Eduardo Paolozzi’s Master of the Universe finds its new home outside Scotland’s National gallery

Having lived at National Galleries Scotland: Modern Two since the early 2000’s, a triumphant effort has seen the sculpture travel through the city to its new location at the National.

Dr Patricia Allerston, Deputy Director & Chief Curator of European & Scottish Art, National Galleries of Scotland said: ‘We wanted to bring the art outdoors and into the gardens at the National to spotlight that we are a gallery from the moment people arrive in the gardens.

“We wanted it to welcome people in and to show a snapshot of the incredible Scottish art on offer inside. Paolozzi seemed like a perfect choice for this spot, he was very much an artist who looked to the past as well as to the future, which is very much what we are about at the National Galleries of Scotland.

“He was also from Edinburgh, which seemed very fitting as he will now be looking out over the city and facing towards his hometown of Leith.’

Taking two days and extensive pre-planning to move the impressive one tonne sculpture, it called on expertise inside and outside the gallery to make it possible. Requiring the skills of curators, conservators, collections management, specialist movers with specialist kit including a crane and gimble to get the statue in position.

Master of the Universe is based on a famous drawing by William Blake, which shows the scientist Isaac Newton. Paolozzi used the same pose as in the Blake drawing but has mechanised the figure. 

The artist also fashioned it to put himself in the picture, creating himself as the sculpture. Interested in the relationship between nature, science and the man made, Paolozzi brought all of this together to create Master of the Universe.

Visit National Galleries Scotland: National to see Master of the Universe and lots of other free art, including the greatest collection of Scottish art in the world.

Lord Provost opens Edinburgh Garden of Remembrance

The Right Honourable Lord Provost of the city of Edinburgh, Robert Aldridge, led a special group of wreath-layers at the annual Opening Ceremony of the Edinburgh Garden of Remembrance, at the Scott Monument, Princes Street Gardens yesterday (Monday, 20th October, 2025). 

Members of the Armed Forces community, including veterans, attended the poignant event, organised by Legion Scotland and Poppyscotland, to remember those who have fallen in conflicts, with more than 40 wreaths laid at a service which was also well attended by members of the public. 

Among those that joined Edinburgh’s Lord Provost was Reverend Dr Karen Campbell, National Padre of the Royal British Legion Scotland, who led the service, along with attendees from Scottish Government, Police Scotland and other dignitaries.

Music was provided by The Band of The Royal Regiment of Scotland, as well as piper Eddie Molyneux, who led the wreath-layers into the garden. 

Commenting on the service, Legion Scotland Events Manager, Brian Ward, said: “This was a wonderful occasion which was very well attended by representatives of the Armed Forces and other dignitaries from across our capital city and of course Scotland.

“The lovely weather certainly helped to draw out the crowds with so many people turning out, as well as the many passers-by who stopped to reflect and pay their respects to our fallen.” 

The Garden features thousands of poppy crosses and other remembrance symbols with personal dedications from across Scotland. It will remain open until the Armistice Day service on Tuesday, November 11 for visitors to pay their own tributes.

The opening event coincided with the launch of this year’s Scottish Poppy Appeal on the same day, whereby Scottish Rugby legend Chris Paterson attended Lady Haig’s Poppy Factory in Edinburgh for a tour of the premises and to encourage people to donate and wear their poppy with pride this remembrance period.

The Scottish Poppy Appeal is Scotland’s biggest fundraising appeal, with more than two million poppies already being distributed around the country. All funds raised will go to support Poppyscotland’s work, providing life-changing support and advice to veterans, servicemen and women, and their families.

People can find out more and support the Scottish Poppy Appeal at www.poppyscotland.org.uk.

Clean air success: penalty charges down 48% in Edinburgh since LEZ introduction

UK motorists face £12 million in monthly clean air and low emission zone penalties

  • Over £627 million has been generated by Clean Air Zones (CAZ) and Low Emission Zones (LEZ) in the UK
  • On average 200,000 fines are issued to motorists driving through these zones each month
  • Almost 8 million penalty charge notices (PCNs) have been issued in London since 2019
  • On average, UK cities have seen a 39% decrease in penalty charge notices since their introduction

Clean Air Zones (CAZ) and Low Emission Zones (LEZ) are designed to improve air quality, by charging drivers of high-polluting vehicles that enter into a specific area. London was the first city to introduce one of these zones, with a number of other cities following suit in recent years.

With this in mind, taxi insurance specialists ChoiceQuote aimed to determine the number of vehicles fined since the introduction of clean air and low emission zones, how much each council has fined drivers in this period and whether these zones are effectively deterring high-pollution vehicles from the area or motivating people to invest in low emission vehicles.

In total, over 11 million Penalty Charge Notices (PCN) have been issued by councils since their introduction of clean air and low emission zones. However on average, the number of PCN issued has decreased by 39% since their introduction which is encouraging to see.

The study analysed Freedom of Information data from Transport for London and local councils across the UK to identify which areas have issued the most fines and which have experienced the largest decreases in PCN since the introduction of the zones.

How many penalty charge notices have been issued by UK councils?

CityTotal PCNTotal £Avg Monthly PCNsAvg Monthly £
Aberdeen        33,850£5,015,160          2,821£417,930
Birmingham   2,196,729£100,766,280        47,755£2,190,571
Bristol   1,045,013£125,401,56037,322£4,478,627
Dundee        16,696£2,282,340          1,284£175,565
Edinburgh        51,015£5,261,520          3,924£404,732
Glasgow        72,100£7,267,800            3,005£302,825
London   7,814,614£386,293,224      108,536£5,365,184

Over £627 million has been generated by clean air and low emission zones throughout the UK, with almost 200,000 PCNs given out per month on average, amounting to over 11 million since the zones first began.

London launched its Ultra Low Emission Zone in 2019, initially covering inner London, before, expanding to cover all 32 boroughs by 2023[1]. In its five years of operation the capital has received over £386 million in fines during this period, with over 108,000 penalty charge notices being issued each month to drivers.

Birmingham introduced its clean air zone in June 2021 and over a 48 month period, drivers in the city have received over 2 million fines, averaging out at nearly 48,000 per month. This equates to fines of over £100 million, or nearly £2.2 million per month.

Bristol Introduced its clean air zone in 2022 and has issued fines totalling over £125 million, or an average of £3.2 million per month. Despite receiving fewer fines overall, Bristol drivers pay £1.2 million more on average per month than drivers in Birmingham. This suggests a significant presence of repeat offenders in Bristol, which raises the average fine amount from £60 to up to £960.

Which cities have seen the biggest decrease in penalty charge notices?

City% decrease in PCNs
Dundee*52%
Edinburgh*48%
Aberdeen*35%
Glasgow**35%
Birmingham**33%
Bristol**28%

(London data excluded due to expansion of ULEZ in 2021 and 2023 inflating figures)

* % decrease since the introduction of CAZ and LEZs                                                                **Yearly average decreases in number of PCNs

On average, there has been a 39% drop in the number of PCNs handed out to motorists, as more drivers either avoid clean air and low emission zones entirely, or upgrade to compliant vehicles.

Since Dundee implemented its low emission zone in June 2024, the city has experienced a 52% reduction in PCNs. In June 2024, 2,117 charges were issued, with this number dropping to 1,014 by June 2025.

While the number of PCNs issued has decreased by over half, the amount fined has increased by £31,320 to £167,160 in June 2025. This is due to an increasing number of drivers being charged a higher fine for driving through the zone multiple times.

Edinburgh has experienced the second most significant decrease in PCNs. The Scottish capital issued 6,039 fines issued in June 2024, compared to just 3,157 in June 2025.

Aberdeen has seen a 35% reduction in PCNs issued since June 2024. Initially, 3,751 fines were issued in June 2024, but by May 2025, this number had decreased to 2,437. Notably, in May 2025, only 1,727 vehicles were caught driving through low emission zones for the first time, compared to 3,387 vehicles in June 2024.

However, 262 vehicles received their fifth fine within a 12-month period, resulting in a fine of £960, significantly higher than the £60 penalty for a first-time offence.

Phil Leese, Taxi and Specialist Motor Trading Manager at insurance broker ChoiceQuote, comments: “It’s positive to see that the introduction of low emission and clean air zones within UK cities is working in minimising the amount of high polluting vehicles travelling through congested areas.

“In some areas the number of fines issued has reduced by half! These zones have influenced driving habits, not only by prompting drivers to avoid certain areas but also by encouraging investment in more environmentally friendly vehicles.

“Data indicates that while a high number of people were charged in the first month of low emission and clean air zone introductions people are now aware of which roads to avoid if their vehicle is not compliant. However, if you are visiting a city for the first time is can be tricky to navigate which roads you can and can’t travel on.

“Motorists are advised to look out for signs indicating the boundaries of clean air and low emission zones within a city and do their research on whether their vehicle is compliant before making any journeys through these zones.

“If you are a Google or Apple Maps user, these apps will provide you with alternative routes to avoid restrictions so it’s important to always pay attention and plan your route before setting off on your journey.”

Opening Saturday: Take to the skies with Daredevil Photographer Alfred Buckham at the National Galleries of Scotland

Alfred Buckham: Daredevil Photographer 

National Galleries Scotland: Portrait 

18 October 2025 – 19 April 2026 

Free admission 

Alfred Buckham | Daredevil Photographer | National Galleries of Scotland 

This weekend at the Portrait gallery in Edinburgh, take to the skies and see the world from above the clouds through the remarkable work of Alfred Buckham: Daredevil Photographer.

From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs ever taken, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques in the darkroom paved the way for modern technologies such as Photoshop and AI.

Free to visit at the National Galleries Scotland: Portrait, this will be the first major exhibition dedicated to Alfred Buckham and can only be seen in Scotland. 

This exhibition will bring together over 100 photographs and objects including popular works from the Scottish national collection, alongside extensive archival material generously loaned by Alfred Buckham’s grandsons, Richard and John Buckham. Thanks to the support of the Buckham family, personal objects including letters, photographs and even the passport Alfred Buckham used will be put on public display for the first time. 

A maverick of early aviation, Alfred Buckham (1879-1956) created his own unique style of photography by combining daring exploits in the air with innovation in the darkroom.

Born in London, Buckham learned his craft by teaching photography before joining the Royal Naval Air Service in 1916, a predecessor to the Royal Air Force.

Hailed as an exceptionally skilled flyer, he combined his talent for aviation with his passion for photography, resulting in remarkable endeavours and trailblazing images.

Based for most of his military career at RAF Turnhouse, now Edinburgh Airport, central Scotland became a natural playground for Buckham to refine his photographic techniques and let his imagination soar.

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Daredevil Photographer will chart his phenomenal story from his early photographic experiments in Scotland to exciting adventures in South America and look closer at the skilled and inventive ways he created his work. 

Explore Scotland from the air and get a new perspective of well-known sights, just as Buckham himself would have. Daredevil Photographer celebrates the impact Scotland had on Buckham’s work through his images of recognisable landmarks including St Andrews Golf Links, Linlithgow Palace and the Wallace Monument in Stirling.

The exhibition will also feature several images of the Forth Rail Bridge, Buckham’s most photographed landmark. The iconic bridge was the subject of one of his first composite photographs and appeared on the 1918 RAF Turnhouse Christmas card, which will go on display alongside the original photography. 

Daredevil Photographer will delve into the darkroom and uncover more about the creative processes used to bring Buckham’s unique images to life. After the First World War, Buckham began experimenting with composite photography; a technique where several negatives are used to create one photographic print.

While this wasn’t a new concept, composite photography added a layer of creative freedom to Buckham’s work, much like a very early form of Photoshop.

From his vast collection of glass negatives – he had over 2000 cloud images alone in his ‘cloud library’ – Buckham had the means to create images which became immersive, giving a unique sense of flying alongside these incredible aircraft while viewing the world below. 

It was through the technique of composite photography that some of Buckham’s most famous works were born, including the iconic aerial view of Edinburgh (about 1920). This striking photograph shows a bi-plane hovering amongst wispy clouds above Edinburgh Castle, with Arthur’s Seat visible through the mist in the background, and the bustling city below.

For the first time, Edinburgh will be displayed alongside the camera and original glass negatives Buckham used to capture and create this much-loved image. Visitors will also be encouraged to get inspired and try their hand at creating their own composite creations through interactive exhibits. 

Telling Buckham’s story through his own words and memories, Daredevil Photographer allows visitors to meet the courageous and humorous man behind the camera. Firsthand accounts of his incredible exploits in the air and ingenious creative methods on the ground will enhance his story and highlight his adventurous spirit: Ah! One was a rare daredevil in those days! (Alfred Buckham, The New York Times, 1930).

A free and unique immersive audio experience will bring Buckham’s world of flight and imagination to life through his own words. Hear Buckham’s grandson Richard give a voice to his grandfather’s memories and reflections on his daredevil persona. 

Daredevil in every sense of the word, Buckham went to incredible feats to capture the perfect shot, which the exhibition will explore.

His preferred methods included standing in an open cockpit while mid-air, with his leg tied to the seat as a nod to safety. As a result, he experienced no less than nine crashes in his lifetime, one ending in a serious throat injury that cut his military career short.

However, he would not be deterred, describing his eccentric photography methods in a surprisingly relaxed way:  

It is not easy to tumble out of an aeroplane, unless you really want to, and on considerably more than a thousand flights I have used a safety belt only once, and then it was thrust upon me. I always stand up to make an exposure and, taking the precaution to tie my right leg to the seat, I am free to move rapidly, and easily, in any desired direction; and loop the loop; and indulge in other such delights, with perfect safety” –  Alfred Buckham, The Camera, January 1927

Daredevil Photographer will celebrate Buckham’s skill in the air through a range of his mesmerising photographs.

Encounter stunning images of the leading aircraft of the day, such as the Bristol Fighter, a two seated bi-plane designed for aerial reconnaissance, and the bizarre airships of the 1920s. See them soaring through the skies in all weathers, amongst an array of remarkable landscapes.

The exhibition will include one of his most well-known works, The Heart of the Empire (1923), on loan from the V&A Museum in London and displayed in Edinburgh for the first time.

The photograph follows a bi-plane as it glides across the London skyline, with landmarks such as Tower Bridge and the River Thames in view. Exhibited by the Royal Photographic Society in 1925, The Heart of the Empire secured Buckham’s position as one of Britain’s leading aerial photographers. 

Experience the golden age of travel through Buckham’s portfolio of images spanning across the globe.

In 1931, a commission from Fortune Magazine took Buckham on an epic fifteen-week trip across the Americas, covering 19,000 miles and setting a world record.

Starting in New York City and taking the opportunity to capture the newly built Empire State Building, Buckham photographed his intrepid journey from the United States to the tip of South America to share with the world.

Daredevil Photographer will chart Buckham’s incredible journey, from expansive views of Christ the Redeemer in Rio De Janeiro and the snowy caps of the Andes Mountains to perilous scenes of smoking volcanic creators in Guatemala and Mexico.

Through his death-defying adventures and stunning photographs, Buckham expanded public understanding of the world, creating an exciting legacy which continues to capture imaginations today.   

Louise Pearson, curator of photography at the National Galleries of Scotland says: “Alfred Buckham’s eye-catching photograph of Edinburgh is one of the most popular artworks in the National Galleries of Scotland collection.

“This enthralling image becomes even more intriguing when you learn that it is a darkroom jigsaw – a composite photograph made through a combination of technical skill and creative vision.

“Alfred Buckham: Daredevil Photographer tells the remarkable story of this maverick of early aviation whose adventures took him from aerial reconnaissance photographer to intrepid explorer via numerous loop the loops.” 

Alfred Buckham: Daredevil Photographer is a free exhibition at National Galleries Scotland: Portrait, opening on 18 October 2025.  

Family History Fair at Central Library

FRIDAY 24th OCTOBER from 10am – 4pm

Join us for a Family History Fair at Central Library on Friday 24 October 2025, between 10am and 4pm!

Come along to talk to experts from the following organisations who will be on hand to introduce their collections and answer questions about using materials to search for missing details in your family history.

We’ll be joined by:

Commonwealth War Graves Commission

Edinburgh Central Library – Edinburgh and Scottish Collection and Digital Teams

Edinburgh City Archives

Historic Environment Scotland

National Library of Scotland

National Records of Scotland and Scotland’s People

National War Museum Library

Scottish Genealogy Society

and The Royal Scots

There will also be a series of presentations held throughout the day. Both the day and talks are free to attend, but the talks should be booked in advance via TicketSource.

Read the full Family History Fair programme on the blog at https://zurl.co/mQieA

We hope to see you there!

Image: Photograph of group of children, Newhaven, c. 1921, © The City of Edinburgh Council Museums and Galleries

Local History Writing Competition

Calling Edinburgh writers!

Enter our local history writing competition, the William Anderson Memorial Prize 2025, for the chance to win £200.

#Edinburgh900

https://zurl.co/6g0zT

St James Quarter set to sparkle once again this festive season

ST JAMES QUARTER UNVEILS A MAGICAL CHRISTMAS 2025 PROGRAMME 

From dazzling parades to hands-on festive fun, the Capital’s most stylish Christmas celebration returns bigger and brighter than ever.

St James Quarter, Edinburgh, is set to sparkle once again this festive season with a showstopping Christmas Programme for 2025 – from a spectacular light switch-on with starry performances, family-friendly experiences, and festive magic on every level.

The St James Quarter Christmas Parade returns again this year – bigger, brighter, and more spectacular than ever.

On Saturday, 8th November, from 4pm, the Galleria will come alive with a joyous celebration of colour, music, dance, and performance, featuring wandering musicians, graceful ballerinas, energetic street-style dancers and, of course, a very stylish Santa making his entrance in true St James Quarter STYLE.

Adding an extra touch of sparkle, Santa will be touring the City in a St James Quarter taxi, inviting Edinburgh locals to join him on his journey to the Quarter before leading the crowds to Register Square for a spectacular finale – a magical light switch-on and Christmas sing-along led by Community favourites, Tinderbox Orchestra, who will be joined by some surprise guests.

From traditional carols to contemporary hip-hop beats, the evening promises an unforgettable fusion of sound and celebration, creating a free, family-friendly night for residents and visitors alike.

The Tinderbox Orchestra, renowned for redefining what an orchestra can be, will fill the Quarter with the sound of Christmas. Combining rappers, singers, strings, brass, and drums, their performances bring together some of Scotland’s most dynamic musicians, delivering unexpected melodies and boundless festive energy.

Families can also look forward to the return of Elf Adventures on Sunday, 16th November and Sunday, 7th December, from 11am to 3pm at the Santa Express on Level 3. Little ones can learn how to be Santa’s little helpers through playful drop-in sessions, including Elf School (age 3+), where they’ll tackle an elf agility course, ; Reindeer Food Making (age 3+), where they can craft their own magical oats to sprinkle outside their homes on Christmas Eve; and Storytime sessions (age 0+), where little ones can settle in for cosy, interactive storytelling with Santa’s elves. All children must be accompanied by an adult, and there’s no need to book in advance.

For those feeling inspired by the sounds of the season, the Tinderbox Orchestra will host a day of interactive music workshops on Sunday, 30th November, from 10:30am to 6pm.

Ticketed via the St James Quarter App, these sessions offer the chance to try an instrument, play alongside the 20-piece orchestra, and even write and perform your own Christmas song.

Open to all ages and abilities, the workshops are a unique opportunity to join one of Scotland’s most exciting musical collectives for a day of festive creativity and collaboration.

Throughout the season, visitors can continue to enjoy the festive spirit across the Quarter. The Santa Express will offer a magical interactive photo opportunity on Level 3, while the Present Tree, in partnership with St James Quarter charity partner Children’s First, will encourage guests to donate gifts and spread goodwill to those in need.

Pop-up choir and dance performances will fill the Galleria with music and movement, and with bars and restaurants open until late and extended retail hours from 16th November, guests can shop, dine, and celebrate long into the evening.

Susan Hewlett, Brand Director at St James Quarter, said: “Christmas at St James Quarter is always something special, and this year we’re pulling out all the stops to make it our most magical celebration yet.

“From the dazzling parade and spectacular light switch-on to the creative energy of the Tinderbox Orchestra and the joyful return of Elf Adventures, there’s something for everyone to enjoy.

“We can’t wait to welcome Edinburgh’s residents and visitors to experience the wonder, warmth and togetherness that makes this time of year so special in the heart of the city.”

Whether singing under the lights, dancing to the beat of the Tinderbox Orchestra, or watching little ones graduate from Elf School, St James Quarter is set to be Edinburgh’s ultimate destination for Christmas magic in 2025.

For more information, please visit:

https://stjamesquarter.com/event/st-james-quarter-sessions/

World lawyers give back to Edinburgh with Water of Leith clean-up

More than 40 lawyers from across the globe traded boardrooms for wellies last week, teaming up with Morton Fraser MacRoberts (MFMac) and the Water of Leith Conservation Trust (WOLCT) for a morning of hands-on volunteering.

Volunteers split into teams to carry out a range of task to look after the Water of Leith walkway, including cutting back overgrown vegetation, sweeping up leaves and litter picking locally to stop rubbish getting into the river.

The clean-up formed part of Interlaw’s Annual Global Meeting in Edinburgh, where senior lawyers from over 80 countries gathered for four days of knowledge-sharing and international collaboration.

This year marks the first time the conference has been hosted in Scotland for almost 40 years. Edinburgh headquartered MFMac – this year’s host – organised the clean-up event as a way to make a positive impact and help protect the natural environment that makes Edinburgh a beautiful and inspiring place to live and work.

Chris Harte, Chief Executive Officer at Morton Fraser MacRoberts: “Interlaw is a powerful network bringing hundreds of delegates to Edinburgh and this clean-up has been a great opportunity to give something back to our host city while they’re visiting.

“The Water of Leith is a landmark that flows through many of Edinburgh’s local communities, so it’s been a privilege to organise a meaningful activity to protect it. We know how packed our colleagues’ schedules are so we’re grateful to everyone who rolled up their sleeves!”

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Johnny Wells, Ranger from the Water of Leith Conservation Trust, said: “The Water of Leith is an amazing green corridor for both people and wildlife in Edinburgh, support like this makes a real difference allowing us to care for it.

“We’re very grateful to MFMac for involving us in their programme and for highlighting the importance of looking after this special place.”

RHASS and Edinburgh’s St Giles’ Cathedral come together to celebrate in a Harvest Thanksgiving service

Picutred: Neil Thompson, RHASS Director and Rev Dr Scott Rennie





RHASS and Edinburgh’s St Giles’ Cathedral come together to celebrate the extraordinary efforts of Scotland’s farmers in a Harvest Thanksgiving service

A John Deere tractor and a seed drill took centre stage outside of Edinburgh’s St Giles’ Cathedral yesterday (5th October) as the exceptional efforts and hard work of Scotland’s farming community were recognised in a Harvest Thanksgiving service in partnership with RHASS (the Royal Highland & Agricultural Society of Scotland).

Conducted by Rev Dr Scott Rennie, the service celebrated the tireless efforts of Scotland’s farming community, while acknowledging the ever-changing weather conditions farmers across the country have faced ahead of this year’s harvest.

Displays of seasonal vegetables, including broccoli, pumpkins, potatoes, parsnips and carrots were donated by RHASS Directors for the service from farms across the country to shine a light on the array of local produce grown in Scotland.

RHET (the Royal Highland Education Trust) also supported the Harvest Thanksgiving celebrations by creating a display inside the cathedral.

Their exhibit drew on educational resources used in schools to highlight what’s in season, Scottish crops, images of harvesting through the ages, examples of school growing projects, and a seasonal calendar.

This provided visitors with a chance to reflect on Scotland’s food harvest and the work of farmers, while showcasing RHET’s role in connecting young people with food and farming.

The produce on display during the service has since been donated to Edinburgh charities, Empty Kitchens Full Hearts, the Grassmarket Community Project and the Salvation Army Hostel, to be made into meals for those in the city who are in need.



RHASS Chairman, James Logan, said: “At RHASS, we’re proud to stand side by side Scotland’s rural community all year round and the harvest season provides us with an opportunity to take stock and show our incredible gratitude towards those farmers working day and night to help feed our nation.

“This year has brought more unpredictable weather and following a dry spring harvest experiences can vary widely for each farmer. Everyone involved in farming and rural life plays a vital role in producing our food, and they all deserve recognition and thanks. Sunday’s service provided a wonderful opportunity to celebrate these efforts, and we are grateful to all who joined us and shared produce in support of local causes.”

Speaking on the Harvest Thanksgiving service, Katrina Barclay, Executive Officer at RHET, commented: “As an education charity, it’s an honour for RHET to be asked by the team at St Giles to be part of this celebration of harvest and to share some of the learning information we create for teachers all about food and farming in Scotland.”

Catherine Jones, Social Enterprise Director, said: “We are truly thankful for this incredible donation of fresh vegetables again this year.

“Every week, we support more than 230 vulnerable adults who often struggle to access healthy and nutritious meals. Food poverty continues to be a serious issue across our communities, and contributions like this make a real difference to those most affected.

“We would like to express our heartfelt gratitude to St Giles’ Cathedral for their ongoing support, and to RHASS and the dedicated farmers whose hard work has made this gift possible.”

Rev Dr Scott Rennie, Minister of St Giles’ Cathedral, said: “In this time when we are more than ever aware of our need of local food production and the vital role that Scottish farmers in bringing the food we need to our tables, we are delighted to partner with the Royal Highland and Agricultural Society of Scotland.

“There is a particular poignancy to celebrating the Harvest in the heart of Scotland’s capital city, a city filled with tables set for visitors and residents alike.  We are reminded of where our food comes from, and the labour in its production.  For all this, and more, we give thanks to God.

“Bringing farming equipment to the Royal Mile is one way to remind us of all of our dependence on those who work hard to produce our food.”

For further information about the work of RHASS, visit: rhass.org.uk

Samhuinn Fire Festival 2025: Face The Dark, Find Community

SAMHUINN FIRE FESTIVAL 2025: FACE THE DARK, FIND COMMUNITY

Copyright Daniel Boyce for Beltane Fire Society. All Rights Reserved. www.beltane.org / www.facebook.com/beltanefiresociety

On Friday 31st October 2025, Edinburgh’s historic Calton Hill will once again blaze with fire, myth, and performance as the Samhuinn Fire Festival marks the turning of the seasons, brought to you by Beltane Fire Society.

Reimagining ancient Celtic traditions through immersive, contemporary performance, Samhuinn tells the story of the struggle between Summer and Winter, light and dark.

Drummers, acrobats, dancers, and a host of otherworldly characters will transform the city’s skyline with fire, music, and ritual.

At the heart of the festival stands the Cailleach – the divine Crone – who guides us through this time of transition.

Copyright Daniel Boyce for Beltane Fire Society. All Rights Reserved. www.beltane.org / www.facebook.com/beltanefiresociety

She asks: ‘Have you lived with care and courage? Have you supported your community and thought with nuance?’

With Her deer by her side, and with the Summer and Winter Courts locked in their eternal battle, the audience will be invited to step into the dark with courage and connection.

This year, Samhuinn centres on radical connection: the strength we find in each other, the wisdom of perspective, and the courage to face our shadows.

The festival is both a spectacle and a reflection, a chance to gather as a community and embrace the coming of winter together.

Copyright Sébastien Lemaire for Beltane Fire Society. All Rights Reserved. www.beltane.org / www.facebook.com/beltanefiresociety

Chair of Beltane Fire Society, Jenny Bloom, says: “”As the dark Scottish Winter approaches, hundreds of volunteers and thousands of witnesses will join together on Samhuinn night to welcome Winter, to honour the Summer’s passing, and make something magical on Calton Hill. Come and join us!”

EVENT INFORMATION

Tickets

Adults from £9.50 in advance
Under 18s £7 in advance
Booking fees an additional cost.
Tickets are only available from our authorised box office supplier, Citizen Ticket, and are not available for resale or transfer on any secondary market.

Do not attempt to buy tickets for sale on other platforms – they will not be genuine.

Location:
Calton Hill

Times
Gates open: 6:30pm
Event ends: 11pm.

Samhuinn brings together a host of volunteer performers with fire-play, drumming, and wild costumes to Calton Hill, marking the transition of Summer into Winter. Audiences will witness a host of characters representing Summer and Winter.

The characters will coalesce around a stage where the mysterious figure of the Cailleach, a Celtic representation of the goddess, or Divine Hag, will usher in the colder months.

The Beltane Fire Society is a registered Scottish charity run by volunteers and a staple of Edinburgh’s cultural scene, dedicated to keeping the ancient Celtic calendar alive and sharing skills of street theatre, costume-making, folklore, music and immersive performance.

Its Summer counterpart, Samhuinn takes place at Calton Hill on the last day of October each year. The festival celebrates one of the four Celtic quarter day festivals and marks the end of Winter and the beginning of Summer.