Strachan House Care Home in Blackhall was one of four Barchester homes who set their stage by hosting their first of many Edinburgh Fringe Cares events on Saturday.
Following on from the success of our Edinburgh Fringe Cares events last year at Barchester’s Queens Manor and the ongoing community links that were built, Barchester became the founding sponsor of an even bigger event this year and for years to come – The Edinburgh Fringe Festival Care Fest.
Eventually, the long term goal would be for all Edinburgh care homes to be part of this amazing initiative, no matter what company, but in the meantime Barchester got to go first, with 4 of their Edinburgh homes taking part!
It’s hoped this year’s events will shape the foundations for other care providers to follow suit in the coming years.
Strachan House immerse their residents and families into a spectacular performance from their nominated Edinburgh Fringe performer’s Octovoce, who took the audience through a magical journey of cappella style song.
The promotional event was one of four that Barchester Healthcare sponsored to showcase how the Edinburgh Fringe should be made accessible to everyone in care homes.
Strachan House was one of the four homes to demonstrate how successful these events can be and how it can benefit residents wellbeing.
Mandy, Head of Activities, said: “This was a fun event to do. Staff and residents loved getting on board by dressing up in character and our chefs prepared a themed menu of goodies for the special occasion.
“The home was transformed into a colourful castle of colour as our residents were taken on a magical afternoon of music. But the biggest success has been to be part of the four Barchester homes to showcase how every home in Edinburgh can do this.
“Along with Queens Manor, Archview and Drummond Grange, who also hosted their Edinburgh Fringe Cares events, we hope that this is something that will continue for years to come for everyone living in a care home.
“Putting this event together and having the residents on board with all their ideas has been amazing and to support them to bring it all together has been an honour.
“Professor Joe Goldblatt who attended the event and created the idea behind Edinburgh Fringe Cares has been truly inspiring.”
General Manager, Gordon Philp said, “Our residents and staff have been very excited about this event and the team worked so hard behind the scenes to ensure it is was great success.
“We do our best to provide a wide range of activities and entertainment at Strachan House as part of the lifestyle enrichment programme for residents, and this was will certainly be outstanding, and certainly will be remembered for years to come.
“Our aim was to demonstrate to other care providers how this can be achieved and the benefits of delivering it within a care home setting.”
Strachan House care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
Residents and guests at Strachan House care home in Blackhall will be hosting their first of many Edinburgh fringe events on Saturday 26th August at 3pm and are inviting their local community to come along and support what is set to be a magical afternoon.
Following on from the success of a trial of a Fringe Care Festival event last year and the ongoing community links that were built, Barchester Healthcare are now continuing their support by being the founding sponsors of an even bigger event this year and for years to come – The Edinburgh Fringe Festival Care Fest.
Strachan House will be opening their doors to Edinburgh festival performers Octovoce, an accapella group who will be taking everybody on a magical afternoon of well-known music.
As well as this, they are encouraging everyone to come along dressed as their favourite character and enjoy a themed buffet prepared by their wonderful chefs, whilst being immersed in a fairy tale sing along event that would be fit for any prince or princess.
Mandy Head of Activities said “Eventually, the long term goal would be for all Edinburgh care homes to be part of this amazing initiative – no matter what company, but in the meantime Barchester get to go first, with the 4 Edinburgh homes taking part!
“Shaping the event foundations for other care providers to follow suit in the coming years…”
General Manager, Gordon Philp said, “Our residents and guests are very excited about this event and the team are working behind the scenes to ensure it is a great success.
“We do our best to provide a wide range of activities and entertainment at Strachan House as part of the lifestyle enrichment programme for residents, and this was will certainly be outstanding!”
Strachan House care home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals. Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
THE ICONIC PURPLE COW AND ITS MOO-VELLOUS PROGRAMME RETURN FOR THE 23rd YEAR
Underbelly has officially opened the doors to its incredible venues and line-up at the Edinburgh Festival Fringe 2023, set to entertain locals and visiting crowds alike.
Last night, Underbelly’s iconic McEwan Hall got the party started with the official programme launch. Lucky guests sampled a flavour of what’s on offer this year with a spectacular mix of comedy, dance and circus.
The event was hosted by comedian Sooz Kempner and comedy crime podcasters Kathy and Stella opened the show with a number from their hit musical Kathy and Stella Solve A Murder.
Also performing were stand-up comic Emmanuel Sonubi, Untapped Theatre Award winners Dugsi Dayz, family entertainer Mario The Maker Magician, comedy dance act TUTU, circus troupe Sophie’s Surprise 29th, visionary acrobatics from Circa’s Peepshow, US Drag Race winner Monét X Change and world-class circus performers The 7 Fingers.
An eclectic programme of over 150 shows across the four venues offers everything from dazzling circus performers, awe-inspiring cabaret, captivating theatre, vibrant dance, fun-filled family entertainment, and side-splitting comedy – there’s truly something for everyone at Underbelly.
Underbelly’s Co-Directors Charlie Wood and Ed Bartlam said: “What a wonderful night for our opening event! It’s brilliant to be back in Edinburgh for 2023 and we’re so excited to open the doors to another incredible Underbelly programme.”
For those looking for a good deal, 2-for-1 tickets are available now for a range of shows on the 7th and 8th of August. Families can also make the most of a Book 2 Tickets get 1 Free deal on weekday viewings of the family programme (Aug 16 -28th).
Highlights include:
For one night only in McEwan Hall Underbelly’s fifth Big Brain Tumour Benefit will host a massive line-up of Fringe stars in a raucous evening of comedy to help the fight against brain cancer. This year’s performers include Frank Skinner, Ivo Graham, Chloe Petts, Adam Kay, Hal Cruttenden, Lara Ricote and Emmanuel Sonubi, with more acts still to be announced! All box office income goes directly to The Brain Tumour Charity.
At McEwan Hall, join TUTU on a “hugely entertaining and hilarious” (BroadwayBaby) tribute to dance, where comedy and incredible dance skills intertwine seamlessly to delight crowds of all ages. Featuring an all-male cast of six dancers decked out in flamboyant costumes, this show is a humorous celebration of dance in all its glory… Yes, a bare-chested tutu-clad man can perform a stunningly graceful pointe solo!
Taking over McEwan Hall, Havana Street Party is an exhilarating explosion of urban movement direct from Cuba; Sara Pascoe’s Success Story flies in for one night only; Foil Arms and Hog: Hogwash, the Fringe favourites returns with a five-star comedy for an exclusive limited run; Drag Race double crown winner Monét X Change shares anecdotes and opinions on life in the tireless comedy Life Be Lifein’; and You Can’t Stop the Beat the Fringe’s ultimate musical theatre party night out.
In the iconic upside-down purple cow, the Udderbelly, Mario The Maker Magician brings robot magic direct from New York, with a wild and original family show; Choir! Choir! Choir! is a show where the crowd is the star and you’ll be harmonising to well-known classics in no time and a home-grown Drag Race winner joins the line-up in their debut solo tourDanny Beard & Their Band.
At Cowgate, Underbelly’s new, late night comedy experience is BATSU!Currently a hot ticket in New York and Chicago, audiences join comedy warriors testing their wits to avoid electric shocks, paintballs, giant chickens and other jaw-dropping punishments. Bill’s 44th – a poignant puppet tragicomedy for adults, called “Buoyant, mesmerizing, joy-inducing” as the New York Times Critics Pick; and identical twins Patrick and Hugo McPherson return with Pear: But Braver, after the smash-hit success of Pear in 2022.
The winners of the Untapped award, in partnership with New Diorama Theatre, Concord Theatricals and Nouveau Riche; It’s A Motherf**king Pleasure at Bristo Square, a witty satirical delight straight off the back of a smash-hit London run; Dugsi Dayz is a heart-warming tribute to The Breakfast Club, subverting Somali folktales and exploring friendships; and One Way Out, a powerful drama about four friends on the cusp of adulthood, exploring young British Caribbeans’ experiences of the Windrush crisis.
Over in Circus Hub, East London’s The Revel Puck Circus make their Fringe debut with an exhilarating new show The Wing Scuffle Spectacular; Aloft returns with Brave Space after selling out their innovative 2022 season and also presents Sanctuary, a punk-rock cabaret with a revolving line-up of internationally renowned circus artists backed by a live band.
For six dates only, McEwan Hall hosts An Afternoon with Anton Du Beke and Friends. The Strictly Come Dancing legendary judge takes to the stage with a live band, a guest singer and his dancers. Performing some of his favourite songs and dances that have inspired his career, expect behind the scenes stories from Anton’s time on Strictly.
Matt Forde will bring his hugely successful podcast The Political Party to McEwan Hall for one show only on Friday 18th August. Matt will be joined by one of the most charismatic, compelling, and outrageous politicians in Britain – Deputy Labour Leader Angela Rayner as she delves into her political career during this special live podcast.
CIRCUS, CABARET + VARIETY
Underbelly’s Circus Hub celebrates the daring and the different. The 7 Fingers present their world premiere of Duel Reality – circus on a whole new theatrical level – a must for fans of Romeo and Juliet and wondrous acrobatics.
Alongside Sanctuary and The Wing Scuffle Spectacular is Brave Space, a stunning, all-female piece of physical theatre that paints a picture of the world we want to live in and Reclaim which draws the audience close to examine life and imagine a sustainable future. Set in Circus Hub’s Spiegeltent, The Beauty, it features circus and acrobatics interwoven with two cellists and a live opera singer.
In addition to their debut solo tour showDanny Beard & Their Band, join RuPaul’s Drag Race UK winner Danny Beard and their best friend, DJ Billy Andrew for a very special live recording of their hilariously camp podcast Gossip Gays for one night only in Bristo Square. And, for four dates only (4th – 8th Aug), get involved with Drag & Draw, the art class with a difference, featuring lip syncs, audience interaction and drag queens.
Experience the extraordinary as Suhani Shah, the world’s highest-subscribed mentalist, brings her Edinburgh debut Spellbound to Bristo Square. India’s most famous mind reader has captivated global audiences with her charismatic persona, linguistic deception and comedic charm – an unforgettable evening is guaranteed!
MUSIC & MUSICALS
There is exciting music and musical programming, across all four venue hubs. You Can’t Stop The Beat is a party for musical theatre fans, turning McEwan Hall into a sing-along celebration of all your favourite shows; The Magnets, famously the UK’s number one acapella group; catch the sensational five-voice sound machine to relive the magic of the greatest musicians of all time; and one part sermon, one part purge and three parts house party, House Of Life is a travelling musical cult collective with one mission; to get you happy, at any cost.
With a host of 5-star reviews in their wake, the acclaimed Sheep Soup company promise to achieve their goal.
Debut show 2020 The Musical is a joyful new musical, celebrating human resilience in every form, depicting the true, uplifting stories of everyday heroes and turning the events of 2020 into a heart-warming party (and unlike Downing Street, everyone’s invited); God Catcher reimagines the story of a woman turned to a spider as punishment from the Ancient Greek Gods, exploring the legacies of truth and bravery through catchy tunes and heartfelt lyrics; tender musical Fabulett 1933, sees a liberal queer society in Berlin protest as the authorities close off every opportunity for freedom and expressionism; We’ll Have Nun Of It is a masterpiece, blending contemporary pop, soul and funk music into a unique new musical that navigates the angst and joy of Ireland in the sixties; and Tinkisa nostalgic love-letter to our past selves through the eyes of a very familiar fairy.
THEATRE
Joining Bill’s 44th and the Untapped award winners; The Way Way Deep, blends bold storytelling, spoken word and original music, by sell-out playwright Patrick McPherson, previous writing includes The Man and Colossal; in his Fringe debut, star of stage and screen Declan Bennett brings Boy Out The City, telling a raw survival story of a man in his search for identity, throwing us into a turbulent world of toxic masculinity, homophobia and men’s mental health.
The programme also pioneers wonderfully current topics with shows such as; PLEASE LEAVE (A Message), a devised piece set in a karaoke bar on Yucca Mountain, where a group of scientists are experimenting with time travel, in which ClusterFlux can give a fearful yet joyous address of the impending climate crisis; Temporarily Yours, a journey into sexuality and prostitution, a show made from true stories and earnest questions, pondering our body, soul and relationships; and The Brilliance of Broken Glass, a true story about rising from rock bottom, exploring the aftershock of a medical crisis and championing laughter as the ultimate medicine.
Solo show, Pleasure Little Treasure, takes us back to the downfall of the Soviet Union; a story about growing up in the first strip club in Estonia during the tumultuous 1990; My Dad Wears A Dress is a hilarious yet sincere one-woman show about growing up with a trans female parent; Life With Oscar is a tragicomic satire set in the underbelly of Hollywood (no pun intended); and Looking For Giants is a perplexing and seductive tale about self-discovery, from emerging theatre company That What’s Wild.
In Bristo Square, The Gaffer explores how the beautiful game can turn ugly quickly. Football manager Shaun Woods discovers his private life is set to make the back and front pages. For Shaun, the game doesn’t last 90 minutes, it’s a battle with no full-time whistle. Performed by Fringe First Award winner Chris Larner, this new short play written by acclaimed journalist Rob Crossan is not to be missed.
Ringer is Hughie Shepherd-Cross’s fifth Fringe production, a comedy that sees a heartthrob actor’s reputation left in the hands of his feckless double; winner of Dublin Fringe’s Bewley’s Little Gem award, Frigid is a tender coming-of-age comedy about sexuality in early 2000s Dublin, performed alongside a live DJ; extremely silly, and extremely ruthless The Death of Molly Miller is a pitch-black satire on our world of influencers, inequality and addiction; with performers from The Wardrobe Ensemble, International House of Vape:Redefining Theatre Experience goes where no brand has gone before in a new corporate venture; The Four Worst Things I’ve Ever Done is a wild ride of confessions and consequences; and pitch-black comedy BUTCHERED is a dynamic physical theatre piece with a killer soundtrack, this absurd thriller is set in the kitchen where dreams come to die.
COMEDY
Joining Sara Pascoe in the comedy programme; Pear: But Braver sees identical twins Patrick and Hugo McPherson return after the 2022 hit show Pear, a riotous hour of sketch comedy by two brothers heralded as “like Reeves and Mortimer” (The Recs). Joining them in Cowgate is Adam Riches as hereturns to the Cow Café with a site-specific show; Adam Riches is The Guys Who, a fresh take on the guys who you meet everywhere.
Sounds Like… is a unique improvisational panel show, from Doc Brown and quick-witted wordsmith hosts, based around rhyme and rap with special guests from the world of music and comedy. It’s seriously funny, stupidly clever and addictive.
The Retreat is a camp variety number that mimics a corporate event, questioning our toxic workplace methods, brought to you by stars of Parks and Recreation and Glow including UK songstress Kate Nash and featuring a rotation of incredible and iconic comedy names.
The programme features some special limited-run shows throughout August. Mr Thing, favourites at the Fringe, returning for two nights only to celebrate all the best bits from the past five years; Drag Queens vs Zombies, as Haus of Dench’s monstrous hit returns from the dead for two nights only, as drag superstars Kate Butch and Crudi Dench try to save the audience of their cabaret show from a gruesome death in a camp comedy horror; and Werewolf: Live appears for one night only in a charity spectacular.
An all-star line-up of comedians backstab, manipulate and fight for survival in this cult gameshow; with previous guests including Rose Matafeo, Nish Kumar, Ed Gamble, and plenty more, you know it’s going to be a wonderful kind of chaos.
Meanwhile in Bristo Square, Perrier Award winning Will Adamsdale:Show of Just Songswill regale audiences with the ballad(s) of a man adrift in the modern age (though enjoying heated car seats), for tales of CD hoarding, failed citizen’s arrests and a film career playing murdered schoolteachers, medieval lookouts, and Nigel Havers’ son.
For six nights only at McEwan Hall “Broadway’s greatest comic storyteller” (Deadline) Mike Birbiglia brings his show The Old Man & The Pool to the Edinburgh Fringe. Chronicling his coming-of-middle-age story Mike presents his tale of life, death, and a highly chlorinated YMCA pool that will resonates with audiences ages 12 to 112.
Kelly McCaughan’s show exposes the impossible standards of the confines of religion in Catholic Guilt; performed by US comedian Lane Kewderis and directed by Matt Gehrin; Sex Job is an empowering show about the good, bad and often hilarious ups and downs of being a sex worker, following the inside life of a financial dominatrix; Holly Spillar’sHole is a muff-busting comedy about sex, pain and the brain, showcasing one woman’s determination in the face of a tough diagnosis.
For one night only on 24th August, Bristo Square welcomes the Straight Comedian of the Year ‘Grand Final’ where crowds will bear witness to the epic conclusion of ex-gay comedian Simon David‘s search to find the UK’s funniest heterosexual.
The biggest breeders of the Fringe will battle it out for the title and a Fiat 500. Following a sell-out run in 2022, 4 x Fringe Awards winning clown comic Garry Starr returns for five dates only (23rd-27th) with Greece Lightning. Starr will perform all of Greek Mythology – never before has Medusa been looser, Achilles more sillies, or Uranus so heinous – an anarchic masterclass not to be mythed!
Healing King Herod is a wild, interactive, drag-clown therapy session featuring improvised songs, political parody and cult-like rituals where Herod, famed for massacring innocents, now leads a self-development pyramid scheme, and; Jeromaia Detto: MUSH, nominated for Best Comedy at Sydney Fringe, is a whimsical and absurd clown show, with five stars all round; Max Norman invites you to cross the seven seas with him on a night of nautical nonsense, with piratical puns, 90’s nostalgia and the ultimate audience prize in A Pirate’s Life For Me; and award-winning MANBO is a dead-sexy action-hero mission filled with chaos.
For the theatrical comedy fans out there, Rosalie Minnitt presents Clementine, a debut character comedy-drama involving a hilariously unhinged quest to find love set roughly ‘in the past’; in Dead Dad Show Simon David tackles the ‘dead dad’ cliché, in a show, directed by Fringe First winner Chris Larner, with dangerously high levels of heart; struggling to make sense of a breakup, Sophie hires a life coachin Sophie Santos… Is Codependant and 2022 Best Comedy winner from Hollywood Fringe, A Terrible Show For Terrible People is a raunchy, absurdist physical comedy with 2 spoken words “for perverts, feminists and your mom (not mutually exclusive).”
AAA Stand up and AAA Stand Up Late, return with brand-new line-ups of comedians, including Ross McGrane, Ridwan Hussain, Josh Elton and Sachin Kumarendran, having sold out Edinburgh from 2005-2022, it’s filled with clever wordplay, whimsical observations, and mischievous twists.
For those who are intrigued by games of social deduction, Blood on the Clocktower: Liveis a night of gothic chaos and carnage, featuring a revolving cast of comedians.
More stand-up includes Charlotte Fox encountering a series of crooked and macabre characters in her dark and manic comedy; Ouroboros The Return. Robo Bingo by Foxdog Studios, an interactive show for people who don’t want to talk to anyone; Alice Cockayne is unhinged and outrageously funny in the clowning drama I Showered Before I Came; Chris Turner shares stories of touring with Cirque Du Soleil and his newborn child in Vegas, Baby!; Sara Schaefer teaches how to unlock potential in this perfect mockery of a seminar, Going Up; Maggie Crane’s darkly funny Side by Side, an autobiographical story about family and disability. Internet sensation Josh Baulf with new show Bulldog; Paddy McDonnell in Paddy McDonnell Live, a show full of tales of everyday life; Dan Rath, discussing the ups and downs of neurodivergence in All Quiet Carriage Along The Inner Western Line;Ed Gaughan brings his first solo show in 18 years,Words and Music, with stories, clowning around and plenty of surprises; and award-winning comedian Leif Oleson-Cormack, who pushes confessional stand-up to its limits in The Disney Delusion.
The tents are up, the sun is out and we are now counting down the days until we bring you our 2023 festival!
We open the gates to our site in the Lodge Grounds at 10am on Friday and we can’t wait to welcome you inside.
Fringe by the Sea is for everyone: big people, little people, four-legged friends so, whether you’re coming to see a show or not, you can still soak up the festival atmosphere at the North Berwick Trust Festival Hub with free live music and performances from the Lighthouse Live Stage, have a wander round the stalls at the Coulters Makers’ Market, grab a bite to eat at our Street Food Village or Pincho tapas bar, or a drink from our new container bars.
All the big headline shows have now sold out but with more than 225 events in the programme, there is a lot more to uncover whether you’re looking for family fun, musical gems or inspiring talks.
Edinburgh: Rose Theatre pop-up music venue set to be city’s hottest ticket
A pop up live music venue that will offer the sort of freewheeling feel of the original Fringe and features many of Scotland’s most talented performers, is set to open its doors in early August on Rose Street. Tickets are now on sale.
Over 25 days the venue will host 50 jazz, folk and other concerts featuring many of Scotland’s most talented performers. Some of those already confirmed are Fergus McCreadie, Aidan O’Rourke, Su-a Lee, Shooglenifty, Roddy Woomble, Mr McFall’s Chamber and Georgia Cécile.
Located at the west end of Rose Street (Charlotte Square end) and open from 4pm to midnight 7 days a week, The Rose Theatre (Venue 76) will feature two ticketed performances a day in the Cabaret Bar and main theatre alongside spontaneous, pop-up performances in the child and dog friendly Café Bar area, curated by Soundhouse.
Ticket prices are set at £15.00 and are available from the Fringe Society from Wednesday 26 July.
Joining forces to run the month-long pop up live music venue at The Rose Theatre, are two independent organisations – the Soundhouse live music charity and Edinburgh-based, Bellfield Brewery.
Douglas Robertson from Soundhouse said “We’ll present a showcase of the best of Scottish music at this year’s Fringe: we believe our series will be the best that the Fringe has seen in living memory.
“Events at the Rose Theatre will provide the excitement, spontaneity and creativity that has long been replaced by the crass commercialism of the London-owned mega-venues around Edinburgh University. Great music, great beer, great venue! What’s not to like?”
Speaking about the venture, Bellfield’s Alistair Brown said, “Together we will offer some of the Fringe Festival’s most exciting acts alongside award winning, locally-brewed craft beers.
“Locals and visitors will receive the same friendly welcome from our team that they get in our Abbeyhill Taproom (voted the best Taproom in Scotland 2022).”
The Soundhouse Organisation draws on the success of Edinburgh Tradfest whose popularity grows year on year. Bellfield Brewery’s previous festival experience includes a collaboration with Pianodrome at the Old Royal High School in 2022 and the Hidden Door Festival earlier in 2023.
The partners hope to repeat their Festival successes this year at The Rose Theatre where they have secured a month-long lease, prior to the building being redeveloped.
Programme
A couple of dates/performers are still to be confirmed. The line up at present is:
4th @ 9.30pm Don Paterson and Graeme Stephen
6th @ 7pm Karen Marshalsay
7th @ 7pm Roo and Neil
8th @ 7pm Juliet Lemoine
8th @ 9.30 Nimbus Sextet
9th @ 7pm Adam Holmes
9th @ 9.30pm The Penalty – Live score – Graeme Stephen and Pete Harvey
10th @ 7pm The Firelight Trio
10th @9.30pm ballboy
11th @ 7pm Ross and Ali (with Jenn Butterworth)
11th @ 9.30pm “Motian & Me” – Tom Bancroft, Phil Bancroft & Norman Wilmore
12th @ 7pm Inge Thomson and Fraser Fifield
12th @ 9.30pm Helena Kay Trio
13th @ 7pm Brian Kellock
13th @ 9.30pm Nosferatu – Live score – Graeme Stephen and Aidan O’Rourke
14th @ 7pm Dancing Mice
14th @ 9.30pm Phil Bancroft’s Standards Trio
15th @ 7pm Viper Swing
15th @ 9.30pm Trio Mágico
16th @ 7pm Simon Bradley Trio
16th @ 9pm Matt Carmichael & Fergus McCreadie
17th @ 7pm Aidan O’Rourke & Brighde Chaimbeul
17th @ 9.30 ‘Motian and Me’ – Tom Bancroft Phil Bancroft and Adam Jackson
18th @ 7pm Chris Stout & Catriona Mackay
18th @ 9.30 Fat Suit
19th @ 7pm Jarlath Henderson and Innes Watson
19th @ 9.30pm Shooglenifty
20th @ 7pm Su-a Lee & Friends (D Chisholm, H Napier, D Shaw)
20th @ 9.30pm Shooglenifty
21st @ 7pm Tallulah Rose
21st @ 9.30pm Ciaran Ryan Band
22nd @ 7pm Konrad Wisniewski and Haftor Medboe
22nd @ 9.30 Georgia Cécile with Fraser Urquhart
23rd @ 7pm Georgia Cécile with Fraser Urquhart
23rd @ 9.30pm AKU!
24th @ 7pm The Brothers Gillespie
24th @ 9.30pm Matt Carmichael Quintet
25th @ 7pm Niki King
25th @ 9.30pm Roddy Woomble
26th @ 7pm Gnawa Trance Fusion
27th @ 7pm Mairearad Green and Mike Vass
27th @ 9.30pm Tommy Smith & Peter Johnstone
28th @ 7pm Mr McFall’s Chamber
28th @ 9.30pm Greg Lawson, Mario Caribé & Phil Alexander
Project fosters creativity alongside leaving legacy for Primary Seven pupils
A project involving pupils from Echline Primary School and students and staff from Edinburgh Napier University has hit the right note with the creation of a new school song.
Echline Feels Like Home has been written, performed and recorded by primary seven pupils at the school, supported by staff and students from Edinburgh Napier’s music department.
The song – which is now available on Spotify – was devised over a number of writing sessions within the primary school before being recorded by around 50 pupils in June at a studio within the University’s Merchiston-based School of Arts and Creative Industries.
The project – which was the brainchild of Edinburgh Napier music academic Dr Zack Moir and his brother Jude Moir, headteacher at Echline Primary School – saw the pupils work with Edinburgh Napier music education students and embrace their creativity to write and produce the song which will now be left as a legacy gift to the school to be sung for years to come.
The song itself features lines such as ‘We are friends ‘til the very end, and we’re always there to show we really care’ as the primary seven pupils were encouraged to reminisce on their time at the school and sing about some of their favourite experiences from throughout the last seven years.
The project gave Edinburgh Napier music education students a valuable opportunity of working in a school setting and teaching pupils about writing songs and producing music.
The backing track to the song was recorded and performed by a number of Edinburgh Napier music students as they too gained valuable performing, working with young people, and collaborative project experience.
Dr Zack Moir, Associate Professor of Music at Edinburgh Napier University, said: “It was great to be able to create an opportunity for our music education students to get into a school and work with these excellent young people.
“It was beautiful for me and my colleague Bryden Stillie to get to see our students running workshops, leading writing sessions, and just getting the pupils to feel excited about music and helping them to really believe that they are capable of writing songs and singing!”
Jude Moir, Headteacher at Echline Primary School, said: “The project was fantastic from start to finish. It allowed us to think deeply about our values as a school, and what aspirations we had for the future.
“Working alongside the University students gave the project authenticity and made the creative process very real and exciting. This is something the children will remember forever, and the fact we can listen on Spotify was the icing on the cake.”
The full track is now available to stream at numerous places online including Spotify.
How you can throw your own for just £3 per person!
With Reading and Leeds festival announcing the world’s largest silent disco, digital headphones magazine headphonesty.com has revealed why they are rising in popularity and how you can throw your own at home for just £3 per person.
In the previous ten years, silent discos have established themselves as a beloved staple of the Reading and Leeds Festival. As a result of this when Festival Republic cancelled the event in 2016, supporters started an online petition to bring it back to the line-up.
This year It has been announced that the Reading & Leeds Festivals will host the world’s biggest ever silent-disco, in the world’s first simulcast main stage set across both sites. The festival has stated that headliners of the silent disco; multi-platinum drum and bass duo Sigma, will be playing to around 60,000 people in total.
But why are people making so much noise for the silent disco?
Originally in the early 1990s eco-activists utilised headphones at outdoor events to minimise noise pollution and disturbance to wildlife. However, there was still only one channel for music to be played on. Since then, silent discos have adapted to be able to have 2 or 3 or even more channels, which means every single person in attendance can listen to something that they enjoy.
The use of headphones creates an immersive experience tailored to the individual, being able to adjust the volume, change to the listener’s preferred genres, and being able to stand anywhere in the arena and not compromise on sound quality. All of this is achieved while also creating safer spaces for people who may struggle with the usual sounds and sensations of traditional festival sets.
It also fosters a more interactive environment in which people can communicate with other people without having to shout over the music or go to quieter parts of the venue. This is great for meeting new people or talking to your friends or family you are there with.
The other benefit of these events is that it allows music festivals to go on longer by continuing past noise curfews, which for many festival-goers who want to party on through the night is what makes these such great events.
How to throw your own silent disco!
Silent discos utilise headphones that are wireless, this enables individuals to listen to music without the need for a traditional sound system or speakers. These are expensive to buy and rent, can only play 1 track at a time and sound quality varies depending on where you are in the venue. Also depending on where you are throwing this party you may not want to be known as the noisy neighbours.
The silent disco mitigates these issues while creating a fun and versatile party atmosphere. Once you have your venue sorted, whether that’s your home or local club, pub, hall etc… you can focus on the music.
After reviewing multiple companies for headphone hire the standard pricing for 25 headphones was around £135 which works out at £5.40 per person, or for larger parties 50 headphones was £165 which averages out at £3.30 per person.
Once you have the headphones you can set 3 channels to various different playlists and genres so that your guests can enjoy their favourite music all night long!
As with all events its always worth considering getting additional lighting and visuals such as strobes and lasers to elevate the auditory experience and create a vibrant and energetic atmosphere for guests.
A spokesperson from headphonesty.com commented: “Silent discos offer many advantages for both organisers and the audience. Everybody can discover something they like because of the capacity to offer personalised music experiences through a variety of channels that appeal to different interests.
The smooth transition between talking and partying fosters a lively and friendly environment and the headphones’ immersive qualities increase interaction and compel visitors to fully appreciate the music and atmosphere.
Furthermore, the ability to set individual volumes ensures that each guest may enjoy the party at their desired volume level. You can create a genuinely distinctive and unforgettable party experience that will be talked about long after the night comes to an end”
Edinburgh’s globally renowned festivals are gearing up for another spectacular year, with Friday’s launch of the 2023 Edinburgh Jazz & Blues Festival.
Last night Council Leader Cammy Day, Culture Minister Christina McKelvie and Jason Rust, Chair of Edinburgh Jazz & Blues Festival, launched the Festival alongside performances from Baila Venezuela and Marianne McGregor.
Taking place over ten days from 14-23 July the festival will include over 110 concerts featuring: top Scottish bands, international stars, and festival favourites alongside new names.
Tickets are on sale and can be purchased by calling 0131 226 0013 or through the festival website.
Council Leader Cammy Day said: “I was delighted to attend yesterday’s launch as both Council Leader and as the newest Board Member of the Edinburgh Jazz & Blues Festival.
“I am proud that our residents and visitors are able to take advantage of such an internationally eclectic and exciting festival.
“The Council is a proud supporter and funder of the EJBF and this year, I am pleased to see events held in every area of the city – from established music venues to churches and community centres – and spanning the length of our new tram route from the Pianodrome in Ocean Terminal to performances at Edinburgh Airport.
“I’d also like to thank the EJBF Board, the artists and everyone else who has contributed to the festival”.
Jason Rust, Chair of Edinburgh Jazz & Blues Festival said: “We are absolutely delighted to launch our 45th Festival.
“There is something for everyone in our ten-day programme and in communities across the city. We are really grateful to our funders, including the Council. Let’s make this a Festival to remember.”
QUARTER OF MUSIC AND THEATRE VENUES CONCERNED ABOUT CLOSURE
A quarter of music venues (27%) are concerned they may need to close down[1], as more than a third (35%) of business expenses go towards energy bills[2]
Many are running at half capacity (50%)[3], and have resorted to production cost cutting (17%)[4] and raising ticket prices by up to 25%[5]
Two in five (39%) have also found that customers are purchasing less expensive seats and buying fewer refreshments[6]
Three in five (60%) music venues say that energy bills are their top concern for the next year, above inflation rates and staff costs[7]
Uswitch for Business energy expert, Jack Arthur advises businesses to check the contract they are on and to review energy usage across all organisational levels.
Energy bills are taking the centre stage of concern for live performance venues, as energy bills make up more than a third of overall business costs, according to Uswitch for Business, the business energy comparison and switching service.
Performance venues are widely recognised as energy-intensive spaces, and the new research of UK music venues, concert halls and theatres shows over a quarter (27%) are concerned about potential closure due to rising costs.[1]
Air conditioning, heating, as well as extensive sound and lighting systems required to create immersive experiences for audiences are all adding towards total energy expenditure costs, with venues needing between 6 -1,000 kw to power low level concerts to major artist events[8].
Venues of all sizes report running at half capacity (50%) on average[3]. More than one in four (26%) sold fewer tickets this year, compared to last year. [9]
Consumers attending live performances are also more inclined to choose less expensive seats (39%) or buy fewer refreshments (39%)[6].
The show must go on: responding to the high energy costs
One in six (15%) venues report having to increase ticket prices[4], at an average of 25% per ticket to cover increased expenditure[5]. In addition, more than a quarter (27%) have also increased the prices of refreshments.[4]
Venues are also looking at new ways to reduce their energy output to directly tackle the problem. Training staff in energy efficiency measures (45%), switching to more energy efficient or LED lighting for both onstage and offstage (41%), and turning off, down or restricting air conditioning and heating (36%) are just some of the tactics. [4]
Nearly one in five (19%) are also choosing to only open their doors during peak times of the week, and 17% are using less energy intensive movable staging and production measures.[4]
But as energy prices continue to oscillate at high levels, three in five (60%) businesses are citing bills as their top concern for the next year, followed by inflation rates (41%) and staff costs (30%).[7]
Venues say they may have to make considerable changes if business costs were to increase further, especially as more than one in three (34%) state their business margins are now lower than before the cost of living crisis.[6]
Two in five (40%) fear they may have to make staff redundant to reduce costs, and one in three (35%) worry they may not be able to pay their energy bills on time.[1] Overall, 32% feel anxious about the future of the industry.[10]
Jack Arthur, energy expert at Uswitch for Business comments: “Live performances are central not only to the UK’s culture and entertainment sector, but also to the UK economy.
“While the sector has seen some recovery since the pandemic’s impact, the cost of energy has added new additional challenges.
“With higher utility costs taking the stage, venues need to be meticulous about how energy usage is being considered at all levels of their organisation – from the stage floor to sound production.
“Investing in more energy efficient appliances where possible may help to bring costs down, and prevent the final curtain for many.
“Music venues should also make sure they’re aware of their energy contract terms and end date, so they can shop around for the best rates at the time of renewal. Getting expert advice where needed and speaking to someone could help many businesses make significant savings.”
Elspeth McBain, Chief Executive of Lighthouse Poole Centre for Arts says: “Energy costs have been a major challenge to our venue, and indeed all venues in the last year, just as we were beginning to recover and get back on our feet following the devastating effect of the pandemic on culture and hospitality.
“In 2023 our electricity bill alone will increase by 200% and we are doing everything we can to meet this cost. However, this is on top of the significant increase in the cost of living which has increased our costs in all areas of the business and has also meant our audiences have less leisure spend available, restricting the number of times they can attend cultural events.
“Together, these factors have made it a testing time for organisations like ours and theatregoers alike. I am desperate for energy and living costs to come down so that we can keep bringing top class artists and productions to Poole, support local talent development, provide opportunities for cultural participation, and ensure that culture within our region continues to play a vital part in our community.”
Mark Davyd, CEO & Founder of the Music Venue Trust says: “We have seen an incredible explosion in energy prices right across the grassroots music venue sector in the last 12 months.
“The current situation is really on a knife edge, with venues essentially clinging on to the end of existing fixed term contracts and any new tariff effectively immediately creating a venue under threat of permanent closure.
“We desperately need some action from Ofcom and the Government to make the energy market work for music.”
The issue will be debated at the ‘Festival of Politics,’ which will be held in Edinburgh between Wednesday 9-11 August.
The panel, being held on the evening of the 11th, is entitled ‘Scotland’s Music Venues’ will examine why, despite Scotland’s worldwide reputation as a music nation, Grassroots Music Venues are under extraordinary financial pressures with many facing closure, and how politicians can step-up and help create security for these spaces.
Chaired by Michelle Thomson MSP, Convener, cross-party group on music, the panellists will include Scottish singer-songwriter Hamish Hawk, MVT COO Beverley Whitrick and major event professional Jim Frayling.
Unless otherwise stated, all figures taken from omnibus research carried out by onepoll on behalf of Uswitch for Business.
This was an online poll of 100 entertainment venue decision makers in the UK. The research was conducted between 6th and 9th June, 2023.
Respondents were asked ‘If costs of the business you work at were to increase to higher levels, which of the following do you believe could happen to the business?’, 40% said ‘it may have to make staff redundant’, 35% said ‘it might be unable to pay energy bills on time’, and 27% said ‘it may have to close down’.
Respondents were asked ‘Please estimate the proportion of your total business expenses that can be attributed to energy bills?’, the average response was 35.2%.
Respondents were asked ‘At what capacity (i.e., number of tickets sold) is the business you work at currently operating at for shows/performances?’, the average response was 50.4%.
Respondents were asked ‘What actions is your business taking to deal with high energy costs?’, 45% said ‘training all staff in energy efficiency measures’, 41% said ‘switching to more energy efficient / LED lighting (onstage or around the venue), 36% said ‘turning off, down or restricting air-conditioning or heating’, 27% said ‘increasing prices of refreshments at venue bars’, 19% said ‘opening the venue only during peak times of the week, 17% said ‘using less moving staging and production during shows, and 15% said ‘increasing prices of tickets’.
Respondents were asked ‘By what percentage have you had to raise overall prices?’, the average response was 25.1%.
Respondents were asked ‘What effects has the cost of living / rising energy prices had on your business?’, 39% said ‘customers are buying less refreshments’, 39% said ‘customers are choosing less expensive seats when buying tickets, 34% said ‘our business margins are smaller than previously’, 19% said ‘less of a demand for on the day tickets’.
Respondents were asked ‘What are your biggest concerns for your business in the next year?’, 60% said ‘energy bills’, 41% said ‘inflation rates’, 30% said ‘staff costs’, 27% said ‘customers reducing non-essential spending’.
Respondents were asked ‘Does your business currently have as many tickets sold compared to this time last year?’, 26% said ‘it has less tickets sold than this time last year’.
Respondents were asked ‘Which of the following statements do you agree with’, 36% said ‘my business was just starting to recover from the impact of the pandemic, and now energy costs are providing an even worse challenge’, 35% said ‘I am hopeful that the price of energy will drop in the next 3-6 months’, and 32% said ‘I feel anxious about the future of the industry’.
