davepickering

Pensions: millions to benefit from impartial advice

Millions of people will benefit from a right to free and impartial guidance on how to make the most of the new pensions choices that come into effect in April 2015, Chancellor of the Exchequer George Osborne announced today. This follows the Westminster government’s consultation on how best to deliver the radical changes to how people access their pensions announced at the Budget.

In total 18 million people will be able to benefit from the changes to pensions should they wish to do so.

From April 2015 300,000 individuals a year with defined contribution pension savings will be able to access them as they wish when they turn 55 – subject to their marginal rate of tax.

This is the biggest change to how people access their pensions in almost a century, removing the effective requirement for many to purchase an annuity.

The consultation since the Budget has shown that these changes have been overwhelmingly well received, with individuals supporting greater freedom and choice, and the pensions and insurance industry ready for the challenge of creating new, flexible products, which better suit individuals’ needs.

The government’s response to the consultation today confirmed that:

the guaranteed guidance on pensions choices will be provided by independent organisations rather than pensions schemes or providers
even more people will be able to benefit from the new pensions flexibilities as the government will continue to allow individuals to transfer from private sector defined benefit schemes to defined contribution pension schemes – subject to two important new safeguards
a new override will be introduced so that pensions schemes are able to offer individuals flexible access to their savings and the pensions tax rules will be amended to allow providers to develop new retirement income products that are tailored to the needs of individual consumers

Chancellor of the Exchequer, George Osborne, said: “It’s right to support hard working people that have taken the long-term decision to save for their future and I’m pleased that the responses we had to our proposals on making pensions more flexible have been overwhelmingly positive.

“We’re making sure that people have the right support to make their own choice about how best to finance their retirement and I’m pleased to confirm that everyone with defined contribution pension savings reaching pension age will get free and impartial guidance on their range of available choices at retirement.”

The government wants to ensure that guidance is trusted by consumers, and the vast majority, including most of the financial services industry who responded, said that consumers would not trust guidance given by a person or organisation with a vested interest in selling a financial product or service. It will bring together a range of delivery partners, including the Pensions Advisory Service (TPAS) and the Money Advice Service (MAS), which already provide guidance and support to consumers.

People with private sector defined benefit savings will continue to be able to transfer to defined contribution schemes (excluding pensions that are already in payment), alongside two new safeguards to protect both pension schemes and the individuals transferring out.

Guidance will be offered through a broad range of channels, including web-based, phone-based as well as face-to-face, and to remain free to the consumer will be funded by a levy on regulated financial services firms.

The Financial Conduct Authority (FCA) have also today published a paper which consults on the elements of the guidance guarantee for which the FCA will be responsible: setting and monitoring the standards with which guidance providers will have to comply, making and enforcing rules on how contract-based schemes signpost to the guidance services, and adjusting the FCA’s existing conduct rules to support the introduction of the guidance guarantee and in response to the new flexibilities.

Two new safeguards are being introduced to protect both individuals and pension schemes in relation to defined benefit to defined contribution transfers: a new requirement for an individual to take advice from an impartial financial adviser regulated by the FCA before a transfer can be accepted; and, new guidance for trustees on the use of their existing powers to delay transfer payments and take account of scheme funding levels when deciding on transfer values.

HM Treasury also published the following guide today:

Pension Reforms: Eight things you should know

Understanding the pension system can be complex sometimes. We’ve explained how the new system will work and what it means for you.

1. We’re completely overhauling the system so you can take your pension how you like

In order to create greater choice and flexibility for people who have saved hard for their pension, we announced at Budget 2014 a series of changes to how people access their pension.

From April 2015, no matter how much you decide to take out from your pension after retirement, you will be charged the normal rate of income tax you pay on your salary (so either 0%, 20%, 40% or 45%) rather than the previous tax charge of 55% for full withdrawal.

2. 25% of your pension pot will remain completely tax-free, as it was before

You’ll be able to access 25% of your pot in one go without paying any tax.

3. We previously announced this would apply just to people with ‘defined contribution’ pensions

This is a type of pension also known as a ‘money purchase’ scheme.

This is when the money you and your employer pay in is invested by a pension provider chosen by your employers. The amount you get when you retire usually depends on how much has been paid in and how well the investment has done.

4. We’ve now announced that people who have a ‘defined benefit’ scheme will benefit too

A ‘defined benefit’ pension is typically a promise of a certain level of pension in retirement which is linked to your salary.

We’ve now announced that people in the private sector or in a funded public sector scheme will still be able to transfer from a defined benefit pension scheme to a defined contribution one if they want to, meaning they can benefit from the changes.

This means that around 18 million people will ultimately be able to withdraw their pension flexibly should they wish to do so.

5. Everyone who will be able to take advantage of the new reforms will be able to access free and impartial guidance

This will help people make confident and informed choices on how they put their pension savings to best use.

This guidance will be available through a number of different channels – via an online tool, over the phone, or face to face. Individuals will be able to choose the channel, or mix of channels, that they find most convenient.

It will be entirely impartial, so won’t be given by anyone who could be trying to sell you a product.

6. Your pension provider or scheme will be required to tell you about the guidance and how to access it

Accessing the guidance will be arranged by your pension provider, who will be required to tell you about it.

7. The changes will come into effect from April 2015

If you are over the age of 55, or will be from April 2015, you will be able to take advantage of the new system from then.

If you’re younger than 55 then you will be able to take advantage of the new system when you do reach 55.

8. You don’t need to do anything until then

If you’re thinking about retiring soon, you don’t need to do anything in the meantime, but we’ve also made other changes to help you save until then, such as our reforms to ISAs.

You can find more information about the pension reforms by reading our factsheet we published at Budget explaining the differences between the new changes and the old system, or more details on our response to the consultation.

Dearest Scotland …

Writing initiative ‘re-imagines the future of Scotland’

Take a pen and a piece of paper and write a letter to the future of Scotland? In this age of high-tech, super-fast digital communications it may seem like a very old-fashioned way to communicate, but a new writing project called Dearest Scotland has sparked a revival in letter writing.

The apolitical initiative has caught imaginations in the year of the Referendum by inviting letters and illustrations from people of all ages across the world with a connection to, or an interest in, Scotland.

Dearest Scotland is the brainchild of Glasgow-based social design agency SNOOK, who some readers may recall worked with Total Craigroyston and North Edinburgh Young People’s Forum on the ‘What’s the Matter?’ project in 2012.

Focused on crowd-sourcing from a widest possible demographic with the aim of giving a platform to citizens’ voices, Dearest Scotland’s co-founder, Sarah Drummond, recently spoke of the aspiration to receive handwritten letters that capture insights to what a future Scotland may look like.

Sarah said: “Our team at Snook work in grassroots communities and we hear great ideas everyday from ordinary people. Sadly there is no platform for these voices to be heard in the mainstream media, by governments or local authorities. Dearest Scotland aims to address that.”

The idea originated before the independence referendum was announced, and since it’s March launch Dearest Scotland has received a cross-section of letters keen to articulate visions that reach beyond the political debate of the 18 September vote.

And while the project proves that the art of letter writing isn’t dead, the choice to write and illustrate letters digitally via the Dearest Scotland website is also available!

Sarah also spoke of plans to publish received letters in a collated book format. She said: “Everyone who writes to Dearest Scotland has the chance to see their letter published. This allows for the opportunity to read what people of all ages from every part of the country have to say about their hopes and fears for a future Scotland both in connection to and outside of politics and the referendum.”

While new letters are catalogued daily, Sarah’s aim is to publish the visions in an open source digital catalogue – in addition to the book format – after the 13 September deadline for submissions, and all proceeds will be donated to new and existing Scottish literary projects.

The Dearest Scotland team is currently touring venues and events across the country, spreading the word in towns and rural areas.

The initiative has also caught the attention of politicians. Glasgow Anniesland MSP Bill Kidd lodged a parliamentary motion in support of the project in June, and a Holyrood debate has been scheduled for 13 August – the motion has received cross-party support from a further 25 members of the Scottish parliament. There are also plans to exhibit a display of letters by the Scottish Rural Parliament in November and within Holyrood in early 2015.

Sarah’s business partner and project co-founder, Lauren Currie, added: “We all have a box of letters stashed away somewhere that fill our hearts with joy every time we dig them out and re-read them. Dearest Scotland is our nation’s box of letters. These letters are so much more than communication, they are re-imagining the future of Scotland.”

To find out more information about Dearest Scotland’s project, summer tour, or to submit a future vision of Scotland, visit…

www.dearestscotland.com

twitter @dearestscotand

facebook /dearestscotland

Independence: write or wrong?

Two months from referendum day, two prominent Scottish writers have set out a personal case for Yes and No – and Allan Massie and William McIlvanney are to discuss their differing perspectives on independence at a special event marking 50 days until referendum day.

Two new pamphlets by leading Scottish writers inspired by the 2014 independence referendum were published yesterday, two months to the day until Scottish voters go to the polls to determine Scotland’s future. The publications are the latest in an ongoing programme of Saltire Series Pamphlets, commissioned by non-political independent charity the Saltire Society.

One pamphlet, entitled ‘Nevertheless’, makes the case for a No vote in the September poll and is the handiwork of prominent journalist and writer Allan Massie. The other pamphlet, ‘Dreaming Scotland’, authored by the novelist and poet William McIlvanney, sets out his own reasons for voting Yes.

The two writers will be in conversation with one another at a special event to be hosted at the Central Hall in Edinburgh at 7.30pm on Wednesday 30 July and chaired by Robyn Marsack of the Scottish Poetry Library, marking exactly 50 days until the historic vote takes place.

Massie has written almost 30 books, including 20 novels and won the Saltire Society Scottish Book of the Year award for his 1989 novel A Question of Loyalties about Vichy France.

Arguing the case for Scotland to remain part of the United Kingdom, Allan Massie’s Pamphlet concludes:

“It is, for me, a matter of self-confidence. If you feel the lack of that, you will vote for independence. If you feel confident of Scotland’s ability to remain Scottish and prosper in the Union, you will agree that we are indeed Better Together and vote “no”. The Unionist says, I am Scottish. Nevertheless I am also British, and value the Union with England, “our sister and ally”, as [Sir Walter] Scott called her.”

William McIlvanney is also a past winner of the Saltire Society Scottish Book of the Year award for his 1996 novel The Kiln and has been previously described by none other than Allan Massie as ‘the finest Scottish novelist of our time’.

Setting out his reasons for voting in favour of independence, McIlvanney writes:

“Politically, Scotland’s like a living entity which has been cryogenically frozen and stored within the UK for over 300 years. Isn’t it time to come out of history’s deep-freeze and explore for ourselves who we really are? Whatever that reality turns out to be, let’s confront it. It’s time to grow up and take full responsibility for ourselves. A yes vote would do that.”

Saltire Society Executive Director Jim Tough said:

“Much of the political debate around the referendum has rightly been focused on practical questions and the economic case for and against. We wanted to provide an opportunity for some more philosophical thought to be given to the question. Hence we asked two of Scotland’s contemporary writers, each bringing an alternate perspective, to contribute these thoughtfully argued pieces.

“We wanted personal reflections rather than polemics. I think they dig that bit more deeply into what motivates people to vote one way or the other at a more instinctive level. Both pamphlets also offer some fascinating insights into the way history has shaped the Scotland we live in today – and who we are as modern Scots.”

Tickets for the ‘McIlvanney and Massie in Conversation’ event as well as both limited edition Pamphlets (‘Nevertheless’ by Allan Massie and ‘Dreaming Scotland’ by William McIlvanney) can be purchased from the Saltire Society offices or through the Saltire Society website: www.saltiresociety.org.uk.

All aboard! Travelling Gallery stopping off in Drylaw

The Travelling Gallery is off on it’s travels again and Drylaw Neighbourhood Centre will be one of the destinations as the bus embarks on a five-month tour of Scotland.

For the past 25 years the Travelling Gallery has played an active part in exhibiting and promoting Scottish artists, so it is delighted to be part of GENERATION, a nationwide celebration of contemporary art in Scotland, which is taking place in over 60 venues throughout the country this year.

GENERATION: TG is a group exhibition which includes five Scottish artists; Laura Aldridge, Craig Coulthard, Mandy McIntosh, Hanna Tuulikki and David Sherry.

The exhibition will present new commissions alongside developments of existing works. A hand-made, craft element links all of the works in the exhibition, which include ceramics, textile wall hangings, digital animation, drawings, sculpture, film, performance and song.

The exhibition also includes a film of the artists talking about their work to pupils from Edinburgh schools, which was made in collaboration with Pilton-based Screen Education Edinburgh (formerly Pilton Video). The exhibition includes a short film of the artists talking about their work to pupils from three Edinburgh schools in collaboration with SEE (Screen Education Edinburgh).

The schools involved were Craigroyston, Holyrood and Portobello High Schools. All the pupils met with the artists, often in their studios, and asked them questions about their art and life as an artist. A programme of workshops, run by SEE, introduced the pupils to the film equipment, interviewing techniques and editing skills. The film will be available on YouTube and at www.travellinggallery.com.

The Travelling Gallery is a mobile contemporary art gallery, custom-built in a big, beautiful bus. The gallery is supported by Creative Scotland, the Esmée Fairbairn Foundation and Edinburgh Museums and Galleries, a division of the City of Edinburgh Council.

The GENERATION: TG exhibition has been curated specifically for this unique space, and will travel the length and breadth of Scotland, visiting schools, high streets, community centres, and many other venues on the way. Travelling Gallery staff are always available to give formal, and not so formal, presentations on the exhibition at every stop.

Councillor Richard Lewis, Culture and Sport Convenor for the City of Edinburgh Council, said: “Once again the Travelling Gallery is set to be a fascinating exhibition which will draw crowds from communities across Scotland.

“This year, I am particularly looking forward to a short film that has been developed for the exhibition which includes artists talking about their work to pupils from Edinburgh schools. Another highlight will be seeing the bus when it returns to the City Art Centre as part of the Edinburgh Art Festival in August.”

GENERATION: TG is part of GENERATION: a major, nation-wide exhibition programme showcasing some of the best and most significant artists to have emerged from Scotland over the last 25 years. It shows the generation of ideas, of experiences, and of world class art on an unparalleled scale by over 100 artists in more than 60 venues.

The programme is delivered as a partnership between the National Galleries of Scotland, Glasgow Life and Creative Scotland and is part of Culture 2014, the 2014 Cultural Programme.

The Travelling Gallery will tour the GENERATION: TG exhibition in the following areas:

19– 20 July – Tramway, Glasgow

24 – 29 July – North Lanarkshire

4 – 15 August – Edinburgh Art Festival

2 – 7 September – Nairn Book and Arts Festival

8 – 19 September – Highlands

22 – 26 September – Lewis and Harris

4 – 10 October – Moray

20 -24 October – Falkirk

27 – 31 October – South Ayrshire

3 – 7 November – Stirling

10 – 14 November – Edinburgh

During the Edinburgh Art Festival the gallery will be visiting these venues:

Monday 4 August – Leith Walk (near Shrubhill House) 12 – 6pm

Tuesday 5 August – Westside Plaza, Wester Hailes 11am – 5pm

Thursday 7 August – Drylaw Neighbourhood Centre 11am – 5pm

Friday 8 August – Portobello High Street 11am – 5pm

Monday 11 August – Scottish Gallery of Modern Art: Modern 2 10am – 6pm

Tuesday 12 August – Craigmillar Library 11am – 5pm

Wednesday 13 August – City Art Centre, Market Street 10am – 5pm

Thursday 14 August – City Art Centre, Market Street 10am – 5pm (plus Art Late North)

Friday 15 August – City Art Centre, Market Street 10am – 5pm

See www.travellinggallery.com for all the details

@ArtinaBus or see @genartscot (#genartscot).

Cashback: creating opportunities in the arts

Cabinet Secretary for Culture and External Affairs, Fiona Hyslop joined young filmmakers, musicians and dancers who are developing their career skills thanks to the confiscated funds from criminal activity.

Over the last three years £2.25 million has been invested in CashBack for Creativity, providing over 15,000 opportunities for young people in Scotland to participate in arts activities they would not have otherwise had access to.

Ms Hyslop said: “The real impact of CashBack on young people’s lives can’t be expressed by statistics or in stark monetary terms – CashBack changes lives.

“The CashBack for Communities Programme takes funds recovered from the proceeds of crime and invests them in back into communities, putting young people on a positive path in life by providing opportunities for them to take part in thousands of free activities and projects.”

Programme participants have included Yutsil Martinez, who began in making short films with Pilton-based Screen Education Edinburgh project in 2011. Yutsil has gone on to star in the Screen Education film, Man With No Name, and was nominated for the Chris Anderson Award for Best Young Filmmaker 2013 (sponsored by the National Youth Film Academy). He was awarded an acting scholarship at the National Film Youth Academy in London after winning a Best Actor award at the event.

Yutsil said: “Participating in these projects and shoots has allowed me to find opportunities and meet other filmmakers and professionals in the field. The CashBack for Creativity Programme has been instrumental in helping me build my confidence and really develop my passion for working in the industry, and carve a future career for myself.”

Paul Reynolds earned a placement at Edinburgh’s DanceBase through the CashBack for Creativity Programmewhere and he discovered a passion for dance and performing arts. Attending DanceBase and developing as a dancer taught Paul new skills that he believes will see him through life. He now has a love of being on stage and performing for a big audience describing the feeling and rush he gets from performing as “incredible”.

Paul said: “Only a few years ago I struggled to talk to people I’d never met before and I had little confidence and self-esteem, but with my participation at DanceBase through CashBack, I am now more confident and focused regarding what I want from life.”

Leonie Bell, Director of Arts and Engagement at Creative Scotland, said: “Providing opportunities for young people to get involved in the arts, theatre and cultural activities can help improve confidence and broaden their horizons.

“Over the next three years, the CashBack for Creativity programme will enable approximately 20,000 young would-be filmmakers, dancers, musicians, artists, actors, writers and digital enthusiasts to work in professional settings with experienced practitioners, helping to inspire them to achieve their potential in their future careers.
She added: “I was delighted to meet a number of young participants who have been given the chance to work on interesting and educational CashBack projects and develop their personal, social and career skills.”

CashBack for Creativity is part of the wider Scottish Government CashBack for Communities programme. To date over £74 million has been made available to benefit over 600,000 young people in Scotland since CashBack for Communities began in 2011.

Twitter: @CB4Creativity #CashBack4Creativity

#you’dbemuchquickerwalking!

It’s fair to say North Edinburgh has it’s fair share of road repairs going on at the moment!

Letter: the lies behind the cuts

Dear Editor

Councils and all public organisations have had drastic funding cuts, leading to a reduction in service provision. Funding cuts have been imposed on other organisations that provide necessary additional services to the public in many forms; these organisations rely heavily on volunteers, backed up by a few paid staff working to their physical limits.

If the policy of funding cuts continues, community structures are in danger of breaking down; vital services will not be available, leading to more privatisation taking place – for which, of course, you have to pay.

All money is raised through taxation, VAT, etc., which in turn should be used to fund services: political policy closing services is in fact making people pay twice for services. We are told ‘the country cannot afford them’, but as you know not millions but BILLIONS of pounds are being made in profits: disgraceful, disgusting amounts being paid to individuals who could hardly have earned such amounts – let alone spend it! And this at a time the public is being told a charge may be made in future for a doctor’s appointment and some treatments.

We are told repeatedly the country cannot afford it; the German fascist propaganda minister Dr Goebbels said: ‘If you tell a lie, tell a big one, over and over again, then people will start to believe it’.

A. Delahoy

Silverknowes Gardens

Orchestra to bring world music message to Edinburgh

The best in classical music returns to Edinburgh this month. The Chamber Philharmonia Cologne will perform Vivaldi’s Four Seasons, Mozart and Tchaikovsky in the wonderful setting of St Mary’s Cathedral, Palmerston Place on Tuesday 29 July at 7.30pm …

6-Edinburgh

After successful European tours in 2013 the Chamber Philharmonia Cologne (Germany) is coming back to Edinburgh this summer with a powerful and lovely new programme.

“Classical music the world over” – this is the motto of the Chamber Philharmonia Cologne. It is irrelevant for our musicians whether they are playing in a little village church, in the open air, in Cologne Cathedral or in the Sydney Opera House – their enthusiasm to play music is the same every time.

The objective is simple – we want to inspire as many people as possible across all generations to enjoy classical music. The popularity of our ensemble is reflected in the fact that the Chamber Philharmonia Cologne gives around 300 concerts a year around the globe and listeners throughout the world look forward to a musical encounter with our exceptionally talented musicians.

The Chamber Philharmonia Cologne was founded in the city whose name they bear: Cologne. The city that is famous throughout the world for its University of Music and its musical and instrumental teaching. Generations of musicians have been trained here for many decades who, in terms of their musicality, are unparalleled around the world. Taking advantage of this pool of talent, a stock of outstanding musicians has accrued that in a changing cast of musicians take our motto across the world.

Since November 2009, the Chamber Philharmonia Cologne has a very special partner at their side – the Mercedes-Benz Centre in Cologne. As part of a creative cooperation, this world renowned company, via its branch in Cologne, thrilled by our musical concept provides the Chamber Philharmonia Cologne with a comfortable tour bus. It enables our musicians to travel quickly and comfortably to the many varied concert locations. In return, the Chamber Philharmonia Cologne, in close cooperation with the Mercedes-Benz Center Cologne, organises special concerts for the car company’s special customers. The remarkable construction of the Mercedes-Benz Center is transformed in the process into a really top-class concert palace. This results in the smell of new cars mixing with the sounds of classical music.

The Chamber Philharmonia Cologne is at home all over the world. Our tours regularly take us to New Zealand, Australia, Spain, Great Britain, Ireland and many other countries – and of course to Germany. In this context, the selection of works and soloists takes on a special significance. The multifaceted composition of the ensemble provides every member of the Chamber Philharmonia Cologne with the opportunity to perform as a soloist.

The permanently expanding repertoire of the Chamber Philharmonia Cologne consists primarily of hand-picked pieces. The real appeal of our programme lies in the meeting of popular and unknown works from a wide variety of musical epochs. This sees familiar greats like Wolfgang Amadeus Mozart and Antonio Vivaldi in dialogue with works from people such as Sergei Prokofieff through to the “King of Tango” Astor Piazzolla. This mix promises great diversity of the very highest order, without us having to preach to the audience in the process. After all, music is for entertainment and not for instruction!

To inspire people across the world to enjoy classical music – that’s what we view as our maxim!

Quite simply: Classical music the world over!

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Chamber Philharmonia Cologne 2014

Let the good times roll! Jazz and Blues Festival kicks off tomorrow

Edinburgh’s annual Jazz and Blues Festival kicks off tomorrow and promises ten terrific days and nights of top class jazz.

There’s something for all tastes and big names performing at this year’s event include the ever-popular Jools Holland with his Rhythm & Blues Orchestra (Mel C guesting), Scotland’s Queen of the Blues Maggie Bell and Grammy-nominated trumpeter Christian Scott.

With over 140 concerts to choose from you really are spoilt for choice and Brian Fallon, who chairs the Jazz & Blues Festival, is particularly excited about this year’s programme. He said: ““This is a very exciting year for the Festival. We’re delighted to be bringing to Scotland some of the world’s finest jazz and blues talent and some of our biggest names to date. Our programme has been carefully selected to appeal to a wide range of musical tastes, and we look forward to welcoming friends, old and new. Come along and join in the fun!”

You’ve got your invitation – so what are you waiting for?

For further information about what’s on, click on the link below

EJF2014

or check out www.edinburghjazzfestival.com

Mmmmmm … great!

Council bid secures Leith Custom House

The Council’s bid to purchase the Custom House building has been accepted – new Heritage Centre for Leith?

The city council placed a bid to purchase the Custom House building in Leith – currently owned and used by National Museums Scotland – last month. That bid was accepted earlier today, and the council will now look at ways of how it might work with partners to develop the building into a hub for the Leith community – which would include the housing of a museum to tell the story of Leith’s history.

Culture and Sport Convener Councillor Richard Lewis, said: “I am delighted that the Council has been able to step forward to acquire the building. This is excellent news for the Leith community who have campaigned for more than six years to save the historic Custom House building.

“The building and the surrounding area share a rich history, with Custom House once acting as the main site of imports in Leith. Our offer should secure the future of the building for public use, as a hub for the local community.

“Now that the Council’s bid has been accepted by National Museums Scotland, we are determined to take the project forward and identify how and when we can help open the doors to a heritage centre for Leith.

“We are currently undertaking due diligence procedures and a report will be put to the full Council on how to take plans forward.”

Leith Custom House was built between 1810-1812 and is a large Georgian building of neo-classical design, by the architect Robert Reid. It comprises two tall storeys and a formidable portico entrance.

The Custom House was the venue for the collection of duty payable on goods imported through Leith, and it was built on North Leith’s Sandport area, a site close to the quayside which had formerly been used for boat-building.

National Museums of Scotland have been using the building for storage and it has been closed to the public, but it now seems certain that – two hundred years on – the grand old building will soon be bustling once again.