Reservoirs, rivers and lochs might look inviting for a quick swim, but they contain many hidden dangers.
Strong currents and cold water shock can be fatal.
Be safe in the water this summer.
Follow advice from Water Safety Scotland at watersafetyscotland.org.uk
There is a free kite making workshop TODAY (Sunday 11 August), open to all ages including families, as part of Freenge
It will take place at the Pavilion Cafe at the Meadows from 2-5pm, drop in so no need to book!
The relaunched Edinburgh International Film Festival (EIFF) has announced details of a special in-conversation event with the legendary Thelma Schoonmaker who is celebrated for her iconic work as an editor on landmark moments in cinema history and for her collaborations with Martin Scorsese, including Raging Bull, Goodfellas, The Wolf of Wall Street and Killers of the Flower Moon.
Thelma will be discussing her outstanding career on Tuesday 20 August at 3pm at Tollcross Central Hall. Tickets are on sale now.
Whilst at the Festival, Thelma will also present the award for The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition which showcases World Premieres of new exciting short form work from Scottish, the UK and international filmmakers. The award comes with a cash prize of £15,000 and will be decided by audience vote during EIFF with the winner announced on Wednesday 21 August.
Alongside this, she will also introduce a retrospective screening of Michael Powell and Emeric Pressburger’s much loved film I Know Where I’m Going! (1945) set on the islands of Scotland.
Paul Ridd, Festival Director said: ‘We are absolutely thrilled that Thelma Schoonmaker has agreed to an in-person career conversation with us at this year’s Festival. An icon of cinema, Thelma has already been so generous with us already, allowing us to launch our brand new shorts prize in her name.
“Our line-up of guests across the film and industry programmes is absolutely star-studded, including newly announced guests at our Networking Brunches.
We are just immensely grateful to everyone for their continued support of the relaunched Festival. Bring it on!’
Running throughout the Festival, but with a focus of activity across the weekend of Friday 16 August to Sunday 18 August, the industry programme presents an impactful series of panels and networking opportunities for Scottish and international creatives to engage with industry experts from around the world.
This 77th edition of the Festival honours the film festival’s history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression.
EIFF is delighted to have initiated groundbreaking new collaborations and partnerships with Fringe organisations over non-traditional cinema spaces in renowned Summerhall, Inspace and 50 George Square in the University of Edinburgh. Monkey Barrel Comedy, Edinburgh’s acclaimed comedy club, is hosting the venue at Inspace, whilst Fringe favourite Assembly Festival is hosting the venue at 50 George Square.
On Friday 16 August, a morning NETWORKING BRUNCH co-hosted with Screen Fringe will take place at Summerhall Library Gallery, in collaboration with Summerhall.
Invited Table Hosts at the Brunch include: Sam Gough (Summerhall), Briony Hanson (British Council), Tricia Tuttle (Berlinale), Julia Trawinska (Picturehouse Entertainment), Bec Martin (Artistic Director, New Diorama), Jess Toomey (Director, Live Comedy Association), Karel Och (Director, Karlovy Vary), Sarah Brocklehurst (Producer, THE OUTRUN) and Katie Metcalfe (Nowness).
SCRAPPER TO SCREEN: A CASE STUDY will be a panel exploring the development to distribution of the hit 2023 film SCRAPPER, taking place at EIFF venue Inspace in association with Monkey Barrel on Friday afternoon. Moderated by Melanie Iredale (Reclaim the Frame) and with panellists including Charlotte Regan (Director of SCRAPPER), Theo Barrowclough (Producer of SCRAPPER), Lucie Desquiens (Sales at Charades) and Julia Trawinska (Acquisitions Manager at Picturehouse Entertainment).
Following the panel, early evening NETWORKING DRINKS will take place at Inspace in association with Monkey Barrel, ahead of an evening EIFF CURTAIN RAISER filmmaker and industry reception in Summerhall Library Gallery, both in partnership with BBC Film.
Saturday 17 August will begin with a NETWORKING BRUNCH which will take place at Summerhall Library Gallery in collaboration with Monkey Barrel.
Invited Table Hosts include: Jack Thomas O’Brien (Producer), Julia Jackman (Filmmaker), Mike Muncer (Evolution of Horror), David Bleese (Monkey Barrel) and writer and event producer Wendy Mitchell.
On Saturday early afternoon, IN CONVERSATION: GASPAR NOE will take place at Tollcross Central Hall with the iconic filmmaker discussing his work.
Later in the afternoon, a STAND UP TO THE SCREEN panel involving filmmakers who have transitioned from live performance/TV to filmmaking along with Fringe producers and creatives that are interested in screen work and working on developing ideas/adaptations for film.
The event will take place at Inspace in association with Monkey Barrel, and will be moderated by Rowan Woods (Edinburgh TV Festival) with panellists Alex Walton (WME), Afolabi Kuti (Producer) and filmmakers from the programme selection.
In the evening, NETWORKING DRINKS will take place at Inspace in association with Monkey Barrel and supported by NFTS Scotland, ahead of the now legendary EIFF Ceilidh.
On Sunday 18 August, a morning NETWORKING BRUNCH will take place at Summerhall Library Gallery, in collaboration with Assembly Festival.
Invited Table Hosts include: William Burdett Coutts (Assembly), Helene Espeiss (Charades), Jonathan Rutter (Premier), Wahida Niblo (Vertigo), Luke Moody (Doc Society), Matt Mueller (Screen International) and Robbie Collin (Telegraph).
Sunday afternoon will see the Festival’s Keynote address from acclaimed filmmaker Alex Garland and producer Andrew Macdonald at Tollcross Central Hall. The pair will discuss their long history of collaborations across films that include The Beach (2000), 28 Days Later (2002), Ex Machina (2014), as well as the recent global hit Civil War (2024). Tickets for this event will go on sale on 1 August and EIFF industry delegates will be able to access tickets closer to the Festival.
In partnership with Scottish Documentary Institute (SDI), a DOCUMENTARY DISTRIBUTION PANEL will take place at Inspace in association with Monkey Barrel, engaging Scottish documentary filmmaking talent, documentary producers and international documentary sales agents to deliver a rounded session on the business of independent documentary exhibition and distribution.
The session will be moderated by SDI’s Flore Cosquer with panellist Luke Moody (Doc Society), Graham Fulton (Conic), Sophie Fiennes (ACTING) and filmmakers from the programme selection.
Early evening NETWORKING DRINKS will take place at Inspace in association with Monkey Barrel, supported by SDI.
On Monday 19 August, coinciding with the Festival’s Out of Competition Shorts screening, there will be evening NETWORKING DRINKS in the Cameo Cinema bar supported by Screen Academy Scotland.
The same evening, BAFTA SCOTLAND celebrates the life and work of the ground-breaking film producer, curator, writer and former Director of the Edinburgh International Film Festival Lynda Myles in a special event celebrating her presentation of the BAFTA Scotland Outstanding Contribution to Film Award.
From 9pm, Ali Plumb (BBC Radio 1) will host the EIFF Film Quiz at Summerhall’s Dissection Room.
On Tuesday 20 August, evening NETWORKING DRINKS in the Cameo Cinema bar will take place.
EIFF Industry delegates are welcome to also register with Screen Fringe, a Screen Scotland-backed programme delivered in partnership with the Edinburgh Festival Fringe Society.
Open to TV and film professionals, Screen Fringe offers a concierge service to delegates to help discover the best theatre and comedy talent from Scotland, the UK and beyond. EIFF industry delegates who want to engage with the Edinburgh Festivals to find talent and pursue opportunities for screen adaptation can accredit via the Fringe Society’s Arts Industry page (http://www.edfringe.com/take-part/arts-industry).
EIFF 2024 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, the Industry Programme is backed by EXPO funding from the Scottish Government through Creative Scotland, and EventScotland part of VisitScotland’s Events Directorate.
Edinburgh International Film Festival runs from Thursday 15 to Wednesday 21 August 2024.
From August 15 to August 21 2024, Edinburgh International Film Festival will take place at unique venues in Edinburgh allowing audiences to seamlessly experience the best of the Fringe along with the world-class programme of cinema at EIFF.
This year’s 77th edition of the Festival honours the film festival’s history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression. EIFF encourages general audiences, film fans and industry professionals to make the trip this summer to Edinburgh.
The revamped Festival has recently announced its programme which includes over thirty-eight feature films, five shorts programmes and various talks and events across its dates. Concession pricing is available and Pay What You Can tickets will be available across select screenings.
Helmed by Festival Director Paul Ridd and Festival Producer Emma Boa, the team aims to create a world-class showcase for independent film and filmmaking talent.
Former Acquisitions Executive Ridd is supported by an expanding Board, including Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; and Amy Jackson, producer of last year’s BAFTA award-winning indie, Aftersun.
The Chancellor Rachel Reeves has called on pension funds to “learn lessons from the Canadian model and fire up the UK economy”.
The Chancellor hosted a roundtable with the so-called ‘Maple 8’ group of Canadian retirement funds in Toronto on Wednesday (7 August), who have invested billions of pounds in the UK economy in recent years.
She will urge the funds to continue backing Britain and take home lessons about how consolidation of pension schemes into larger funds can help drive investment in productive assets such as vital infrastructure and high-growth businesses.
The meeting is part of intensive industry engagement for the landmark review of pension fund investment announced last month to boost investment in the UK and deliver higher returns for people’s pension pots.
Also on the Chancellor’s agenda to deliver more investment and finance growth is the financial services sector, with Rachel Reeves confirming her first Mansion House address will set out how she will work in partnership with industry and regulators to deliver growth.
This will include delivering the stability the sector needs to grow, the support it needs to invest across the UK and reforms it needs to remain at the cutting-edge of new innovations and technologies.
Chancellor of the Exchequer Rachel Reeves said: “The size of Canadian pension schemes means they can invest far more in productive assets like vital infrastructure than ours do.
“I want British schemes to learn lessons from the Canadian model and fire up the UK economy, which would deliver better returns for savers and unlock billions of pounds of investment.
“We’re already beginning to see schemes announce plans to invest. That’s a vote of confidence in our work to fix the foundations of the economy, rebuild Britain and make every part of our country better off.”
Industry strongly welcomed the announcement of the pension fund investment review, with supportive comments made by groups such as Legal & General, the BVCA, Aviva, Barclays and Phoenix.
New investment vehicles have since been announced to channel pension fund money into infrastructure and the UK’s fastest growing companies. Last week Phoenix and Schroders launched their Future Growth Capital co-investment fund, which will invest up to £20 billion in the UK over the next decade.
Channelling more pension fund money will release investment demand and comes alongside measures to unlock supply through fixing the broken planning system, setting up a National Wealth Fund and the biggest overhaul of listings rules for the UK stock exchange.
EXCITING EVENT ALERT !!!
Join us next Monday for an inspiring Walk & Talk around Lauriston Farm with nature expert Leonie Alexander! 
Explore this regenerative community farm—a stunning 100-acre haven in North West Edinburgh, overlooking the beautiful Firth of Forth. Since winter 2021, EAC has been transforming Lauriston into a vibrant space teeming with food production, biodiversity, and community spirit. 
Date: Next Monday
Time: 10 AM – 2 PM
Meeting Point: DRYLAW NEIGHBOURHOOD CENTRE
Bus to Toby Carvery entrance to Lauriston Farm at 10:30 AM
Walk begins at 10:30 AM
Vegetarian picnic provided!
What to bring:
A rucksack/bag
Good walking shoes
Waterproof jacket
Limited spaces available — book now through info@drylawnc.org.uk !
The Besties is a new series of awards celebrating the best across Edinburgh’s August Festivals. The Award is a partnership between The Skinny & Fest, Capital Theatres and Premier Scotland
The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the winners of the first of the weekly new Festival Awards, The Besties, in the following categories:
The Outwith Award (for best international artist/production) for Lou Wall’s The Bisexual Lament at Pleasance Courtyard (Edinburgh Festival Fringe)
Radgie of the Festivals (for boldest performance/behaviour) for Joe Kent-Walters is Frankie Monroe: LIVE!!! at The Monkey Barrel Comedy (Edinburgh Festival Fringe)
The Sexy Award for Sexiness to Internationaal Theater Amsterdam’s Penthesilea, Royal Lyceum Theatre Edinburgh (Edinburgh International Festival)
Night Owl (for a late night show) to John Norris for Mr Chonkers / Mr Chonkers Presents…Piggy Time at Monkey Barrel Comedy (Edinburgh Festival Fringe)
Best Kids Show for Garry Starr’s Monkeys Everywhere at The Pleasance (Edinburgh Festival Fringe)
Next Big Thing Award for Emergent Talent for Kim Blyth’s Might As Well at Gilded Balloon (Edinburgh Festival Fringe)
New Writing Award for The Chaos That Has Been and Will No Doubt Return at Summerhall (Edinburgh Festival Fringe)
The award ceremony took place on Saturday 10th August at the Festival Theatre in Edinburgh, hosted by Australian comedian Michelle Brasier whose show Legacy is at the Gilded Balloon, with performances from the cast of A History of Paper, a Dundee Rep and Traverse Theatre co-production being staged at the Traverse.
The Besties award, designed by artist Camillo Feuchter who has recently graduated from Interior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, uses recyclable plastics gathered at the Festival Theatre Café and leftover wood sourced locally.
Reflecting the broad and diverse coverage both magazines produce every summer and responding to the need for a pan-festivals award, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe and Edinburgh International Festival, Edinburgh Art Festival which started on the 9th, Edinburgh International Book Festival which opens today and the Edinburgh International Film Festival starting next week, and others, making them the only awards to celebrate the full spectrum of culture in the city.
Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals. The categories will reflect the diversity of the magazines’ coverage and might be different every week.
Next two ceremonies will take place on Saturday 17th and 24th August.
One of the acts dazzling crowds at this year’s Royal Edinburgh Military Tattoo has taken its performance to another unique location – the rooftop of the W Edinburgh hotel in the heart of the City.
Swiss drumming group, Majesticks Drum Corps, are bringing precision drill to the capital, showcasing the extraordinary skills of around 30 drummers, entertaining audiences with incredible timing, showmanship, and a touch of humour.
With Official Tattoo Supporters W Edinburgh, set against the stunning backdrop of Edinburgh Castle, Majesticks Drums Corps drummers took to the panoramic W Deck to showcase their intricate routine.
Every evening at The Edinburgh Castle Arena, Majesticks Drum Corps deliver a blend of traditional and contemporary drumming techniques, dazzling the audience with their synchronised movements and powerful rhythms.
Their performance is a visual and auditory marvel bringing together light, fire and precision drill, designed to leave a lasting impression on audiences who’ve gathered from around the world.
For your chance to catch Majesticks in action and stay at the iconic W Edinburgh, head to the Tattoo social channels for your chance to win tickets and an overnight stay. Majesticks Drum Corps will be on show at this year’s Royal Edinburgh Military Tattoo, which runs from 2 – 24 August 2024.
Tickets can be purchased at edintattoo.co.uk/tickets or call 0131 225 1188.
One of the most celebrated paintings by world-renowned artist John Singer Sargent (1856 –1925) – Lady Agnew of Lochnaw (1864 – 32) – is welcomed home to National Galleries Scotland: National. The much-loved painting is back on display and free to visit now.
With the painting’s exciting arrival back in Edinburgh also comes a name change for this landmark portrait. The painting was on a major international tour as one of the star attractions of the Sargent and Fashion exhibition at the Museum of Fine Arts Boston and Tate Britain, London.
Following its return, the portrait has been given a fuller name – Gertrude Vernon, Lady Agnew of Lochnaw (1864 – 1932). By including her first name, this fascinating sitter can finally be recognised as an individual in her own right, beyond her status as the wife of Baronet Andrew Noel Agnew of Lochnaw.
National Galleries of Scotland is about to release a new book on the painting on 23 September, which is available to pre-order now at Lady Agnew: A Painting by John Singer Sargent (paperback) (nationalgalleries.org).
Sargent’s dazzling and unforgettable image of Gertrude Vernon is one of the most instantly recognisable portraits of fashionable London society.
For both the artist and his sitter, the painting was an instant success, reviving Sargent’s reputation as the portrait painter of choice for the London elite and immediately transforming the newly elevated Gertrude Vernon into a society celebrity.
Sargent’s image of Gertrude Vernon helped her to become a leading light in fashionable circles, holding lavish salons in her London home. Ironically, the high costs of this hospitality meant that she was eventually forced to sell some family pictures including this portrait which was purchased by National Galleries of Scotland, after Sargent’s death, in 1925.
The confident gaze and relaxed posture of Gertrude Vernon was unusual in contemporary portraiture. The spontaneous feel of the image was enhanced further by the fluid and sweeping brushwork.
More conventional portraits of respectable women had the sitters gazing downward, off to the side, or upon another person or object in the painting. To have a lady sit and stare at the viewer was unconventional, but it was enthusiastically received as bold and beautiful.
Gertrude Vernon was around 26 at the time of the painting and is believed to have walked into the studio one day and slumped herself down in the chair. Sargent liked to capture the most naturalistic pose for his sitters and so he decided to paint her portrait exactly as she appeared that day.
The exact circumstances behind the commission are not known, but the Agnews may have met the artist through mutual American friends. According to notes in her husband’s diary, work on the portrait progressed swiftly, and Sargent later recalled that it was painted in just 6 sittings.
Gertrude Vernon is shown seated in a Louis XVI chair against the backdrop of a Chinese silk hanging, both of which were standard props in Sargent’s studio.
She is reported to have been of frail health; she recovered slowly from a severe bout of influenza in 1890 and was apparently still suffering from exhaustion when she sat for Sargent. There are brilliant passages of painting in the highlights, reflections and coloured shadows that show Sargent at his best as a painter of surfaces and textures.
Sargent was born in Florence and spent his childhood travelling across Europe with his wealthy American parents who restlessly followed the changing social seasons. In 1874 he entered the Paris studio of the stylish French portraitist, Carolus-Duran.
The young Sargent combined the flamboyant style of his teacher with his study of old masters such as Rembrandt and Velázquez but was also influenced by Monet and Impressionism.
His provocative and unconventional Portrait of Madame X caused a scandal at the Paris Salon exhibition in 1884; and, when Sargent settled in London in 1886, he initially found it difficult to find clients. However, his dashing technical mastery and confident manner were ideally suited for aristocratic patronage, and he soon won over his critics with his elegant, flattering portraits.
When his portrait of Gertrude Vernon was shown at the Royal Academy in 1893, one contemporary observed: ‘London is at his feet … he has had a cracking success.’
Dr Patricia Allerston, Deputy Director & Chief Curator of European & Scottish Art, National Galleries of Scotland said: “This fascinating painting is a favourite for many visitors, and we are delighted to have it back on display at the National.
“Sargent’s compelling portrait presents Lady Agnew as a real person with a very distinctive personality. Our aim in adjusting the portrait’s title is to give visitors a bit more information about this intriguing sitter.’
Free to visit: Gertrude Vernon, Lady Agnew of Lochnaw (1864-1932) by John Singer Sargent | NGS CMS 2022 (nationalgalleries.org)
VPZ, the UK’s largest vaping retailer, will be rewarding eco-friendly revellers during 2024’s Party At The Palace.
Festivalgoers are set to benefit from the vaping retailer’s one year anniversary of its partnership with WasteCare which saw VPZ launch a recycling service for vaping devices and e-cigarettes across all its UK stores.
Disposable vapes contain lithium batteries and plastic and when littered they can cause harm to the local environment.
This vape recycling service will be debuting in a mobile form at Linlithgow Palace and will be open to all vapers throughout the festival, as anyone can visit the stand and dispose safely of their vaping devices or e-cigarettes.
VPZ will have two recycling bins throughout the weekend at Party At The Palace, both located at the seating area at its stand with one for batteries and one for disposables.
For their eco-friendly efforts, for every disposable vape recycled at the Party At The Palace, VPZ are offering festivalgoers £1 off the purchase of any reusable AEQ vape at the event.
VPZ Director Doug Mutter said: “At VPZ, we are pioneering in the battle against waste and are proud to have launched our vape recycling service across all stores and now debuting it on the go.
“Our appearance at Party At The Palace will be a great chance to tackle this burgeoning environmental issue head on and aid people to safely dispose of disposable vapes throughout the event.
“We strongly believe this innovative service and intervention is vital in responding to an emerging environmental problem whilst educating vapers on the long-term financial benefits of using reusable products.”
Alongside being in attendance to educate on the environmental impact of vaping, VPZ will also be offering a dedicated one-to-one service to help smokers quit. VPZ specialists are trained and have expert knowledge, engaging with smokers to educate them on the health and financial benefits of switching to vaping.
To reflect VPZ’s full commitment to helping UK smokers on their stop-smoking journey, the vape specialist is also introducing a 30-day switch guarantee. This guarantee offers a full refund to anyone who doesn’t make a complete switch to vaping in 30 days, supporting VPZ’s confidence in the role of vaping for a Smoke-Free 2030 national goal.
By introducing this policy, VPZ is not only investing in the well-being of people trying to stop smoking but also educating them on the financial benefits of vaping.
VPZ Director Doug Mutter added: “VPZ is the UK’s leading vaping specialist, and we are spearheading the fight against the nation’s number one killer – smoking.
“At VPZ, we are much more than a vaping retailer, as our new 30-day guarantee provides a solution to Smoke-Free targets and stands by our promise to support all smokers on their own quit-smoking journey.
“Our approach gives adult smokers the help and advice they need at a time when local stop-smoking services across the country are under threat whilst supporting the country’s ambitions to become a smoke-free nation by 2030.
“We are fully supportive of the UK government’s ban on disposable vaping products and it is positive progress that we have a proposed enforcement date for April 1 next year but it’s critical that they take on board advice and guidance to regain much-needed momentum and help the country meet its 2030 ambitions.
“VPZ has been calling on the UK Government to introduce licencing and controls for selling vaping products for the past two years and it’s hugely important a ban operates alongside a licencing scheme where there are proper punishments and policing in place to enforce the ban and tackle the growth of the existing black market.”
Researchers at King’s College London found vaping to be a more effective treatment than nicotine replacement therapy for stopping smoking.
A further report from the Royal College of Physicians Tobacco Advisory Group backs vaping as an effective treatment for tobacco dependency and recommends that it should be included and encouraged in all treatment pathways. The report also found that the long-term impact of vaping is 95 per cent less harmful than smoking cigarettes.
To date, Edinburgh-based VPZ has already helped over 700k smokers in the UK quit since it was established in 2012.
Information on the UK Government’s Smoke-Free by 2030 plans can be found here:
https://publichealthmatters.blog.gov.uk/2017/06/16/our-ambition-for-a-smokefree-nation-is-in-sight/
Following a special meeting of Council Leaders yesterday to discuss Local Government Pay, COSLA has made a ‘significantly improved’ formal offer to the trade unions.
Scotland’s council leaders welcomed that Scottish Government had provided funding to take a pay offer beyond the 3.2% previously offered by COSLA, recognising the financial position facing councils while also providing firm assurances around any recurring additional funding.
This additional funding means that the revised offer is better than the offer made to Local Government workers in the rest of the UK.
If the offer is accepted everyone will receive at least 3.6% and for the first pay point on our pay scales, there will be an increase of £1292 (or 5.63%), The overall offer value is 4.27%.
In making this improved offer, COSLA is requesting that strike action is suspended while it is considered by the unions, who have been made aware of Leaders’ concerns that the additional funding may be at risk if strikes go ahead.
COSLA’s Resources Spokespeople Cllr Katie Hagmann said: “Having worked hard over the last week with Scottish Government to increase and guarantee additional funding, Leaders are now in a position to make this improved offer to our trade unions.
“This offer reflects what trade unions have asked for and we hope that they will now be prepared to call off the strikes while they put that offer to their members.”
