Day: August 2, 2024

JOURNEYS: The Royal Edinburgh Military Tattoo takes crowds on a voyage with 2024 Show

Lead Service Royal Navy is joined by more than 800 performers on Edinburgh Castle’s iconic Esplanade this August!

The Royal Edinburgh Military Tattoo has returned to amaze crowds once again with this year’s Show, Journeys.

Providing all the artistic fanfare that Tattoo fans have come to expect, running until 24 August the Show will honour the seafarers who courageously traverse the oceans to connect people and cultures across continents. Joined by the Royal Navy as the Lead Service, talented performers are set to take crowds on an epic journeyof connection through music, dance, culture, and military traditions.

Talents from the USA, India, Switzerland, Australia, Canada, and homegrown acts from around the UK will come together in a powerful display that embraces both tradition and modernity, this artistic odyssey will grasp audiences through the creative projections, drill, dance and so much more.

The Edinburgh Castle Arena will play host to the stirring sounds of the Massed Pipes and Drums, the precision talents of the United States Navy Ceremonial Guard and the poise of the Tattoo Dancers. As well as welcoming US musical talents from The Citadel Regimental Band and Pipes and the United States Sea Service Band – a tri-service band created especially for the 2024 Tattoo.   

In a burst of energy and colour, Teamwork Arts India showcase The Rajasthani Bagpiper, The Bhangra Queens, and the Bollywood Ensemble, and Majesticks Drum Corps from Switzerland will dazzle with a display of precision drill.

As Lead Service, the Royal Navy will take centre stage alongside the Royal Marines as The Massed Bands of His Majesty’s Royal Marines perform the National Anthem in a grand finale suitable for one of the greatest shows on earth.

Michael Braithwaite, Creative Director at The Royal Edinburgh Military Tattoo, said: “Journeys is a vibrant celebration of connection between peoples and cultures. As the Tattoo continues to evolve, so do the performers who light up the stage in August.

“I can’t wait for audiences to see the results of the hard work put in over the last year from everyone involved in the show. Audiences are in for a night to remember. 

“Journeys merges the traditional military elements that the Tattoo is known and loved for, along with modern touches through creative projection, technology, costume design and music inspirations to create a truly impactful performance.”

The full line-up for 2024 includes: The Massed Bands of His Majesty’s Royal Marines  Pipes and Drums of 1st Battalion Scots Guards, 1st Battalion Irish Guards Drums and Pipes, Pipes and Drums of the Royal Gurkha Rifles, Combined Pipes and Drums of The Royal Tank Regiment and Scottish and North Irish Yeomanry, The Royal Edinburgh Military Tattoo Pipes and Drums, The Citadel Pipes and Drums, Australian Federal Police Pipes and Drums, Brisbane Boys’ College, Royal Canadian Mounted Police Pipes and Drums, The Royal Edinburgh Military Tattoo Dancers, The Royal Edinburgh Military Tattoo Fiddlers, The Citadel Regimental Band and Pipes, Majesticks Drum Corps, United States Sea Service Band, United States Navy Ceremonial Guard and Teamwork Arts India.

Tickets are still available and can be purchased at edintattoo.co.uk/tickets or on the phone, 0131 225 1188. The Show will run from 2 – 24 August 2024, with Presenting Partner, Innis & Gunn, offering a bar service at the event.

Tickets for 2025’s Show celebrating the 75th Anniversary of The Royal Edinburgh Military Tattoo will go on sale on 26 August 2024, with a special pre-sale open to 2024 ticket holders from 5 August.  

Edinburgh International Festival 2024 set to ignite festival season opening weekend

  • The 2024 Edinburgh International Festival begins today with the first of more than 160 events in an exhilarating 24-day celebration of opera, dance, music and theatre in Scotland’s capital city. More than 2,000 internationally renowned artists from across 42 nations, including more than 1,000 Scottish artists, will perform.
  • The International Festival opens with Opening Event: Where to Begin, an immersive outdoor experience in partnership with The Macallan single malt Scotch whisky. The event is set to welcome thousands in central Edinburgh, blending installation, projection and live performance for only three nights, from 2 – 4 August. 
     
  • First week highlights include: the world-premiere staged adaptation of Amy Liptrot’s bestselling memoir The Outrun, the Scottish premiere of Argentinian composer Osvaldo Golijov’s La Pasión según San Marcos, and the UK production premiere of Carmen, direct from Paris’s legendary opera house, Opéra-Comique. 
  • To ensure that cost isn’t a barrier to cultural discovery, 2024 sees our most generous concessions policy to date: 50% of tickets for the 2024 International Festival are sold at £30 or less. More than 4,000 £10 Affordable Tickets across every event in the programme have already been allocated to those who need them, and many more are still available. Tickets can be purchased from www.eif.co.uk. 

TODAY, the Edinburgh International Festival opens its 24-day programme of more than 160 events for its 77th edition. The original festival, the one that started it all in Edinburgh, runs 2 – 25 August, and features a hand-picked programme of the world-leading artists in theatre, dance, music and opera, framed by the theme of ‘Rituals That Unite Us’.  

More than 2,000 artists from across 42 nations will perform at the International Festival this August, in a major moment in the international arts calendar. Over 1,000 of these performers are from Scotland, and all five Scottish national performing arts companies are represented in this year’s programme. 

In 2024, Festival Director Nicola Benedetti’s second year, the International Festival brings 5 world premieres, 13 UK and Scottish premieres, and 2 European premieres to Edinburgh, including an extensive opera programme, with promenade opera Oedipus Rex in the National Museum of Scotland and two staged operas from major international companies: Carmen from the Opéra Comique and The Marriage of Figaro from Komische Oper Berlin. 

Kicking off the International Festival, Opening Event: Where to Begin invites nearly 10,000 visitors and locals alike to ignite their festival season with a communal experience which evokes the mythology and history of Scotland’s rich heritage. The new event in Edinburgh’s festival tradition will transform the grounds and magnificent renaissance architecture of George Heriot’s with immersive installation, live performance and video projection. 

Presented in partnership with The Macallan, with creative producer Pinwheel and support from EventScotland, the Opening Event runs across three nights from Friday 2 August to Sunday 4 August. Tickets are available online for £15 and concessions from £7.50 are available. 

The first week of the International Festival also features not-to-be-missed performances from some of the world’s leading artists, including:

  • The world premiere of The Outrun, the stage adaptation of Amy Liptrot’s best-selling memoir. Brought to life by Olivier Award-winning playwright Stef Smith, director Vicky Featherstone and Edinburgh’s producing theatre The Royal Lyceum Theatre Company, The Outrun will run throughout August at the Church Hill Theatre. 
  • The most popular French opera in the world, Carmen, direct from Opéra-Comique – the Parisian opera house where it all began. The new production of Georges Bizet’s masterpiece is brought to the stage by director Andreas Homoki, the Scottish Chamber Orchestra, and Music Director of the Opéra-Comique, Louis Langrée, with an international cast led by Gaëlle Arquez as Carmen; runs 4-8 August at the Festival Theatre. 
     
  • A two-part opening weekend exploring different ways of telling the same story, with two distinct interpretations of the Passion: Latin American and Afro-Cuban musical styles mix with contemporary classical expressions in the Scottish premiere of Osvaldo Golijov’s La Pasión según San Marcos, on 3 August at Usher Hall. On 4 August at Usher Hall, the BBC Scottish Symphony Orchestra, their Chief Conductor Ryan Wigglesworth and the Edinburgh Festival Chorus take on Johann Sebastian Bach’s masterpiece, the St Matthew Passion.
  • The UK premiere of Penthesilea,Internationaal Theater Amsterdam’s production of Heinrich von Kleist’s classic. Ferocious and emotionally charged, Penthesilea is a powerful fusion of a rock concert and an ancient tragic love story, likened to Baz Luhrmann’s Romeo + Juliet; runs 3-6 August at The Lyceum.
  • The Scottish premiere of Please right back, award-winning company 1927’s new family production combining fantastical animations with bold storytelling to explore the effects of the criminal justice system; runs 2-11 August at The Studio.

2024’s programme also offers an increased range of innovative and informal audience experiences, designed to create a closer union between artists and audiences.   

Beanbag concerts are back after popular demand, designed to immerse audiences in an orchestral experience. Inspired by the work of Budapest Festival Orchestra founder and conductor Iván Fischer, audiences can take in the thrill and drama of the orchestra from the comfort of a beanbag or choose standard seating in the circle or balcony. Beanbag seating is still available for concerts by Brazil’s Ilumina, the Edinburgh Festival Chorus and the European Union Youth Orchestra conducted by Gianandrea Noseda. 

The Hub, the International Festival’s home on the Royal Mile, once again hosts the most intimate performances in informal surroundings. During August, The Hub is home to The Hub Club Cafe (11am-6.30pm; food service until 5pm) & Bar (6.30pm – late), with drop-in open-doors rehearsals and ‘Ask the Artist’ moments on select days. The Hub music series is truly international – spanning Scotland, Ireland, Wales, India, China, Argentina, Brazil, Indonesia, Kyrgyzstan, US, Germany, Egypt, Estonia and West Africa, with these artists sharing their musical heritage, cultures and rituals.  

Edinburgh International Festival Director, Nicola Benedetti said: “As we raise the curtain to open this year’s Edinburgh International Festival, we’re reminded of the power of art to unite and inspire us all.

“One of the most moving things in the world, to me, is to see mass, collective effort at work. Each person adding their expertise and experience to make the whole greater than the sum of its parts – and this year’s International Festival programme is the epitome of such a thing.

“I can’t wait for us all to come together this month, to seek, feel and discover something new.” 

The 77th Edinburgh International Festival continues to 25 August.

To purchase tickets and for more information, visit www.eif.co.uk.

Johnnie Walker Princes Street hosts unmissable shows & exclusive experiences for Festival Fringe

Festivalgoers will be treated to the perfect blend of performances and given the chance to co-create their own bottle design using the power of AI

Johnnie Walker Princes Street The World’s Leading Spirit Tourism Experience* on Princes Street in the heart of Edinburgh, is hosting a series of events from local performers as part of its Edinburgh Festival Fringe sponsorship which is now in its third year.

Kicking off the programme of Fringe events, which will be held in the venue’s Label Studio, will be a host of incredible talent from Be United. 

The group will energise audiences with electrifying performances from disco, soul, jazz and hip-hop as part of ‘This Is Your Fringe’(2nd & 3rd August), developed to showcase phenomenal Black talent within the Scottish creative sectors, inviting them to change the game at the Edinburgh Fringe.

The four artists, including singer Eyve, who performs a unique blend of hip hop, trap, jazz, and music which reflects her African roots are set to bring a celebration of community and exceptional music.

Additionally, throughout the festival (13-14, 16-17, 24-25th August), audiences can enjoy shows from a quartet of Johnnie Walker Princes Street’s very own Nicola Alexander and Lori Flannigan, and friends, who will be taking centre stage with ‘She Burns’.

The group who met while working in the venue will perform renditions of Burns poems interspersed with their own stories in a music and comedy cabaret style show, through a modern lens.

‘She Burns’ group members and current Experience Ambassadors, Nicola Alexander and Lori Flannigan, can also be spotted leading Johnnie Walker Prices Street’s signature ‘Journey of Flavour’.

What’s more, those visiting the venue from across the world will, for the first time at the venue, have the chance to enjoy this multi-sensory tour in Mandarin, Spanish, French and soon German, using special translation headsets.

Nicola said: “For us, performing She Burns in the place we met is an exciting full-circle moment. It will be brilliant to perform in this iconic building in the centre of Edinburgh during The Fringe.

“The team at Johnnie Walker Princes Street has always been behind us, nurturing our talents and continually championing the thriving arts and culture scene Scotland.”

Be United’s Creative Director, Collin Hills, said: “It’s fantastic to see a venue like Johnnie Walker Princes Street collaborating with smaller artists, giving them the opportunity to showcase their talents in the centre of Edinburgh throughout the festival.

“Johnnie Walker Princes Street’s ambitions to champion the arts align perfectly with our own. ‘This is Your Fringe’ is a great fit to help open up the art and culture scene throughout The Fringe to both those who have never ventured into the festival, as well as for Fringe veterans.”

Those looking to add a truly exclusive experience to their Fringe itineraries can now book the Johnnie Walker x Scott Naismith: Blue Label Bottle Design & Tasting Experience. Here, guests can co-create their very own unique bottle of Johnnie Walker Blue Label by harnessing cutting-edge, purpose-built AI-technology. 

The bottle design element can be complimented at no extra charge by a bookable expert-led tasting of Johnnie Walker Blue Label, as well as a guided tasting of the incredibly special limited edition Johnnie Walker Blue Label ‘Elusive Umami’, in the rooftop Explorers’ Bothy bar.

Catch ‘She Burns’ at Johnnie Walker Princes Street on: 13-14, 16-17, 24-25 August: https://tickets.edfringe.com/whats-on/she-burns

Search Johnnie Walker x Scott Naismith experience to book: https://bit.ly/3W5R12v

August 2nd:

  • Groove Down: An Edinburgh-based disco-soul band, formed in 2022, Groove Down blends progressive soul, disco, house, and funk to create a fresh, multicultural sound that is uniquely their own.
  • Cling: Known for his infectious Afrobeats, Cling is poised to light up the stage with an energetic performance that will set the tone for the festival.

August 3rd

  • Eyve: Bringing a passionate blend of hip hop, trap, jazz, and African roots, Eyve’s music reflects her life experiences and commitment to social and political issues, gender equality, and inclusivity.
  • JEmmanuel: Making a significant impact since 2023, JEmmanuel will deliver a mesmerizing performance of Retro-Soul, Blues, Jazz, and Funk, continuing to captivate audiences across Edinburgh.

Edinburgh International Film Festival announces new guests, special screenings and more tickets on sale

  • Damian Lewis and Kelly Macdonald will attend the World Premiere of Euros Lyn’s The Radleys
  • Filmmakers Nina Conti and Mark Cousins also present new work
  • New guests join previously announced Saoirse Ronan, Thelma Schoonmaker, Alex Garland, Andrew Macdonald and Gaspar Noé in attendance at the Festival this year
  • A special late night screening of 28 Days Later will take place along with a late night Surprise Film presented by Gaspar Noé
  • Tickets across all events released from 3pm Thursday 1 August
  • The relaunched EIFF runs from Thursday 15 August to Wednesday 21 August

The relaunched Edinburgh International Film Festival (EIFF) has today announced a new selection of guests attending this year’s Festival in support of World and UK Premieres and events.

The Festival will also release more tickets across all screenings today from 3pm via edfilmfest.org, edfringe.com and via the EdFringe official app.

Newly announced to attend this year’s Festival are Damian Lewis and Kelly Macdonald who will present the World Premiere of Euros Lyn’s fresh reimagining of the vampire genre The Radleys.

Filmmaker Mark Cousins will attend the UK Premiere of his new award-winning documentary on Scottish artist Wilhelmina Barns-Graham A Sudden Glimpse to Deeper Things.

In attendance as part of the The Sean Connery Prize for Feature Filmmaking Excellence will be Arash Rakhsha for the urgent documentary All the Mountains Give, Jack King for the powerful Yorkshire-set drama The Ceremony; Mary Jiménez and Bénédicte Liénard for the richly poetic Fugue: Will Seefried for the haunting queer drama Lilies Not for Me:  Daisy-May Hudson for the stirring film Lollipop: Abdolreza Kahani for the subversive comedy drama A Shrine; Bryan Carberry for the clear-eyed take on artificial intelligence **smiles and kisses you**; Nina Conti for the absurdist comedy road movie Sunlight; Kelsey Taylor for the dark psychological thriller To Kill a Wolf and Manuela Irene for the delicately moving Xibalba Monster.

Also in attendance for the Festival’s Out of Competition films will be fillmaker Sophie Fiennes for the immersive documentary Acting; Daniel Reisinger for the bittersweet comedy And Mrs, Halfdan Ullmann Tøndel for the Camera D’Or Winner Armand; Ben Rivers for Bogancloch about Jake Williams, a hermit living in the Scottish wilderness, Jake will also attend the Festival; Suzanne Smith and Sylvia Solf for their dance-filled South African documentary Joy Dancer; Polly Steele for the courageous documentary The Mountain Within Me, Greg Kwedar for the transcendent prison drama Sing Sing.

Previously announced guests include filmmaker Nora Fingscheidt and producer and actor Saoirse Ronan who will present the Opening Night UK Premiere of The Outrun the legendary Thelma Schoonmaker will present the inaugural Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition Shorts as well as introducing a retrospective screening of Emeric Pressburger and Michael Powell’s much loved classic I Know Where I’m Going! (1945) set on the Isle of Mull.

Filmmakers Carla J. Easton and Blair Young will be in attendance for the Festival’s Closing Night film, the World Premiere of the powerful new documentary Since Yesterday: The Untold Story of Scotland’s Girl Bands.

Master provocateur Gaspar Noé (Irreversible, Climax, Enter The Void) will attend the Festival for a special In Conversation event discussing his filmmaking career, ahead of presenting a special screening of Dario Argento’s horror masterpiece Suspiria (1977).

Writer, academic and former EIFF Director Lynda Myles will present Lynda Myles Celebrates: is a new special screening showcase for visionary cinematic work which this year is the World Premiere of Argentinian filmmaker Axel Cheb Terrab’s film Gala & Kiwi Axel Cheb Terrab and the cast will also be in attendance.

Also attending as part of the Midnight Madness strand will be Kit Redstone and Arran Shearing for the enigmatic and unexpected King Baby, and James Clarke and Daniel Shephard for the adrenaline fuelled thriller Sunray: Fallen Soldier which stars a cast of former Royal Marine Commandos who will also be in attendance.

Tickets for the recently announced Keynote Address In Conversation: Alex Garland and Andrew Macdonald will go on sale at 3pm today. Press and industry tickets for this event will be made available to EIFF delegates at 8.45am the day before, on a first come first served basis.

A special late night screening of 28 Days Later will take place on Saturday 17 August at 1am in Red Lecture Theatre at Summerhall.

GASPAR NOÉ PRESENTS: SURPRISE FILM and ALI PLUMB’S UNTITLED FILM QUIZ PROJECT were also released at 3pm yesterday (Thursday 1 August).

This year’s Festival programme features musical odysseys, dystopian worlds, laughter in the face of darkness, vivid portraits of characters from the fringes of society and reimagined inner and outer spaces. It showcases new work from filmmakers from the UK, US, Canada, Mexico, Norway, China, Kazakhstan, Belgium, Iran and beyond.

37 new feature films, 18 World Premieres including 10 World Premieres competing for the new Sean Connery Prize for Feature Filmmaking Excellence, 4 special retrospective screenings, 5 short film programmes including the new Thelma Schoonmaker Prize for Short Filmmaking Excellence competition, an In Conversation event with iconic filmmaker Gaspar Noé and a strand of thrilling Midnight Madness screenings make up a seven-day celebration of world-class new cinema which also allows audiences, press and industry to easily engage with the best of Edinburgh’s other arts and cultural Festivals.

EIFF venue partners this year embed the Festival in the heart of the Fringe landscape with screenings taking place at Cameo Cinema, Summerhall, 50 George Square, in partnership with Assembly Festival; Inspace on Crichton Street in partnership with Monkey Barrel Comedy; and Tollcross Central Hall, in a programme which champions a new generation of UK and international talent, including a strong selection of first and second features.

This year’s 77th edition of the Festival honours the film festival’s history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression. EIFF encourages audiences, film fans and industry professionals to make the trip this summer to Edinburgh.

Tickets are now on sale via edfilmfest.org, edfringe.com and via the EdFringe official app. Press and Industry accreditation for EIFF is open and closes on 2 August.

EIFF 2024 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, the Industry Programme is backed by EXPO funding from the Scottish Government through Creative Scotland, and EventScotland part of VisitScotland’s Events Directorate.

Edinburgh International Film Festival runs from Thursday 15 to Wednesday 21 August 2024.  

Children learn about keeping safe during Pantosaurus visit to Zoo

Families learned about keeping children safe from harm when our fun-loving dinosaur visited Edinburgh Zoo recently.

Pantosaurus, the friendly dinosaur character which fronts the NSPCC’s Talk PANTS campaign, was joined by more than 370 people at the zoo for colouring activities and sharing the Talk PANTS messages.

This event was part of a campaign which launched in Edinburgh last October to help protect children across the city from sexual abuse.

EdinburghTalkPANTS is being delivered by NSPCC Scotland in partnership with the Edinburgh Child Protection Committee and a wide range of partners across the city. to spread the NSPCC’s Talk PANTS message.

Talk PANTS was developed with children, parents, carers and teachers to help protect young children by giving parents, carers and professionals advice on how to have simple, age-appropriate conversations with children.

Key messages are delivered to children, with help from Pantosaurus, so they understand that their body belongs to them, they have a right to say no and they should tell a safe adult they trust if anything makes them feel upset or worried.

Lauren Engall, NSPCC Scotland Local Campaigns Officer, said: “It was amazing to take Pantosaurus and Talk PANTS to Edinburgh Zoo. Many of the families recognised Pantosaurus and knew the PANTS song, so it was great to see that the message of Talk PANTS is spreading.

“Many thanks to staff from Edinburgh Zoo for having us and Pantosaurus there. The children really enjoyed spending the afternoon with our friendly and colourful dinosaur.

“Talk PANTS lets us speak to children about their rights and how to keep safe in an age-appropriate way and it was brilliant to see so many families turn up for the event. A simple conversation can make a big difference and that’s what Talk PANTS is all about.”

Other upcoming Talk PANTS events in Edinburgh include appearances at the Edinburgh International Book Festival on August 20th, the Primary School Gala Day at the Book Festival on August 22nd, and a family day at Sighthill Library on August 30th which will include a reading by popular children’s author Bruna De Luca, from her book I’m Not Cute, I’m Dangerous.

For more information about Talk PANTS, visit the , and to find out about other events taking place in Edinburgh, visit EdinburghTalkPANTS

Anyone with concerns about the welfare of a child can call the NSPCC’s free and confidential helpline on 0808 800 5000 or email help@NSPCC.org.uk for advice.

Children and young people can contact Childline about anything that may be worrying them by calling 0800 1111 or by visiting: www.childline.org.uk

Alan Partridge fans: We Need YOU!

Flashmob participants needed!

If you are a fan of Alan Partridge – or, rather, if you are a fan of his long-suffering and put-upon assistant Lynn Benfield, do we have a job for you! 

This weekend, on Sunday 4th of August, at 12pm, playwright Laura Horton is calling out for people to be part of a mass group photoshoot of Lynns on the Royal Mile. 

At 12pm (lunchtime), join Laura Horton, author of new Fringe play ‘Lynn Faces’, and wear a mask of Lynn’s iconic “fed-up face”, for a photo op. 

Up to 300 Lynns will smile (or rather grimace) for the camera, and the mass Lynn-army will then become a flashmob who will collectively stride the streets for a short lap chanting “Liberate Lynn.”

Anyone willing to don the face of the iconic Lynn Benfield is asked to meet Laura outside St Giles Cathedral at 12pm on Sunday 4th. On the right of the entrance to the Cathedral (as you face it from the Royal Mile). For the specific location, you can find it at this google maps link.

Lynn Faces will be performed at Summerhall, in the main hall from 1-26th August.

Lynn Faces

Police launch Operation Summer City 2024

Police in Edinburgh have today launched their annual campaign to keep people safe throughout the Edinburgh International Festival 2024.

Operation Summer City launches on Friday, 2 August, to coincide with the beginning of The Festival and will be in effect for the duration of the four-week event, which includes the Fringe, Book Festival, Art Festival and Film Festival.

Edinburgh’s population is expected to double to around one million people throughout August and an enhanced policing resource will be in place to engage with

As part of Operation Summer City, local officers from Edinburgh will be supported by colleagues from neighbouring divisions. National and specialist departments within Police Scotland will also be deployed to provide additional support and assistance.

Throughout Operation Summer City, Edinburgh Division’s social media channels will be used to offer a range of advice and guidance aimed at keeping people safe. The public should follow Police Scotland Edinburgh Division on Facebook and @PSOSEdinburgh on Twitter to view these messages.

Chief Inspector Paul Gillespie from Edinburgh Division said: “Edinburgh during the Festival is one of the most exciting places in the entire world and we want to ensure all of those enjoying the festivities remain safe throughout. 

“Over one million people will be within the Capital throughout August and those visiting the city-centre can expect to see a high-visibility police presence who are happy to speak with the public to address any issues they may have, as well as to respond to any reports of crime arising.

“To enhance our presence and ability to respond to any incidents occurring, we will have our mobile police station set up in Cockburn Street and anyone wishing to speak face-to-face with an officer is welcome to drop-in during the station’s opening hours.

“We want everyone to have an enjoyable, memorable and safe Festival and rest assured, we are doing everything we can to maintain Edinburgh’s status as one of Europe’s safest cities to live, work and visit.”

National roll-out of digital evidence sharing technology

Benefits for victims, police, prosecutors, defence lawyers and courts

A world-leading £33 million Scottish Government initiative for sharing digital evidence from crime scene to court room is being rolled out across Scotland.

Digital Evidence Sharing Capability (DESC) allows police officers, prosecutors, defence lawyers, court staff and judges to access a secure, unified system to collect, store, process and manage evidence digitally.

Benefits include fewer victims and witnesses having to attend court, cases coming to court and concluding quicker, and valuable police time being saved.

During a pilot of the programme in Dundee, around 19,500 pieces of evidence were handled through DESC, with almost 550 hours of police officers’ time freed up.

DESC handles evidence including CCTV footage, photographs, and data and other materials from computers and mobile devices. This will be expanded to include documents and recordings of police interviews.

The system means members of the public and businesses can submit digital evidence – such as material recorded on mobile phones – more easily by email when sent a link by a police officer. DESC also saves on transport costs and cuts CO2 emissions by reducing the need for physical evidence to be collected in person and stored.

DESC’s expansion across Tayside and Forth Valley marks the start of a phased national roll-out that is expected to be completed by autumn 2025.

Justice Secretary Angela Constance said: “This is a world first for Scotland – a truly transformational programme where digital evidence is managed securely from crime scene to court room, benefitting victims, police officers, prosecutors, defence lawyers, court staff and judges.

“During the successful pilot in Dundee, DESC allowed justice system partners to collect, manage and share digital evidence in a streamlined and efficient way, helping to get cases resolved more quickly. It has also freed up a significant amount of time for police officers, creating additional capacity for frontline policing.”

Assistant Chief Constable Tim Mairs said: “The national roll-out of DESC is a significant step forward in modernising the collection, management and secure storage of digital evidence.

“Until now, police officers have relied on transferring digital evidence such as mobile phone images or CCTV onto USB sticks or discs, before delivering them to the Crown Office and Procurator Fiscal Service.

“Through DESC, officers can obtain and share digital evidence securely and efficiently, saving them time and reducing delays. This supports victims and witnesses to achieve faster justice outcomes. The national roll-out will also provide the groundwork for further modernisation of the criminal justice process including supporting the introduction of body worn video for frontline police officers.”

Andrew Laing, Deputy Head of Local Court, the Crown Office and Procurator Fiscal Service, said: “Being able to see CCTV evidence of an assault or shoplifting taking place, or Ring doorbell footage of a person committing an act of domestic abuse as soon as the matter is reported by police has allowed prosecutors to make better and quicker decisions and faster sharing with the defence to enable the early resolution of cases.   

“COPFS and criminal justice partners in Police Scotland, the Scottish Courts and Tribunals Service, the defence community and judiciary will continue to work to transform the justice system and ensure cases move through the system as efficiently as possible, with speedier outcomes and significantly less inconvenience to victims and witnesses.“

Sheriff Principal Gillian Wade KC said: “DESC facilitates easier sharing of digital evidence which can be crucial for determining the strength of a case at an early stage and allowing for more informed decisions about allegations against an accused person.

“This dovetails well with other initiatives currently  being implemented such as the Summary Case Management pilots.  Both have at their core the importance of early disclosure and engagement alongside multi-agency co-operation. This approach leads to fewer unnecessary hearings, fewer witness citations and a reduction in the number of outstanding trials.

“While DESC will initially be utilised for Summary cases only, it is envisaged that its capability will be expanded to include Solemn business at a later stage.”

The Scottish Government will invest £33 million in DESC over 10 years.

Edinburgh pupil wins top prize in national competition

A P7 pupil from Trinity Primary School has won a national award from leading Armed Forces charity Poppyscotland.

Every year, Poppyscotland runs a competition for schools across Scotland, encouraging learners to explore a different theme. The challenge for this academic year was ‘The Path of the Poppy’, to design a leaflet or poster telling the unique story of the history of the Scottish poppy, from the establishment of Lady Haig’s Poppy Factory in 1926 to the development of the new plastic-free poppy.

Trinity’s winner in the Primary School category was Katla Longworth, whose colourful poster design was chosen from more than 140 entries to the competition, winning her school £250 in Amazon vouchers. The competition was judged by representatives from charities Poppyscotland, Legion Scotland and Fares for Free.

Connor McKay, Katla’s class teacher, said: “All the children in Primary 7 were fascinated by the history of the poppy and loved having the opportunity to be creative by producing a visual representation of its path through time.

“Katla was very proud of her finished poster, blending an eye-catching design with informative facts about the poppy’s development over the years and she’s thrilled to have won this competition.”

The winning poster and leaflet designs have now been printed and are available at Lady Haig’s Poppy Factory in Edinburgh, where the new plastic-free Scottish poppy is produced, and where disabled veterans make tens of thousands of Remembrance symbols every year.

For full details of the competition winners and more information about Poppyscotland’s resources for schools, visit www.poppyscotland.org.uk/learning

LINDA GARCIA: A Tribute

Despite leaving North Edinburgh for the bright lights in London when she was only 17, Linda never forgot where she came from and was  very proud of North Edinburgh , its people and the community’s long history of  fighting injustice (writes LYNN McCABE).  

She felt very strongly about inequality and social justice and although she had a  comfortable life  and could have spent her retirement years with her feet up, she chose to  get involved in her old  community and do what she could to try to improve things.

She  was  passionate about education and was a great advocate for   lifelong learning  and  signed up for a variety of  courses which covered some of the topics she was interested in including Scottish history,  politics, the Scots language  and the arts.   Even when she wasn’t attending a   class, she was always researching something and was  keen to share  her learning with others.

She joined the Power to the People group in 2012, a new project developed by local activists who wanted to study  the history of protest in Scotland through the  arts.  It was a perfect fit for Linda with her passion for politics, Scottish history and the arts. 

The class ran for  a number of years and brought together people who were new to activism as well as people who had been involved in community  politics and the trade unions.  

Linda  was really interested in listening to everyone’s views  but  was more than capable of  holding her own  during the  many heated debates that took place each week!

Through the years,  the focus of the class moved from studying the history of  protest to actually taking part in protests!  Members of the  Power to the People group got involved in many local issues   including cuts to local services and the campaign to stop the eviction of local families from their homes.  

Linda was at the heart of these protests helping to design placards and banners  and was actively involved  in a sit-in at the local housing office and  a protest that ended up  taking over   Ruth Davidson’s constituency office.    She also took part in numerous protests  outside the city chambers every year in response to proposals to cut vital local services.   

Having exhausted the subject of the history of protest in Scotland over a 2 year period, Linda and her class mates from the Power to the People group decided it was time to undertake another research project where the focus was closer to home. 

This project  was going to focus on North Edinburgh’s  history  and would cover some of the big industrial, housing and political changes in the area over the last century.  It turned out that  there was too many interesting things which they felt  could not be missed out so the history timeline began  with the Roman encampment in Cramond!

The information the group unearthed was fascinating and highlighted how central North Edinburgh was  to Scotland’s history.   

On the completion of this research, Linda and a few other folk from the group decided their next priority would be to promote  North Edinburgh’s  hidden  history and over a number of years they  developed heritage walks, a history hub down at Madelvic and  led a successful campaign to protect and restore the Granton Castle Walled Garden.   

Linda remained actively involved in all these  projects  even as her health deteriorated  and was instrumental  in helping to preserve the area’s  cultural heritage.

Another passion of Linda’s was arts and culture.  She  felt strongly about the need for the arts to be accessible to everyone.  She was a regular visitor at the city’s art galleries and  kept her eye out for new exhibitions  and cultural events which were heading  to Edinburgh. 

She was quick to share this information with all the  groups and projects she was connected with  which ensured that  local folk from  didn’t miss out.

Linda was very good with her hands and was one of the  stitchers involved in creating the Prestonpans tapestry, The Diaspora Tapestry for the Homecoming and the Great Tapestry of Scotland. 

She almost succeeded in convincing  her friends from North Edinburgh to embark on a new project called the Great Tapestry of North Edinburgh which was going to cover key historical events  and famous people associated with  North  Edinburgh.  Everyone was really excited about the idea of this project, until they realised that they were going to have to be involved in doing the stitching! 

Despite a really positive meeting with Andrew Crummy who had designed the other tapestries, the consensus amongst the group was that it was a good idea but none of them were likely to be alive to see the tapestry completed so sadly that project didn’t come to pass! 

Another  passion  of Linda’s was womens’ rights and so on Wednesday afternoons she would catch up with her pals from the Women’s International Group (WIG) who ran   a programme of informal learning opportunities  for local women. 

The group also  organised numerous events including womens’ health and well-being days, hustings, and public meetings on local issues and made history when they  became the first singing deputation at a full council meeting.   

Being local women, the  Women’s International Group were well aware of all the strong  North Edinburgh women who had came before them  and made a point of  celebrating their achievements and the achievements of inspirational women from  around the world at their annual international womens day events. 

Linda was always  at the heart of these gatherings and did presentations,  took her turn at  chairing the event, read poetry but  was equally happy to do the register or  make the tea and coffee.  

 Linda’s  passion for her community continued through the last few years of her life.  She would regularly email me funding information or links to materials which she thought would be useful. 

Despite her  health issues, she remained interested in what was happening in North Edinburgh and regularly shared words of support and encouragement to the  friends  she had made in the community over the years. 

Linda was most definitely a North Edinburgh ‘wummin’ through and through and will be missed by all who knew her. 

Lynn McCabe

Community Learning and Development Worker

Royston Wardieburn Community Centre