THE SHOW WILL GO ON AS MUCH-LOVED THEATRE WINS REPRIEVE
Councillor Finlay McFarlane, the SNP representative for the city centre, has led the charge to find money to secure the future of the 117 year old Kings Theatre in Tollcross.
The councillor, who credits the theatre as giving him his first professional work after graduating Drama School, rallied council colleagues to offer financial support for the Edinburgh institution securing a pledge from all five political Parties in the recent budget to part-fund the and called on UK and Scottish Governments to meet the remainder.
The Kings restoration project was thrown into jeopardy when the UK Government rejected a City of Edinburgh Council bid for Levelling Up funds but Cllr McFarlane was delighted that, having called on Culture Minister Neil Gray to rescue the plans, the Scottish Government has announced £3.85 million to fully plug the hole and save the theatre from shutting its doors for good.
Cllr McFarlane said: “I am over the moon to see the cultural, economic and historic importance of the true people’s theatre recognised and supported by the Scottish Government.
“Since the outcome of the levelling up bid was known, I have been working with colleagues to explore options to find the remaining money needed. Closing the doors on The Kings Theatre for good was simply not an option. This shows the SNP’s commitment to culture in the capital city of Scotland”.
CAPITAL THEATRES SECURES £6.5 MILLION GRANT CONTRIBUTION FROM SCOTTISH GOVERNMENT TOWARDS THE £25 MILLION REDEVELOPMENT OF THE KING’S THEATRE
Minister for Culture and International Development, Jenny Gilruth MSP, has confirmed total grant funding of £6.5 million from the Scottish Government for the King’s Theatre Redevelopment Project.
Opened in 1906, the King’s Theatre, Edinburgh is an important venue for touring drama, musicals and children’s shows. It is home to Scotland’s biggest Panto production and each year plays a pivotal role in hosting the Edinburgh International Festival.
The King’s has a unique place in the hearts and minds of many Edinburgh residents, and is a theatre of national and historical importance.
The redevelopment will modernise the existing facilities and transform the experiences of visitors, local communities, performers and staff, whilst preserving its unique heritage.
The plans will ensure the theatre remains a vital part of Edinburgh and Scotland’s cultural provision, as well as functioning as a community hub for years to come. The redevelopment project is set to start in September 2022, with the theatre planned to reopen in mid-2024.
This grant from the Scottish Government joins £4 million already secured from the City of Edinburgh Council along with additional loan funding. The rest of the budget is made-up of generous donations from individuals, grants from trusts and foundations, support from companies and Capital Theatres’ own contribution from ticket income.
Alongside this an application to the National Lottery Heritage Fund is currently moving into its second stage. The grant from Scottish Government consolidates a robust mixed funding model and paves the way for a public campaign to fundraise for the remaining £3 million.
Fiona Gibson, CEO of Capital Theatres said: “We’re overjoyed with this show of support and confidence in the King’s Redevelopment Project from the Scottish Government.
“As COVID 19 hit in March 2020, Capital Theatres announced that the redevelopment of the King’s would be paused for a year whilst we dealt with the impact of the pandemic. Far from lose momentum on the project, 15 months of closure has made us all the more determined to ensure the King’s Theatre can honour its illustrious past with a thriving future at the heart of Edinburgh and Scotland’s cultural life.
“Not only a wonderful venue for joy and inspiration, the King’s will also offer a thriving hub by day for the many communities situated in and around Tollcross. Scottish Government’s grant, along with the grant and loan funding from City of Edinburgh Council, makes this project viable.
“This funding stands alongside the National Lottery Heritage Fund grant we are working so hard to secure, and the tireless efforts of our Development Team. There is, however, still a way to go to reach our financial target and we’ll be launching a public fundraising campaign later in the year.
“This last push will build on the generous support shown during our period of closure, so the people of Edinburgh and Scotland can continue to play their part by helping us secure the future of the King’s as a historical and cultural treasure.”
Culture Minister Jenny Gilruthsaid: “The King’s Theatre has been a jewel in Edinburgh’s cultural crown for more than a 100 years, with generations of audiences enjoying a rich diversity of shows from its annual pantomimes to world premieres at the Edinburgh International Festival.
“The Scottish Government is pleased to support the redevelopment of the grade A-listed theatre and enable the King’s Theatre to reach out to a wider range of audience and increase its community engagement.”
City of Edinburgh Council Culture and Communities Convener, Cllr Donald Wilson said: “The King’s has been a beloved Edinburgh theatre for over a century, programming the best in touring drama, hosting some of the most talented community and non-professional groups; and certainly the best in pantomime, as well as bringing all kinds of theatre experiences to the city from all over the country, including London’s West End.
“The ‘Grand Old Lady of Leven Street’ has always been Edinburgh’s theatre for everyone.”
Cllr Amy McNeese-Mechan, Culture and Communities Vice Convener said: “The King’s is in need of this capital project to bring the theatre back to a standard fit for the 21st century whilst acknowledging the incredible history.
“This capital funding contribution is great news and a fantastic achievement for the theatre and will substantially strengthen its redevelopment ambitions, ensuring that we will all be able to continue to enjoy a great night at the King’s for many more years and generations to come.”
Smith and Brant Theatricals and Ambassador Theatre Group Productionsare today delighted to announce a new production of Fatal Attraction, based on the classic Paramount Pictures Corporation film.
The thrilling new play will embark on a major UK Tour in 2022, opening at the Brighton Theatre Royal on Tuesday 14th January 2022, before touring to Theatre Royal, Newcastle; King’s Theatre, Edinburgh; Theatre Royal, Bath; Theatre Royal, Nottingham; Alexandra Theatre, Birmingham; New Theatre, Cardiff; Everyman Theatre, Cheltenham; Richmond Theatre, Richmond; Royal and Derngate, Northampton; Waterside Theatre, Aylesbury; Theatre Royal, Glasgow and York, Grand Opera House.
Fatal Attraction is the latest grip-the-edge-of-your-seat thriller from the producers of the acclaimed tours of Patrick Hamilton’s Gaslight and Patricia Highsmith’s Strangers on a Train.
Fatal Attraction is written by James Dearden, who based the stage play on his Oscar-nominated screenplay, which in turn was adapted from his 1980 short film, Diversion.Loveday Ingram will direct the production with a full casting announcement to follow.
One of the most iconic films of the era, Fatal Attraction was one of 1987’s highest grossing US Box Office release, securing six major Oscar nominations at the following year’s Academy Awards, including: Best Actress for Glenn Close’s mesmerising depiction of urbane sophisticate Alex Forrest, Best Supporting Actress (Anne Archer), Best Writing Adapted Screenplay (James Dearden), Best Director (Adrian Lyne), Best Editing, and Best Picture.
Michael Douglas – at the peak of his Hollywood powers – was omitted from the list only as he was nominated elsewhere in the Best Actor category for his role as Gordon ‘greed is good’ Gecko in Wall Street, which he went on to win.
Fatal Attraction’s success was such that the film inspired a generation of psychosexual thrillers in the years that followed.
When happily married New York attorney Dan Gallagher, meets charming editor Alex Forrest on a night out in the city, they both commit to a night of passion they can’t take back. Dan returns home to his family and tries to forget the mistake he has made, but Alex has different ideas. Dan’s about to discover that love is a dangerous game, and Alex has only one rule; you play fair with her, and she’ll play fair with you.
Loveday Ingram trained with John Barton at the RSC and was previously Associate Director at Chichester Festival Theatre. Loveday’s credits include: The Rover, The Merchant of Venice (Royal Shakespeare Company); Henry V, Julius Caesar (Storyhouse); Baskerville: A Sherlock Holmes Mystery (Liverpool Playhouse/National Centre for the Performing Arts, China); My One and Only (Piccadilly Theatre/Chichester). Nominated for 4 Olivier Awards and Evening Standard Award); The Blue Room (also Chichester), When Harry Met Sally (Theatre Royal Haymarket); Bedroom Farce (Aldwych Theatre); Three Sisters, Pal Joey (nominated for TMA and Barclay Best Musical Awards), Dead Funny, Insignificance (Chichester Festival Theatre); Macbeth (Theatre Severn); Richard III (Nottingham Playhouse/York Theatre Royal); These Shining Lives (Park Theatre); Rockabye (Beckett Centenary Festival/Gate Theatre Dublin/Barbican); Boston Marriage, Hysteria (Irish Times Award) (Project Theatre Dublin); Outlying Islands, Lettice and Lovage (Bath Theatre Royal); The Messiah (National Theatre of Brent/Bush Theatre). Opera credits include All About Love (Linbury Studio); Brittain’s Rape of Lucrece (BAC) and Barber’s Vanessa (Lyric Hammersmith). Music Video includes This Time It’s Forever (Women’s Aid).
Tipped to be provocative and gripping in equal measures, Fatal Attraction is a tale of seduction and suspense that asks the question; what happens when desire becomes deadly?
Three charitable arts organisations will receive a share of £3 million of additional funding as part of the ongoing emergency coronavirus (COVID-19) support for culture.
Capital Theatres – which operates the Festival Theatre, the King’s Theatre and The Studio in Edinburgh – will receive £800,000.
Aberdeen Performing Arts – which runs His Majesty’s Theatre, Aberdeen Music Hall and The Lemon Tree – will receive £1.4 million.
Eden Court Highlands – Scotland’s largest single-site arts venue – will receive £800,000.
The funding is part of the £185 million package of targeted COVID-19 funding announced by the Scottish Government last month.
Culture Secretary Fiona Hyslop said: “This funding will help to secure the future of three of Scotland’s important independent performing arts charities, protecting jobs and addressing some of the financial pressures they are facing.
“These venues all receive UK and international touring work of major scale, make a significant contribution to the economy and support a network of arts organisations, artists and creatives at the heart of our cities and regions.
“The Scottish Government has allocated more than £120 million of additional funding to support culture and heritage since the start of the pandemic and we will continue to listen to the needs of the sectors.”
Chief Executive of Aberdeen Performing Arts Jane Spiers said: “This funding will go a long way towards helping us survive, thrive and play our part in the cultural and economic recovery of the North-East.
As an arts charity with a high reliance on earned income and over 500 show cancellations to date through 2021 and into 2022, it provides us with a vital lifeline.
“This new funding recognises the unique scale of the challenge facing large scale theatres and concert halls, the significance of culture to the region’s economic future and the vital role Aberdeen Performing Arts plays in civic, cultural and community life.
“We wouldn’t be here today without all the financial support we’ve been able to access to date from the Scottish Government, from our local authority and generous donations from audiences. It means more than words can say. We can’t wait to welcome everyone back when it’s safe to do so.”
This additional support takes the overall emergency COVID-19 funding from the Scottish Government to £2.38 million for Aberdeen Performing Arts, £2.07 million for Eden Court Highlands and £1.55 million for Capital Theatres.
Capital Theatres, Scotland’s largest theatre charity, has received £168,000 from The National Lottery Heritage Fundto support its three venues – Festival Theatre, King’s Theatre and The Studio, through this period of closure.
This vital funding, which will help maintain the iconic buildings in a safe condition, has been made possible thanks to National Lottery players.
This funding from the Heritage Emergency Fund will go towards covering essential costs such as electricity, gas, IT, insurance and maintenance of the theatres whilst they are closed. It will also go towards a small element of staff salaries for those who are responsible for ensuring the venues are secure and maintained whilst closed, and who will plan how we can adapt our venues to safely reopen our venues when we are allowed to do so.
At least 90% of Capital Theatres’ income is generated from ticket sales and trading income, meaning that the sudden closure meant an immediate loss of the two main sources of income.
To date Capital Theatres has refunded 52,900 tickets with a value of over £2.5m. The postponement of the panto until 2021 will result in a further £2.3m loss of income.
It is currently campaigning to receive emergency support to the same level as other publicly supported theatres which would allow Capital Theatres to play its part in the renewal solution for Edinburgh and Scotland.
Beyond its 3 key venues the organisation provides local community health and wellbeing benefits through an extensive programme currently adapted to run virtually, delivers a key element of Edinburgh’s year-round cultural offer for local citizens and retains 230 jobs in the city’s cultural sector.
Kate Smith, Director of Development at Capital Theatres said: “Capital Theatres, Scotland’s largest theatre charity, is responsible for the Festival Theatre, King’s Theatre and the Studio. When we closed our venues in March due to Covid-19 we saw a 90% reduction in our income from loss of ticket sales.
“This vital funding from the Heritage Emergency Fund will help maintain our buildings in a safe condition. On behalf of everyone at Capital Theatres we would like to thank National Lottery Players.”
The funding, made possible by National Lottery players, was awarded through The National Lottery Heritage Fund’s Heritage Emergency Fund. £50million was made available to provide emergency funding for those most in need across the heritage sector.
The UK-wide fund aimed to address both immediate emergency actions and help organisations to start thinking about recovery.
Ros Kerslake, Chief Executive of The National Lottery Heritage Fund, said: “Heritage has an essential role to play in making communities better places to live, supporting economic regeneration and benefiting our personal wellbeing. All of these things are going to be even more important as we emerge from this current crisis.
“Thanks to money raised by National Lottery players we are pleased to be able to lend our support to organisations such as Capital Theatres during this uncertain time.”
Like Capital Theatres, other charities and organisations across the UK that have been affected by the unprecedented impact of the coronavirus outbreak are being given access to a comprehensive package of support of up to £600 million of repurposed money from The National Lottery.
This money is supporting some of the most vulnerable people in our communities and span the arts, community, charity, heritage, education, environment and sports sectors.
Thanks to National Lottery players, £30 million is raised every week for good causes, including heritage of local and national importance. By playing The National Lottery, people up and down the country are making an amazing contribution to the nationwide-response to combatting the impact of COVID-19 on local communities across the UK.
The National Lottery Heritage Fund’s Heritage Emergency Fund is now closed for applications.
To find out more about how The National Heritage Emergency Fund is supporting the sector at this time please visit:
It is with great sadness and a huge feeling of disappointment that Capital Theatres today announces that this year’s King’s panto, Sleeping Beauty has been rescheduled until November 2021.
In line with the King’s panto producer, Qdos Entertainment’s announcement on Monday 3 August, the uncertainty around ongoing restrictions and maintaining social distancing means that it is not possible for us to open on 28 November 2020 as planned. All customers who have purchased or reserved tickets will have them automatically transferred to 2021. Capital Theatre’s box office will be in touch with those customers over the coming weeks.
Sleeping Beauty was to have opened at the King’s Theatre Edinburgh on Saturday 28 November 2020 and run until Sunday 17 January 2021.
Starring Allan Stewart, Andy Gray, Grant Stott and Jordan Young, the spellbinding fairytale was last performed as the King’s pantomime title in 1993 and has only been performed three times in its 114-year history. Sleeping Beauty will now run from the 27 November 2021 until Sunday 16 January 2022 and become the last pantomime to be staged at the King’s before the theatre undertakes its major refurbishment in the summer of 2022.
As Scotland’s biggest and best-selling panto, with over 90,000 theatregoers attending the King’s pantomime each festive season, the show represents nearly 30% of Capital Theatres’ annual income and the postponement will result in the massive loss of £2.3m at the worst possible time for the theatres.
Fiona Gibson, Chief Executive of Capital Theatres said:“The impact of the global pandemic has been devastating on all theatres, and it has become a reality that to keep everyone safe and the organisation secure, mounting a full-scale production without social distancing in the current cycle would be challenging.
“There are only 3 occasions in its 114 year history that a King’s panto has not taken place, the last time being 1968 ….so 2020 will be another landmark moment for all the wrong reasons!
“We know this will be as much of a blow to you, our fantastic and loyal audiences, as it is to both the cast who love bringing you such joy every year, and to our tremendous staff who love making it happen. For so many it is the cornerstone of their festive celebrations.
“I still remember to this day, at the age of eight, my parents taking my brother and I through to Edinburgh to visit relatives and as a festive treat we all went to the King’s to see Mother Goose, with Stanley Baxter at the helm – we were mesmerised, and that was the start of my long love affair with the theatre.
“Capital Theatres is Scotland’s largest theatre charity and the impact of this decision is devastating. The panto alone brings in nearly 30% of our income each year. Since we closed our doors on the 16 March we have had no source of trading income, have refunded millions of pounds in tickets and cancelled, rescheduled or postponed scores of performances.
“Without doubt the loss of the Kings Pantomime is our biggest blow to date.”
Michael Harrison, Managing Director of Qdos Entertainment said: “I was studying in Edinburgh when I saw the first ever pantomime Qdos produced at the King’s Theatre.
“I think I saw it four times because I just loved the genre and I knew that Allan was someone very special. As one of the longest running pantomimes in the country, and certainly one of the most popular it is incredibly difficult to step away from it this year and resign ourselves to a year without that wonderful atmosphere and love between the audience and performers on stage – that is pretty unique”
Panto dame Allan Stewart added:“I can’t imagine a Christmas without a Kings Panto. But in the words of the Terminator … ‘We’ll be back’!”
Andy Gray said: “Very sad that we won’t be trying to wake Sleeping Beauty this year…. but it’s been a strange year 2020 for us all hasn’t it?
“I tell you this … We look forward to seeing you all in 2021! Stay safe…. and wash your hands!”
Edinburgh’s very own panto baddie Grant Stott added: “Just like everyone who loves our annual Panto at The Kings Theatre Edinburgh, I am absolutely gutted at the prospect of no show this year – it will be my first Xmas away from the Kings since 1999.
“However, even baddies can be optimistic and I am already looking forward to staging Sleeping Beauty in 2021 – which, in the circumstances, now promises to be one of the most special Pantos ever staged at The Kings!”
Jordan Young said: “I’m incredibly disappointed that Sleeping Beauty won’t be at the Kings this Christmas. The most important thing is safety for everyone, staff and audience alike.
Last year was my first year in the Kings Panto and I loved every single second. I can’t wait to be back on that stage next year with the team and deliver the show that everyone will be wanting and deserve.”
Capital Theatres continues to be hugely grateful to all those people who have been able to take gift vouchers or donate their tickets as opposed to refunds which helps to protect your theatres for the future.
Fiona Gibson added:“We truly believe that Capital Theatres can be a key part of the solution for Edinburgh getting back on its feet. Only by continuing to thrive can we help sustain the vitality of the arts, the cultural ecology, the economy and the wellbeing of the community in our wonderful city and surrounding areas.”
If you feel you can help further, please consider making a donation via the website at capitaltheatres.com.
Shows at all Capital Theatres venues are currently programmed into 2021 and 2022 and tickets are available to buy online.
We have made the very difficult decision to cancel the Edinburgh Gang Show 2020, due to be performed at the King’s Theatre in November, because of ongoing Coronavirus (COVID-19) concerns.
This will be the first time in 60 years that the Gang Show has not been performed in an Edinburgh theatre, but our priority is the safety of our young people and adult volunteers.
The Gang may not be able to meet in person, but we are planning to present a virtual performance in November which will showcase the talent of our young people from South East Scotland Scouts and Girlguiding Edinburgh and bring the unique Gang Show spirit alive and online.
Please follow our social media channels for more details.
Thank you for your continued support. We look forward to 2021 when the Gang will once again be back at the King’s Theatre, Edinburgh to make more memories.
We would like to reassure our customers that we are closely monitoring the Coronavirus (COVID-19) situation and adhering to guidance issued.
The advice of the Scottish Government is that events involving more than 500 people should not take place, with effect from Monday 16 March 2020. This applies to mass events across all sectors – including sporting events, cultural events, and religious gatherings.
Capital Theatres can announce that we will be cancelling or postponing all performances at the Festival Theatre, The Kings Theatre and The Studio throughout March and April as an initial measure. This will come into effect from Monday 16 2020 at 12 noon.
Customers who have tickets for performances during March and April will automatically receive a full refund over the coming weeks. Our box office staff will contact customers directly if there are any issues, please bear with us as we work through the refund process at this challenging time.
We are currently working to reschedule cancelled performances to dates in the autumn and will keep all customers up-to-date as quickly as possible regarding this.
Please refer to our website and social channels for further updates over the coming weeks.
We greatly appreciate the support of our audiences at this testing and anxious time. It is a fast-moving situation; we are monitoring it closely and will keep you posted. We are hopeful that things will get back to normal soon and we hope to see you return in the not too distant future, stay safe.
I Think We Are Alone is a funny yet bittersweet tale, written by Sally Abbott (Vera, The Coroner), about the human ache to connect, and the letting go and holding on to what we love the most.
This new play stars Chizzy Akudolu(Edmond De Bergerac, Holby City), alongside Charlotte Bate (On The Other Hand We’re Happy), Caleb Roberts (She Ventures and He Wins), Simone Saunders(Jane Eyre), Andrew Turner(Fantastic Beasts: The Crimes of Grindelwald; Coronation Street), and Polly Frame who recently headed up the cast of the critically-acclaimed Solaris which played at the Edinburgh Lyceum, and is a Frantic Assembly veteran having joined them on their last outing with Sometimes Thinking that played last year’s Latitude.
Co-directed by Artistic Director Scott Graham and Kathy Burke, I Think We Are Alone is the centrepiece in a year’s worth of activity to celebrate Frantic Assembly’s 25th anniversary and will be touring the length and breath of the UK throughout Spring 2020. You can catch it at the King’s Theatre this week.
Frantic Assembly (movement directors for The Curious Incident of the Dog in the Night-Time) present I Think We Are Alone, a major new play by Sally Abbott (The Coroner, Vera), co-directed by Kathy Burke (Lady Windermere’s Fan, The Retreat) and Scott Graham (Fatherland, Things I Know to be True).
Two sisters are estranged and bicker over text. Their brittle and aggressive language is pushing them further apart when what they really want is to meet, clear the air and talk about the events that happened when they were young girls and haunt them still.
Josie is not allowing grief to get in the way. All of her focus is on what is best for her son, Manny. She desperately wants him to fly but can she let him go?
There is a person shaped hole in Graham’s heart and it is driving him to some dark places. When a stranger returns an act of kindness both find themselves opening up and connecting in a way that might just bring a bit of light in.
I Think We Are Alone is a bittersweet and funny take on our ache to connect with those voices we need to hear again, those arms we need to feel around us and those faces we need to see again. It is about letting go and holding on to what we love the most.
