Think of England premiere – in Glasgow!!

UK premiere at Glasgow Film Festival – March 2026

“A thought-provoking exploration of truth and deceit” – Variety

 “an exploration of social norms, as well as cinema and filmmaking itself” – The Hollywood Reporter 

“A memorable cinematic experience … this is a film we hope is picked up for distribution, as it’s certainly one that will get people talking” – HeyUGuys
 
“Deliciously absurd” Cineuropa

Giant Films is delighted to announce that the British feature film Think of England, inspired by an enduring wartime urban myth that the UK government commissioned pornographic films to boost troop morale during World War II, will receive its UK premiere at the Glasgow Film Festival on 6th March, followed by a screening at Manchester Film Festival on 22nd March.

Set in the summer of 1943 on the Orkney Islands, where the Normandy landings are fast approaching and troops on the front line are increasingly desperate, the film follows an eclectic group of characters, each selected for their own unique skillset, tasked with a top-secret mission: to make pornographic films intended to raise morale ahead of invasion.

As each assignee struggles under the weight of conscience, coercion, and fear, the darkly satirical story examines who draws society’s moral lines, who enforces them, and what happens when they are crossed under extreme pressure.

Directed by BAFTA-nominated British writer-director Richard HawkinsThink of England explores moral boundaries, power, and performance against the backdrop of war, at a moment in history when the stakes could not be higher. The film interrogates censorship and hypocrisy, asking what happens when deeply held values collide with the demands of survival.

The film, which was shot under the principles of Ted Hope’s NonDe movement, stars Ronni Ancona (Big ImpressionEastEnders) as wardrobe and makeup artist. Agnes Duprée, with leading lady Natalie Quarry (Rosalind Clifford in Call the Midwife) as Holly Spurring, and leading man Jack Bandeira (The GoldAndor) as Corporal Evans, alongside and John McCrea (Olivier award-winner for playing the original title role in ‘Everybody’s Talking About Jamie’) as Captain Anthony Clune.

The cast also includes Ben Bela Böhm (Better Call Saul), Oscar Hoppe (All the Light We Cannot See) and Ollie Maddigan (The Olive Boy).

Lead Natalie Quarry as wartime actress Holly Spurring delivers a bold performance that includes on-screen nudity, a brave evolution from Natalie’s work as Rosalind Clifford in Call the Midwife.

The film treats this exposure with gravity rather than spectacle, using it to interrogate power, coercion, and vulnerability in wartime Britain.Occupying a pivotal position within the film’s provocative wartime narrative, Natalie’s character sits at the centre of its exploration of sexual performance, power, and moral compromise.

Similarly, Jack Bandeira, the film’s leading man, appears naked on screen as Corporal Evans, delivering a performance marked by PTSD,his striking and sometimes harrowing turn is rooted in volatility and loss of control, with moments of stark physical exposure that sit squarely within the film’s darker moral terrain.

Think of England, produced by father-daughter duo Nick and Poppy O’Hagan for Giant Films, is also a controversial film about cinema itself, about how moving images have historically tested, challenged, and redrawn the boundaries of what audiences are willing to see.

Set firmly within its time, the film shines a light on the institutional misogyny and homophobia of the era while allowing its unlikely characters to gesture toward a more tolerant future, reminding us to continually question the sensibilities and censorship of any age, including our own.

The upcoming Glasgow Film Festival screening marks the first opportunity for UK audiences to see the film in a public cinema setting.

Glasgow Film Festival, 6 (UK Premiere) & 7 March 2026
  https://www.glasgowfilm.org/movie/think-of-england/

Manchester Film Festival, 22nd March 2026
 https://manchesterfilmfestival.app/eventdetails?id=695bd485988b844de87f16fa

Edinburgh International Film Festival programme revealed

The 74th Edinburgh International Film Festival takes place at the heart of Edinburgh’s festival season, between 18 and 25 August, and presents a fantastic programme of feature and short films celebrating the long-awaited return to cinema.

This special programme of in-person and digital screenings includes 31 new features and 73 shorts – with 18 marking their world and 3 international premieres at the Festival – and with 50% of the new features in the EIFF 2021 programme from a female director or co-director.

The majority of Festival screenings take place at the Festival’s home, Filmhouse, with the Opening Gala and Special Preview at Festival Theatre and special screenings at partner venues across Scotland, along with introductions, Q&As, in person events and more screenings being available through a dedicated, accessible streaming platform Filmhouse at Home.

Watch Programme Launch video here: 

https://www.youtube.com/watch?v=wQQC3GZcv7o

EIFF is supported by Screen Scotland, the PLACE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals), the Scottish Government through the Festivals Expo Fund, the City of Edinburgh Council, EventScotland and the British Film Institute (BFI) using funds from the National Lottery.

EIFF 2021 PROGRAMME

Reflecting the diversity of stories and storytellers from across the world, EIFF’s 2021 programme includes two hugely anticipated musicals: hot from Cannes where it won the Best Director award, the UK premiere of Leos Carax’s Annette starring Adam Driver and Marion Cotillard, co-written by pop legends Sparks and a Special Preview screening of Everybody’s Talking About Jamie at Festival Theatre with a starry cast including Sharon Horgan and Richard E. Grant, and newcomer Max Harwood in the title role.

The Festival opens with the European Premiere of Michael Sarnoski’s Pig with Nicolas Cage as a reclusive truffle hunter and closes with the UK Premiere of Here Today from the comedy legend Billy Crystal, also featuring Tiffany Haddish.

Following in the footsteps of Whisky Galore! which premiered at EIFF in 2016, two Scottish films exploring island life receive their World Premieres at EIFF: a documentary Prince of Muck following the continuing battles of elderly patriarch Lawrence MacEwen and Hebridean feature drama The Road Dance based on a best-selling book by STV News presenter John MacKay who also stars in the film.

Determination in the face of adversity and addressing the social issues permeating societies around the world are strongly represented in this year’s programme. The UK premiere of Haider Rashid’s Europa starring British-Libyan Adam Ali as a young Iraqi refugee sees him fighting to survive in the wilderness and with ‘Migrant Hunters’ on his trail while Oscar-nominated Kaouther Ben Hania’s The Man Who Sold His Skin focuses on a young Syrian refugee who agreed to having his back tattooed in exchange for a better life in Europe.

Maryam Moghaddam and Behtash Sanaeeha’s Ballad of a White Cow sees a wife fighting against the broken justice system in Iran after her husband is executed for a crime he did not commit and New Zealand’s The Justice of Bunny King tells the story of a troubled single mother trying to get the custody of her children back.

In documentaries, Walk with Angels offers a visceral look at South Africa’s legacy of Apartheid and child trafficking and Rebel Dykes explores the underground lesbian community in London in the 80s and the country’s lack of response to the AIDS crisis.

Two very personal documentaries, Radiograph of a Family from Firouzeh Khosrovani centres on the director’s parents and uses them as a lens to look at Iran’s society split between secular and Islamic beliefs and Alicia Cano Menoni’s Bosco focuses on the director’s grandfather living in Uruguay and his ancestoral roots in a small Italian village.

Highlighting contemporary social issues, documentary The Gig Is Up shines light on the forgotten gig economy workforce, from Deliveroo to Amazon, and the European Premiere of Jennifer Ngo’s Faceless centres on the pro-democracy protests in Hong Kong. Continuing the theme of the gig economy and its recent struggles, Laurent Garnier: Off The Record tells the little-known story of the legendary French DJ and the political response to rave culture.

This year’s programme also showcases the best of horror from two EIFF-returners: impeccable Rebecca Hall in The Night House from the genre innovator David Bruckner and Martyrs Lane from Ruth Platt reinventing the classic ghost story. In animation, the legendary Academy Award-winning director and animator Phil Tippett presents the second instalment of his Miltonesque Mad God.

The quirky French feature comedy Mandibles sees two friends trying to train a giant fly to make money off of it and Norway’s Ninjababy beautifully blends animation and live action to tell the story of a young cartoonist and her unexpected pregnancy.

An ambitious programme of short films – fiction, animation, documentary and experimental aka Black Box – divided into 7 strands by theme, explore a fantastic range of topics and issues: in short animation, Imaginings delve into the recesses of the human mind and Family Values look at how our lives are shaped by values that are handed down to us; in short fiction and documentary, One Step at the Time is rooted in the present moment, showing snapshots from all around the world, Visions project forward, imagining our future lives or alternative realities; and in Black Box we find Interconnections exploring the themes of collaboration and interrelation and Interruptions, a diverse programme playfully confounding the aesthetic expectations of the audience.

Some of the highlights include Ba, about growing up in Soviet Kazakhstan, a child seeking refuge from his stark reality in Romanian Candy Can, animated Hangman at Home exploring the awkward intimacy of humanness and Keith Water, a stop motion animation made from found materials during the 2020 lockdown.

The shorts programme also includes SHORTCUTS – Views From The Four Nations, presented in Edinburgh and France through a partnership with the Dinard Festival of British Film, led by Artistic Director Dominique Green. DFBF and EIFF are twinning to show together a selection of the best of recent British shorts.

All short films are available to audiences digitally on Filmhouse at Home. EIFF Shorts and Experimental films are sponsored by Innis & Gunn, with support from the Culture & Business Fund Scotland, managed by Arts & Business Scotland.

Tickets go on sale at 12 noon TODAY (Wednesday 28 July) for Filmhouse Members, and then on general sale at 12 noon on Thursday 29 July.

Festival audiences will have a chance to vote for their favourite film which will receive the 2021 Audience Award.

For more information and a full schedule of physical and digital screenings please visit www.edfilmfest.org.uk.