On Friday 22 August, the Scottish Parliament’s Festival of Politics hosted Dreaming of a Fairer Future for Culture, an inspiring event exploring the role of creativity in building a more equal and hopeful Scotland.
Chaired by Foysol Choudhury MSP, the discussion brought together an engaging panel of voices from across Scotland’s creative sector, including Katie Goh, Matthew Hickman, Claire Dufour and Jen Collins.
Together, they reflected on how creativity can drive equity, collaboration and shared resources, reimagining artists, art workers and cultural organisations as vital partners in shaping Scotland’s future.
A moving film by Indra Wilson, commissioned by Culture Counts, shared voices and aspirations of some of the people living in North Glasgow: “I am a son, a brother and an uncle.” “I am the guitar that my mother gave me.” Everyone has a story, and artists and creative minds can help us to tell them in a meaningful way.
Artist and writer Harry Mould urges us to remember that culture “isn’t caviar, it’s salt. You sprinkle it on everything because it brings out the flavour.”
The event focused not just on creativity but also on equity, shared resources and seeing artists, art workers and organisations as viable partners and collaborators.
Building on this, the discussion turned to the importance of collective action and connectivity. Speakers highlighted the many artistic projects already thriving in village halls and community spaces across the country, and the need for better data to capture and sustain this work.
As one participant put it: “Voices need to be heard, not just individual voices, but collective voices. That is how we can rally behind these efforts and make a difference.”
Reflecting on the event, Foysol Choudhury MSP said: “It was a privilege to chair this conversation, and to hear how deeply culture is rooted in people’s everyday lives, whether in community halls, local projects, or the shared stories that bind us together.
“When those voices unite, they do more than celebrate creativity: they challenge inequality, demand accountability, and help shape a fairer Scotland for all.
“I am grateful to everyone who shared their perspectives, and especially to Kathryn Welch of Creative Counts, whose vision and leadership were the driving force behind this important discussion.”
The event demonstrated that Scotland’s creative community continues to be a driving force for positive change, showing that culture is not a luxury, but an essential part of building a fairer society.
Every August, Edinburgh transforms into the world’s cultural epicentre, with festivals filling every corner of the city (writes FOYSOL CHOUDHURY MSP).
This year, however, the stage will be busier than ever. Alongside the usual theatre lovers and comedy fans, the capital will welcome an additional influx of visitors as thousands arrive for concerts by Oasis and AC/DC.
It’s a month that draws global attention and economic opportunity. Yet, beneath the spotlight lies a more pressing truth: a festival economy that, while world-renowned, places intense pressure on the very infrastructure residents rely on year-round.
Nowhere is that strain more visible than in housing. When tourists arrive, hotels and B&Bs fill up fast. For people already living in vulnerability, August can mean being pushed further into homelessness. Shelter Scotland warns that major events create a “bottleneck” in temporary accommodation, with people displaced at short notice to make room for tourists.
However, the pressures do not end with housing. Edinburgh’s cultural season is built on the dedication of stage crews, technicians, hospitality staff, and many others who work tirelessly in the supporting industries.
Yet for many, the reality is long, exhausting hours for very modest pay. Often, those hours come under contracts that offer little or no security. With low wages, unstable work, and the seasonal nature of these jobs, it’s a constant struggle to make ends meet, even as the city’s economy thrives on their efforts.
Emerging artists face similar barriers. Simply being in Edinburgh in August can be a financial gamble; some take on debt to perform, while others are priced out entirely. When workers can’t afford to work and artists can’t afford to perform, diversity shrinks, innovation slows, and the cultural richness on which our festivals rely begins to erode.
The Scottish Government is quick to celebrate record visitor numbers, but slower to address the inequalities behind them. A fair cultural strategy cannot be measured by ticket sales alone. It must guarantee that no one is pushed into unsuitable accommodation and ensure fair pay and decent conditions for festival workers, as well as provide real support for emerging artists so they can take part without risking financial hardship.
Last Friday, I hosted a conversation at the Festival of Politics, “Dreaming of a Fairer Future for Culture,” alongside Culture Counts and a panel of inspiring voices from across Scotland’s creative sector.
Edinburgh’s festivals are a treasure, but pride alone will not protect them. Their future depends on whether we confront the pressures that threaten them and act decisively to safeguard the people and communities who make them possible.
If Scotland is to remain a cultural leader, it must honour not just the art on stage, but the lives and livelihoods that keep the curtain rising each year.
The Scottish Parliament’s Festival of Politics returns this August with a three-day programme of over 30 events, taking place in Holyrood, the home of Scottish politics between Wednesday 20 to Friday 22 August 2025.
BBC journalist Clive Myrie will appear as part of the line-up this year, in conversation with the Deputy Presiding Officer Liam McArthur MSP where he will discuss his incredible 30-year broadcasting career.
Professor Danny Dorling, renowned social geographer, will explore the impact of politics on the UK’s housing, education, poverty and inequality levels, and will offer robust solutions on how to address these challenges of our age.
In addition, our Festival programme features leading experts from the worlds of politics, the arts, business, the media and the third sector. With events on topics tackling some of the big issues facing Scotland, the UK and the world such as the use of AI, peace in the Middle East, how we tackle misogyny and our use of technology.
The Presiding Officer of the Scottish Parliament the Rt Hon Alison Johnstone MSP said: “This year’s Festival promises lively debates, thought-provoking panels and inspiring voices tackling some of the most pressing social, political and environmental issues of our time.”
In addition, there is a lively free programme of entertainment, exhibitions and even a robot in the Festival Café Bar.
Join us in your Scottish Parliament to have your say on the issues that matter to you
The Scottish Parliament’s Festival of Politics returns this August with a five-day programme of over 30 events, taking place in the home of Scottish politics at Holyrood.
Our 20th Festival will take place between Monday 19 to Friday 23 August and will provide festivalgoers with informed debate and inspiring topics on a range of social, political, and environmental issues facing the world today.
This year we mark two significant milestones in Scotland’s political history, the 25th anniversary of the Scottish Parliament and the 20th anniversary of the Holyrood building. With several events focusing on the future of the institution in Scotland.
Benedetta Tagliabue, architect, partner and widow of the visionary creative Enric Miralles, who designed the Scottish Parliament building will join the Presiding Officer in conversation on the opening day of the Festival.
This event will also feature excerpts from the opera ‘Mai per Atzar’ (Never by Chance) originally staged in 1997 for the opening of the Miralles Tagliabue EMBT studio in Barcelona, with lyrics by Valerio Ferrari and music by Roberto Cacciapaglia.
The excerpts from the original Opera, together with new music in honour of Enric Miralles, will be performed live by world leading composer and pianist Roberto Cacciapaglia in the Parliament’s Debating Chamber.
There will also be leading experts from the worlds of politics, the arts, business, the media, academia and the third sector who will join us for a deep dive into issues dominating the news agenda. Join in and have you say on everything from the impact of artificial intelligence to Scotland’s ambitions in the space sector, to young people and mental health.
The Presiding Officer of the Scottish Parliament, Rt Hon Alison Johnstone MSP said: “Every year, the Festival of Politics aims to explore some of the big issues that feature in day-to-day politics, in the media and in wider civic Scotland.
“The Festival offers an opportunity to take up a seat in your Parliament, to hear from a range of experts, aiming to inspire debate and inform our thinking.
“This year as we celebrate our 25th anniversary, we present an exciting and varied programme of events, music and exhibitions.”
In association with the Edinburgh International Festival, the first day of the Festival will also feature the impressive outdoor opening celebration of Healing Arts Scotland featuring a Scottish Ballet community cast accompanied by 200 musicians including performers from Oi Musica, Samba Y Bamba, The National Youth Pipe Band of Scotland and the piping super group TRYST.
The specially curated dance piece will be performed to ‘Mackay’s Memoirs’ by the late Scottish Celtic fusion artist Martyn Bennett. Healing Arts Scotland is a country-wide week-long activation, celebrating and advocating for improved physical, mental and social health through the arts.
In addition, there is a lively free programme of music, choirs, dance and exhibitions in the Festival Café Bar.
YESTERDAY (Wednesday 9th August), the Scottish Parliament in partnership with the Cross-Party Group (CPG) on Bangladesh held a panel discussion on the ‘Urgency of climate change and justice in vulnerable low-lying countries ahead of COP28.’
The event, chaired by Member of Scottish Parliament and Convener of CPG Bangladesh Foysol Choudhury, is part of the 19th Festival of Politics hosted by the Scottish Parliament and Edinburgh International Festival between 9th – 11th August.
The panel on climate justice featured experts on climate advocacy, including Ben Wilson, Advocacy Manager at the Scottish International Catholic Aid Fund (SCIAF); Jelina Berlow-Rahman, Senior Director of Berlow Rahman Hassan Ltd. Solicitors in Glasgow; Dr Elizabeth Cripps, Senior Lecturer in Political Theory at the University of Edinburgh and Professor Saleemul Huq, Director of the International Centre for Climate Change in Bangladesh.
Among the guests were the Consul General of India in Edinburgh; Turkish-Scottish Chamber of Commerce and academics from Scotland and Bangladesh.
The event centred on the theme of the unequal impact of global climate change on low-lying countries such as Bangladesh, Maldives, and Small Island Developing States (SIDS).
Panellists engaged in discussions about climate change as a moral and human rights issue, and how countries can mobilise long-term climate adaptation plans to tackle emerging challenges such as climate migration.
They further deliberated on the loss and damage fund established at COP27 and how the international community can best continue supporting local actors at the frontline of climate disasters ahead of COP28 this year.
Speaking after the event, Foysol Choudhury MSP said: “Today’s discussion reaffirmed that Scotland must reinvigorate its commitments to net zero emissions, as well as its targets to ensure climate justice elsewhere in the world, before COP28.
“Failure to meet climate goals will have, and is having, a devastating impact on low-lying countries, who have contributed the least to the climate change which is devastating them.
“We have already seen an increase in extreme weather in countries vulnerable to climate change, such as the floods in Pakistan and Bangladesh.
“Scotland needs to urgently engage in a multifaceted response comprising of climate mitigation, adaptation, and support, to ensure that climate justice for all countries can be realised on our path to net-zero.
“I hope this discussion offers insight into the urgency of the situation and reinvigorates the drive for change.
“We cannot afford to wait any longer before doing so.”
The panel event can be viewed on the following link:
QUARTER OF MUSIC AND THEATRE VENUES CONCERNED ABOUT CLOSURE
A quarter of music venues (27%) are concerned they may need to close down[1], as more than a third (35%) of business expenses go towards energy bills[2]
Many are running at half capacity (50%)[3], and have resorted to production cost cutting (17%)[4] and raising ticket prices by up to 25%[5]
Two in five (39%) have also found that customers are purchasing less expensive seats and buying fewer refreshments[6]
Three in five (60%) music venues say that energy bills are their top concern for the next year, above inflation rates and staff costs[7]
Uswitch for Business energy expert, Jack Arthur advises businesses to check the contract they are on and to review energy usage across all organisational levels.
Energy bills are taking the centre stage of concern for live performance venues, as energy bills make up more than a third of overall business costs, according to Uswitch for Business, the business energy comparison and switching service.
Performance venues are widely recognised as energy-intensive spaces, and the new research of UK music venues, concert halls and theatres shows over a quarter (27%) are concerned about potential closure due to rising costs.[1]
Air conditioning, heating, as well as extensive sound and lighting systems required to create immersive experiences for audiences are all adding towards total energy expenditure costs, with venues needing between 6 -1,000 kw to power low level concerts to major artist events[8].
Venues of all sizes report running at half capacity (50%) on average[3]. More than one in four (26%) sold fewer tickets this year, compared to last year. [9]
Consumers attending live performances are also more inclined to choose less expensive seats (39%) or buy fewer refreshments (39%)[6].
The show must go on: responding to the high energy costs
One in six (15%) venues report having to increase ticket prices[4], at an average of 25% per ticket to cover increased expenditure[5]. In addition, more than a quarter (27%) have also increased the prices of refreshments.[4]
Venues are also looking at new ways to reduce their energy output to directly tackle the problem. Training staff in energy efficiency measures (45%), switching to more energy efficient or LED lighting for both onstage and offstage (41%), and turning off, down or restricting air conditioning and heating (36%) are just some of the tactics. [4]
Nearly one in five (19%) are also choosing to only open their doors during peak times of the week, and 17% are using less energy intensive movable staging and production measures.[4]
But as energy prices continue to oscillate at high levels, three in five (60%) businesses are citing bills as their top concern for the next year, followed by inflation rates (41%) and staff costs (30%).[7]
Venues say they may have to make considerable changes if business costs were to increase further, especially as more than one in three (34%) state their business margins are now lower than before the cost of living crisis.[6]
Two in five (40%) fear they may have to make staff redundant to reduce costs, and one in three (35%) worry they may not be able to pay their energy bills on time.[1] Overall, 32% feel anxious about the future of the industry.[10]
Jack Arthur, energy expert at Uswitch for Business comments: “Live performances are central not only to the UK’s culture and entertainment sector, but also to the UK economy.
“While the sector has seen some recovery since the pandemic’s impact, the cost of energy has added new additional challenges.
“With higher utility costs taking the stage, venues need to be meticulous about how energy usage is being considered at all levels of their organisation – from the stage floor to sound production.
“Investing in more energy efficient appliances where possible may help to bring costs down, and prevent the final curtain for many.
“Music venues should also make sure they’re aware of their energy contract terms and end date, so they can shop around for the best rates at the time of renewal. Getting expert advice where needed and speaking to someone could help many businesses make significant savings.”
Elspeth McBain, Chief Executive of Lighthouse Poole Centre for Arts says: “Energy costs have been a major challenge to our venue, and indeed all venues in the last year, just as we were beginning to recover and get back on our feet following the devastating effect of the pandemic on culture and hospitality.
“In 2023 our electricity bill alone will increase by 200% and we are doing everything we can to meet this cost. However, this is on top of the significant increase in the cost of living which has increased our costs in all areas of the business and has also meant our audiences have less leisure spend available, restricting the number of times they can attend cultural events.
“Together, these factors have made it a testing time for organisations like ours and theatregoers alike. I am desperate for energy and living costs to come down so that we can keep bringing top class artists and productions to Poole, support local talent development, provide opportunities for cultural participation, and ensure that culture within our region continues to play a vital part in our community.”
Mark Davyd, CEO & Founder of the Music Venue Trust says: “We have seen an incredible explosion in energy prices right across the grassroots music venue sector in the last 12 months.
“The current situation is really on a knife edge, with venues essentially clinging on to the end of existing fixed term contracts and any new tariff effectively immediately creating a venue under threat of permanent closure.
“We desperately need some action from Ofcom and the Government to make the energy market work for music.”
The issue will be debated at the ‘Festival of Politics,’ which will be held in Edinburgh between Wednesday 9-11 August.
The panel, being held on the evening of the 11th, is entitled ‘Scotland’s Music Venues’ will examine why, despite Scotland’s worldwide reputation as a music nation, Grassroots Music Venues are under extraordinary financial pressures with many facing closure, and how politicians can step-up and help create security for these spaces.
Chaired by Michelle Thomson MSP, Convener, cross-party group on music, the panellists will include Scottish singer-songwriter Hamish Hawk, MVT COO Beverley Whitrick and major event professional Jim Frayling.
Unless otherwise stated, all figures taken from omnibus research carried out by onepoll on behalf of Uswitch for Business.
This was an online poll of 100 entertainment venue decision makers in the UK. The research was conducted between 6th and 9th June, 2023.
Respondents were asked ‘If costs of the business you work at were to increase to higher levels, which of the following do you believe could happen to the business?’, 40% said ‘it may have to make staff redundant’, 35% said ‘it might be unable to pay energy bills on time’, and 27% said ‘it may have to close down’.
Respondents were asked ‘Please estimate the proportion of your total business expenses that can be attributed to energy bills?’, the average response was 35.2%.
Respondents were asked ‘At what capacity (i.e., number of tickets sold) is the business you work at currently operating at for shows/performances?’, the average response was 50.4%.
Respondents were asked ‘What actions is your business taking to deal with high energy costs?’, 45% said ‘training all staff in energy efficiency measures’, 41% said ‘switching to more energy efficient / LED lighting (onstage or around the venue), 36% said ‘turning off, down or restricting air-conditioning or heating’, 27% said ‘increasing prices of refreshments at venue bars’, 19% said ‘opening the venue only during peak times of the week, 17% said ‘using less moving staging and production during shows, and 15% said ‘increasing prices of tickets’.
Respondents were asked ‘By what percentage have you had to raise overall prices?’, the average response was 25.1%.
Respondents were asked ‘What effects has the cost of living / rising energy prices had on your business?’, 39% said ‘customers are buying less refreshments’, 39% said ‘customers are choosing less expensive seats when buying tickets, 34% said ‘our business margins are smaller than previously’, 19% said ‘less of a demand for on the day tickets’.
Respondents were asked ‘What are your biggest concerns for your business in the next year?’, 60% said ‘energy bills’, 41% said ‘inflation rates’, 30% said ‘staff costs’, 27% said ‘customers reducing non-essential spending’.
Respondents were asked ‘Does your business currently have as many tickets sold compared to this time last year?’, 26% said ‘it has less tickets sold than this time last year’.
Respondents were asked ‘Which of the following statements do you agree with’, 36% said ‘my business was just starting to recover from the impact of the pandemic, and now energy costs are providing an even worse challenge’, 35% said ‘I am hopeful that the price of energy will drop in the next 3-6 months’, and 32% said ‘I feel anxious about the future of the industry’.
For the opening weekend of the Festival, Princes St Gardens will host a range of free open-air concerts including performances from over 300 young Scottish musicians, GRIT Orchestra and three national youth companies
Charlotte Square Gardens open to the public for the final weekend of the Festival, in a free-access outdoor musical soundscape of recorded performances from the 2023 programme
In-conversation, low-cost, events take over the Scottish Parliament in a first-time partnership with the Festival of Politics
The Festival’s HQ on the Royal Mile, The Hub, is open to the public in the daytime, for a programme of free afternoon sessions to deepen engagement with artists and creatives
A range of 39 free events have today been added to Edinburgh International Festival’s 2023 programme, the first from incoming Festival Director Nicola Benedetti.
The free events, and two low-cost in-conversation events, capture the spirit of community and the joy of music making, and join over 300 performances from the world’s leading performers of music, theatre and dance, that take over Edinburgh’s venues and concert halls from 4-27 August 2023.
An Opening Fanfare Weekend taking place from 5-6 August, features brass bands and pipers, rappers and choirs, as over 300 young musicians from Scotland’s vibrant homegrown music scene assemble for an energetic weekend of music-making in Princes St Gardens.
On Saturday 5 August, between 12pm – 5pm Scottish youth and amateur ensembles take over three pop-up stages in the gardens, culminating in a final moment of joint music making at the end of the day. Ensembles featured include Intercultural Youth Scotland, Drake Music Scotland, Tinderbox Collective, Musicians in Exile and the Edinburgh Ukrainian Choir ‘Oberih’. All performances onSaturday are free and entry is non-ticketed.
Sunday 6 August sees an epic set from the thrilling GRIT Orchestra as well as performances from three National Youth Companies, TheNational Youth Pipe Band of Scotland, Royal Conservatoire of Scotland and National Youth Brass Bands of Scotland.
GRIT Orchestra willshowcase their unique blend of Celtic and world music traditions and perform tracks from their seminal albums GRIT and Bothy Culture by the late Martyn Bennett and arranged by Greg Lawson.
In a truly memorable manifestation of the first week’s theme:community over chaos, the group will also perform a world premiere work composed for the 2023 Festival, accompanied by over 100 young people. Performances on Sunday take place between 2pm and 4:30pm are free, with limited tickets available for the seated arena in front of the Ross Bandstand. Full schedule below.
Over at The Hub, the International Festival’s home on the Royal Mile, an inaugural programme of afternoon sessions includes free artist conversations, performances and listening experiences.
Designed to deepen the level of experience for audiences and give an insight into aspects of performers’ artistic practice, the programme features artists from across the 2023 Festival. The Hub programme is supported by long-standing Festival Partner, The University of Edinburgh. BSL interpretation and live captions will be available across the whole programme of The Hub afternoon talks.
From the 2023 theatre programme, writer Nat McCleary and director Johnny McKnight of National Theatre of Scotland take us behind the scenes of new Scottish play Thrown; Life is a Dream creatives Nick Omerod and Declan Donnellan of Cheek by Jowl discuss international collaboration in theatre, with Spanish interpreter Juan Ollero, an in-conversation with As Far As Impossible’s director, and director of Festival d’Avignon, Tiago Rodrigues, and an afternoon with Geoff Sobelle, award-winning theatre artist, clown and creator of immersive workFOOD.
From the 2023 music programme, a deep dive into the music and story of Richard Wagner’s opera Tannhaüser, a performance and demonstration of Rachmaninoff’s stylings by British-Ukrainian pianist Alexei Grynyuk; and a discussion on musical innovation from experimental composer, DJ and producer Matthew Herbert around his world premiere album The Horse and its fascinating journey uncovering the musical potential within a horse skeleton.
The International Festival also hosts two special events in another new location, the Scottish Parliament, in a first-time partnership with the Festival of Politics.
The Debating Chamber will see two In Conversation events featuring two major creatives from the International Festival programme: Gustavo Dudamel, one of the world’s foremost music conductors, will be joined by Clare Adamson MSP, Convener, Constitution, Europe, External Affairs and Culture Committee, on Friday 25 August, and the world’s premier solo percussionist Dame Evelyn Glennie OBE will be in conversation with the Deputy Presiding Officer Liam McArthur MSP on Wednesday 9 August.
Both artists will discuss their storied careers as well as the key question posed by the International Festival this year: where do we go from here? A panel session exploring the future of the arts and culture will also be part of this series, on Thursday 10 August.
Other talks presented in partnership with the Festival of Politics will take place in The Hub and explore principles behind the International Festival’s 2023 programme:
Community over chaosis discussed by Nigel Osbourne OBE, composer, teacher and aid-worker pioneering music therapy techniques with war traumatised children, in conversation with Travis Alabanza, award-winning writer and performer known for their work surrounding gender, trans identity and race. The talk will be chaired by TV and radio presenter Gemma Cairney;
Hope in the face of adversity and the power of creativity in adverse circumstances isexplored by former Makar, or National Poet of Scotland, Jackie Kay and British-Iranian artist Fari Bradley, chaired by Jenny Niven.
A perspective that’s not one’s own is unpacked by author Dina Nayeri and cultural development specialist Fairouz Nishanova, chaired by author and journalist Chitra Ramaswamy. Nayeri’s latest book, ‘Who Gets Believed?’ is a reckoning with believability in Western culture, beginning with the question ‘why are honest asylum seekers dismissed as liars?’. Nishanova is the director of the Aga Khan Music Programme, aimed at revitalising musical heritage around the world in societies where Muslims have a significant presence.
On the final weekend of the Festival, the gardens at Charlotte Square will be opened to the public as a musical oasis, where a soundscape of recorded music from the 2023 International Festival classical music concerts will play throughout the garden. The soundscape will also feature Beethoven’s 9th alongside archival recordings.
From our stages to your home, audiences can also enjoy recorded music from across the 2023 programme on BBC Radio 3. A full schedule of media broadcasts can be found at eif.co.uk.
A new series of audio introductions hosted by Nicola Benedetti and BBC Radio’s Tom Service will share further insight into music and theatre from the 2023 programme through conversations with creatives involved.
For full information on Edinburgh International Festival’s 2023 programme of free and ticketed events, visit www.eif.co.uk.
Nicola Benedetti, Festival Director,Edinburgh International Festival said: “Our free programming sees iconic spaces around Edinburgh come alive with some incredible artists.
“I’m particularly proud that there are opportunities like this for our audiences and community members to get closer to the artists across our 2023 Festival programme. It’s our audiences who play a key part in creating the magic of what takes place on our stages and upholding the wonderful standards of this world-class event.
“A festival is a place of joy and discovery, and I hope everyone will get involved and come together to experience some of this magic this August.”
Paul Bush OBE, VisitScotland’s Director of Events, said: “EventScotland is delighted to be supporting Edinburgh International Festival’s free-to-attend Opening Fanfare Weekend. The family-friendly event promises audiences an up-close and personal connection to Scotland’s vibrant music scene, all against the iconic backdrop of Edinburgh Castle in Princes St Gardens.
“Having events that appeal to both residents and visitors alike enables us to connect and share memorable experiences while showcasing Scotland as the perfect stage for events.
“We wish Nicola Benedetti, in her first year as Festival Director, and all of the extended team, performers and audiences a very special Festival filled with discovery and delight.”
