Category: North Edinburgh News

‘There is no future for the Fringe without art. There is no art without artists’

FRINGE BOSS WADES IN TO ARTS FUNDING FURORE

To whom it may concern: As the 2024 Edinburgh Festival Fringe comes to a close, an open letter from SHONA McCARTHY, Chief Executive of the Edinburgh Festival Fringe Society

As the curtain falls on the 2024 Festival Fringe, much is being discussed in the spaces,  rooms, cafes, and streets of Edinburgh, on the success of this year. 

Today it was announced that 2.6 million tickets were issued during the 2024 Fringe, however there is no doubt that the current environment for artists across the UK is of great concern; and the fragility of the performing arts community is palpable.

An outward veneer of success cannot mask the struggle for artists to emerge let alone thrive in the UK right now. While Fringe 2024 has been brilliant, and it is to be celebrated that artists, companies, venues, producers and promoters took huge financial risks and pieced it together and put on the show.

However, the dominant message as we close this year’s festival is that there is no Fringe without art. There is no art without artists.

The cumulative effect of the relentless rise in the cost of everything, and an unhelpful policy environment facing the arts sector has resulted in widespread concern that is keenly felt by artists. 

From the availability of affordable accommodation, blunt policy changes which have consequences for major events, to continuous public sector cuts; we need to ensure that the hard won and fragile success isn’t met with complacency by those who can influence change. 

It is not enough to have old stories of how important Edinburgh’s festivals were in providing healing and connection after the Second World War. They are important now, contributing hugely to health, well-being, joy and job creation.

The Edinburgh Fringe vision is to give anyone a stage and everyone a seat. That is a commitment to inclusion, to freedom of expression and to being allowed to try and to fail. It is a vision that is increasingly easier to say than it is to do.

I have worked in the arts across the UK for 35 years now, and in the last two decades there has been a journey away from elitism, monoculturalism and exclusion with inspiring developments in access to the arts for all, with still a long way to go.

If the UK continues on an upward trajectory of cuts to arts education, and Scotland continues to decimate  investment in the sector, breaking  promises of support;  then we are on a direct course to job losses, exclusion and boring art that is only the privilege of those who can afford to be part of it, as performers or as audiences.

Here at the Fringe and across the UK, the pipeline of creative potential is under threat. Artistic risk and ambition is hamstrung by an operating context that squeezes out emerging artists that have made the Fringe globally renowned, unique and joyful. 

How can the Edinburgh Fringe remain exemplary, exciting, experimental; the only place in the world to be every August?  As the most influential arts marketplace in the world, this year over 1,800 arts industry accredited with the Fringe Society, and came to Edinburgh to seek new work for onward touring and broadcast opportunities. Nearly 900 accredited media reviewed shows, interviewed artists and worked tirelessly to support the 3,746 shows that took place this year.

There is no future for the Fringe without art. There is no art without artists. Artists and the venues who host them are at the heart of this event, and there would be no Fringe without them. 

They take the risk of bringing work to the festival every year, and while the arts landscape is at a crossroads, we need to ensure that the Fringe, one of the greatest celebrations of arts and culture in the world, is protected for the future. 

As we celebrate the hundreds of thousands of people who have been moved, delighted, awed, shocked and entertained by the stories artists present across Fringe stages, it feels that now, more than ever, we must not take artists for granted; we would do so at our peril.

SHONA McCARTHY,

Chief Executive of the Edinburgh Festival Fringe Society

Elderly patients in Scotland stuck in hospital due to failing discharge system

Scottish care providers call for reform as postcode lottery for elderly patients revealed

Wide regional discrepancies in the speed with which elderly patients declared medically fit to leave hospital are discharged are exposed in ground-breaking new research by the UK’s largest and most comprehensive later-life care directory, Autumna.

The survey of more than 500 care homes and home care agencies has revealed the best and worst performing regions for speed of discharge from hospital, as well as communication between hospital discharge teams and social care providers, with nine in ten providers calling for reform of the system.

100% of care providers questioned in Scotland want the government to reform the hospital discharge process, regardless of whether or not they receive referrals from it. This reflects that the system is among the worst performing in the country.

42.9% of respondents say they don’t have a positive relationship with hospital discharge teams (34% nationally). Only one in five providers receive referrals at least weekly, suggesting a lack of effective communication which may also contribute to slow patient admission: 50% of providers say discharge from hospital takes more than a week (24.3% nationally), with 14.3% saying it takes three weeks or more (nearly twice the national average).

93% of care providers nationally would like to see government reform of the hospital discharge process, with the figure ranging from 85.7% in the North East to 100% of providers in Scotland. Nationally, 85% of care providers who have a positive relationship with their local hospital discharge teams still want the process reformed.                

Full national and regional findings: www.autumna.co.uk/hospital-discharge-report-2024/

“Our survey, which is the first to probe the experiences of social care providers of the hospital discharge system, shows a system that is failing due to poor relationships caused by poor communication,” warns Debbie Harris, the founder and Managing Director of Autumna, which has developed a digital solution to speed up hospital discharge*.

“Our findings are a wake-up call to Kier Starmer and Wes Streeting that the system is broken and urgently needs reforming. The pressures are only going to get worse as our population gets older, so we need to fix the system now, before it completely breaks down,” she adds.

Delayed hospital discharge costs the NHS around £4.8 million a day1. It also results in: worse health outcomes for elderly patients; other patients not being able to access hospital services; and increased pressure on local authorities, as elderly patients who are stuck in hospital end up with greater care needs.

“Autumna’s Hospital Discharge Report: Care Providers’ Perspectives clearly outlines a system that is failing and will only get worse unless remedial action is taken,” comments Professor Martin Green OBE, Chief Executive of Care England.

“However, this report also highlights the fact that there are solutions, and if people worked effectively with the social care sector and gave it the needed resources, the solutions would be easily and readily available.”

Autumna’s research shows that four in ten social care providers do not receive referrals from hospital discharge teams.

“We have elderly patients stuck in hospital when there is sufficient care to support their discharge, either in a care home or with support at home,” comments Harris. “Hospital discharge teams do not have effective tools to identify available, appropriate care quickly and are overly reliant on some providers, meaning elderly patients are denied access to the full range of appropriate support available to get them out of hospital.”

48.7% of care providers do not feel the hospital discharge teams understand the care they offer. A third of providers (33.4%) say they can’t talk to discharge teams when they need to. Of the care providers who do receive referrals from hospital discharge teams, a similar number (34.0%) say they don’t have a positive relationship with them.

17.0% of care providers questioned say the average length of time for discharge into their care after a patient has been declared fit to leave hospital is one to two weeks, while 7.3% say the average length of time is three or more weeks.

The top reasons for delays in patient transfer to social care providers are because the funding is not agreed, there is insufficient information and lack of communication. 45.5% of care providers say information provided by hospital discharge teams is not accurate. 44.6% of care providers think the information provided by hospital discharge teams is insufficient to make an initial assessment on admission suitability.

“The care sector has the capacity, the expertise and the enthusiasm to be part of the solution,” advises Harris. “What’s more, speeding up hospital discharge will help the commercial viability of providers who face increasingly squeezed margins; 518 care homes closed in 20232, with a loss of 14,169 beds2.

More than 15 million people are projected to be over the pensionable age by 20453, with the number aged 85 and over expected to increase by 1 million to 2.6 million over the same period4.

“With an ever-ageing population, continuing to fail to find a solution to speedy, efficient and appropriate hospital discharges is unsustainable – for the NHS, for local authorities, for the taxpayer, and – most importantly – for our elderly,” urges Harris. “We challenge the government, health and social care leaders to think imaginatively to rise to the challenge.”

For a summary of regional discrepancies, see page 4. For full national and regional results, incl. quotes from local care providers, download the full report: www.autumna.co.uk/hospital-discharge-report-2024/

20th birthday edition of Edinburgh Art Festival closes with record numbers of participating artists, partners and attendees

Edinburgh Art Festival (EAF24) closed on Sunday, with record numbers of attendees and of participating artists.

For the 2024 programme, which marked 20 years of the festival, EAF invited audiences to join them in a moment to collectively pause and reflect upon the conditions under which we live, work, gather and resist with a festival hub at City Art Centre.

The programme, the biggest yet for EAF, spanned the work of more than 200 artists in more than 30 venues, across 55 projects and with over 130,000 visitors across all venues, including 21,000 visitors across the EAF commissioned programme. 

Kim McAleese, EAF Festival Director, said: “We wanted to create a festival that felt rooted here in Edinburgh and connected to people local to the city but which was also balanced with a critical and nuanced global dialogue.

“We are delighted that audiences, collaborators and artists were so generous with their engagement, criticality and time for EAF24. At the core of our programme this year was over 200 artists who brought work to the city.

“Without them we would not be able to do what we do and we must continue to support those artists who share their ideas and knowledge with us year on year, especially in the face of devastating, life changing cuts to public funding such as those announced this week here in Scotland.”

The festival programme spanned from the city centre, with large scale works by Ghanaian artist El Antsui and flags by Rosie’s Disobedient Press visible for those in the city to see from the streets, to the glowing light of Prem Sahib’s nocturnal work at Bard, in Leith to the outer limits of the capital both East and West.

A festival within a festival took place at Jupiter Artland, with the theme of a ‘queer fete’ and Más Arte Más Acción (MAMA) were invited to present an artistic public intervention at the Royal Botanic Gardens Edinburgh, in the form of a large table around a tree, to discuss the interconnections between humans and plants in times of rapid biodiversity loss and which now travels to COP30 in Brasil.

Performances peppered the EAF24 programme including the highly acclaimed opening performance by Mele Broomes and Prem Sahib’s Alleus, which took place in a stairwell of Castle Terrace Car Park.

Four of Scotland’s emerging artists showcased work that surmised their current concerns  to critical acclaim in the City Art Centre, and recent and current socio-political history were explored in new ways at Women in Revolt! at  the National Galleries of Scotland in a survey of feminist art that celebrates the women who challenged and changed the face of British culture which was reimagined for Edinburgh to include new Scottish women artists.

Celebrate National Cinema Day with £4 tickets at Vue Edinburgh 

Film fans can get their big screen fix at Vue for just £4 this Saturday (31 August) as part of National Cinema Day. 

All films, all day are just £4 when purchased in person (with a 90p booking fee for tickets booked online) to mark the annual event designed to bring people together in celebration of the way films should be seen – on the big screen. 

There’s an abundance of titles to enjoy on the day, including summer smash hits Alien: Romulus, It Ends with Us and Deadpool & Wolverine, with familiar faces for families to enjoy in Inside Out 2 and Despicable Me 4. 

For those wanting to enjoy a classic, as part of Vue’s ongoing Back on the Big Screen collection National Cinema Day customers can revisit 80s sci-fi with The Terminator and get lost in magical worlds with Harry Potter and the Prisoner of Azkaban. 

To coincide with the celebration film fans will also have a chance to try Coca Cola’s Freestyle beverage, The Fan Favourite, a delicious combo of cherry and vanilla – available for one week only at selected venues. 

Robert Smith, General Manager of Vue Edinburgh Omni, said: “Nothing compares to the experience of seeing a film the way it should be seen – on the big screen.

“That’s why we’re encouraging as many people as possible to head down to Vue in Edinburgh this Saturday.” 

To find out what’s playing at Vue sites across Edinburgh, visit:

 www.myvue.com/national-cinema-day. 

Edinburgh International Book Festival celebrates huge success in first year in new home

100k visitors, almost 600 events, 100 sold out and 55 countries watch online

  • Over 100k visits were made to the Book Festival’s new home at Edinburgh Futures Institute from 10-25 August for first programme from new Director Jenny Niven
  • Authors, poets, politicians, musicians, thinkers and illustrators including Margaret Atwood, Richard Osman, Salman Rushdie, Blindboy, Sarah Pascoe, RF Kuang, Naomi Alderman, Jess Phillips  took to stage and screen for almost 600 events
  • Over 200 events sold to 90% capacity or more
  • Audiences from 55 countries joined online for pay what you can events – many of which are still available to watch
  • Over 4,500 school children from 89 schools across Scotland were transported to the Festival (31 groups free of charge), to attend free events and take home a free book each
  • EIBF authors took part in 12 visits to hospitals and prisons across Scotland
  • Thousands of local residents were introduced to Edinburgh Futures Institute for the first time

Over 100k visits were made to Edinburgh International Book Festival’s new home at the newly opened Edinburgh Futures Institute from 10-25 August 2024, with ticket and book sales significantly up on previous years, and thousands of curious passers-by exploring and enjoying the new site, amongst the heart of Edinburgh’s festival action.

Future Tense, the first Book Festival programme to unfold under new Director Jenny Niven, tackled topics of global importance ranging from AI to the climate crisis, capitalism to the war in the Middle East, migration to inheritance, and more besides.

Legendary authors, writers, poets, thinkers and entertainers including Margaret Atwood and Salman Rushdie (who joined down the line), Richard Osman, Dolly Alderton, Alan Cumming & Forbes Masson, Phillipa Gregory, Jackie Kay, James O’Brien, Lemn Sissay, Elif Shafak, Louise Welsh, Raja Shehadeh, Marian Keyes, Roger McGough appeared on stage, alongside RF Kuang, Blindboy, Esmie Jikiemi-Pearson, Evie Wyld, Julius Roberts, and Samantha Shannon.

As well as greats from the literary sector, stars of music and film (Stuart Brathwaite of Mogwai, Esther Swift, Evelynn Glennie, Stuart Murdoch, Steven Moffat, Anjoa Andoh), theatre makers (including Grid Iron’s Ben Harrison), producers, publishers (many appearing as part of the Business of Books strand aimed at those in the industry, and artists (Ruth Millington, Kate Leiper) and actors also featured, bringing the multi disciplinary magic of the Edinburgh Festivals to life, right at the heart of the city.

This year saw a number of brand new types of events unfold, many celebrating cross-discipline collaboration, including the ambitious digital experience, Perambulations of a Justified Sinner and the intimate Have Lunch With… series at Elliott’s Studio, featuring chef-writers (Asma Khan, Sami Tamimi and Rachel Roddy). Clean Money: Can Fundraising Ever Be Ethical brought in audience members with a variety of views to discuss the detail and nuance of modern arts funding in a safe and supported space, and events including ThinkTanks offered audiences unparalleled access to world-class minds including Harold Hongju Koh, Ingrid Robeyns, Joseph Stiglitz and Ken Costa.

Voices from across the political spectrum also joined the conversation, with appearances from John Swinney, Jess Phillips, Caroline Lucas, Andy Burnham and Sadiq Khan. 

Jenny Niven, Director of the Edinburgh International Book Festival, said: “We are absolutely thrilled with the success of the Book Festival this year. Audiences have voted with their feet and we’ve seen full houses and brilliant, engaged crowds.

“Debate and discussion has been relished by audiences and authors alike proving the Festival is a truly important space for people to be inspired and come together.

“Edinburgh Futures Institute as a Book Festival venue has been terrific and we’re already looking at the ways we can build on what we’ve created for next year.

“We’re looking forward to beginning conversations in the Autumn with everyone who will be part of our story in our next glorious edition.”

Creative Scotland’s Open Fund: Sign the petition!

1500 folk signed already! “We are the people of Scotland. We live and work here. We value the arts and the artists who make it.”

Please sign and share if you live in Scotland and value the arts:

http://bit.ly/4dyphen

Independent producer Mairi Robinson’s letter reads:

Open Letter to Scottish Government, on the closing of Creative Scotland’s Open Fund for Individuals

Listen to this letter here: https://on.soundcloud.com/3zuSaySKzEnftzJL8 

We, the undersigned, are artists, arts workers, and/or audience members from across Scotland. We are the people of Scotland. We live and work here. We value the arts and the artists who make it.

We are writing to you about the closure of Creative Scotland’s Open Fund for Individuals, due to the Scottish Government being unable to confirm the release of £6.6 million of funding from the Grant-in-Aid budget. This decision shocks and deeply concerns us, and places the future of the arts in Scotland at risk.  

The Open Fund for Individuals is the cornerstone of the arts in Scotland. It is the only fund of its kind to support artists to lead projects, develop their practice, support their professional development and collaborate with other artists and/or communities.

One grant awarded to an individual provides meaningful employment, creative development, allows space for artistic risk and experimentation. Many of these grants support multiple artists and arts workers through paid job opportunities. Grants for individuals can also support organisations through the filling of theatres, galleries and music festivals. 

One grant can kickstart or extend a career, allow an artist to present their work to the public, develop a new stream of income, develop their entrepreneurial and business skills. Take artworks to market and present for Scottish audiences, leading to international tours and commercial successes. They provide a training ground for the arts leaders of tomorrow, allowing artists to skill up through experience of running their own projects and developing new networks.    

One grant can place artists in schools, in care homes, working 1-to-1 with folk who do not like a crowd, or with whole communities at a time, and bring a multitude of positive personal, social and wellbeing benefits. It can reduce isolation and bring people together. It can inspire and delight. It can help people find their voice, and see their experiences and stories represented. 

The Open Fund for Individuals has an enormous impact. It is a lifeline for artists and arts workers. Beyond the individual grants and their benefits, its existence also means an enormous amount to people across Scotland, because it supports people who are not independently wealthy to be artists. It tells us that we have a right to creativity and the arts, a right to joy and wellbeing, and a right to emotion and expression. 

Without the fund, the future is bleak, and bleakest for those who are isolated and marginalised by income, geography, race, class, age, faith, caring responsibilities, gender, sex, sexuality, or disability. Those who do not have savings to fall back on, family support to sustain them, or who have to work harder to bring their work to audiences are at risk of being unable to sustain a career in the arts. The loss of these talents and perspectives in the arts leaves us all poorer.

The arts in Scotland contribute £5bn annually to the economy but they are now at breaking point. We cannot continue without direct support for our artists, arts workers & self employed people. The damage to the arts caused by the closure of the fund is immediate and long lasting. Cut it now, and it could take a generation to build back.

We urge you to fund the reopening of the Open Fund for Individuals as a matter of urgency. We ask that you provide clear guidance on the in-year and future annual budgets so that the arts in Scotland can begin to plan, develop ideas, build upon past successes and deliver a vibrant future for us all.   

[Please sign with your first name, last name and postcode at the bottom of the document]

[If you’re having trouble accessing this document, please email mharirobinson@gmail.com with your name and post code and I will add you in] 

YOU CAN ADD YOUR NAME TO THE PETITION HERE:

http://bit.ly/4dyphen

Traverse Theatre statement on closure of the Open Fund

The Scottish theatre community is in need of support more than ever in light of the cuts to arts funding. Gareth Nicholls, Artistic Director of the Traverse, said last night:

“We at the Traverse wanted to use our platform to the world on the final day of the festival to make you aware of this, and of the significant impact funding cuts are having on our nation’s artists and theatres.

“New work in Scotland doesn’t come from nothing. And one of the key ways this has been achieved is through an open fund where an individual artist can ask for money when their idea is but a seed.

“The open fund is the incubator for Scottish work, but Creative Scotland has been forced to close the fund at 2pm on Friday. It will be closed indefinitely, due to the Scottish Government being unable to confirm funding for its delivery.

“Many on our stages, and whose work you’ve enjoyed at the festivals, have been dependent upon it, alongside wider arts subsidy. It is a fund that helps build careers and craft to get an idea off the ground, and which helps places like the Traverse keep our theatres alive with bold new ideas.

“If you enjoy seeing Scottish work right here in Scotland, then please continue to support the artists who make the powerful work that appears our stages.”

Further information can be found at www.campaignforthearts.org

Celebrating three years of funded childcare in Scotland

Helping children get the best start in life

This month marks three years since funded early learning and childcare (ELC) was nearly doubled for eligible two-year-olds and all three and four-year-olds in Scotland. 

Scotland remains the only part of the UK to offer 1,140 hours a year of funded ELC to all 3 and 4-year-olds and eligible 2-year-olds regardless of their parents’ working status – putting children first.

If families paid for this themselves, it would cost them more than £5,500 per eligible child per year.

Uptake of the Scottish Government’s flagship offer remains high, with 97% of three to four-years-old accessing funded ELC in 2023. 

Children and Young People Minister Natalie Don-Innes said: “Our investment in funded early learning and childcare is vital to achieving our ambition for a diverse, thriving and sustainable childcare sector and I’m proud of the progress made through the 1140 expansion so far.

“We are working to eradicate child poverty and improve the lives of children. This includes increasing uptake of our childcare offer for two-year-olds, and testing new systems of childcare through our investment in six Early Adopter Communities, which are local systems of funded childcare for families who need it most.


“We have also provided funding of £16 million for a pay uplift to £12 an hour for staff delivering ELC in the private and third sectors, and funded a new programme to recruit and retain childminders. All of this is helping parents back into work, study or training, which is not only good for their wellbeing, but good for the economy.

“I am committed to continuing to work together with providers and local government to safeguard the sector and ensure our children get the best start in life through access to high quality funded ELC.”

Health board reaches 10,000 responses on Care Opinion

NHS Greater Glasgow and Clyde has received its 10,000th story on Care Opinion, the independent healthcare feedback platform.

Care Opinion is a national resource that gathers feedback anonymously and shares it with NHS services so they can pass on positive feedback and learn from any instances where levels of care may fall short of expectations.

Sandra Bustillo, Director of Communications and Public Engagement at NHS Greater Glasgow and Clyde who has executive responsibility for patient feedback and engagement, said: “Every day, staff throughout NHS Greater Glasgow and Clyde work hard to give the best possible care to our patients, and to support families and friends through what can be a very difficult time.

“Everyone at NHSGGC is very proud of the work we do and the care we give, and open and honest feedback is an important way for us to build on what works well and improve what could be better.

“Care Opinion, which is one of a number of ways feedback can be shared with NHSGGC, allows patients, or someone close to them to five anonymous feedback, and we would encourage people to use the service to give us their views on the care they or a loved one received.

“NHS Greater Glasgow and Clyde always endeavours to answer the feedback we receive, if that’s appropriate, and what is said will always be passed on to the relevant service so they can continue to improve the care they give.

“We are however delighted that more than 75 percent of the feedback we receive on Care Opinion is positive, which is due to work that NHSGGC staff day do every day to provide high quality, person-centred healthcare.

“We would like to thank patients and their families for their feedback, and all our staff for their continuing hard work and professionalism.”

Fraser Gilmore, Executive Director and Head of Care Opinion Scotland, added: “We are absolutely delighted to be celebrating with NHS Greater Glasgow and Clyde on being the first Scottish Health Board to receive their 10,000th story on Care Opinion from members of the public.

“This is testament to hard work of staff and services who truly believe in the power of public feedback in shaping service improvement.

“Care Opinion gives patients, relatives and carers the opportunity to share what was good and what could be improved, so services can learn from this feedback and make improvements for everyone.

“NHS Greater Glasgow and Clyde staff have responded to these stories more than 13,000 times, each time thanking authors for their gift of feedback and explaining how they are going to use the feedback to learn, grow and change.

“The number of stories shared about NHS Greater Glasgow and Clyde services has increased year on year, and in 2023/24, 78 per cent of all stories shared were completely positive and in total, all the stories shared about the board have been read more than 4 million times.

“NHS Greater Glasgow and Clyde has really shown how much it values proactively seeking feedback from patients, relatives and carers, in a way that is open, transparent and leads to learning and change.

“At Care Opinion we are delighted to have been part of the board’s journey to actively seek feedback from the public and we look forward to our continued collaboration.”

For more about how to give feedback to NHSGGC, go to: Share Your Feedback – NHSGGC

For more about Care Opinion, either call 0800 122 3135, or go to: Care Opinion

SAS staff member awarded for 15 years of volunteer lifesaving

A Scottish Ambulance Service Ambulance Care Assistant has received a long service award after 15 years volunteering for St Andrews First Aid.

Lynne Duke, who works out of Leverndale Station, started with St Andrews in 2009 after seeing an advert in a local paper.

St Andrews, which formed in 1882, promotes the teaching of first aid along with supplying first aid equipment and event cover.

Lynne, who joined the ambulance service in 2016, was recently presented with a long service award at a Civic Reception at Edinburgh City Chambers, attending with her daughter Sarah and presented with her medal and certificate by Edinburgh’s Lord Provost.

Lynne said: “It was really nice to be recognised for the volunteering that I do.”

Speaking of how she got into volunteering with St Andrews, she said after applying for a position, she completed a three-month training course with the option to volunteer after successful completion.

She added: “I made the decision to join and really enjoyed my time and have never looked back. Not only did St Andrew’s give the confidence to try new things, I’ve met friends that I can now call friends for life.”

In the past 15 years, Lynne has volunteered at six T in the Park Festivals, numerous concerts, football matches, Remembrance Day parades and local duties including performances in East Kilbride village theatre.

Her enjoyment from volunteering inspired her to change careers joining SAS as an Ambulance Care Assistant, caring for members of the public when transporting them to and from hospital.

She said: “I started working part-time in based at Paisley station before moving to Glasgow South station. I now work full time at Leverndale Station. I like that every day is different, meeting different people and the challenges that it brings.”

Paul Bennie, Ambulance Care Assistant Team Leader at Leverndale, said: “On behalf of everyone at SAS,  I would like to congratulate Lynne on a fantastic achievement.

“She is a fantastic member of staff and inspiring volunteer for St Andrews. This award is thoroughly deserved and everyone at Leverndale is thrilled she has been recognised.”