Hidden Door Festival 2021 is heading to Granton Gasworks, with the festival taking place in the shadow of the historic gas holder.The site at West Shore Road will be transformed into an outdoor celebration of music, visual art, theatre, dance and spoken word from 15 – 19 September 2021.
Organisers plan on building two stages for music performances, lighting up the gas holder to create a dramatic backdrop, with sculptures displayed throughout the site.
The large, open space will allow Hidden Door 2021 to be flexible, adapting to comply with the coronavirus restrictions in place at the time.
Over five days, the event will showcase the work of at least 30 graduates, four site artists, eight dance groups and two theatre companies, highlighting some of the best emerging talent in Scotland.
David Martin, Creative Director of Hidden Door, said: “Taking on the site of the Granton Gasworks is an exciting opportunity for Hidden Door to adapt, as we need to, in order to start bringing live events back to the city. We are used to working in the nooks and crannies of disused buildings, so moving to a big open site like this is really liberating!
“We are designing the event so that there will be enough space for everyone to be safe and to be able to accommodate social distancing if we still need to work with those restrictions, but the epic nature of the site, with the incredible gas tower landmark looming over us, means we will be able to create a spectacle and an atmosphere, and bring about the wow-factor that our audience expects from a Hidden Door venue.
“We can’t wait to get on site and start turning it into a creative and joyful showcase of Scotland’s emerging talent. Early career artists and performers have been so badly affected by the pandemic, so they are front and centre for this event, and we are looking forward to showing how much talent there is to celebrate.”
Edinburgh College, who occupy the area close to the Gasworks where the festival will be held, are enthusiastically welcoming the festival on to the site. As well as opening the gates to Hidden Door, they hope to use the festival as a training opportunity for students on a number of courses.
Jakki Jeffery, Head of Creative Industries at Edinburgh College, said: “It’s fantastic that Hidden Door have chosen this site close to the iconic Granton Gasworks to host their 2021 festival.
“It will be wonderful to see the space transformed to showcase creative talent which we hope our students can play a part in, and take inspiration and experience from to boost their future careers.”
Tickets
Tickets are available via www.hiddendoorblog.org/tickets or from Citizen Ticket. Once the full programme is announced, ticket holders will be able to select which days they would like to attend.
Leading aparthotel group Nativeis set to host Scottish alternative rock band, Fatherson on their private garden terrace next month.
This one-off money-can’t-buy event takes place on June 5th with thirty lucky guests to celebrate the stylish Edinburgh hotel reopening.
The band made up of Ross Leighton, Greg Walkinshaw and Marc Strain have toured relentlessly including sold-out headline shows across the UK and Europe, plus support slots with Lewis Capaldi, Kings Of Leon, Biffy Clyro, Frightened Rabbit, Augustines, Idlewild and Twin Atlantic
When they’re not touring, Fatherson spends the rest of their time cooking up a storm – and sharing their recipes with fans through their ‘Cooking With Fatherson’ channels on their website. Their pizza pop-ups have become legendary amongst other bands backstage at festivals across the country and now they’re bringing their cooking to Native Edinburgh.
This exclusive ‘Cooking With Fatherson X Native’ event will be a chance for fans of the band to hang out and enjoy a pizza Fatherson on Native’s terrace. They’ve previously cooked for Lewis Capaldi so you’ll be in good company.
To get your hands on complimentary tickets for this intimate gig, simply head to Fatherson’s Instagram between Tuesday 25 to Thursday, 27 May to enter their giveaway.
Thirty lucky winners will be announced to join them at Native Edinburgh for this exclusive get-together and complimentary pizza and drink.
Greg Walkinshaw of Fatherson said:“Cooking With Fatherson started out after we took our pizza oven on tour feeding our crew, pals and other bands backstage at festivals.
“After a long year without seeing anyone, we’re really looking forward to dishing out some slices to some new pals next month in Edinburgh!”
Native Edinburgh – newly opened last year in Kintore House on Queens Street, was originally constructed in the 1790s. The building is a significant part of the original fabric of Edinburgh’s New Town, an area of outstanding neo-classical and Georgian architecture and a UNESCO world heritage site.
With 82 apartments comprising studios, one bedrooms, and ground floor leisure and co-working spaces, Native Edinburgh provides the flexibility and amenities of a design-led boutique hotel, coupled with the space, comfort and privacy of a home from home.
Gary White, Regional Manager of Scotland Native aparthotels, said:“Like the rest of the world, it feels good to be back reopened and being able to put on intimate events.
“Cooking with Fatherson is our first event on our Edinburgh terrace and we couldn’t think of a better way to kick things off than with this incredible Scottish band. If you’d like to join us, make sure you visit Fatherson’s Instagram page.”
Cooking with Fatherson X Native Edinburghwill take place on Saturday, 5th June from 4pm until 7pm on the Native Edinburgh terrace.
For more information on Native aparthotels, head to:
Up and coming musicians, bands and artists from across Scotland have a new platform to showcase their talents on thanks to a new record label launched by Edinburgh Napier music students.
Launching last night (10 May) with a special online showcase event, Mirror Glass Records and its first four bands and artists were unleashed into the world.
Founded and run by 14 third year BA (Hons) Popular Music students, the label aims to give a platform to the best new music from Edinburgh and further afield.
The first batch of artists signed to the label include Niamhy Mac, an 18-year-old singer-songwriter and multi-instrumentalist from the remote village of Applecross in the Highlands, Edinburgh-based producer Coben, Edinburgh band Ketracel White and Glasgow-born, Hawaii-raised artist, Sacul.
All four were part of last night’s online launch event and will feature on the label’s first showcase EP which will be released later this month.
Mirror Glass Records has been set up as part of the students’ Music Industries and Entrepreneurship business module, but the aims and goals of the label are far-reaching.
The students behind the label want to redefine how a music label operates and aim to give its artists and community the voice they believe they deserve.
From supporting its artists through transparent and fair contracts, to being committed to equality among its staff, artists and events, the label is focused on doing things differently.
Anibal Ravani, a member of Mirror Glass Records’ development team, said: “Mirror Glass Records is an ethical, eclectic, new artist music label that aims to do things differently from day one.
“Led by a group of musicians and entrepreneurs from all over the world, we are committed to developing and innovating our own and our artists’ musical practice in Edinburgh.
“We’re so excited to launch the label after months of planning and we’re so proud of our four initial bands and artists – we can’t wait to help shine a spotlight on their talent.
“We want to be known as a transparent and ethical record label, involving our artists and staff in the entire process, making it as fair and as equal as we can. This is really the bedrock on which the entire label has been founded upon.
“We have a vision for Mirror Glass Records in that we want to create a community of creative professionals, firstly from within Edinburgh Napier and then further afield. The University, through its creative students such as those who study Graphic Design, Journalism and Film, already has this community but we want to harness this even more and help create something that all associated with the University – and hopefully many others – can be proud of.”
Dr Paul Harkins, Lecturer in Music, said: “I’m very proud of what this group of students have achieved over the last few months. As part of the Entrepreneurship module, we set them a task in January to plan, organise, and release an EP of music by Edinburgh Napier students.
“They have worked with energy and enthusiasm to develop a label for the University based on new and innovative ideas.
“Collaborating with students on other programmes to create a strong visual identity, they have identified some of the most exciting talent on both our undergraduate and postgraduate courses.”
17-year-old percussionist Fang Zhang – born in China’s Henan province and a recent student of Chetham’s School of Music in Manchester – has been revealed as BBC Young Musician 2020.
The announcement was made during the broadcast of the competition’s Grand Final on BBC Four and BBC Radio 3 last nght, presented by BBC Young Musician regular Josie d’Arby, organist and conductor Anna Lapwood, and star saxophonist Jess Gillam.
Fang Zhang (above, left) follows in the footsteps of 19-year-old American-born/UK-based pianist Lauren Zhang, who won the competition in 2018 and went on to perform in the UK and beyond, including a debut at the BBC Proms in 2018, and appearances as soloist with the BBC Scottish Symphony Orchestra, European Union Chamber Orchestra, China National Symphony Orchestra, and Adelaide Symphony Orchestra – among others.
Previous BBC Young Musician winners include celebrated classical music stars such as cellist Sheku Kanneh-Mason, violinist Nicola Benedetti, and clarinettist Mark Simpson.
A recent student at Manchester’s prestigious Chetham’s School of Music, which he joined in September 2018, Fang Zhang is a member of China Youth Percussion Orchestra, and thanks to this scheme he has been performing around the world since he was 11 years old.
Despite his young age, he has already won prizes at international percussion competitions all around the world, including USA, Japan, and his native China. Among his tutors are international percussion luminaries such as Royal Northern College of Music Deputy Director of Percussion Le Yu, and Chen ShaoLun, president of the Shanghai National Percussion Association.
Fang Zhang impressed the judging panel with a performance of one of the gems in contemporary marimba repertoire: Prism Rhapsody by Japanese composer and marimba innovator Keiko Abe. He was accompanied by the BBC Philharmonic conducted by Mark Wigglesworth.
The panel was chaired by Chief Executive of Saffron Hall Angela Dixon, and included composer, clarinettist and BBC Young Musician 2006 winner Mark Simpson, composer Errollyn Wallen, Principal Conductor with the BBC National Orchestra of Wales Ryan Bancroft, and experimental composer and turntable artist Shiva Feshareki.
Taking place after a year-long delay due to the global pandemic, the socially-distanced BBC Young Musician 2020 Grand Final was filmed on Sunday 25 April at Manchester’s Bridgewater Hall without an audience in attendance.
The competition’s three finalists performed on stage with the BBC Philharmonic conducted by Mark Wigglesworth, performing with reduced numbers to allow the required social distancing.
BBC Young Musician 2020 returns this weekend on @BBCFour 🎷🎹 Friday 30th at 19.00 is THE SEMI FINAL. 🎻 📯 🥁 Sunday 2nd May at 20.00 is THE GRAND FINAL. 🎼 🎵 Here's a small glimpse of what we've been waiting a whole calendar year to see 😀 pic.twitter.com/R0rnIsslrO
Fang Zhang says: “I am honoured and delighted to win BBC Young Musician 2020, and feel so lucky considering the talent of the other finalists.
“The BBC team is amazing and I want to thank them and my schools, Chetham’s School of Music and Qingdao Percussion College, for supporting me through the whole programme in every possible way.”
On Fang Zhang’s performance at the Grand Final, Angela Dixon says: “BBC Young Musician 2020 has been an outstanding competition, the standard has been incredibly high and all three finalists showed exceptional musicianship.
“Fang chose to perform on a single instrument, the marimba, but elicited a kaleidoscope of colours and expression from it that deeply moved the jury and presenters. It was a privilege to be one of the few people to hear his performance live.”
Conductor Mark Wigglesworth says: “BBC Young Musician is always a glorious celebration of the future, but especially this year, it offers a much needed sense of optimism to everyone in the classical music world.
“All three finalists have shown a tremendous passion and determination to maintain their commitment to the competition across a year of uncertain silence. They play with humility and respect but daring and personality too, encouraging all who hear them to look forward to more positive times ahead.”
The BBC Young Musician 2020 Final also featured exceptional performances by the winner of the brass final, 18-year-old French horn player Annemarie Federle from Cambridge, currently in her first year studying at the Royal Academy of Music in London; and 19-year old oboist Ewan Millar from Reading, Berkshire, who won the woodwind category. Ewan is now in his second year reading music at Oxford University.
Jan Younghusband, Head of BBC Music TV Commissioning says: ““BBC Young Musician competition is always a great celebration of incredible young talent. But this year in particular, with Covid restrictions still in place, broadcasting the grand final has had particular poignancy.
“All of these musicians have shown that there is much to look forward to. We wish Fang – and all of our outstanding finalists – the best for the future, and we are delighted that audiences at home were able to join us for such a spectacular display of musicality and technique.”
BBC Young Musician Executive Editor, Paul Bullock says: “We will surely remember the 2020 edition of BBC Young Musician as a unique and ultimately very special one.
“The three finalists have shown extraordinary resilience over the past 12 months when it’s been difficult for us to tell them when and if the final would go ahead. To see and hear them perform last weekend alongside the BBC Philharmonic conducted by Mark Wigglesworth was both thrilling and deeply moving.
“Congratulations to Fang and all of the finalists and a thank to the musicians of the orchestra and Mark for their support and commitment. This is a BBC Young Musician Final like no other and we’re delighted that audiences at home can now share this experience – a celebration of the future and the joy of making music together.”
In addition to the coverage on BBC Four and BBC Radio 3, the BBC Young Musician 2020 Grand Final is now available on iPlayer for 12 months, and BBC Sounds for 30 days.
BBC Young Musician 2020 is managed and produced by BBC Studios Music and Entertainment Wales.
The Last Night In (a music film): STAY ODD live from Leith Theatre
Date: 8th May 2021 @ 8.30pm
Presented by Handsome Tramp Records in association with Creative Scotland
Tickets available here: https://bit.ly/2QNoQra
Scottish hip-hop mainstays Stanley Odd have announced they will be playing a unique performance of their latest album STAY ODD from the iconic main auditorium of Leith Theatre.
The band formed in Leith over a decade ago. Now, four albums and almost twelve years later, the six-piece are returning to the place where their journey began for a celebration of live music – and of Staying Odd.
The band are known for their electric live performances and, although we cannot dance together just yet, have decided to bring their explosive live show to fans’ living rooms.
The event will be ticketed however – recognising the uncertain times that we’re living through – fans have the choice of four price options. The standard price is £10, but fans will be offered an option of £5 – or nothing at all – to ensure the gig is as accessible to all. An additional option of £20 will also be available to folks who want to show some extra support.
The album itself, described by BUZZ Magazine as the band’s “most accomplished work yet,”, was recorded over a four-year period and showcases the sound of a band who are nothing but confident in their Oddness.
STAY ODD takes the listener on a journey through the global news cycle on a stolen bicycle, to a place where lying politicians are at odds with iconic female figures, and tales of witches are interspersed with classic hip-hop. Each track is as truly unpredictable as the last.
The album dropped on April 12th after being teased for over a year with the release of lead single Where They Lie in February, and then another every six weeks since July. This stunning music film of the band live from Leith Theatre is made possible by Creative Scotland’s Sustaining Creative Development fund.
The Last Night In was born out of the same desire to engage with their fans.
Frontman Dave Hook, aka MC Solareye, says of the show: “Playing in this beautiful, semi-derelict space – on the floor in the middle of the room – sort of represents all of the empty venues around the country just now.
“The Last Night In is a bittersweet celebration of live spaces as well as of STAY ODD getting played in full – start to finish.”
Connect with Stanley Odd: Facebook Instagram Twitter Bandcamp
Last week, we announced to Fringe participants that we’ll be opening show registration – for both online and in-person performances – on Wednesday 05 May, in advance of the Fringe taking place from 06 – 30 August.
This is an exciting moment for the Fringe Society; it means all the preparatory discussions we’ve been having – with artists, venues, government and all members of the Fringe community – can finally be translated into action, with visible results.
The positive response we had to last week’s announcement only confirms what I knew in my heart – that there are many people out there who are just as excited and eager as we are to see the Fringe return!
Of course, opening registration is only the start of this process – we are acutely aware of how difficult the last year has been for artists, and we’re doing everything we can to support them in making work this year and beyond.
We’ve reduced registration fees across all tiers by 25%, and removed the top tier entirely.
We’ve also announced the opening a Fringe Artist and Venue Recovery Fund: a £75,000 funding pot which is available to Fringe companies, creatives and venues to support projects that will enable a return to the Fringe in 2021 or 2022.
The fund will prioritise projects that seek to improve opportunities for access on the Fringe by underrepresented groups – you can find out more at edfringe.smartygrants.com.au/recoveryfund.
There’s certainly a lot more still to be done, but we feel this is the first of many steps we can take to support artists returning to the Fringe.
I recognise that any eagerness to restart the Fringe must be tempered by a sense of caution and responsibility.
We continue to work closely with Scottish Government and the City of Edinburgh Council, and keep a close eye on official guidance as it emerges and develops, using it to inform every decision we make.
The most recent news indicates some easing of restrictions by the end of June, which is definitely encouraging, but if the last year has taught us anything it’s that things can change at very short notice, so for those dreaming fervently of a fun-packed summer in Edinburgh, we strongly recommend an attitude of cautious optimism at this stage.
It’s also important to remember that this year’s Fringe won’t be the same as it was. Even as restrictions relax, we still expect to see some form of social distancing and other safety measures in Edinburgh this August.
Again, we’ll work with venues and other partners to figure out how best to use this information as it develops, creating clear guidance for audiences and participants. We also know that it will not be possible to produce our usual printed programme this year, though we are exploring alternatives.
While it is right and appropriate that we manage our expectations about a return to live performance, I am full of positive anticipation to see how Fringe artists channel their extraordinary creative energy into digital work at this year’s festival.
As happens with any seismic change in society, artists have responded to online life in brilliant and inventive ways, and I think it entirely correct that the Fringe – with its longstanding reputation for unleashing the creative spirit – showcases the best in digital inspiration as well.
Silver linings to the past year’s events are few and far between, but the increased availability of innovative, imaginative work – work that can be accessed virtually anywhere – is surely among them.
With this in mind, we’ve put a lot of time and energy into developing our digital infrastructure for this year’s Fringe. We’ve ensured that, whichever online platforms artists and venues want to use, we can support them to do it; they’ll also have access to our own innovative Fringe Player.
In addition, we’re creating an exciting new online events programme and meeting space to help artists and industry connect and collaborate, which we’re hoping to launch in summer.
With the seeds of carefully laid plans now blooming into life, our goal – as ever – is to support Fringe participants.
As mentioned above, registration (and the wide range of benefits and services that come with it) will open in May, and will remain open right through to the end of the Fringe with no deadlines attached.
We’re also continuing to invest in our website so that audiences can search, browse and book shows as easily as ever, helping them find the artists whose work will resonate with them for years to come.
All of our plans are being made cautiously but optimistically, and as ever, public health will be our priority. But we can take heart in the fact that the Fringe is happening. And, whether online or in a venue, I can’t wait to see you there.
We are pleased to announce that show registration for Fringe 2021 will open on Wednesday 05 May.
Artists and venues will be able to register Fringe shows right up until the end of the festival. The Fringe’s world-class programme will be available to browse and book at edfringe.com, with tickets going on sale for audiences in early summer.
As Scotland navigates its roadmap out of lockdown, much is still unknown about what the Fringe will look like this August. However, a range of scenarios are being prepared for, from socially distanced live events to digital offerings.
The Fringe Society is supporting artists and audiences to find and book work online across a range of platforms, including the brand-new Fringe Player.
This online platform aims to bring some festival magic into homes across the world, while providing a secure platform for artists, companies and venues to host their shows. The platform is available to any registered 2021 Fringe show or venue to use if they wish.
Any live performance registered as part of the 2021 Fringe will be expected to adhere to public health guidance from the Scottish Government.
Audiences can search, browse and buy tickets to both online and in-person work through edfringe.com. More details on individual shows and Fringe 2021 will be available in early summer.
Shona McCarthy, Chief Executive of the Fringe Society, said: “We’re delighted to be able to open registration for 2021. Of course, we’re still very much in planning mode as we await further updates from the Scottish Government, but this feels like a hugely positive step in the right direction.
“Through the work being created across the various digital platforms, including the Fringe Player, artists have a brilliant opportunity to reach audiences and communities all over the world. I look forward to seeing how our Fringe creatives use these platforms in 2021 and beyond.”
The Edinburgh Festival Fringe will take place from 06 – 30 August 2021.
The Edinburgh International Festival will welcome audiences back to live performance with temporary outdoor pavilions throughout the city this summer:
We are thrilled to announce our reimagined Festival for 2021, marking the return of live performance to Scotland’s capital city after over a year of silenced theatres and concert halls.
Taking place from 7 to 29 August, the 2021 International Festival will use bespoke, temporary outdoor pavilions in iconic, easily accessible spaces throughout the city to safely reunite our artists and audiences to rediscover the magic of live performance.
Our temporary outdoor pavilions, found at three locations including Edinburgh Park and the University of Edinburgh’s Old College Quad, will feature covered concert stages and socially distanced seating to create a beautiful setting for audiences to safely enjoy live music, opera and theatre once more.
The health and safety of the entire Festival community is at the heart of our plans for this year’s festival. That’s why we are working with the Scottish Government, City of Edinburgh Council and other relevant authorities to implement appropriate Covid safety measures.
These will include shorter performances with no intervals, physical distancing, regular cleaning and contactless ticketing.
We will publish full details of our security and safety measures in the coming months.
While we are looking forward to the prospect of bringing the Festival City to life once more, we appreciate that not everyone will be able to attend our performances in person this year.
To ensure that everyone can enjoy a slice of the magic, wherever they are in the world, we will release a selection of high-quality streamed performances, free of charge, during each week of the Festival.
Since Edinburgh’s summer festivals in 2020 were officially cancelled a year ago, we have received extraordinary support from so many people.
As our Festival Director Fergus Linehan says, “We are hugely grateful to the artists who have agreed to come on this journey with us, the stakeholders, donors, and sponsors who have stood by us through a tough year and our audiences who have cheered us along throughout. We look forward to sharing full details of the programme in early June.”
Full details of our 2021 programme, which spans opera, orchestral and chamber music, theatre and contemporary music, will be announced on Wednesday 2 June.
Priority booking for International Festival members opens on Tuesday 1 June before general booking opens on Friday 11 June.
Welcome Back
We are delighted to announce that in August 2021, the Edinburgh International Festival will return to live performance.
Connecting with others is more crucial now than ever. For that reason, we have continued to engage with communities across Edinburgh and further afield during the pandemic, bringing performances and opportunities to schools, families and socially isolated people. These projects are an integral part of the International Festival’s identity, and we will continue them and expand their scope as 2021 progresses.
We are proud of the streamed and broadcast works we have brought you over the past year. These projects have helped us experiment and evolve, and they will continue as a vital element in our work and engagement. But a Festival is at its heart a gathering, a celebration of community and shared purpose. The time is right to take the first careful steps back to live performance.
We are hugely grateful to the artists who are coming on this journey with us; to the stakeholders, donors and sponsors who have stood by us through a tough year; and to our audiences who have cheered us along throughout. We are excited by the prospect of seeing you all at the 2021 Edinburgh International Festival.
Michael Murray’s Psycho-Scherzo will be performed as part of the RSNO’s ‘Scotch Snaps’ series on 23 April 2021
Michael, who works as a night warden, has been composing since he was 9 and in 2017 and 2019 his work was performed at The Cumnock Tryst
At a time when hope is in the air, yet good news remains at a premium, The Cumnock Tryst are delighted to celebrate the success of local night warden and classical composer Michael Murray.
Michael, who turns 40 next month and works as a night warden for the Ayr central shopping centre, composed oboe solo Psycho Scherzo in 2019 and is over the moon that it will be performed on 23 April as part of the Royal Scottish National Orchestra’s (RSNO) 2021 Chamber Series.
Throughout the pandemic, the RSNO has been leading the way in presenting work in new ways for their international audiences and ‘Scotch Snaps’ is an online Chamber Music series celebrating five living Scottish composers.
Michael Murray, Composer, said:“I was both shocked and delighted when I heard that the RSNO would perform Psycho-Scherzo as one of their Scotch Snaps, and as part of this season’s Chamber Music Series in April this year.
“After all the disappointment caused by the pandemic, the cancellation of live events and in particular The Cumnock Tryst, it felt like a sign that things were looking up.”
“I have noticed during lockdown that more people have been buying my work online, which is perhaps partly due to performers having time to explore what’s out there, and potentially add to their existing repertoires. So, for me at least, there has been a sliver silver lining, although like everyone else, I can’t wait for things to return to some sort of normality and to be able to go and enjoy live music together again in the same space.”
Michael discovered a love for composing at the tender age of nine after he was gifted a guitar, and he first came to the attention of The Cumnock Tryst’s founder and award-winning composer Sir James MacMillan when he took part in a masterclass at Cumnock Academy when Michael was fifteen.
Since then (and despite his meteoric rise to classical music fame) James has kept a keen eye on Michael and his music and included his work in the Cumnock Tryst festival line up in 2017 and 2019.
Sir James MacMillan, founder of the Cumnock Tryst, said:“Myself and the whole Cumnock Tryst team are absolutely delighted for Michael and we can’t wait to tune in to Psycho-Scherzo when it is performed by the RSNO on the 23 April as part of their 2021 digital programme.
“I discovered that Michael had a passion for composing when I hosted a masterclass at his school, the same school I went to, and he has continued to impress me with his commitment to and love for it over the years.
“This is a tough time for musicians, for everyone in the arts, but hopefully there is light at the end of the tunnel and I for one cannot wait to hear Michael’s pieces once again performed live.”
Edinburgh Festivals – the biggest combined festivals in the country – will benefit from £1 million from the UK Government this year
Half a million pounds will fund a new digital platform to promote UK talent and content to both international and domestic producers
£500,000 will be made available for Festival organisers to increase their digital capabilities
The UK Government will fund two new projects to expand the digital potential of the Edinburgh Festivals with £1 million investment, Culture Secretary Oliver Dowden has announced.
The Edinburgh Festivals are the biggest combined festivals in the UK, attracting audiences of nearly 5 million every year, generating £313 million for Scotland’s economy alone, and providing unparalleled opportunities for artists across the country.
Last year many shows at the Edinburgh Festivals had to move online due to the coronavirus pandemic.
The challenge of moving to a combination of physical and online events, and the increased demand for British virtual cultural content around the globe, revealed the need to expand the Edinburgh Festivals’ digital capabilities as part of the cultural sector’s post-Covid recovery.
The UK Government is providing £1 million in funding for digital improvements that will enable more ways for people to virtually access the events across the country, increase opportunities for UK artists and ensure Edinburgh’s landmark events will continue to be major contributors to the UK’s economy and cultural landscape.
The 11 festivals in the Festivals Edinburgh event portfolio will be able to apply for a share of a new £500,000 fund which will support innovative virtual solutions to the challenges of commissioning, producing and promoting festival programmes in an increasingly digitised cultural sector.
The funding will help encourage collaboration between events and develop hybrid events with live and digital elements.
Another £500,000 will be provided to create a new digital platform that will help national and international buyers and producers search for talent and content from the festivals’ hugely varied programmes, which showcase thousands of artists and performers every year, and promote the work of British artists and performers around the world.
The funds will be available to Festivals Edinburgh this financial year. Events with live audiences at limited capacities in Scotland will return no earlier than 17 May, and further details about the planning for this year’s Edinburgh Festivals will be released in due course.
This funding builds on £100,000 previously awarded to the Edinburgh Fringe Festival in 2018 to better connect UK artists with international producers. As part of ongoing support for culture in Edinburgh, the UK Government provided £10 million for the Dunard Centre, through the Edinburgh and South East Scotland City Region Deal.
It will be the city’s first dedicated new space for music and the performing arts in 100 years. Scotland also received £97 million from the UK Government’s Culture Recovery Fund to provide support for the nation’s arts and cultural sectors.
Lothian MSP candidate for Edinburgh Southern, Miles Briggs, said:“This funding from the UK government is a very welcome investment into the arts and supporting the Edinburgh festival.
“It has been an exceptionally challenging year for artists and performers, many of whom have needed to adapt to virtual audiences.
“This investment will pave the way for hybrid Edinburgh Festival performances, which will allow people around the globe to see the creativity and talent on show in Edinburgh.”
Oliver Dowden, Culture Secretary, said:“Edinburgh’s Festivals have long been a springboard for the very best of British talent and a vital part of culture in Scotland and the UK.
“The UK Government’s investment will promote it to a worldwide audience online, helping the UK’s biggest combined festival build back better from the pandemic.”
“This is on top of £97 million we provided last year to the Scottish Government to support Scotland’s arts organisations through the pandemic. Like everyone else, I look forward to our fantastic arts and culture coming back better than ever before, as soon as it is safe to do so.”
Iain Stewart, UK Government Minister for Scotland, said:“Edinburgh is world-famous for its festivals, bringing wider benefits to Scotland’s economy, tourism and arts sectors.
“We know the last 12 months have been difficult for the culture sector. This £1 million funding boost will support organisations to improve their digital capabilities and engage with audiences here in Scotland and further afield.”
Sorcha Carey, Chair, Festivals Edinburgh, said: “While live events in Edinburgh will remain the backbone of our world-class festivals, it’s crucial that we enhance our digital operations and so we’re delighted with this incredible support from the UK Government which will help reposition our work, and the work of creatives, across the digital world.”
Sir James Macmillan, Composer, said:“I’m delighted and encouraged to see this significant and notable support being given to the Edinburgh Festivals at this crucial point.
“The arts have been seriously affected by the pandemic and it is wonderful that the UK Government is showing its tangible commitment to culture in Scotland by investing in one of Scotland’s and Britain’s most important arts organisations.”
