EDINBURGH’s FESTIVALS POSTPONED

For the first time in their seventy-year history, the five festivals that transform Edinburgh into the world’s leading cultural destination every August WILL NOT GO AHEAD this year due to concerns around the Covid-19 pandemic. 

Edinburgh Art FestivalThe Edinburgh Festival FringeEdinburgh International Book FestivalEdinburgh International Festival and The Royal Edinburgh Military Tattoo have been postponed.

Together, the five August festivals comprise over 5,000 events across Scotland’s capital each summer, welcoming audiences of 4.4 million and over 25,000 artists, writers and performers from 70 countries, making them the second biggest cultural event in the world after the Olympics.

The festivals’ history stretches back to 1947, where in the aftermath of the Second World War the Edinburgh International Festival was founded to reconcile and reunite people and nations through art, in an event that transcended political and cultural boundaries.

Many years later the International Festival continues to present the world’s leading theatre, dance and music artists in Edinburgh’s magnificent venues.

The Fringe story began when eight theatre groups turned up uninvited to perform on the fringes of the very first International Festival. Since the dawn of this spontaneous artistic movement, millions have flocked to the Edinburgh Festival Fringe to produce, and to enjoy art of every genre.

Conceived in 1950 the iconic major event, now known as The Royal Edinburgh Military Tattoo, brings together a huge cast of international military and folkloric performers to perform live to 220,000 visitors each August, with many millions seeing the show on BBC TV around the world.

The Edinburgh International Book Festival began in 1983 and has grown rapidly in scope and size, welcoming writers from all over the world to exchange ideas on some of the world’s most pressing issues. The youngest of the August festivals, Edinburgh Art Festival was founded in 2004 to provide a platform for the visual arts, each year bringing together the capital’s leading galleries, museums and artist-run spaces to present work by international and UK artists.

Since their visionary beginnings the August festivals have presented the very best established and emerging artists from all corners of the globe and across all aspects of the performing, literary and visual arts in what has become the most significant and important celebration of culture anywhere in the world.

Said Sorcha Carey, Director, Edinburgh Art Festival, said: “It is with deep sadness that today we announce the cancellation of Edinburgh Art Festival 2020.

“Our decision is taken in response to the ongoing risks posed by the Covid-19 pandemic, and the need to prioritise the safety of our audiences, artists, participants, staff and indeed all those working to combat coronavirus.

“While it has become impossible to deliver a festival this year, we remain fully committed to doing all we can to continue to support our visual arts community during what is going to be a hugely challenging time in the weeks and months to come.

“We hope that it will be possible for galleries, museums and production spaces across the city to reopen their doors in the coming months; and in the meantime, we will work creatively to find alternative ways to share the work of artists with audiences.

“We will be back next year – as always working closely with our partner galleries, and alongside our extended network of sister festivals, to celebrate the work of artists with audiences and communities across the city.”

Shona McCarthy, Chief ExecutiveEdinburgh Festival Fringe Society, said: “It’s heart-breaking that the Fringe and our sister August festivals will not take place as planned this summer. However, having taken advice and considered all the options, we collectively believe this is the only appropriate response.

“The safety of participants, audiences, local residents and indeed everyone connected to our festivals will always come first. Our thoughts today are with the doctors, nurses, health and social care professionals on the front line, as well as all those affected by this dreadful pandemic.

“Our sympathies too are with the thousands of artists and participants directly affected by today’s decision – we will do everything we can to support you over the coming months.

“Culture brings out the best in us. It gives the marginalised a voice, it shapes and reshapes how we think of ourselves and, crucially, it unites us. Since their inception in 1947 the Edinburgh festivals have existed to champion the flowering of the human spirit and, in the face of this truly unprecedented global emergency, we believe that this spirit is needed now more than ever.”

Nick Barley, Director, Edinburgh International Book Festival, added: “It is with great sadness that I can confirm that the Edinburgh International Book Festival will not take place as a physical entity in August of this year due to the risks surrounding the Covid-19 pandemic.

This is not a decision we have taken lightly, however the safety of not only our authors, our audiences, our staff and our suppliers, but also that of the people who live and work in our wonderful city, is of paramount importance and we believe that planning to bring large numbers of people from all over the world together in Edinburgh in August is not appropriate this year. We hope to be able to programme a series of online events to take place in the summer.

“We will be back! The Edinburgh International Book Festival is an integral part of the Scottish cultural offering, and we will return next year. We are already looking forward to authors and audiences coming together to celebrate the written word in 2021. In the meantime, please keep reading and please keep supporting your local independent bookshops, many of whom are offering a mail order or door drop delivery service.”

Fergus Linehan, Festival Director, Edinburgh International Festival, added: “We are hugely disappointed to announce this cancellation but given the current outlook we believe it is the correct decision.

“We recognise that Edinburgh’s festivals play a very important role in the cultural, social and economic lives of our city and country, and this decision has not been taken lightly. Our thoughts are with all the country’s key workers and we hope that we can celebrate your heroic efforts when this awful pandemic has passed.

“The Edinburgh International Festival was born out of adversity – an urgent need to reconnect and rebuild. The current crisis presents all at the Festival with a similar sense of urgency. Work begins straight away on a 2021 Festival season that will boost both our spirits and our economy.

“As we observe our essential social distancing we can, I hope, look forward to being back together soon: sharing brilliant music, theatre, dance, literature and art from the greatest creative minds of our time. Until then, thank you for all your good wishes and keep safe in the coming months.”

Edinburgh’s world famous Tattoo is another casualty. Brigadier David Allfrey MBE, Chief Executive, The Royal Edinburgh Military Tattoo, said: “Like most people, businesses and institutions, The Royal Edinburgh Military Tattoo has been working hard to adapt to the unprecedented conditions occasioned by the COVID-19 pandemic. 

“In the first instance, we have sought to comply carefully with Government advice and guidance in looking after our customers, staff, suppliers, stakeholders and all those who rely on our annual success and charity. In addition, we have been looking at how best to make a wider and constructive contribution to the national, regional, municipal and individual effort.

“The pandemic is impacting across the world, the Tattoo – along with other major events and festivals – will need to carefully understand and adapt to whatever is our new normal.

“We are keen to do this as a great many people have come to rely on our annual routines for their livelihood and their entertainment, with an associated benefit that stretches internationally and across Scottish and UK tourism. Now though, we judge it is impractical and undesirable to stage a Tattoo in anything like its normal form in August.

“Accordingly, we have decided – for the first time in our 70-year history – to cancel our 25 shows set previously for the period 7–29 August 2020.”

Edinburgh’s festivals bring millions of visitors to the city in summer, spending much-welcomed cash in the capital. Council Leader Adam McVey and Depute Cammy Day, said: “This was a profoundly difficult decision– leaving a massive gap in our Capital – but clearly it was the right one. Our thoughts are very much with all those fantastic artists, writers, performers and organisations who were working so hard to prepare for another busy festival season.

“The most important consideration is the health of our residents and the safety of everyone in the City. We’re all working closely together as a city and internationally with the common purpose of protecting each other, whilst taking up our shared responsibility for planning towards our recovery.

“With that in mind, we’re looking at every feasible option to help to sustain our key sectors, including the festivals, and have committed to honouring all grant payments due to our cultural partners for the current year, and to the repurposing of these, as required. We’ll do everything we can to assist our world-renowned cultural sector to remain at the centre of the city’s identity going forward.

“We’re incredibly proud to be known as the world’s Festival City and must never forget the positive contribution our festivals make to our lives, bringing art to Edinburgh in a way no other city enjoys.

“We’ll continue to work with all of our citizens, colleagues and stakeholders to do everything we can to make sure we come through 2020 and look forward to again bringing the world to Edinburgh and Edinburgh to the world for our summer festivals in 2021!”

Iain Munro, Chief Executive, Creative Scotland, said: “We understand and support the decision by Edinburgh’s Festivals to cancel this Summer’s activities at this extremely difficult time.

“Our hearts go out to all those involved with the Festivals who work tirelessly every year to deliver one of the highlights of the annual cultural calendar and to the many artists, performers and companies who will miss this year’s opportunity to be celebrated on a global stage.

“We look forward to their return when audiences can once more marvel at the extraordinary art and creativity that will be on offer.”

Adam French, Which? Consumer Rights Expert, said: “While understandable, the cancellation of the Edinburgh festivals will be disappointing news for the millions of people who flock to the Scottish capital to experience one of the world’s great cultural events.

“It’s good to see that some organisers have said they’ll be refunding registration fees, tickets and memberships, so those who planned to attend events may be able to get their money back.

“It could be trickier to get a refund for any related travel or accommodation. The good news is that National Rail has offered to refund tickets booked before 23rd March, but you will need to check the cancellation policies for any accommodation you have booked or any other mode of transport.”

 

Seedy Hotel?

Edinburgh hotel swaps single-use plastics for Scottish wildflowers

THE LARGEST independent hotel in Edinburgh has removed single-use plastic toiletries from their bedrooms, instead offering guests the gift of Scotland’s natural beauty.

Guests at Ten Hill Place Hotel are being encouraged to take home their free packet of Scottish wildflower seeds, available in every bedroom, to plant this spring.

The decision is the latest in the four-star hotel’s series of sustainable changes which have included removing plastic water bottles and introducing recycling waste management on every floor.

The hotel is run by Surgeons Quarter, the commercial arm of the Royal College of Surgeons of Edinburgh (RSCEd). All profits made by the hotel and Surgeons Quarter’s six other venues are put towards the College’s charitable aims of improving patient outcome and advancing surgical standards across the world.

Scott Mitchell, Managing Director of Surgeons Quarter, said: “It’s really important to us that we make decisions which positively impact the environment as well as our guests.

“As part of our feedback, we ask guests for suggestions on how we can become more environmentally-friendly – we’ve made some small but powerful changes over the past few months as a result.

“After taking the decision to remove single-use toiletries and plastic bottles of water from our 129 rooms, we wanted to give something back to our guests – what better to give guests than a reminder of Scotland to bring home with them?”

Surgeons Quarter partnered with UK company Seed Promotions to create a customised selection of Scottish wildflower seeds, which include trefoil birdsfoot, poppy and ox-eye daisy seeds.

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Claire Sellars at Seed Promotions said: “The team at Surgeons Quarter is really ahead of the curve when it comes to creative ways to be more sustainable.

“Scotland is home to around 1,600 native flowering plants which help to support wildlife across the country. It’s really brilliant to see Surgeons Quarter supporting Scotland’s natural wildlife in this way.”

The hotel, located in Edinburgh’s Old Town, has been recognised with a Gold Green Tourism Award which promotes sustainable tourism worldwide.

Ten Hill Place changes its menus with the seasons to make the most of Scotland’s natural larder, sourcing as much local produce as possible.

The hotel has also taken the decision to implement low flow showers and chemical free cleaning systems, and offers guests the option of not changing their towels and bedding daily to save water. A selection of toiletries will remain available at the reception of Ten Hill Place for guest use.

Surgeons Quarter promotes, sells and manages all commercial activities held within the RCSEd campus. All profits support the charitable aims of the College which are education, assessment and advancement in surgical standards worldwide.

New plans revealed for Edinburgh Filmhouse

Edinburgh’s Filmhouse has today revealed a bold new vision to create an internationally significant, fully accessible and environmentally sustainable landmark home for film and screen culture in Edinburgh.

It will provide unrivalled spaces and facilities for everyone to watch film, to make film and to learn about film and filmmaking in all its diversity.

The planned new Filmhouse building has been designed by award-winning Edinburgh based Richard Murphy Architects and will significantly improve and increase the quality and quantity of spaces available to and needed by Filmhouse and EIFF for their audiences, customers, participants and industry partners.

It will create a hub for Edinburgh’s film and broader cultural community to base themselves in, and be a focal point for Edinburgh’s citizens to learn about film.

Filmhouse’s audiences have made it clear what they value and these have been built into the design: location, atmosphere, diversity of programme, education and learning activities, great locally sourced food and drink in the Café Bar, and a safe and comfortable space for people to gather. Most importantly, these will all be delivered to contemporary standards of access and comfort.

Filmhouse has been at the centre of Edinburgh’s cultural landscape for more than 40 years. As well as a year-round programme of inspiring films, creative learning, special events and partnership working, Filmhouse is home to the Edinburgh International Film Festival (EIFF), hosts more than 20 other film festivals, and plays a key role in promoting a vibrant and successful film and moving image industry and culture across Scotland.  The new building will secure Filmhouse’s future for generations to come.

The new Filmhouse will:

  • Provide six new cinema screens allowing Filmhouse and EIFF to programme even more great films, festivals and partnership events.
  • Improve the audience experience with a world-class venue that is fully accessible for all, with comfortable seating and state-of-the-art facilities.
  • Continue to screen film on all formats, including 4K digital, and 16mm, 35mm and 70mm film.
  • Ensure accessibility for all, with a commitment that all public and office spaces are fully accessible for audiences, staff and guests.
  • Increase Filmhouse’s education and outreach activity, with dedicated education spaces to host year-round activity for learners of all ages.
  • House Filmhouse’s award-winning Café Bar, which will be designed to retain the intimate and safe atmosphere of the existing space.
  • Create a brand-new Festival Centre to provide a venue to support EIFF and other festivals and special events year-round.
  • Introduce a new Cultural Industries hub, supporting the Scottish screen sector with much-needed flexible workspace in Edinburgh’s city centre.
  • Create a restaurant and rooftop event space.
  • Keep Filmhouse’s iconic character and atmosphere, in a new building that has been thoughtfully designed to represent its independent spirit and ethos.
  • Reduce impact on the environment by creating a carbon-neutral building.
  • Increase financial sustainability, by creating greater capacity, diversifying sources of income generation, and becoming more self-sufficient over the longer term.

The oculus design reflects the eye on the world that Filmhouse, EIFF and the myriad of festivals, events and learning opportunities in the building will provide, whilst also providing a striking addition to Edinburgh’s architectural landscape.

Its location in Festival Square is designed to be the catalyst that brings to life a currently underused public space and as part of the development would place a responsibility on Filmhouse to manage the curation of activity within the surrounding square.

The architect drawings and visualisations for the new Filmhouse give people a good idea of the thinking on the position and shape of the building, and the spaces it would contain, howeverthe design is still in development.

Due to the significance of this project to Filmhouse and to Edinburgh, the project team are consulting as widely as possible on this proposalThe consultation stage will officially run for 12 weeks from 11th March to 3rd June.

Filmhouse is looking to engage with customers, partners, stakeholders including programming partners, creative learning partners and the Scottish film sector, community councils and councillors, and residents of Edinburgh to gauge support for the plans and further develop the designs before submitting a formal Planning Application to the City of Edinburgh Council during the summer.

Information on the proposed development including architect drawings and visualisations, the background to the development and FAQs will be available on the Filmhouse’s website. There will also be information and images on display at the Filmhouse including a scale model.

People will be able to give feedback through a simple online survey through the Filmhouse and EIFF websites, through comment cards in the Filmhouse, and formally and informally at events, meetings and discussions with Filmhouse staff.

Three all-day (10am – 7pm) public consultation events will take place in Filmhouse on Sunday 29 March, Wednesday 1 April and Tuesday 28 April where members of the Filmhouse team, Richard Murphy Architects and Montagu Evans will be present to answer questions and collect feedback.

There will be two Filmhouse Members’ Events for its more than 5,500 members on Sunday 29 March and Monday 6 April with opportunities for this key group of stakeholders to hear more and ask questions.

An annual Programme Partners’ event in March gives the Filmhouse’s festival and cultural partners an opportunity to focus on this consultation and how they can engage with the proposed development.

In addition, Filmhouse will actively engage with a range of audiences, customers, interest groups and stakeholders, for example presenting information specifically to its Young Programmers and Senior Selections volunteers, and will invite people from organisations or networks representing special interests to attend individual or group meetings to have more focused discussions about the designs.

Full costing of the project will take place later in 2020 to coincide with the formal Planning Application, but the cost is currently estimated to be in the region of £50m.

An indicative timeline, contingent on the Planning Application decision and fundraising success, hopes to start work on the building in 2023 with it opening in 2025.

This project is led by CMI’s Board and Senior Management Team, with support from property consultancy Montagu Evans.

Ken Hay, CEO of Centre for the Moving Image (inc Filmhouse and Edinburgh International Film Festival) said: “For more than 40 years Filmhouse has been at the centre of Edinburgh’s cultural life, and for more than 70 years Edinburgh International Film Festival has been an international beacon for film and film culture.

“This proposed new building will transform what we’re able to do for Edinburgh’s residents and Scotland’s film community, as well as providing Scotland with a physical celebration of the most popular artform.  Through doubling the number of screens and seats for regular cinema-goers, creating dedicated education and learning spaces, and developing an iconic festival centre, all within a fully accessible and carbon neutral building, this really is a 21st century temple for film.

“We are hugely excited about sharing this vision during the consultation period, and are looking forward to engaging with as many people as we can in helping us shape the future for Filmhouse and lovers of film.”

Sandy Begbie CBE, Chair of Centre for the Moving Image (inc Filmhouse and Edinburgh International Film Festival) said: “These are very exciting times for the Filmhouse – the opportunity to create a new home for film in Edinburgh, with a landmark building in the city centre.  

“This will provide a new state of the art home for Filmhouse and Edinburgh International Film Festival, but at its heart this is for the citizens of Edinburgh and Scotland and the entire film industry.

“The building will retain the purpose, values and culture that has served us so well over many years but in a building that will take us forward for the next 50 years.  This will also allow us to continue the valuable work we do in the community and the development of talent for the Scottish film industry.  This is what makes us different and the new building will provide the facilities to grow and develop that work.”

Colour and Light: new exhibition at City Art Centre

This May, Edinburgh’s City Art Centre presents the first major exhibition in nearly a century dedicated to the Scottish painter and print maker Charles Hodge Mackie (1862-1920), one of the most versatile artists of his generation.

Charles H. Mackie: Colour and Light is a major new exhibition that sets out to re-evaluate Mackie’s significance and contribution. Timed to coincide with the centenary of the artist’s death, it charts the progress of his career and creative development, from the rural Scottish landscapes of his youth to his spectacular late Venetian scenes.

The retrospective brings together over fifty artworks from public and private collections, including loans from the National Galleries of Scotland, the Royal Scottish Academy of Art & Architecture and Perth Museum & Art Gallery.

Showcasing the breadth of Mackie’s creative vision and talents, it is the most comprehensive public display of his work in almost a century.

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Born in Aldershot and brought up in Edinburgh, Mackie (above) trained at the Trustees Academy School of Art. He remained based in Edinburgh throughout his career, although he travelled often and embraced an international outlook.

As a mature artist, he worked across an impressive range of media, not only producing oil paintings and watercolours, but also murals, woodblock prints, book illustrations and sculpture.

His influences were similarly diverse, drawing inspiration from French Symbolism, the Celtic Revival movement and the landscapes of his European travels.

Mackie was well-connected and respected in contemporary artistic circles. He was close friends with E.A. Hornel and other members of the Glasgow Boys, and he met Paul Gauguin, Édouard Vuillard and the Nabis while working in France.

In the 1890s he was commissioned by Patrick Geddes to produce murals for Ramsay Garden in Edinburgh’s Old Town, as well as illustrations for the pioneering journal The Evergreen. In later years, Mackie spent time in Yorkshire, where he joined local artists groups and provided support and tuition to the young Laura Knight.

He was a founding member and Chairman of the Society of Scottish Artists, and was elected to the Royal Scottish Academy in 1917. He exhibited his work widely, both in Scotland and further afield. However, despite his many achievements, he has always been treated as a peripheral figure in the story of Scottish art.

Curator Dr Helen Scott said: “This exhibition is the culmination of many years of detective work.

“We’ve been able to reunite finished paintings with their preparatory studies, giving insights into Mackie’s working methods, and we’ve also been able to explore the ways in which he pursued key themes across different types of media – shifting from oils and watercolours to printmaking and back again.

“Highlights of the exhibition include several paintings that have recently undergone conservation treatment, such as Artis Ancilla, a large-scale composition of a nude reclining in the artist’s studio, which is part of the City Art Centre’s own fine art collection.

“Also featured on display is Deux Ouvrieres dans l’Atelier de Couture (Two Seamstresses in the Workroom) by Édouard Vuillard, a small oil painting gifted to Mackie by Vuillard, which is now owned by the National Galleries of Scotland. All in all, the exhibition is a wonderful, rare opportunity to celebrate Mackie’s life, connections and achievements.”

Mackie biographer and researcher Pat Clark said: “This exhibition is the first major public retrospective since the artist’s Memorial Exhibition in 1921.

“Charles H. Mackie RSA RSW was a well-respected artist in his day and well-connected in artistic circles in France and Scotland. The works on display trace his development and responses to the places he visited and the people he met.

“The exhibition will draw together all the stages of Mackie’s life and career, from early Scottish landscapes in Kirkcudbright to the magnificent large-scale oils executed in Venice. Colour and Light will be a long-overdue tribute to one of Scotland’s outstanding and unjustly neglected artists. The exhibition will showcase this achievement. It will bring me untold joy to share my passion for Mackie’s art with those who visit the City Art Centre between May and October.”

Councillor Donald Wilson, Edinburgh’s Convener of Culture and Communities said: “As we mark the centenary of Charles Mackie’s death, we are very proud to host this major study of his work in the City Art Centre.

“Bringing together over 50 artworks it promises to be a significant tribute to one of Edinburgh’s own. I’m sure ‘Colour and Light’ will captivate many visitors as well as inspire them through the accompanying programme of events and activities.”

Charles H. Mackie: Colour and Light opens on 16 May 2020 and runs until 11 October 2020. Admission is free.

The exhibition is being presented as part of Edinburgh Art Festival 2020, and it is accompanied by a varied programme of public events and activities.

Fraud: Ringing The Changes

Police are reminding local businesses and retail outlets to be vigilant following a recent fraud known as ‘Ringing the Changes’ which was committed in the city centre.

The incident occurred around 5.45pm on Monday (2nd March) in a shop on Rose Street.

This type of fraud involves the suspect using deception tactics and sleight of hand during a request to change large sums of money into different denominations. The suspect would then leave retailer or business hundreds of pounds short, after they have taken possession of the cash.

PC Chris Bright of Gayfield Police Station said: “We would like to remind businesses, retailers and members of the public to be aware of this behaviour and to remain vigilant.

“We would also ask anyone aware of suspicious behaviour to contact Police Scotland immediately via 101 or by calling the charity Crimestoppers on 0800 555 111.”

Pennywell up for RICS Social Impact Award

  • RICS publishes shortlist of developments which are transforming the everyday lives of residents
  • 35 schemes across nine award categories have been nominated from Shetland to Dumfries
  • Winners to be announced in April

RICS (Royal Institution for Chartered Surveyors) in Scotland are set to vote on a shortlist 35 construction projects to mark their role in transforming communities and the everyday lives of people.

Published this week, the shortlisted construction schemes include ELEVEN from Edinburgh, including Pennywell Phase 2 (residential), Edinburgh Printmakers (heritage, leisure),  King’s Stables Road (commercial) (above) and Ciaran’s House, CLIC Sargent Home from Home (healthcare).

Announcing its support for the Prince’s Trust to help more young people take up careers in property, the awards mark the impact of construction on communities across the country – with voting to take place ahead of the RICS Scotland ceremony on 23 April.

A UK grand final will be held later in September for those successfully nominated from each region – with property expert David Brooks Wilson leading a panel of guest judges to select those projects worthy of the top award.

Matthew Howell, RICS UK Managing Director, said: “The real estate industry plays a vital role in Scotland, and our refreshed awards celebrates the positive impact that our professionals can have on people’s lives and the best of what is built.

“This year’s shortlist features some of the best talent in our profession, and the new Social Impact Awards recognises the significant value these projects have brought to the communities around them.  The judges will have their work cut out deciding on who gets the top award with so many top projects involved.

“I’m also delighted to be supporting The Prince’s Trust in getting young people into construction.  Our shortlists, showcase projects which have been turning people’s lives around, whether that’s through apprenticeships for young people, rehabilitating ex-offenders or regenerating towns and cities to make them more inclusive, and we hope that promoting these will encourage more talent into a profession that can really make a difference.” 

Chair of the award judging panel David Brooks Wilson said: “The real estate sector is an important part of the economy, and this year’s shortlist shows the power of built environment professionals to make a positive impact on society and our communities.

“It features the breadth of work and contributions that our professionals and wider industry make and the difference this profession can make.”  

The awards are divided into nine award categories to include the best examples of development in the commercial, education, healthcare, heritage, infrastructure, land & rural, leisure, residential and student accommodation sectors – with an overall winner also due to be announced.

RICS Social Impact Awards – Scotland Shortlist 2020

Project                                                Region                                      Categories

4 North                                                Edinburgh                                Commercial
Aberdeen Art Gallery                          Aberdeen                                Heritage
Baird’s Close Two                               Edinburgh                                Student Accommodation
Bertha Park High School:  A new
school for a new community               Perth                                       Education
Ciaran’s House – CLIC Sargent
Home from Home                               Edinburgh                                Healthcare
Collective, Caltonhill                           Edinburgh                                Leisure
Cunningham House                            Glasgow                                  Residential
Cupar Burgh Chambers                     Cupar                                      Heritage
Dundee Regional Performance
Centre for Sport                                  Dundee                                   Leisure
Edinburgh Printmakers                       Edinburgh                                Heritage, Leisure
Gairloch Museum                                Gairloch                                   Heritage, Leisure
Glenrothes Energy Network               Glenrothes                              Infrastructure
INTO Academic Centre                      Stirling                                     Education
Kelvinside Academy                           Glasgow                                  Education
Kirn Primary School                            Dunoon                                   Education
King’s Stables Road                           Edinburgh                                Commercial
Mixed-Use Development
National Centre for Children’s Literature
and Storytelling at Moat Brae             Dumfries                                  Heritage, Leisure
North Sighthill Regeneration              Edinburgh                                Residential
NGHA Offices                                     Glasgow                                  Commercial
Ochiltree Community Hub                  Ochiltree                                  Leisure
Panmure House – The Home
of Adam Smith                                    Edinburgh                                Heritage
Pennywell Phase 2                             Edinburgh                                Residential
Perth Transport Futures Project:
Phase 1 Crieff Road                           Perth                                       Infrastructure
Pittodrie Street Student Accommodation:
Getting it right for student living          Aberdeen                                Student Accommodation
Powell Hall & Whitehorn Hall             St Andrews                             Student Accomodaton
Prince & Princess of Wales Hospice Glasgow                                  Healthcare
Robroyston Railway Station               Glasgow                                  Infrastructure
Shawbridge Street                              Glasgow                                  Residential
TECA-creating a world-class
events and leisure complex                Aberdeen                                Commercial, Leisure
The Balfour                                         Orkney                                    Healthcare
The Fraser Centre                              Tranent                                    Leisure
The GRID Building                              Edinburgh                                Education
The Registers                                     Edinburgh                                Commercial
University of Glasgow Campus
Development                                       Glasgow                                  Education
Woodside Health and Care Centre    Glasgow                                  Healthcare

Amazon Edinburgh parties after year of success

The team from Amazon’s Customer Services Centre in Edinburgh partied in style at the National Museum of Scotland to celebrate a year of success.

The team was treated to an evening of celebration after a great year in Edinburgh. At the party, guests enjoyed a trapeze act, an awards ceremony, great food and live music.

Amazon’s Edinburgh Site Leader Stephen Lumsden said: “The annual team party is one of the highlights of the year at Amazon in Edinburgh and it gives us the opportunity to say a big thank you to our team for all their efforts over the previous 12 months.

“It’s fantastic to be able to celebrate our success with our brilliant team and in 2020, we are excited to continue delivering smiles to our customers in Edinburgh and beyond.”

Princes Street Gardens: Quaich-ing in our boots?

Culture and Communities Convener Cllr Donald Wilson says too many people are currently unable to make the most of one of Edinburgh’s finest greenspaces.

“Princes Street Gardens is one of our city’s greatest green assets and quite rightly holds a special place in the hearts of Edinburgh residents and visitors. 

“Our ambition is for this to be a place for people of all ages to enjoy, now and in the future. We are clear that the Gardens will remain a publicly owned and managed treasure for generations to come.

“However, if you’re a wheelchair user or pushing a pram, access to West Princes Street Gardens is currently extremely difficult from most entrances, meaning untold numbers of residents and visitors are effectively excluded from spending time in this magnificent green space.

“The Ross Theatre is no longer fit for purpose and there is too much concrete and not enough greenery. Community use of the facility, meanwhile, has dramatically reduced from its peak in the 50s and 60s.

“Rather than continue with patchwork improvements to West Princes Street Gardens on our own, we welcome the Ross Development Trust’s (RDT) support and funding approach, which allows us to set our sights much higher. It’s important to stress that while the Trust leads on delivering the project and sourcing funding, executive control and governance remain with the Council.

“Edinburgh has long benefited from the philanthropy of generous benefactors – the Ross Theatre and nearby Usher Hall being prime examples of this – and the Trust’s philanthropic giving fundraising strategy for the Quaich Project is looking to harness these benefits to continue this fine tradition.

“The project has already seen the Ross Fountain returned to its 19th Century glory alongside the complete renovation of the Gardener’s Cottage and, should the Trust reach its fundraising target, West Princes Street Gardens would again be transformed into a space for everyone to enjoy in the heart of the city.

“We share residents’ desire to reduce the disruption of the gardens due to major events and have already announced a cap on the number of event days in West Princes Street Gardens. It’s worth remembering, of course, that income raised through events already supports the maintenance of our green spaces and other important Council services.

“In line with our Development Agreement with the Trust, councillors and officers have been closely involved with the Project throughout and the model of seeking donations has underpinned the Project since it began, with councillors agreeing this approach in June 2016.

Any significant corporate donation proposals would of course be subject to the Council’s policy on advertising and sponsorship and would have to be sanctioned by the Council through our committee process – just as the initial £5m contributed by Norman Springford was.

And to be absolutely clear: there are no proposals to sell off any part of the gardens or for sponsorship deals which impact negatively on Common Good Land, and there never will be. 

“The Quaich Project is providing us with an outstanding opportunity to invest in and enhance one of the most stunning settings in Scotland. We look forward to continuing our support for this – and the huge benefits it could bring to the people of Edinburgh and beyond.”

 

Yappy Ever After!

FURRY-TAIL DAY FOR INSEPARABLE CANINES

A special ceremony took place on Sunday 23 February for two loved-up pups at a Wedding Showcase event in Edinburgh.

Dachshunds Nova and Ottis proved to be the paw-fect pair after winning a social media competition run by DoubleTree by Hilton Edinburgh City Centre to find an adorable four legged couple.

Since winning, the doggy duo have taken part in a puppy proposal photoshoot and enjoyed a specially catered dog-friendly afternoon tea when visiting the hotel to have the final touches for their big day put in place – arranged by the hotel’s wedding planner.

The public have been able to follow the journey of Nova and Ottis on social media with through the #skyBARKwedding hashtag.

On Sunday Nova and Ottis celebrated their love at SKYbar against the picturesque backdrop of Edinburgh Castle and the cityscape.

Among the wedding witnesses were representatives from a national Dachshund owners’ group and newly engaged couples who were touring the hotel and SKYbar as a prospective venue for their own special day.

Marcello Ventisei, General Manager of DoubleTree by Hilton Edinburgh City Centre, said: “Couples are spoiled for choice with wedding venues, so we wanted to showcase a unique take on the full journey from proposal to vows at DoubleTree by Hilton Edinburgh City Centre with adorable canines.

“We’ve loved this journey with Nova and Ottis and we hope our guests enjoyed being part of this picture-perfect day too.”

Police seek couple following Carrubbers Close assault

Police are appealing for witnesses following an assault in Carrubbers Close off the Royal Mile. The incident happened around 12.00am last Saturday (22 February), when a 28 year old man suffered significant facial injuries which required hospital treatment.

Officers are keen to speak to a man and woman who may be able to assist with enquiries.

The man described as being 25-35 years old, of slim build, with short curly hair wearing black clothing.

The woman is described as being 25-35 years old, of slim build, long dark hair wearing a hooded jacket and in possession of a black hand bag.

Constable Jonathan Goldring, of Gayfield Square Police Station, said: ‘There were a number of people around the area when this incident happened and we are appealing for them to get in touch if they saw what happened.

‘As part of our enquiries we are reviewing CCTV footage in the area and would ask anyone with private or business systems to check their footage for description of the suspects above’.

Those with information should contact Police Scotland on 101, quoting incident number 0802 of 22 February 2020, or make a call anonymously to the charity Crimestoppers on 0800 555 111.