Musical learning and nurture supported for thousands
Almost 4,000 children and young people will have the opportunity to realise their potential through music education supported by £2.6 million of Scottish Government funding.
Sistema Scotland’s Big Noise programme uses music and nurturing relationships to improve the lives of children and young people and strengthen communities. It offers all instruments, tuition, snacks and participation free of charge to families across Stirling, Glasgow, Aberdeen, Dundee and Edinburgh.
First Minister John Swinney confirmed the funding as he watched performances from school pupils at Sistema Scotland’s dedicated space at the Community Campus in Raploch.
Among those taking part were a group of Primary 2 pupils from Our Lady’s Primary School in Raploch, as well as the centre’s beginner strings group, a woodwind, brass and percussion group made up of primary school pupils, the Redfire intermediate strings group and the Raploch string ensemble, made up of high school students and school leavers.
The First Minister said: “Music and the arts have power to bring people together, and I am consistently impressed with Big Noise’s efforts to ensure children and young people across five cities have the opportunity to learn, play and perform.
“As well as the opportunity to perform, Big Noise gives the young people they work with a community – and as they progress through the programme they have developmental opportunities including to gain leadership skills, which are beneficial to them in the world of work even if they do not pursue a musical path.
“I am grateful to Sistema Scotland for continuing to enrich the lives of so many children and young people by making music accessible and inclusive.”
Vicky Williams, Sistema Scotland Chief Executive said: “We are enormously grateful to the Scottish Government for their continuing support of Big Noise in Scotland.
“This funding means we can do more to support young people and families, tackle poverty and inequality and help build firm foundations for the future of our young people.
“Our work over the past 15 years has transformed lives throughout Scotland and we look forward to continuing this critical work with the support of our partners and funders.”
Shannon Galloway, 17, from Raploch, joined Big Noise when she was five years old. She spent the summer working as an intern at the Raploch centre, and has a place at Aberdeen University to study music, with her sights set on becoming a music therapist.
She said the programme had given her opportunities she would never have dreamed of – including her first trip abroad to India last year, and playing on stage with the RSNO and Nicola Benedetti. It also boosted her confidence and skills and helped her towards a positive future.
Shannon said: “I just don’t know what I would have done without Big Noise. I wouldn’t be going to university because I wouldn’t have discovered music. I had no interest before and now it is my entire life. It opened this whole life path for me.”
Meanwhile uncertainty remains over arts and culture funding in Scotland. Here’s hoping that this can be resolves soon and at least some of these talented and enthusiastic young people will have the opportunity to perform in later life.
EIF attracts new audiences with Affordable Tickets and Innovative Experiences
The 2024 Edinburgh International Festival was more inclusive than ever: more than twice the number of tickets were issued to under 18s, young musicians, and D/deaf, disabled and neurodivergent audiences compared to last year.
The most expansive affordable ticket offer to date saw over 50% of tickets for the 2024 International Festival sold at £30 or less, with over 5,000 £10 tickets purchased by those who needed them most — a 100% increase on 2023.
Scottish talent took centre stage, with 50% of performers from or based in Scotland, all five national performing companies featured, and over 200 specialist freelancers, demonstrating the essential role of Scotland’s arts sector in delivering the International Festival.
The 2024 Edinburgh International Festival concluded yesterday after an exhilarating 24-day celebration of opera, dance, music and theatre in Scotland’s capital. With over 160 ticketed performances and more than125,000 attendees across the city’s venues, the Festival showcased 21 world, European, UK and Scottish premieres affirming its role as an essential destination for arts and culture.
Under the leadership of Festival Director and Scottish violinist Nicola Benedetti, the theme Rituals That Unite Us successfully brought together over 2,000 internationally renowned artists from 42 nations, exploring the deep connections which bind us all through live performance.
At the heart of this year’s Edinburgh International Festival was a commitment to ensuring that cost is not a barrier to cultural discovery, making high-quality art accessible to the broadest possible audience.
Over 50% of tickets were sold at £30 or less, and more than 5,000 targeted £10 tickets were sold — a 100% increase on last year. Double the number of free tickets were taken up by NHS staff, charity workers, and low-income benefit recipients through the Tickets for Good programme, marking the highest uptake since the Festival signed up to the initiative.
Additionally, the number of D/deaf, disabled, and neurodivergent concession tickets doubled, with twice as many people enrolling for the Access Pass, which provides a tailored experience for audience members with access requirements.
The International Festival reaffirmed its dedication to nurturing the next generation of artists and audiences, with a notable increase in young people attending and participating. This year saw more than triple the number of free tickets to young musicians issued through the Young Musician’s Pass compared to 2023 and U18s ticket purchases rose by 100% from 2023.
Over half of all bookers were new to the Festival this year, the highest level since the pandemic. The International Festival also focused on talent development, with initiatives like Rising Stars providing early career artists with invaluable opportunities to work and perform alongside professional mentors such as the Leonore Piano Trio and Yura Lee.
As an international festival deeply rooted in Scotland, an impressive 50% of the artists were from Scotland in 2024, highlighting the exceptional calibre of local talent alongside their international peers.
This included approximately 250 multigenerational performers in the world-first Healing Arts Scotland Opening Celebrationat the Scottish Parliament, and representation from all five Scottish national performing arts companies—National Theatre of Scotland, Royal Scottish National Orchestra, Scottish Opera, Scottish Ballet and Scottish Chamber Orchestra.
The International Festival also employs over 200 specialist freelancers and relies every year on a pipeline of talented writers, actors, musicians, dancers, singers, producers, facilitators, technicians and cultural workers.
In the precarious funding landscape currently faced by the Scottish arts sector, the Festival remains committed to supporting and advocating for the indispensable community of creative individuals and organisations of which Scotland can rightly be proud.
Under the theme of ‘Rituals That Unite Us’, the 2024 International Festival programme also reimagined ways in which live performance could bring audiences and artists closer together.
Audiences sat in beanbags to enjoy six informal concerts at the Usher Hall, including Brazil’s Ilumina, The Hallé, and the European Union Youth Orchestra, while The Hub series once again welcomed audiences into the home of the International Festival for intimate and unforgettable performances from around the world.
Six artist rehearsals were made accessible to the public and schools, offering a unique behind-the-scenes glimpse into the creative process, while 20 Q&A sessions were offered by artists after their performances to deepen the experience for attending audiences.
Offering a deeper look into the Festival’s inner workings, 36 audio introductions, hosted by Kate Molleson and Nicola Benedetti, featured insights from artists, programmers, and creatives behind the programme’s performances.
Listened to 32,794 times by audiences, The Warm Up invited artists to discuss the unique rituals they undergo before creating a piece or stepping onto the stage. Nicola Benedetti also made her BBC Radio 3 presenting debut in a six-part series focusing on the origin story and impact of the International Festival, which continues to broadcast until 7 September.
Additionally, nineteen concerts from the Festival were recorded for BBC Radio 3 and will be available on BBC Sounds. More than 130 behind-the-scenes videos shared across the International Festival’s social media channels garnered 1 million views from online audiences.
Additionally, over 300 people enjoyed a free VR experience with the Philharmonia Orchestra at the Festival’s inaugural Community Connections Hub, held this year in the Edinburgh suburb of Broomhouse. Following this, 2,000 attendees attended a Family Concert at the Usher Hall, where young music lovers had the chance to experience the Philharmonia Orchestra in person, with Festival Director Nicola Benedetti performing on violin.
Over 7,000 people joined together for a new ritual for the city and the International Festival at the highly anticipated Opening Event: Where to Begin, presented in partnership with The Macallan. Where to Begin launched Edinburgh’s festival season with an immersive experience at the historic Old Town site of George Heriot’s, brought to life by the creative team at Pinwheel.
Festival Director, Nicola Benedettisaid, “Our Festival has been an outstanding success this year. The theme, Rituals That Unite Us, resonated in profound ways with our visiting artists and home community. Although we bring stories from around the world, they change when they interact with the unique spirit of Edinburgh, artist upon artist expressing their awe and desire to return.
“We diversified the experiences in our venues, making the Festival as accessible and affordable as possible. Beanbags returned, as did the intimacy of our home, the Hub. We programmed exceptional international premieres, doubled the number of Under 18 tickets on last year, and tripled the Young Musician’s Pass attendees – an initiative that offers free Festival tickets to young musicians.”
“Against a tumultuous backdrop of funding crisis, two aspects of our identity were reinforced and strengthened. We are deeply rooted in Scotland, and will continue to present the best of Scottish talent alongside our international counterparts.
“Most importantly, we are making an indelible impact on access to culture for our local community. To present the world’s greatest art to the broadest possible audience is what we are here to do.”
Chief Executive, Francesca Hegyisaid “Our theme for this year’s programme, Rituals that Unite Us, beautifully captured the sense of togetherness felt throughout this past month. There’s something profound and powerful about this shared experience that brings people from every corner of the world and all walks of life together.
“As we celebrate this year’s Festival, we must also recognise the current fragility of the Scottish cultural sector. With 50% of our 2024 artists hailing from Scotland, the Festival relies on exceptional local talent both on and off the stage and we are deeply concerned about the ongoing survival of our creative community.
“The International Festival is the original spark that lit this city’s path to becoming the world’s Festival City. “Now, 77 years later, we thank you for joining us once again for the ritual that we look forward to each year: the Edinburgh International Festival.”
We, the undersigned, are artists, arts workers, and/or audience members from across Scotland. We are the people of Scotland. We live and work here. We value the arts and the artists who make it.
We are writing to you about the closure of Creative Scotland’s Open Fund for Individuals, due to the Scottish Government being unable to confirm the release of £6.6 million of funding from the Grant-in-Aid budget. This decision shocks and deeply concerns us, and places the future of the arts in Scotland at risk.
The Open Fund for Individuals is the cornerstone of the arts in Scotland. It is the only fund of its kind to support artists to lead projects, develop their practice, support their professional development and collaborate with other artists and/or communities.
One grant awarded to an individual provides meaningful employment, creative development, allows space for artistic risk and experimentation. Many of these grants support multiple artists and arts workers through paid job opportunities. Grants for individuals can also support organisations through the filling of theatres, galleries and music festivals.
One grant can kickstart or extend a career, allow an artist to present their work to the public, develop a new stream of income, develop their entrepreneurial and business skills. Take artworks to market and present for Scottish audiences, leading to international tours and commercial successes. They provide a training ground for the arts leaders of tomorrow, allowing artists to skill up through experience of running their own projects and developing new networks.
One grant can place artists in schools, in care homes, working 1-to-1 with folk who do not like a crowd, or with whole communities at a time, and bring a multitude of positive personal, social and wellbeing benefits. It can reduce isolation and bring people together. It can inspire and delight. It can help people find their voice, and see their experiences and stories represented.
The Open Fund for Individuals has an enormous impact. It is a lifeline for artists and arts workers. Beyond the individual grants and their benefits, its existence also means an enormous amount to people across Scotland, because it supports people who are not independently wealthy to be artists. It tells us that we have a right to creativity and the arts, a right to joy and wellbeing, and a right to emotion and expression.
Without the fund, the future is bleak, and bleakest for those who are isolated and marginalised by income, geography, race, class, age, faith, caring responsibilities, gender, sex, sexuality, or disability. Those who do not have savings to fall back on, family support to sustain them, or who have to work harder to bring their work to audiences are at risk of being unable to sustain a career in the arts. The loss of these talents and perspectives in the arts leaves us all poorer.
The arts in Scotland contribute £5bn annually to the economy but they are now at breaking point. We cannot continue without direct support for our artists, arts workers & self employed people. The damage to the arts caused by the closure of the fund is immediate and long lasting. Cut it now, and it could take a generation to build back.
We urge you to fund the reopening of the Open Fund for Individuals as a matter of urgency. We ask that you provide clear guidance on the in-year and future annual budgets so that the arts in Scotland can begin to plan, develop ideas, build upon past successes and deliver a vibrant future for us all.
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[If you’re having trouble accessing this document, please email mharirobinson@gmail.com with your name and post code and I will add you in]
Traverse Theatre statement on closure of the Open Fund
The Scottish theatre community is in need of support more than ever in light of the cuts to arts funding. Gareth Nicholls, Artistic Director of the Traverse, said last night:
“We at the Traverse wanted to use our platform to the world on the final day of the festival to make you aware of this, and of the significant impact funding cuts are having on our nation’s artists and theatres.
“New work in Scotland doesn’t come from nothing. And one of the key ways this has been achieved is through an open fund where an individual artist can ask for money when their idea is but a seed.
“The open fund is the incubator for Scottish work, but Creative Scotland has been forced to close the fund at 2pm on Friday. It will be closed indefinitely, due to the Scottish Government being unable to confirm funding for its delivery.
“Many on our stages, and whose work you’ve enjoyed at the festivals, have been dependent upon it, alongside wider arts subsidy. It is a fund that helps build careers and craft to get an idea off the ground, and which helps places like the Traverse keep our theatres alive with bold new ideas.
“If you enjoy seeing Scottish work right here in Scotland, then please continue to support the artists who make the powerful work that appears our stages.”
Creative Scotland has taken the difficult decision to close the Open Fund for Individuals to new applications due to the Scottish Government being unable to confirm release of £6.6m in Grant-in-Aid budget in the current financial year, 2024-25.
The Fund will close to new applications from 2pm on Friday 30th August 2024.
Creative Scotland planned to apply £3m of the £6.6m budget to support the Open Fund for Individuals in 2024-25, alongside £3m of National Lottery income.
Without confirmation of release of this budget, Creative Scotland does not have enough funds available to support all the funding routes that we currently provide, as set out in our Annual Plan for 2024-25.
All currently submitted Open Fund for Individuals applications will be processed as per the published Guidance. The National Lottery Open Fund for Organisations remains open.
Iain Munro, CEO of Creative Scotland said: “The level of uncertainty regarding the provision of Grant-in-Aid budgets from the Scottish Government is creating critical problems for the ongoing support we can provide to Scotland’s culture sector.
“This decision to close the Open Fund for Individuals is not one we would have wanted to take but is unavoidable without the funding from the Scottish Government being available.
“Like everyone working in Scotland’s culture and creative sector, we understand the extreme pressures on public finances but want to see longer term budget certainty from the Scottish Government, including the additional £100m announced in October 2023, details of which have yet to emerge.”
The legendary film editor will speak as part of the EIFF 2024 Programme line-up
Festival also announces industry guests hosting tables at EIFF Networking Brunches
EIFF Industry events also include case study panels and distribution sessions in a wide-ranging programme focusing on cross arts conversations, Fringe partnerships and new talent support
The relaunched Edinburgh International Film Festival (EIFF) has announced details of a special in-conversation event with the legendary Thelma Schoonmaker who is celebrated for her iconic work as an editor on landmark moments in cinema history and for her collaborations with Martin Scorsese, including Raging Bull, Goodfellas,The Wolf of Wall Street and Killers of the Flower Moon.
Thelma will be discussing her outstanding career on Tuesday 20 August at 3pm at Tollcross Central Hall. Tickets are on sale now.
Whilst at the Festival, Thelma will also present the award for The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition which showcases World Premieres of new exciting short form work from Scottish, the UK and international filmmakers. The award comes with a cash prize of £15,000 and will be decided by audience vote during EIFF with the winner announced on Wednesday 21 August.
Alongside this, she will also introduce a retrospective screening of Michael Powell and Emeric Pressburger’s much loved film I Know Where I’m Going! (1945) set on the islands of Scotland.
Paul Ridd, Festival Directorsaid: ‘We are absolutely thrilled that Thelma Schoonmaker has agreed to an in-person career conversation with us at this year’s Festival. An icon of cinema, Thelma has already been so generous with us already, allowing us to launch our brand new shorts prize in her name.
“Our line-up of guests across the film and industry programmes is absolutely star-studded, including newly announced guests at our Networking Brunches.
We are just immensely grateful to everyone for their continued support of the relaunched Festival. Bring it on!’
Running throughout the Festival, but with a focus of activity across the weekend of Friday 16 August to Sunday 18 August, the industry programme presents an impactful series of panels and networking opportunities for Scottish and international creatives to engage with industry experts from around the world.
This 77th edition of the Festival honours the film festival’s history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression.
EIFF is delighted to have initiated groundbreaking new collaborations and partnerships with Fringe organisations over non-traditional cinema spaces in renowned Summerhall, Inspace and 50 George Square in the University of Edinburgh. Monkey Barrel Comedy, Edinburgh’s acclaimed comedy club, is hosting the venue at Inspace, whilst Fringe favourite Assembly Festival is hosting the venue at 50 George Square.
On Friday 16 August, a morning NETWORKING BRUNCH co-hosted with Screen Fringe will take place at Summerhall Library Gallery, in collaboration with Summerhall.
Invited Table Hosts at the Brunch include: Sam Gough (Summerhall), Briony Hanson (British Council), Tricia Tuttle (Berlinale), Julia Trawinska (Picturehouse Entertainment), Bec Martin (Artistic Director, New Diorama), Jess Toomey (Director, Live Comedy Association), Karel Och (Director, Karlovy Vary), Sarah Brocklehurst (Producer, THE OUTRUN) and Katie Metcalfe (Nowness).
SCRAPPER TO SCREEN: A CASE STUDY will be a panel exploring the development to distribution of the hit 2023 film SCRAPPER, taking place at EIFF venue Inspace in association with Monkey Barrel on Friday afternoon. Moderated by Melanie Iredale (Reclaim the Frame) and with panellists including Charlotte Regan (Director of SCRAPPER), Theo Barrowclough (Producer of SCRAPPER), Lucie Desquiens (Sales at Charades) and Julia Trawinska (Acquisitions Manager at Picturehouse Entertainment).
Following the panel, early evening NETWORKING DRINKS will take place at Inspace in association with Monkey Barrel, ahead of an evening EIFF CURTAIN RAISER filmmaker and industry reception in Summerhall Library Gallery, both in partnership with BBC Film.
Saturday 17 August will begin with a NETWORKING BRUNCH which will take place at Summerhall Library Gallery in collaboration with Monkey Barrel.
Invited Table Hosts include: Jack Thomas O’Brien (Producer), Julia Jackman (Filmmaker), Mike Muncer (Evolution of Horror), David Bleese (Monkey Barrel) and writer and event producer Wendy Mitchell.
On Saturday early afternoon, IN CONVERSATION: GASPAR NOE will take place at Tollcross Central Hall with the iconic filmmaker discussing his work.
Later in the afternoon, a STAND UP TO THE SCREEN panel involving filmmakers who have transitioned from live performance/TV to filmmaking along with Fringe producers and creatives that are interested in screen work and working on developing ideas/adaptations for film.
The event will take place at Inspace in association with Monkey Barrel, and will be moderated by Rowan Woods (Edinburgh TV Festival) with panellists Alex Walton (WME), Afolabi Kuti (Producer) and filmmakers from the programme selection.
In the evening, NETWORKING DRINKS will take place at Inspace in association with Monkey Barrel and supported by NFTS Scotland, ahead of the now legendary EIFF Ceilidh.
On Sunday 18 August, a morning NETWORKING BRUNCH will take place at Summerhall Library Gallery, in collaboration with Assembly Festival.
Invited Table Hosts include: William Burdett Coutts (Assembly), Helene Espeiss (Charades), Jonathan Rutter (Premier), Wahida Niblo (Vertigo), Luke Moody (Doc Society), Matt Mueller (Screen International) and Robbie Collin (Telegraph).
Sunday afternoon will see the Festival’s Keynote address from acclaimed filmmaker Alex Garland and producer Andrew Macdonald at Tollcross Central Hall. The pair will discuss their long history of collaborations across films that include The Beach (2000), 28 Days Later (2002), Ex Machina (2014), as well as the recent global hit Civil War (2024). Tickets for this event will go on sale on 1 August and EIFF industry delegates will be able to access tickets closer to the Festival.
In partnership with Scottish Documentary Institute (SDI), a DOCUMENTARY DISTRIBUTION PANEL will take place at Inspace in association with Monkey Barrel, engaging Scottish documentary filmmaking talent, documentary producers and international documentary sales agents to deliver a rounded session on the business of independent documentary exhibition and distribution.
The session will be moderated by SDI’s Flore Cosquer with panellist Luke Moody (Doc Society), Graham Fulton (Conic), Sophie Fiennes (ACTING) and filmmakers from the programme selection.
Early evening NETWORKING DRINKS will take place at Inspace in association with Monkey Barrel, supported by SDI.
On Monday 19 August,coinciding with the Festival’s Out of Competition Shorts screening, there will be evening NETWORKING DRINKS in the Cameo Cinema bar supported by Screen Academy Scotland.
The same evening, BAFTA SCOTLAND celebrates the life and work of the ground-breaking film producer, curator, writer and former Director of the Edinburgh International Film Festival Lynda Myles in a special event celebrating her presentation of the BAFTA Scotland Outstanding Contribution to Film Award.
From 9pm, Ali Plumb (BBC Radio 1) will host the EIFF Film Quiz at Summerhall’s Dissection Room.
On Tuesday 20 August, evening NETWORKING DRINKS in the Cameo Cinema bar will take place.
EIFF Industry delegates are welcome to also register with Screen Fringe, a Screen Scotland-backed programme delivered in partnership with the Edinburgh Festival Fringe Society.
Open to TV and film professionals, Screen Fringe offers a concierge service to delegates to help discover the best theatre and comedy talent from Scotland, the UK and beyond. EIFF industry delegates who want to engage with the Edinburgh Festivals to find talent and pursue opportunities for screen adaptation can accredit via the Fringe Society’s Arts Industry page (http://www.edfringe.com/take-part/arts-industry).
EIFF 2024 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, the Industry Programme is backed by EXPO funding from the Scottish Government through Creative Scotland, and EventScotland part of VisitScotland’s Events Directorate.
Edinburgh International Film Festival runs from Thursday 15 to Wednesday 21 August 2024.
From August 15 to August 21 2024, Edinburgh International Film Festival will take place at unique venues in Edinburgh allowing audiences to seamlessly experience the best of the Fringe along with the world-class programme of cinema at EIFF.
This year’s 77th edition of the Festival honours the film festival’s history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression. EIFF encourages general audiences, film fans and industry professionals to make the trip this summer to Edinburgh.
The revamped Festival has recently announced its programme which includes over thirty-eight feature films, five shorts programmes and various talks and events across its dates. Concession pricing is available and Pay What You Can tickets will be available across select screenings.
Helmed by Festival Director Paul Ridd and Festival Producer Emma Boa, the team aims to create a world-class showcase for independent film and filmmaking talent.
Former Acquisitions Executive Ridd is supported by an expanding Board, including Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; and Amy Jackson, producer of last year’s BAFTA award-winning indie, Aftersun.
Across Scotland, 54 culture projects have received £1,245,021 from The National Lottery in the latest round of Creative Scotland’s Open Fund awards.
This round of awards spans a wide range of exciting projects from all genres, including a selection of musical projects taking direct inspiration from Scotland’s unique culture and landscapes.
Video game director Kyle Banks has received funding for the composition of two modern renditions of Robert Burns’ song, My Heart’s in the Highlands, composed by Jon Konsolakis and with vocals performed by four-time BBC Alba Scots Trad Music Awards’ Scots Singer of the Year award winner, Siobhan Miller.
The tracks will be released worldwide on all streaming platforms and featured on the soundtrack of Farewell North, a new Edinburgh-produced video game exploring the Orkney islands, available on 15 August. The game, named after the song, draws focus on Scotland’s rich culture and landscapes as your character embarks on a mental and physical journey to restore colour to the islands and her world.
Director Kyle Bankscommented: “With the support of the Open Fund we have the opportunity to take a beloved song segment from our game, Farewell North, and compose a pair of full-length singles for our audience to enjoy as a standalone piece of art.
“As a small team this is something that would not have been a viable option for us without this funding and it’s allowed us to share our love of Scotland worldwide.”
Composer Ruta Vitkauskaite is collaborating with Founder and Director of the Illuminate Women’s Music ProjectAngela Slater to bring the project series to Scotland. Founded in 2017, Illuminate is a commissioning and touring series celebrating the creativity of women both as composers and performers.
Illuminate will tour newly commissioned works by diverse Scottish composers with each piece inspired by Scottish folklore reimagined through a contemporary music lens.
Ruta Vitkauskaitesays: “We are absolutely delighted to receive funding from Creative Scotland’s Open Fund. The support will allow us to introduce the Illuminate Women’s Music concert series to Scotland for the very first time, bringing some of the most vibrant female musical talents to audiences across Scotland.”
The series will see concerts, workshops and talks taking place in Glasgow, Edinburgh, Aberdeen, Dundee, Linlithgow, Kinlochard and onwards to Vilnius, Lithuania, providing creators with international exposure.
The first public in-person concert be held on Thursday 12 December at The Old Hairdresser’s in Glasgow and tickets will be available on the Illuminate Women’s Music website.
Musician and composer Kate Young will release her second studio album, Umbelliferæ: A Musical Journey Through Plantlore in September 2024, accompanied by UK-wide album launch tour.
Originally commissioned by Celtic Connections, the album features a repertoire of songs inspired by Scotland’s natural heritage, with special focus on plant lore and traditional remedies made from native plants. The music is arranged for string quintet, double bass, harp and percussion.
Kate Youngcommented: “This is the release project of an album inspired by the world of traditional plant lore and medicinal uses from around the UK, which looks to spread awareness about such dying traditions through music.
“We look forward to taking this string quintet performance to a number of venues this Autumn.”
For full tour details please visit Kate Young’s website.
Further awards in this round of the Open Fund include:
Roots Theatre Festival 2024, 16-19 October 2024 – a 4-day programme of digital and in-person events to celebrate and support local theatre-makers in the Highlands.
The publication of three issues of Gutter (30–32), the award-winning magazine of new Scottish and international writing.
The full list of awards in this round of the Open Fund can be found on our website.
Paul Burns, Interim Director of Arts at Creative Scotlandcommented: “Exploring the rich landscapes and vibrant cultural heritage of Scotland provides immense value to our communities.
“The latest initiatives supported by our Open Fund will offer invaluable opportunities for people across the country to engage with Scotland’s unique culture, made possible with the support of the National Lottery.”
Assembly Festival is inviting locals living amongst the world’s largest performing arts festival to celebrate it to the fullest with the announcement of thousands of £6.50 tickets for residents at this year’s Fringe.
Residents of Edinburgh and the Lothians, Falkirk and Fife with an EH, FK, or KY postcode will have access to over 230 of the best shows at Assembly Festival 2024, with over 6000 £6.50 tickets made available for the very first days of the Fringe – Wednesday 31 July – Sunday 04 August inclusive.
Assembly Festival returns this year with a jam-packed programme of world-class entertainment full of jaw-dropping acrobatics, outrageous comedy, show-stopping theatre, energetic children’s shows, live music, and much, much more.
One of Assembly’s top selling shows of 2023, Afrique en Cirque, returns to wow Fringe audiences once more with their daring acrobatics sharing the beauty and artistry of African culture. This 2023 sell-out show is a dazzling circus spectacular and promises a show-stopping night out for the whole family.
There’s plenty more Circus in this year’s programme, with the internationally renowned Recirquel Cirque Danse returning off the back of My Land and IMA with a brand-new show, Recirquel: Paradisum, exploring the myth of regenesis following the silence of a perished world.
Award-winning Australian circus cabaret Rouge is back at Assembly with a non-stop celebration of the astonishing, subversive and the outrageously sexy. Assembly also joins forces with House of Oz and presents the critically acclaimed Gravity & Other Myths’ brand-new show, Ten Thousand Hours, an ode to the countless hours needed to achieve great things, told through spectacular gravity-defying acrobatics.
Festival legend Camille O’Sullivan returns for her 20th Fringe with Camille O’Sullivan: Loveletter, an intimate and heartfelt show celebrating friends and legends of music including Shane McGowan, David Bowie, Sinead O’Connor, and more. Jason Byrne joins Assembly once more with Jason Byrne: NO SHOW and Adam Hills is back at the Edinburgh Fringe for the first time since 2015 with brand-new material in Adam Hills: Shoes Half Full.
TikTok superstar and Queer celeb Dylan Mulvaney brings her debut Fringe show Dylan Mulvaney: F*g Hag and a bucket-load of Trans and Queer joy to Assembly George Square Studios. Fresh off the back of winning the Pinder Prize, Aussie comic Bronwyn Kuss joins Assembly with her award-winning debut comedy show Bronwyn Kuss:Sounds Good,promising an evening of dry wit and tales of misadventure. Takashi Wakasugi brings a fresh new perspective to Japanese and Western cultures, in debut comedy show Takashi Wakasugi: Welcome to Japan.
Assembly welcomes an incredible lineup of international artists bringing Children’s Shows to this year’s festival. Her Majesty Queen Angelique-Monet of Eti-Oni, Nigeria, and her puppet Milk the Cow host a historic vaudeville theatre piece incorporating ventriloquism, comedy, music and storytelling in Ventriloquist Queen: A True African Queen. Returning favourites, and winners of Japan’s Children and Performing Arts Expo 2019, Cartooon!!rejoin Assembly with unparalleled contemporary Japanese clowning.
There’s plenty of local Scottish talent too, including ART Award winner Gracie and the Start of the End of the World (again) from Zoë Bullock and Louise Oliver. National treasure Susie McCabe returns with a brand-new show Susie McCabe: Merchant of Menace. Futuristic Folktales at Assembly @ Dance Basebrings a dance for hope scrutinising reproductive injustices by re-imagining the tale of the first womb told through contemporary movement, storytelling, and Scottish Highland dance, alongside music from Malin Lewis. Edinburgh locals Captivate Theatre are back with their five-star, energetic and emotional production of Sunshine on Leith, and Pretty Knickers Productions debut their brand-new musical Mary, Queen of Rock!
Discounted tickets for all these shows and more will be available to purchase from assemblyfestival.com between 18-25 June at 23.59. Tickets included in the offer are limited and available on a first come, first served basis.
To claim your £6.50 tickets, log in to your assemblyfestival.com account, add the Local Resident tickets to your basket then use the discount code LOCALS24 at the checkout and pay with a card that is registered to an address in an EH, FK, or KY postcode.
This offer is limited to a maximum of two tickets per performance, six per transaction, and is only valid for participating shows between 31 July – 04 August inclusive. Full terms and conditions are available on the Assembly Festival website.
ELEGIES – Saturday 27 April, 7.30pm Scottish Storytelling Centre, 43-45 High Street
Hamish Henderson (1919-2002), was a soldier-poet and scholar-folk revivalist. Elegies is his first-hand account from the North African desert military campaign for which he won the Somerset Maugham Award.
His dedication of the book: “for our own and the others” sets the story within our own common bonds, fragility and humanity, in the setting of the ‘deadlands’ of Cyrenaica (modern-day Libya). The Elegies also reveal the shared helplessness of those loved ones at home waiting, praying – and dancing.
This production is led by a duo of dancers and choreographers Helen Gould and George Adams who together with dancers Nicola Thomson, Edwin Wen and Aimee Williamson embody and represent the characters from the ten elegies set both in the desert and the dance hall by using ceilidh, jive, swing and lindy hop – the popular social dance culture of the 1940s.
Through their movement directorship Gould and Adams weave into the dance, the reading of the Elegies for the Dead in Cyrenaica by spoken word artists Morag Anderson and Stephen Watt; and specially composed and newly arranged trad music and song by Cera Impala.
Wendy Timmons and Iliyana Nedkova,Elegies co-curators and producers from Traditional Dance Forum of Scotland said: “Elegies is a dance poem of serious reflection – a lament for all lives lost not only in WWII but in our world of conflicts, oppression and inequality.
“We were delighted by the positive reaction we received when it was first performed on Remembrance Day last year, and very proud of everyone who has worked with us on this revised adaptation as part of this year’s Pomegranates Festival.”
Elegies was originally commissioned for the Scottish International Storytelling Festival 2023, then extended and revised for Pomegranates Festival 2024.
Trad Dance Session
There will be a post-performance lindy hop social dance session, led and accompanied by Pomegranates 2024 resident musicians from the Castle Rock Jazz Band, in the main atrium at the Scottish Storytellling Centre. All welcome. Tickets are Pay What You Can £5, £10 or £15 and available through the Scottish Storytelling Centre Box Office here
On a winter’s eve in Edinburgh, 1924, Visual Arts Scotland (VAS) held their first-ever meeting, becoming early pioneers of inclusivity within Scotland’s artistic landscape. One-hundred years later, the organisation has grown into a leading platform for national and international artists and now celebrates its centenary with a year packed full of opportunities for its members.
To kick off 2024’s celebrations, VAS are holding their biggest-ever exhibition at the Royal Scottish Academy in Edinburgh, showcasing work from the finest contemporary artists across Scotland and beyond.
Then and Now: 100 Years of Visual Arts Scotland will showcase 242 artists and over 300 artworks, with art ranging from ceramics, paintings, mixed media, photography, sculpture, and a variety of contemporary art forms.
The exhibition’s preview night takes place on Friday 16th of February 2024, from 6pm – 8pm, giving creative enthusiasts an exclusive glimpse into the contemporary Scottish art scene.
The exhibition will then run from the 17th of February until the 13th of March, launching a year of centenary celebrations for Visual Arts Scotland members.
Tavienne Bridgwater, VAS Co-President, said:“VAS has seen a lot of growth and change over the past 100 years.
“The organisation began as The Scottish Society of Women Artists in 1924 with the aim to empower women after their contribution to the war effort. VAS provided women with the opportunity to exhibit and create applied arts, an opportunity other arts organisations in Scotland did not encourage until later in the century.
“In the early 90s, the organisation’s name changed to Scottish Artists and Artist Craftsmen to embrace the high-quality experimental crafts taking place. Today, the organisation is known as Visual Arts Scotland and boasts a membership of over 1,000 artists across Scotland and beyond, its sole purpose to promote and provide opportunities for artists with an association to Scotland.
“As we enter our 100th year, we want to reflect on our deep history, but also provide as many opportunities for our current membership as possible. 2024 will be packed full of exciting opportunities with a TATHA Gallery exhibition in Fife, a partnership exhibition with Scottish Ornithologists’ Club (SOC) in Aberlady, participation at the Borders Art Fair, and an exhibition and maker’s market at Dalkeith Palace.
“We will also be facilitating a number of artist residency opportunities throughout Scotland and the UK and our online platforms will continue to provide an important space for networking and the sharing of ideas, artwork, and dialogue.”
Amanda Airey, VAS Co-President, commented:“We’re really excited to be returning to the RSA for our Centenary Show.Visual Arts Scotland’s relationship with this iconic building began in 1945, so there’s no better place to celebrate VAS’s milestone.
“We received over 1,500 applications for our Centenary Show from both members and non-members, indicating the enthusiasm for Visual Arts Scotland’s history as well as an appetite for in-person exhibitions.
“This year, we also hope to create a centenary year book that will contextualise VAS, capture our evolution as an organisation and reveal how we have stayed true to our core aims and passions. VAS members will be integral to influencing its design and purpose.
“Despite years of growth, our organisation’s core values have remained the same. Everything we do is influenced by inclusivity and the idea that artists should and can help one another.
“VAS is a volunteer-led charity, with the core council consisting of artists themselves, helping promote and provide opportunities for our members. I hope we continue to enable artists to support artists for another 100 years.”
Christina McKelvie, Minister for Culture, Europe and International Development, said: “The Scottish Government would like to congratulate Visual Arts Scotland on achieving a century of creativity and for playing such a pioneering role in the development of women earning recognition in creative arts.
“Founded as the Scottish Society of Women Artists in 1924, VAS led the way by providing women with a much-needed platform to showcase their artistic skills in Scotland. Visual Arts Scotland continues to give an important voice to the artists, practitioners, and craftsmen, who are crucial in shaping Scotland’s world-leading artistic output. We look forward to celebrating the creativity produced during VAS’s Centenary Show in 2024.”
Visual Arts Scotland 100th Anniversary, 02/10/2023:
In the archive room at the National Galleries of Scotland’s Modern Art Two Gallery, Edinburgh.
Photography for Visual Arts Scotland from: Colin Hattersley Photography – cphattersley@gmail.com – (+44) 7974 957 388 – www.colinhattersley.com
Colin R Greenslade, RSA Director writes:““The Royal Scottish Academy of Art & Architecture (RSA) extends a hearty congratulations to the team and membership of Visual Art Scotland (VAS) on the celebration of the Society’s centenary.
“VAS, under the auspices of the ‘Scottish Society of Women Artists’ and ‘Scottish Artists and Artist Craftsmen’, have exhibited alongside the RSA in the Royal Scottish Academy building across much of these past 100 years and we share many artist members both past and present.
“It is wonderful to congratulate VAS on this milestone achievement and wish them the very best as they enter their second century of representing artists in this way.”
The VAS Centenary Show will also have an exhibit of small works (30cm x 30cm) by society members, allowing every member of VAS to have their work included in the exhibition. These small works provide a varied selection of art for sale at affordable prices.
Exciting FREE annual open studios event returns to Out of the Blue Abbeymount Studios
Featuring over 30 artists from paintings to photography and mosaics to fashion
Meet the makers, watch demonstrations and get the chance to win an original piece of art in a free raffle
Out of the Blue Abbeymount Studios are delighted to be opening their doors to the public again this Christmas for another exciting Open Studios weekend (their second of the year) onSaturday 2 & Sunday 3 Decemberfrom12 – 5pm.
Come along to see their creative spaces, meet the makers and browse a wide range of original artworks and gifts. Everything is handmade by local designers and makers here in the heart of Edinburgh. It’s the perfect chance to get some Christmas shopping done, or perhaps to just treat yourself.
With over 30 artists and makers taking part, there really is something for everyone, from fine art, paintings and illustration to ceramics, textiles and photography.
There will be FREE art/craft/animation demonstrations and workshops taking place over the two days, plus a FREE raffle featuring exclusive prizes donated by Abbeymount Studios artists.
Artists include Robin Paine who exhibited at The Royal Scottish Society of Painters in Watercolour’s winter exhibition, and was twice a finalist in London’s National Portrait Gallery Portrait Award.
Her work is in National and International Collections and she has taught widely, with a specialty in drawing and painting from observation. Up-and-coming wildlife painter Kirsten Mirrey whose work for the past five years has focussed on both exotic and endangered wildlife in a highly realistic style will also be taking part of the two days. She’s also just completed her first successful solo exhibition at the Watson Gallery.
Helen Miles represents the world of mosaics. Trained in Greece, Helen designs and makes mosaics for interior and exterior spaces, using a variety of materials from unglazed ceramic tiles to Venetian glass and found objects.
From ceramics, Frances Priest is represented in national collections including the National Museums of Scotland Edinburgh, the Fitzwilliam Museum Cambridge, the Victoria & Albert Museum London & the McManus Galleries Dundee. She has also been awarded The Wesley Barrell Craft Award and the Arts & Business Scotland Award.
Award-winning designer Judy R Clark is famed for her exquisite hand-tailored womenswear designs comprising of Harris Tweeds, Scottish lace and antique fabric. Judy was crowned Designer of Year at The Scottish Style Awards.
Her twin sister Christine Clark will also be taking part. She has been exhibiting internationally with group and solo shows in London, France, Washington and Edinburgh including a large commission for the Rohallion Care Clinic in Perth.
The poster for the Christmas Open Studios Weekend was designed by resident illustrator Rebecca Sheerin. She makes narrative illustrations mostly inspired by landscapes and the natural world. She starts by painting a watery base layer then adding the fine details with coloured pencils and crayons.
Out of the Blue Abbeymount Studio Manager Bob Guilianotti says: “Out of the Blue Abbeymount biannual open studios showcases the work of all 48 resident artists in an iconic building which is an arts and crafts creative hub right in the centre of Edinburgh.”
Details of the Christmas Open Studios Weekend, as well as a list of participating artists and makers can be found on the Abbeymount Studios website.
