Innovation Late, supported by the Royal Academy of Engineering, is a gathering of some of the most inventive minds in the UK, ready to show off their incredible work for audiences to get hands-on with it.
An evening of celebrating technology excellence, Innovation Late presents the work of previous winners of UK’s premier prize for engineering innovation, the MacRobert Award, named after the trailblazing geologist, suffragette and philanthropist Lady Rachel MacRobert.
Audiences will have a chance to:
Listen to artist Ted Humble-Smith talk about his innovative new photography exhibition, in conversation with Morven Cunningham.
Meet the AI reincarnation of trailblazing geologist Lady MacRobert
Experience the Neurobright light and sound wearable device, designed to help ease anxiety
Programme robots and manoeuvre over a Martian landscape
Encounter the latest in kidney dialysis technology with Quanta Dialysis Technologies
Build a hovercraft
Test their construction skills on our earthquake table
Make a light theremin and a pencil organ with the adorable bumblebees
Find out how Renzor are preventing brain injuries in sport
Contribute to a poetical version of the Forth Rail Bridge
Edinburgh Science Festival – celebrating it’s 35th anniversary this year – kicked off on Saturday, 30 March with the theme of ‘Shaping the Future’.
One of the key exhibitions this year is Growing Home at the National Museum of Scotland, exploring the past and future of materials and how biomaterials – like fungi – can be used for fashion, engineering and more.
Part of this special exhibition is Symbio from Edinburgh-based artist Emily Raemaekers, featured in the picture. Her garment uses mycelium materials and leather made from vegetable processing waste in combination with cutting edge environmentally-friendly fabrics.
Adorned with elaborate laser cut designs inspired by mycelium structures, hand carved lino print patterns and featuring plant-derived biomaterial dyes. Her work highlights some of the key issues in the fashion industry nowadays such as textile dyeing being the second largest polluter of water globally.
Emily Raemaekers is an Edinburgh-based designer who specialises in garment design and construction, and hand printed fabrics.
She studied Performance Costume Design at Edinburgh College of Art before working as a freelance Costume Designer in the Scottish theatre and film industry. Emily ran a textile printing and fashion accessory business for 10 years in Scotland and Australia, and dabbled in upholstery, before moving back to her hometown of Edinburgh where she is now a events planner, blending creativity and the arts with science.
Symbio is a collection of biomaterial themed garments inspired by fungus structures. Many of the most exciting and talked-about biomaterials being developed today are made from mushrooms, and the designer has used this as the inspiration for these garments. The designer has explored the properties of a range of biomaterials using a variety of construction methods. Bracket fungus-like elements are attached using appliqué, an ornamental needlework technique. The elaborate cape structure is created using laser cutting.
The base dress is dyed with dried hibiscus flowers, a biomaterial dye that produces a rich palette of pinks and reds. Industrial textile dyes contain many harmful chemicals derived from fossil fuels, and textile dyeing is the second largest polluter of water globally.
Many designers are now exploring natural dyes derived from plants, invertebrates, and minerals traditionally used by many cultures around the world. Although it is more difficult to produce consistent tones from natural dyes, this variation can be embraced as an aesthetic choice as part of the Slow Fashion movement.
The dress is decorated with mycelium patterns using linocut, a printmaking technique where linoleum is carved into to create a relief surface. The designer has printed these using water-based textile inks which are more sustainable than commonly used plastic-based alternatives.
The dress itself is made from Tencel(TM), a type of lyocell — a fibre made from wood pulp. As the raw material is responsibly forested wood, the textile originates from a renewable source, and Tencel(TM) uses a closed loop manufacturing process.
The fibres are also certified as compostable and biodegradable, making Tencel(TM) one of the more sustainable options for the fashion industry which are currently available on an industrial scale.
The designer has chosen a range of cutting-edge biomaterials to create the mushroom-like appliquéd elements that adorn the garments. Some are made from Uppeal(TM), a leather made from apple processing waste leftover from the juice and compote industry.
The apple fibres are made into a powder and mixed with polyurethane, then laminated onto cotton and polyester. Apple waste makes up 20% of the final textile and every meter contains 5 apples. By using waste, Uppeal(TM) helps to create a circular economy which supports the planting of fruit trees and provides a second income for farmers.
MuSkin is also used for some appliquéd elements. This is an alternative to animal leather made from a large parasitic fungus that grows wild in subtropical forests. Every piece of MuSkin is unique, 100% natural and does not use any chemicals or plastics in the production process.
This fascinating material is designed to offer an innovative, low-carbon alternative to materials that use fossil fuels in their manufacturing process.
Animal leather has a significant carbon footprint, as livestock farming uses a lot of fossil fuels to power farm machinery the produce animal feed, and clearing land for livestock is responsible for much of the world’s deforestation. Animals also produce a lot of methane, a big contributor to greenhouse gases.
Other appliquéd elements in these garments include SeaCell(TM), a new lyocell fabric that uses 19% algae in its fibres. Whilst a good example of a biodegradable fibre, the brand has faced some controversy for its claims that minerals and vitamins can be absorbed through skin contact with the fabric. As industrial interest in biomaterials increases, global scrutiny of any associated claims of green or health credentials also rises.
Some more traditional biomaterials are featured in the garments, including:
Silk, a protein fibre made from the cocoons of certain insect larvae.
Cork, a biodegradable fibre made from tree bark. Cork is sustainable as the tree is not cut down in the harvesting process; the stripped bark regenerates and the tree continues to grow.
Linen, a natural textile made from the fibres of the flax plant. Linen is a sustainable choice for the garment industry because the entire flax plant can be woven into a fibre, making it a zero-waste crop. It also takes dye extremely well, and the linen used in this art piece has also been dyed using hibiscus flowers.
Granton Waterfront is delighted to be working with the Edinburgh Science Festival to bring the free ‘Consumed’ Exhibition to Granton Station Square from 15th-19th March.
Consumed is an interactive exhibition that shows us how small changes make a big difference. Visit the repurposed shipping containers filled with fun games and hands-on displays for little ones and the whole family to enjoy!
Learn how what we eat, what we wear, and how we live can impact the world. Little changes in our daily habits can make a big difference for our climate. Find out how you can make positive changes that are easy on your wallet and great for the planet.
Don’t miss out on the free drop-in LEGO® Build the Change workshops on Saturday 16th and Sunday 17th March between 10am and 5pm.
Join a team of builders to learn about real-world challenges and create your own brilliant solutions in this workshop exploring the circular economy.
Creative Informatics events at Edinburgh Science Festival
Creative Informatics, the research and development programme established to bring together Edinburgh’s world-class creative industries and tech sector, has partnered with Edinburgh Science Festival to celebrate the end of its funded programme and showcase the brilliantly wide-ranging community that has been built.
Since 2018, Creative Informatics has supported individuals and organisations working in the creative industries in Edinburgh and Southeast Scotland to do inspiring things with data and digital technologies.
Events and activities inspired by the project come together in a festival programme packed with creative experiences, demonstrations, and debates at the National Museum of Scotland and Summerhall.
A new interactive exhibition ‘Unleashing the Power of Data’ runs throughout the two weeks of the festival at the National Museum of Scotland, and showcases some of the incredible artworks, objects, and innovations developed by Creative Informatics community. VR and AI tools combine with light, sound, and music across a series of immersive installations.
Exhibits include a VR obstacle course through digital landscapes traversing forests, valleys and cliffs from game designers Bear Hammer; a collaborative music making app that transforms phones into magic wands, allowing audiences to make music together in real time, created by Ray Interactive; an interactive light-box from artist Dominka Jackowska combining art, sound, and animation allowing users to manipulate sounds through drawing and movement; an AI-driven, Lego-powered DJ centre which allows visitors to create their own music using building-blocks, designed by Playable Technology; data-inspired art and sculpture from artists Rebecca Kaye, Mella Shaw, Caitlin Macdonald and Inge Panneels; and a digital exploration into Edinburgh’s fabled ‘lost’ Empire Palace Theatre.
Other events include ‘Creative AI for Creative Work’, a talk at the National Museum of Scotland exploring the burgeoning world of AI and its positive potential for use across the creative sectors, as Chair Frauke Zeller – Professor of Human-Computer Interaction and Creative Informatics at Napier University – is joined by creative professionals working with AI to enhance their projects – from developing playful innovations to creating new revenue streams for sound and audio production.
Lastly, experience why Scotland has a global reputation in the video game, film and TV industries at Let’s Play, a data-driven evening for adult audiences at Summerhall, part of the festival’s ‘Nights Out’ programme. This playful evening features interactive experiences, short talks from industry creatives and researchers, and AI-generated beats creating a live soundtrack to the event.
Festival-goers are invited to immerse themselves in a new world of data-driven inspiration and discover more about the programme behind the creative innovations.
Creative Informatics is led by director Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh’s Design Informatics in Edinburgh College of Art, and since 2018, has supported creative professionals in Edinburgh and Southeast Scotland to develop new and innovative work by providing funding and development opportunities that explore how data can drive ground-breaking new products, business, and experiences.
Over the last five years the programme has engaged with almost 3000 businesses and individuals, with 683 benefitting from training and new skills programmes, and 136 SMEs supported to explore data-driven business opportunities.
This work has sustained 429 jobs and created 210 new products, services, and experiences, in turn generating over £7.5 million in further funding and investment. As the funded programme draws to a close, Creative Informatics now looks to the future and legacy support for the community created in the past five years.
Professor Melissa Terras, Professor of Digital Cultural Heritage at the University of Edinburgh:‘We’re really excited to be celebrating the achievements of the Creative Informatics programme at this year’s Edinburgh Science Festival.
“Our events have been specially curated to highlight some of the extraordinary work developed through our programme – from innovations in gaming and audio production to artistic creations that push the boundaries of how we think, feel and interact with the world around us.
“These events and exhibits showcase the incredible Creative Informatics community that has been built over the last five years, whose practice, products and networks will form a lasting and supportive legacy for creative professionals across Edinburgh and South East Scotland’.
Creative Informatics is a partnership across four organisations: the University of Edinburgh, Edinburgh Napier University, Codebase and Creative Edinburgh, funded by the Arts and Humanities Research Council, Department of Culture, Media & Sport, the Data Driven Innovation programme and the Scottish Funding Council.
Creative Informatics: Unleashing the Power of Data | Hawthornden Court, National Museum of Scotland | 30 March – 7 April
Explore some of the innovative products, new experiences and groundbreaking creative work that has been developed through funding and support from Edinburgh’s Creative Informatics programme.
As the innovation programme draws to a close, this interactive showcase celebrates the achievements of its creative community. Stop by to experience virtual reality worlds, discover new data-driven artworks and use building blocks to create your own music.
Exhibitors
Bear Hammer | Venture’s Gauntlet | Explore vast and stunning environments such as open highlands, caves, cliff edges and a castle; each jam-packed with its own unique puzzles and challenges.
Dominika Jackowska | Interactive Light Box | Interactive, fun, and playful electronic installation for an audience of all ages, combining drawing, sound, and animation.
Ray Interactive | IMP | IMP is a fun, interactive, collaborative music making app that transforms phones into magic wands, allowing you to make music with your friends. Simply scan the QR code and you get to control a layer of sound and create music together.
Tinderbox | Tinderbox Games Club Expo | Using different forms of technology to make games. Together we play, research and make games, as well as design our own artwork, audio & code needed for them.
Ice Cream at the Interval | Reimagining the Empire Palace | A combination of physical modelling and digital innovation to explore and reimagine Edinburgh’s ‘Lost’ Empire Palace Theatre
Yaldi Games | Wholesome Out and About | A factual life simulator that broadens your horizons. Learn about foraging, healthy cooking & creative crafts while playing and then recreate them in real life
Mahsa Nikoufar | Creative Gradient | Creative Gradient uses GIS geospatial data and Python programming to turn raw data into contemporary pixel art, communicating the use of data to different age groups in fun and colourful ways.
Kate Ives | To the Core | To the core is a tactile Jesmonite sculpture carved with geometric patterns that reflet data relating to the decline of native British species and explores what we can do to support biodiversity in our communities
Ailie Finlay | My Kind of Book | Creative ways to ensure that children with complex additional needs, including PMLD (profound and multiple learning disabilities) have books and sensory stories to enjoy
Playable Technology | Beat Blocks Live | A new app for iOS that enables you to build music in real-time with traditional children’s building blocks
Ploterre | Naturally Curious | Ploterre uses environmental data to create artwork from processes and discoveries within the natural world. Combining principles from the fields of mathematics and design, it describes data via colour and form, making it more accessible, and beautiful in the process.
Mella Shaw | Sounding Line | A short film showcasing how Mella created Sounding Line – a award-winning large-scale ceramic installation addressing the devastating effect of marine sonar on whales and other cetaceans.
Cloud Quilting | Reul-iùil – guiding star | A personalised quilt pattern creator that allows makers to embed meaning in these significant handmade decorative and functional objects through the use of data-driven design.
Caitlin Macdonald & Inge Panneels | Picture Your Poisons |Picture Your Poisons is an intimate portrait of a cancer treatment journey through the specific lens of one patient’s course of treatment.
Creative AI for Creative Work | National Museum of Scotland | Wednesday 10 April, 6pm
The rapid rise of Artificial Intelligence is creating challenges for the creative industries around human creativity, originality, intellectual property, and ethics. However, AI has incredible potential as a tool for creative work – for experimentation or as part of an ideation process.
Hear from creative professionals working with AI to enhance their projects – from developing playful innovations to creating new revenue streams for sound and audio production. Chaired by Dr Frauke Zeller, Professor of Human Computer-Interaction and Creative Informatics at Edinburgh Napier University.
Let’s Play | Summerhall, Dissection Room | Friday 12 April, 7pm
Get your game face on and extend your reality as we explore how creative technologies and on-screen innovation are changing how we play and experience the world around us – and worlds we can only imagine.
Virtual production is one of the most exciting new technology areas and Scotland has a global reputation for game, film and TV production.
Join us for a playful evening with interactive experiences and short talks from industry creatives and researchers.
Try out some new creative tech or relax with a drink from the bar and some AI-generated beats.
Lumo, the all-electric train operator, has announced its renewed partnership with Edinburgh Science Festival for this year’s theme: ‘Shaping the Future’.
Taking place over two weeks, from Saturday 30 March to Sunday 14 April 2024, thousands are expected to attend the series of interactive events, talks and workshops showcasing how science can create a more sustainable, accessible, and equal future.
This partnership with the UK’s largest science festival will see Lumo proudly sponsor one of six trails at the City Art Centre, focusing on Innovative Engineers. The trail will feature three distinct workshops – Little Sparks, Energy Makers, and Chain Reactor – tailored to inspire children to engage in problem-solving and explore technology and energy.
Lumo will also take on the role of Climate and Sustainability partner, sponsoring the festival’s year-long series ‘Climate Co-Labs’. This programme consists of round table meetings that bring together senior leaders across sectors to accelerate Scotland’s response to the climate emergency.
Martijn Gilbert, Managing Director of Lumo, said:“We’re proud of our reputation for innovation and sustainability as we strive to reduce emissions in the transport sector.
“It’s thanks to great engineers and scientists that we’re able to deliver our all-electric rail service and, in partnering with Edinburgh Science Festival, we hope to inspire the next generation of innovative engineers – and, of course, transport them into Edinburgh for the science festival in the most sustainable way possible!”
Hannah Schlesinger Brodie, Director of Development and Marketing at Edinburgh Science, said:“We’re thrilled to have Lumo support the Edinburgh Science Festival once again.
“The chemistry between Lumo and Edinburgh Science Festival is a perfect match and will help many people to experience the excitement of the festival in a sustainable way.”
This latest partnership by Lumo adds to the already strong local commitment made by the company. Lumo trains are maintained at Craigentinny on the outskirts of Edinburgh and offer a range of locally sourced products onboard including Edinburgh Gin and Walkers Shortbread as well as the iconic Irn Bru.
Lumo customers can travel comfortably between London King’s Cross and Edinburgh knowing they’ll save 96 per cent CO2 emissions compared to taking a domestic flight between the two cities. The average fare for a single journey from London to Edinburgh also proves a huge saving at just £46.70.
The Edinburgh Science Festival takes place over numerous venues and locations around Edinburgh, attracting thousands of visitors to the city.
Thanks to Lumo’s fast services connecting Edinburgh with Newcastle and London, it’s the ideal choice for those planning a fun-packed trip to the Scottish capital.
Five floors of hands-on science fun
City Art Centre tickets go on sale on Monday
Tickets for the Edinburgh Science Festival’s City Art Centre – the flagship family venue – are released on Monday
Edinburgh Science Festival celebrates 35th anniversary this year. City Art Centre is sponsored by Cirrus Logic.
City Art Centre (30 March – 14 April) – five floors of hands-on science extravaganza for children between 3 and 12 years old. From making your own scab or slime to becoming an animal conservationist, investigating a crime scene or programming your own robot, City Art Centre is the most fun a family can have this Easter break! Allow 4-5 hours for the visit. On sale from Monday 26 February.
Glacial Narratives: Cracks in the Iceis on until Sunday (16 April) at Custom House in Leith (entry on the wharf side) from 11am until 6pm, as part of the Edinburgh Science Festival.
Glacial Narratives: Cracks in the Ice is an innovative and experimental multi-artform exhibition about ice from four artists who have spent considerable time in Arctic environments, and have developed a complementary series of artworks inspired by their experiences. These works will not only raise awareness of the wonder of ice as a material, but will also ask questions about its disappearance. The artists are:
It has been funded by Creative Scotland’s Open Fund, and supported by Tinderbox Collective, University of Edinburgh Department of Geosciences, Scottish Historic Buildings Trust and the University of Svalbard in Norway.
Dino-sauring into Edinburgh Science Festival 2023’s final weekend, the National Museum of Scotland is hosting the second of the Festival’s themed family weekends: EarthFest.
From prehistoric creatures to the cutting edge of climate science, EarthFest is a t-rriffic celebration of the world around us that offers the chance to learn more about our planet, the animals that live here and how we can take care of it.
Families can build their own dinosaur from giant bones in the Grand Gallery’s drop-in activities zone, and adventure through a world of sustainability in Two in a Barrel.
PICTURED: Thane Elders (age 7) getting ready for EarthFest this weekend at the National Museum of Scotland.
Celebrate Easter with Edinburgh Science Festival this weekend! Visit the Festival’s premier family extravaganza at City Arts Centre – featuring five floors of hand-on science workshops and activities for children between 3 and 12.
Families can explore the chemistry behind producing your own slime in Splat-tastic, delve into the world of motion in Speedy Sails, uncover the mysteries of dinosaurs which roamed the Earth millions of years ago in Dig Up a Dinosaur or perform a surgery using real-life equipment in E.R. Surgery.
PICTURES: Dorothy (4), James (1.5) and Kofi (1.5 ) getting eggsperimental with Imagination Playground, one of the City Art Centre activities.
Former Scottish First Minister Nicola Sturgeon MSP joins Edinburgh Science Festival on 6 April, appearing in conversation with AmbassadorPatricia Espinosa.
Former chair of the United Nations Framework Convention on Climate Change (UNFCCC 2016-22), and Ambassador to Mexico & Germany, Patricia Espinosa, who was instrumental in efforts to make the Paris Agreement a reality and led crucial climate conversations at COP26 in Glasgow, joins Scotland’s former First Minister, for a fascinating conversation exploring Scottish, and global, efforts to face up to our climate emergency.
With discussion of climate justice, the role of legislation, UN Sustainable Development Goals and how we mitigate the unfolding effects of a changing climate and more, this event will give fascinating insights into global politics and what the next steps on this critical journey need to be.
Commenting Former First Minister, Nicola Sturgeon MSP, said: “I am delighted to be appearing at the Edinburgh Science Festival event: A Climate of Change alongside Patricia Espinosa.
“Climate Change undoubtedly presents one of the greatest challenges of our time – but the emergency we are facing presents an opportunity for collaboration and the chance to roll up our sleeves and build solutions for our future. Of course, the solutions we need are on a global scale but they begin with open conversations such as these, here in Scotland.”
On 5 April Patricia Espinosa also features as a special guest in a Climate Co-Lab event, which forms part of Edinburgh Science charity’s year-round programming. Previously known as Climate Opportunity Ideas Factory, these round table meetings encourage, support and facilitate Scottish industry leaders to address the challenges and opportunities that the climate revolution will bring.
2023 marks an important year for Scotland’s journey to net zero, with the publication of Scotland’s second – and most critical – climate change action plan due to be published in November this year. The plan will need to detail the key areas of action that will transform our economy into the world’s first Net Zero economy.
Chaired by Francesca Osowska from Nature Scot, this event focusses upon the three pillars of Scotland’s approach to accelerate towards a just transition to net zero: mobilizing finance, showcasing ambition, and addressing climate justice.
Patricia Espinosa said: “If we are to reach the ambitious – and necessary – targets that we have set in the fight against Climate Change and fulfill our commitment to humanity under the Paris Agreement, then we need to act and act on a global scale.
“I am delighted to be joining Edinburgh Science to lead these vital conversations both at their Climate Co-Lab Round Table meeting and a public discussion event with Ms Nicola Sturgeon MSP. Now is the time for us to work together to build a fairer, just, resilient and better future for everyone.”
Hannah Schlesigner, Director of Development and Marketing, Edinburgh Science, said: We are thrilled to be hosting this vital discussion event with former First Minister, Nicola Sturgeon, and international diplomat Patricia Espinosa.
“The Edinburgh Science Festival has been proudly programming events such as these that highlight and inspire people of all ages and all backgrounds to action on our climate emergency for many years.
“We also recognize that individual action is not enough – we need governments, business leaders and decision-makers to act. That is why we launched our Climate Co-Labs, an opportunity for Senior leaders to gather, make connections and build the solutions that we need to transition to a brighter future.
“It is wonderful that Patricia Espinosa is getting involved in these and we look forward to the outcomes that we will see from this powerful discussion.”
Edinburgh Science
Edinburgh Science, founded in 1989, is an educational charity that aims to inspire people of all ages and backgrounds to discover the world around them. The organisation is best known for organising Edinburgh’s annual Science Festival: the world’s first festival of science and technology and still one of Europe’s largest.
The two-week Festival provides wide and diverse audiences with amazing science-themed experiences through a diverse programme of innovative events for adults and families.
Alongside the annual Festival in Edinburgh, the organisation has a strong focus on education, running a touring programme, Generation Science, that brings science to life for primary schools around Scotland throughout the year, and running an annual Careers Hive event which promotes STEM careers to young people.
After programming on the themes of climate change and the environment for many years, in 2019 Edinburgh Science awarded the Edinburgh Medal to Christiana Figueres, the inspirational Costa Rican diplomat instrumental in the Paris Climate agreement. Inspired by this visit, Edinburgh Science established the Climate Co-Lab, a forum for all sectors to come together and generate collaborative actionable ideas that accelerate our transition to net zero.
One outcome from the Climate Co-Lab series if The NetZeroToolkit, a free, online resource that SMEs can use to build carbon management strategies.
Edinburgh Science also shares its content and expertise internationally through Edinburgh Science Worldwide and operates a large-scale international programme of work. It regularly presents events overseas and is currently the Major Programming Partner of the annual Abu Dhabi Science Festival, helping to curate, produce and deliver the event.
For international partners, the team at Edinburgh Science provide engaging content, curatorial advice on programming and business planning support, along with expert staff and training for local science communicators.
Edinburgh Science Festival’s staple and the go-to family experience every Easter holiday, City Art Centre gare now on sale. Featuring five floors of hands-on science workshops and activities, CAC is the Festival’s premier family extravaganza, offering all-day educational funfor children between 3 and 12.
City Art Centre presents a mixture of bookable and drop-in activities, including the family-favourites such as E.R. Surgery where children perform a surgery of an abdomen, knee or brain, Splat-tastic – exploring the chemistry behind producing your own slime or Dig Up a Dinosaur, uncovering the mysteries of dinosaurs which roamed Earth millions of years ago.
This year’s offer includes 6 new fantastic workshops: engineering-focused Construction Challenges, all about the sound – Ella’s Wobble, problem-solving orientated Speedy Sails delving deep into the world of motion, Creative Coding, introducing the young sci-curious minds to Marty and robot coding, Tech Corner looking at how technology transforms our lives, from smartphones to home security, andLEGO® Build The Change, imagining the world without waste and fully embracing circular economy.
But don’t let the kids hog all the fun! For one night only, Edinburgh Science Festival transforms the family venue into a LateLab on 30 March, an adult-only science party.
Similar to previous years, City Art Centre becomes a home to several fantastic artworks. These include artist Robert Powell and philosopher Alasdair Richmond presenting Conference for Chrononauts, an installation exploring the philosophical questions behind time travel, Alan Brown’s Biological Clock looking at ideas around genetics and time by displaying twenty-four electric alarm clocks showing the genome sequence of human individuals, and Signal: Noise, a visual exhibit by radiologist Dr Michael Jackson showcasing the role computers have in generating and analysing medical images, and the human dimension of making sense of these pictures – occasionally resembling abstract art more than anatomical reality.
