YourScreen is a partnership of local, independent exhibitors and was created to stream new films and films unavailable on other digital platforms into the homes of audiences around the country. These are films that might normally play in their local cinema.
Local cinemas promote YourScreen films on their web site and social media, directing audiences to YourScreen where they are able to purchase “virtual” tickets to watch award-winning international films. Revenue is shared between YourScreen and each local film exhibitor.
Films on YourScreen are available for up to 28 days which distinguishes it from a streaming platform like Netflix where films reside for many months and longer.
Every two months, YourScreen uploads a new programme of films on to its platform.
The first season which concludes on 20th December has a programme of eight films; from Canadian coming of age drama, Kuessipan, through to docu-comedy/drama, Lessons of Love, the tale of a Polish woman going her own way after 45 years of marriage to an abusive husband and the popular German film, System Crasher(above).
The genesis of YourScreen can be traced to Cheltenham International Film Festival (CIFF) which streamed its festival online in 2020 and inspired positive feedback from audiences who were locked down and often did not have the opportunity to visit independent cinemas or watch the latest films from around the world.
Commenting on YourScreen, one of the partnership’s founders, Leslie Montgomery Sheldon, also CIFF Director, said: “These are difficult times with cinemas in lockdown.
“But, film exhibitors must maintain their business. In the event they have decided to partner with YourScreen to stream new films, uninterrupted by lockdown, to their audiences.”
But while YourScreen is a short-term solution it is also a long-term opportunity for exhibitors to grow their business.
“YourScreen is in business for the long-term to turn independent cinemas into multi-screen cinemas; allowing exhibitors to complement their in-venue screenings with an online programme; to attract new and different audiences, boost ticket sales and generate an extra revenue stream without the overheads” said Sheldon.
The full programme for the first two-month season (26 October – 20 December):
• The Best of Dorien B.: Belgian comedy-drama.
• Lillian: Austrian, true-life drama of a young Russian woman who walks across American to find her way home to Russia.
• System Crasher: By popular demand, the third film to open our season is this acclaimed German film.
• Beyond The Horizon: French coming-of-age film with Clémence Poésy.
• Kuessipan: Award-winning Canadian film.
• Lessons of Love: Polish docu-comedy/drama which features a woman of 69 who is not too old to begin life again.
• Northern Wind: French film, explores the impact on two families in different countries linked by the same circumstances.
Scottish International Storytelling Festival programme revealed
Set sail this autumn, as the Scottish International Storytelling Festival (SISF) takes audiences on a voyage, exploring Scotland’s coasts and water through music and storytelling.
The 2020 SISF programme promises an eclectic mix of online events spanning across the globe and small-scale face-to-face events, celebrating Scotland ‘a nation shaped by the sea’.
Events shine a light on lost stories of Scottish and international culture, give a new perspective on historical experiences and captivate, entertain and educate audiences on everything from Scottish colonial history to our connection to the natural world.
Over 100 performers will take part in the festival and countries represented include USA, Colombia, Canada, Italy, Spain, England, Kenya, Northern Ireland, Holland, Iran, Sierra Leone and Iceland. 93 events in total will take place in Edinburgh and across Scotland with 43 of these planned to be in-person experiences subject to Scottish Government Guidelines.
This year’s festival theme ‘In the Flow’ presents Voyage, a series of new work developed by storytellers and musicians for VisitScotland’s ‘Year of Coasts and Waters’, supported by the Scottish Government Festival Expo Fund.
Premiered as a pre-recorded studio broadcasts to be streamed online, Voyage is a collection of fourteen performances sharing tales of real and imaginary voyages that have connected Scotland to other coastal countries, near and far.
Highlights in the Voyage programme supported by the Edinburgh Festival Expo Fund and CalMac Ferries include:
Award winning performers Apphia Campbell and Mara Menzies collaborate for the first time on Nanny of the Maroons sharing the story of the Jamacian hero ‘Queen Nanny’ leader of the known as the Windward Maroons who helped those fleeing enslavement on Scottish owned plantations
Donald Smith’s reimaging of the iconic travelogue Johnson and Boswell’s Tour to the Hebrides featuring leading actors Andy Cannon and Christopher Craig.
Storyteller Nicola Wright revives the almost forgotten Scottish National Antarctic Expedition by explorer William Speirs Bruce whose success was ignored by the Royal Geographic Society.
One of Scotland’s best loved storytellers Andy Cannon steps over 700 years back in time as he sets out on a journey to bring the first ruling Queen of the Scots from Norway to Edinburgh Castle in Tales of a Grandson: The Maid of Norway
Award winning storyteller Fiona Herbert is joined by musician Emma Durkan as she draws the story of the mythical Cailleach from the depths of the world’s third largest whirlpool Corryvreckan in Argyll and Bute.
Music collaborations see David Francis & Hamish Napier celebrate the River Spey in Speyside to Fireside, and in Deiseal | Sunwise Mike Vass joins Ian Stephen for a journey to St Kilda, and ancient instrument musician John Kenny collaborates with sister Marion on The Voyage of St Brendan.
Speaking at the Festival launch last week, Scottish International Storytelling Festival Director Donald Smith said: “Stories and songs are vital for human survival. They carry our emotions, memories and values.
“They bind us together as families, communities and a nation, especially through tough times. The Scottish International Storytelling Festival will continue to channel that flow with an increased focus on wellbeing in the year of Covid-19.”
Socially distanced small-scale in-person events planned for the festival include:
Leaving Iona, a new show by Donald Smith and Heather Yule at St Columba’s by the Castle giving voice to the women, poets and monks of Columba’s / Colmcille’s story 1500 years after his birth.
Scuttlebut Stories! at Padlox Escape Rooms in Leith sees local storyteller Jan Bee Brown and musician Toby Hawks invite audiences to join them for some tall tales and spirited shanties, a heady blend of stories and songs of the sea that link Scotland and Scandinavia.
Small-scale indoor events will also take place at Universal Hall Findhorn, the Scottish Crannog Centre near Aberfeldy, Abbotsford House and other locations in the Borders. At the Scottish Storytelling Centre in Edinburgh, open mic Storytelling Cafés will also take place every day of the festival from 4pm.
Outdoor promenade performances will take place as Storytelling Walks departing from the Scottish Storytelling Centre and Enchanted Garden: Paths of Stories taking audiences on a journey around the Royal Botanic Garden Edinburgh and Sangs an’ Clatter: Campfire Tales at Damshot Woods in Pollock will return storytelling to one of its most traditional settings.
All plans are subject to Scottish Government guidance during the festival period.
The workshop programme strand Global Lab returns, hosting a series of digital workshops with live participation bringing together storytellers, artists, activists and educators from across the globe to explore sustainability, ecology and healing.
Taking place online daily throughout the festival the workshop programme offers inspiring examples of creative practice in the arts, education and frontline activism, with the opportunity to share, question and discuss.
Contributors include NYC-based Laura Simms who will speak on Deep Healing and Ecology, social and environmental activist Grian Cutanda who will share his work on the Earth Stories Collection and Julie Cajune and Douglas Mackay whose work explores connections between Native America and Scotland.
Edinburgh’s long running story night Guid Crack returns online throughout the festival and the Storytelling Festival’s famous Open Hearth sessions also move online, with live digital participation in a ceilidh of cultures, hosted by some of the finest traditional storytellers from Scotland and around the world.
Running alongside SISF, the Community and Families Programme bookends the festival running between 12th October and 30th November. The programme will pair local storytellers with partner organisations in online and small-scale live settings, unlocking the ethos of ‘going local’.
Community groups and schools can take part in The Big Scottish Story Ripple (#StoryRipple) by holding a storytelling event led by a professional storyteller.
Groups can apply for a subsidy that will cover the cost of their storyteller’s fees. In return, successful applicants must offer a good deed back to their local community on or before St Andrew’s Day – continuing the ripple of kindness.
As this year’s festival closes with a celebration of the Feast of Samhuinn, the 2020 Scottish International Storytelling Festival is on the hunt for Scotland’s Greatest Ghost Stories. The call is going out to find local ghost stories and to encourage people in Scotland to discover those in their own area. As part of the festival a ghoulish storytelling workshop will be held to encourage storytelling enthusiasts of all ages to become frighteningly good!
The SNP – Labour coalition has published plans to deliver improved services for the Capital’s residents and communities. The ‘Programme for the Capital’, the proposed business plan for the Council for the next five years, is built around 52 commitments set out by the SNP and Labour groups in their coalition agreement.
