The Big Data Show: young people learn cybersecurity through interactive drama

A ground-breaking interactive show for young people which uses real-life gaming to explore cyber security.

www.civicdigits.com

 

The Big Data Show (TBDS) is a ground-breaking immersive experience for young people (S1) weaving theatre and gaming together to explore cyber security and data citizenship.

It is about cyber resilience and being a citizen in the digital age. It is about knowing who knows what about you, what you are ‘agreeing’ to when you download an app, how to live with the challenges of social media…and it’s a lot of fun.

It is also a drama about the first prosecuted cyber hack in the UK. Co-written by internationally acclaimed playwright Clare Duffy and Rupert Goodwins, one of the young hackers involved in gaining access to Prince Philip’s BT email in the 1980s, and now a technology journalist.

Kate Forbes MSP, Minister for Public Health and Digital Economy, Scottish Government said: “The Big Data Show supports the Scottish Government’s ambitions to raise the public’s awareness of cyber threat.

“Not only does it help ensure young people are clued up about the risks associated with sharing data online but it also gives them the valuable chance to learn about careers in cyber security.”

“The Big Data Show plugs very acutely and vividly right into the Scottish Government’s ambitions to raise the public’s awareness of cyber threat.”

– Daniel Sellers, Cyber Resilience Scottish Government.

The Big Data Show will open at Perth Theatre in June 2020 and move to the Royal Lyceum Theatre Edinburgh – with plans to then tour the North of England.

The performances in June and July, which are solely for schools, are supported by advance workshops in the spring and followed up with workshops in the autumn. Booking for the whole project opens in September 2019.

The Big Data Show uses live performance, bespoke mobile gaming and digital tricks delivered to audience members’ handsets, inspiring greater understanding and engagement with our future as ‘digital citizens’ in the 21st century.

The gaming technology involved has been developed and produced by Dundee-based studio Orthrus.

Having already developed and rigorously tested the control system and digital assets with a prototype version of the project and evaluated the learnings, Civic Digits Theatre Company is ready to bring the full version to schools across the UK in 2020.

“The whole premise of using a phone to talk about online security was brilliant. The pupils were hooked.” – Sarah Macdonald, Drama Teacher, Community School of Auchterarder (Phase 2 feedback)

Outcomes of The Big Data Show and its workshops include: 

  • S1 pupils have a greater understanding of the social, cultural and political implications of our relationship with data and digital technology, particularly including cyber bullying and questions about privacy.
  • S1 pupils have a greater understanding of the potential of data and digital technology as opportunities for creativity;
  • S1 pupils feel excited about theatre as a 21st Century storytelling medium.
  • S1 pupils are inspired to think about careers in data and cyber security.

Pupils “became much more aware of the amount of data gathering going on in the background without them giving explicit permission and this was a shock to them.” Mrs Hollas, Drama Teacher, Perth Academy.

The Big Data Show has been shown to improve participants’ data literacy via quantitative evaluation carried out by Dr Alasdair Rutherford at Stirling University.

All participating schools will also receive CPD (continuing professional development) sessions and access to a teachers’ pack to support the cross-curricular learning promoted by this project.

“The Big Data Show took young people through a powerful process of experiential learning. The ‘shock factor’ created by the show encouraged young people to critically reflect on the data they are sharing with tech companies and the potential personal consequences.” Liz Green, YouthLink Scotland

“It is a really important topic, that’s not being explored enough in ways that pupils are willing to listen, the whole premise of it, using their own phones, they were hooked. I liked the fact that you used tech to talk about tech, very collaborative and all the surprises!”

“I’m really looking forward to seeing the whole project taking off. It’s going to be fab. I’m really passionate about this.”  Drama Teacher, Perth and Kinross

The Big Data Show by Clare Duffy and Rupert Goodwins is produced by Suzy Glass for Civic Digits, with co-producers Perth Theatre at Horsecross Arts and Unlimited Theatre.

It is funded by Creative Scotland, Scottish Government and the Garfield Weston Foundation.

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Loki’s Poverty Safari is most rebellious read

Poverty Safari, the best-selling memoir about growing up in Glasgow by writer and performer Darren McGarvey, aka Loki, has been selected in an online vote for Book Week Scotland 2018 as the most rebellious read of the 21st century.

Now in its seventh year, Book Week Scotland is run by Scottish Book Trust, the national charity transforming lives through reading and writing. In keeping with Book Week Scotland’s 2018 theme ‘Rebel’ readers were asked to select their most rebellious read from a shortlist of 21 non-fiction books.

Claiming 44% of all votes cast, Poverty Safari was followed in second place by A Streetcat Named Bob by James Bowen. Bowen’s inspiring story, which is also autobiographical, focuses on the healing relationship that he developed with an injured cat whilst homeless.

The Good Immigrant anthology edited by Nikesh Shukla, a crowdfunded book that challenges perceptions of immigrants with a diverse array of voices, took third place.

Over 3,500 people participated in the online poll, which was open for six weeks prior to the start of Book Week Scotland, and drew in record numbers of voters.

Poverty Safari, McGarvey’s first book, has garnered praise from across the political spectrum for its unflinching portrayal of the realities of growing up in poverty in Scotland. The book also won the Orwell Prize 2018 and was listed as a Sunday Times top ten best seller.

Initially crowdsourced through Scottish Book Trust’s website and social media channels, the rebellious read shortlist was decided by a panel, including: Head of General Collections of the National Library of Scotland, Graeme Hawley; Mairi Oliver, owner and bookseller of Lighthouse Books; and Literature Officer of Creative Scotland, Erin McElhinney.

The top ten most rebellious reads of the 21st century, as voted by the public are:

1.         Poverty Safari by Darren McGarvey

2.         A Streetcat Named Bob by James Bowen

3.         The Good Immigrant by Nikesh Shukla

4.         Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge

5.         Freedom is a Constant Struggle by Angela Y Davis

6.         I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell

7.         I Am Malala by Malala Yousafzai

8.         Nasty Women by 404 Ink

9.         The Secret Barrister: Stories of the Law and How It’s Broken by the Secret Barrister

10.       The Shock Doctrine: The Rise of Disaster Capitalism by Naomi Klein

Marc Lambert, CEO of Scottish Book Trust, said: “I’m delighted to see record numbers participate in this year’s online vote. We always find that this is a great way to start new conversations about why different books matter to different people.

“This year, the spotlight is on books that challenge our perceptions and encourage us to ask questions about the way society works. Clearly, the top ten is exceptionally strong and it’s great to see that Poverty Safari, a home-grown success story by a new Scottish writer, has topped the list.”

Erin McElhinney, Literature Officer at Creative Scotland said: “Books can change the world – whether it’s a writer challenging the status quo, or a reader being introduced to new ideas.

“The books on this contemporary top ten list, and the strong public response to them, is a testament to the rebellious potential of the written word.”

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