Son and father-in-law, Dave and Pretty Good Nick, invite you to jump on their absurdist bandwagon to explore the world of idioms in An Idiom’s Guide to the Galaxy. A fast-paced, fact-filled show that’s as funny as a barrel of monkeys.
An Idiom’s Guide to the Galaxy is one of Captain Breadbeard Productions new shows. It will be attempting to cut the mustard for the first time this year, as it is the world premiere of this show.
This competitive comedy sketch show is full of facts that will race through your mind and the theatre. Unlike their other production at Fringe, this gluten free offering from Captain Breadbeard is aimed at an older audience of fourteen and over.
This fast-paced, absurd sketch comedy show is full of music, audience participation, game shows, such as An Idiom Abroad and Has it Got a Sock in it?! An Idiom’s Guide to the Galaxy also provides an education look at many everyday sayings and phrases. QI meets Shooting Stars meets Mighty Boosh.
There are over 25,000 idioms in the English language alone. Join Dave and Nick as they explore what water off a duck’s back really tastes like and find out who is freezing the balls off a brass monkey. Suitable for village idioms, American idioms and idioms abroad.
Dave Watt is the founder of Captain Breadbeard Productions. The co-directors and performers, Dave Watt and Nick Surridge, are a son and father-in-law duo whose story is just as tantalising as their show.
The original idea for Captain Breadbeard Productions and the subsequent shows blossomed at a networking event in Croatia. Dave was approached by a woman who explained she had been trying to locate him, but did not know what he looked like. Someone told the woman he was ‘the man with bread on his face,’ although he had a standard hairy beard at the time with not a crumb in sight.
The conversation inspired Dave so much that he collaborated with his father-in-law to create the production company and baked his way into a legacy.
The company also perform Captain Breadbeard’s Bready Brilliant Comedy Cookbook at C aquila during the Edinburgh Fringe 2022.
Previous reviews for Captain Breadbeard Productions:
‘Brave, childishly satisfying… silly comedy at its best’ Audience Review, Brighton Fringe
‘A wonderfully funny and playful hour of entertainment that will make you laugh your socks off’ �������� Page on Stage
www.CaptainBreadbeard.com
Listings Information
C ARTS | C venues at the Edinburgh Festival Fringe | C aquila, Roman Eagle Lodge, 2 Johnston Terrace, EH1 2PW, venue 21, 3-28 Aug at 21:00 (1hr00) Tickets £8-£10 Comedy (New writing, Sketch show, Drama, Absurdist, Theatre) (recommended for ages 14+)
C ARTS box office +44 (0)131 581 5555 / res.CtheArts.com/event/34:3709
What does a 70-year-old man pulling dead rats out of gutters have to do with becoming a better human? Chris Singleton has the answer in his spoken word comedy show ‘How to be a Better Human’ at Summerhall this month.
“I lost my dad to bowel cancer in 2019,” says Chris. “And a few months later my wife left me. So I did what anyone would do, and wrote a comedy about it.”
‘How to Be a Better Human’is a spoken word comedy about grief, loss and self-acceptance. Set up as a Ted Talk, it features powerpoint comedy, animation and original music.
“I wanted to explore the lightness and humour in death and divorce,” continues Chris. “How we can lose everything and still find the strength to rebuild. How it helped me become better at empathising, connecting and understanding.”
His debut show has received glowing reviews on tour across the North, with many comments about how the show shifts between laughter and sadness.
“Death is something we’re all going to experience – that’s one thing we can be absolutely sure of. So why don’t we talk about it more? I’m hoping this show will spark conversation and understanding around the subjects of death and grief.”
To find out how growing a beard can be the best decision of your life, and why some hedgehogs are absolute dickheads, catch How to be a Better Human this month.
How to be a Better Human is on every day at 6pm until Saturday 28th August (excluding Monday 15th & Monday 22nd)
A fast-paced, comic fantasia By two-time Fringe First winner Brian Parks
Directed by Fringe First winner Margarett Perry
AssemblyGeorge Square Studio Two
August 3 – 29 at 3:05 PM
Fringe First Winners Bring THE GOLFER to Edinburgh
In THE GOLFER – a fast-paced comic fantasia – an ordinary guy skips work to play golf. But on the first tee he’s struck by lightning, thrusting him into a world of hard- nosed detectives, talking golf clubs, the Wife of Bath, and a peculiar underground river.
The play was first produced at The Brick theater in New York City in 2016 and won five New York Innovative Theatre Awards.
Time Out New York awarded it four stars and called it “A gleefully out-there dark comedy.”
The Village Voice said that “The Golfer might be a sly commentary on the impending end-times. Or a demonstration of how the human brain short-circuits when its owner spends too much time in front of a TV or computer screen. Or, like the singing gonads in its early moments, it could just be nuts.
“I won’t spoil the fun by giving away the ending, but only say that, especially for those overeducated, buttoned-up folks who languish in cubicles, it’s a much-needed antidote.”
Brian Parks is an American playwright whose work has been produced in New York City and several other cities in the U.S. The plays have also been staged in the UK, Ireland, Australia, New Zealand, Germany, Austria, and Switzerland.
His play Americana Absurdum helped launch the New York International Fringe Festival, where it also won the Best Writing Award. Parks has become a regular at the Edinburgh Festival Fringe, with seven plays previously presented at Assembly: Americana Absurdum, The House, Enterprise, Imperial Fizz, The Professor, Goner, and American Poodle (Splayfoot). He has won two Fringe Firsts, for Enterprise and Americana Absurdum.
New York-based director Margarett Perry is a frequent collaborator with Parks, having directed the world premiere of The House at the Kitchen Theatre in Ithaca, New York, as well as productions of the play at the Human Race Theatre in Ohio and at the 2018 Edinburgh Festival Fringe (Assembly).
Her other Fringe credits include the Fringe First award-winning production of Brian Dykstra’s Clean alternatives (Assembly), No Parole (Audience Favorite Nominee), and Confessions of Old Lady #2. She has directed and developed new work Off-Broadway and in regional theaters across the U.S.
Recent favorites include the critically acclaimed world premieres of Born in East Berlin by Rogelio Martinez and Seared by Theresa Rebeck, both at San Francisco Playhouse, Brian Dykstra’s Use to Was (Maybe Did) with Center Theatre Group, and Shrek the Musical at Connecticut Rep.
Margarett was the Resident Director at the Kitchen Theatre, where she has directed over 25 productions. www.margarettperry.com
The accomplished cast includes Parks veterans and a team of actors that has been working together for years with Margarett Perry—Matthew Boston (Enterprise, The House), Brian Dykstra (Americana Absurdum, Enterprise), Patrick Frederic (Goner), Vince Gatton (The House), Lori Prince, and Alex Sunderhaus (The House).
The ensemble plays nearly 60 different characters. Joining director Margarett Perry on THE GOLFER creative team are: Tom Kitney, production design; Julian Crocamo, composition and sound design; Dan Lawson, costume design; Alex Ridley, production stage manager and Natalie Tell, associate director and producer.
Founded by Sturgis Warner, Twilight Theatre Company’s mission is to develop, workshop, and produce new work by theater artists and to tell stories that deepen our awareness. Past productions include Ted LoRusso’s Prelude to the First Day, Suite for Four Actors and Percussionist, Brian Dykstra’s A Play On Words at 59E59 Theaters, and Palestine by Najla Saïd.
Now under the artistic leadership of Margarett Perry, Twilight continues to develop and present new work through readings, workshops, and productions. During the shutdown, Twilight ventured into the short film and music video world, producing digital content such as #Hashtag That-Say Their Name (from the musical Crazy Make Crazy) and This Doesn’t Work, written and performed by Darian Dauchan and Brian Dykstra.
Twilight contributed to the development of the animated feature film My Love Affair With Marriage, directed by Signe Baumane; the piece will have its world premiere at the Tribeca Film Festival in June.
“A gleefully out-there dark comedy.” ☆☆☆☆ Time Out New York
“The Golfer might be a sly commentary on the impending end-times. Or a demonstration of how the human brain short-circuits when its owner spends too much time in front of a TV or computer screen. Or…it could just be nuts.” –The Village Voice
“No American writer’s more thoughtful in an explosive and comic way.” –The Scotsman
LISTING INFORMATION
Venue: Assembly George Square Studio Two Time: 15:05 Running Time: 70 minutes Dates: 3 – 29 August. Previews 3, 4 August. No shows 10 or 17 August. Tickets: Previews Aug 3 & 4 £8.50; Aug 5-9, 12-14, 19-21, 26-28 £15 (£14); Aug 11, 15- 16, 18, 22-25, 29 £13 (£12)
Bookings: assemblyfestival.com, 0131 623 3030 or Assembly box offices at Assembly Hall and Assembly Roxy, Assembly George Square, Assembly Checkpoint and Assembly Rooms.
Stand-up comic Anu Vaidyanathan used to be an international triathlete, who became a mum and then she was history.
BC:AD (Before Children, After Diapers) is an invitation to anyone that finds themselves slightly overdrawn, mostly obscure and definitely needing the sound of another voice to reason with their own challenges.
In her debut standup hour, Anu paints a peripatetic picture of a comedian, filmmaker and sometime engineer who loves endurance sports, including parenting.
From the equatorial latitudes of Madras, India to the glacial confines of Munich, Germany, the throughline of BC:AD is anything but a line. It resembles a cooked thread of spaghetti. Or string cheese past its due date, with enough twists and turns to make the most ambitious wedgie, jealous.
If before children, Anu was considered unique for being one of few women to race triathlons, after diapers she finds herself being the least common multiple. A mum. And that might be something to write home about.
Anu Vaidyanathan is a filmmaker, comedian and engineer whose memoir Anywhere But Home was long-listed for the Mumbai Film Festival’s word-to-screen market in 2016. Her feature scripts have found themselves at the final rounds at Sundance and Rotterdam.
As a comedian, she has gigged across greater Europe and London and has trained at the Royal Academy of Dramatic Art in London and Ecole Philippe Gaulier in France.
Druid today announced that their world premiere production of Sonya Kelly’s new comedy The Last Return has won a prestigious Scotsman Fringe First Award at this year’s Edinburgh Festival Fringe. The Scotsman Fringe First Awards celebrate the best new writing at the festival.
As part of their commitment to new Irish writing, Sonya Kelly’s comedy was produced by Druid in Galway, had its world premiere at the 2022 Galway International Arts Festival in July, and is now running at the Traverse Theatre in the heart of Edinburgh. Following this international run, the production returns to Ireland for dates at Dublin’s Gate Theatre as part of Dublin Theatre Festival in October and November.
News of the Scotsman Fringe First Award follows rave reviews by critics including five-star ratings from What’s On Stage, The Arts Desk and The Wee Review, and praise such as ‘pitch black comic mayhem’ from The Guardian, ‘wonderful’ from The New York Times, and ‘shocking and very funny’ from The Irish Times.
This is the second Scotsman Fringe First Award for playwright Sonya Kelly who previously won in 2012 for her play The Wheelchair on My Face.
Druid has won numerous awards at Edinburgh Festival Fringe over the years including in 1980 for two plays, Island Protected by a Bridge of Glass and The Pursuit of Pleasure (both written by Garry Hynes), in 2007 for The Walworth Farce by Enda Walsh, and in 2008 for another Enda Walsh play, The New Electric Ballroom.
Directed by Sara Joyce, The Last Return is a thrilling comedy about conflict, peace and the pursuit of territory at any cost. One final night. One last chance. Five people queue for a ticket to the hottest show in town. All they must do is simply wait in line. But what in life is ever simple? Who will triumph, who will fail, and who will walk away with… The Last Return?
Following the success of Furniture (2018) and Once Upon a Bridge (2021), The Last Return marks the third time Druid has premiered a new work by Sonya Kelly. The Last Return has already earned the acclaimed playwright a nomination for The Susan Smith Blackburn Prize, while Once Upon a Bridge was nominated for Best New Play at the Writers’ Guild of Great Britain Awards in 2021, and Furniture won the Stewart Parker Trust Award in 2019.
Playwright Sonya Kelly: ‘I am thrilled and humbled to receive a Scotsman Fringe First Award for The Last Return at Traverse Theatre.
“It has been an unforgettable journey getting this play from page to stage with Druid and director Sara Joyce. Here’s to the return of live theatre and welcome back Edinburgh Fringe. We missed you.’
Garry Hynes, Druid’s Artistic Director: ‘I am so thrilled for Sonya, for everyone in The Last Return company, and my colleagues in Druid. It’s an honour for us to share Sonya’s work with audiences at home and abroad.
“I’m also very grateful to our Edinburgh hosts, Traverse Theatre, and to our funders and supporters, including our core funder, the Arts Council of Ireland, and Culture Ireland, who made our Edinburgh run possible.’
theSpaceUK kicks off their 27th year at the Edinburgh Festival Fringe in style
It was a night to remember as theSpaceUK kicked off their 27th year at the Edinburgh Festival Fringe with a powerhouse performance packed launch at theSpace Triplex.
Artists from a wide variety of genres came together to wow audiences with a small flavour of the 400+ shows available in this year’s programme. Featuring eleven fantastic acts, the launch was a showcase of music, comedy, theatre and packed with plenty of action, to give a taste of the talent on show at theSpaceUK this year.
theSpaceUK pioneered the return of grass roots performance to the festival last year and continues to offer the most established programme for new and original writing as well as established work offering that unique and special experience that can only be found in Edinburgh during August.
Highlights from theSpaceUK Press Launch
Kicking off proceedings was the Hip Hop Orchestra Experience direct from California which seamlessly fused hip-hop and classical music. Upcoming theatre company koi collective premiered a new comedy at the Edinburgh Fringe, Crossing the Void, with a swirl of intrigue and emotion.
A multimedia hybrid, part live stand-up, part film, Apartness featured Sylvester McCoy, Linda Marlowe in a tale of two isolated souls and their devilish comedian saviour. Prejudice & Pride was new folk musical comedy that reimagines Jane Austen’s classic novel in modern America with gender-swapped characters.
How do predators justify what they have done? Why do some victims survive and others perish? Brother’s Keeper is about courageous survival. Merrill gets diagnosed with ADHD as an adult and tries to make sense of her life and chaotic childhood in Merrill Means Well.
The Mistake is a compelling new play by Michael Mears that explores the events surrounding the catastrophic “mistake” that launched our nuclear age.
UK Underdog is a solo show based on true events in a London, Jewish boy’s life told with humour and plenty of chutzpah.
A modern tale of the gay scene which can be harsh and lonely, Soho Boy is packed with glamour, sex and songs.
One-liners and light-hearted jokes from the UK Pun Championships winner 2022 and Scottish Comedian of the Year runner-up 2021, Richard Pulsford had the audience in stitches.
Puppet Pansori Sugungga is an untraditional staging of classical Korean themes using the traditional puppetry of pansori and live music. All hosted by the freshest comedian at the Fringe, It’s Fraser Brown.
About theSpaceUK
Established in 1995, theSpaceUK hosts the largest and most diverse programme at the fringe. Companies, both professional & amateur, are given an affordable, supportive and professional platform to showcase their work.
About the venue
theSpaceUK operates 19 venues across 7 sites including: theSpace@Surgeon’sHall, theSpace@SymposiumHall, theSpace on North Bridge, theSpace on the Mile, theSpaceTriplex, the Space@Venue45. Further details will be revealed in the coming months.
As the 2022 Edinburgh Fringe gets underway, the Edinburgh Festival Fringe Society are delighted to announce a full programme of activity for the new Taster Stages in St Andrew Square and Cathedral Square in St James Quarter.
Following an announcement about the extension of the traditional Street Events programme to new sites across the city centre, the Fringe Society team have been excited by the level of support shown by artists for the new spaces.
Scheduled daily from 11:00 – 18:00, the new stages will bring a taster of the Fringe to the New Town, with performers from 170 shows participating in 650 performances across both stages.
From music to magic, dance to comedy, and theatre to circus, there will be something for everyone visiting the spaces this August. In St Andrew Square the TikTok team will be in residence and will live stream on various dates throughout August. In the St James Quarter, the Taster Stage in Cathedral Square will be the first event to take place in this new space.
Audiences are encouraged to make repeat visits to the two stages, with performers changing throughout the day. The tasters have been designed to allow visitors to the area the opportunity to get to know work by the artists, before booking a ticket to see their full show.
Shona McCarthy, CEO at The Edinburgh Fringe Society said: “This summer we’re delighted to be able to expand the Street Events programme to these new spaces in the New Town.
“It’s been fantastic to see the volume of artists who have engaged with these opportunities and we encourage anyone visiting these areas to stop by to get a taste of the Fringe Festival.
“We are grateful to our sponsors and partners in supporting our expansion of Street Events and look forward to watching performance in both the live experience, and digitally on TikTok.”
James Stafford, Head of Community & partnerships, TikTok UK, said: “We are thrilled to be partnering with the Festival Fringe Society this year as the Official Virtual Stage.
“We will be livestreaming from the TikTok Taster Stage in St Andrews Square throughout the festival, so whether you are lucky enough to be in Edinburgh or want to tune in from afar on TikTok, the magic of the Fringe will be more accessible than ever before.’
Cllr Val Walker, Culture and Communities Convener, City of Edinburgh Council, said: “This is a very special year for the Fringe, not only does it see the return of an amazing programme of artists and performers from around the world, it also marks 75 years of this extraordinary festival.
“This exciting addition of new sites offering taster performances from the Fringe’s jam-packed programme brings a wider opportunity for current and potential Fringe fans to sample some of the 650 acts who will be entertaining audiences this month.”
Paul Bush, VisitScotland Director of events, said: “EventScotland is delighted to be supporting the return of the Fringe Street Events at this year’s Festival as they extend to new locations across the city centre.
“Our atmospheric crowds, iconic venues and picture-perfect backdrops make Scotland the perfect stage for events and after the challenges of the last two years now is the time to get out and enjoy all these free events have to offer.”
Nick Peel, St James Quarter said: “We are thrilled to be hosting the Taster Stage in Cathedral Square kicking off a fantastic summer of The Edinburgh Festival Fringe at the Quarter.
“The Fringe is such an integral part of the city, the partnership supports our ambition of offering guests new experiences every time they visit. We can’t wait to see the incredible talent from across the globe descend on Cathedral Square, giving us a taste of what’s on offer across the City this August.”
Roddy Smith, Chief Executive of Essential Edinburgh said: “We are delighted to be working in partnership with the Fringe Society and St James Quarter to bring free Fringe activity to St Andrew Square Garden and Cathedral Square.
“I encourage everyone to stop by and get a real feel for the fantastic artists and shows on offer. With the addition of the free Fringe stages, there is now significant Fringe presence throughout the New Town, complementing the traditional Old Town offering and ensuring we have a thriving and vibrant area during August, welcoming residents and visitors to our wonderful city centre.”
One woman’s quest for tortured beefcake, 80s action and raw sexual power
Pre-pandemic Rosy became the world’s first female time-travelling doctor in her multi-award-winning theatre debut ‘Passionate Machine’. Now this feminist powerhouse is Musclebound to examine our most shameful sexual secrets.
When bodybuilders and 80s action films unite, you can always count on one thing: a good hard flogging! And for a five-year-old Rosy, witnessing live action film characters like He-Man and Conan the Barbarian being stripped, beaten and humiliated by their male antagonists sparked an odyssey of secret obsession that would shape her erotic life forever.
Now forty, with a string of disappointing relationships behind her and her own grown-up daughter about to leave home, a chance re-watching of He-Man reignites the spark of Rosy’s lust, setting her off on a mission to replenish her sexual power. But can tortured beefcake really be the key to her salvation? Or does a more uncomfortable sexual truth lurk, waiting to be reckoned with?
Join Rosy in this intelligent, provocative and terrifically funny real-life story, as she goes to any lengths to find out – even if that means asking Dolph Lundgren and Arnold Schwarzenegger themselves …
‘It’s about me getting to grips with my childhood passion for watching these incredible scenes of hyper-muscular men being abused’, says Rosy.
‘About why that dynamic felt so powerful. Musclebound takes a playful, candid and highly singular look at sexual power, female pleasure and the politics and principles of orgasm-faking.’
Rosy is forced to ask herself: what are the sexual lessons we want to pass on to our daughters – and what do we still need to learn for ourselves? Is it ever OK to objectify people?
Rosy Carrick is a writer, actor and translator. Her critically acclaimed play Passionate Machine won theawards for Best Design and Best New Playat Brighton Fringe in 2018, and The Infallibles Award for Theatrical Excellence at Edinburgh Fringe. She has co-hosted the poetry stages at Glastonbury, Latitude and Port Eliot Festivals for the last decade.
Her debut poetry collection Chokey was published in 2018 and its follow-up, 26 Letters, is due for release in 2023. Rosy has a PhD on the Russian revolutionary poet Vladimir Mayakovsky. She has released two books of his work in translation, and is currently working on a third, which will be published in 2024 by The 87 Press. www.rosycarrick.com
Musclebound is directed by Fringe First winner Katie Bonna. Katie won the Most Promising New Playwright award at the 2018 Off West End Awards (for All The Things I Lied About).
In 2021, her queer comedy The Entertainment was nominated for OFF Fest’s Best Online Theatre production, and her short film IRL was nominated for Best Comedy at the Cannes Shorts Festival.
Part of the prestigious BBC Comedy Writers Room course 2019/2020, Katie is currently under commission from BBC Radio 4 and RADA.
‘Intelligent, articulate, funny’ Scotsman (on Passionate Machine)
Listings information:
Musclebound
Venue: Assembly Roxy (Venue 139)
Dates: 3-29 Aug (not 10, 16, 23) First review date 3 Aug
Over 3,300 shows now available to browse online ahead of the Fringe’s 75th anniversary this August
The Edinburgh Festival Fringe Societyis delighted to announce that tickets for a further 146 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.
This is the fifth set of tickets to be released for 2022, with the first 283 shows revealed in March, 796 in April, 1,281 in May and 1,047 in June. In total, there are 3,385 shows now available.
The 75th anniversary of the Fringe takes place from 05 – 29 August 2022 and will feature an exciting range of performance, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events, children’s shows and more all featured in the programme so far.
Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.
Theatre
At Summerhall, Dykegeist “will shift between a supernatural thriller, a sci-fi spider lair, a haunted club scene, a social situation to discuss threat/consent/otherness”, and Peaceophobia is “an unapologetic response to rising Islamophobia around the world”.
An outdoor performance of “Shakespeare’s timeless comic masterpiece” A Midsummer Night’s Dream is at Fisherrow Links, and at Paradise in Augustines, 12th Night Lite is a “true love story for the ages”.
A selection of online shows will include In a Cave, a Voice at C venues, where “a Neolithic girl seeks comfort in imaginary friends”, and Willy’s Lil Virgin Queen explores Terra Taylor Knudson’s “passion for Shakespeare, and connects classic characters with modern experiences”.
Olding is a “multi-story, multi-character solo show, written and performed by Johanna Courtleigh” on Fringe Online, and What Am I, Chopped Suey? is also online, where “Meg Lin shares a raw personal account of growing up Chinese American that is both heart-warming and heart-wrenching”.
The Calligrapher is on at Greenside @ Infirmary Street, where an artist is “followed by the walking, talking, blood-drenched Quran that has haunted him” since he created it, and Elementa is “a one-woman show about a planet-saving superhero who’s lost her mojo” in the same venue.
Shows at ZOO Playground include Chips and Ice Cream, a show about a father-son relationship and the “struggles, the laughs, the joy and the inevitability of the mistakes that every parent will make”. Don’t Shoot the Albatross is where “pop music meets poetry in this new monologue about city lights, queer night life and large seafaring birds”.
At House of Oz, John Bell: A Few of my Favourite Things is “a relaxed hour with Australian living legend John Bell, as he rummages through his swag of favourite things, fishing out poems, stories, backstage gossip”.
Fan/Girl is part of PBH’s Free Fringe @ Banshee Labyrinth and charts a “tongue-in-cheek ride through adolescence against a backdrop of nineties football”, and A Lady Does Not Scratch Her Crotch is “a look at gender, sexuality, and the near impossibility of growing up”.
At theSpace @ Niddry Street, Laura J Harris presents Bella Donna, “an original queer comedy filled with unexpected twists and turns and more than its fair share of sass”, and theSpace on North Bridge hosts Pool (No Water), “a visceral and shocking play about the fragility of friendship and jealousy inspired by success”.
Sweet FA at Tynecastle Park is “a play with songs exploring the remarkable popularity of women’s football in the early 20th century”, and A War of Two Halves is at the same venue, telling the journey of “the Hearts from the football fields of Gorgie to the battlefields of the Somme.”
Cabaret and Variety
Figs in Wigs: Astrology Bingo is at Assembly George Square Studios, a show which plays “with bingo cards generated from your favourite celebrity’s astrological birth chart”.
Disenchanted: A Cabaret of Twisted Fairy Tales is online at C venues and asks, “Why was the Wolf in Grandma’s bed? Did Sleeping Beauty have an opinion on consent? Were the Ugly Sisters’ feet really that big?”
At BlundaGardens: BlundaBus, Ash and Lisa: Band Practice welcomes you “to this dismantling of music and sanity” in their musical improv show. And for film fans, at Brioche Dundas Street there is See It On Screen Summer 22, “three original short films made in Edinburgh”.
At House of Oz, OZmosis: The Great Australian Variety Pack presents the “hottest line-up of all-Australian talent on the Fringe”, Dolly Diamond’s Bosom Buddies sees the “award-winning, sharp-tongued cabaret diva” return to Edinburgh, and at the same venue, Geraldine Quinn: BROAD explores how “Quinn grew up idolising bold, brassy older women. Now she’s becoming one.”
Pick of the Fringe is at Johnnie Walker Princes Street, presenting “a mixed bill of comedy, music and variety, alongside the finest cocktails and drams in Edinburgh”.
At Laughing Horse @ The Counting House, Accordion Ryan’s Pop Bangers brings music from “artists from all across the pop music spectrum… in a way you’ve never heard them before”.
Chris Cook: Reflections asks, “What advice would you give your younger self?” with a magical twist at PBH’s Free Fringe @ Voodoo Rooms. At Absurd: A Live Cabaret Panel Show, you’re invited to “join host and magician Ava Beaux, and magical team captains Kane & Abel, for an array of games, buzzer rounds, and cabaret acts”; that’s at PBH’s Free Fringe @ Roti. At Planet Bar is Miss DQ Prides Again, an inclusive LGBT show.
“World-renowned songsmith and pianist extraordinaire, John Thorn, returns to the Fringe with a sublime collection of new original songs exploring the meaning of life and the future of humanity” in John Thorn Dirt An Existential Songbook at RSE Theatre.
At the Voodoo Rooms, Mr.B: Twerp in Progress “will feature some chap-hop classics, interpretations of vintage rap ditties and perhaps even some bits made up on the spot”.
99 Red Kitties is at theSpace @ Niddry St, “a highly energetic amateur burlesque show, which is sure to tantalize the audience”.
Children’s Shows
Online at C venues, Risas de Papel is a show created by 11 artists from Mexico and Chile, “fusing clown, gestural theatre and live illustration in a show for audiences of all ages”.
Spontaneous Potter Kidz: The Unofficial Improvised Parody is at Gilded Balloon at the Museum, “an entirely improvised wizarding comedy show, based on your suggestions”. At House of Oz, Dolly Diamond’s Storytime “helps stimulate children’s imagination and expand their understanding of the world”.
At Paradise in Augustines, The Red Thread We Are Holding takes audiences on “a journey of culture, love and free Taiwanese desserts”.
The Mermaid and the Cow is at theSpace @ Surgeons Hall, telling the tale of how “adventurer and children’s author, Lindsey Cole mermaided the length of the River Thames to highlight the plastic pandemic.”
Comedy
In comedy, Adam Kay: This is Going to Hurt… More (Work in Progress) brings diary entries “as well as some disgusting favourite stories” to Pleasance, and at Pleasance Dome Drag His Ass with Mary Beth Barone is a “deconstruction of modern dating culture”.
At Laughing Horse venues, Love and Sex on the Spectrum “explores all of the awkward firsts that come with dating, sex and love from a late bloomer’s perspective”. In From Ukraine, “Dima Watermelon (it’s his real name) and Pavlo Voytovych (writer at Comedy Central)” bring “the best comedians Ukraine has to offer”, with all donations going to organisations in Ukraine.
Jew Talkin’ to Me? seesRachel Creeger and Philip Simon live record their “unashamedly Jewish podcast enjoyed by everyone” at Assembly George Square Studios, and Róisín and Chiara: Sex on Wheels is “a whirlwind of synchronised, audience-tickling, stream-of-consciousness mischief”, at the same venue.
At BlundaGardens: BlundaBus, there is “extreme nonsense from award-winning idiot Dan Lees” in Dan Lees: Mustard or Custard?, and at Gilded Balloon at the Museum is Spontaneous Sherlock, an “entirely improvised Sherlock Holmes comedy play, based on a suggestion of a title”.
The In-Laws is at Greenside @ Infirmary Street, a one-man show where you can “join Paul as he meets his in-laws for the first time”, and at House of Oz, Gabbi Bolt: I Hope My Keyboard Doesn’t Break tackles “climate change, feminism, why small towns have too many pubs”.
The Necrobus hosts Fright Bus Service, “an award-winning theatrical sightseeing tour around the darker side of Europe’s most haunted city on a classic 1960s Routemaster bus”.
As part of PBH’s Free Fringe, Mimi Hayes: 20-Nothing details the story of an old woman who’s “sucked into the story of a 20-something who can’t catch a break”. Faces of Glasgow “is a scabrous and salacious satire of modern Glaswegian city life and its idiosyncratic inhabitants”.
The Scottish Comedy Festival presents Ah! My Name is Yoky Yu, about “healing, trauma, love, shame, guilt, mom, intimate relationships, and sexuality”, and The Lunch Rush gives “a taste of some of the best new comedy talent on the Scottish circuit” with Kathleen Hughes.
At The Stand’s New Town Theatre, Des Clarke: One O’ Clock Fun presents “a lunchtime showcase of Edinburgh Fringe legends, celebrity guests and the most exciting new talent around”, while Mark Watson: More Banging on About Time and Similar Issues (Work in Progress) explores “what it means to live and die, and what the hell we’re meant to do with the rapidly passing time in between”.
Trashfuture: Live at the Fringe is at theSpace @ Venue45, covering everything from “nonsense start-ups to the evil tech zillionaires and our garbled nonsense of a culture.”
At Underbelly, Dr Brown: Workdsff intlsdjfj Progressdsdfdfn the “multi award-winning comic” comes to Edinburgh “after a decade in hibernation”.
Call Me Me is at ZOO Playground, a show where Maryellen takes audiences through “stories of medical malpractice, being pigeon-toed, mansplaining in escape rooms”, and Platonic Love Triangle – A New York Stand-up Comedy Show sees comedians “Wyatt Feegrado (Bettor Days on Hulu, Amazon Prime), Lukas Arnold (2 million+ followers on Tiktok) and Otter Lee (Fairview on Comedy Central) present an afternoon of stand-up comedy”.
Dance, Physical Theatre and Circus
At Dancebase, an “elaborately costumed dancer performs a tap dance ritual accompanied by a musician” in Le Flâneur, and A Something! No Dragon No Lion! is “a Kung Fu contemporary circus made in Hong Kong”.
Cirk La Putyka and Kyiv Municipal Academy of Variety and Circus Art collaborate on Boom at Underbelly, a “show about family, freedom and borders” where 12% of ticket income will be donated to the Disasters Emergency Committee.
At ZOO Southside is 40/40: “Kat has always danced, but she has never before been a dancer. But then, she’s never been 40 before either. This is the result of 40 years of joy and hardship, laughter and tears, super tunes and super moves.”
Musicals and Opera
On Fringe Online, Feeling Pretty “tells a story of women reclaiming their power” and at theSpace @ Surgeons Hall, The Canterville Ghost: The Musical is a “family friendly comic ghost story” adapted from the Oscar Wilde story.
Spoken Word
At the Stand’s New Town Theatre, Politics and Poetry with Corbyn and McCluskey is an event which “traces the evolution of their political lives and how poetry and modern culture has provided inspiration, enlightenment and comfort”.
In 12 Angry Women, on Fringe Online, “women are on trial by the audience (the camera), they express their monologues and themselves through dance/movement”.
Aural Picnic is at PBH’s Free Fringe @ Banshee Labyrinth where a “local lass brings to life contemporary stories with humour and vigour performed in anthropomorphic characters from nature and myth.”
At Pleasance at EICC, Iain Dale: All Talk with Nicola Sturgeon brings the LBC presenter and the First Minister together for “incisive insight on current affairs”.
Shot in the Face Marvin Herbert is at Shout – Scottish Music Centre @ 111 Holyrood Road, where Marvin discusses having “investigated over 24 murders and eight shootings. Shot five times, axed in the head, stabbed, beaten and bruised” in the service of “reducing re-offending by inspiring, motivating youths and changing lives”.
Music
At ZOO Southside, sanni-leena brings “jazzy covers” with a voice which “will hit you right in the soul – no matter what style she takes on”, and at ZOO Playground, I Dreamed a Dream: The Hunt for a Husband is “an evening of musical comedy, horrendous dating stories, and a relatable truth that we all need to hear.”
At Acoustic Music Centre @ UCC, Jeremy Dion from Boulder, Colorado presents his “blend of folk, bluegrass and Americana”, and Baul, Troubador and Verses on Love, Lust and Flame directed by Ahmed Kaysher “offers the ecstasy and sublime beauty of Indian Vaishnav, Baul and Troubadour music with its interpretation through a haunting presentation of Sufi, Bengali and Greek poetry”.
Duelling Piano Heroes is “an unrivalled, 21st century duelling pianos experience” at PBH’s Free Fringe @ Liquid Room Annexe/Warehouse.
10 Years of Hot Dub Time Machine promises “a night of high energy and non-stop fun and Tom’s incredible selection of the very best tracks from the last 70 years” at Royal Highland Centre.
At RSE Theatre, Bonnie Thorn Little Jazz Bird “showcases Bonnie’s vocal talents with selections from the Gershwins to Amy Winehouse and beyond”, and at St Cuthbert’s Church, Pitchcraft: The Pitch Is Back! is a showcase of “uniquely crafted acapella arrangements, each with its own twist, delivered with humour and passion”.
There is a Lunchtime Organ Recital with free admissionat Stockbridge Church, where “Marion Lees McPherson plays a selection of German, French and English organ music on the theme of Pain and Glory.”
Kings of the Blues: Electric Blues Tribute is at The Brunton, “honouring three masters of the Blues: BB King, Albert King and Freddy King”, and Kyle Falconer in The Old Dr Bell’s Baths with Support from The John Rush Band, The Laurettes and Hunter & McMusard is at The Old Dr Bells Baths where “Kyle, backed by his full band, will be playing a set combining his solo music and classics from The View’s back catalogue.”
The Salvation Army Edinburgh City Corps hosts Music for the Festival with Newtongrange Silver Band, “a traditional mining village brass band from the outskirts of Edinburgh, but their repertoire is far from traditional”.
At Underbelly, Bristo Square, Symphonic Ibiza celebrates “some of the most famous Ibiza club anthems from the last 30 years”.
Grigoryan Brothers: This Is Us is at the House of Oz. “To mark the National Museum of Australia’s 20th anniversary, the nation’s most respected classical guitarists, the Grigoryan Brothers, composed 18 musical works inspired by items from the museum’s vast collection.” At the same venue, BIRDEE “blends her own lineage of Chinese, Greek and Russian origins to craft her own sound and stories”.
120 shows make up The Stand’s 2022 programme across Stand 1 (5 York Place), Stand 2 (16 N St Andrew St) & The Stand’s New Town Theatre (96 George St)
We may be world-famous for our stand-up, but that doesn’t mean The Stand is a one-trick pony. Several spoken-word mainstays such as ‘The Cabaret of Dangerous Ideas’ and ‘In Conversation With’ are back thanks to our partnership with Fair Pley, but there’s also brand new shows from comrades Jeremy Corbyn & Len McCluskey, legendary actor David Hayman, former Makar Liz Lochhead and much more …
An ongoing series of intimate conversations with some of the country’s biggest names, including Jeremy Corbyn MP, Ian Rankin, Darren McGarvey, David Hayman, Val McDermid, and now – a last minute addition – our First Minister Nicola Sturgeon! £12.50 – £15
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Are you brave enough to challenge your own preconceptions and opinions on hot-button issues? Susan Morrison introduces a different academic speaker every day. £11
Jeremy Corbyn is joined by his friend and comrade Len McCluskey for a unique event. No strangers to controversy; their love of poetry is the softer counterpoint to their firm political beliefs. One night only. £12
What does it really mean to be working class? A blend of theatre, stand-up and spoken word from critically acclaimed writer and performer Kevin P Gilday. £12
Mark Billingham, Val McDermid, Chris Brookmyre, Luca Veste, Doug Johnstone and Stuart Neville switch out pens for guitars. Murder on the dancefloor is guaranteed …
