BBC Annual Report: Delivering for audiences and transforming for the future

The BBC’s annual report shows ‘a year of creative excellence and transformation against financial pressures and a challenging media market’

The report shows that the BBC is at the heart of national life and is the go-to media brand in the UK, with 95% of UK adults using our services on average per month, says the BBC’s Media Office. 

We continue to deliver for audiences across the UK, and abroad, but we know we must accelerate the pace of change to increase relevance and value in a time of limitless choice and interactivity.

In March, we set out a long-term ambitious plan to prioritise, and focus our resources on, three essential roles: to pursue truth with no agenda; to back the best homegrown storytelling; and to bring people together.

Samir Shah, BBC Chair, said: “The BBC matters deeply to the UK, and continues to play an important role on the global stage.

“With the Board, I look forward to overseeing progress with the solid plans in place to preserve the benefits of public service broadcasting for all, and to ensure the BBC can deliver for audiences well into the future.”

Tim Davie, BBC Director-General, said: “This year’s Annual Report shows how we are transforming at pace to deliver for all audiences in the digital age.

“We remain firmly focussed on prioritising our resources into building a BBC for the future that can deliver crucial benefits for the UK at a critical time – and help support a healthy democracy, a thriving creative economy, and a strong society.”  

Content

More people, by far, get their news from the BBC than from any other source and – across all our services – 35 million UK adults came to the BBC per day across 2023/24.

We are now the only UK provider to appear in the top five most-used media brands for young people and it was another record-breaking year for BBC Sounds and BBC iPlayer, with both seeing a significant increase in the number of weekly active accounts.

The BBC was the place to go for unmissable moments. We brought people together for the Coronation of King Charles III, watched by an average audience of 14.6 million, and the Eurovision Grand Final in Liverpool, watched by an average audience of 10 million on the night. 

We saw huge audiences for homegrown storytelling across all genres, from Doctor Who and Planet Earth III to Ghosts and The Traitors. It was an incredible year for distinctly British drama from across the UK, including Blue Lights, Shetland, Steeltown Murders, Sherwood and The Responder. 

BBC Radio continues to be the market leader in the audio space, with over 30 million adults listening on average per week – more than any other broadcast radio company or on-demand player. Radio 2 is the UK’s number one station overall, Radio 4 the number one speech station and 6 Music the biggest digital-only service. 

Across the UK

Our Across the UK plan remains mission critical and has now entered its second phase. It is currently on track to exceed its £700 million spend target outside of London. To date, the programme has seen the BBC deliver more than £200 million of cumulative investment across its programming and services, including more than 350 roles being relocated outside of London. Over 54% of our workforce are now based outside of London.

In 2023/24, the BBC achieved its target to spend 60% of the Network TV budget outside of London and we are on track to sustain this permanently by 2026. While 44% of total radio and music production spend was outside of London, and we are well on the way to achieving the 50% target by the end of the current Charter.

Transparency and impartiality

We’re building trust with our audiences with a laser-sharp focus on transparency, spearheaded by the launch of BBC Verify. The team fact-check, counter disinformation, analyse data and explain complex stories in the pursuit of truth. This year we’ll be taking BBC Verify to audiences worldwide. 

In May, we demonstrated our continued commitment to impartiality by publishing our second independent thematic review, on BBC coverage of migration, and announced the next review into our output on authentic and accurate portrayal and representation. 

Finance and commercial

BBC Studios achieved a solid year of performance, despite a backdrop of challenging trading conditions, with sales of £1.9 billion (2022/23: £2.1 billion). An increase to our borrowing limits has kickstarted further investment and the recent acquisition of streaming service BritBox International demonstrates our sustainable future growth plans.  

We aim to double our commercial business by 2027/28, generating additional content and funding for the BBC. 

While licences in force declined by 2% year-on-year, the vast majority of our audiences remained committed to paying the licence fee and 95% of public service spend was directed to content and its delivery.

In real terms, the licence fee generated 30% more income in 2010/11 than it does today – a difference of more than £1 billion a year. We have been clear that the significant funding pressure we are under means we need to make further savings, on top of the major savings and reinvestment we have already made, to deliver the most value for audiences. 

Transformation

We are becoming a leaner, more agile organisation, and we are accelerating our digital-first approach to reach audiences where they are. Public service roles continue to reduce this year, with headcount down 10% in the last five years; a reduction of almost 2,000 roles. 

Over the course of the next two years, we will look to further move the money we have into the priority areas that provide real value for audiences. This means, in public service, we will close and transfer roles in some areas, and create roles in growth areas. By the end of March 2026, we expect to see a total reduction of around 500 public service roles.

Workforce diversity

We’ve made progress towards our overall 50:20:12:25 Diversity and Inclusion targets for the year, but there is much to do to ensure we remain representative of our audiences as we get smaller as an organisation.  Disability and ethnicity are behind our expected ambition and both will be a focus of our refreshed D&I strategy which will be released in the coming year.

The report demonstrates delivery on all three of our key pillars. 

We pursue the truth with no agenda ;

  • 75% of UK adults use BBC News on average per week – well ahead of the next nearest provider 
  • 1.3m 12-15 year olds in the UK follow the news with the BBC – higher than any other organisation 
  • We carry the UK’s voice, values, and influence to a weekly audience of 450 million people worldwide 
  • We are the world’s most trusted international news provider 

We back the best homegrown storytelling;

  • We contributed almost £5 billion to the UK economy last year and for every £1 of the BBC’s direct economic activity, £2.63 is generated in the UK economy 
  • Half of our economic impact is outside London – versus 20% for the wider industry  
  • 99% of our original content is made in the UK – we are the largest single investor in UK-made programming. 
  • We won 14 BAFTA TV awards in 2024 – more than any other broadcaster or streamer 

We bring people together; 

  • BBC coverage reached 25.2m people in the UK on the day of the Coronation of HM The King and HM The Queen Consort  
  • There were a record 8.1bn streaming requests on BBC iPlayer – up 10% on the year before 
  • Of the UK’s top 10 most viewed programmes in 2023, seven were on the BBC, highlighting our ongoing importance and relevance for today’s audiences 
  • People spent 5hrs 44m watching BBC TV/iPlayer on average per week – more than all the big SVOD streamers combined 

Reforms to ‘boost confidence in the BBC’s impartiality and complaints system’ 

Government recommends reforms to boost public trust in the BBC following a review at the mid-point of its 11 year Charter

  • Review recommends greater independent scrutiny of complaints handling, improving transparency for commercial media organisations, and extending Ofcom oversight over more BBC online services 
  • BBC urged to better reflect diverse views and opinions in decision-making and improve engagement with underserved audience groups, among other key recommendations 

The Westminster government has recommended major reforms to help boost audience confidence in the BBC’s  impartiality and complaints system, following the first Mid-Term Review published by the government today.

Launched at the halfway point of the BBC’s 11 year Royal Charter, the Mid-Term Review evaluates the effectiveness of the governance and regulatory arrangements introduced by the Charter in 2017, with recommendations to ensure the best outcome for audiences. 

Audiences will be given greater certainty that their complaints about BBC TV, radio and on demand content – including concerns about bias – are dealt with fairly, through greater scrutiny of its complaints process, which is to be made more independent from programme makers. A new legally binding responsibility on the BBC Board will require it to actively oversee the BBC’s complaints process to assure audiences that their concerns are being fairly considered. 

In recognition that audiences are increasingly getting their news and watching content online, Ofcom oversight will be extended to parts of the BBC’s online public services, including the BBC News website, to enable Ofcom to hold the BBC to account in a more robust way.

And Ofcom will be given a new legally binding responsibility to review more of the BBC’s complaints decisions, meaning audiences can have greater confidence that their complaints have been handled fairly.

The Mid-Term Review stresses the need for the BBC to clearly demonstrate how it will meet its obligations on distinctiveness over the remainder of this Charter period, and for the BBC to meaningfully engage with its competitors, such as radio stations and local newspapers, when it is considering a change to its services.

The government consulted the BBC and Ofcom closely on the recommendations and expects them to be implemented in a timely manner. The government has also identified some key issues as a result of the Mid-Term Review that need to be further considered at the next Charter Review before 2027. 

In particular, we will continue to place a strong emphasis on impartiality and complaints, including reviewing the effectiveness of the BBC’s new social media guidelines and whether the BBC First model – formally introduced by the Charter in 2017 – process remains the right model for complaints, as well as how distinctive BBC output and services are from those of commercial providers.

The Government has highlighted these priorities for the next Charter in correspondence with the BBC. 

Culture Secretary Lucy Frazer said: “The Government wants to see a strong, independent BBC that can thrive in the years to come as a major contributor to the nation’s successful creative industries. 

“In a rapidly changing media landscape the BBC needs to adapt or risk losing the trust of the audiences it relies on. Following constructive conservations with the BBC and Ofcom, we have recommended reforms that I believe will improve accountability while boosting public confidence in the BBC’s ability to be impartial and respond to concerns raised by licence fee payers.

“These changes will better set up the BBC to ask difficult questions of itself, and make sure Ofcom can continue to hold the broadcaster to account. We all rely on the BBC being the best it can be and this review will help ensure that is what the British public gets.”

Complaints and impartiality 

The Mid-Term Review has concluded that the BBC’s complaints process introduced at the last Charter Review in 2017, known as BBC First – where audience complaints are normally addressed by the BBC before they can be escalated to Ofcom – allows licence fee payers to hold the BBC directly accountable. 

However, impartiality continues to be an ongoing issue for audiences, with concerns about the broadcaster’s objectivity making up the majority of complaints about the BBC’s editorial content. The review highlights a lack of public confidence in the way the BBC currently handles complaints.

Following challenging and constructive conversations with the government, the BBC will introduce reforms to enhance the independent scrutiny of its complaints handling and further improve the experience of viewers who make a complaint. 

The BBC Board previously had a responsibility to oversee only the establishment of a complaints handling process. We are now giving the entire Board the responsibility to oversee how that process is working in practice. Furthermore, the non-executive board directors and external advisors on the BBC’s Editorial Guidelines and Standards Committee will be given greater powers to scrutinise and challenge how BBC senior management responds to complaints. 

The job role which has responsibility for complaints handling now reports directly to the Director General rather than the Director responsible for editorial policy, separating pre-broadcast editorial policy and post-broadcast complaints resolution.

Currently Ofcom regulates the BBC’s TV, radio and on demand output, but not other elements of its online content. The government has committed to extending Ofcom regulation to other elements of the BBC’s online public service material in order to give audiences confidence that the BBC is being held to greater account across its digital services. The government expects this to apply to BBC branded content on third party websites, applications and other online interfaces over which the BBC has editorial control – including the BBC News website and the BBC’s YouTube channel.

The review recommends the BBC materially improves the experience of audiences when lodging a complaint by giving clearer explanations of the process and the roles of the BBC and Ofcom, to ensure licence fee payers are not put off from sharing their views. The review also recommends Ofcom improves the transparency of its decision making when considering whether to open a formal investigation into content that the BBC has found has breached its own editorial standards. This will help audiences to better understand whether Ofcom is taking further regulatory action and why.

At Charter Review, the government is committing to examining whether BBC First remains the right complaints model to enable the BBC to deliver against its responsibility to serve all audiences.

To help the BBC go further to tackle perceptions of bias, the review also recommends that the BBC publishes more information about the work it is doing to strengthen the impartiality of its editorial content, including to illustrate the impact it’s having.

The BBC’s impact on the wider market 

Looking at the BBC’s impact on the UK media landscape, the review sets out that the BBC must clearly demonstrate how it effectively balances delivering for licence fee payers and supporting the UK’s wider creative industries when making decisions about how its services and output are distinctive. This is increasingly important given broader structural trends in some of the markets in which the BBC operates, such as online local news, and will be an important question for the Charter Review.

Meaningful engagement with competitors should be strengthened and the BBC must be more transparent when it seeks to make changes to its services. This higher standard of engagement and transparency should support other businesses operating in the same markets as the BBC, including commercial radio stations and local news publishers. The government has recommended that Ofcom publish an annual high-level view on the BBC’s position in the local news sector, as it does for other sectors, to provide further clarity.

The government has also recommended that the BBC develop a public strategy outlining how it will partner with others, and provide competitors with greater clarity on how it will make decisions on partnerships. 

While the government supports the BBC’s ambitious plans to grow its commercial revenue, and has found that the governance and regulation of its commercial activities works effectively, the impact of  any changes, such as the introduction of a BBC Commercial Board in 2022, needs to be closely monitored.

Diversity

As a national broadcaster, the BBC has a duty in its Charter to accurately reflect, represent and serve diverse communities across the UK, both on and off the screen. 

While the BBC has said it is committed to improving representation, the review recommends it considers how diversity of thought and opinion could be better reflected in its decision-making. Some audience groups, for example, disabled viewers and people from lower socioeconomic backgrounds, feel underrepresented by the BBC. We recommend that the BBC works to ensure engagement with these groups is sufficient to best understand their specific needs and concerns. 

Eurovision 2023 scores douze points for the BBC as it becomes the most watched Grand Final ever

The Eurovision Grand Final saw a 5 min peak of 11 million, average of 9.9 million and share of 63%

BBC Director of Unscripted Kate Phillips says: “What an incredible Contest! It was unforgettable, unmissable event television on a scale never seen before delivered by the BBC to viewers across the UK and millions more watching around the world.

“Sweden took home the trophy in spectacular style and 2022 winners Ukraine were at the heart of the show.

“Liverpool welcomed the world’s biggest singing competition with open arms and embraced it beyond all of our expectations.

The fact that so many millions of people tuned in reflects just how significant Eurovision has become and truly underlines the theme behind this year’s contest, United by Music. We really hope we did Ukraine proud.”

Match of the Day to go ahead without presenters or pundits tonight

PRESENTERS AND COMMENTATORS SHOW SUPPORT FOR GARY LINEKER

BBC’s flagship football show Match of the Day will air tonight without a studio presenter, pundits, or its regular commentators, after the BBC told Gary Lineker to step back in a row over impartiality.

The BBC said it it had asked Lineker to step back from presenting after “extensive discussions” with him following the presnter’s criticism of government asylum policy on Twitter, where he compared the language used by the government to unveil its new plans as “not dissimilar to” 1930s Germany.

A BBC spokesperson said: “The BBC has been in extensive discussions with Gary and his team in recent days. We have said that we consider his recent social media activity to be a breach of our guidelines.

“The BBC has decided that he will step back from presenting Match of the Day until we’ve got an agreed and clear position on his use of social media.

“When it comes to leading our football and sports coverage, Gary is second to none. We have never said that Gary should be an opinion free zone, or that he can’t have a view on issues that matter to him, but we have said that he should keep well away from taking sides on party political issues or political controversies.”

Gary Lineker has made no further public comment.

World Book Day: BBC relaunches 500 Words children’s writing competition

The UK’s most successful children’s writing competition, 500 Words, will relaunch this September, supported by BBC Teach with BBC Breakfast hosting the initiative for 2023. 

The announcement comes on World Book Day.

The BBC is now searching for teachers and librarians across the UK to register their interest in joining the judging panel to help choose the best entries later this year.

500 Words is a UK wide competition to find the most talented young writers. Since it was first launched by Chris Evans on The Radio 2 Breakfast Show in 2011 and continued by Zoe Ball until 2020, the competition has received over a million stories written by children, generating more than 440 million words to date.

Once again, the competition will enjoy the support of Her Majesty The Queen Consort. Her Majesty has a longstanding commitment to championing literacy and creative writing, and has supported the 500 Words competition every year since 2015.

In a recent conversation with BookTrust and Joseph Coelho, the Children’s Laureate, to mark this year’s World Book Day, The Queen Consort spoke about the importance of creative writing competitions like 500 Words and Her Majesty’s ‘joy’ that the competition is being relaunched. 

Joseph Coelho said: “Putting pen to paper doesn’t have to be that scary, which is what is so wonderful about 500 Words. There are no rules!”

The Queen Consort replied: “There’s no rules – they can sit down and write exactly what they like.”

New for 2023, World Book Day ambassador Sir Lenny Henry will be making his debut on the 500 Words judging panel, alongside the original judges – award-winning and best-selling authors Frank Cottrell-Boyce, Francesca Simon, Charlie Higson and former Children’s Laureate Malorie Blackman. 

Lenny will also read a special CBeebies Bedtime Story to celebrate World Book Day on 2 March. He will read Luna Loves World Book Day by Joseph Coelho, a story about a little girl’s excitement to dress up as her favourite book character, meet an author and illustrator and buy a new book with her book token.

The grand final will take place on World Book Day 2024, where 50 finalists will be invited to a star-studded event at a special location. Previous locations for the final have included Windsor Castle, Hampton Court and the Tower of London. 

With a focus on primary schools, the entries will be split into two age categories – 5-7 year olds and 8-11 year olds. 

Chief Content Officer at BBC, Charlotte Moore said: “We are thrilled to once again host the 500 Words competition and help discover a range of young authors with big imaginations. It is fantastic that the competition will be supported by The Queen Consort and we do hope teachers and librarians across the UK will get involved in this chance to help find the writers of tomorrow.”

Author and 500 Words judge, Charlie Higson said: “I am so excited to take part in this year’s 500 Words! We can’t wait to see what stories today’s kids want to tell. I know that my fellow judges and I will be laughing, crying, gasping and I’m sure left feeling amazed at all the talent on display.”

BBC Breakfast presenter, Jon Kay said: “We are delighted to be championing 500 Words and look forward to the no doubt stellar entries from talented, aspiring young writers up and down the country that are sure to follow in due course.”

Teachers and librarians can find out more information about volunteering to take part in the first round of judging  at BBC Teach. The Reading Agency will then whittle down the entries into a top 50, which are then passed onto the final judging panel who will select the bronze, silver and gold winners in each of the two age categories. The competition is focused on imagination and creativity, rather than spelling, punctuation or grammar, encouraging children of all abilities to enter. 

To help raise awareness in schools, encourage as many entries from young creative minds as possible and provide further support for teachers, BBC Teach will run the competition in partnership with World Book Day, The Reading Agency, Libraries Connected, The Publishers Association and Oxford University Press. 

A host of famous faces will read out the six winning stories, with narrators from previous years including the likes of Dua Lipa, Benedict Cumberbatch and Jodie Whittaker. 

BBC Chair made ‘significant errors of judgement’ over PM loan involvement, says damning Westminster report

A Westminster committee has found that BBC Chair Richard Sharp made ‘significant errors of judgement’ when failing to declare his role in the facilitation of a loan to the then Prime Minister Boris Johnson and should reflect on the potential damage caused to trust in the corporation.

The conclusion from the Digital Culture Media and Sport Committee comes following the hearing held with Mr Sharp on Tuesday.

In a report published today, the Committee says that his omissions denied MPs the opportunity to fulfil their scrutiny role, as they were left without the full facts to make a judgement on his suitability when he appeared before the Committee for a pre-appointment hearing in January 2021.

The report calls it ‘highly unsatisfactory’ that the Committee’s subsequent approval of his appointment has been cited by the Government as a defence that the process was properly followed.

The report calls on Mr Sharp to now consider the impact his actions will have on the trust in him, the BBC and the public appointment process and for the Government and all those involved to ensure future processes are not clouded by partial disclosure.

The Committee also notes that the issue of why the Cabinet Secretary believed Mr Sharp had been giving financial advice to Mr Johnson, which Mr Sharp denies, remains unresolved. The Cabinet Office should clear up the confusion immediately.

Digital Culture Media and Sports Committee Acting Chair, Damian Green MP, said: “The public appointments process can only work effectively if everyone is open and transparent, yet Richard Sharp chose not to tell either the appointment panel or our Committee about his involvement in the facilitation of a loan to Boris Johnson.

Such a significant error of judgment meant we were not in the full possession of the facts when we were required to rule on his suitability for the role of BBC Chair.”

Neither the BBC nor Richard Sharp have so far responded to the report.

Strictly Come Dancing Christmas Special wins Christmas Day ratings

BBC secured the Top 6 most watched programmes on Christmas Day, and 7 out of the Top 10 as audiences turned to the BBC across the day for an outstanding range of programmes across drama, comedy and entertainment.

BBC’s Strictly Come Dancing was the most popular show on Christmas Day with 5.4 million viewers (excluding The King’s Christmas broadcast).

BBC secured the top six most watched programmes, and seven out of the top ten as audiences turned to the BBC across the day for an outstanding range of programmes across drama, comedy and entertainment.

BBC One was the biggest channel of the day and grew its share year on year, commanding over a quarter of all broadcast viewing overall. BBC One was also bigger than the whole SVOD market combined on Christmas Day on TV.

Charlotte Moore, BBC’s Chief Content Officer says: “Winning the Christmas Day ratings caps off an incredible centenary year of world class content on the BBC.

“In a time of so much competition and choice, the BBC continues to be the UK’s entertainment destination on Christmas Day.”

1The King’s Christmas BroadcastBBC One8.1
2Strictly Come Dancing Christmas SpecialBBC One5.4
3Michael McIntyre’s Christmas WheelBBC One4.8
4Call the MidwifeBBC One4.5
5AladdinBBC One4.4
6Ghosts Christmas SpecialBBC One3.9
7Doc MartinITV3.3
8EastEndersBBC One3.2
9Coronation StreetITV2.8
10Ant and DecITV2.7

BBC iPlayer was up 30% YOY in terms of streamed hours, with The King and EastEnders from Christmas Day and The Boy, The Mole, The Fox and The Horse from Christmas Eve the top titles.

Citizen writers to feature on The Big Scottish Book Club this weekend

Citizen Writing Group participants will feature on BBC’s Big Scottish Book Club this weekend.

Group members discuss Robert Louis Stevenson’s classic novella The Strange Case of Dr Jekyll and Mr Hide

The show airs on Sunday 4th December at 10pm on the BBC Scotland Channel and BBC iPlayer. 

Watch it here: https://www.bbc.co.uk/programmes/m001g05b

The Citizen Writing Group meets online every week under the guidance of Communities writer in residence Eleanor Thom and, with life after lockdown returning to something like normal, have recently met in-person at two lively sessions at Musselburgh’s Fisherrow Centre and Granton Hub at Madelvic House.

Three writers – Nandini, Janet and I – were recorded during August’s Edinburgh International Book Festival at Edinburgh College of Art, where the Citizen Writers Group performed a selection of writing at the popular Stories and Scran event. The group’s work was also showcased in One Day Ticket, an ensemble piece performed by actors.

#BigScottishBookClub

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@edbookfest

Just another day at the office?

Boris Johnson ‘gets on with the job’ as his government collapses around him

IT was perhaps the most remarkable day in British political history. Seldom, if ever, has so much drama been packed into twenty-four hours.

What happened yesterday? In summary:

  • New Chancellor of the Exchequer Nadhim Zahawi does the early morning round of media calls: business as usual, getting on with the job, etc. etc.
  • An uncomfortable Prime Minister’s Questions sees Boris Johnson ridiculed by Opposition party leaders and attacked by members of his own party
  • PMQs is followed by a damning statement to parliament by outgoing Education secretary Sajid Javid
  • Boris Johnson leaves Westminster to attempt to appoint new ministers. This proves impossible as there is a steady stream of resignations – more than 40 by the end of the day – as well as new flood of letters of no confidence.
  • If PMQs was painful. an appearance in front of the high-powered Liaison Committee later in the afternoon was excruciating, with politicians from all sides taking the opportunity to heap further misery on a clearly flustered Prime Minister.
  • Asked by a committee member how his week was going, Boris Johnson replied: ‘Terrific’. I assume he was joking – but then, with this Prime Minister, you can never be really sure …

You might have thought the Prime Minister’s ‘terrific’ day couldn’t have got any worse … but this was no ordinary day.

Awaiting the PM at Downing Street was a group of Cabinet ministers, including newly-appointed Chancellor Nadhim Zahawi-, the vast majority of whom urged him to stand down.

The chairman of the Tory Party’s 1922 committee also patiently awaited his audience with the PM – and it’s not breaking any confidences to say that Sir Graham Brady was not the bearer of glad tidings of great joy either …

Johnson met each of them individually, but rather than heed their considered advice that the game was up, the Prime Minister instead sided with the views of arch-loyalists Nadine Dorries and Jacob Rees-Mogg and decided instead to fight on … and as a parting shot for the evening fired arch-conspirator Michael Gove!

Putting all those internal difficulties aside, The Prime Minister found time to ‘get on with the job’ and fired off a letter to Scotland’s First Minister Nicola Sturgeon to confirm that no, I won’t be agreeing to another referendum …

A busy day at the office indeed, and a day on which Wimbledon really couldn’t match Westminster for excitement and drama.

Who knows what surprises today will bring as the Prime Minister attempts to salvage his government from the remnants of his deeply divided party?

Can his ‘terrific’ week really get any worse? Resignation looks inevitable but could this serial survivor really escape once again?

BREAKING NEWS: JOHNSON TO RESIGN

The BBC is reporting that Boris Johnson will resign as Conservative leader today and will continue as prime minister until the autumn.

It’s understood Mr Johnson will publicly announce his resignation later today.