With 453 shows, 3569 artists, and 198,000 tickets, theSpaceUK has helped new artists and audiences experience the Fringe
theSpaceUK is one of the largest venues at the Edinburgh Festival Fringe with 19 theatres across 6 venues. Every genre in the Fringe programme is represented and there’s a strong focus on new-writing and new companies with a wide-range of support provided for artists bringing work to the Fringe for the first time.
198,000 tickets were issued for shows at theSpaceUK this year, a 5% increase on 2023, demonstrating both the resilience of the Edinburgh Festival Fringe and the strong platform of shows at theSpaceUK. This year saw 453 shows featuring 3569 artists at theSpaceUK representing over 40 different countries. Each day of the 2024 Fringe saw an average of over 8300 audience members watching shows at theSpaceUK with an average of 61% of seats filled per show.
Artists at theSpaceUK were recognised for their work, including a third consecutive Fringe First for Xhloe and Natasha, who were part of theSpaceUK’s artists development programmewith their brand new show, A Letter to Lyndon B Johnson or God: Whoever Reads This First. The duo was also awarded the prestigious Broadway Baby Bobby Award and were shortlisted for the Holden Street Theatre Award, The Brighton Fringe Excellence Award and the Fringe Encore Series Award.
Artists at two shows at theSpaceUK won critical acclaim and picked up Theatre Scotland’s coveted awards. Alexander Tait for Kev Campbell Was He, and Fraser Allan Hogg and Lorna Panton for Shotgunned won the Bright Spark award, which is given to Scottish actors or theatre-makers just embarking on their careers. A further three shows were shortlisted for Theatre Scotland’s award, including Lads of the Flies, Man of War: The Secret Life of Nadezhda Durova,and The Shadow Boxer.
Parky Players, a theatre group for people with Parkinson’s, also celebrated after their show, Shaken Not Stirred, picked up the Garry Robson Memorial Award at the Neurodiverse Review Awards, which aims to recognise disabled and neurodiverse acts at the Fringe. Black Bright Theatre company was also celebrating after its new folk horror about the female experience, Birdwatching, won the Edinburgh Horror Festival Spookies award for Best New Writing and was runners-up in the Best Stage Play and Best Poster Design categories.
Speakbeast, a queer/trans-led theatre company, picked up the Binge Fringe Queer Performer’s Award for The Freemartin. The award honours the commitment of performers to furthering LGBTQIA+ representation. Trawled (Eoin Ryna) was nominated for the BBC Popcorn writing award.
Charles Pamment, Artistic Director of theSpaceUK said: “What a year, we are so very proud to have been able to host another fabulous festival at theSpaceUK. Our locations have hosted record numbers with 198,000 audience members attending shows.
“Our unrivalled new writing programme boasts a long line of 5 star reviews and not to mention an array of top awards for our shows, from Fringe First, Best of Scottish Theatre to the iconic Bobbly Awards and award debutantes the Queeries @ Bringe Fringe. We also broke producing records with Xhloe and Natasha winning yet another fringe first to add to their Fringe First awards in 2022 and 2023!!
“We celebrate with all our shows and now look forward to planning our 2025 festival and curating a programme to match that of this year!”
Residents and staff at an Edinburgh care home have joined a fundraising challenge that pays tribute to people with dementia by walking more than three miles around their gardens.
More than a dozen residents and staff from HC-One Scotland’s Murrayfield House Care Home have teamed up to take part in Alzheimer Scotland’s Memory Walk fundraising campaign.
With the aid of frames and wheelchairs, the residents – aged from 77 to 97 – have been walking around the care home’s gardens and along nearby Murrayfield Avenue, gathering donations in local shops along the way.
Led by wellbeing coordinator Margaret Finch, the walkers aim to complete the 5km challenge in stages over a number of days.
They have already raised more than £1,000 and counting – smashing their initial target of £300 – but hope to raise even more vital funds to support dementia care, research and improvements in brain health.
Margaret, 63, from the city’s Silverknowes area, has worked at Murrayfield House Care Home for five years.
She said: “The residents and staff were keen to do the Memory Walk because so many of us have either had support from Alzheimer Scotland or have a loved one who has been affected by dementia. My late mum had vascular dementia so I’ve had first-hand experience of the impact this illness can have.
“Alzheimer Scotland do such important work – funding research and fighting the stigma around dementia – and we are all determined to raise as much money as we can for them.
“Our manager Fiona Truesdale gave us the idea to organise the Memory Walk and we’ve had such great support for it from the whole team, including my fellow wellbeing coordinator Norma Mackie.
“The residents have loved putting on their purple t-shirts and taking part.”
One of the oldest walkers is 96-year-old retired engineer Douglas Lamond. Douglas said: “I like to keep fit by doing exercises every morning, so I was delighted to take part in the Memory Walk and cheer the group on.”
Other walkers included Doreen Hall, 88, who lives at the home with husband David, 88, and Elspeth Braidwood, 80, a former Sunday school teacher who used to work at the Scottish National Gallery of Modern Art.
Doreen’s daughter Debbie said: “My mum Doreen has dementia and Alzheimer Scotland have been a great support, not just for her but also for my dad David who cared for her when they both lived in their own home.
“It’s wonderful that they have the opportunity to support the charity through the Memory Walk.”
The Memory Walk campaign allows people across Scotland to take part in organised events throughout September, or to complete the challenge at a time and place that suits them by doing Your Walk, Your Way.
Events are taking place in Inverness, Edinburgh, Dundee and Glasgow. Tickets cost just £10 for adults and children can be registered for free. It’s quick and easy to set up a sponsorship page, which can be shared with family, friends and colleagues.
Every penny raised will help people with dementia and their carers, as well as supporting better brain health for everyone in Scotland.
Lauren Heap, centre manager for Alzheimer Scotland’s Edinburgh and West Lothian Brain Health and Dementia Resource Centre, said: “Alzheimer Scotland is proud to support people living with dementia and their families and carers, from our centre here in Edinburgh.
“Scotland’s Memory Walk has always had a wonderful ability to bring people together. It’s an opportunity to celebrate the lives of people with dementia and walk to remember them. Every pound raised helps Alzheimer Scotland continue to develop and deliver vital dementia support.”
To find out more and to sign up for Scotland’s Memory Walk, visit memorywalk.alzscot.org
Scotland’s small business owners say they will band together to help each other thrive
The Federation of Small Businesses (FSB) is among the local authorities, companies and other organisations which have signed the Scotland Loves Local Pledge.
By encouraging its members to support other enterprises in their area whenever they possibly can, FSB is supporting a drive that supporters hope will help drive millions of pounds more into local communities.
The pledge has been signed as Scotland Loves Local Week – seven days of events highlighting the transformational impact of choosing local on the future of businesses, jobs, economies and places – gets underway.
Andrew McRae, FSB Scotland Policy Chair and founder of Elephant House International in Edinburgh,said: “When you think about what you love about your local high street, it is the independent traders who usually come to mind.
“Whether it is your favourite café, a valued shop or a trusted trades person, small businesses play a huge part in making our communities great places to live and give them so much of their distinctive character.
“With 330,000 firms employing 900,000 people across Scotland, small businesses are also critical to creating and retaining local jobs.
“The Federation of Small Businesses was established 50 years ago this September as a way of small businesses working together to support each other. That philosophy remains just as important today. That’s why I’m delighted to sign the Scotland Loves Local Pledge as a sign of our commitment to continuing that proud tradition.”
Individuals are also being urged to sign the Scotland Loves Local Pledge. It states: “We will choose local, prioritising the people and businesses around us at every opportunity.”
Micro and small businesses comprise 98% of all enterprises in Scotland. They employ 900,000 people and turn over in excess of £82bn.
Scotland Loves Local is spearheaded by Scotland’s Towns Partnership (STP) with support from the Scottish Government.
The initiative urges everyone to think local first to boost local economies and improve places by galvanising support for the people and businesses in them.
STP Chief Officer Kimberley Guthriesaid: “Small independent businesses are the lifeblood of communities across Scotland. Their success depends upon us all getting behind them.
“We can all help drive millions pounds more into our local economies simply by supporting the businesses in them more often.
“Not only are we protecting the jobs of our friends and neighbours, but we are providing the foundations from which communities take the confidence needed to innovate and invest – making them stronger, more sustainable and better places to live, work and visit.
“Greater support for local enterprises protects jobs and businesses. And that support underpins the tireless work taking place to help communities adapt to our ever-changing world, seizing opportunities to innovate, invest – making them stronger and more vibrant.”
MSPs and MPs across Scotland will be visiting small businesses in their constituencies – finding out more about their work – as part of Scotland Loves Local Week.
Many of them are signed up to accept the Scotland Loves Local Gift Card, through which businesses can support each other and their local economies. More details on that are available here.
OVER 128,912 TICKETS ISSUED AND 2484 PERFORMANCES FOR GILDED BALLOON’S 39TH FRINGE
One of Edinburgh Festival Fringe’s longest running venues, Gilded Balloon, has rounded off their 39th Fringe season, with over 128,912 tickets issued this month.
Operating in three venues including Patter House, the National Museum of Scotland and Edinburgh Street Food, Gilded Balloon’s programme hosted some of the biggest hits of the Fringe including Mhairi Black’s debut, a sold out run for Andy Gray tribute Chemo Savvy, and debuts from rising stars like Kim Blythe and Chris Weir.
In a year which saw Gilded Balloon operate without their main venue Teviot Row House due to refurbishment, 2024’s Fringe Festival saw an impressive:
over 128,914 tickets issued in 2024
2484 performances from 31st July – 26th August
3 venues: Patter House, National Museum of Scotland and Edinburgh Comedy Social at Edinburgh Street Food
131 shows in 12 sub venues
1213 Support the Artist tickets sold – customers choosing to give an extra £2 per ticket which goes directly to artists
440 sold out shows
over 86 comedy shows, 23 theatre and music shows, plus a mix of kids shows, cabaret, spoken word and more
1 brand new So You Think You’re Funny? champion with Glaswegian Alana Jackson claiming this year’s crown alongside Ciara O’Connor and Ayo Adenekanin second and third place respectively. The three comics came out on top from an impressive 597 original applicants
Khawla Ibraheemawarded theFilipa Bragança Award for her performance in Oliver Butler’s A Knock on the Roof
over 1500 cans of Gilded Balloon’s very own ‘Hiya Pals’ IPA from local brewers Newbarns
1 new pop up bar, Lucky Penny, welcomed some of Edinburgh’s best foodies to the city with pop-ups from Spitaki’s, Alby’s and more
1 new charity partner with this year’s Pink Wednesday charity day raising money for Waverley Care
Karen and Katy Koren, Artistic Directors of Gilded Balloonsaid, “2024 was another fantastic year, and Gilded Balloon’s 39th, at Edinburgh Festival Fringe.
“We welcomed over 128,912 people to our venues to see some outstanding shows across comedy, theatre, musical and kids, as well as sell out runs for Scottish shows including Mhairi Black: Politics Isn’t For Me, Chemo Savvy and Jack Docherty in The Chief. We’ve cemented schemes like Support the Artist, which puts money back in our artists’ pockets and even introduced our own pop up bar this year in collaboration with local brewery Newbarns.
“Our first year in over 23 years without our main venue Teviot Row House has, of course, seen changes to our capacity and amount of shows we could programme, so we’re really looking forward to returning for Fringe 2025. Next year will be Gilded Balloon’s 40th anniversary and we have some hugely exciting plans in the works for returning to a refreshed and refurbished Teviot Row House.
“We’re also so proud to have crowned Glaswegian Alana Jackson as this year’s outstanding winner of So You Think You’re Funny? alongside Ciara O’Connor and Ayo Adenekan in second and third place. From 597 applicants to 10 finalists, it was a fiercely competitive year and, as ever, SYTYF? is a real bright spark for us as comedy producers with so many talented newcomers on the scene.
“However, in a time of constant cuts facing the arts scene, the future of competitions like SYTYF? are precarious and it’s harder than ever for new artists to make their way in the industry.
“We’d like to say a huge thanks to everybody who has supported our artists this year by buying a ticket to their shows this Fringe – it’s more important than ever to support artists where you can, and we’ll see you next year for a pinktastic celebration back at Teviot!”
Gilded Balloon’s 2024 Fringe programme saw debuts from rising comedy stars like Nate Kitch, Kathleen Hughes, Chris Weir, Kim Blythe, and Christopher Hall, as well as mainstays of the comedy scene like Jack Docherty, Michelle Brasier and Grace Campbell.
The month included sold out runs for Mhairi Black’s debut show, Paul Black’s brand new show, and Chemo Savvy, the emotional comedy-play in tribute to Andy Gray. Plus, Fringe stars like Hypnotist Matt Hale and magician Cameron Young entertained audiences throughout August, whilst Gilded Balloon’s legendary Late’n’Live was once against hosted by an all-female and non-binary line-up, welcoming the very best acts from across the Fringe to the late night show
Scotland’s People will launch a refreshed website at midday on 3rd September.
The new website will have a fresh and modern feel. It’s been designed to enhance user experience and accessibility. Searching the records will also be simpler and quicker.
The site is compliant with WCAG 2.2 guidelines and has a double AA standard, which means it’s easily accessible for all users.
This allows a wider and more diverse audience to explore their Scottish heritage.
Customers can log in with their current details and previous saved information will continue to be available.
To prepare for these changes, the website will be unavailable from 00.01 on Sunday, 1st September, to 12.00 on Tuesday, 3rd September.
Visitors to the National Museum of Flight this weekend will be on a roll at the East Lothian attraction’s brand-new family festival. Celebrate all things circular with cycle stunts, circus displays and hands on activities at 360 Fest on Saturday 31 August.
The one-day event offers family fun for all ages. Cycle stunt team The Clan will perform extreme jumps, flips and tricks on the Museum’s historic Second World War airfield. Cycling UK will also be on site with e-bikes, cargo bikes and family friendly kit to take for a spin and visitors inspired to take a turn can try a bespoke pump track, courtesy of The Dirt Factory.
Scotland’s Concorde will provide a unique backdrop for sensational pop-up circus performances from Think Circus. Families can step into the ring with drop-in circus workshops and try out hula hooping, spinning plates and diabolo juggling. Zorbing, a pop-up planetarium, giant bubbles and circle-themed crafts and activities complete the packed 360 Fest programme.
Steve McLean, General Manager at the National Museum of Flight, said: ““We’re excited to launch this brand-new family festival at the National Museum of Flight. This event offers lots of hands-on activities and entertainment to encourage families to spin into action and get creative together.
“Combined with the chance to learn about flight and see the magnificent aircraft in our collections up close, 360 Fest offers the perfect day out to round off the summer.”
All of the other attractions at the National Museum of Flight will be available to enjoy on the day including iconic aircraft such as a Red Arrows Hawk and Scotland’s Concorde which is celebrating the 20th anniversary of its arrival at the Museum this year.
Families can visit the Fantastic Flight gallery with its interactive displays offering a wonderful way to discover how aeroplanes fly. There’s also a chance to learn about East Fortune’s wartime heritage through photographs, film, personal testimony and unique objects in the attraction’s Fortunes of War exhibition.
360 Fest
Saturday 31 August, 11:00-16:00 (Museum open 10:00-17:00) National Museum of Flight, East Fortune Airfield, North Berwick, EH39 5LF
Due to event capacity, advance booking is required to ensure entry. Admission: Adult (16+) £15.50 Concession £13.50, Child (5-15) £10.50, under 5’s free. National Museums Scotland members free with pre-booked ticket.
15% off when you book as a family. Discount automatically applied in basket when you buy up to three Child 5-15 tickets alongside up to any two Adult, Over 65s, Student, Unemployed, Disabled, Young Scot tickets.
EIF attracts new audiences with Affordable Tickets and Innovative Experiences
The 2024 Edinburgh International Festival was more inclusive than ever: more than twice the number of tickets were issued to under 18s, young musicians, and D/deaf, disabled and neurodivergent audiences compared to last year.
The most expansive affordable ticket offer to date saw over 50% of tickets for the 2024 International Festival sold at £30 or less, with over 5,000 £10 tickets purchased by those who needed them most — a 100% increase on 2023.
Scottish talent took centre stage, with 50% of performers from or based in Scotland, all five national performing companies featured, and over 200 specialist freelancers, demonstrating the essential role of Scotland’s arts sector in delivering the International Festival.
The 2024 Edinburgh International Festival concluded yesterday after an exhilarating 24-day celebration of opera, dance, music and theatre in Scotland’s capital. With over 160 ticketed performances and more than125,000 attendees across the city’s venues, the Festival showcased 21 world, European, UK and Scottish premieres affirming its role as an essential destination for arts and culture.
Under the leadership of Festival Director and Scottish violinist Nicola Benedetti, the theme Rituals That Unite Us successfully brought together over 2,000 internationally renowned artists from 42 nations, exploring the deep connections which bind us all through live performance.
At the heart of this year’s Edinburgh International Festival was a commitment to ensuring that cost is not a barrier to cultural discovery, making high-quality art accessible to the broadest possible audience.
Over 50% of tickets were sold at £30 or less, and more than 5,000 targeted £10 tickets were sold — a 100% increase on last year. Double the number of free tickets were taken up by NHS staff, charity workers, and low-income benefit recipients through the Tickets for Good programme, marking the highest uptake since the Festival signed up to the initiative.
Additionally, the number of D/deaf, disabled, and neurodivergent concession tickets doubled, with twice as many people enrolling for the Access Pass, which provides a tailored experience for audience members with access requirements.
The International Festival reaffirmed its dedication to nurturing the next generation of artists and audiences, with a notable increase in young people attending and participating. This year saw more than triple the number of free tickets to young musicians issued through the Young Musician’s Pass compared to 2023 and U18s ticket purchases rose by 100% from 2023.
Over half of all bookers were new to the Festival this year, the highest level since the pandemic. The International Festival also focused on talent development, with initiatives like Rising Stars providing early career artists with invaluable opportunities to work and perform alongside professional mentors such as the Leonore Piano Trio and Yura Lee.
As an international festival deeply rooted in Scotland, an impressive 50% of the artists were from Scotland in 2024, highlighting the exceptional calibre of local talent alongside their international peers.
This included approximately 250 multigenerational performers in the world-first Healing Arts Scotland Opening Celebrationat the Scottish Parliament, and representation from all five Scottish national performing arts companies—National Theatre of Scotland, Royal Scottish National Orchestra, Scottish Opera, Scottish Ballet and Scottish Chamber Orchestra.
The International Festival also employs over 200 specialist freelancers and relies every year on a pipeline of talented writers, actors, musicians, dancers, singers, producers, facilitators, technicians and cultural workers.
In the precarious funding landscape currently faced by the Scottish arts sector, the Festival remains committed to supporting and advocating for the indispensable community of creative individuals and organisations of which Scotland can rightly be proud.
Under the theme of ‘Rituals That Unite Us’, the 2024 International Festival programme also reimagined ways in which live performance could bring audiences and artists closer together.
Audiences sat in beanbags to enjoy six informal concerts at the Usher Hall, including Brazil’s Ilumina, The Hallé, and the European Union Youth Orchestra, while The Hub series once again welcomed audiences into the home of the International Festival for intimate and unforgettable performances from around the world.
Six artist rehearsals were made accessible to the public and schools, offering a unique behind-the-scenes glimpse into the creative process, while 20 Q&A sessions were offered by artists after their performances to deepen the experience for attending audiences.
Offering a deeper look into the Festival’s inner workings, 36 audio introductions, hosted by Kate Molleson and Nicola Benedetti, featured insights from artists, programmers, and creatives behind the programme’s performances.
Listened to 32,794 times by audiences, The Warm Up invited artists to discuss the unique rituals they undergo before creating a piece or stepping onto the stage. Nicola Benedetti also made her BBC Radio 3 presenting debut in a six-part series focusing on the origin story and impact of the International Festival, which continues to broadcast until 7 September.
Additionally, nineteen concerts from the Festival were recorded for BBC Radio 3 and will be available on BBC Sounds. More than 130 behind-the-scenes videos shared across the International Festival’s social media channels garnered 1 million views from online audiences.
Additionally, over 300 people enjoyed a free VR experience with the Philharmonia Orchestra at the Festival’s inaugural Community Connections Hub, held this year in the Edinburgh suburb of Broomhouse. Following this, 2,000 attendees attended a Family Concert at the Usher Hall, where young music lovers had the chance to experience the Philharmonia Orchestra in person, with Festival Director Nicola Benedetti performing on violin.
Over 7,000 people joined together for a new ritual for the city and the International Festival at the highly anticipated Opening Event: Where to Begin, presented in partnership with The Macallan. Where to Begin launched Edinburgh’s festival season with an immersive experience at the historic Old Town site of George Heriot’s, brought to life by the creative team at Pinwheel.
Festival Director, Nicola Benedettisaid, “Our Festival has been an outstanding success this year. The theme, Rituals That Unite Us, resonated in profound ways with our visiting artists and home community. Although we bring stories from around the world, they change when they interact with the unique spirit of Edinburgh, artist upon artist expressing their awe and desire to return.
“We diversified the experiences in our venues, making the Festival as accessible and affordable as possible. Beanbags returned, as did the intimacy of our home, the Hub. We programmed exceptional international premieres, doubled the number of Under 18 tickets on last year, and tripled the Young Musician’s Pass attendees – an initiative that offers free Festival tickets to young musicians.”
“Against a tumultuous backdrop of funding crisis, two aspects of our identity were reinforced and strengthened. We are deeply rooted in Scotland, and will continue to present the best of Scottish talent alongside our international counterparts.
“Most importantly, we are making an indelible impact on access to culture for our local community. To present the world’s greatest art to the broadest possible audience is what we are here to do.”
Chief Executive, Francesca Hegyisaid “Our theme for this year’s programme, Rituals that Unite Us, beautifully captured the sense of togetherness felt throughout this past month. There’s something profound and powerful about this shared experience that brings people from every corner of the world and all walks of life together.
“As we celebrate this year’s Festival, we must also recognise the current fragility of the Scottish cultural sector. With 50% of our 2024 artists hailing from Scotland, the Festival relies on exceptional local talent both on and off the stage and we are deeply concerned about the ongoing survival of our creative community.
“The International Festival is the original spark that lit this city’s path to becoming the world’s Festival City. “Now, 77 years later, we thank you for joining us once again for the ritual that we look forward to each year: the Edinburgh International Festival.”
