Drylaw Good Apples are holding a celebration in the two secret orchards on Sunday 23rd February.
There will be a light maintenance session first in the orchards between 11-1pm followed by a hot lunch at the Drylaw Neighbourhood Centre 1.15-2.15, and then back out again 2.30-3.30 for singing and music from the incomparable Jed and Jo to celebrate the start of Spring in the Orchards.
Come along for all or some of it! Bring your friends and neighbours.
World-renowned woodworking school, the Chippendale International School of Furniture, is once again offering aspiring furniture makers in Scotland the opportunity to attend its popular 10-Week Course free of charge.
The third ever to be offered, the Ronnie Guild Bursary covers the full course fees for young people in Scotland who are passionate about woodworking but face financial barriers to entry.
Fine furniture making is often an expensive career or hobby, with costs increasing as skill sets expand to include the use of machinery, specialised tools, and premium materials.
The Chippendale International School of Furniture, founded in 1985, has taught woodworking to countless students from all walks of life, including retirees, career changers, and school leavers. In recent years, the school has also worked to make woodworking more accessible through its bursary program.
The 10-week course, running from 12 May to 18 July 2025, offers hands-on experience in woodworking and fine furniture making.
With personal guidance from expert tutors in a fully equipped studio and world-class resources, students gain the confidence to either pursue a career in woodworking or continue on their path toward becoming expert craftspeople.
Gregor Hogg, the bursary recipient from last year, shared how the experience changed his life: “The bursary gave me the opportunity to train in an amazing environment with some of the world’s best woodworking tutors.
“My time at Chippendale was truly life changing. It gave me the skills, confidence, and industry knowledge to pursue a future career in woodworking, something I’d always dreamed of.”
For young woodworkers who may not have had the means to pursue formal training, the Ronnie Guild Bursary offers a unique opportunity to study at one of the world’s leading woodworking schools.
How to Apply
Open to Scotland-based applicants under 30
Full tuition fees covered – transport, accommodation, and living expenses are not included and must be self-funded
A new Outdoor Recreation report from NatureScot’s Scotland’s People and Nature Survey (SPANS) 2023/24 reveals that 61% of Scots engage in outdoor recreation at least weekly, with 17% venturing out daily. It also highlights the importance of urban greenspaces in outdoor recreation.
The survey found that 41% of outdoor visits in Scotland take place in apark or other open greenspace in an urban area, making them the most popular destination. Woodland and forest visits follow closely at 39%.
Young people (16-34 years) and residents of the 10% most derived areas are more likely to use urban greenspaces, reinforcing their importance in ensuring equitable access to nature.
However, residents from the most deprived areas are less likely to engage in outdoor activities, pointing to a need for more inclusive policies and investments in local parks.
People in Scotland participate in a wide range of outdoor activities with walking being the most popular outdoor activity, the overwhelming majority of visits involved walking (93%).
Walking was also the most popular way to get to local parks, overall, 84% of people said they normally walk or wheel to their local greenspace.
These findings emphasize the crucial role of local, accessible urban greenspaces in promoting health and well-being.
Travelling Gallery is delighted to be partnering with the University of St Andrews this February to present the exhibition Between Women.
The exhibition features the work of Franki Raffles, Sylvia Grace Borda, Sandra George, Carolyn Scott and Niu Weiyu.
Between Women takes images made by the photographer Franki Raffles from her base in Edinburgh during the 1980s and 1990s as a starting point to explore relationships between gender, labour, education, care and activism in documentary photography since the 1950s in Scotland and internationally. Raffles’ photographs will appear alongside images by Sylvia Grace Borda, Sandra George, Carolyn Scott and Niu Weiyu which together illuminate how gender is produced and reproduced through workplaces, housing, healthcare, and particularly schools, playgrounds and nurseries, across urban and rural landscapes.
In examining the relationships and power structures between women, this exhibition takes inspiration from two projects by Raffles. The first is a trip Raffles made in 1984–85 to the Soviet Union and Asia, including an extended period in China, during which her concern with women at work crystallised.
The second, Picturing Women, was part of a 1988–89 educational initiative organised by Stills Gallery, Edinburgh, aimed at helping young people analyse photographs, for which Raffles studied the working relationships between women at a school. These two projects provide a framework through which connections and comparisons with Niu Weiyu, Carolyn Scott, Sandra George and Sylvia Grace Borda’s photographs emerge.
One of the few women photographers to gain professional recognition in twentieth-century China, Niu worked for state-run media organisations and produced a large number of photographs that portray women’s roles as workers throughout the 1950s, 1960s and 1970s.
Carolyn Scott’s documentary photographs images of children and families in Newcastle’s Rye Hill area where she lived between 1967-68 observe the relationships and socialisation forged through play, but also the effects of deindustrialisation on the community.
Sandra George’s photographs of Edinburgh during the 1980s and 1990s attest to the importance of community educational groups and spaces in activism and organising, alongside public demonstrations and gatherings.
Sylvia Grace Borda’s studies of schools, leisure centres and nurseries in the New Town of East Kilbride reflect on the complex legacies of post-1945 Welfare State architecture from the perspective of the early 2000s.
Together, these photographs highlight the possibilities for solidarity between women in sites and spaces spanning the local and the global, but also the importance of recognising differences and intersectional identities that account for the constructs of gender, sexuality, race, disability and class in activism and organising.
Launching in Edinburgh at the Community Wellbeing Centre on Monday 17 February from 11am to 5pm, the exhibition will tour throughout the week visiting the following locations:
Wednesday 19 February, 10am – 4pm – Dundee International Women’s Centre
Thursday 20 February, 10am – 4pm – Fluthers Car Park, Cupar
Friday 21 February, 10am – 4pm – East Sands Leisure Centre, St Andrews
Between Women is curated by Vivian K. Sheng and Catherine Spencer, with support from the University of St Andrews Impact and Innovation Fund.
Culture and Communities Convener, Councillor Val Walker said:“It’s brilliant to see the Travelling Gallery return for 2025.
“It’s crucial that art and culture is as accessible to as many people as possible. I’m proud that through our ongoing support of the Travelling Gallery, and the recent increased Creative Scotland investment, art is brought straight into the hearts of towns and cities across Scotland. I hope everyone takes the opportunity to visit the exhibition, bringing together work which illuminates how gender is produced and reproduced through workplaces.
“Here in Edinburgh, we’re clear that that our residents should be able to easily access a variety of cultural activities, and this exhibition brings art closer to people’s communities.”
Louise Briggs, Curator, Travelling Gallery said: “We’re delighted to be working with Vivian, Catherine, and the University of St Andrews to present this exhibition.
“We’re looking forward to discussing the work of each artist with our visitors, who we believe will have their own stories and experiences to share that chime with many of the references (and local sites) found in the work on display.”
With thanks to the University of St Andrews Libraries and Museums, Edinburgh Napier University, Franki Raffles Estate, Craigmillar Now, Gaofan Photography Museum, Sylvia Grace Borda and Carolyn Scott.
Travelling Gallery is a contemporary art gallery in a bus. Since 1978 it has been bringing exhibitions to communities throughout Scotland. We recognise that art can change lives and we create fair conditions and remove barriers to allow access and engagement to audiences in their own familiar surroundings.
The gallery space offers an open and welcoming environment for people of all ages, backgrounds, and abilities to discover and enjoy contemporary art. Over the past forty years, Travelling Gallery has brought innovative exhibitions to every part of Scotland reaching hundreds of thousands of visitors and school pupils.
Travelling Gallery is a ‘not for profit’ organisation, regularly funded by Creative Scotland and supported by the City of Edinburgh Council.
The gallery has ramp access for wheelchairs; hearing loop and will have large print format exhibition interpretation.
Artist Biographies
Sylvia Grace Borda is an artist working with photography, net art, video installation, and eco-art, who has undertaken projects in Canada, Finland, Northern Ireland, Latvia, Scotland, Ethiopia and Taiwan. Her artwork is concerned with establishing systems of public understanding that underpin literacy, advocacy, and action to conserve the built and natural environments. In Scotland, she focused on New Town architecture in EK Modernism (2005–10) and A Holiday in Glenrothes (2008), and created an edible photo artwork, the Lumsden Biscuit (2016–17). Her roles at Queen’s University Belfast (2008–10); University of Salford (2011), and University of Stirling (2012–15) have focused on visual arts and social histories, digital engagement and innovation. In 2023, she received the Mozilla Foundation Rise 25 award in recognition of her transformative media arts practice to democratize the web for communities. Exhibitions include National Galleries of Scotland, RIAS, Street Level Photoworks, and The Lighthouse, Glasgow.
Sandra George (1957–2013) was an Edinburgh-based social documentary photographer, multi-disciplinary artist, and a community worker in Craigmillar. George studied Photography at Napier University, Drawing and Painting at Edinburgh College of Art, and Community Education at The University of Edinburgh. For over 30 years she worked extensively as a freelance photographer for organisations and publications including the Sentinel, Tollcross Community Newspaper, Shelter, Craigmillar Festival News, and Craigmillar Chronicle, and taught photography and art to communities across Edinburgh. She started working in community development in Wester Hailes in the 1980s, and in Craigmillar from the 1990s, and was an integral member of initiatives including McGovan house, the Thistle Foundation, and the Craigmillar Arts Centre. Alongside a commitment to community work, anti-racism and social justice, George’s photographs document children at play and their educational and leisure environments. George’s archive is held at Craigmillar Now, a community-led arts and heritage organisation in Craigmillar.
Franki Raffles (1955–1994) was a feminist photographer specialising in social documentary. Raffles studied philosophy at the University of St Andrews from 1973–1977, where she was an active member of the Women’s Liberation Movement. After experimenting with photography while living on the Isle of Lewis, she moved to Edinburgh in 1983, and started documenting women at work, as well as organising and campaigning. Raffles frequently collaborated with Edinburgh District Council’s Women’s Committee, including on the project To Let You Understand: Women’s Working Lives in Edinburgh (1989) Zero Tolerance campaign against domestic violence in the early 1990s. She travelled widely throughout her career, including extended trips to Asia and the Soviet Union. Raffles’ work is currently the focus of a major exhibition Franki Raffles: Photography, Activism, Campaign Works at BALTIC Centre for Contemporary Art. Her archive is held at the University of St Andrews.
Carolyn Scott is an artist working in photography, film and installation. She was raised in Edinburgh and now lives in Cupar, Fife. Carolyn lived in the Rye Hill district of Newcastle Upon Tyne in the late 1960s where, in the spring and early summer of 1968, using a twin-lens Rollieflex camera, she photographed the immediate area in which she lived. Her Rye Hill Social Documentary Photography Collection images were unseen for nearly 40 years until she revisited them during her studies at Duncan of Jordanstone College of Art and Design, Dundee University, where she received a BA and MFA. Carolyn’s work has been shown in the Cupar Arts Festival, St Andrews Photography Festival, Royal Scottish Academy and The Centre for Theology and Inquiry, Princeton. The Rye Hill Social Documentary Photography Collection is now held at the University of St Andrews.
Niu Weiyu (牛畏予) (1927–2020) worked as a photojournalist and photographer for North China Pictorial, Southwest Pictorial, and the News Photography Bureau. She later joined the Xinhua News Agency, where she worked for various branches from the 1950s to the 1980s. Weiyu was one of the few women photographers during this period, who were often assigned to feature women workers, such as the first women pilots, as well as public figures and officials in the Chinese Communist Party, and she travelled extensively throughout her career.
Vivian K. Sheng is an art historian working on contemporary Chinese and East Asian art in transnational contexts and an assistant professor in contemporary art at the University of Hong Kong. In Fall 2022, she was a Global Fellow hosted by the School of Art History at the University of St Andrews. Her research investigates the intricate interrelations between women, domesticity and art practices in contexts of ever more intensified cross-border movements and exchanges, provoking reflections on notions of identity, home and belonging beyond the territorial fixity of natio-state. Relevant issues are explored in her forthcoming monograph book— The Arts of Homemaking: Women, Migration and Transnational East Asia. Her writings have appeared in ASAP/Journal,Art Journal, PARSE Journal,Third Text, Sculpture Journal, Yishu and INDEX JOURNAL.
Catherine Spencer is an art historian at the University of St Andrews. She is currently working on a book entitled Abstract Subjects: Art, Borders and ‘Britain’, and co-editing Grassroots Artmaking: Political Struggle and Activist Art in the UK, 1960–Present with Maryam Ohadi-Hamadani and Amy Tobin (Bloomsbury, forthcoming). Her writing on Franki Raffles has been published in Art History (2022) and the catalogue for the 2024–5 exhibition Franki Raffles: Photography, Activism, Campaign Works at BALTIC Centre for Contemporary Art. In 2021, she co-curated Life Support: Forms of Care in Art and Activism with Caroline Gausden, Kirsten Lloyd, and Nat Raha at Glasgow Women’s Library. Her essays have appeared in Art History, Art Journal, ARTMargins, Tate Papers, Parallax and Oxford Art Journal.
The Inner Circle is a brand-new BBC One quiz show where getting the answers right is only half the battle. Taking place under the watchful eye of our mischievous host, Amanda Holden, contestants also need to decide who they trust enough to keep in the game!
We’re looking for fun, charismatic and daring players to take on this unique challenge.
New quiz show The Inner Circle hosted by Amanda Holden is coming to BBC One and BBC iPlayer.
Across each episode, contestants will battle to win the cash prize and will be tested not just on what they know – but which of their fellow players they can trust?
Made by multi-award-winning TV production company Tern, production is now underway in Glasgow for this compelling new quiz format coming to BBC One and iPlayer.
Hosted by TV and Radio presenter Amanda Holden, a BBC favourite who is currently appearing in the hugely popular Alan & Amanda’s Spanish Job, this innovative and exciting new quiz show will have a cash prize on the line as contestants compete in a series of rounds designed to test their general knowledge and strategic thinking.
Across each episode, contestants will battle to win the cash prize and will be tested not just on what they know – but which of their fellow players they can trust. As the contestants make their way through a series of games and challenges they’ll need to decide which of their opponents they’d be prepared to join forces with in order to take home the prize…but in a gripping finale, could each of the final two face the ultimate betrayal?
25 Daytime/Early Peak episodes of The Inner Circle will see members of the public taking part in each edition with a further 6 celebrity specials for Saturday nights set to feature famous faces joining forces with a member of the public, bringing together star power and fresh energy to these prime time episodes.
This brand-new commission is the result of the BBC’s Entertainment and Daytime commissioning teams joining forces to identify and develop fresh and modern quiz and gameshow formats for BBC One and iPlayer for Saturday early evenings and Daytime/Early Peak. The Inner Circle will be produced in Scotland by Tern.
Amanda Holden said: “I’m so excited to be part of this thrilling new quiz that challenges contestants and entertains viewers in equal measure.
“It’s a fantastic opportunity to bring something fresh and fabulous to weekday afternoons and Saturday night TV, and I can’t wait to see the audience reactions!”
Rob Unsworth Head of BBC Daytime and Early Peak and Kalpna Patel-Knight, Head of Entertainment at the BBC said: “We’re delighted to be joining forces to bring viewers a gripping new quiz that, for the first time, they’ll be able to play along with not only during the week, but on a Saturday tea time too.
“Getting the answers right on this show is only half the battle – contestants also need to decide who they trust enough to keep in the game, all under the watchful eye of the brilliantly mischievous Amanda Holden.”
David Marshall, Head of Entertainment at Tern said: “Saturday night and quiz is a new frontier for us at Tern, and we’re delighted that the BBC has entrusted us with this exciting opportunity.
“Our team here in Scotland is geared up to deliver a show that will captivate audiences with its unique blend of strategy, drama, and fun.”
Harry Bell, Managing Director at Tern said: “This is a classic David and Goliath success story for Tern, the Nations and the BBC. The development process has been the hardest imaginable but the BBC and BBC Studios have been truly magical partners. Sometimes dreams come true!”
The Inner Circle will be filmed at BBC Studiowork’s Kelvin Hall facility in Glasgow with post production taking place at Tern’s newly established Bumblebee Glasgow facility.
Applications are now open for contestants to take part in The Inner Circle. Applicants can contact theinnercircle@terntv.com for more information.
Broadcast details for The Inner Circle will be announced in due course.
Produced and filmed in Glasgow, The Inner Circle (25 x 45’) and celebrity episodes of The Inner Circle (6 x 45’) have been commissioned by Rob Unsworth, Head of BBC Daytime and Early Peak and Kalpna Patel-Knight, Head of Entertainment, as part of a competitive initiative to find innovative new quiz formats made in Scotland or Northern Ireland.
The Executive Producer for Tern is David Marshall the Series Producer is Nick Gunaydin and the Development Executive for Tern is David Kerr.
The Commissioning Editors for the BBC are Alex McLeod and Neil McCallum.
Yesterday COSLA and the Scottish Government convened a roundtable discussion to consider immediate challenges facing the delivery of social care services:
COSLA Health and Social Care Spokesperson Councillor Paul Kelly, reflected on the meeting: “I was very grateful for the representation from across the care sector, including our partners in the third and independent sectors, involved in this critical discussion.
“We all have a shared responsibility to improve outcomes for people using health and social care services in Scotland, and I am acutely aware of how much more challenging this becomes when confronted with significant budget gaps for Local Government and Integrated Joint Boards.
“Of course, I know that it’s a similarly challenging financial context for our partner providers who deliver vital care and support for people.
“The reality is that the current financial challenges will have a very real impact on services and it’s for this reason I thought it was crucial to bring together key partners to highlight the impact this has been having – and will continue to have – on the system.
“The changes to employer National Insurance contributions, coupled with continued financial constraints and uncertainties, are a significant risk felt by Local Government which will impact upon the delivery, commissioning and procurement of services.
“There are no easy solutions to the challenges that were aired but I was encouraged by the frank and open contributions from attendees, and the consensus that it’s more important than ever that we work collaboratively to ensure continued delivery of social care for all those who need it.
“As COSLA’s Health and Social Care Spokesperson, I want to reiterate that we are doing everything we can to address the challenges the sector collectively faces, and that COSLA remains absolutely committed to engaging with the Scottish and UK Governments on these matters.”
As part of the ongoing refurbishment of North Bridge, there will be a northbound closure for six weeks from Monday 17 February.
During this period traffic will only be permitted to proceed southbound (from Princes Street towards South Bridge).
The six-week closure is to undertake resurfacing on both the southbound approach to the bridge (both lanes outside Waverley Gate toward Princes Street) and the southbound departure of the bridge (both lanes from the entrance to the Hilton Edinburgh Carlton on North Bridge to the junction at High Street).
The wider work on North Bridge has included refurbishing the cast iron bridge facades, grit blasting and repainting structural steelwork, repairing and improving the footway paving and underdrainage amongst a host of other improvements. A full list of the improvements and the wider project benefits is on our website.
The council is targeting the end of this year for the end of major repair works.
Transport and Environment Convener, Councillor Stephen Jenkinson said: “I appreciate this temporary closure will be frustrating for our residents and businesses. I want to thank them for their continued patience as we carry out these essential works.
“These works are part of the wider project to restore this crucial link between the north and south of the city – and of course preserve it for future generations.
“I’m conscious that this work is taking longer to complete than we had initially anticipated, but this is this a hugely complex project, with the historic nature of the bridge requiring painstaking and specialist work to restore it to its former glory.”
In 1991, the town of Ullapool was rocked to the core when police seized over £100million worth of drugs just north of the apparently idyllic fishing village. Now, 34 years later, BBC ALBA pieces together the shocking true story which placed the Highlands at the centre of an international drug smuggling ring inCocain is na Klondykers.
Throughout the epic three-part documentary series, premiering at 9pm on Tuesday 18 February, journalist Anna MacLeod sets out to discover how a picturesque and remote harbour town became the scene of the biggest drug bust of its time.
Against the fascinating backdrop of Soviet fish processing factory ships, the series will piece together a complex web of criminal activity that linked the Highlands of Scotland to Spain’s ‘Costa Del Crime’ and South America’s notorious Colombian crime gangs, built on first-hand testimony and rich social archive.
Maintaining its infamous title to this day as one of the most audacious drug smuggling operations in British history, viewers will also get an inside look at ‘Operation Klondyke’, the multi-agency, multi-million-pound surveillance operation that led to the arrests of six men. And what happened when the man behind it all disappeared into the ether while awaiting extradition to stand trial in Scotland.
Delving in the murky underworld, Anna will travel from the oil rigs of Aberdeen to the iconic rock of Gibraltar in search of crime kingpin Julian Chisholm (above) – the mastermind of the plan.
But with a Houdini-esque escape from a high security Spanish prison, is he dead or alive?
Journalist and presenter Anna MacLeod said: “Chisholm came to Aberdeen and went to work on the rigs like many other people from all over Scotland and the UK. But Chisholm took a different path.
“The eighties drug scene was changing rapidly and Julian Chisholm opted to put himself right in the middle of it. And I wanted to understand what made him do that. I wanted to get a better understanding of the world in which Chisholm was operating.”
With incredible access to those involved in pursuing the smugglers across the globe, the series will trace a cat and mouse style operation which often felt as though the gang was ahead of law enforcement at almost every turn. Using a rich layer of social history, we see how the breaking down of borders gave untold advantages to the criminal fraternity, and how the northwest coast of Scotland offered the ideal landscape with islands, inlets and coves to hide contraband.
Uncover the story of Scotland’s connection to international cartels as BBC ALBA unravels what became the biggest crime in Highland history. Discover how globalisation, oil and employment all played their part in turning local fishermen into international drug smugglers, helping the gang almost pull off a crime of unbelievable magnitude.
A complex story of twists, turns and red herrings, the first episode of Cocain is na Klondykers premieres on BBC ALBA and BBC iPlayer on Tuesday 18 February at 9pm, in Gaelic with English subtitles, with weekly episodes airing each Tuesday.
NatCen has published a report in collaboration with ADR UK exploring children and young people’s experiences with social care
The National Centre for Social Research (NatCen) has published a report in collaboration with Administrative Data Research (ADR) UK exploring children and young people’s experiences with social care.
The report pulls together administrative data from the four UK nations for the first time and the combined data reveals insights into the care experiences of children. It looks across systems and services showcasing valuable long-term data analysis across inequalities, regional variation, evolving care practices and long-term impacts.
The report explored factors that lead children into care:
A child’s postcode in Northern Ireland can affect their chances of entering care: in 2010, children from the most deprived 10% of areas were four times more likely to end in care than those from the least deprived 10%. By 2020 this disparity doubled.
As well as their journeys through care:
Data from Wales found that 63% of voluntary arrangements became compulsory within two years, a trend occurring more frequently and rapidly over time. In around 1 in 2 cases, care proceedings were issued within four weeks of initial voluntary arrangements.
Placement stability is a concern with 30% of infants experiencing three or more placements within two years.
Infants entering care through voluntary arrangements experienced fewer placements than those subject to care orders.
Data from Scotland found kinship care has become the most common arrangement with 34% living in kinship care in 2023 compared to 13% in 2006.
Children with experience of kinship care continue to experience lower attendance rates, higher exclusion rates, and lower qualification attainment compared to the general population.
Of those with youth justice involvement, care experienced children, on average, had four times the number of cautions or convictions than non-care experienced children.
The report examines long-term outcomes for those who have had contact with social services:
In the eight years after leaving school, 25% of care experienced children in England had never been in employment or education compared to 4% among all school leavers.
In Northern Ireland, young adults with a history of care had almost 9 times the risk of death by suicide compared to those who had no social services contact in childhood.
Sarah Cheesbrough, Director of the Policy Research Centre at the National Centre for Social Research (NatCen) said:“This vital report showcases the transformative potential of administrative data in generating critical insights to improve the lives of care-experienced children and young people.
“It highlights why policymakers should demand more from their evidence base—using data to pinpoint system shortfalls, assess long-term service impacts, and identify successful practices.”
Professor Karen Broadhurst of Lancaster University and ADR UK Ambassador said:“By linking data from different parts of government, and opening up secure access to the de-identified, population-level linked datasets,
“ADR UK is creating unprecedented opportunities for researchers to advance our knowledge. For the first time, we can look across systems and services using datasets where every child is counted.
“The studies included in this report published today, provide robust empirical evidence of pathways into care, care experience, and life beyond care. As a society, we must ensure we have the conditions in place for every child to have the opportunity to flourish, including those in the care of the State.”
