NEW Group drumming session for all ages.
Tuesday 18th June 6.15pm – 7.45pm.
You may already like drumming and fancy a session, but if you’ve ever fancied it and not had a chance, this is for you too.
Easy level introduction to percussion, drums, and various world instruments, this session is led by experienced Moving Music leader Morag Innes.
Come along and find your inner rhythm. £2 donation.
Please let us know you would like to come here in the comments or by emailing info@drylawnc.org.uk
Scottish Opera has unveiled its 2024/25 Season, which features 13 opera offerings: Oedipus Rex, Albert Herring, Don Pasquale, The Makropulos Affair, The Merry Widow, Trial by Jury, A Matter of Misconduct!, RED, Josefine, The Puccini and Strauss Collections, Opera Highlights and Pop-up Opera.
This includes three world premieres, four new productions, two composer collections, a revival of a much-loved show, and a packed programme of concerts, touring, outreach, and education work.
This high-octane collection of operas, concerts and tours covers a wide range of composers, styles and stories, demonstrating the Company’s continuing commitment to keeping opera accessible, entertaining, and performed to the highest possible standards for audiences all across Scotland.
Alex Reedijk, Scottish Opera General Director, said: ‘Our commitment to presenting world-class opera across all of Scotland is once again evident in our 2024/25 Season, which we are delighted to announce today.
‘We have 13 exciting opera adventures ahead of us: Oedipus Rex, Albert Herring, Don Pasquale, The Makropulos Affair, The Merry Widow, Trial by Jury, A Matter of Misconduct!, RED, Josefine, The Puccini and Strauss Collections, Opera Highlights and Pop-up Opera. Audiences can experience the full spectrum of human responses and feelings that only opera can evoke, from belly laughs to tears, with this diverse collectionof works, themes and composers.
‘It is hugely heartening to see enthusiastic audience and critical response to our work; this loyal support makes our art possible. We are immensely grateful to everyone who buys a ticket or generously supports us, and we are as ever thankful to the Scottish Government for ongoing core funding. We invite everyone to be a part of Scottish Opera and look forward to welcoming audiences at an upcoming performance.’
Stuart Stratford, Scottish Opera Music Director, added: ‘This is Scottish Opera’s 62nd year, and in our 2024/25 Season we are presenting music from more than 11 composers in 56 venues the length and breadth of the country, showing our unabated dedication to bringing opera to everyone in Scotland.
“Featuring a wide variety of styles and genres, it truly exemplifies what the Company is all about.
‘There are some more familiar works alongside brand new music, including the relentless forward momentum of Stravinsky’s Oedipus Rex, the bel canto masterpiece of Donizetti’s Don Pasquale, as well as world firsts from talented young composers like Toby Hession’s A Matter of Misconduct!. We are particularly delighted to launch Josefine, our very first opera told through animation, which follows on from our internationally acclaimed short film, The Narcissistic Fish.
‘Partnerships are a crucial part of making opera, and we are working with other internationally renowned opera companies to maximise resources and create fantastic shows. This Season sees co-productions with our friends at Welsh National Opera, Opera Holland Park, and D’Oyly Carte Opera.
‘We are also incredibly proud of the work we have just done in the 2023/24 Season, which included receiving an International Opera Award nomination for Puccini’s Il trittico. Our reach around the world is evident with a number of our productions being performed far and wide including Ainadamar this autumn at the Metropolitan Opera in New York, and in spring 2025, Missy Mazzoli’s Breaking the Waves, which also began life in Scotland, opens at Houston Grand Opera.’
A balance of international and home grown talent appears throughout the season.
Making their debuts with the Company are Josef Jeongmeen Ahn, Stacey Alleaume, Seumas Begg, Chloe Harris, Edward Jowle, Kira Kaplan, Jonathan Forbes Kennedy, Michael Lafferty, Mykhailo Malafii, Filipe Manu and Callum Thorpe.
There are welcome return visits from Orla Boylan, Mark Le Brocq, Susan Bullock, Brad Cooper, Ross Cumming, Glen Cunningham, Helena Dix, Zoe Drummond, Alasdair Elliott, Catriona Hewitson, Hanna Hipp, Emyr Wyn Jones, Rhian Lois, Jamie MacDougall, Shengzhi Ren, David Stout, Richard Suart, Henry Waddington, Sinéad Campbell Wallace, Kitty Whately, and Roland Wood.
Season 2024/25 Productions
This August 12, 18 and 19, at Edinburgh International Festival (EIF), Scottish Opera presents a promenade performance of Stravinsky’s Oedipus Rex at the National Museum of Scotland.
Building on the Company’s well-honed model of 5-star community opera, the Museum’s awe-inspiring Grand Gallery is a spectacular setting for a night of classical drama, exceptional vocal performances and moving orchestral music.
In this co-presentation with EIF, Scottish Opera Music Director Stuart Stratford conducts former Emerging Artist Shengzhi Ren (Daphne 2023)as Oedipus, Kitty Whately (Don Giovanni 2022) as Jocasta, Roland Wood (Marx in London! 2024) as Creon, Callum Thorpe as Tiresias, Seumas Begg as Shepherd and Emyr Wyn Jones (Don Giovanni 2022) as Messenger.
The director is Roxana Haines (Hansel & Gretel 2023)and designs are by Anna Orton (The Tsar Has His Photograph Taken 2021). An impressive community chorus from across the Central Belt of Scotland joins Scottish Opera for this unique performance of a timeless piece made anew for audiences.
In the ancient city of Thebes, Oedipus has been crowned king, but as the Oracle prophesises misfortune, it becomes ever more apparent that the new king cannot outrun his fate. A cathartic exploration of identity, free will, and the human condition, Oedipus Rex celebrates the bravery and resolve with which humans can face their destinies.
Oedipus Rex is supported by The Scottish Opera Endowment Trust.
Award-winning Daisy Evans (The Telephone 2020) is directing a specially created production of Britten’s chamber opera, Albert Herring, for Lammermuir Festival. As well as at Haddington’s Corn Exchange in September, it will be performed at Theatre Royal Glasgow and Festival Theatre Edinburgh this October and November.
Britten’s loose adaptation of a Guy de Maupassant short story has become one of the 20th century’s most beloved operatic comedies, and in this production William Cole conducts a cast of top UK singers alongside up-and-coming talent. This includes former Scottish Opera Emerging Artist Glen Cunningham (A Midsummer Night’s Dream 2021) as Albert Herring, Susan Bullock (Candide 2022) as Lady Billows and Jamie MacDougall (Marx in London! 2024) as the Mayor, Mr. Upfold.
The market town of Loxford is just as busy with gossip as it is with trade. As Lady Billows organises the annual May Day festival, she is alarmed when her housekeeper Florence Pike informs her that not a single young lady is suitably virtuous to be crowned May Queen. The answer is to crown Albert Herring, a shy mother’s boy, as the May King. Albert has not done anything wrong – indeed, he has hardly done anything at all! Suddenly in the spotlight, Albert finds himself at the crossroads between the time-honoured traditions upheld by Loxford’s old guard and the freewheeling fun of his fellow youngsters, both of whom are quick to judge the odd one out.
Designer Kat Heath brings a colourful eye to this heart-warming coming-of-age story that celebrates finding one’s own path in life despite – or perhaps because of – the misadventures along the way.
Albert Herring is supported by The Scottish Opera Endowment Trust.
Conducted by Stuart Stratford, a revival of the 2014 production of Donizetti’s Don Pasquale opens at Theatre Royal Glasgow in October, and tours to Inverness, Edinburgh and Aberdeen.
Director and Choreographer Renaud Doucet and designer André Barbe (La bohème 2017) bring the quick-witted comedy to life with typically colourful and quirky style. Set in Rome at the cusp of the Swinging Sixties, the eccentric characters are given life in a world that is the perfect setting for a titanic clash of generations. This highly successful production of Don Pasquale, which began life at Scottish Opera, was recently seen in Miami, Genova, Vancouver, and Toronto.
David Stout, who delighted audiences in The Barber of Seville in autumn 2023, returns to Scottish Opera in the title role, with three up-and-coming singers making their Scottish Opera debuts in the main roles. Stacey Alleaume is Norina, Filipe Manu is Pasquale’s son Ernesto and Josef Jeongmeen Ahn is Doctor Malatesta.
Don Pasquale is supported by The Scottish Opera Syndicate.
In February, for the first time since 1993, Scottish Opera is presenting a full staging of The Makropulos Affair by Janáček, in a new co-production with Welsh National Opera.
The Makropulos Affair tells the story of Emilia Marty, Elina Makropulos, E.M.; the stylish, enigmatic diva who has lived many lives, and for over three centuries has been on a quest to become a great opera singer. Captivating minds and hearts along her journey through time and across Europe, her existence throws up questions of science and nature, reality and fantasy, and life and death. When the elixir she was given begins to lose its power, and when secrets of her lives and loves come to light, she can no longer outrun these essential human tensions.
Martyn Brabbins conducts The Orchestra of Scottish Opera, with Orla Boylan (Marx in London! 2024) leading the cast as Emilia Marty, Brad Cooper (Daphne 2023) as Albert Gregor, Henry Waddington (Greek 2018) as Doctor Kolenatý and Mark Le Brocq (Nixon in China 2020) as Vitek.
Opening at Theatre Royal Glasgow before touring to Festival Theatre Edinburgh, this production directed by Olivia Fuchs with multi-layered, poetic designs by Nicola Turner, was nominated for a Southbank Sky Arts Award when presented by Welsh National Opera in 2022. An English translation makes this psychologically astute story even more immediate.
The Makropulos Affair is supported by The Alexander Gibson Circle.
Opening in April in Glasgow before touring to Inverness, Edinburgh and Aberdeen is a new co-production with D’Oyly Carte Opera and Opera Holland Park of The Merry Widow.
Lehár’s charming operetta is directed by John Savournin (who last appeared with Scottish Opera in Ainadamar in 2022), conducted by Stuart Stratford, with celebrated stage designer takis bringing his signature visual dynamism to the romance. A new English translation by John Savournin and David Eaton makes this operetta’s wit sparkle. Details of the cast will be announced later this year.
The Merry Widow is set at a lavish Parisian party, a grand occasion for dancing, drinking, and indiscreet love affairs. Baron Zeta – ambassador from the cash-strapped fictional Balkan state of Pontevedro – has a slightly more serious matter in mind. Among his party is Hanna Glawari, a sprightly Pontevedran widow who has arrived in town to enjoy life and her late husband’s immense fortune. Zeta cannot bear the thought of Pontevedro losing half its national wealth should Hanna marry a Parisian, so he sets his First Secretary Count Danilo to keep tabs on her heart. Little does he know that they have quite the history…
The Merry Widow is supported by Scottish Opera’s ‘Play A Supporting Role’ Appeal.
In May and June 2025, to celebrate 150 years of D’Oyly Carte Opera and Gilbert & Sullivan, a sprightly double bill of justice and its miscarriages comes to life alongside The Merry Widow: a new production of Trial by Jury, and the world premiere of A Matter of Misconduct!, a new operetta by Toby Hession with a libretto by Emma Jenkins.
Trial by Jury is directed by John Savournin, and Laura Attridge directs A Matter of Misconduct!. Conducting The Orchestra of Scottish Opera for both productions is Toby Hession, and designs are by takis.
With a comic cast including Richard Suart and Jamie MacDougall and Scottish Opera’s Emerging Artists Ross Cumming, Kira Kaplan, Chloe Harris and Edward Jowle performing contrasting roles in both pieces, it promises an unmissable night of classic G&S comedy and new writing – two pillars of Scottish Opera’s output.
The first major hit from the partnership of WS Gilbert and Arthur Sullivan satirises the mechanisms of justice through a classic case of broken vows – the defendant having literally left the plaintiff at the altar. The jury’s sympathies are divided in a case that bubbles over with emotion, humour, and downright chaos: how will they decide between the charming, yet rakish, defendant and the utterly captivating plaintiff?
Accompanying it is A Matter of Misconduct!, set in the press room at Number 9 Downing Street. When a scandal threatens to break about the frontrunner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Enter Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook who must find the loopholes. This modern take on scurrilous behaviour follows Jenkins and Hession’s crowd-pleasing political satire In Flagrante, premiered on the 2023/24 Opera Highlights tour.
This new double bill is a co-production with D’Oyly Carte Opera and Opera Holland Park. A Matter of Misconduct! is a new co-commission by Scottish Opera, D’Oyly Carte Opera, and Opera Holland Park.
Supported by Scottish Opera’s New Commissions Circle.
Opera in Concert
Music Director Stuart Stratford curates Scottish Opera’s annual concert programme, introducing audiences to rare and underexplored work. Scottish Opera continues a crowd-pleasing ‘collection’ series in 2024/25 with explorations of two beloved opera composers: Giacomo Puccini and Richard Strauss.
To mark the centenary of the composer’s death, The Puccini Collection takes place in November this year at Usher Hall, Edinburgh and Glasgow Royal Concert Hall, featuring favourite arias, ensembles and orchestral interludes from Puccini’s timeless operas. Soloists Sinéad Campbell Wallace, (The Puccini Collection 2021), Mykhailo Malafii, and Roland Wood (Marx in London! 2024), are accompanied on stage by The Orchestra of Scottish Opera under the baton of Stuart Stratford.
Featuring excerpts from well-known and well-loved works including Tosca, Manon Lescaut, and La bohème, as well as rarer gems from Le villi and Edgar, there is plenty for newcomers and aficionados alike in The Puccini Collection.
In March 2025, The Strauss Collection comes to Glasgow Royal Concert Hall and Usher Hall, Edinburgh.
Following the success of Daphne in 2023, Scottish Opera is delighted to present a concert spanning some of the finest music Richard Strauss ever wrote. The German composer’s early 20th-century output shows the heights of his harmonic and dramatic daring, exemplified by the three operas in this concert – Ariadne auf Naxos, Arabella, and Der Rosenkavalier.
Stuart Stratford leads The Orchestra of Scottish Opera through the German composer’s most lush and captivating scenes and arias, with a cast including sopranos Helena Dix, Rhian Lois (La bohème 2020), mezzo-soprano Hanna Hipp (Kátya Kabanová 2019) and baritone Roland Wood (Marx in London! 2024).
The Puccini Collection and The Strauss Collection are supported by Friends of Scottish Opera and The Scottish Opera Endowment Trust.
Digital productions
After the success of 2020’s live-action opera short, The Narcissistic Fish, Scottish Opera is excited to present its first ever animated opera short Josefine, produced in partnership with Maestro Broadcasting.
This 14-minute film, inspired by Franz Kafka’s last short story ‘Josefine the Singer’, is directed by Scottish Opera’s resident filmmaker Antonia Bain and composed by former Emerging Artist Composer-in-Residence Samuel Bordoli, with a libretto co-authored by the pair. The Executive Producer is Gemma Dixon, and the Animation Director is Sophie Bird.
The recording features 2022/23 Emerging Artist Zoe Drummond, a chorus including Osian Wyn Bowen, Phil Gault, Jane Monari, Frances Morrison-Allen, Colin Murray, Sarah Power, Christian Schneeberger, Sarah Shorter and The Orchestra of Scottish Opera conducted by Susannah Wapshott, Scottish Opera’s Chorus Director.
By combining the mediums of opera and animation, Josefine promises a new and exciting way to experience and explore both art forms. Taking place in a desert world where a creature’s unearthly voice attracts sprites who are enthralled by it, the piece explores the complicated relationship between the singer and audience and the ever-more-relevant question of art’s place in times of crisis. With confirmed screenings at the Film Festival at Vienna’s Rathausplatz in summer 2024, as well as other dates to be announced, Josefine will soon be coming to a screen near you.
Josefine is supported by Scottish Opera’s New Commissions Circle.
Opera Highlights
Scottish Opera produces world-class work at every scale. The Company’s extensive touring programme is one of the largest of any European opera company, ensuring performances are within reach of as many of Scotland’s dispersed population as possible.
From 25 January to 22 March2025, Opera Highlights goes on the road again visiting 24 venues around Scotland, in a vibrant new production directed by Rebecca Meltzer.
A troupe of talented singers, including Scottish Opera’s Emerging Artists Ross Cumming, Chloe Harris and Kira Kaplin, perform in this one-of-a-kind show, programmed by Fiona MacSherry, Scottish Opera’s Head of Music. They are accompanied on the piano by Music Director Joseph Beesley.
They will travel to Cumbernauld, Kelso, Langholm, Clydebank, Tain, Fochabers, Midmar, Troon, Stranraer, Peebles, Mid Yell, Lerwick, Campbeltown, Craignish, Strontian, Dunoon, Castlebay, Tarbert, Ullapool, Durness, Thurso, Killin, Anstruther, and Dundee.
Scottish Opera is also running 11 schools workshops and four community sessions alongside Opera Highlights, in the following locations: Tain, Fochabers, Troon, Stranraer, Lerwick, Mid Yell, Campbeltown, Lochgilphead, Castlebay, Tarbert, Ullapool, Thurso, Anstruther, and Dundee.
Opera Highlights is supported by Friends of Scottish Opera.
Scottish Opera Young Company
From 18 to 21 July 2024, Scottish Opera Young Company is presenting the world premiere of RED, a darkly comedic piece drawn from fairy tales by The Brothers Grimm, at the Company’s Production Studios in Glasgow.
An interwoven story of the four stages of women’s lives that often feature in folk tales, RED is by award-winning composer Karen MacIver, with a libretto by Scottish Opera’s Director of Outreach and Education, Jane Davidson MBE. The conductor is Young Company’s Artistic Director Chris Gray, with Flora Emily Thomson (Maud & Down in the Valley 2023 and As The Seasons Turn 2022) returning to direct the 14 young performers aged between 17 to 21. Set and costume designs are by Finlay McLay.
RED is inspired by Little Red Riding Hood, Rapunzel, Snow White and Hansel & Gretel, and features aspects of the ages of unnamed female figures — girl, maiden, mother, crone — that often appear in these famous stories. The 70-minute opera examines the circular, metamorphic nature of these tales as well as experiences shared by generations of women across time through magical realism.
Scottish Opera Young Company offers young singers a unique and practical introduction to the world of opera and the chance to develop their talent through a year-long programme, working with a range of opera professionals.
RED is supported by The Rose Fund and Scottish Opera Education Angels.
Pop-up Opera
The current Pop-up Opera tour is already underway and on the road until 6 July, with performances of A Little Bit of The Merry Widow and A Little Bit of Don Giovanni – one the ultimate rom-com, the other a moody story of one man’s fate – entertaining audiences from Dumfries to Orkney.
The 2024 Pop-up tour also includes the Scottish Opera new commission Sophie & Bear, a piece for Primary 1-4 that explores mental health awareness and self-care. The specially created piece is composed by Graham McCusker, and devised and written by Pop-up regulars Andrew McTaggart and Jessica Leary.
In these shows, audiences can experience opera on a miniature scale with performances brought to life by a storyteller, singers, instrumentalists and colourful illustrations.
Schoolchildren can also look forward to the tour popping up in primary schools for free performances.
Details of the 2024/25 Pop-up Opera tour will be announced early next year.
Pop-up Opera is supported by Friends of Scottish Opera.
Emerging Artists
The Scottish Opera Emerging Artists programme offers young talent a period of full-time work with the Company to help launch their careers. This season they include soprano Kira Kaplan, mezzo-soprano Chloe Harris, baritone Ross Cumming (returning for a second Season), bass-baritone Edward Jowle, and repetiteur José Javier Ucendo Malo (also returning). The Elizabeth Salvesen Costume Trainee will be announced soon.
Emerging Artist singers perform in a number of this season’s productions and tours, and in recitals at the University of Glasgow and University of St Andrews this November.
They are supported by Scottish Opera’s Emerging Artist Benefactors and Elizabeth Salvesen.
National Opera Studio
As one of the National Opera Studio’s partners, Scottish Opera is delighted to host the 2024/25 NOS cohort – a group comprising some of the brightest rising star singers and repetiteurs from around the world – for a one-week residency of coaching with the Company’s Music department and a guest director. The result is a brand-new showcase performance of operatic scenes and extracts on the set of The Makropulos Affair at Theatre Royal Glasgow on 21 February.
The Orchestra of Scottish Opera
The Orchestra of Scottish Opera regularly performs with other professional musical ensembles across the west of Scotland, supporting their work and the country’s wider ecology of live music and performing arts.
In the 2024/25 Season, The Orchestra performs with companies including Paisley Opera’s production of Gounod’s Faust, Pops at the Phil – The Golden Age of Radio and Early Television, Dundee Choral Union, City of Glasgow Chorus – A Christmas Cracker and Ayr Arts Guild, with more engagements to be announced.
Special Delivery
From 30 November to 29 December at Cumbernauld Theatre at Lanternhouse, is Special Delivery, presented by Cumbernauld Theatre Company, Visible Fictions, and Scottish Opera.
An enchanting musical journey filled with wonder, created for little ones aged 3-7, this delightful show follows Santa on his busiest night of the year, Christmas Eve. Travelling around the world and squeezing down chimneys to deliver presents is a tough job, but this time it is made even more difficult when he is joined by a tiny mischievous hitchhiker who is looking for a way back home. Composed by Karen MacIver with words by Clive King, the director is Dougie Irvine.
Opera in schools
Scottish Opera’s children’s operas make learning fun and creative. Over the years, the Primary Schools Tour has inspired over 850,000 children across all 32 Local Authority areas.
This year’s show is The Tale O’ Tam, a beloved Scottish Opera original making its return with a new digital version. The Tale O’ Tam, composed by Karen MacIver with words by Ross Stenhouse,can be facilitated with an in-person workshop day led by Scottish Opera Teaching Artists with full rental of props and costumes, or entirely within the classroom by teachers themselves, all supported by materials provided by the Company.
Scottish Opera also offers teaching resources for Secondary School pupils. Having worked alongside Largs Academy to develop the materials suitable for young people, The Elixir of Love: Three Ways to Stage an Opera is a free teaching resource for teachers. Pupils learn about music, drama, and art and design – incorporating elements of history, storytelling, and critical thinking – as they explore Donizetti’s comedy through three interpretations.
Taking place from 28 October to 22 November 2024, The Giant’s Harp is an interactive educational singing workshop and performance pairing for pupils in Primary 3-4, which has been created by mezzo-soprano Lea Shaw and harpist Sharron Griffiths,to introduce children to the beautiful music and versatility of the harp. Using the legend ofJack and the Beanstalk and its magical singing harp, youngsters learn about the long history of this instrument and the many continents and cultures where it can be found.
Disney Musicals in Schools collaborates with primary schools with no previous engagement with the arts and often facing a range of social and economic challenges. Teaching Artists guide pupils through rehearsals for special adaptations of Disney musicals and, crucially, provide training for teachers to build their pupils’ skills and confidence through the performance arts, creating a sustainable arts legacy for the future. Scottish Opera is Disney Musical in Schools’ first Scottish partner, and in this fourth successful year of the programme the Company engages with Additional Support Needs Schools for the first time.
New for 2024, Scottish Opera partners with St. Mary’s Edinburgh and Douglas Academy Glasgow to support, mentor, and increase the numbers of young singers who want to explore opera as a career. A notable focus for 2024/25 and future seasons, based on recently identified gaps in music education and career progression, is on those with Additional Support Needs and those already attending one of Scotland’s Specialist Music Schools.
The Opera in Schools programmes are supported by Harbinson Charitable Trust, David & June Gordon Memorial Trust, Hayward Sanderson Trust, Scottish Opera’s Education Angels and JTH Charitable Trust.
Memory Spinners
Scottish Opera continues to offer its Memory Spinners project for those living with dementia. The free project uses music, storytelling, movement, and visual arts to help Glasgow-based people living with dementia get creative, and form new support networks. Throughout each 8-week term, they share memories that are then incorporated into a relaxed performance for friends and family.
Supported by The R S Macdonald Charitable Trust, Sylvia Aitken Charitable Trust, Bellahouston Bequest Fund, Trades House of Glasgow (Commonwealth Fund), and Scottish Opera’s Education Angels.
Royal Conservatoire of Scotland collaboration
Starting in 2025, the Royal Conservatoire of Scotland introduces a one-year Artist Diploma in Opera in collaboration with Scottish Opera to offer a highly specialised combination of vocal, movement and acting training. This new partnership will nurture the next generation of international opera talent, and culminates in students taking leading roles in Glasgow and Edinburgh as part of Scottish Opera’s core season.
Breath Cycle
The ground-breaking online programme, Breath Cycle, was formed with the Respiratory and Cystic Fibrosis Medicine team at NHS Glasgow. Designed to benefit those living with conditions affecting lung health – particularly Long COVID – free resources introduce participants to vocal exercises and breathing techniques. The response is overwhelmingly positive, with participants citing improvement in breathing, energy levels and mood. More information is available on the Scottish Opera website, where a series of short tutorials and exercises can be accessed, or those interested can sign up for weekly online sessions and song writing workshops.
The Covid Composer’s Songbook, aselection of songs written by Breath Cycleparticipants, has been recorded for anyone to use and enjoy. Visit Scottish Opera’s website to download the full collection.
Breath Cycle has grown from its original work with cystic fibrosis patients to include those recovering from Long COVID, then developing further to offer broader wellbeing support. This year, Scottish Opera partners with leading experts at University of the West of Scotland and Chest Heart & Stroke Scotland to develop Breath Cycle alongside evolving understandings of lung health and its associated health concerns.
Supported by The Scottish Government, Cruach Trust, The Murdoch Forrest Charitable Trust, W M Mann Foundation, Souter Charitable Trust and Scottish Opera’s Education Angels.
Community Choir
Places are available in Scottish Opera’s Community Choir, open to adults of all ages and conducted by Katy Lavinia Cooper, which starts up again in September. Set up in 2012, the Choir gives members an opportunity to sing a wide variety of music – folk, world, classical, opera, popular, and more – in a supportive atmosphere, with sharings each term and opportunities to perform in full operas, including Oedipus Rex at the Edinburgh International Festival. They do not need to be able to read music or have previous experience. The Community Choir most recently performed The Jolly Beggars at Cottiers Theatre in Glasgow.
Supported by Cruach Trust, The Murdoch Forrest Charitable Trust, W M Mann Foundation, Souter Charitable Trust, and Scottish Opera’s Education Angels.
Accessible Performances
Scottish Opera is offering a range of accessible performances, to ensure everyone has the opportunity to enjoy a live opera experience that is inclusive and welcoming. With Access Opera performances and audio-description available this year, the Company aims to make it as easy as possible to attend the opera.
Specially created Access performances of Don Pasquale and The Merry Widow run alongside the mainstage productions in Glasgow and Edinburgh. With Dementia Friendly values at their core, afternoon Access performances are for those who enjoy a more relaxed opera experience. With a shorter running time (under two hours including an interval) and tickets at just £12.50, these performances are open to all, including those who may be living with dementia or Long COVID, more comfortable at a shorter show, struggling to get to evening performances, or would simply benefit from the more relaxed atmosphere.
Those who are visually impaired can also take advantage of audio-described performances where a live commentary is provided by a specialist audio describer during the show, describing the action on stage without compromising the music. As part of the experience, a recorded introduction to the opera is available in advance, as well as a live audio introduction before the start of the performance.
At select performances, audiences can book on to a free Touch Tour to become more familiar with the set, scenery, props and costumes. Pre-show talks are also available. These half-hour sessions delve into the detail of each opera, enhancing the audience enjoyment and extending knowledge of the piece.
Healing Arts Scotland
The world’s first nationwide Healing Arts campaign unites organisations across culture, science, health, education, and government. A week of performances, exhibitions, and workshops begins at the Edinburgh International Festival on 19 August 2024. Scottish Opera performs at their event at Tramway, Glasgow on 21 August. Find out more at healingartsscotland.org
Festival of Politics
On 23 August 2024, the Scottish Parliament hosts its 20th Festival of Politics in partnership with Scotland’s Futures Forum and Healing Arts Scotland. Featuring sessions on political, social, and environmental issues, the festival offers people an opportunity to discuss current affairs. Scottish Opera is thrilled to present In Flagrante by Toby Hession and Emma Jenkins a short operatic political satire premiered on the 2023/24 Opera Highlights tour, in a performance at 3pm as part of the festival. Find out more at festivalofpolitics.scot
The Small Magician
The Small Magician is a trauma-aware, inclusive, accessible vocal education resource, which enables participants to healthily challenge and build their vocal technique and knowledge from the comfort of their own home or chosen space. Created by former Scottish Opera Emerging and Associate Artist Lea Shaw, the project aims to empower participants to embrace their voices and practice, as part of a wider sense of well-being and an awareness of mental/physical health. The guidance draws on classic pedagogy, scientific research, and Yoga and embodiment practices. Workbooks and resources covering breath-work, texture, diction, intonation, pattern, embodiment, and recovery can be accessed through
TWO weeks to go until our performance of Rossini’s “Petite Messe Solennelle”, a masterful choral work that blends solemnity and grace with operatic flair.
Join us on Saturday 15th June, 7.30pm at St Mary’s Cathedral, Edinburgh – tickets are available here: https://www.thequeenshall.net/…/rossinis-petite-messe…
With just over a week to go until global pop superstar Taylor Swift arrives in Edinburgh, the city council has released advice for residents, businesses and visitors.
The three sold out shows taking place at Scottish Gas Murrayfield on Friday 7, Saturday 8 and Sunday 9 June will go down as some of the most significant performances ever seen here in Scotland’s capital city.
To ensure our city maintains its vibrancy we will be ensuring the key areas surrounding Murrayfield will be tidied up all three nights after each show. We will also be dedicating extra litter collectors at Roseburn Park from 4pm – 1am daily.
We request that you only travel to Murrayfield and the surrounding area if you have a ticket.
There will be a number of Council Marshalls on hand to assist Swifities navigate the area.
Culture and Communities Convener, Councillor Val Walker said: “As we get ready to welcome hundreds of thousands of Swifties to our vibrant city, we are eager for everyone to have an enjoyable experience, not only at the show, but on their way before and after.
“Whilst we relish hosting the biggest and best events and want everyone attending to truly enjoy themselves, it’s important that we’re conscious of our residents.
“We ask that visitors are considerate and respectful of them whilst enjoying our fantastic capital city. These concerts are just the start of an amazing summer of events and culture here in Edinburgh.”
To find out more, and for helpful information in the lead-up to the concerts visit our dedicated Taylor Swift webpage.
Please also check the dedicated webpage of the Scottish Rugby Union with detailed advice for attendees.
Get ready to shake it off and sing along as this June, Virgin Hotels Edinburgh will be turning up the Taylor Swift tunes for a weekend celebration across the 6th, 7th, 8th and 9th.
For those that missed out on landing tickets to see Taylor live, Virgin Hotels Edinburgh is offering tribute performances and drag themed brunches to ensure it’s a party like 1989.
Eve, Virgin Hotels Edinburgh’s all day dining concept situated on Cowgate is preparing for a Taylor Swift themed weekend. The hotel will play host to themed brunches, accompanied by drag performances as well as tribute acts and Taylor Swift inspired friendship bracelets, making it the perfect Swiftie experience.
TAYLOR SWIFT THEMED BRUNCHES – 7th, 8th, 9th June (12:00 – 16:00)
TAYLOR SWIFT BIG BOOZY BRUNCH WITH ALICIA TRYDE – 8th June (12:00 – 16:00)
TAYLOR SWIFT TRIBUTE HOSTED BY SHY BAIRNS ENTERTAINENT – 9th June (12:15 -16:00)
THE SWIFTIE LOUNGE – 7th, 8th, 9th June (All day)
WINE DOWN THURSDAY WITH A TAYLOR SWIFT TRIBUTE – 6th June (18:30 – 20:30)
Julie Fowlis and a stage packed with some of the finest musicians in folk, brought this year’s Edinburgh Tradfest to a close on Monday 13 May with an outstanding rendition of Runrig’s ‘Fuaim A Bhlair’.
The 11 day festival of traditional live music, talks, folk film and storytelling, saw over 80% of tickets sold for the music programme and multiple sell-out shows at the Traverse Theatre, Cameo and the Scottish Storytelling Centre.
The festival enjoyed a massive jump in trad fans coming out in support of live music, with sell-out shows and packed houses on both weekends (Triptic, Martin Simpson Daimh, Rachel Newton, Nordic Fiddlers Bloc, and VALTOS).
There was also a full audience for this year’s new commission Everyone’s Welcome to Edinburgh curated by renowned fiddler Robbie Greig and performed by Robbie and a stellar line-up of musicians including Hannah Rarity, Jenn Butterworth, Signy Jakobsdottir, Duncan Lyall and Megan MacDonald. Plus, there was not a seat to be had for Malin Lewis’ debut album launch Halocline.
The second weekend’s workshops also saw great attendance and 92% of places sold, with Bruce Ncube’s Zimbabwean singing workshop bringing home an abundance of joy-felt harmonies from an amazing standard of participants.
, over at the Scottish Storytelling Centre, Svend-Erik Engh’s improve your patter session for musicians was an early sell out, as was Shona Cowie and Neil Sutcliffe’s premiere of their new show Rickle O Stanes which galloped through the story of Scotland, from its geological formation right up to its present socio-economic condition told through stories and song.
Another big hit at the Scottish Storytelling Centre was an emotional Hearth Fire Session which saw an incredible blend of live storytelling from Traveller Jess Smith, folk musician Sam Gillespie and basket-weaver Katie Warner, all guided by host Dougie Mackay who gifted Jess with a willow basket full of the stories and songs of the evening, to acknowledge her contribution to storytelling.
Further afield the Folk Film Gathering celebrated its 10th anniversary with a popular programme of Scottish and international films, many accompanied by live scores or introductory talks. Screen premieres included the sold out Scottish premiere of Songlines – a new documentary from Pat Collins celebrating the songs and singers at the heart of the Irish traveller community; and Itu Ninu set in a dystopian ‘smart city’ from Edinburgh-based Mexican director Itandehui Jansen.
Plus, to close this year’s folk film gathering, musician Aly Bain introduced a screening of Mike Alexander’s film Down Home with some great chat and tremendous tunes.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “This year’s festival was just brilliant, we took a chance and top and tailed the music programme with two big gigs at the Queen’s Hall and the Assembly Rooms and it really paid off, with audiences returning again and again to hear more great music and support the musicians.
“The buzz around the venues was fantastic and our thanks goes to everyone who has supported us in making the festival possible. Next year we are back 2-12 May – and we can’t wait!”
Jamie Chambers producer of the Folk Film Gathering said: “2024 was a banner year for us. It was great to be back in synch with our friends at Tradfest and to be working again with Cameo Picturehouse.
“Programme highlights for us included the combined voices of Jess Smith and Joss Cameron at the Scottish premiere of Pat Collin’s SONGLINES, celebrating the links between Scottish and Irish traveller culture; the sublime, emotionally overwhelming new score composed by Luke Sutherland and Semay Wu for Alexander Dovzhenko’s EARTH; the chance to host Finnish master musicians Lau Nau and Pekko Kappi, for the premiere of Katja Gauriloff’s moving JE’VIDA; and the powerful words of Palestinian-Scottish poet Nada Shawa at our screening of Michel Khleifi TALE OF THE THREE JEWELS.”
Daniel Abercrombie, Head of Programming, Scottish Storytelling Centre, said: “Tradfest continues to enhance our programme, it is a wonderful time of year!
“We were especially delighted that so many families and young people were involved in our song and story sessions, as well as joining together to celebrate the traditions of Beltane as May arrives. Looking forward to next year already!”
Edinburgh Tradfest is supported by The National Lottery through Creative Scotland and the William Grant Foundation.
Edinburgh Tradfest will return from 2 to 12 May 2025.
Julie Fowlis and Laura Wilkie who close this year’s Edinburgh Tradfest
Edinburgh Tradfest is now in full swing and seeing a fantastic turnout of audiences to its 11 day programme of events across the city.
The Festival runs until Monday 13 May and this weekend sees a continuation of its packed programme of traditional live music, storytelling and folk film.
Highlights coming up include: Edinburgh Tradfest’s closing concert at the Assembly Rooms (13 May) with vocal superstar Julie Fowlis andhighly respected fiddler Laura Wilkie. Julie Fowlis, forever recognised for singing the theme songs to Disney Pixar’s Brave, and singing live at the opening ceremony of the Glasgow XX Commonwealth Games. will grace the stage with her crystalline and intoxicating vocals, accompanied by special guest Laura Wilkie whose debut solo album Vent – an instrumental exploration or traditional Gaelic waulking songs, is released on 5 July. Laura will perform with musician Ian Carr on guitar/harmonium.
International musicians will also take centre stage, including raucous fiddlers Lena Jonsson and Brittany Haas (8 May), whose powerful fiddle playing is intricate and heart-rending.
Plus, two of Finland’s most visionary musicians Lau Nau and Pekko Käppi will perform their accompanying music score for Je’Vida the first every film made in the Skolt Sami dialect (spoken by only around 300 people) on Fri 10 May, followed by a concert at the Scottish Storytelling Centre that same evening.
Newly formed bands and new work coming up includes Triptic (Greg Lawson, Phil Alexander and Mario Caribe from Moishe’s Bagel) on Fri 10 May and Birdvox (Sarah Hayes, Jenny Sturgeon, Charlotte Printer and Inge Thomson) on Thursday who will debut this Festival. Plus, Malin Lewis launches their new album Halocline (Wed 8 May), Norman&Corrie whose music transcends both jazz and folk will present new music created in Shetland for their forthcoming album later this year (Thu 9 May); and storyteller Daiva Ivanauskatie and musician Gaynor Barradell explore the silence between generations in Fire from the Woods at the Storytelling Centre this Saturday.
New young bands showcasing their talents at our ETF Spotlight event on Sunday 12 May include Miguel Giräo whose latest release The Northern Isles Suite is a collection of music for solo guitar composed of traditional melodies from Orkney and Shetland; Elír who take traditional songs from Scotland and Ireland and merge them with an eclectic range of influences to produce a unique sound (Niamh MacKaveney, David Lombardi, Calum McIlroy); Noah Scott & Ciorstaidh Chaimbeul from Skye who won the Danny Kyle Award at this year’s Celtic Connections; and Beatha a vibrant folk trio (Iona Reid, Kenneth Macfarlane, Cam Lawson) whose traditional folk melodies are infused with a contemporary flair.
Plus, there will be a full weekend of workshops on everything from traditional Zimbabwean song and Scottish step dance, to how to sign, how to improve your onstage patter, and how your favourite music can provide a springboard to your own songwriting ambitions with Evie Waddell, Bruce Ncube, Svend-Erik Engh, Anna-Wendy Stevenson and Karine Polwart.
And, finally, on Friday and Saturday night there will be late night music in the Traverse bar from 22:30 until late with Isla Ratcliff and Dominic Blaikie, and Simon Bradley and Anna-Wendy Stevenson leading the sessions.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “It’s fantastic to see so many people enjoying this year’s programme and the artists are just having THE best time.
“We’re only half way through and we have a huge weekend coming up, so we really hope that the crowds continue and first-timers and regulars will come along, support the artists and have a great time.”
Edinburgh Tradfest runs from Friday 3 May to Monday 13 May.
For tickets and more information visit edinburghtradfest.com
Are you ready for it? In honour of global pop sensation Taylor Swift’s Eras tour hitting Edinburgh this summer, Le Petit Beefbar is launching ‘Taylor’s Version’ of its renowned cocktail menu.
The Taylor’s Version menu will be available from the 13th May, when fans and cocktail enthusiasts alike will be able to enjoy a carefully curated selection of drinks inspired by the chart-topper’s iconic discography.
From the nostalgia of Fearless and Speak Now, to the delicate storytelling of The Tortured Poets Department, the menu has something for everyone and every era.
Lovers of a sweet spritz can try Champagne Problems, made with Edinburgh Gin, fresh lemon and topped with Moët Rosé and a cloud of candy floss, and for a quick pick me up, the Bad Bloody Mary customised with your choice of spirit, is sure to hit the spot.
The Lavender Haze is the vision of summer with flower syrup, gin and homemade Lillet Rosé soda, and for those partial to a mocktail, the Anti-Hero combines delicious Amarena Juice and sparkling Nosecco.
To celebrate Taylor’s most recent album drop, the team have transformed their Beefbar Espresso Martini into a cocktail strong enough to spark the genius of any tortured poet.
While enjoying a pre-concert cocktail, Swiftie’s can also take advantage of the delicious bar snacks on offer, from the 45-day cured croque sando, to the baby quesadillas with Kobe karasumi and coveted tempura insane rock corn accompanied by sriracha mayo. All will be sure to set up concert goers for an evening of dancing until midnight.
To celebrate in style, bookings can be made at:
https://beefbar.com/le-petit-beefbar-edinburgh/#reservations
or by calling +44 131 240 7177.
Cadenza Spring Serenade in support of Kindred
Date: Saturday 11th May 2024
Time: 7.30 pm
Tickets: £12 (Children free) available on
Eventbrite https://www.eventbrite.co.uk/e/cadenza-spring-serenade-tickets-862646728587?aff=ebdssbdestsearch or on the door
Venue: Inverleith St Serf’s Parish Church, 280 Ferry Road, EH5 3NP
One of Edinburgh’s leading mixed voice choirs, Cadenza, celebrates sunny days, starry nights and air filled with birdsong, in works by Ravel, Elgar, Saint-Saens and more …
Scottish Ensemble have built a devoted following for their Concerts by Candlelight in the Midwinter, and they now present a series of concerts revelling in the long days and abundance of natural light around the Summer Solstice.
Light-filled venues will resonate to the sounds of vibrant, uplifting music, performed with Scottish Ensemble’s characteristic zest and warmth.
From the 17th to the 21st of June, Concerts for a Summer’s Night will celebrate that magical juncture when daylight outlasts the night, filling the air with the promise of endless possibilities. Performances will take place in Rossie Byre in Perthshire, Strathpeffer Pavilion, Aberdeen Art Gallery, The National Museum of Scotland in Edinburgh and Glasgow’s Kelvingrove Art Gallery and Museum.
Audiences can expect a treat as the ensemble blend classical and contemporary works for string orchestra into a joyful sonic summer cocktail.
From familiar works by Elgar and Mendelssohn to the innovative sounds of Tunde Jegede and Sigur Rós, the programme promises to transport listeners through centuries and musical styles, focusing on themes of joy and connection.
The much-awaited second instalment of Glasgow-based composer David Fennessy’s two-part commission will also feature. Following the warmly received debut of RAIN I during Scottish Ensemble’s Concerts by Candlelight performances last December, this new piece promises to captivate and inspire.
Jonathan Morton, Artistic Director of Scottish Ensemble, said: “Following on from last year’s second and warmly received Concerts for a Summer’s Night, I am looking forward to the third edition!
“We hope these events will become – like Concerts by Candlelight in December – a regular and anticipated feature of our season.
“At this time of year, natural light is almost a constant, tempting us to spend more time outside and reconnect with the natural world as well as with each other.
“There is a unique kind of energy around the time of the summer solstice, and I hope that hearing live music in these light-filled venues will be a vibrant and memorable experience.”
Tickets range from £9 – £22.50 and are free for under 16s.
Tickets are available from:
https://scottishensemble.co.uk/programme/2023-24/concerts-for-a-summers-night-2/
Listings information
Monday 17 June
Rossie Byre, Perthshire, 8pm
Tuesday 18 June
Strathpeffer Pavilion, Strathpeffer, 8pm
Wednesday 19 June
Aberdeen Art Gallery, 8pm
Thursday 20 June
The National Museum of Scotland, Edinburgh, 8pm
Friday 21 June
Kelvingrove Art Gallery, Glasgow, 8pm
Concerts for a Summer’s Night programme
Jörg Widmann 180 beats per minute
Tunde Jegede Dancing in the Spirit
Peter Sculthorpe Movement I from Jabiru Dreaming
Caroline Shaw Valencia
Sigur Rós arr. Guy Button Fljótavík
Felix Mendelssohn arr. Lynne Latham Movement I from Violin Concerto in E minor
Edward Elgar Movement II from Serenade for Strings
Ana Sokolović Innamorati from Commedia dell’arte III
Leoš Janáček arr. Jarmil Burghauser On an Overgrown Path
Jessie Montgomery Smoke from Break Away
Sufjan Stevens arr. Michael Atkinson Year of the Ox from Run Rabbit Run
David Fennessy RAIN II (World Premiere)
