Let Them Play!

Extended school days should focus on children’s play, socialisation and wellbeing, say educational psychologists

Educational psychologists are urging the government to re-think the way it approaches the so-called ‘catch up’ programme for children in schools, with a focus on play, socialisation and wellbeing as opposed to just adding more hours of lessons to the timetable.

With an extended school day being suggested as part of the Covid recovery plan, members of the British Psychological Society’s Division of Educational and Child Psychology are advocating for a holistic approach to learning within these hours, saying that this is an opportunity to re-set our priorities for our children and their education.

They are also highlighting the need for school to be the heart of the community, with the opportunity of longer school days providing safe spaces for children to play, socialise, and engage in activities such as music, crafts and sports.

Vivian Hill, vice-chair of the DECP said, “If the school day is to be extended, it’s important is that we don’t just fill those extra hours with more and more formal teaching sessions.

“It is about developing a balanced offer and recognising that learning is a dynamic process. We urge the government to use this as an opportunity to re-set the approach we take to education and our children within schools.

“Children don’t have to be sat at desks in a classroom to learn, giving them space to play sports, paint, try different crafts, and socialise will all lead to learning and the development of important life skills.

“We have an opportunity now to re-think what we view as ‘good outcomes’ for children. By having schools as the centre of the community they can be used to help tackle social inequalities and give all children access to the resources and support they need.

“For example, for children who have no safe spaces to play outside at home, having access to the school playground to play football with their friends would be invaluable. For children living in overcrowded accommodation it could give them space to read and do their homework, or find their passion such as music or other forms of art.

“If we create the right environment for our children to thrive, then good academic achievement will be a by-product of this. These plans must be psychologically informed, and children must also be consulted on what they want and what they need to thrive. It is important as well that these services are properly resourced, we cannot expect teachers to just do more and more after an incredibly difficult 15 months.”

Collective Play on Calton Hill

Join us at Collective for a weekend of free, socially distanced, outdoor play and crafty activities for local families and under 12s.

Taking inspiration from Christian Newby’s new large-scale textile work in the City Dome, Collective Play: Warp/Weft invites children and families to take part in creative play and fibre art activities across the site!

Throughout the weekend:

  • Try your hand at weaving with artist and maker Rhona Jack as the City Observatory pillars become a giant loom!
  • Claim your free fibre craft and play pack, designed by Rhona with everything you’ll need to make your own tapestries using recycled materials
  • Visit Christian Newby’s exhibition, Boredom>Mischief>Fantasy
    >Radicalism>Fantasy
    : learn about the tools Christian used to create his textile work, and see how many different motifs you can spot in the tapestry
  • Explore the history and nature of Calton Hill using our family-friendly trails.

Collective PLAY: Warp/Weft is free, donations welcome, but booking either a morning or afternoon slot via Eventbrite is required.

Every care has been taken when organising this event to ensure the safety of visitors, staff, and to adhere to COVID-19 government guidelines:

  • Pre-booked tickets for a morning or afternoon session will allow us to maintain a safe number of visitors to Collective Play at all times.
  • Materials packs have been carefully packaged using sanitised hands and will be yours to keep after the event.
  • Children and adults will be asked to sanitise their hands before taking part in the giant weaving activity, and numbers will be limited to ensure social distancing.
  • All play will take place outdoors. Collective is based in a large public park, Calton Hill and, after taking part in the on-site activities, we encourage families to take their materials packs out into the park to explore.

Tickets are limited and previous events have sold out so early booking is recommended – all details and booking link are on our website here:

https://www.collective-edinburgh.art/programme/collective-play-warp-weft

Rhona Jack is a multi-disciplinary artist, living and working in Dundee, whose practice is formed by a combination of sculpture and fibre art, often blurring the lines between art, craft and design.

She graduated from Duncan of Jordanstone College of Art & Design in 2017 and is currently a Committee Member of GENERATORprojects.

Recent exhibitions include ‘Wear and Tear’ (Nomas* Projects, Dundee, 2021), ’Women in Print’ (Zane Bennett Contemporary Art, Santa Fe, 2020), Platform (City Art Centre, Edinburgh, 2020), Reduct (Royal Scottish Academy, Edinburgh, 2020), Satellite (Summerhall, Edinburgh, 2018), Inside:Outside and An Isolated Process (both MERZ Gallery, Sanquhar, 2020).

If you have any questions about Collective Play please get in touch: mail@collective-edinburgh.art

Dogstar Theatre Online: Factor 9

Factor 9 by Hamish MacDonald

from the testimonies of Bruce Norval and Robert Mackie

Online release date: Wednesday July 15, 2020

The UK Government’s Infected Blood Inquiry began public hearings in April 2019, five years after Dogstar opened Factor 9, Hamish MacDonald’s play about the scandal, as part of the Umeå 2014 European Capital of Culture in Sweden

The Inquiry continues and Factor 9 remains as relevant now as when it opened.  Indeed, some of those at the heart of the 35-year campaign for justice cite Factor 9 as a significant influencer towards the granting of the public inquiry. 

Dogstar Theatre Online will release our production with Vimeo on Demand on Wednesday July 15, adding to our current online offer The Tailor of Inverness and Brian Ross and Hopscotch Films’ outstanding documentary Circling A Fox.

The infected blood scandal is now recognised as the greatest healthcare disaster in the history of the NHS.  Factor 9 has been seen by health ministers and other leading politicians in both the Scottish and Westminster governments, and by all leading members of the inquiry, including its chairman, Sir Brian Langstaff.

There is an uncounted legion of victims across the world.  Official figures in the UK cite around 5,000 people who were infected with HIV and Hepatitis through the administration of contaminated blood products during the 1970s and 80s. 

Half of this number are now dead as a result and new deaths occur every month.  There are no figures for the infection of spouses, children, and other relatives.

The multi-media performance tells the true story of two Scottish haemophiliacs, Bruce Norval from Inverness and Rab Mackie from the Scottish Borders, and how their lives were devastated from an early age by NHS-prescribed blood clotting products.

With tremendous performances by Matthew Zajac (Bruce) and Stewart Porter (Rab), Factor 9confronts how society can react towards its most vulnerable in the moment of a pandemic – and what can happen in the name of medical research.

In the enclosed world of the abandoned ward, a decades-long struggle with government and health authorities for recognition and truth unfolds, taking an uncompromising journey from the 1940s Nazi military-industrial complex to the 1960s Arkansas prison system via the 1980s AIDS crisis to the haemophilia clinics of Scotland, asking, how could this happen?

Director Ben Harrison said “When Hamish and Matthew approached me with the subject, I saw a great opportunity to uncover theatrically a great scandal.

“We hoped to achieve a similar balance between the visually compelling and the emotionally powerful that Matthew and I achieved with The Tailor of Inverness. The betrayal of the principle of care that lies at the heart of the story will I am sure both touch and anger audiences.” 

Composer/sound designer Pippa Murphy, set and costumes Emily James, lighting Paul Claydon

The 2014 production was supported by Creative Scotland and produced in association with leading Swedish theatre company Profilteatern and Umea 2014 European Capital of Culture.

www.vimeo.com/ondemand/factor9

www.dogstartheatre.co.uk  www.taintedblood.info

Running time: 84 minutes

The production contains strong language. Age suitability 14+

New PEEP group starts at Health Project next week

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Children on the autism spectrum to benefit from ‘Grow, Play’ project

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Local MSP to attend Licketyspit Picnic & Play at Botanics Shoreline Exhibition

Licketyspit, the leading early years theatre company, are holding a  Picnic & Play session for children and families at the Royal Botanic Garden this Saturday. 

Continue reading Local MSP to attend Licketyspit Picnic & Play at Botanics Shoreline Exhibition

Away and Play: Edinburgh trio share in Thrive Outdoors funding

More children across the capital and the Lothians will be out playing in their communities this summer after local charities received a funding boost.   Continue reading Away and Play: Edinburgh trio share in Thrive Outdoors funding