories showcase the vital work of councillors including the coveted Community Champion, Leader of the Year and Young Councillor of the Year awards.
Nominations can be made by anyone (members of the public, councillors and council officers) who would like to recognise a councillor who has made a real difference to their area over the last year.
The deadline for nominations is Wednesday 7 September with the shortlist due to be unveiled at the end of September.
The winners will be decided by a panel of judges made up of senior councillors and officers and leading stakeholders from across the sector. On Wednesday 12 October the winner will be revealed at the annual awards ceremony taking place at Marryat Hall (Caird Hall) with 2022 hosts Dundee City Council
. It will be held as a hybrid event with virtual link ups to the live ceremony.
This year’s Awards are made possible thanks to the generous support of founding partners, CCLA.
Jonathan Carr-West, Chief Executive of LGIU Scotland, said: “From how our towns look to the home care we receive and the funding of much valued community projects, the work of councillors is felt across all of our lives on a daily basis.
“Councillors and councils are key to keeping the machinery of everyday life going, ensuring the most vulnerable in the community are looked after and making sure the places where we live and work are thriving, safe and inclusive.
“Much of the work done by elected members is behind the scenes, which is why we created the Cllr Awards. So that every year we can take time to recognise this work and celebrate their achievements.
“The LGIU is proud to once again open nominations for the annual Cllr Awards to honour the commitment of our locally elected representatives. Our local democracy and our local democratic structures are stronger because of our councillors.
“We look forward to seeing a record number of nominations this year and getting to know the many inspiring stories behind them.”
Edinburgh Art Festival (EAF) is the platform for the visual arts at the heart of Edinburgh’s August Festivals, which celebrate their 75th anniversary season this year
Many exhibitions and events are free to attend
Taking place across the city, and on the Union Canal from the Lochrin Basin to Wester Hailes
Commissions are inspired by the theme of ‘The Wave of Translation’, marking the 200th anniversary of the Union Canal
New commissions from Jeanne van Heeswijk, Nadia Myre and Pester and Rossi
Associate Artist Emmie McLuskey programmes new work by Hannan Jones, Janice Parker, Maeve Redmond and Amanda Thomson
Four early career visual artists based in Scotland will take part in Platform: 2022 – Saoirse Amira Anis, Emelia Kerr Beale, Lynsey MacKenzie, Jonny Walker
Partner led highlights include: retrospectives of work by Barbara Hepworth and Alan Davie, a rare Scottish showing of work by Ishiuchi Miyako and new work by Cooking Sections and Sakiya, Tracey Emin, Daniel Silver, Ashanti Harris, Kirsten Coelho, Studio Lenca, Ruth Ewan, and Celine Condorelli
Over 100 artists in 35 exhibitions.
Edinburgh Art Festival has announces the programme for its 18th edition – including three major commissions, the Associate Artist programme, Platform: 2022, the festival’s annual showcase of early career visual artists, and thirty-five exhibitions across its partner galleries.
A city-wide celebration of the very best in visual art, the festival brings together the capital’s leading galleries, museums and established spaces. From photography documenting Frida Kahlo’s wardrobe to carnival-inspired performance art, the programme features international artists alongside exciting new voices from Scotland, the rest of the UK and beyond.
The festival’s Commissions programme including their Associate Artist programme supports renowned artists to create ambitious new work. Marking the 200th anniversary of the Union Canal, the programme takes inspiration from ‘The Wave of Translation’ – a scientific phenomenon discovered in Edinburgh.
In 1834, engineer John Scott Russell watched as a horse-drawn canal boat came to a stop at Hermiston on the Union Canal. This abrupt stop created a single wave which continued along the waterway holding its shape and speed. Russell’s recording and research of this phenomenon influenced the development of modern fibre optic technology. He described the wave as his ‘first chance encounter with that singular and beautiful phenomenon which I have called the Wave of Translation’.
The programmes unfold along the Union Canal, from the Lochrin Basin to Wester Hailes. In collaboration with local residents and WHALE Arts, Edinburgh Art Festival has been supporting new opportunities for art creation and learning since 2019.
For the festival, we present a major commission with a group of residents from Wester Hailes and local surrounding areas. The Community Wellbeing Collective present Watch this Space – a space for all to develop together and to experience what community wellbeing is and could be.
Throughout the festival the space will host activities and gatherings led by C.W.C. members, alongside weekend anchor events by invited guests expanding upon the context of community wellbeing, discussing its wider politics in relation to: democratising social care, healing through creativity, who wellbeing is for in an unequal world and collectively imagining the future of community.
Anchor events by Care and Support Workers ORGANISE!, Grass Roots Remedies, Jess Haygarth, The Spit it Out Project, and more.
The activity will take place in Westside Plaza and online at watchthisspace.online (live from 28 July), including short films capturing the essence of the project presented at the French Institute for Scotland and online. Follow @communitywellbeingcollective on Instagram for more.
Jeanne van Heeswijk – a renowned a visual artist who initiated the project – will also present this year’s Keynote Lecture – in partnership with the National Galleries of Scotland and British Council Scotland – as a highlight of the festival’s opening weekend.
The commission is supported by the Embassy of the Kingdom of the Netherlands.
Finding Buoyancy is produced through collaboration with groups and individuals in Wester Hailes, alongside Glasgow based artists Pester and Rossi. Exploring ways that we can connect to the natural environment to help us stay buoyant in uncertain times, the project began with a guided audio journey called Finding Buoyancy –Sound Meditations(2021) inviting group members from WHALE Arts to creatively share responses to the canal.
For the festival, three elements anchor the commission – a set of publicly sited sails at Bridge 8 Hub and Paddle Café illustrating the voices and ideas of those living, working and playing on the canal; a community raft (Float For The Future ) made collaboratively with artist Sarah Kenchington; and a canal-based performance produced with local people in collaboration with Rhubaba Choir.
Co-commissioned by Edinburgh Art Festival and Edinburgh Printmakers, Montreal-based First Nations artist Nadia Myre will present Tell Me of Your Boats and Your Waters – Where Do They Come From, Where Do They Go? .
Across print, performance and sound, Myre explores reference points spanning Scotland and Canada, migratory routes starting on the canal, indigenous storytelling, archival research methods, pattern, prose and song lyrics. The work, which will be sited alongside the canal and in Gallery 2 at Edinburgh Printmakers, brings to the fore the decolonial impulse inherent in the artist’s practice.
This year’s Associate Artist, Emmie McLuskey, will lead a programme of artists to respond to the rich site of the Union Canal between Lochrin Basin and Wester Hailes, in a series of commissions that explore environment, translation and gentrification. The Glasgow-based artist, producer and writer has developed a programme of newly commissioned work which spans performance, sound, graphic design and dance. The invited artists aim to raise questions around history, land, water, trade, capitalism and redundant technology.
Each of the commissioned artists centres people and place within a deep desire to work responsively to site. Hannan Jones explores language, rhythm and origin in response to cultural and social migration through sound, installation, film and performance. Janice Parker’s work in choreography and dance is collaborative with people, place and context. Parker is known for her socially engaged practice across various art forms and media.
Amanda Thomson’s interdisciplinary work often concerns notions of home, movement, migration, landscapes, the natural world and how places come to be made. Designer Maeve Redmond’s research-led practice begins in the archive and attempts to unpack how the wider context of site informs how we aesthetically experience a place.
A print and radio project entitled Background Noise will accompany this series, featuring local and international contributions.
The Associate Artist programme will take place along the Union Canal and online, with further details to be announced.
At the French Institute for Scotland – the festival’s headquarters on the Royal Mile – Platform: 2022 will showcase another exciting cohort of emerging visual artists working in Scotland. This year, the annual showcase has been selected by artist Lucy Skaer researcher and curator Seán Elder, alongside Director of Dundee Contemporary Arts, Beth Bate.
In Saoirse Amira Anis’ (graduated Duncan of Jordanstone College of Art and Design, 2018) video and textile installation, she taps into her dual heritage by using materials and plants from Moroccan and Scottish cuisines to explore rituals of sharing, and the generosity of love provided by the hands.
Emelia Kerr Beale (Edinburgh College of Art, 2019) will take the speculative history of The Major Oak Tree as their starting point, as a metaphor for the ways in which disabled people are denied rights to speak as experts about their conditions.
Engaging with the materiality and physicality of paintings as objects, Lynsey MacKenzie (Glasgow School of Art, 2019) explores ideas of time, repetition, and memory, through shifting planes of colour, gesture, and scale. Jonny Walker (Duncan of Jordanstone College of Art and Design, 2017) considers impermanence and the body through the making of several lambs, placed across a large metal, patchwork blanket in varying states of erosion and collapse.
Platform: 2022 runs at the French Institute for Scotland from 28 July to 28 August.
Closing the festival, sculptor and contemporary artist Hew Locke will deliver the Endnote Lecture.
Locke’s Duveen Hall commission for Tate Britain, The Procession, opened in March this year, and in September 2022 his work Gilt will be unveiled as the Façade Commission for The Metropolitan Museum of Art in New York.
He will be in conversation with Dr Maryam Ohadi-Hamadani, Department of Art History, University of Edinburgh at St Cecilia’s Hall. The Endnote Lecture is presented in partnership with British Council Scotland.
Our Commissions programme and Platform: 2022 are made possible thanks to the generous support of the Scottish Government’s Festivals EXPO Fund; EventScotland; and the PLACE Programme, a partnership between the Scottish Government, the City of Edinburgh Council, and the Edinburgh Festivals, supported and administered by Creative Scotland.
Watch this Space is additionally supported by the Embassy of the Kingdom of the Netherlands.
Platform: 2022 is additionally supported by Cruden and the L’Institut français d’Écosse.
Across the partner programme, the festival celebrates artists and collectives who paved the way for new ideas and looks towards future voices in the visual arts.
A number of major new commissions and exhibitions open with the festival. Representing Japan at the 2005 Venice Biennale, Ishiuchi Miyako (Stills, 29 July – 8 October) will present her first solo show of photography in Scotland. Ashanti Harris interlaces ideas of community and cultural identity with her research and long personal experience of West Indian Carnivals (Edinburgh Sculpture Workshop, 28 July – 28 August).
Visitors can journey across the Lammermuir Hills and see the marked traces of human presence in work from Barbara Rae (Open Eye Gallery, 2 – 27 August), and see the changing Clyde-valley landscapes of Duncan Shanks, which chart the constant cycle of loss and renewal, observed in his riverside garden (The Scottish Gallery, 29 July – 27 August).
Celebrating its 180th birthday in 2022, The Scottish Gallery also presents work rooted in art history by Australian ceramicist Kirsten Coelho (29 July – 27 August). The textural works of Rosa Lee, Shelagh Wakely and Barbara Levittoux-Świderska are brought together during the festival (Arusha, 29 July – 29 August).
Tessa Lynch considers feminist readings of the city in ‘expanded print’, which promotes alternative building techniques inspired by play and the natural world (Edinburgh Printmakers, 28 July – 18 September).
Influenced by the landscapes of the North American prairies, a series of abstract works by John McLean bring rhythmic expressions in paint to the festival (The Fine Art Society, 22 July – 27 August). New work by graduating students also takes place in Summer at ECA, showcasing work from the schools of Art, Design and Architecture and Landscape Architecture (Edinburgh College of Art, 19 – 26 August).
Opening during the festival, we abandon the microscope with Luke Jerram’s 90ft inflatable sculpture fruit titled E.coli, which is 5 million times bigger than the actual bacteria (National Museum of Scotland, 3 – 31 August).
In major surveys and premieres, Tracey Emin will present her second ever solo show in Scotland since 2008, featuring the unveiling of a large bronze sculpture, paintings and drawings (Jupiter Artland, 28 May – 2 October).
The first Scottish solo show from London-based artist Daniel Silver highlights the artist’s shift to working in clay with colourful totems, figures and busts(Fruitmarket, 11 June – 25 September). Studio Lenca presentsa series which confronts the complex cultural history of their native El Salvador (Sierra Metro, 25 June – 28 August).
The first major survey of Céline Condorelli in the UK will take place bringing the outdoors into the gallery space (Talbot Rice Gallery, 25 June – 1 October). Monumental canvases rich in colour and detail are presented in Thoughts, meals, days by Glasgow based artist Lorna Robertson (Ingleby, 25 June – 17 September). Audiences can also become absorbed in the UK premiere of Yan Wang Preston’s work, which charts the changing life of a love-heart-shaped rhododendron bush (Royal Botanic Garden Edinburgh, Saturday 14 May – Sunday 28 August).
Movements and moments in both art and time feature in the festival. Audiences can experience the power of Raphael’s work, reimagined in VR and contemporary tapestry (Dovecot Studios, 1 July – 24 September). Visitors to Anatomy: A Matter of Death and Life can see how anatomical art and illustration shaped knowledge of the human body (National Museum of Scotland, 2 July – 30 October).
Twentieth-century marvels from a group of prominent Scottish artists are revealed in National Treasure: The Scottish Modern Arts Association (City Art Centre, 21 May – 16 October), whilst the ambitions and morality of Andrew Carnegie are questioned in animation and archival presentation by Ruth Ewan (Collective, 25 June – 18 September).
The current mood of the country is closely captured by photographers working in Scotland in Counted: Scotland’s Census 2022(Scottish National Portrait Gallery, 12 March – 25 September).
Collectors and collectionsare considered during the festival. Audiences can wonder at historic Masterpieces from Buckingham Palace, which features work from Rembrandt and Artemisia Gentileschi (The Queen’s Gallery, 25 March – 25 September). Modern French art and the early collectors of the Impressionists are explored in A Taste for Impressionism (Royal Scottish Academy, 30 July – 30 November).
Recent acquisitions by the National Galleries of Scotland in New Arrivals: From Salvador Dalí to Jenny Saville (Scottish National Gallery of Modern Art, Modern 1, until Spring 2023). Refreshed for the festival, the exhibition includes a new acquisition by acclaimed American artist, Amie Siegel.
In retrospectives, shows highlighting the influence of distinguished international artists are celebrated. The life and legacy of painter, jeweller, polymath and jazz musician Alan Davie are explored in a major centenary exhibition (Dovecot Studios, 24 June – 24 September).
ScotlandÕs largest ever Barbara Hepworth exhibition to open at Scottish National Gallery of Modern Art
Barbara Hepworth: Art & Life – 9 April 2022 Ð 2 October 2022
Scottish National Gallery of Modern Art (Modern Two)
Leila Riszko (Assistant Curator at the National Galleries of Scotland admires the artwork Two Forms in Echelon, 1961, Bronze
Neil Hanna Photography
www.neilhannaphotography.co.uk
07702 246823
Barbara Hepworth’s life work comes into focus in an exhibition brought to Edinburgh with The Hepworth Wakefield, Tate St Ives and National Galleries of Scotland (Scottish National Gallery of Modern Art, Modern 2, 9 April – 2 October).
Scottish artist Will Maclean’s work is brought together – his work rooted in the history, archaeology and literature of the Scottish Highlands (City Art Centre, 4 June – 2 October). The works of Scottish artist, writer and poet Maud Sulter act as inspiration for a new publication as part of a wider ecology of projects (Rhubaba, across the festival).
The Modern Institute also presents work by American poet and artist John Giorno (1934 – 2019) alongside contemporary pieces from quilt collective Arrange Whatever Pieces Come Your Way and artists Julia Chiang and Marc Hundley (Dovecot Studios, 8 July – 17 September).
Themes around ecologies and the environment are central to the 2022 partner programme. Turner Prize nominees Cooking Sections, in collaboration with Sakiya,look at the history of land struggles in Scotland and Palestine within a wider global dialogue, highlighting how alliances between humans and plants can also enhance new collective horizons. (Royal Botanic Garden Edinburgh, 2 July – 18 September).
Calum Craik navigates debris and holiday rental accommodation through a sculptural stage (Edinburgh Sculpture Workshop, 10 June – 28 August). Camara Taylor brings further focus to Scottish waterways through new video and mixed media work, recomposed from the sighs and groans of a sinking kingdom, rooted in ideas of silt, slop and snap (Collective, 17 June – 4 September).
The result of a three-year commission, Annette Krauss explores Calton Hill as a site held in the ‘common good’, through a research resource presented online and at the City Observatory Library (Collective, 1 June – 4 September).
Jane Connarty, Programme Manager at Edinburgh Art Festival, said:“As Edinburgh marks 75 years of festival culture, we are proud to collaborate with our partners across the city to present the 18th edition of Edinburgh Art Festival, and are delighted to welcome to the city our new Director, Kim McAleese.
“A celebration of the unique ecology of visual arts in our city, our 2022 programme brings together independent galleries, world class collections, and production spaces across the city to present the work of more than 100 artists from around the world.
“The 2022 Commissions Programme invites artists and audiences to explore the site and histories of the Union Canal and includes two artists projects in Wester Hailes on the west of the city – both developed from close working and co-production with local residents.”
Amanda Catto, Head of Visual Arts, Creative Scotland said: “The Edinburgh Art Festival is a highlight of Scotland’s cultural calendar and always a joy to experience. This year is no exception with the festival bringing together an amazing array of art and artists in a really rich and dynamic programme.
“We’re especially excited to see the festival working with communities in Wester Hailes to create new work celebrating the 200th anniversary of the Union Canal. It’s a really tremendous opportunity for people to discover more about the canal’s histories and to re-imagine its future.
“We wish all the artists and partners well as they begin the final countdown to the festival and we look forward to exploring the great range of exhibitions and events taking place across the city this summer”.
Joan Parr, Service Director for Culture and Wellbeing at the City of Edinburgh Council, said:“I’m very excited about this year’s programme and look forward to the full return of artists from all over Scotland and the world showcasing their work in Edinburgh’s art galleries and unusual exhibition spaces.
“The Capital has a long history of promoting the value of culture and as we mark the 75th year of our August Festival’s, the EAF’s programme of 34 exhibitions will celebrate contemporary art across our ancient city.
“I’m delighted the Council is yet again able to support this year’s innovative festival. We’re also proud to host two exhibitions in our City Art Centre. With National Treasure: The Scottish Modern Arts Association, visitors can discover the story of this pioneering 20th century organisation and the outstanding collection it created.
“And Will Maclean: Points of Departure, provides a fresh insight into one of the most outstanding artists of his generation with many pieces going on public display for the first time.”
For more information, please visit www.edinburghartfestival.com or follow the Festival on Facebook, Twitter and Instagram @EdArtFest #EdArtFest
Bilateral vaccine donation will expand Bangladesh’s COVID-19 vaccination campaign and further strengthen Brit Bangla Bondhon between the UK and Bangladesh.
The UK bilaterally donated 1 million doses of the Oxford-AstraZeneca vaccine to Bangladesh. The vaccine consignment arrived in Bangladesh on 23 February 2022. This bilateral donation from the UK will reinforce Bangladesh’s fight against the coronavirus pandemic and the country’s economic recovery.
Prior to this, the UK donated over 4 million doses of the AstraZeneca vaccine to Bangladesh in December 2021 through COVAX facilities.
While welcoming the second consignment of vaccines donation from the UK, the British High Commissioner HE Robert Chatterton Dickson said: “We welcome the arrival of 1 million doses of the AstraZeneca vaccine from the UK to Bangladesh. This bilateral donation adds to the 4 million doses that the UK donated through COVAX last year.
“This support from the UK takes us one step ahead to defeat the pandemic and further strengthens our commitment to stand with the people of Bangladesh to recover faster and build a healthier and prosperous future.”
Complementing the vaccine donations, the UK’s Foreign Commonwealth and Development Office (FCDO), through its delivery partners, created an enabling environment for the Government of Bangladesh to accelerate and expand the vaccination program as well as reduce the transmission of the infection especially among the low-income people.
This includes support for on-line vaccine registration for the disadvantaged, raising awareness, additional healthcare provider and technician support, training of health workers including vaccinators, and transporting vaccines to the districts as well as to the schools across the country.
Since the pandemic started, the UK government has reprioritised more than £55.9 million to fund Bangladesh’s National Preparedness and Response Plan to tackle COVID-19 including support for Rohingya refugees and the host communities.
The UK has been at the forefront of the global response to COVID-19. Last year at the G7, the UK committed to donate 100 million doses by June 2022. 80% of those UK doses will be distributed through the COVAX facility. Earlier, the UK kick-started efforts to establish COVAX facility in 2020, providing a total of £548 million to fund vaccines for lower income countries.
