Category: New Town

Week one winners of The Besties announced

The Besties awards celebrating the best across Edinburgh’s August Festivals are now in their third year. The Award is a partnership between Radge Media, Capital Theatres and Premier Scotland.

The Skinny and Fest, Capital Theatres and Premier Scotland are delighted to announce the week one winners of The Besties.

Stanislavski Can’t Save Me From the Apocalypse: The Superpower Agency Award 

This award was selected by the young people who participated in this year’s Superpower Agency critical writing summer camp, a collaboration with the teams at The Skinny and Fest.

Five women went to teach theatre for the summer. They just didn’t know the world would end before camp did. In Stanislavski Can’t Save Me From The Apocalypse, life at a theatre camp in the northern woods of Maine takes a shocking turn when five counsellors suddenly become responsible for more than forty campers after the world ends on the final day of camp. Their artistic dreams collide with the abrupt demands of survival, forcing women who once built imaginary worlds onstage to confront a terrifying new reality offstage.

The young reviewers said, “We really enjoyed this innovative theatre production, set at a kid’s theatre camp in the aftermath of the apocalypse. This is an ambitious show that takes risks with its unconventional structure and pulls them off. They did a lot with a tiny venue, minimal set and a cast who were passionate and talented. The characters were realistic and the show’s depiction of young adult friendship was funny and relatable. A hopeful and meaningful take on a potentially dark subject.”

Ethan and Gigi present The Movement: The Radgie Award

Believing themselves to be revolutionary leaders, two overconfident artists attempt to liberate the masses through the power of theatre. Ethan & Gigi are here to upstage fascist pigs and break legs (literally). The revolution will not be televised, it will be live! Alt-comedian legend Chris Gethard says: ‘These kids are funny, brave, some of the hardest workers I’ve ever met and also might be legitimately unwell in a mental sense. Either way, huge fan. Restores my faith and makes me believe in the connective power of comedy.’

The Skinny/Fest editorial team said: “Ethan and Gigi’s commitment to the bit is what makes this faux so-bad-it’s-good comedy stand out from the rest. A pair of revolutionaries riddled with interpersonal issues but convinced they’re on the brink of an anti-fascist revolutionary movement, the New York clown duo never let you see where they start and the characters end. There are big, insane swings in this show that wears its brashness deceptively lightly; swings that you’re only likely to see at The Fringe.” 

Xhloe and Natasha: Bigfoot Ripped My Dog In Half I Saw It – 

Fringe Legends

Two teenagers perform fake Bigfoot sightings in their Appalachian town, until a neighbour’s dog turns up torn to pieces. Aside from sparking a panic that spirals out of their control, it forces them to question what might actually be terrorizing their under-resourced and already superstitious community. From 2022, 2023 and 2024 Fringe First award-winners and ‘the Fringe’s most dynamic theatrical duo’ (Telegraph), Xhloe and Natasha, comes a Brechtian puppet show ripped in two about conspiracy, misdirection and seeing something with your own eyes.

The Skinny/Fest editorial team said: “It may be early in the 2026 Fringe to declare a legend award, but the judging team could think of no title more fitting for clown duo Xhloe and Natasha. Since their 2022 debut with And Then the Rodeo Burned Down they’ve built a devoted following amongst Fringe-goers in general and the Skinny-Fest teams in particular. This year they’ve returned with their fourth original show, Bigfoot Ripped My Dog In Half I Saw It, and it has once again lived up to the hype.”

Elf Lyons is the woman on the edge: The Heart Award

‘I’m sorry, I’ve said too much…’ Sky Arts Award-winning comedian Elf Lyons is The Woman on the Edge. A completely normal, autobiographical (and in no way complex) – observational stand-up show about love. A perfect show to take yourself to. Inspired by Vertigo, Apollo 13, the opera Pagliacci. Directed by Ingmar Bergman. One of The Telegraph’s 50 Funniest Comedians of the 21st Century.

The Skinny/Fest editorial team said: “The Fringe has practically belonged to Elf Lyons for a while now. Swan was mad; Raven was fit for a King. So to hear, in Elf’s new show, that she had lost herself earlier this year was heart-rending. If someone so singular can lose sight of who they are, what hope is there for the rest of us? By the end of her new hour, there’s no question that that isn’t the case anymore.”

House Fly: The Buzz Award

Bzzzz. Enter the surrealist world of a house fly. She’s come to share her story before she dies! In an astonishing historical first, a house fly has learnt human behaviour. Wanting to warn us about the worldwide insect shortage but getting lost along the way. This is Tess O’Shea’s first show after training at Gaulier clown school – it’s a theatrical exploration on the life of a fly and their cultural history. Come and see a fly’s observations on the absurdity of modern life, inspired by Kafka and the surrealism of Dali. Swatters strictly prohibited!

Fest writer Xuanlin Tham said: “the humble fly is often constituted as nothing more than a filthy pest. Yet carrying on in the grand surrealist tradition of Kafka, Dalí, and also Ratatouille (masterpiece), Tess O’Shea’s House Fly paints the life story of one fly so vividly that the last thing you want to do is swat it away … The buzz is real.” 

Eva Peroni:  Jungled – Emerging Talent Award

At 17, Eva moved from Livingston to Costa Rica on her own. She dropped out of school and moved to Costa Rica a boy-mad wee bam. She came back a bald lesbian without shoes. A fast, brutally funny debut about how you can take the girl out of Livingston, but maybe Costa Rica is too far. ‘One of the best young acts on the Scottish circuit’ (One4Review.co.uk). ‘A rising star’ (List). Support for Kim Blythe, Sam Nicoresti and Susie McCabe.

The Skinny/Fest editorial team said: “Eva Peroni is anything if not precocious. The 22-year-old’s debut Fringe hour is crammed with joke after joke, drawing on themes of identity and belonging and remaining sharp and uncompromising throughout. Taking inspiration from her coming-of-age in Costa Rica, the comic probes questions of national identity and Scottishness, with tongue firmly in cheek…”

Reflecting the broad and diverse coverage both magazines produce every summer and celebrating the breadth of Edinburgh’s Festivals, The Besties span all the festival activity taking place in the city over the month of August, including the Edinburgh Festival Fringe and Edinburgh International Festival, Edinburgh Art Festival, Edinburgh International Book Festival and the Edinburgh International Film Festival. 

Winners of The Besties are chosen each week by the editorial teams of The Skinny and Fest, drawing on their cross-festival expertise to celebrate the best work happening anywhere in the festivals. 2026 winners will be announced at weekly ceremonies taking place at Festival Theatre in Edinburgh on 15, 22 and 29 August.

The Besties awards, designed by artist Camillo Feuchter a graduate of Interior & Environmental Design at Duncan of Jordanstone College of Art and Design in Dundee, use recyclable plastics gathered by the partners and leftover wood sourced locally. 

Edinburgh Festivals: ‘One of the most remarkable demonstrations of cultural power in the world’

Landmark report evidences the profound impacts of the Edinburgh Festivals, confirming them as one of the most remarkable demonstrations of cultural power in the world

Picture by JANE BARLOW

In the latest of a long line of internationally acclaimed impact studies, the Edinburgh Festivals have published their most recent research across a series of cultural, social and economic indicators – which shows that at a fundamental level the festivals make life better – for residents, artists, visitors, and businesses.

The research identifies the Edinburgh Festivals as a unique civic asset that enhances wellbeing through creative and community engagement, an unrivalled international springboard for Scottish artists and companies, and a major attraction for those choosing to live, work, visit and invest in Edinburgh. The findings clearly indicate that the Festivals define Scotland’s cultural identity on the global stage.

Introducing the latest Impact Study on 29 June, Professor Daisy Fancourt, Director of WHO Collaborating Centre on Arts and Health and UNESCO Chair in Arts & Global Health as well as author of Art Cure: How the Arts Can Transform Your Health and Help You Live Longer said: “The Edinburgh Festivals have long stood as one of the world’s most remarkable demonstrations of the power of arts and culture.

“Shared cultural experiences create opportunities for dialogue, build understanding and challenge ideas. They bring people together across generations, backgrounds and perspectives, helping to build trust and social cohesion. At a time when many communities are grappling with social fragmentation and unrest, cultural participation offers powerful opportunities to strengthen civic life and nurture a sense of common purpose.

“The Festivals show what is possible when culture is placed at the heart of civic life, and this report provides a powerful case for the importance ofsustaining and investing in their future for generations to come.”

The research affirms that while the individual festivals are powerful brands in their respective fields, collectively they are both a unique national asset and a global phenomenon. They are an integral part of the cultural and social fabric of the country and provide an opportunity to showcase a 21st century nation.

The headline findings in this publication show the Edinburgh Festivals as:

  • cultural adventurers, with 90% of audiences acclaiming the festivals as unique places of cultural discovery
  • civic drivers, that enhance community well-being with 79% of local audiences stating that the festivals make Edinburgh a special place to live
  • national investors, spending more than £10m annually with event production companies and creative talent based in Scotland
  • economic powerhouses, calculated to have a gross economic impact of £4.26 billion over the next five years in Scotland.

Commenting on the publication of the Impact Study, the Scottish Government’s Cabinet Secretary for Education, Culture and Gaelic, Màiri McAllan MSP said: “The Edinburgh Festivals are truly world class — and this research confirms their extraordinary cultural, social and economic value to Scotland.

“A projected national economic impact of £4.26 billion over the coming five years, 90% of audiences describing them as unique places of cultural discovery, and 79% of Edinburgh residents saying they make the city a special place to live — these are remarkable findings.

“As we approach the 80th anniversary of Edinburgh’s status as a festival city, the Scottish Government is proud to champion the festivals and committed to ensuring they continue to thrive for the benefit of people across Scotland and on the global stage.”

Councillor Margaret Graham, Culture and Communities Convener at City of Edinburgh Council, said: “Edinburgh’s festivals are at the heart of what makes our city so special, bringing together residents and visitors to enjoy thousands of shows and events throughout the year.

“This research highlights that these celebrations deliver significant cultural, social, and economic benefits, supporting local communities and businesses while enhancing the city’s global reputation.

“As we approach the 80th anniversary of our festivals, we remain committed to supporting their future while balancing the needs of residents, visitors, and business, ensuring Edinburgh continues to thrive as a world-leading festival city.”

Vicki Miller, Chief Executive of VisitScotland, said: “Edinburgh’s festivals are world renowned, and a key part of what makes Scotland a must-visit destination, drawing thousands of international visitors to the country each year.

FURTHER FINDINGS INCLUDE:

The Edinburgh Festivals have seen a major expansion in their community reach

  • Alongside its global scale, the report identifies a major expansion in the Festivals’ community footprint. They offer residents of the city and substantial audiences of all ages throughout Scotland, opportunities that support creative expression, social connection and wellbeing, while breaking down barriers, enhancing community cohesion and civic pride.
  • These core principles were fundamental building blocks of the PlaCE [Partnerships for Creative Excellence] programme, a pioneering three-way partnership between Edinburgh Festivals, Scottish Government and the City of Edinburgh Council. Almost 76,000 community participants took part across the life of the programme.
  • Over the five years spanning 2018 to 2023, the Festivals delivered a 489% increase in engagement with community groups, a 39% increase in schools participation (from 497 to 694) and a 245% increase in partnership activity.
  • This growth reflects a significant development of year-round activity and more equitable access, with programmes increasingly reaching communities less likely to have engaged with the Festivals in the past.

The Edinburgh Festivals are a civic asset as well as a global platform

  • The report reinforces the Festivals’ role within the city itself. Edinburgh residents account for around one third of all attendances, with 79% of local audiences identifying the Festivals as central to the city’s identity and sense of place, making it a special place to live. And 89.9% of audiences say that the Festivals create a welcoming environment in the city.
  • This dual role – as both a global cultural gathering and a locally rooted civic asset – is identified as a defining feature of the Edinburgh Festivals.

The Edinburgh Festivals are a key investor in Scotland’s creative economy

  • Beyond audience impact, the Festivals continue to act as a major investor in Scotland’s cultural sector, supporting artists, production companies and creative organisations across the country.
  • Annual spend with Scottish-based creative talent and production companies exceeds £10 million, helping to sustain jobs, develop skills and build international connections across the sector.

The Edinburgh Festivals provide a platform for Scotland on the world stage

  • With participants from over 80 countries and audiences from more than 100 countries, the Festivals play a central role in projecting Scotland internationally, showcasing a 21st century nation
  • The report affirms the Edinburgh Festivals as a globally significant cultural marketplace, while remaining deeply embedded within Scotland’s communities and creative industries. Both a unique national asset, part of the cultural and social fabric of the country, and a global phenomenon making up part of the appeal that will drive Scotland forward.

The Edinburgh Festivals are economic powerhouses

  • The Edinburgh Festivals delivered an estimated £558 million in net economic impact for Edinburgh and £852 million across Scotland in 2025.
  • A central finding of the research is that this economic impact is driven by the quality and innovation within the Festivals’ cultural programmes which drive attendances, with 90% of audiences acclaiming the festivals as unique places of cultural discovery
  • The report concludes that investment in programming is the primary factor that attracts global audiences and generates wider economic activity across tourism, hospitality and the creative industries. With the right investment the future impact is expected to reach £4.26 billion over the next five years.
  • The findings underline the Festivals’ position as a major national asset, operating at a scale rarely seen in global cultural events. With over 4 million attendances drawn from more than 100 countries last year, Edinburgh hosts one of the largest ticketed event programmes in the world every year, on a scale equivalent with less frequent major events such as the Olympic Games and FIFA World Cup.

The full 2026 Impact Study can be downloaded HERE and any comments/questions should be sent to info@edinburghfestivalcity.com

Edinburgh_Festivals_Impact_Study_-_June_2026_originalDownload

Cultural events like these provide authentic and immersive experiences for people across Scotland and from around the world and are vital in strengthening our international profile and supporting local businesses, artists, and performers.”

Lori Anderson, Director of Festivals Edinburgh stated:

‘We are facing challenging times which call for boldness, direction, and vision – and the Edinburgh Festivals, through their pioneering collaborative work, focused strategic thinking, and hugely praised programmes, have these qualities in abundance. They have a powerful role to play in increasing the creative capacity, economic strength, and international reputation of Scotland. Ahead of the 80th anniversary of the birth of our world leading festival city, now is the time to champion and invest in the Festivals’ success.’

Further findings in the Impact Study include:

The Edinburgh Festivals have seen a major expansion in their community reach

Alongside its global scale, the report identifies a major expansion in the Festivals’ community footprint. They offer residents of the city and substantial audiences of all ages throughout Scotland, opportunities that support creative expression, social connection and wellbeing, while breaking down barriers, enhancing community cohesion and civic pride.

These core principles were fundamental building blocks of the PlaCE [Partnerships for Creative Excellence] programme, a pioneering three-way partnership between Edinburgh Festivals, Scottish Government and the City of Edinburgh Council. Almost 76,000 community participants took part across the life of the programme.

Over the five years spanning 2018 to 2023, the Festivals delivered a 489% increase in engagement with community groups, a 39% increase in schools participation (from 497 to 694) anda 245% increase in partnership activity.

This growth reflects a significant development of year-round activity and more equitable access, with programmes increasingly reaching communities less likely to have engaged with the Festivals in the past.

The Edinburgh Festivals are a civic asset as well as a global platform

The report reinforces the Festivals’ role within the city itself. Edinburgh residents account for around one third of all attendances, with 79% of local audiences identifying the Festivals as central to the city’s identity and sense of place, making it a special place to live. And 89.9% of audiences say that the Festivals create a welcoming environment in the city.

This dual role – as both a global cultural gathering and a locally rooted civic asset – is identified as a defining feature of the Edinburgh Festivals.

The Edinburgh Festivals are a key investor in Scotland’s creative economy

Beyond audience impact, the Festivals continue to act as a major investor in Scotland’s cultural sector, supporting artists, production companies and creative organisations across the country.

Annual spend with Scottish-based creative talent and production companies exceeds £10 million, helping to sustain jobs, develop skills and build international connections across the sector.

The Edinburgh Festivals provide a platform for Scotland on the world stage

With participants from over 80 countries and audiences from more than 100 countries, the Festivals play a central role in projecting Scotland internationally, showcasing a 21st century nation.

The report affirms the Edinburgh Festivals as a globally significant cultural marketplace, while remaining deeply embedded within Scotland’s communities and creative industries. Both a unique national asset, part of the cultural and social fabric of the country, and a global phenomenon making up part of the appeal that will drive Scotland forward.

The Edinburgh Festivals are economic powerhouses

The Edinburgh Festivals delivered an estimated £558 million in net economic impact for Edinburgh and £852 million across Scotland in 2025.

A central finding of the research is that this economic impact is driven by the quality and innovation within the Festivals’ cultural programmes which drive attendances. 90% of audiences acclaimed the festivals as unique places of cultural discovery.

The report concludes that investment in programming is the primary factor that attracts global audiences and generates wider economic activity across tourism, hospitality and the creative industries. With the right investment the future impact is expected to reach £4.26 billion over the next five years.

The findings underline the Festivals’ position as a major national asset, operating at a scale rarely seen in global cultural events. With over 4 million attendances drawn from more than 100 countries last year, Edinburgh hosts one of the largest ticketed event programmes in the world every year, on a scale equivalent with less frequent major events such as the Olympic Games and FIFA World Cup.

Arts festivals put Scotland on global stage

Deputy First Minister attends opening concert

Edinburgh’s festivals provide a “global platform” for Scotland as well as the artists who take part in performances, the Deputy First Minister has said.

Jenny Gilruth will attend the opening concert of the Edinburgh International Festival – All Rise – tonight along with Public Finance Minister Hannah Mary Goodlad.

It comes after the First Minister last night (Friday) attended the opening evening of ‘A Trial’, a special collaboration between the Edinburgh International Festival, Festival d’Avignon and Holland Festival, the three European festivals established in 1947.

Funding for the August festivals in Edinburgh has increased to £6.3 million this year through both the Multi-Year Funding programme and Expanded Festivals Fund provided through Creative Scotland. The Edinburgh Festival Fringe Society received £500,000 in 2026-27 to support ongoing digital transformation work, including a new website to coincide with the 80th anniversary of the Fringe next year.

Ms Gilruth said: “Edinburgh’s festivals provide a global platform for Scotland and for all the talented performers who take part. They also bring hundreds of thousands of visitors to the capital throughout August with all the economic benefits that brings.

“They are invaluable for Scottish artists and performers to develop and support their ambition and creativity, providing opportunities to showcase their work nationally and internationally.

“These festivals also send out a clear message that Scotland is an open and welcoming country, reinforcing how the culture and arts sector occupy such an important place at the heart of our national identity.

“Increasing investment into Edinburgh’s Festivals forms part of the Scottish Government’s commitment to increase culture funding by £100 million annually by 2028-29, ensuring the benefits and chances to participate are enjoyed across the country.    

“I am delighted to be attending the opening concert of this year’s Edinburgh International Festival and thank everyone involved in the tremendous range of shows on offer across all the festivals in the city this month.”

The Scottish Government has a long term commitment to providing £100 million more per year into the culture budget as a whole by 2028-29, compared to 2023-24

As part of this commitment, the 2026-27 Expanded Festivals Fund supports the ambitions of 55 arts festivals across Scotland and recognises their vital role as platforms for artists and performers. 

Taken together, eight Edinburgh Festivals will receive just over £20.5m of Multi-Year Funding under Creative Scotland’s Multi-Year (2025-28) Funding Programme (MYF).

National Galleries Scotland: Revised opening hours this month

UPDATE ON INDUSTRIAL ACTION

The Public and Commercial Services Union, which represents some of our visitor facing colleagues, has announced industrial action this month.

Our colleagues, visitors and the art in our care are our highest priorities, so we have made some changes to when our galleries open in August:

– Saturday 8 August: Our summer exhibition, Catherine Opie: To Be Seen, will open as intended from 10am – 5pm at the Royal Scottish Academy. The National, Modern and Portrait galleries, shops and cafés will be closed.

– Wednesday 12 August: The National, Modern and Portrait galleries, including shops, cafés and the Royal Scottish Academy building, will be closed.

– Sunday 16 August: The Tea Green Summer Market, café and shop will be open at the Portrait gallery. The National and Modern galleries, the upper floors of the Portrait gallery, the Royal Scottish Academy building and our shops and cafes will be closed.

– Thursday 20 August: The National, Modern and Portrait galleries, including shops, cafés and the Royal Scottish Academy building, will be closed.

The grounds and car parks at Modern One and Modern Two will be open as normal throughout.

Catherine Opie: To Be Seen, will open from 10am – 5pm on Saturday 8 August, then closed on Wednesday 12 August, Sunday 17 August and Thursday 20 August.

Gwen John: Strange Beauties will be closed on Saturday 8 August, Wednesday 12 August, Sunday 17 August and Thursday 20 August.

Between these dates, all our Galleries will be open for you to enjoy.

Thanks for your patience, we hope to see you soon.

Have you seen Safdar?

MISSING TEENAGER

POLICE are seeking the assistance of the public in trying to locate a teenager missing from Edinburgh.

Sixteen-year-old Safdar Hanif was last seen around 4am on Saturday, 25 July, 2026 on Jamaica Mews, Edinburgh.

He is described as around 5ft 7 inches in height, with short dark hair. When last seen, he was wearing a grey and white Nike top and white Nike tracksuit trousers. He was also wearing a Doo Rag and carrying a black bag.

Officers have been checking any relevant CCTV images and continue to speak to his family and friends for any information on where he might have gone.

Sergeant Chris Biggs said: “Safdar’s family is understandably concerned and want to know he is safe and well. If anyone has seen Safdar or has any information on his whereabouts, please contact us.”

Anyone with information is asked to call Police Scotland via 101, quoting incident number 0803 of 24 July, 2026.

F1 stars, comedy icons and whisky masters head to Edinburgh Food & Drink Academy

If you’re looking for something different to do in the centre of Edinburgh this summer, then look no further than Edinburgh Food & Drink Academy (EFDA).

Whether you’re visiting Scotland’s capital on holiday, or live nearby and need some new ideas for a date night or day out with friends, EFDA offers something for everyone.

From whisky and food pairing, to behind-the-scenes conversations with Formula 1 experts and comedy cook-alongs, EFDA has you covered this summer season:  

A taste of Scotland – whisky and food pairing event

Interested in learning more about Scottish whisky, or discovering how to pair it beautifully with food? Master of the Quaich, Annabel Meikle, is hosting dedicated whisky and food pairing events at Edinburgh Food and Drink Academy throughout the summer – perfect for those new to Scotch or looking to deepen their appreciation. 

Over the course of the event, Annabel will lead guests through a nosing and tasting of three whiskies from Wemyss Malts. Further elevating the sensory experience, each whisky will be paired with premium charcuterie and cheese from I.J. Mellis, and artisan chocolate from Edinburgh-based Quirky Chocolate. 

Attendees will learn how to nose and taste whisky, identify key flavour notes, and gain the confidence to create the perfect pairings at home. Tickets cost just £45 p/p with events taking place on Friday 24 July, Friday 14 August and Thursday 27 August.

Insights from the Formula 1 Pit Lane

Get your pit-lane pass with Edinburgh Food & Drink Academy this August during an exclusive conversation with Bernie Collins, former Head of Race Strategy at Aston Martin F1 and current Sky Sports F1 analyst, and Ryan McGarva, former Mercedes-AMG Petronas pit crew member and mechanic to seven-time world champion, Lewis Hamilton. 

During the hour-long conversation, Bernie and Ryan will share behind-the-scenes insights from life in the pit lane, reflect on their careers working alongside some of the biggest names in motorsport, and discuss the split-second strategy and teamwork that shapes every race weekend – from the nutritional prep to the winners podium. 

An exclusive cook and dine session with Bernie and Ryan will follow, allowing just 14 guests to make fresh ricotta-filled tortellini (inspired by the forthcoming Italian Grand Prix) alongside EFDA’s professional chefs. 

Taking place on Saturday 15 August, tickets cost £95.00 for the Insights from the F1 Pit Lane conversation session or £180 for both the conversation and the cook and dine session. 

Laughter on the menu: Comedy Cook Offs with The Stand Comedy Club

Combine your love of comedy with delicious food by attending a Comedy Cook Off at Edinburgh Food & Drink Academy this August.

Throughout the month, comedians will challenge each other to cook dishes live in the EFDA Demonstration Kitchen while trading their best jokes. Audience members will then get to sample the finished dishes and vote on who they think deserves to be crowned the culinary champion.

In partnership with The Stand Comedy Club, the events, hosted by Bruce Devlin, take place throughout the month of August with tickets costing just £20 per person. 

For more information or to book your summer experience, visit www.efda.co.uk. 

From plot to plate with EFDA & Royal Botanic Garden Edinburgh 

This summer, Edinburgh Food & Drink Academy and the Royal Botanic Garden Edinburgh (RBGE) are partnering for a series of Gardener and Chef events, showing attendees how to make the most of home-grown garden produce. 

With a shared passion for showcasing Scotland’s natural larder, the programme brings together the best of the culinary and botanical worlds. Equipping attendees with practical kitchen skills alongside a deeper understanding of seasonal planting, the events will run from 10am and combine hands-on time in the RBGE kitchen garden with live cookery demonstrations. 

With dedicated sessions on both fermenting and pickling and seasonal summer cooking, attendees will leave with the skills and knowledge to create nutritious, vibrant meals and snacks at home. 

Running until the end of September the events will take place at Royal Botanic Garden Edinburgh, with tickets ranging from £126 p/p to £137 p/p. More information can be found at www.rbge.org.uk. 

Master the art of Scottish shortbread 

Whether you’re a local resident or simply visiting Edinburgh, why not take the time this summer to master the art of Scottish shortbread?

Throughout the summer, Edinburgh Food & Drink Academy will be hosting The Wee Walk-in Shortbread Workshops, a 90-minute session offering a concise and authentic introduction to Scotland’s most iconic bake.

Create your very own Shortbread Petticoat Tails on select Thursdays during the summer period for just £50 per person. 

Last but certainly not least, looking to use your summer to kick-start a new career?

Whether you’re interested in becoming a professional chef, a food and drink entrepreneur, want to learn more about the different career opportunities in the food and drink industry, or use your summer to upskill and embark on paid holidays working in ski chalets and on board private yachts, EFDA offers something for everyone.

Edinburgh Food and Drink Academy launch event

From the five-day Seasonal Chef Host Course to the 12-week Diploma in Professional Cookery, including a new evening-only class, use this summer to sign up to transform your life and embark on a culinary adventure.

For more information, visit www.efda.co.uk. 

Gwen John: Strange Beauties

Gwen John: Strange Beauties 

National Galleries Scotland: Modern Two 

Open 1 August 2026 til 4 January 2027 

Tickets from £14, free for under 18s | Friends go free 

Gwen John | Strange Beauties | National Galleries of Scotland  

Taking over Modern Two from 1 August, Gwen John: Strange Beauties is the first major exhibition in Scotland devoted to the pioneering painter. Featuring rarely seen drawings and watercolours – many on show for the first time – it offers fresh insight into her quiet yet determined artistic vision.

Tickets are on sale now from the National Galleries of Scotland website, with free tickets for under 18s. This exhibition is not to be missed! 

Gwen John’s Young Woman with a Coral Necklace (1910-1920) will go on public display for the first time since 1964, especially for this exhibition in the Scottish capital. The striking painting once belonged to the Scottish artist and Gwen John scholar, Mary Edmond Taubman, who became fascinated with Gwen John’s work as a student while studying at Edinburgh College of Art in the early 1950s.

Taubman became the first person to conduct detailed academic research on the life and work of Gwen John, providing vital insight into what we know of her work today. Young Woman with a Coral Necklace was bought by Taubman from the artists estate, in 1968, and has been generously loaned to National Galleries Scotland by her family, in her memory.  

Marking 150 years since the Welsh artist was born, Gwen John: Strange Beauties will offer a fresh new perspective on her exquisite work and lasting legacy. Experience over 200 oil paintings, watercolours, and rarely seen sketches and archive materials across two floors of Modern Two.

Explore Gwen John’s journey from Wales to Paris, where she developed her distinctive, contemplative style. Discover her intimate and meditative portraits, shaped by faith, French modernism and her life in the Parisian suburb of Meudon. This exhibition will be the second stop of a global tour, following a critically acclaimed run at National Museum Cardiff earlier this year, including five stars from The Guardian and The Independent. 

Born in Haverfordwest, Pembrokeshire in 1876, Gwen John studied at the Slade School of Art in London, becoming one of the first generation of women to receive a formal art education, before moving to Paris in 1904 where she led a fiercely independent and creative life. From becoming a muse and model to renowned French sculptor Auguste Rodin, to modelling for Swiss artist Ottilie Roederstein, Irish sculptor Nuala O’ Donel, German artist Ida Gerhardi and Finnish artist Hilda Flodin.

She later converted to Catholicism, marrying together her faith and her artwork. Gwen John described herself as ‘a seer of strange beauties’, casting herself as a visionary with the ability to see beyond surface appearances. Her attentive way of looking at the world shaped her art, leading her to paint and draw the same subjects repeatedly, each time observing them in a new way.

Today, Gwen John is considered an independent trailblazer, who quietly yet impactfully paved the way for many women artists of the future. 

Alongside significant loans will be key works by Gwen John from Scotland’s national art collection. This includes A Young Nun (about 1915-1920) which is part of a series focusing on the convent of the Dominican Sisters of Charity at Meudon, near Paris. The tonal and quietly radiant Portrait of a Girl in Grey, (about 1918 – 1923) another from Scotland’s national art collection, depicting a woman praying, will also be on display.  

The exhibition will also delve into Gwen John’s artistic practice, revealing new research about Gwen John’s painting materials and methods. John’s approach to her art was almost scientific, emphasising the importance of close observation and trying to see beyond the surface of things.

The methodical and unique approach she applied to colour theory comes into play too. Gwen John developed a secret coding system for the colour mixtures and tones she used in her paintings – a code which still hasn’t been cracked to this day!  

She sought to use colour to create a sense of harmony in her work. From the early 1920s the rich and vibrant colours found in Gwen John’s watercolours appear in her oil paintings, in artworks such as the ‘mulberry dress’ series. 

Visitors can also find out about Gwen John’s life with a free to use audio guide and film created especially for the exhibition which discusses her artistic legacy. Archival materials such as the artist’s notebooks and sketchbooks will be also displayed in the Keiller Library in Modern Two, telling more of Gwen John’s story through objects personal to her. 

This exhibition has been developed by Amgueddfa Cymru in partnership with the National Galleries of Scotland, Yale Center for British Art, and the National Museum of Women in the Arts, Washington DC. 

Gwen John: Strange Beauties is yours to discover at National Galleries Scotland: Modern Two from 1 August 2026. Tickets are on sale now. 

Lib Dems demand answers on Water of Leith delays

Edinburgh Liberal Democrats have highlighted critical delays to Water of Leith environmental protection measures and are calling for faster action.

Responsing to a Council report on the Water of Leith water quality, local Lib Dems flagged up that a significant amount of planned infrastructure upgrades which are required to screen off sewage and detritus entering the river have been delayed until after 2027.

Over 10 projects will not begin until 2028, including the following Combined Sewage Overflows according to a March update to the High Priority Assets list including around Leith’s Shore, Junction Street, Stockbridge, Bonnington, Dean Village, Murrayfield, and at St Mark’s Park.

Edinburgh Northern MSP and Scottish Liberal Democrat Environment spokesperson Sanne Dijkstra-Downie, who recently called for year round monitoring of bathing waters, said: “The scale of the issue of lack of sewage monitoring is huge across Scotland, which is why rivers like the Water of Leith must be met with ambition.

“The Scottish Liberal Democrats will continue pushing for a Clean Water Act which will incentivise faster action to prevent pollution in our rivers and ocean”.

Commenting on the update, Leith Walk Councillor Jack Caldwell said: “This is incredibly disappointing as the Water of Leith was a key part of Scottish Water’s investment plan.

“Our river deserves to be clean for wildlife, plant life, and people alike. The Council must work constructively with national agencies and Scottish Water to accelerate environmental protections for our communities.”

Inverleith Councillor Hal Osler added: “Our natural environment is precious, and it’s up to all of us to look after it. These delays risk undermining progress won by so many residents, volunteers, and environmental campaigners.”

Transport and Environment spokesperson Councillor Kevin Lang got cross-party support in June for Edinburgh Council to write to Scottish Water to get answers on updated timescales.

‘The Scratcher’ arrested

POLICE officers in Edinburgh yesterday executed a warrant in relation to the spate of recent car vandalisms known locally as ‘The Scratcher’.

A 25 year old male was arrested, and following interview, charged for these offences. He will be held in police custody to appear at Edinburgh Sheriff Court on Monday.

This is the result of an extensive enquiry, and we would like to thank everyone affected for their patience as the case was built. Work is still ongoing to identify further instances.

👉 If you have any information, or are a victim who has not yet reported it, please contact us on 101, or online via the Police Scotland website.

Gilded Balloon launches ‘Postcode Pals’ with £6 Fringe Tickets for locals

EH, KY, FK and G postcode residents can enjoy more than 140 Edinburgh Fringe shows for just £6

Gilded Balloon is inviting its neighbours to experience this year’s Edinburgh Festival Fringe for less with the launch of Postcode Pals – a special ticket initiative offering £6 tickets to local audiences.

Running from 10am on Monday 20 July until 6pm on Friday 31 July, the limited-time offer is available exclusively to residents with EH, KY, FK and G postcodes, giving them access to more than 140 shows taking place between 5–9 August, while availability lasts.

With the cost of living continuing to impact audiences, Gilded Balloon is introducing the scheme as a way of ensuring local communities can continue to enjoy the Fringe on their doorstep.

Karen and Katy Koren, Artistic Directors of Gilded Balloon, said: “As an Edinburgh-based venue, we want to encourage our neighbours to come to our shows. The Fringe is one of the most exciting times of the year, but we know that rising costs can make it harder for local people to take part.

“Postcode Pals is our way of saying thank you to the communities that support us year-round and making it easier for them to discover brilliant comedy, theatre, music, family shows and more.”

The offer covers an exciting cross-section of Gilded Balloon’s 2026 programme, including performances from Jack Docherty, Mhairi Black, Fiona Allen, Kim Blythe, Michelle Shocked, Madeleine Brettingham, Jamie Kilstein and Phil Nichol. Audiences can also enjoy acclaimed musicals including Doris, Dolly and the Dressing Room Divas, HR: The Musical and Puck Bunnies: A Heated Rivalry Musical, alongside powerful theatre productions including SLAY and CADEL: Lungs on Legs, and family shows The Kobold Show!, Mama G: The Magic Bookmark and Bring Yer Bairn Comedy  plus more than 140 comedy, theatre, music, family and spoken word shows taking part in the promotion.

How to claim the offer

Residents with EH, KY, FK or G postcodes can:

  • Log in to their Gilded Balloon account.
  • Ensure the billing address on their account includes a valid eligible postcode.
  • Use the code PALS26 when booking via the Gilded Balloon website.

The offer is valid on selected performances between 5–9 August only, subject to availability.

Offer details:

  • Booking window: 10am, 20 July – 6pm, 31 July
  • Eligible postcodes: EH, KY, FK and G
  • Ticket price: £6 (plus a booking fee)
  • Maximum 2 tickets per performance and 6 tickets per customer
  • Valid only when booking through the Gilded Balloon website
  • Available while stocks last.