Public servants in Edinburgh can now enjoy free unlimited access to more than 100 National Trust for Scotland places and more, thanks to a new membership package from Boundless – opening the door to £599* in total annual savings.
The new Boundless Plus membership package offers four new benefits for public sector and civil service workers and retirees, including days out at some of the UK’s top historic sites and attractions.
Among these benefits, Boundless Plus members get access to more than 100 National Trust for Scotland locations. This includes complimentary entry for up to two adults and up to six children at museums, gardens, historic houses and more, from the dramatic natural beauty of Glencoe National Nature Reserve in the Highlands to the fairytale Fyvie Castle near Aberdeen.
For those looking to immerse themselves in history, entry is included to sites cared for by the independent charity Historic Royal Palaces, with admission for one additional adult and up to two children per visit. This includes one of the UK’s most popular tourist attractions, the Tower of London – plus Hampton Court Palace, Kensington Palace, Kew Palace and Hillsborough Castle and Gardens near Belfast.
Adventurers will find no shortage of activities either, as Boundless Plus members can join the Ramblers community, with unlimited access to more than 50,000 guided group walks and a wealth of walking routes available to try out, including in Scotland.
Basic breakdown cover worth £33 with Roadside Assist by LV= Britannia Rescue tops off the offer, which includes free roadside assistance and local breakdown recovery.
Darren Milton at Boundless said: “We’re excited to expand our benefits package with a range of new opportunities for our members to enjoy some fantastic free days out in Scotland and across the UK.
“We hope Boundless Plus members will love exploring these top attractions with friends and family, whilst making great savings along the way.”
Ali MacLeod, head of fundraising at National Trust for Scotland, said: “We’re delighted to be working with Boundless and look forward to welcoming their members to experience and enjoy nature, beauty and heritage at National Trust for Scotland places.”
Boundless Plus members can access all the new benefits for an annual fee of £68, which builds upon the club’s impressive roster of deals already available with its £40 membership.
These perks include unlimited complimentary access to Kew Gardens in London, Wakehurst in West Sussex and all nine Wildfowl and Wetlands Trust (WWT) centres across the UK, as well as discounts for days out through Kids Pass, featuring kids-go-free deals and savings at nationwide attractions, such as Edinburgh Zoo and Go Ape forest adventure park.
Members get free access to tastecard including Coffee Club – the UK’s biggest dining club, which provides discounts every day of the week at thousands of restaurants nationwide. Boundless members also save up to 37 per cent on cinema tickets through the Cinema Society, including at Vue, Odeon, Cineworld and Showcase cinemas across the UK.
In addition, the Boundless community can enjoy a range of exclusive events throughout the year – from discounted member days out at some of the UK’s top attractions to online talks and masterclasses, plus a variety of local events organised by Boundless members, including lunches, quizzes, museum visits and more.
Boundless membership is available to all civil service and public sector workers, working or retired, along with relatives of existing members. This includes teachers, civil servants, local-government workers and members of the armed forces, fire service, NHS, police and more.
For more information on Boundless membership and to join, please visit: www.boundless.co.uk/plus.
* The value of Boundless Plus instant benefits is calculated by combining comparable membership deals at RBG Kew, National Trust for Scotland, Kids Pass, tastecard including Coffee Club and the Ramblers, as well as equivalent admission offers at WWT Slimbridge and the Tower of London (HRP). Additionally, it includes annual Roadside Assist by LV= Britannia Rescue. Terms and conditions apply.
Inception Art Show is thrilled to announce the dates for its return to Dalkeith Palace from Friday, May 3rd to Sunday, May 12th, 2024.
The art sales exhibition will feature an exciting programme alongside an impressive collection of sculptors, artists, photographers, and painters exhibiting within the historic cultural venue, Dalkeith Palace.
The 2024 edition of Inception Art Show will showcase a carefully curated collection of over 30 artists, with 10 talented NEW artists joining for the first time.
Building on the success of previous years, the exhibition will open its doors to the public on Friday, May 3rd at 10am, running for 10 consecutive days, including a NEW Family Day.
‘I am delighted to see Inception return to Dakeith Palace again this year’ says Charlotte Rostek who directs the development of the Palace. ‘It has really become our flagship show signalling a whole new chapter in the story of this remarkable building and one we are excited to see unfold over the coming years.’
With a focus on contemporary art and sales, Inception Art Show promises an enriching experience for art enthusiasts.
This year, 35 modern and contemporary artists will ‘take over’ the Palace, offering visitors the opportunity to engage with the artists and their creations over the course of 10 days.
“Working alongside the artists, we hope to create an immersive cultural experience that showcases the art at its best and engages directly with visitors” said Walter Dalkeith, who along with Taisir Gibreel and Charlotte Rostek curate the show each year.
“We are proud to create this platform for visitors to purchase artwork and support the incredible creativity and talent on show”.
In addition to the exhibition, Inception Art Show will feature an exciting programme of events, including Family Day, Palace tours, and an online charity auction in support of our charity partner, My Name’5 Doddie Foundation.
This thrilling addition to the Inception programme, gives visitors the opportunity to bid for works by many of the Inception artists, painters & photographers, all for a worthy cause, in partnership with the charity auction company Impulse Decisions.
Paul Thompson Director of Fundraising and Communications, My Name’5 Doddie Foundation, said: “The support we receive from the public makes an important difference to our ability to invest in vital MND research and we are thrilled that Dalkeith Country Park is supporting us through their Inception Art Show.
“Finding effective treatments for MND is a team effort and we’re sure that this fantastic partnership will be a popular one!”
Moreover, families are invited to enjoy a special NEW Inception Family Day sponsored by Savills, which will include family-friendly workshops and demonstrations on 11th May 2024.
Dalkeith Palace and Country Park is delighted to welcome Anderson Strathern supporting Inception Art Show as the exhibition’s catalogue sponsor and welcomes Savills as the sponsor of the new Family Day on Saturday 11th May 2024.
Entrance tickets to the Inception Art Show cost £3 and are now on sale.
The exhibition is open daily from Friday 3rd May to Sunday 12th May, from 10.00 to 16.00. We also run daily, pre-bookable guided tours of the Palace.
Meet the contestants of Dùbhlain DIY (Instructions Not Included)
Get ready for an electrifying DIY showdown this spring as amateur Scottish duos go head-to-head in a brand new TV challenge series,Dùbhlain DIY (Instructions Not Included).
Airing each Monday at 8.30pm from 6 May, the five-part BBC ALBA original series will follow six pairs – made up of married couples, family members and friends – as they compete for a £2,000 cash prize and the ‘Dùbhlain DIY champions’ title.
Inspiring the nation to ‘do it yourself’ in the name of sustainability, the innovative format will see rookie pairs battle it out in a series of home renovation tasks – with a twist. Without any instructions, demonstrations or even guidelines to follow, the couples will need to bring their differing strengths and creative talents to the competition to see who measures up.
Some may shine while others fall flat as they face a variety of themed challenges, but everything is to play for with one couple being eliminated each week, putting their skills – and relationships – to the test.
Hailing from across Scotland, the Dùbhlain DIY (Instructions Not Included) contestants include:
Isle of Lewis and BBC Radio Nan Gàidheal pals, actor Marisa MacDonald and An Lot crofter Donald “Sweeny” MacSween;
Hebridean siblings, solicitor Isabel Macleod (from Carloway, now based in Stornoway) and Royal National Mòd ‘Traditional’ gold medallist, Tormod Macleod (from Carloway);
Lewis-based spouses, wife and mum-of-four Marie Duke (originally from Skye) and her film editor husband Paul (originally from Newtonmore);
Glasgow-based friends, singer Josie Duncan (from Laxdale) and artist and content creator Choirstaidh Iona McArthur (from Greenock);
Retired twin sisters from the Isle of Lewis, Donna Barden and Mina Nicolson; and
South Uist cousins studying in Glasgow, Alasdair Campbell and Calum MacMillan (raised in Bornais)
From basic flat pack furniture to their own creations made out of recycled materials, their imagination will be allowed to run riot, before being tempered by materials, time constraints and often, their own abilities.
Dùbhlain DIY competitor, Tormod Macleod said: “I do occasionally try my hand at DIY. I have built flatpacks like everyone else and have built a couple of basic raised beds for my garden.
“I do try to fix things when needed as well but I’m certainly not a professional.”
Hoping to learn a few things along the way, his solicitor sister Isabel Macleod added: “I learnt a lot from my dad – he was a fisherman, joiner and builder and could turn his hand to anything.
“I would often spend time helping him make and repair things but wish I’d learnt more! I always attempt to fix things around the house as I don’t like how wasteful society is. Not sure if I’m very good at some tasks but it’s always worth a try!”
Hosted by TV and radio presenter Derek “Pluto” Murray, alongside main judge musician Iain “Spanish” MacKay – a skilled joiner by trade – the Gaelic duo ensure there will be plenty of laughs along the way.
Enlisting the help of an expert guest judge each week, viewers can join in with the excitement and exasperation as the couples vie for the title, with a display of improvisation at its best.
Presenter Derek “Pluto” Murray said: “Get ready for the ultimate test of creativity, ingenuity, and skill with our new DIY competition, pitching challenges with the twist of “instructions not included” – as if flat pack furniture building wasn’t stressful enough!
“Although the competitors lack in instructions, they excel in enthusiasm and craic!”
Judge Iain “Spanish” MacKay added: “It’s a celebration of the country’s DIY culture – whether an amateur enthusiast or someone who has had to pick up a hammer out of necessity, Dùbhlain DIY will give the viewers something they can relate to, even if it’s just seeing the sheer frustration of attempting even the most basic of DIY tasks.
“While offering feel-good escapism, we hope it’ll inspire those at home to get out there and start a new project of their own.”
But which couple can prove to the nation that they have what it takes to be the first ever ‘Dùbhlain DIY champions’ and still remain friends?
A joint project between Demus and Seaglass Productions, Dùbhlain DIY (Instructions Not Included) premieres on BBC ALBA and BBC iPlayeron Monday 6 Mayat 8.30pm (in Gaelic with English subtitles), with weekly episodes available every Monday evening. Watch live or on demand.
The first of its kind, Women in Revolt! is a major survey of feminist art, celebrating the women whose radical ideas and rebellious methods changed the face of British culture.
Come and discover the powerful and often provocative work of over 100 women artists and collectives, forged against the backdrop of seismic social and economic change over two decades.
Tickets are on sale now from the National Galleries of Scotland website.
Curated by Linsey Young, Curator of British Contemporary Art at Tate Britain, in collaboration with the National Galleries of Scotland and The Whitworth, The University of Manchester, Women in Revolt! will take over the entire Modern Two gallery in Edinburgh from 25 May 2024 until 26 January 2025.
Following its debut at Tate Britain in November 2023, the exhibition will bring to Edinburgh a select range of works from the London show, drawing from public and private collections across the country in what will be the only chance to see this landmark exhibition in Scotland.
Women in Revolt! spans two decades of art and activism, charting a range of themes and social issues that influenced and impacted on women artists.
Topics such as the Women’s Liberation Movement, maternal and domestic experiences, Punk and independent music, Greenham Common and the peace movement, the visibility of Black and South Asian women artists, and Section 28 and the AIDS epidemic will be explored in six thematic galleries platforming the creative contributions, ideas and activism of a diverse set of communities living and working in the UK throughout this period.
Women in Revolt! will highlight the ways in which women challenged societal norms through their creativity, both collectively and in isolation, using their lived experiences to create art and fight injustice.
Paintings, drawings, sculptures, textiles, films, photography, and documentation of performances will be shown alongside a range of archival materials, with many artworks on display for the first time since the 1970s.
Work by well-known artists including Sonia Boyce, Helen Chadwick and Linder will be displayed side by side with an array of artists who, despite their long careers, have been left out of the mainstream art historical narratives.
Featuring artists from across the UK, the powerful work and pioneering techniques of Scottish-based women artists will also be showcased. Visitors will encounter works such as Cool Bitch and Hot Dog (1978) by Edinburgh-based artist and weaverElizabeth Radcliffe. Her sculptural three-dimensional tapestry reflectsthe artist’s desire to be a modern woman, defying the passive stereotypes of mother, caregiver, cleaner or sexual object.
Glasgow-born artist Rita McGurn utilised a range of found and domestic materials to create work, using techniques such as crochet, a long-undervalued artistic medium due to its domestic associations. Several of McGurn’s characterful life-sized soft sculptures will go on display at Modern Two.
Maud Sulter
Select works from Scotland’s national collection will also go on display, including Uraniafrom the seriesZabat (1989) by the Scots-Ghanaian artist and writer Maud Sulter.
A significant figure in the Black Arts Movement, Sulter used her practice to challenge white supremacy and reconsider history through a personal lens as a Black woman.
The monumental Warrior Woman V: The Artist (1986), by Glasgow-based Sam Ainsley will be shown in Scotland for the first time in nearly four decades as part of this tour. Standing at over 11 feet tall and brimming with the spirit of protest, Ainsley’s work presents a striking figure, embodying the artist’s expression of feminist concerns, challenging the patriarchy and asserting female power.
GMA 3026
The dramatic evolution of women’s relationships with work, domesticity and motherhood created an extensive source of inspiration for artists throughout this period. Frustrations fuelled by the expectations of domestic labour are palpable in a range of impactful works on display by artists such as Bobby Baker, Alexis Hunter and the See Red Women’s Workshop whose bold poster works challenge sexist stereotypes and directly reflect the demands and concerns of the Women’s Liberation Movement.
The social and political implications of women raising a family also comes into play in works such as The Hackney Flashers’ Who’s Holding the Baby (1978). The installation critiques the lack of government supported childcare and sheds light on the impossible position of being both a mother and a worker in 1970s Britain.
The riotous and expressive era of Punk and Post-Punk movements will be examined through collage, film and photography by artists and musicians including Marianne Elliott-Said (A.K.A Poly Styrene), Caroline Coon, and The Neo Naturists, whose ritualistic performance art of the 1980s used bold body paint to challenge the objectification of the female form.
Gina Birch, a founding member of the experimental Punk band The Raincoats, also presents her 1977 film 3 Minute Scream, where the artist can be heard screaming for the duration of a Super 8 cartridge. The film communicates a powerful statement of defiance, conveying what many young women felt but were not given the opportunity to articulate.
The art of protest and women’s role in activism will form a key element of the show, with a range of banners, posters and journals, as well as documentary photography by Format Photography Agency, Mumtaz Karimjee, and Bhajan Hunjan telling the story of rousing, women-led protests throughout this time.
Women in Revolt! focuses on causes such as the Greenham Common Women’s Peace Camp, established in 1981 to protest the placement of nuclear weapons, and the Section 28 protests, fighting against laws prohibiting the promotion of homosexuality.
Materials exploring the 1984 Miners’ Strike and anti-racism campaigns are also represented, highlighting the central role women have played in activism.
Women in Revolt!will also platform the crucial contribution of Black and South Asian women artists and activists. The exhibition will explore the impact of women involved in movements including the BLK Art Group and the advocacy group and archive Panchayat, as well as their role in the first National Black Art Convention in 1982.
Key works by artists including Sutapa Biswas, Lubaina Himid, Claudette Johnson, Joy Gregory, Pratibha Parmar and Rita Keegan will feature alongside recently conserved works such as Nina Edge’s Snakes and Ladders (1985), an installation made of batik on paper and ceramicsandexhibited as part of Women in Revolt! for the first time in three decades.
The final room brings together work created in the context of the AIDS epidemic and Section 28 in the late 1980s, with a focus on lesbian communities. Discover the powerful work of artists including Jill Posener, Del LaGrace Volcano, Poulomi Desai and Tessa Boffin. Women in Revolt! concludes with works that reflect on the changing economic landscape and women’s place within it by Franki Raffles and Roshini Kempadoo.
Women in Revolt!is a timely and urgent exhibition celebrating the women who paved the way for future generations through their creativity and activism. The power of their work continues to resonate with audiences today.
Anne Lyden, Director-General at the National Galleries of Scotlandsaid: “We are proud to platform the work of women artists who have been under-represented throughout their careers and are grateful to Tate for bringing this important exhibition to the forefront.
“Women in Revolt! also presents a fantastic opportunity to consider the Scottish women artists who have contributed significantly not only to the world of art, but the world around us. We hope visitors to Modern Two will be inspired by the tenacity, creativity and strength of the remarkable women they will encounter throughout this exhibition.”
Linsey Young, Curator of British Contemporary Art at Tate Britainsaid: “Being from Edinburgh, I’m thrilled that Women in Revolt! is touring to the National Galleries of Scotland.
“I’m particularly excited to see it take over Modern Two where the gallery’s unique space will allow it to a develop a new character and encourage different readings of the work.
“It’s a real joy to be able to present works by local artists such as Maud Sulter, Sam Ainsley, Rita McGurn, Erica Rutherford and Elizabeth Radcliffe in the exhibition along with so many of their celebrated peers, demonstrating the importance of Scottish women’s artistic practice in the broader context of feminist art history across the UK.”
The SCONe project, run by optometrists, ophthalmologists, and researchers from the University of Edinburgh, and funded by Sight Scotland, is appealing for participants to take part in a Patient and Public Involvement (PPI) group focused on revolutionising the detection and management of Age-Related Macular Degeneration (AMD).
AMD is the most common vision impairment in the older population and impacts an estimated 60,000 people in Scotland. SCONe research is seeking to find the early signs of AMD, so people can receive support earlier and adjust to living with AMD sooner.
SCONe is inviting anybody with lived experience of AMD, caregivers, friends or family of people with AMD, and regular visitors to optometry practices, to come along to take part in its PPI group.
Participants could help transform how AMD is detected and make a real difference for future generations.
SCONe, the Scottish Collaborative Optometry-Ophthalmology Network e-research, is a new collaborative venture aiming to build a Scotland-wide retinal image resource for innovation in eye research, healthcare, and education.
SCONe is taking two complementary approaches to try and speed up the detection of AMD at an early stage. Firstly, the team is meticulously analysing the SCONe dataset to extract crucial structural information about the retina.
This involves quantifying various parameters, including the total area of drusen, fatty deposits beneath the retina that can sometimes indicate an elevated risk of AMD.
Furthermore, the team is harnessing the power of modern machine learning and artificial intelligence (AI) to develop a groundbreaking predictive model.
Unlike traditional methods that rely on manual measurements, this AI-driven approach uses raw retinal images to assess a patient’s risk of developing AMD. By automating the analysis process, this model promises to streamline screening procedures and facilitate early intervention.
Professor Baljean Dhillon, Professor of Clinical Ophthalmology, Centre for Clinical Brain Sciences, The University of Edinburgh, explains: “The PPI group offers a unique opportunity for participants to contribute directly to the development of new strategies and technologies aimed at combating AMD.
“Our research represents a significant step forward in the fight against AMD. By combining cutting-edge technology with comprehensive data analysis, we aim to transform how we detect and manage this debilitating condition.”
Craig Spalding, Chief Executive of Sight Scotland, and Sight Scotland Veterans, adds: “”As advocates for the visually impaired, we understand the profound impact that AMD can have on individuals and their families.
“By investing in research focused on early detection, we aim to empower healthcare professionals with the tools and knowledge needed to intervene swiftly so hopefully less people have to suffer.”
SCONe’s Patient and Public Involvement group focused on AMD and the impacts of AMD is taking place on 03 May 2024 at Surgeons Hall in Edinburgh.
For more information or to register to join please contact arubio@ed.ac.uk or call 07876647083. Participants in the group will be compensated for their time.
SCONe is funded by Sight Scotland, RS MacDonald Trust and the Royal College of Surgeons Edinburgh.
£11 million grant funding confirmed for public sector bodies
Leisure centres, schools and university campuses will be transformed by a government fund designed to accelerate the decarbonisation of public sector properties, the Scottish Government announced yesterday.
The University of Edinburgh, Fife Council and Edinburgh Napier University are among the first seven projects to share grants for clean heating and energy efficiency improvements totalling £11 million from the £20 million Public Sector Heat Decarbonisation Fund.
The funding, to support the ambition to reach net zero by 2045, is the first time direct grant awards have been made to public sector bodies instead of loans.
A recent Scottish Government consultation on proposals for a Heat in Buildings Bill asked for views on a possible requirement for all buildings owned by a Scottish public authority to move to clean heating systems by the end of 2038. There are currently around 23,000 buildings in public ownership.
Zero Carbon Buildings Minister Patrick Harvie (well, he was until this morning, anyway – Ed.) said: “Heat from our homes and buildings is responsible for around a fifth of Scotland’s overall emissions so there is no route to delivering Net Zero by 2045 without tackling this.
“Not just our homes but our schools, universities, offices, hospitals and libraries also need to improve their energy efficiency and make the move to clean heating.
“We are absolutely committed to addressing Scotland’s reliance on direct emission heating systems that produce greenhouse gas emissions when we use them, which is why we have consulted on ambitious proposals for a Heat in Buildings Bill which we intend to bring forward during the current Parliament.
“We have made clear that we want all public sector buildings to have moved to clean heat by the end of 2038. We expect the public sector to demonstrate leadership in this area and I am therefore very pleased to be able to confirm these first awards from the Fund. Further awards will be confirmed shortly.”
The funding is part of £200 million already committed to the public sector for energy efficiency and renewable heating over the next five years – part of the wider plan to spend £1.8 billion during the current parliamentary session on decarbonising Scotland’s buildings.
The University of Edinburgh will receive £2.08m to support the reduction of heat demand at its King’s Buildings campus, home to the College of Science and Engineering, including through fabric insulation and pipework insulation upgrades.
The project will also take steps towards the decarbonisation of heat supply. A heat recovery pump will recycle waste heat from one of the University’s data centres and upgrade it for use within a local district heating network.
Catherine Martin, Vice Principal Corporate Services, University of Edinburgh said: “The climate crisis is one of the greatest challenges we are facing.
“The University of Edinburgh has a clear commitment to take positive action to address our impact on the climate and ultimately reach our institutional goal of being net zero by 2040.
“We need a coordinated approach to these activities and the funding from the Scottish Government will support our efforts to generate solutions and sustainably adapt the way we operate.”
Grants have been confirmed for the following projects:
Recipient
Grant awarded
Project
University of Edinburgh
£2,079,459
King’s Buildings campus – to support the reduction of heat demand and take steps towards decarbonisation of heat
Fife Council
£2,404,911
St Andrew’s RC High School and Beacon Leisure Centre – installation of a combination of air-to-water heat pumps and water source heat pumps as the primary heat source for both, plus heat demand reductions at St Andrew’s RC High School
Scotland’s Rural College
£387,130
Barony Campus, Dumfries – retrofitting insulation including on the grade II listed Kirkmichael House
Perth & Kinross Council
£324,546
Auchtergaven Primary School, Bankfoot – upgrading the existing heating supply via the installation of two air source heat pumps and the installation of a building management system
North Lanarkshire Council
£2,345,176.00
Strathclyde Park Watersports Centre – whole building retrofit, redesign and extension as part of revelopment into Net Zero Health Hub
Edinburgh Napier University
£1,241,966.00
BE-ST A Lab – Removal of gas-based fossil fuel heating system as part of retrofit including Mechanical ventilation and heat recovery, a sustainable innovative curtain wall system, a solar PV integrated roof system and a sustainable LED ready lighting control system
Dumfries and Galloway Council
£2,500,000
Dumfries Ice Bowl – replacement of the mains gas system with a low emission water source heat pump with heat recapture technology to allow heat generated from the refrigeration system to be recovered, plus energy efficiency measures
After carefully considering views from a broad cross-section of stakeholders, the Scottish Parliament’s Health, Social Care and Sport Committee has agreed to the general principles of the Abortion Services (Safe Access Zones) (Scotland) Bill.
The recommendation comes as part of the Committee’s Stage 1 report. The Committee say the evidence it has gathered has led it to conclude that the creation of safe access zones around abortion services are necessary to protect women’s rights so they can access healthcare services without experiencing harassment and undue influence.
At the same time, the report acknowledges evidence on the potential impact the Bill will have in restricting the human rights of those who engage in anti-abortion activity outside abortion services. The Committee says it recognises the right to protest and private thought are cornerstones of a free democracy, but concludes that the restrictions on human rights imposed by the Bill are proportionate to achieving its aims.
The report highlights a difference in views amongst the Committee on the issue of silent prayer. It says it could be difficult for the police to decide whether a law has been broken by people silently praying and that this issue requires further consideration.
The Committee stress that the Bill’s implementation needs to be subject to ongoing post-legislative review to ensure that these restrictions continue to be proportionate and kept to a necessary minimum, as well as being subject to continuing parliamentary scrutiny. The Committee has made several recommendations to strengthen the Bill to ensure the provisions reflect this and said any future changes to safe access zones should be subject to additional human rights considerations.
The Committee also say it is vital that individual cases are assessed according to their particular circumstances and that how the legislation is enforced will have a critical role to play in ensuring its appropriate implementation.
Speaking on the publication of the report, Clare Haughey MSP, Convener of the Health, Social Care and Sport Committee, said: “Our Committee is united in backing the Abortion Services (Safe Access Zones) (Scotland) Bill.
“We recognise the strong views it has generated and that not all are in favour of its introduction. But ultimately we believe the creation of safe access zones around abortion services is necessary to enforce the principle that everyone should be able to access healthcare free from intimidation or harassment.
“We understand there are competing human rights at play but we have concluded this Bill strikes an appropriate balance.
“We held extensive discussions on the issue of silent prayer and while some Members felt this should be exempt from the provisions in the Bill, other Members felt an exemption would fundamentally undermine its purpose and that silent prayer can be intimidating to those accessing services. This will need further consideration if the Bill proceeds to Stage 2.
“We’d like to thank all who shared their views with us and helped inform our recommendations.”
Some of the other key conclusions in the report include:
The Committee has concluded that, due to the very clear and narrowly defined scope of the current Bill, there is no potential for its provisions to be applied more widely to anything other than abortion services.
The Committee seeks further explanation as to why the default radius of safe access zones has been set at 200m when evidence suggests a radius of 150m would be sufficient for all but one protected premises currently providing abortion services in Scotland.
The Committee say they are satisfied that the penalties in the Bill are appropriate and proportionate to achieving the aims of the Bill.
The Committee has called on the Scottish Government to put in place the necessary funds for Police Scotland to develop and deliver specialist training on the enforcement of offences created by the Bill, and that the financial memorandum be updated to reflect that commitment.
Police are appealing for information following the serious assault of a 70-year-old man, which took place in West Granton Road.
The incident was reported to police on the evening last night (Wednesday, 24 April), having taken place around 4.10pm that afternoon.
The victim exited his black Renault Scenic and was attacked by a member of a group of six men.
Members of the public came to his assistance and he was driven to the Royal Infirmary of Edinburgh for treatment, after which police were contacted.
Detective Sergeant John Dunn said: “We are appealing for anyone who witnessed the incident, or may have been in the area on the afternoon of Wednesday, 24 April, to come forward.
“We are particularly keen to trace the man who drove the victim to the hospital, as he may be able to assist our enquiries. He is described as an Irish man, who went by the name ‘Paul’. If you are this man, or believe you know him, please get in touch.
“You can contact police on 101, quoting incident 3511 of 24 April, 2024. Alternatively, you can call Crimestoppers on 0800 555 111, if you wish to remain anonymous.”
Chancellor tells President Volodymyr Zelenskyy that Britain will stand with Ukraine for “as long as it takes”
Mr Hunt discussed £500 million of new funding and munitions for the country in its fight against Putin’s Russia with the President and counterpart Sergii Marchenko.
Boosts Britain’s military aid for Ukraine to £3 billion this year and by at least as much each year going forward, alongside its commitment to spending 2.5% of GDP on defence spending by 2030.
Chancellor Jeremy Hunt was in the Ukrainian capital Kyiv yesterday to reaffirm Britain’s support for Ukraine for as long as is required to its leaders.
The Chancellor met with President Volodymyr Zelenskyy and Finance Minister Sergii Marchenko to offer his support and hear how Ukraine plans to utilise new equipment due from the UK. During their meeting, President Zelenskyy told Mr Hunt that the “crucial” support was “very important” to Ukraine.
Prime Minister Rishi Sunak announced the £500 million of new military aid for Ukraine this week, alongside the UK’s largest ever donation of critical munitions like missiles and air defences.
It takes Britain’s military support for Ukraine to £3 billion this financial year, on top of the £4.6 billion already committed since Russia’s illegal invasion began. That level of support will be sustained for as long as is required.
Speaking from Kyiv, Chancellor of the Exchequer Jeremy Hunt said: “War in Ukraine has raged on for longer than many feared, but today I saw that the resolve of its people remains absolute.
“The onus is now on its friends to pile the pressure on Putin and help restore peace and prosperity in Europe – we’re determined to play our leading part.
“Ukraine’s security is our security, and the billions in funding and equipment Britain has provided to date is just the start of a longer-term commitment to supporting them in their struggle with Russia for as long as it takes.”
During their meeting, President Zelenskyy of Ukraine told Mr Hunt: “I want to thank you, your team, government, Prime Minister, Parliament and people of the United Kingdom that you are with us – with Ukraine – from the first days of full-scale war. We count on you. We are real partners.“
Whilst on the ground, the Chancellor visited Saint Michael’s Square with Minister Marchenko and laid flowers at the memorial to the soldiers killed in Russia’s war of aggression. He also visited St. Michael’s Golden-Domed Monastery and lit a candle in their memory.
The UK has consistently been a first-mover in its support for Ukraine and the government has this week moved to shore up the support Ukraine needs for the long-haul, with a new assurance to maintain current levels of support for as long as is necessary. This represents the longest-term commitment of any other nation, coming on top of the 100-year alliance forged by the UK-Ukraine Security Pact.
That started with the £500 million of new military funding for Ukraine being unveiled by the Prime Minister on his visit to Warsaw on Tuesday, where he met with NATO Secretary-General Jens Stoltenberg to discuss support for the country. The funding will support the highest priority capabilities, including scaling of UK drone innovation and support so the UK becomes the largest provider of drones to Ukraine.
With the economy turning the corner and inflation near its lowest level in two-and-a-half years, it was also announced that the government will steadily increase defence spending to £87 billion a year at the end of the decade, thereby hitting 2.5% of GDP by 2030. It secures Britain’s place as the largest defence power in Europe and second biggest contributor to NATO by some margin.
If all NATO partners matched that commitment to spend 2.5% of GDP on defence, our collective spending would increase by over £140 billion. Mr Hunt used his visit to Ukraine to urge allies to step up and match that benchmark.
Commitments made this week mean the UK’s total military, humanitarian and economic support for Ukraine now totals over £12 billion since the advent of war in February 2022
The record donation of military equipment to Ukraine being made by the Ministry of Defence includes:
60 boats including offshore raiding craft, rigid raiding craft and dive boats as well as maritime guns.
More than 1,600 strike and air defence missiles, as well as additional Storm Shadow long-range precision-guided missiles.
More than 400 vehicles, including 160 protected mobility ‘Husky’ vehicles, 162 armoured vehicles and 78 all-terrain vehicles.
An exclusive screening of ‘Desi: A Pub Story’ directed by Zaki Solosho will take place Friday 26 April at the Campaign for Real Ale’s (CAMRA) Members’ Weekend, AGM & Conference 2024
Desi: A Pub Story, a new documentary film directed by Zaki Solosho, made for CAMRA’s educational Learn & Discover platform, will make its debut at CAMRA’s Members’ Weekend for a special viewing.
The film is a fascinating guide to British-Indian pubs and a celebration of our modern multi-cultural country. A poignant and human story of pubs becoming the heart of their communities, the documentary tackles the ugly history of racial segregation in British pubs and the story of resistance which led to the rise of the desi pub.
Desi: A Pub Story features interviews with publicans, pubgoers and very special guests including radio DJ and TV presenter Bobby Friction, plus lots of food, history and culture.
Desi: A Pub Story expands upon CAMRA’s award-winning Desi Pubsbook by beer writer David Jesudason.
The screening will start at 7pm this Friday and will be followed by a Q&A with the director himself. This session is free to attend, and the audience can bring a drink down from the Members’ Bar to enjoy during the film.
Register to attend CAMRA’s Members’ Weekend here and book your spot at this exclusive screening here.
Along with the private showing at Members’ Weekend, public premieres in both Birmingham and London will feature later in the year. More news about these events will follow shortly.
Zaki Solosho is an award-winning filmmaker and founder of London-based creative video production company Element Move. You can view his showreel and portfolio here: https://www.zakisolosho.com/
To celebrate 50 years of CAMRA in Scotland, the Campaign group is returning to the beautiful Caird Hall in Dundee for its Members’ Weekend, AGM & Conference 2024 between 26-28 April.
CAMRA’s Members’ Weekend, AGM & Conference is held annually in April and is open to all CAMRA members. Not only is it a chance to discuss motions at Conference, but it also gives members the opportunity to socialise in the onsite bar, attend information sessions and explore the beer scene of the host city.
Alongside the screening of Desi: A Pub Story, there a many more organised trips and fringe events, including presentations and brewery tours.
