In advance of the Spending Review, Child Poverty Action Group have joined with other organisations to urge the chancellor to make a firm commitment that the two-child limit and the benefit cap will be abolished as part of the Autumn Budget.
61% of parents and carers of children in Scotland aged 18 and under polled think they had safer childhoods compared to their own children, while 52% felt theirs was easier and 51% believed they had better experiences
This comes at the same time as new data demonstrates that 54% of parents in Scotland want their children to play more in person.
However, top barriers identified to in person play include concerns for children’s safety, the accessibility of going online, the weather, and the cost-of-living crisis.
The NSPCC calls on the public to play their part for children by getting involved in Childhood Day on the 6th of June.
The majority of parents and carers of children in Scotland aged 18 and under believe their own childhood was safer (61%), easier (52%) and full of better experiences (51%) than their own children’s.
A YouGov survey of 4,017 parents and carers – including 339 in Scotland – commissioned by the NSPCC to analyse children’s playing habits also found that 54% of participants want their children to play more in person.
Nearly a third of parents in Scotland (31%) believe the biggest barrier to their child playing more in person is concerns over their safety. Other barriers identified include:
The accessibility of going online (26%)
The cost-of-living crisis, such as preventing families from being able to afford clubs (20%)
Online games being more engaging (23%)
Lack of friends to play with (19%)
Weather (26%)
Overall, findings across the UK showed that 38% of parents believe their child plays online every day or multiple times a day. Once children reach their teens, this increases, with 53% of parents of 12–16-year-olds saying their children within that age group play online at least once a day.
In person play also decreases as a child ages. While 40% of total participants agreed that their children played in person once a day or more, for parents of 12–16-year-olds this decreases to just 27%, and 16% for those with 17–18-year-olds.
As the NSPCC prepares for its fourth annual Childhood Day on Friday (June 6th) it has issued calls for families to come together and celebrate the joys of childhood, while also encouraging people to play their part to help keep children safe.
People can get involved by donating to the NSPCC, including in Lidl stores – either at cash donation tins or in small amounts via card payment at the till, thanks to digital micro-donation system Pennies. They can also volunteer at a Childhood Day collection point or take on the NSPCC’s Childhood Day Mile.
All the funds raised will go towards helping the NSPCC deliver vital services, like Childline which supports children at risk.
Chris Sherwood, CEO of the NSPCC said: “It is human nature to want something better for your children, but our latest research suggests that parents today believe we are trending in the wrong direction in terms of childhood experiences.
“Lack of in-person play for children is a particular concern for parents, something we all have a responsibility to try and address. Children and young people playing more with their friends and family, both inside and outside, can only be a good thing for their physical and mental health and general sense of wellbeing.
“The NSPCC’s Childhood Day is all about bringing families, friends and communities together to celebrate childhood and give everyone a really fun and positive in-person experience, while at the same time seeking to raise vital funds for the charity.”
Lidl GB is sponsoring the NSPCC’s Childhood Day for a fourth year as retail sponsor. Lidl GB has been partnered with the NSPCC for 8 years, raising over £10 million for the charity in this time.
Lidl GB will be helping to raise awareness of Childhood Day, as well as holding its own events and activities with colleagues and customers across Great Britain to help raise vital funds.
Blind and partially sighted residents in Edinburgh will be able to try out assistive technology at an upcoming local event with a leading sight loss charity.
RNIB Scotland will be speaking to visitors and offering support at a ‘Low Vision Solutions Open Day’ on Wednesday 11 June, 10am – 2pm at RNIB’s Hillside office on Hillside Crescent in Edinburgh.
The event will be an opportunity for blind and partially sighted people, and their friends and family, to meet with RNIB to receive advice and support.
A range of trusted experts on-hand to talk through live demonstrations on a 1-1 basis and also a chance to meet local support services to find out information about technology products and services that are available.
There are multiple barriers to the digital world for people living with sight loss that include cost, confidence, access to training opportunities, as well as accessibility and safety concerns.
Derek Rutherford, RNIB’s Product Coordinator, said: “We are delighted to be part of the Low Vision Solutions event taking place this week.
“One of RNIB’s priorities is to equip blind and partially sighted people to thrive and live independently, and accessible technology plays a vital role in this.”
Get ready for an unforgettable weekend this August as Edinburgh’s Conifox Adventure Park brings you FoxFest 2025 – and it’s shaping up to be the biggest and best yet!
Mark your calendars for Saturday 2nd and Sunday 3rd August and prepare for two days packed with live music, top-class entertainment and fun for the whole family.
Calling all Swifties—live out your wildest dreams as the ultimate Taylor Swift tribute act takes the stage on both days. It’s time to shake it off and sing along to all your favourite hits!
Adding even more star power to the line-up, organisers are thrilled to announce a high-energy Robbie Williams tribute will take to the stage on Sunday. With classic anthems like Angels, Rock DJ, and Let Me Entertain You, it’s set to be an unmissable performance for Robbie fans of all ages.
FoxFest 2025 brings together the best in tribute music, live shows, and family entertainment. From massive pop tunes, to mesmerising magic to hands-in-the-air singalongs, don’t miss out on the ultimate summer celebration!
What’s in Store at FoxFest 2025?
Saturday 2nd August
🎤 Totally Taylor – Taylor Swift Tribute 🎤 Thinking Out Loud – Ed Sheeran Tribute
🎤 Sweet like Sabrina – Sabrina Carpenter Tribute 🎤 Steptastic – A tribute to pop icons Steps 🎶 Songs from Musicals Live 🎈 Dizzy O Dare – The Giant Balloon Show 🫧 The World’s Tallest Bubbleologist
Sunday 3rd August
🎤 Totally Taylor – Taylor Swift Tribute
🎤 Liam as Robbie – Robbie Williams Tribute 🎤 A Tribute to Pink 🎤 Little Mix Magic – The ultimate tribute to Little Mix 🎶 Disney Sing-Along – A magical musical journey for all ages
🎈 Dizzy O Dare – The Giant Balloon Show 🎭 Magic Gareth – A spellbinding magical performance
And that’s not all! Festival goers can also enjoy all the exciting activities that Conifox Adventure Park has to offer, including access to the outdoor Adventure Park, delicious food stalls, refreshing drinks, and an onsite funfair with rides and face painting (additional cost applies).
Event Details
📍 Location: Conifox Adventure Park, Kirkliston, Edinburgh 📅 Dates: Saturday 2nd & Sunday 3rd August ⏰ Doors Open: 9:30 AM 🎤 Hosted by: Mark Martin
Get Ready for an Unmissable Weekend!
Conifox Managing Director James Gammell said: “FoxFest is all about creating unforgettable moments for families. We’re bringing together some of the UK’s best tribute performers, spectacular live acts, and entertainment that everyone can enjoy.
“It’s going to be a fantastic weekend full of music, laughter, and magic, and we can’t wait to welcome everyone back!”
General sale ticket prices are £14.95 per adult, £19.95 per child (2-16 years), £11.75 per toddler (12-24 months), babies go free!
For the latest updates, full lineups, and ticket information, visit www.conifox.co.uk.
Today, Tuesday 03 June, the Edinburgh Festival Fringe Society is delighted to launch the 2025 Edinburgh Festival Fringe programme. The programme celebrates the diverse selection of work at the Fringe, with performers from across the world and work from 58 countries.
This year’s programme features work from 3,352 shows across 265 venues, with themes tackling some of the most topical issues in the world today.
From rebellious women to the paranormal; the apocalypse to nostalgia; queer joy to life with illness; rave and club culture to science and technology.
Edinburgh Fringe Programme Launch 2025
Launching the 2025 Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Programme launch is such an exciting moment for everyone involved making the Fringe happen.
“Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their un-matched, exceptional energy to Edinburgh in August.
‘This year’s Fringe programme is filled with every kind of performance, so whether you’re excited for theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret; get ready to dare to discover this August.
“Jump right in, book your favourites, shows that intrigue you and take a chance on something new.’
At Traverse Theatre,Gary McNair’s ‘award-winning show’ A Gambler’s Guide to Dying returns ‘back home for a special run to mark its 10th anniversary’.
‘Four generations of Northern Irish women, reunited’ in Consumed (Traverse Theatre), ‘a tale of twisted family dynamics and national boundaries’.
‘Inspired by his involvement in the Egyptian revolution of 2011, and experience of the counter-revolution that followed, Khalid Abdalla brings together the personal and the political’ in Nowhere (Traverse Theatre).
At Scottish Storytelling Centre, join the Loud Poetsfor ‘fist-thumping, pint-drinking, side-tickling, heart-wrenching fusion of poetry and live music’ or ‘Scottish and Welsh traditional storytellers Ailsa Dixon and Ffion Phillips as they weave folk music, language and story across these isles and between worlds’ in Aderyn/Bird.
Also at Scottish Storytelling Centre, Cassandra ‘blends Greek myth, Scottish folklore and personal narrative to explore prophecy, protest and survival across time and space’.
At Summerhall, Amazons is a ‘gripping new solo show about the Amazon rainforest and the generations of women who have fought to protect it’.
‘From Parisian hysteria to the glowing Radium Girls’, Fragile Creatures at theSpaceUK ‘reveals gripping stories of women’s rebellion, resilience and their relentless fight for bodily autonomy and equality’.
In Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre, ‘Peter Barratt gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the vote’ while VOTE the Musical at Paradise Green takes a ‘gripping look at the Suffragette movement exploring imprisonment, activism and the fight for electoral freedom’.
Three resilient Scottish sex workers, dream of escaping the lives they’ve been trapped in, but the patriarchy stands in their way in Happy Ending Street at Leith Arches.
In Well Behaved Women at Gilded Balloon, in 1888 ‘three chaotic twentysomething women decide to host a séance’ and make ‘a bit of a mess of things.’
‘Get ready for a powerful performance’ at Women in Socks and Sandals at ZOO, ‘filled with quirky stunts, mental courage and celebration of the right to be oneself’.
With ‘history, sermons and singalong’, Church of the Clitori at Paradise Green aims to ‘satirise and crash-tackle anatomy, religious ads and female sexuality politics’.
At Braw Venues @ Grand Lodge, Fallen Angel by Liam Rudden tells the story of Angel, who’s been ‘tortured’ by angels for ‘500 years’, while ‘startling revelations about Edy Hurst’s relations have set him on vision quest to contact his ancestors’ in Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself at Assembly.
Do Zombies Dream of Undead Sheep? is a ‘one-man (and one puppet) musical journey through a zombie outbreak, combining live performance, puppetry and animation’ at ZOO.
‘Get to know Frankenstein’s Monster like you’ve never been able to before’ at Fatherless Monster (Paradise Green), ‘face to face with only a mic and some stage lights between you and him.’
0.1% Accurate: Magdalena the Fortune Teller Show ‘will predict the future, summon the spirits, answer your life questions and send you home smiling’ at Alchemist Cocktail Bar and Restaurant.
Listen to the tales of Haunted Edinburgh at Arthur Conan Doyle Centre ‘and discover a host of terrifying stories of hauntings from the city’s dark past’ or visit The Mother Superior to ‘unveil women’s role in shaping the history of alcohol, including sharing how some were framed as witches’ in Whisky & Witches.
A Haunted House at Assembly is a ‘hysterical, terrifying and surreal tale, about one hair-raising night in a haunted house’ ‘for those who like their laughs big and their scares spine-chilling!’
‘The world-renowned paranormal expert Baron Vordenburg and his helpers, Gothic and Grotesque, give away trade secrets and expertise on hunting the unknown’ in Baron Vordenburg’s Guide to the Paranormal at theSpaceUK.
‘A man commits the ultimate act of cowardice’ and ‘a woman’s spirit gains terrifying embodiment’ in ‘dark, twisted folk horror tale’ Tom Hiccup’s Well at Greenside.
At theSpaceUK, ‘apocalyptic anti-romcom’ Horny for the End of the World follows ‘Gen Z, try-hard, pick-me Ebeth gets dumped by the man of her dreams the day before everyone realizes the world is going to end’.
Apocalipsync is a ‘high-energy solo show blending physical theatre, mime, dance and lip-sync mastery’ ‘exploring themes of isolation, hyper-connectivity and human expression’ at Assembly.
Original musical The Real Housewives of the Zombie Apocalypse at Greenside asks if the ‘OGs of reality TV’ can ‘survive the hordes, and each other, and self-produce their way to the end?’ while 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) at theSpaceUK ‘follows the idiots left behind after the world ends’.
Apocalypse Cabaret: Songs for the End of the World (Underbelly) is a ‘powerhouse Fringe debut packed with original songs, pop bangers, audience interaction, and existential musings’ following ‘a lonely karaoke jockey is the sole survivor at the end of the world and decides to go out singing.’
Scenes of Unfathomable Horror brings ‘absurd, twisted and entertaining take on modernity, celebrity and existential dread’ to Just the Tonic.
At Underbelly, A Small Town Northern Tale is a ‘Y2K coming-of-age story, charting life in a small Northern town as a mixed-race boy’ and WANTED tells the story of ‘two girls from opposite worlds’ ‘fated to meet on the 00s queer scene’.
At Club NVRLND (Assembly), ‘where the party goes on till morning’, ‘Wendy and Peter reunite for an unforgettable night of adventure, nostalgia and staying forever young, featuring the biggest 2000s anthems’
‘All set to the soundtrack of the 2000s’ Jake Donaldson Is The Fifth Weezer at Laughing Horse is set to be ‘packed with nostalgia, punchy jokes and stories about finding your place in the world’.
‘The perfect nostalgic show for pop fanatics and chart aficionados’, Margot and Martha’s Chart Show Mixtape at theSpaceUK will ‘take you on a journey from mixtapes to Spotify wrapped, celebrating pop music through what was in the charts on the 18th of August – the very week they’re performing at the Fringe’.
‘Party like it’s 1999’ at MASSAOKE: 90s Live (Underbelly) with ‘an epic 90s sing-along’.
‘Through everyday conversation, hilarious comedy, and music-hall style songs’ at The Steamie (Gilded Balloon) ‘we learn from four working-class women about their lives, husbands, technology and the approaching New Year in this time capsule of Glasgow in the 1950s’.
A ‘love letter to the queers, the weirdoes, the trailblazers, the fringes and the night-walkers’, Anatomy of a Night at Summerhall isan ‘exploration of personal identity through a reflection of memories from queer and club spaces’.
‘Queer, chic and outrageous’ – head to the Big Gay Afterparty at Just the Tonic for the ‘biggest, gayest party at the Fringe (fun straights allowed)’.
‘A queer love story but no one dies at the end? Welcome to the world of’ Blooming at Greenside.
Join a ‘plus-sized, 72-year-old lesbian’ sharing ‘intimate stories celebrating inclusivity’ at Tales From Your Queer Elder (Greenside).
At Carpet Muncher at the Scottish Storytelling Centre, ‘the contemporary folklore of the Mothman is brought to life, using vibrant surrealist costuming to explore themes of queer alienation, metamorphosis, cross-border solidarity and homoerotic hot-hub encounters’.
Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s at Cecilia Gentili’s Red Ink at Underbelly.
‘Expect chaos, drag, stand-up, glitter, queer joy and an ever-changing line-up of LGBTQIA+ acts’ at Comedy Queers (Laughing Horse) or check out Midnight at the Palace (Gilded Balloon) for a ‘night of radical joy and glitter-encrusted anarchy’.
3 Kidneys No Colon at Braw Venues @ Grand Lodge is ‘the medical diaries (or rather… diarrheas) of Dave who suffers from chronic kidney disease, ulcerative colitis and has had multiple organ transplants’.
Learn about ‘narcolepsy from a true-life perspective’ at theSpaceUK, Fragments of Fatigue is a ‘coming-of-age story to transform your world and prove just how much fight is required to beat the fatigue’.
‘Artfully weaving between generational trauma and chronic illness’, Robyn Reynolds: What Doesn’t Kill You at Assembly will have you ‘roaring with laughter’.
In The Nature of Forgetting at Pleasance, ‘Tom is living with early onset dementia’ and ‘we meet him as he prepares for his 55th birthday party and past memories come flooding back’. At theSpaceUK, Ah-Ma is ‘a hauntingly beautiful new play, weaving together natural and social disasters, bodily deterioration and family sorrow’.
At Assembly, Ohio tells the story of ‘when Shaun turned his back on the church’ and ‘found a new home in music’ before he is ‘confronted now with acute degenerative hearing loss’.
Yvonne Hughes: Absolutely Riddled is ‘a fresh and bold dive into the reality of living with cystic fibrosis (CF) – a journey that’s as phlegmy as it is funny’ at Gilded Balloon.
At Summerhall,TheButterfly Who Flew Into The Rave is ‘the atmosphere and culture of a three-day rave condensed into an hour’ while PUMP ‘drops you in the middle of a nightclub dance floor in a desperate search for validation, intimacy and identity’.
Her Raving Mind is ‘a Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor’ at Just the Tonic.
‘Loud, lawless, and laced with naughty bits’, Watch Me Die! is ‘rave theatre: performance, film, stand-up and pounding basslines, dragging Shakespeare into a civil war where star-crossed love and vengeance make their scene’ at theSpaceUK.
At Rave, Colin and Rosie ‘are battling through their own worlds of crisis using the music of the rave club to help, encourage and solve their problems’ at Braw Venues @ Grand Lodge.
Created by an AI researcher, AI: Save Our Souls at Greenside features ‘an immersive future world of AI, polystylistic music and a dynamic plot’ while at Paradise Green, Rise of the Solar Punks asks ‘what can we learn from ancient cultures regarding climate adaptation, and how can we fuse this with technology and AI?’
As part of the Made in Scotland showcase, MUO Live at the French Institute in Scotland is ‘a unique fusion of music, science and unseen cosmic forces.’
Head to Just the Tonic, Excel Comedy and Mathem-antics for a ‘themed stand-up show for spreadsheet experts and rookies alike’ or check out Sci-larious – Science Stand-up at Laughing Horse for ‘bi-lol-ogy or pharm-ha-cy’.
Mark Thompson’s Spectacular Science Show at Gilded Balloon is ‘science like you have never seen it before’ exploring ‘the magical properties of matter’.
At PBH’s Free Fringe, Freya McGhee: Experimental blends ‘science, comedy and dating into one unforgettable experiment’ investigating ‘the chemistry of attraction to the mechanics of mixed signals’.
Check out Hot Rubber (Gilded Balloon) to see ‘eight comedians pit their homemade remote-control cars against one another in the world’s smallest demolition derby’ or ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals’ at Robot Vacuum Fight Club (Outhouse Bar).
Braw Venues @ Grand Lodge ‘on busy George Street’ is new with a number of shows this August, including well-known musicals Little Shop of Horrors, High School Musical and Footloose, as well as a range of theatre, cabaret and children’s shows.
Welcome to the Fringe, Palestine, ‘a mini-festival to celebrate Palestinian art and culture’, takes place in new venue Portobello Town Hall.
Citadel Youth Centre is ‘hosting two fundraisers for the Citadel’s valuable work with young people and families in Leith’ Storm in the Citadel and Punchline on Leith.
The Bowlers Rest in Leith is home to Beggared, ‘the story of a privileged white South African whose life collapses into homelessness’.
Easter Road Stadium joins the Fringe as a venue, hosting two shows: Dropped, in which ‘former Chelsea FC trainee Alfie Cain tells his moving story of dashed football dreams and explores the darkness and pressures young men go through trying to make it as professional footballers’ and Frankie Mack Showman – The Next Stage: The Leith San Siro ‘a high-energy, show-stopping night of swing, rock’n’roll and modern classics’.
All the way from Italy is Mirage Spiegeltent at Gyle Shopping Centre, hosting Spirit of the Favela, a ‘dynamic fusion of circus and theatre showcasing Rio de Janeiro’s vibrant culture and communities’.
Gilded Balloon have introduced a new space at Appleton Tower for twenty shows, including Frances Floats and Not My Grandmother’s Daughter.
Now in St. Andrew’s Square, The Famous Spiegeltent returns, offering theatre, cabaret, music and musicals, including La Clique – ‘the global phenomenon that redefined a genre, with its mélange of cabaret and circus’.
Josie Long: Now Is the Time of Monsters is ‘a new show about extinct, gigantic, charismatic megafauna from three-time Edinburgh Comedy Award nominee’ at Pleasance.
Gilded Balloon marks their fortieth anniversary with ‘a series of special in-conversations featuring comedy greats’ including Jenny Eclair and Michelle McManus.
Also at Gilded Balloon, Rosie O’Donnell: Here & Now ‘reflects on her life in the present, including why she moved to Ireland from the USA, and how that shift has shaped her future’ and Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year is a ‘show for the theatre kids, the freaks, the queers; for anyone who’s spiralled about something they did years ago’.
Fringe favourite Nina Conti: Whose Face Is It Anyway? is back at Underbelly, with ‘an unparalleled, unscripted show that delves deep into who we are, hijacking faces to spark a bold, hysterical reality warp’.
‘Direct from a sell-out West End season’, Bill Bailey is at Edinburgh Playhouse with Thoughtifier while Miriam Margolyes brings ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasancewith Margolyes and Dickens: More Best Bits.
‘The talented comedian, writer and host of A24 late-night variety sketch show’ Ziwe brings Ziwe’s America to Pleasance.
At The Stand Comedy Club, ‘expect to hear the glorious mess of being a professional polymath – from medical school to quiz championships, comedy clubs to Parkinson’s advocacy’ at In Conversation with… Paul Sinha or ‘jokes, rants, politics, swearing and possible nudity’ at Mark Thomas: WD40.
At Monkey Barrel, there’s ‘new material from the Rose d’Or, Southbank Sky Arts and Edinburgh Comedy Award winner’ Bridget Christie. Also at Monkey Barrel, ‘the Taskmaster treasure, Live at the Apollo star and voice of Netflix’s Too Hot to Handle presents a new hour about our bodies corporeal and politic, and what remains through ascension and destruction’ with Desiree Burch: The Golden Wrath.
‘A love letter to people pleasers everywhere’, Laura Benanti: Nobody Cares at Underbelly is ‘a hilarious, heartfelt and sometimes brutally honest tribute to recovering ingenues, mothers and anybody working on themselves’.
‘Comedy veteran’ Karen Dunbar ‘returns to the Fringe for a limited run of her stand-up tour’ at Just the Tonic.
At Assembly, David O’Doherty: Highway to the David Zone has ‘has got the lot’ with ‘talking, songs, talking during songs, talking while walking around’.
There are 325 free shows and 529 Pay What You Can/Want shows in this year’s programme.
10,001 Ideas by Robyn Perkins at Laughing Horse offers a ‘uniquely different hour of critically acclaimed stand-up and storytelling’.
Huge Davies: Free Work in Progress is at PBH’s Free Fringe with ‘his wearable keyboard for a free hour-long work in progress’. Also at PBH’s Free Fringe, Escape the Rat Race is a ‘a must-see for anyone who has ever worked in an office’.
At Laughing Horse, Three Bad Sisters is a ‘cacophony of the best and darkest materials from these three female rising stars of Irish comedy: Aideen McQueen, Shinanne Higgins and Louise O’Toole’.
‘Imagine an Englishman, an Irishman and a Scotsman in the same bar as a therapist’ and you’ll imagine 5 Mugs, No Tea at Leith Depot. At the Mother Superior, you can ‘expect a fever-dream of love, loss, and existential dread’ at Crying at the Meat Raffle.
Disco Picnic at The Three Sisters is a ‘Fringe fiesta serves up a delicious mix of toe-tapping disco tunes’.
The Fringe Society are grateful to the many partners, supporters, funders and sponsors this year. In particular, they would like to thank the official Education Partner of the Fringe Anthropic, the official Beer of the Fringe Innis and Gunn, Cirrus Logic and Baillie Gifford.
They would like to thank the UK Government and the Department for Culture, Media and Sport for their Keep it Fringe Fund support, the Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society would also like to thank accommodation partners who provide much needed affordable accommodation to artists – Queen Margaret University and the University of Edinburgh, Theatre Digs Booker. Health in Mind are also returning in 2025 to support the delivery of mental health and wellbeing services within Fringe Central, which is once again kindly delivered in partnership with Grassmarket Community Project.
An inspirational business leader who overcame cancer twice launched Race for Life in Scotland’s capital.
Gail Izat was guest of honour at Cancer Research UK’s Race for Life, sounding the starter horn to send around 1,300 participants on the courses at Holyrood Park, Edinburgh. She was cheered on by her colleagues from Standard Life, part of Phoenix Group and headline sponsors for Race for Life.
More than £201,300 was raised at Race for Life Edinburgh – vital funds which will enable scientists to find new ways to prevent, diagnose and treat cancer – to bring about a world where everybody lives longer, better lives, free from the fear of cancer.
Every year, around 34,600 people are diagnosed with cancer in Scotland.
Gail, who is Standard Life Managing Director (workplace & retail intermediary), was diagnosed with breast cancer in August 2019, just two months after celebrating her 50th birthday.
It was a shock when the disease returned days before Christmas in 2022. Now in remission, mum of two Gail has vowed to do everything she can to help give others more tomorrows with their loved ones.
Gail, from Edinburgh said: “I’ve had cancer twice but I’ve got through it twice thanks to life-saving science.
“When you’ve had cancer suddenly you realise you’re not immortal and actually you have something that might kill you. At first having cancer felt like being admitted to a secret club I didn’t want to belong to. I felt strongly that I didn’t even want to talk to people about cancer until I found out more information about what I was actually facing, until I knew it was curable.
“But as time went on I started to believe I was going to get through the disease. And as I’ve recovered, I’ve found events like Race for Life offer a chance to meet people whose lives have also been touched by cancer. It offers a wonderful support and a sense of community.”
Over the last 50 years, Cancer Research UK’s work has helped double breast cancer survival in the UK.
Race for Life Edinburgh included a 360 degree photobooth, provided by headline sponsor Standard Life, where participants were able to receive a digital copy of a photo as a reminder of the day. Standard Life fielded a team of 30 staff who completed Race for Life Edinburgh.
A group of 17 pupils aged between nine to 26 from the award winning Sarah Hendry School of Dance in Glenrothes entertained the crowds with Highland Dance moves. Sharon Holgarth from Event Buddies Scotland was at the picnic area offering face painting and a stilt walker circulated to chat to supporters.
Cancer Research UK’s Race for Life, in partnership with headline sponsor Standard Life, part of Phoenix Group, is an inspiring series of 3k, 5k, 10k, Pretty Muddy and Pretty Muddy Kids events which raise millions of pounds every year to help beat cancer by funding crucial research.
Now organisers are sending a heartfelt message of thanks to everyone who put their best feet forward as well as their supporters. And they’re appealing for people to make every step count by paying in sponsorship money as soon as possible.
Linda Summerhayes, Cancer Research UK’s spokeswoman in Scotland, said: “We are incredibly grateful to everyone who took part in Race for Life Edinburgh.
“No matter how cancer affects us, life is worth racing for. Sadly nearly 1 in 2 of us will get cancer in our lifetime but all of us can support the research that will beat it.
“We’re proud that Race for Life has had such a positive impact. Every pound raised supports our life-saving work, which has helped double cancer survival in the UK over the last 50 years.
“It was a fantastic day at Race for Life Edinburgh, full of emotion, courage, tears, laughter and hope as people celebrated the lives of those dear to them who have survived cancer and remembered loved ones lost to the disease.
“Now we’re asking everyone who took part to return the money they’re raised as soon as possible. Every donation, every pound raised will make a real difference.”
Since it began in 1994, more than 10 million people have taken part in Race for Life, contributing millions of pounds towards life-saving research.
Cancer Research UK funded scientists led the development of the Human Papillomavirus Virus vaccine, which is expected to prevent almost 90 per cent of cervical cancers in the UK. The charity was a key player in the development of radiotherapy which now benefits millions of cancer patients worldwide.
Cancer Research UK played a leading role in the development of abiraterone – a drug that gives men with advanced prostate cancer more time with their friends and family.
Andy Curran, Chief Executive of Standard Life, part of Phoenix Group, said: “We are incredibly proud to continue as headline sponsor for Cancer Research UK’s Race for Life, with the opportunity to encourage participation across the country.
“By working to raise funds for life-saving research, we can move towards a future where people live longer and better lives, free from the fear of cancer.”
Gail Izat is in remission from triple negative breast cancer.
Around 15 per cent of people diagnosed with the disease have this type of breast cancer. Triple negative breast cancers are cancers whose cells don’t have receptors to the hormones oestrogen and progesterone or a protein called Human Epidermal Growth Factor Receptor 2 (HER 2).
This means doctors cannot use targeted hormone therapies or drugs that specifically target those receptors, leaving chemotherapy, surgery and radiotherapy as the main treatment options.
On October 1 2019, Gail had day surgery to remove the tumour and she started chemotherapy treatment on November 30 2019. Gail had eight sessions of chemotherapy in total. After the side effects of treatment meant she lost her long dark hair, her husband Bill McGeoch and their sons, Rory, now 21, and Euan, 19, also shaved their heads in solidarity.
In the spring of 2020 as the UK went in to lockdown due to the COVID 19 pandemic, Gail started six sessions of radiotherapy. Treatment was complete by the end of April 2020. Gail steadily recovered and was monitored closely over the next two years.
But in December 2022, the results of her annual mammogram stopped her in her tracks.Gail said: “After I’d had cancer for the first time I couldn’t fully shake off a sense of dread that it might return.
“I’d had a busy few days at work and I remember an O131 Edinburgh number kept coming through to my mobile phone as a missed call. Eventually the hospital left a voicemail asking me to call.
“The doctors had found something and I had to go in the next day for urgent tests. I had cancer again.”
That Christmas was difficult for all the family. But it was a relief in January when tests showed the cancer had not spread. On February 23 2023 at St John’s Hospital, Livingston, Gail endured a 14 hour mastectomy surgery and reconstruction.
She was in the intensive care ward for several days. Early in March, Gail had to return to hospital for seven days for more surgery due to complications.
Gail said: “It took me a good ten weeks to recover from the surgery and it was actually harder than all the treatment I’d had previously.But I was lucky. They’d caught the cancer early and I got through it thanks to the amazing support I had from my family and my colleagues at work.”
Gail had six months of daily chemotherapy tablets which she completed in October 2023. She now has an annual mammogram and a CT scan every six months. She keeps fit by walking every day with the family pet labradoodle, Poppy.
Gail said: “It’s important to live for the moment but also to think of the future.I feel passionate about Standard Life’s work as we make a positive difference.
“We support people to think about how they can be kind to their future selves by pension planning and through long term savings.”