Rare Heroic Gaelic Ossianic Ballads reinterpreted in rare performance at National Library of Scotland

On Saturday 23 September, the heroic laoidhean which formed a central part of traditional Gaelic culture in the later Middle Ages will be brought back to life.

The reinterpreted Gaelic heroic lays or laoidhean are the result of a remarkable collaboration of an exceptionally talented traditional Gaelic singer from South Uist, Màiri Macmillan; a celebrated chamber ensemble notable for their dedication to new music, the Edinburgh Quartet; and a distinguished modern composer whose work stretches from classical to electronica, Ned Bigham.

The musicians are breathing fresh life into these ancient songs, looking to bring them to the attention of a wider audience by staging a concert of laoidhean in the striking venue of the National Library of Scotland. 

The rare event will also be recorded, with recordings released later this year, opening up the music and tradition more widely to people across the UK and abroad, adding to posterity in the archive.

The laoidhean tell even older stories embracing slain heroes, monsters, five-headed giants, epic battles and tragic love. 

In the eighteenth century, the Gaelic laoidhean inspired the Ossianic prose epics of James Macpherson, a vital touchstone for the Romantic movement throughout Europe and beyond. Unfortunately, however, today the tradition of sung laoidhean is increasingly endangered.

However, one of the most important collections of laoidhean texts was compiled by the nineteenth-century folklorist and polymath John Francis Campbell, drawing on manuscripts, printed material, and his own fieldwork in the Highlands and Islands.

These texts, offering fascinating contextual details concerning singers and their performances, are preserved among Campbell’s voluminous papers in the National Library of Scotland. They played a key starting point for the research to create these new interpretations.

The Library’s first bi-lingual exhibition Sgeul | Story focuses on the work of John Francis Campbell of Islay, who worked with local storytellers to record and save Gaelic folktales which at the time were preserved solely by a dwindling oral tradition and therefore at risk of oblivion. The exhibition opened in June this year and continues until April 2024.

The concert will be introduced by Domhnall Uilleam Stiubhart and Abigail Burnyeat (both at Sabhal Mòr Ostaig, University of the Highland and Islands), who will give the audience an insight into the history and the stories in both English and Gaelic.

Ned Bigham commentedA few years ago Dòmhnall and Abigail introduced me to the fascinating Gaelic tradition of these heroic ballads that came across from Ireland, starting in the twelfth century.

“They belonged to the high art tradition in their communities, which may be why many contemporary singers have felt intimidated to take them on and it is now rare to hear them. In reimagining them for a modern audience we have set them to string quartet, which as far as we are aware is a first.

“The combination of the wonderfully talented Gaelic singer Màiri Macmillan and the internationally renowned Edinburgh Quartet, together with the ballads’ beautiful melodies and spellbinding narratives should be really magical!”

Abigail Burnyeat (Sabhal Mòr Ostaig, University of the Highland and Islands) said: “Whether in a chief’s hall or in the ceilidh house, the characters of these laoidhean were known and what happens to them was both familiar and deeply-felt.

“The performance of these tales was part of an intimate conversation between storytellers and singers and their audiences. It’s not theatre or opera: the song is there to carry the words, and the words are what’s important.

“The ballads were high art; but their stories belonged to everybody and will resonate with people just as much today as in the past.”

National Librarian Amina Shah said: “The Ossianic Ballads are the culmination of research, musical collaboration and performance which will truly bring the collections to life. 

“The performances perfectly complement our ‘Sgeul | Story’ exhibition which showcases Gaelic folktales that were rescued from oblivion in the 19th century. In the same vein, the heroic laoidhean will be revived for modern audiences through the Ossianic Ballads.

The performers will also breathe new life into the Library’s public spaces, and will pave the way for more musical events in the National Library of Scotland.

“We are grateful to be working with such talented musicians and for the support of the Murray Family and the American Patrons of the National Library and Galleries of Scotland.”

Tickets go on sale today and the event will also be livestreamed.

Tickets: https://www.eventbrite.co.uk/e/heroic-gaelic-tales-in-modern-music-ossianic-ballads-tickets-694840846677?aff=NedBigham

‘Saved’ manuscripts join collection at Robert Burns Birthplace Museum

  • 12 original Burns manuscripts have been added to the National Trust for Scotland’s Robert Burns collection in Alloway following fundraising campaign
  • Alongside the National Library of Scotland, the conservation charity also became the joint owner of the Burns First Commonplace Book
  • The Burns First Commonplace Book will be on public display in Scotland for the first time since 1896
  • ‘Homecoming’ exhibition runs from 13 January – 12 March at the conservation charity’s Robert Burns Birthplace Museum in Alloway 

Twelve original manuscripts written by Robert Burns, which have just come into the care of conservation charity the National Trust for Scotland, will go on display this January as part of a new exhibition entitled Homecoming.

The important pieces include letters, poems ‘Donocht Head’ and ‘Queen of the Lothian’ and songs ‘As I was walking up the street’ and ‘O wat ye wha’s in yon town’ giving further insight into the creative process of Scotland’s most famous poet. 

They were donated to the National Trust for Scotland from the Blavatnik Honresfield Library by the Friends of the National Libraries in 2022 following a successful campaign to raise funds to secure these, and other important literary pieces, including works by Sir Walter Scott and the Brontës, for the public which were part of a private collection that was put up for sale in 2021.

The manuscripts join more than 5000 Burns-related items which are in the care of the National Trust for Scotland at the Robert Burns Birthplace Museum in Alloway. The site includes an award-winning museum experience, as well as the cottage where Burns was born in 1759.

Also part of the exhibition is the Burns First Commonplace Book which was given jointly to the National Library of Scotland and the National Trust for Scotland from the Blavatnik Honresfield Library by the Friends of the National Libraries in 2022. The book was last displayed in Scotland in 1896 at the major Burns exhibition held in Glasgow and provides an invaluable record of his development as a man and poet.

National Trust for Scotland Chief Executive Philip Long OBE said: “Securing this outstanding collection for the public was an excellent example of our sector working together to raise the funds and support needed to save them for our cultural heritage and ensure that they would be protected for and enjoyed by future generations. We are incredibly grateful to everyone who helped make this possible.

“Burns was inspired by nature, beauty and heritage and his work is of deep significance to Scotland. As the custodians of the place where Burns was born, and many of his most important works, the National Trust for Scotland is honoured to add these important pieces to our collection and to share these with the public through our new exhibition.”

National Librarian and Chief Executive of the National Library of Scotland, Amina Shah, said: “It’s fantastic to finally offer members of the public the opportunity to see these priceless items up close, after they were hidden away for so long.

“This is why we, alongside National Trust for Scotland and other organisations, worked so hard to acquire these items when they came up for sale – it was unthinkable that they would once again end up in private hands. It’s also fitting that the First Commonplace Book makes its first appearance at Burns’s birthplace – it will feel like a true homecoming.”

Homecoming is open daily at the Robert Burns Birthplace until 12 March. Entry is free.

To mark Burns’ Night at the place where Burns was born, the Robert Burns Birthplace Museum is hosting a Burns Birthday Bash family weekend on 21 and 22 Jan and a Blazing Burns Night Spectacular ceilidh and fire performance on 21 Jan.

Find out more at:   https://www.nts.org.uk/visit/places/robert-burns-birthplace-museum

Irvine Welsh backs ‘magnificent’ Old Leith Rediscovered project

The National Lottery Heritage Fund has awarded £90,100 to The Living Memory Association to create a unique experience of the streets, buildings and people of old Leith. The project, named Old Leith Rediscovered, is a collaboration between the Living Memory Association and Spirit of Leithers Facebook page.

The Living Memory Association, in partnership with The Spirit of Leithers, is excited to be opening a second Wee Museum of Memory in Ocean Terminal later this month which will be dedicated to the project. The new venue will also have a walk-in exhibition space to celebrate the memories, places and people of Leith.

Much of old Leith was swept away as part of Edinburgh’s ‘improvements’ of the 1920s and 1960s and knowledge of what was lost now relies mainly on old street maps and photographs.

One of these maps, a Fire Insurance Plan dating to 1892, records significant details, such as building footprints, construction materials, number of storeys, room arrangements and function, location of doors and windows, and much, much more. For an example showing the old Kirkgate, see here.

Using a digital copy of this map created by the National Library of Scotland, Old Leith Rediscovered will add a wealth of information, including hundreds of surviving images scattered across numerous collections, to bring the historic townscape of Leith to life.

The project team conceived of Old Leith Rediscovered during lockdown as a way to celebrate the history of Leith and her people, to foster a pride and inquisitiveness about Leith’s past, and to provide a focus for Leithers to share memories and stories of days gone by. The interactive web-based map of Leith will be published online at the end of 2022.

Miles Tubb, Project Co-Ordinator, The Wee Museum of Memory, said: “We are thrilled to have received funding for this exciting project, which will link these wonderful historical maps with the Leith community.

“We are especially delighted to be working in partnership with Spirit of Leithers Facebook page, National Library of Scotland and Ocean Terminal. Our Wee Museum of Memory has been based in Ocean Terminal for over 7 years and this new unit dedicated to memories of Leith will bring different generations together to learn about the rich history of the Leith community.

Christopher Fleet, Map Curator at the National Library of Scotland, added: “We are delighted to be associated with this project, which will integrate our maps with related historical information, including photographs and oral history resources.

“Maps present the past in one of its most engaging forms, allowing endless insights into what was there, and into how people lived and worked. Moreover the plans that form a focus of this project are one of the most detailed types of urban mapping ever surveyed of places such as Leith.

“We are thrilled that this project has been funded, as it will provide new ways of enjoying and understanding the maps, as well as gathering new information for further research.”

Irvine Welsh, author of the Leith-based classic novel Trainspotting, said: “In the current age of drab uniformity, as manifest in our urban architecture and design, where modern construction renders everything generic, it’s important to remember the richness in the heritage of places like the great port of Leith.

“Thanks to this magnificent project, Leithers old and new can now immerse in the vibrant community of bygone days. As Bob Marley once said ‘in this great future you can’t forget your past…’ So we can now connect with where we came from, which you have to be able to do in order to truly know where you are going.”

Fraser Parkinson, administrator of Spirit of Leithers Facebook page, said: “Our page is dedicated not just to buildings and streets but to the people of Leith who have come before and are here today.

“This project is another huge step in building bridges across the globe between all those who wear their association with Leith as a badge of honour. We look forward to welcoming visitors and hearing from them at the new Spirit of Leithers and Living Memory Association unit at Ocean Terminal.”

Waverley – the first global blockbuster

Move over Da Vinci Code, step aside Harry Potter … the world’s original best-seller is on display in the National Library!

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Two hundred years ago, an anonymously published novel sold out within two days and went on to become a global bestseller …

The original manuscript of Sir Walter Scott’s Waverley, the first novel in his series of global bestsellers, is now display at the National Library of Scotland – 200 years after it was first published.

The ground-breaking book tells the story of the 1745 Jacobite Rising and is widely regarded as inventing the modern historical novel. The first edition of 1,000 copies sold out within two days of publication in 1814. Within months, a fourth edition was being printed.

The National Library of Scotland (NLS), which has one of the best collections of Scott material in the world, is celebrating this literary landmark with a display of rare books and manuscripts which explore what lay behind the novel, how it was published and what people thought of it.

When ‘Waverley’ was published 200 years ago, very few people knew who had written it. Scott had made his name as a poet and decided to publish his first attempt at fiction anonymously, perhaps uncertain of the impact it might have on his reputation. Fiction was also seen as a lesser literary form in the early 19th century with the result that almost half of all novels were published anonymously or under a pseudonym.

On display at NLS will be items which show how Scott (pictured below) was identified by many people as the likely author and his dramatic public outing over a decade later. Scott seemed to enjoy the intrigue he had created and resisted the advice of friends in the know who urged him to own up to his authorship.

sir-walter-scottAt the heart of the display is the original manuscript, showing Scott editing his novel as he went along. Letters written by Scott, his friends and publishers illustrate how the book developed, with its roots in the stories of 1745 Scott heard as a boy, and reveal that not everyone was convinced that the novel would be a great success. Also on display are the volumes of the first edition from 1814, contemporary advertisements and reviews, and a rich selection of the books which Scott used in researching the period.

Helen Vincent, Head of Rare Books and Music, at NLS said: ‘”Waverley” is an exciting book to read because in it you can see Scott inventing a new way of writing historical fiction. It is a novel full of drama and adventure, but Scott also had a serious purpose in writing it, wanting to capture the past as it was on the brink of slipping out of living memory. Scott’s skill as a storyteller and painter with words meant that his books appealed to readers around the world — and created an image of Scotland that still holds strong today.

‘We are delighted to be able to display some of the treasures from our Scott collections which tell the story of one of the most influential books in the English language.’

‘Sir Walter Scott’s Waverley: Voices from the archives’ is on at NLS on George 1V Bridge until 2 November. Entry is free.

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