Twenty-four Scotland based Hip Hop artists working in music, visual arts, dance, drama, literature, and screen have received bursaries totalling more than £31,000 thanks to a growing nationwide programme of support designed to strengthen and sustain Scotland’s thriving Hip Hop community.
From Turriff to Dumfries, Angus to Aberdeen, the bursaries are backing DJ workshops, the development of new EPs, singles, albums and music videos; dedicated writing, producing, audio engineering and dance training, the creation of new Hip Hop web series’, provision of DJ equipment and the roll out of new events.
Artist, producer, lyricist Queen of Harps (Anise Pearson – pictured above) is in development on a new EP and music video; Angus’ NoQuestion (Connor Metcalfe) is working on an instrumental beats album offering open-source material for future collaborations; and Tristyn Jay Trustler’s forthcoming album – created in memory of their mother, will form the basis for a new theatre production.
Edinburgh’s Werd (Andrew Devine), who’s using his bursary to develop a new album in collaboration with local producers, said “Sunny Govan’s always been a cornerstone in showcasing and supporting Hip Hop in Scotland.
This funding will allow anyone to progress doing what they love while easing financial concerns. I’m proud to be included and given the chance to push myself and others I work with and I encourage all independent acts to learn about these great opportunities on offer.”
Steg G of Sunny Govan Radiosaid: “These bursaries are an important step towards improving access to arts funding and support for new and existing Hip Hop adjacent artists to develop their skills and talents.
“Hip Hop’s energy, artistry and community spirit is alive and thriving in Scotland. It’s a culture, a movement, and a way of life. The ambition, the appetite is palpable and now we’re working together with partners to put the infrastructure and opportunities in place that will help sustain and grow Scotland’s vibrant and diverse scene.”
121 mentoring with legendary Hip Hop Artist Steg G, Talent Manager and Creative Producer Mobo Agoro or DJ and Producer K4CIE also features this year, alongside availability of additional access costs.
Jenny Tipton, Place, Partnerships & Communities Officer at Creative Scotland said: “Now in its second year, we’re excited to be able to provide refreshed opportunities for Scotland’s growing Hip Hop community and pleased to be able to offer increased provision, additional mentoring opportunities and further access support for each bursary.
“In a time of increased uncertainty for the creative sector, small bursary programmes like these are more important than ever to support artists to develop their careers and provide sustained opportunity across the multi art form genre that is Scottish Hip Hop. It’s with thanks to The National Lottery that we’re able to continue to support this programme.”
Artist
Project Summary
Location
Amount £
Karin Bezchlebova
DJ workshops for women in hip hop, supporting guest women DJs to deliver sessions.
Glasgow
£1,500
Gracia Brill
6 track EP for CrayTwinz that also documents the creative process via video so that it can be shared with other artists as a resource.
Dunbar
£1,000
Steven Buckby
Hip Hop writing and producing workshops for women over 21 in Polmont Prison.
Fife
£1,478
AJ Crawford
Two new singles with accompanying music videos.
Glasgow
£1,500
Sean Cosgrove
Web series showcasing young Scottish MCs in a cypher format with artist as DJ.
Glasgow
£1,000
Ibrahim Dikko
Collaborating with local videographer to develop music video for new music release.
Glasgow
£1,035
Andrew Divine
New album for Werd (SOS) working with local producers.
Edinburgh
£1,500
Yas Farzan
Filmed DJ sets showcasing 4 under-represented Hip Hop artists in Scotland.
Glasgow
£1,050
Rowena Gatenby
Equipment to support artists development in DJing, and MCing.
Aberdeen
£1,500
Lewis Linich
Audio engineering workshops for early career audio engineers and producers.
Glasgow
£1,500
Connor Metcalfe
16 track instrumental project by NoQuestion creating an open source beats material for future collaboration.
Angus
£879
John Lee Miller
5 track EP that highlights theme of mental health.
Glasgow
£1,000
Andre Muvuti
7 tracks with 7 Scottish producers focusing on spoken word pieces to be developed into music.
Glasgow
£1,500
Ian Nijdam
Producing a collaborative Hip Hop EP with artists based across Scotland.
Glasgow
£1,250
Anise Pearson
Develop new EP and music video for Queen of Harps.
Edinburgh
£1,000
Harry Raitt
3 track release, with recording, mixing, artwork and visuals collaborating with Scottish based creatives.
Turriff
£1,500
Jordan Robertson
Collection of music videos to support development of work.
Glasgow
£1,000
Alexander Romance
Live music event supporting under-represented artists in Hip Hop.
Dumfries and Galloway
£1,150
Joe Rosenthal
Music video for band AROMA collaborating with rapper Skittles.
Glasgow
£1,500
Nadia Sewnauth
Midgierakers Unite Dance workshops in collaboration with Shelltoe Mel, offering sessions for women and young people to learn different Hip Hop Dance styles.
Dumbarton
£1,500
Sarah-Jayne Simpson
2 tracks exploring contemporary life in the North East of Scotland.
Aberdeen
£1,262
Faris El Sheikh
Working with producer Stu Brown and filmmaker Meray Dinar and contemporary dancer to develop a new song, music video and dance piece.
Glasgow
£1,500
TJ Trusler
Album created in their mother’s memory, that will form the basis for a theatrical production.
Edinburgh
£1,500
David Wark
Collaborating with Big City Brains in Copenhagen, two dance artists from the popping scene in Glasgow will travel to Copenhagen to meet this dance collective and develop a sustainable model of artist development for dancers.
Words most associated with EDINBURGH are history, architecture & theatre/arts
New research has revealed that Edinburgh is labelled as historical by people across the UK. The survey by Legal & General asked respondents to select the words they most associate with various UK cities, including their own.
The survey found that the top words associated with Edinburgh are historical (53%), architecture (42%), and theatre/arts (40%).
Other key findings include:
Respondents living in Edinburgh chose historical (71%), theatre/arts (65%), and architecture (62%) as the top words associated with their city
The words least associated with Edinburgh are industrial (10%), rugby (11%), and football (14%)
Edinburgh was the second most prosperous (23%) and innovative (16%) city, behind London only
Edinburgh is the UK city most associated with architecture, chosen by 42% of respondents
Legal & General also investigated the various satisfaction levels of people living in the UK in their Rebuilding Britain Index report.
The study finds that 69% of Brits are satisfied with their local area – this was 68% among those in Scotland. However, there are many factors such as healthcare (62%) and public green spaces (50%) that significantly affect levels of contentment.
People in the south-west of England have the highest levels of satisfaction with their local area (76% of survey respondents).
In contrast, just 62% of those polled in the north-east say they are satisfied with their area – the lowest of any region.
“Expensive” is the word Brits most associate with London (68% of respondents).
“Historical” is how Brits are most likely to describe Edinburgh (53%), while Sheffield is viewed as “industrial” (43%), and the word most associated with Newcastle is “football” (44%).
Overall, 69% of the UK are satisfied with the place where they live.
Access to high quality health services (GP, dentists, pharmacy) is the factor that most determines satisfaction with an area – 62% selected this option.
Satisfaction runs deep
There is no shortage of local pride in Britain’s regions, but the sunny south-west, including Bristol, Bath and the towns and villages of Somerset and Gloucestershire, has the highest levels of satisfaction (76%) among locals when asked to rate the place where they live.
New research from Legal & General as part of their Rebuilding Building Britain Index explores satisfaction levels across the UK.
As part of the research, 20,000 people were surveyed to find out how satisfied they are with their lives – and how different factors – from work opportunities to transport – affect their levels of contentment.
The study found that Brits are largely happy with their neighbourhood – 69% say they’re satisfied with their local area.
The key to happiness
But not everyone would describe their local patch as a happy place to live. In the north-east of England, just 62% of respondents said they’re satisfied with their area – the lowest of any region. And when asked which factors have the biggest impact on satisfaction levels, the survey revealed that healthcare, public green spaces and a reliable mobile signal are crucial to how people view their surroundings.
Other factors include congestion and quality of local roads, as well as the availability of well-paid employment options.
The words on the street
Our health, happiness and sense of place is affected by the way we perceive the world around us. So how do Brits view different cities across the UK? A new survey commissioned by Legal and General asked respondents which words they would use to describe different urban centres. Here are the top answers:
LONDON
Expensive (68%)
SHEFFIELD
Industrial (43%)
BIRMINGHAM
Industrial (36%)
GLASGOW
Historical (35%)
BRISTOL
Historical (28%)
NEWCASTLE
Football (44%)
CARDIFF
Rugby (35%)
LEEDS
Football (33%)
EDINBURGH
Historical (53%)
BRIGHTON
Lively (42%)
Newcastle had the most UK respondents label the city as ‘friendly’ with 35% selected this as an option to describe the area. Sheffield (25%), Birmingham (24%), Cardiff (26%) and Brighton (30%) were the only other UK cities where ‘friendly’ was selected as one of the top 3 associated words.
Respondents offered other words and phrases as part of the survey which they believe resonate with UK cities, such as the ‘Commonwealth Games’ for Birmingham, ‘University’ for Bristol and ‘LGBTQ’ for Brighton.
John Godfrey, Director of Levelling Up, Legal and General comments: “Our Rebuilding Britain Index focuses on how economic infrastructure and the built environment can support efforts to level the playing field of opportunity.
“The end-game is in people leading happier and more fulfilling lives – but we’ve found that life satisfaction can be significantly impacted by our surroundings. Our research into the common associations people in the UK have with our capitals gives us interesting insight into this specifically.”
A modern-day twist on Ibsen; Hedda is bored. She spends her days manipulating the people in her house, hiding behind the lenses of her CCTV cameras and a facade of decency.
The arrival of her ex-lover ignites flames of passion and destruction, unravelling her true desires. He’s got a woman under his arm, money in his pockets and a plan to change the future. Time without Hedda seems to have only done him good.
An invitation into the decadent world of a newly married woman, engulfed in a competitive, high-tech and male-dominated environment. Between Campari shots and lines of Cocaine, she embarks on a mission of destruction.
Hedda
Wonderlabs
Theatre (drama, modern)
Venue 236 – Greenside @Infirmary Street – Forest Theatre
theSpaceUK kicks off their 27th year at the Edinburgh Festival Fringe in style
It was a night to remember as theSpaceUK kicked off their 27th year at the Edinburgh Festival Fringe with a powerhouse performance packed launch at theSpace Triplex.
Artists from a wide variety of genres came together to wow audiences with a small flavour of the 400+ shows available in this year’s programme. Featuring eleven fantastic acts, the launch was a showcase of music, comedy, theatre and packed with plenty of action, to give a taste of the talent on show at theSpaceUK this year.
theSpaceUK pioneered the return of grass roots performance to the festival last year and continues to offer the most established programme for new and original writing as well as established work offering that unique and special experience that can only be found in Edinburgh during August.
Highlights from theSpaceUK Press Launch
Kicking off proceedings was the Hip Hop Orchestra Experience direct from California which seamlessly fused hip-hop and classical music. Upcoming theatre company koi collective premiered a new comedy at the Edinburgh Fringe, Crossing the Void, with a swirl of intrigue and emotion.
A multimedia hybrid, part live stand-up, part film, Apartness featured Sylvester McCoy, Linda Marlowe in a tale of two isolated souls and their devilish comedian saviour. Prejudice & Pride was new folk musical comedy that reimagines Jane Austen’s classic novel in modern America with gender-swapped characters.
How do predators justify what they have done? Why do some victims survive and others perish? Brother’s Keeper is about courageous survival. Merrill gets diagnosed with ADHD as an adult and tries to make sense of her life and chaotic childhood in Merrill Means Well.
The Mistake is a compelling new play by Michael Mears that explores the events surrounding the catastrophic “mistake” that launched our nuclear age.
UK Underdog is a solo show based on true events in a London, Jewish boy’s life told with humour and plenty of chutzpah.
A modern tale of the gay scene which can be harsh and lonely, Soho Boy is packed with glamour, sex and songs.
One-liners and light-hearted jokes from the UK Pun Championships winner 2022 and Scottish Comedian of the Year runner-up 2021, Richard Pulsford had the audience in stitches.
Puppet Pansori Sugungga is an untraditional staging of classical Korean themes using the traditional puppetry of pansori and live music. All hosted by the freshest comedian at the Fringe, It’s Fraser Brown.
About theSpaceUK
Established in 1995, theSpaceUK hosts the largest and most diverse programme at the fringe. Companies, both professional & amateur, are given an affordable, supportive and professional platform to showcase their work.
About the venue
theSpaceUK operates 19 venues across 7 sites including: theSpace@Surgeon’sHall, theSpace@SymposiumHall, theSpace on North Bridge, theSpace on the Mile, theSpaceTriplex, the Space@Venue45. Further details will be revealed in the coming months.
More than 900 performers graced Edinburgh Castle’s Esplanade to celebrate expression and share their creative voice
Performers from across the globe are sure to wow audiences with sensational music, dance, costume, and spectacle as The Royal Edinburgh Military Tattoo makes its highly anticipated return tonight with this year’s Show, Voices.
Running until 27 August, the year’s Royal Edinburgh Military Tattoo is a celebration of expression, giving a stage to performers and acts from around the globe to share their voice. Voices draws inspiration from people across the globe who, despite physical separation, continue to connect and share their voices creatively through spoken word, song, music, and dance – languages common to all.
Tonight’s performance will mark the inaugural Show from the Tattoo’s new Creative Director, Michael Braithwaite who alongside new creative production partners are introducing a brand-new approach to pre-show with street style drummers welcoming audiences onto the Esplanade. For the very first time there will be staging on the Esplanade and soundscapes tying each spectacular performance together, with the Show being opened with original composition and vocals from The Highland Divas.
Audiences will experience stunning musical and cultural showcases from performers from Mexico, The United States, Switzerland, Germany, Canada, Australia, and New Zealand, alongside homegrown talent from the UK at the centre of it all.
Musicians from the Army are reinforced by the UK’s finest military musicians, the legendary musicianship of the Massed Pipes and Drums echoing across the Esplanade and the dazzling talent of the Tattoo Dancers and Tattoo Fiddlers.
The Tattoo performers also gave an exhilarating performance of ‘Shake that Bagpipe’ with never-before-seen at the Show, Electro Pipes, taking centre stage with a DJ and a high energy, colourful dance act.
Buster Howes, Chief Executive of The Royal Edinburgh Military Tattoo, said:“Seeing the Castle Esplanade come alive with the colour, music, word-class talent and of course, for our audiences to once again join us, is exactly the come-back we wanted.
“We set out to ensure that the 2022 Tattoo was a welcome return and a celebration of the connections, cultures and languages that bring people together time after time on the Esplanade of Edinburgh’s 3,000-year-old fortress. After last night’s preview performance, the first Show from our new Creative Director, Michael Braithwaite, I’m sure everyone will agree we have done just that.
“I’ve been blown away by the talents on display during rehearsals and I’m confident the audience will be able to feel the electric atmosphere on the Esplanade tonight! There’s still time to grab tickets throughout August, and I would encourage anyone looking for a great night out to come and experience the magic of the Tattoo.”
International performers this year include Tattoo favourites the New Zealand Army Band with this year’s dynamic performance marking their seventh appearance on the Castle Esplanade.
Banda Monumental will storm the stage with over 100 performers bringing stunningly dramatic costume and the bright carnival atmosphere of Mexico to their show stopping performance.
Swiss drumming sensation, The Top Secret Drum Corps are set to captivate audiences with their energetic precision drumming which has received global recognition since their first performance with the Tattoo in 2003.
While The United States Air Force Honor Guard, the official ceremonial unit of the Air Force, will make their return to the Tattoo this year with its lively display of precision drill.
Playing a vital role in this year’s show were Tattoo newcomers and world-renowned performers The Highland Divas whose vocals were used throughout the show in soundscapes. Audiences were treated to a unique musical journey that showcased the best of the Divas awe inspiring voices.
The United States Army Field Band will make theirTattoo debutbringing military mash-ups of traditional and contemporary hits to the Edinburgh Castle Esplanade for the very first time.
The full line up for 2022 also includes: The Band of the Royal Regiment of Scotland, British Army Band Colchester, British Army Band Sandhurst, The Countess of Wessex’s String Orchestra, The Royal Highland Fusiliers, 2nd Battalion The Royal Regiment of Scotland Pipes and Drums, The Black Watch, 3rd Battalion The Royal Regiment of Scotland Pipes and Drums, The Highlanders, 4th Battalion The Royal Regiment of Scotland Pipes and Drums, Combined Scottish Universities Officers’ Training Corps Pipes and Drums, Royal Air Force Pipes and Drums, The Crossed Swords Pipes and Drums, Brisbane Boys College Pipes and Drums, Paris Port Dover Pipes and Drums, The Pipes and Drums of Christchurch City, and Erskine Stewart’s Melville Schools Choir.
The Show will run until 27 August 2022. Tickets are on sale now and can be purchased at edintattoo.co.uk/tickets or on the phone on 0131 225 1188.
Over 3,300 shows now available to browse online ahead of the Fringe’s 75th anniversary this August
The Edinburgh Festival Fringe Societyis delighted to announce that tickets for a further 146 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.
This is the fifth set of tickets to be released for 2022, with the first 283 shows revealed in March, 796 in April, 1,281 in May and 1,047 in June. In total, there are 3,385 shows now available.
The 75th anniversary of the Fringe takes place from 05 – 29 August 2022 and will feature an exciting range of performance, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events, children’s shows and more all featured in the programme so far.
Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.
Theatre
At Summerhall, Dykegeist “will shift between a supernatural thriller, a sci-fi spider lair, a haunted club scene, a social situation to discuss threat/consent/otherness”, and Peaceophobia is “an unapologetic response to rising Islamophobia around the world”.
An outdoor performance of “Shakespeare’s timeless comic masterpiece” A Midsummer Night’s Dream is at Fisherrow Links, and at Paradise in Augustines, 12th Night Lite is a “true love story for the ages”.
A selection of online shows will include In a Cave, a Voice at C venues, where “a Neolithic girl seeks comfort in imaginary friends”, and Willy’s Lil Virgin Queen explores Terra Taylor Knudson’s “passion for Shakespeare, and connects classic characters with modern experiences”.
Olding is a “multi-story, multi-character solo show, written and performed by Johanna Courtleigh” on Fringe Online, and What Am I, Chopped Suey? is also online, where “Meg Lin shares a raw personal account of growing up Chinese American that is both heart-warming and heart-wrenching”.
The Calligrapher is on at Greenside @ Infirmary Street, where an artist is “followed by the walking, talking, blood-drenched Quran that has haunted him” since he created it, and Elementa is “a one-woman show about a planet-saving superhero who’s lost her mojo” in the same venue.
Shows at ZOO Playground include Chips and Ice Cream, a show about a father-son relationship and the “struggles, the laughs, the joy and the inevitability of the mistakes that every parent will make”. Don’t Shoot the Albatross is where “pop music meets poetry in this new monologue about city lights, queer night life and large seafaring birds”.
At House of Oz, John Bell: A Few of my Favourite Things is “a relaxed hour with Australian living legend John Bell, as he rummages through his swag of favourite things, fishing out poems, stories, backstage gossip”.
Fan/Girl is part of PBH’s Free Fringe @ Banshee Labyrinth and charts a “tongue-in-cheek ride through adolescence against a backdrop of nineties football”, and A Lady Does Not Scratch Her Crotch is “a look at gender, sexuality, and the near impossibility of growing up”.
At theSpace @ Niddry Street, Laura J Harris presents Bella Donna, “an original queer comedy filled with unexpected twists and turns and more than its fair share of sass”, and theSpace on North Bridge hosts Pool (No Water), “a visceral and shocking play about the fragility of friendship and jealousy inspired by success”.
Sweet FA at Tynecastle Park is “a play with songs exploring the remarkable popularity of women’s football in the early 20th century”, and A War of Two Halves is at the same venue, telling the journey of “the Hearts from the football fields of Gorgie to the battlefields of the Somme.”
Cabaret and Variety
Figs in Wigs: Astrology Bingo is at Assembly George Square Studios, a show which plays “with bingo cards generated from your favourite celebrity’s astrological birth chart”.
Disenchanted: A Cabaret of Twisted Fairy Tales is online at C venues and asks, “Why was the Wolf in Grandma’s bed? Did Sleeping Beauty have an opinion on consent? Were the Ugly Sisters’ feet really that big?”
At BlundaGardens: BlundaBus, Ash and Lisa: Band Practice welcomes you “to this dismantling of music and sanity” in their musical improv show. And for film fans, at Brioche Dundas Street there is See It On Screen Summer 22, “three original short films made in Edinburgh”.
At House of Oz, OZmosis: The Great Australian Variety Pack presents the “hottest line-up of all-Australian talent on the Fringe”, Dolly Diamond’s Bosom Buddies sees the “award-winning, sharp-tongued cabaret diva” return to Edinburgh, and at the same venue, Geraldine Quinn: BROAD explores how “Quinn grew up idolising bold, brassy older women. Now she’s becoming one.”
Pick of the Fringe is at Johnnie Walker Princes Street, presenting “a mixed bill of comedy, music and variety, alongside the finest cocktails and drams in Edinburgh”.
At Laughing Horse @ The Counting House, Accordion Ryan’s Pop Bangers brings music from “artists from all across the pop music spectrum… in a way you’ve never heard them before”.
Chris Cook: Reflections asks, “What advice would you give your younger self?” with a magical twist at PBH’s Free Fringe @ Voodoo Rooms. At Absurd: A Live Cabaret Panel Show, you’re invited to “join host and magician Ava Beaux, and magical team captains Kane & Abel, for an array of games, buzzer rounds, and cabaret acts”; that’s at PBH’s Free Fringe @ Roti. At Planet Bar is Miss DQ Prides Again, an inclusive LGBT show.
“World-renowned songsmith and pianist extraordinaire, John Thorn, returns to the Fringe with a sublime collection of new original songs exploring the meaning of life and the future of humanity” in John Thorn Dirt An Existential Songbook at RSE Theatre.
At the Voodoo Rooms, Mr.B: Twerp in Progress “will feature some chap-hop classics, interpretations of vintage rap ditties and perhaps even some bits made up on the spot”.
99 Red Kitties is at theSpace @ Niddry St, “a highly energetic amateur burlesque show, which is sure to tantalize the audience”.
Children’s Shows
Online at C venues, Risas de Papel is a show created by 11 artists from Mexico and Chile, “fusing clown, gestural theatre and live illustration in a show for audiences of all ages”.
Spontaneous Potter Kidz: The Unofficial Improvised Parody is at Gilded Balloon at the Museum, “an entirely improvised wizarding comedy show, based on your suggestions”. At House of Oz, Dolly Diamond’s Storytime “helps stimulate children’s imagination and expand their understanding of the world”.
At Paradise in Augustines, The Red Thread We Are Holding takes audiences on “a journey of culture, love and free Taiwanese desserts”.
The Mermaid and the Cow is at theSpace @ Surgeons Hall, telling the tale of how “adventurer and children’s author, Lindsey Cole mermaided the length of the River Thames to highlight the plastic pandemic.”
Comedy
In comedy, Adam Kay: This is Going to Hurt… More (Work in Progress) brings diary entries “as well as some disgusting favourite stories” to Pleasance, and at Pleasance Dome Drag His Ass with Mary Beth Barone is a “deconstruction of modern dating culture”.
At Laughing Horse venues, Love and Sex on the Spectrum “explores all of the awkward firsts that come with dating, sex and love from a late bloomer’s perspective”. In From Ukraine, “Dima Watermelon (it’s his real name) and Pavlo Voytovych (writer at Comedy Central)” bring “the best comedians Ukraine has to offer”, with all donations going to organisations in Ukraine.
Jew Talkin’ to Me? seesRachel Creeger and Philip Simon live record their “unashamedly Jewish podcast enjoyed by everyone” at Assembly George Square Studios, and Róisín and Chiara: Sex on Wheels is “a whirlwind of synchronised, audience-tickling, stream-of-consciousness mischief”, at the same venue.
At BlundaGardens: BlundaBus, there is “extreme nonsense from award-winning idiot Dan Lees” in Dan Lees: Mustard or Custard?, and at Gilded Balloon at the Museum is Spontaneous Sherlock, an “entirely improvised Sherlock Holmes comedy play, based on a suggestion of a title”.
The In-Laws is at Greenside @ Infirmary Street, a one-man show where you can “join Paul as he meets his in-laws for the first time”, and at House of Oz, Gabbi Bolt: I Hope My Keyboard Doesn’t Break tackles “climate change, feminism, why small towns have too many pubs”.
The Necrobus hosts Fright Bus Service, “an award-winning theatrical sightseeing tour around the darker side of Europe’s most haunted city on a classic 1960s Routemaster bus”.
As part of PBH’s Free Fringe, Mimi Hayes: 20-Nothing details the story of an old woman who’s “sucked into the story of a 20-something who can’t catch a break”. Faces of Glasgow “is a scabrous and salacious satire of modern Glaswegian city life and its idiosyncratic inhabitants”.
The Scottish Comedy Festival presents Ah! My Name is Yoky Yu, about “healing, trauma, love, shame, guilt, mom, intimate relationships, and sexuality”, and The Lunch Rush gives “a taste of some of the best new comedy talent on the Scottish circuit” with Kathleen Hughes.
At The Stand’s New Town Theatre, Des Clarke: One O’ Clock Fun presents “a lunchtime showcase of Edinburgh Fringe legends, celebrity guests and the most exciting new talent around”, while Mark Watson: More Banging on About Time and Similar Issues (Work in Progress) explores “what it means to live and die, and what the hell we’re meant to do with the rapidly passing time in between”.
Trashfuture: Live at the Fringe is at theSpace @ Venue45, covering everything from “nonsense start-ups to the evil tech zillionaires and our garbled nonsense of a culture.”
At Underbelly, Dr Brown: Workdsff intlsdjfj Progressdsdfdfn the “multi award-winning comic” comes to Edinburgh “after a decade in hibernation”.
Call Me Me is at ZOO Playground, a show where Maryellen takes audiences through “stories of medical malpractice, being pigeon-toed, mansplaining in escape rooms”, and Platonic Love Triangle – A New York Stand-up Comedy Show sees comedians “Wyatt Feegrado (Bettor Days on Hulu, Amazon Prime), Lukas Arnold (2 million+ followers on Tiktok) and Otter Lee (Fairview on Comedy Central) present an afternoon of stand-up comedy”.
Dance, Physical Theatre and Circus
At Dancebase, an “elaborately costumed dancer performs a tap dance ritual accompanied by a musician” in Le Flâneur, and A Something! No Dragon No Lion! is “a Kung Fu contemporary circus made in Hong Kong”.
Cirk La Putyka and Kyiv Municipal Academy of Variety and Circus Art collaborate on Boom at Underbelly, a “show about family, freedom and borders” where 12% of ticket income will be donated to the Disasters Emergency Committee.
At ZOO Southside is 40/40: “Kat has always danced, but she has never before been a dancer. But then, she’s never been 40 before either. This is the result of 40 years of joy and hardship, laughter and tears, super tunes and super moves.”
Musicals and Opera
On Fringe Online, Feeling Pretty “tells a story of women reclaiming their power” and at theSpace @ Surgeons Hall, The Canterville Ghost: The Musical is a “family friendly comic ghost story” adapted from the Oscar Wilde story.
Spoken Word
At the Stand’s New Town Theatre, Politics and Poetry with Corbyn and McCluskey is an event which “traces the evolution of their political lives and how poetry and modern culture has provided inspiration, enlightenment and comfort”.
In 12 Angry Women, on Fringe Online, “women are on trial by the audience (the camera), they express their monologues and themselves through dance/movement”.
Aural Picnic is at PBH’s Free Fringe @ Banshee Labyrinth where a “local lass brings to life contemporary stories with humour and vigour performed in anthropomorphic characters from nature and myth.”
At Pleasance at EICC, Iain Dale: All Talk with Nicola Sturgeon brings the LBC presenter and the First Minister together for “incisive insight on current affairs”.
Shot in the Face Marvin Herbert is at Shout – Scottish Music Centre @ 111 Holyrood Road, where Marvin discusses having “investigated over 24 murders and eight shootings. Shot five times, axed in the head, stabbed, beaten and bruised” in the service of “reducing re-offending by inspiring, motivating youths and changing lives”.
Music
At ZOO Southside, sanni-leena brings “jazzy covers” with a voice which “will hit you right in the soul – no matter what style she takes on”, and at ZOO Playground, I Dreamed a Dream: The Hunt for a Husband is “an evening of musical comedy, horrendous dating stories, and a relatable truth that we all need to hear.”
At Acoustic Music Centre @ UCC, Jeremy Dion from Boulder, Colorado presents his “blend of folk, bluegrass and Americana”, and Baul, Troubador and Verses on Love, Lust and Flame directed by Ahmed Kaysher “offers the ecstasy and sublime beauty of Indian Vaishnav, Baul and Troubadour music with its interpretation through a haunting presentation of Sufi, Bengali and Greek poetry”.
Duelling Piano Heroes is “an unrivalled, 21st century duelling pianos experience” at PBH’s Free Fringe @ Liquid Room Annexe/Warehouse.
10 Years of Hot Dub Time Machine promises “a night of high energy and non-stop fun and Tom’s incredible selection of the very best tracks from the last 70 years” at Royal Highland Centre.
At RSE Theatre, Bonnie Thorn Little Jazz Bird “showcases Bonnie’s vocal talents with selections from the Gershwins to Amy Winehouse and beyond”, and at St Cuthbert’s Church, Pitchcraft: The Pitch Is Back! is a showcase of “uniquely crafted acapella arrangements, each with its own twist, delivered with humour and passion”.
There is a Lunchtime Organ Recital with free admissionat Stockbridge Church, where “Marion Lees McPherson plays a selection of German, French and English organ music on the theme of Pain and Glory.”
Kings of the Blues: Electric Blues Tribute is at The Brunton, “honouring three masters of the Blues: BB King, Albert King and Freddy King”, and Kyle Falconer in The Old Dr Bell’s Baths with Support from The John Rush Band, The Laurettes and Hunter & McMusard is at The Old Dr Bells Baths where “Kyle, backed by his full band, will be playing a set combining his solo music and classics from The View’s back catalogue.”
The Salvation Army Edinburgh City Corps hosts Music for the Festival with Newtongrange Silver Band, “a traditional mining village brass band from the outskirts of Edinburgh, but their repertoire is far from traditional”.
At Underbelly, Bristo Square, Symphonic Ibiza celebrates “some of the most famous Ibiza club anthems from the last 30 years”.
Grigoryan Brothers: This Is Us is at the House of Oz. “To mark the National Museum of Australia’s 20th anniversary, the nation’s most respected classical guitarists, the Grigoryan Brothers, composed 18 musical works inspired by items from the museum’s vast collection.” At the same venue, BIRDEE “blends her own lineage of Chinese, Greek and Russian origins to craft her own sound and stories”.
120 shows make up The Stand’s 2022 programme across Stand 1 (5 York Place), Stand 2 (16 N St Andrew St) & The Stand’s New Town Theatre (96 George St)
We may be world-famous for our stand-up, but that doesn’t mean The Stand is a one-trick pony. Several spoken-word mainstays such as ‘The Cabaret of Dangerous Ideas’ and ‘In Conversation With’ are back thanks to our partnership with Fair Pley, but there’s also brand new shows from comrades Jeremy Corbyn & Len McCluskey, legendary actor David Hayman, former Makar Liz Lochhead and much more …
An ongoing series of intimate conversations with some of the country’s biggest names, including Jeremy Corbyn MP, Ian Rankin, Darren McGarvey, David Hayman, Val McDermid, and now – a last minute addition – our First Minister Nicola Sturgeon! £12.50 – £15
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Jeremy Corbyn is joined by his friend and comrade Len McCluskey for a unique event. No strangers to controversy; their love of poetry is the softer counterpoint to their firm political beliefs. One night only. £12
What does it really mean to be working class? A blend of theatre, stand-up and spoken word from critically acclaimed writer and performer Kevin P Gilday. £12
Mark Billingham, Val McDermid, Chris Brookmyre, Luca Veste, Doug Johnstone and Stuart Neville switch out pens for guitars. Murder on the dancefloor is guaranteed …
A wild, high-tech, rock-smashing journey to the Neolithic origins of mining
Rocks, beats and geological time: this is a violent, fun, loud and lyrical experience, with projection design from award-winning Limbic Cinema. Copper mining has fuelled the growth of human civilisation for the last 10,000 years.
In Megalith a silent physical performer and digital sound artist explore the ever-growing trajectory of mining and technological development, and what it means in the 21st century.
Playfully duetting to Deep-Time techno, metamorphic soundscapes and the Internet of Things, performers Charles Sandford and Xavier Velastin journey deep down to the origins of mining. Harnessing Neolithic tools to smash up to 250kg of rocks, Herald Angel winners MECHANIMAL explore the mysterious activity of bashing stone and getting metals.
‘Beautiful, contemplative … a remarkable and urgent show’Guardian (Vigil 2019)
Every piece of technology we own has come from rock.
But copper (the first metal to be mined) has a vital role right now. In transitioning from fossil fuels, global copper production (concentrated in Chile) must sky-rocket to make the batteries and cables for electrification. But does more extraction continue a questionable trajectory of more manufacture, more stuff, more economic growth… and thereby more inequality and waste? What of alternatives such as ‘urban mining’ (recycling of metals from tech waste)?
Rather than being an info-heavy show, Megalith views these issues through metaphor, creating a simple theatrical poem. The Neolithic culture that started mining also created stoneworks consisting of a single line leading into concentric circles (eg Stonehenge).
Megalith explores thisline-into-circleform: how might it offer a timely metaphor, when the need to shift from an extractive, linear relationship with Earth’s resources is ever more urgent?
The show was developed in collaboration with researchers from Bristol University and The Natural History Museum and made through research journeys to Neolithic copper mines and stone circles across the UK. All rocks, technology and other materials used in Megalith will be effectively and responsibly recycled.
MECHANIMAL’s Director, Tom Bailey, said ‘Copper is a vital but little-known part of the present energy and ecological crises, and even the Russia-Ukraine war. We look to find creative and fascinating ways of engaging people with this.’
‘Memorable, a requiem against a clock counting down’‘★★★★ Scotsman (Vigil 2019)
MECHANIMAL won a Herald Angel in 2018 for Zugunruhe. Bristol-based, the company’s work explores life on a changing planet. It tours performances (created with a range of artists and researchers) both nationally and internationally.
‘Extraordinary … moving and enlightening’New Scientist (Zugunruhe 2018)
Look at our beautiful poster for our Festival Fringe production of Amanda Whittington’s Ladies Day! Designed by the multi talented Stephen, who is also the lighting and sound director for the production.
Work, love and life are just one long, hard slog for the fish-filleting foursome Pearl, Jan, Shelley and Linda. A day at the races to celebrate Pearl’s (not) retirement finds them looking for fame and fortune.
Dressed in their finest, they head off to the races for a drink, a flirt and a flutter. If their luck holds, they could hit the jackpot – and more besides. An exuberant, poignant comedy about female friendship and what fortune really means, come and join the ladies at the race course and share their story.
An amateur production In association with Nick Hern Books.
Please join us at Inverleith St Serf’s Church Centre,Clark Road, Edinburgh from Saturday 6 August. Tickets are now available from the Fringe Box Office.
EIGHT Edinburgh Festival Fringe producing venues – Assembly, Dance Base, Gilded Balloon, Just the Tonic, Pleasance, Summerhall, Underbelly and ZOO – are coming together for the first time to launch an updated show ticketing and reviews platform, edfest.com – providing audiences with a central hub for easy booking, information and reviews of ‘the best curated shows on the Edinburgh Festival Fringe’.
With tickets now on sale, edfest.com provides a centralised booking and reviews hub providing access to 1,159 shows across comedy, dance, theatre, and music at 140 venues, featuring performers from 32 different countries.
Some notable performers and shows in the 2022 edfest.com line up are:
Assembly: Choir of Man, Beats on Point, Friendsical, Love Loss & Chianti and Queenz
DanceBase: Ballet Ireland, Scottish Dance Theatre, Dan Daw Creative Projects
Gilded Balloon: Late’n Live, Maisie Adam, Leith Social, Henry Naylor, Jack Docherty
Just The Tonic: Jimeoin, Tom Stade, Aliya Kanani, Jack Gleadow, Anthony Deveto
Pleasance: Freedom Ballet of Ukraine, Sophie Duker, Ben Hart, Tim Vine, SK Shlomo
Summerhall: Learning to Fly, Life is Soft, Mama Love, Talisk, Efterkland
Underbelly: La Clique, Rhys Nicholson, Dragons & Mythical Beasts, Circa: Humans 2.0, Unfortunate: The Untold Story of Ursula the Sea Witch
ZOO: Night Dances, Runners, Rocky, Sad Book, Far Gone, Every word was once an animal
The new edfest.com website has been designed to give audiences a more bespoke experience, allowing them to search and find shows they will love.
Companies and venues will update information on a regular basis and the public will be encouraged to review shows and share with their friends. The new experience gives ticket buyers a more rounded view of what’s on offer, replacing what word of mouth and poster clippings have done in the past.
Speaking on behalf of the eight edfest.com venues, Jim Hollington, CEO of Dance Base, comments: “The last two years have been incredibly hard for everyone in the arts and entertainment sector. It’s therefore critical that this year’s Edinburgh Fringe is a success, to protect the future of our own organisations, of the performing artists who make the Fringe, and of our contribution to the city of Edinburgh overall.
“As producing venues, we invest a huge amount of time, energy and money curating and producing some of the best entertainment in the world and bringing that to Edinburgh. Whilst the pandemic created numerous challenges, it did allow us to stop and think about how we could collaborate and do things better.
“Across the eight edfest.com venues we share a similar vision and so it made sense for us to pool our sales and marketing resources to drive efficiencies across our own operations and ultimately make things easier for customers. Our box offices will also all be linked and audiences will be able to buy for multiple venues.
“Crucially this year we are going on sale earlier than usual to increase the sales window for bookings and generate much needed revenue.
“Putting the last two years behind us we would like to encourage everyone from Fringe loyalists who turn up every year, to Edinburgh locals and first timers to visit edfest.com, book some spectacular shows and once again enjoy the best possible Edinburgh Fringe experience this August. We can’t wait to get going!”
Saturday 6th August – Saturday 20th August 2022 (not Sundays)
£15 (£12 con) (£10 preview Sat 6th August 7:30pm)
7.30pm Sat 6th and Mon-Fri 8th-12th, 15th-19th
Inverleith St Serf’s Church Centre, 1A Clark Rd, Edinburgh EH5 3BD
Marion Donohoe
