Day: August 26, 2024

Edinburgh International Book Festival celebrates huge success in first year in new home

100k visitors, almost 600 events, 100 sold out and 55 countries watch online

  • Over 100k visits were made to the Book Festival’s new home at Edinburgh Futures Institute from 10-25 August for first programme from new Director Jenny Niven
  • Authors, poets, politicians, musicians, thinkers and illustrators including Margaret Atwood, Richard Osman, Salman Rushdie, Blindboy, Sarah Pascoe, RF Kuang, Naomi Alderman, Jess Phillips  took to stage and screen for almost 600 events
  • Over 200 events sold to 90% capacity or more
  • Audiences from 55 countries joined online for pay what you can events – many of which are still available to watch
  • Over 4,500 school children from 89 schools across Scotland were transported to the Festival (31 groups free of charge), to attend free events and take home a free book each
  • EIBF authors took part in 12 visits to hospitals and prisons across Scotland
  • Thousands of local residents were introduced to Edinburgh Futures Institute for the first time

Over 100k visits were made to Edinburgh International Book Festival’s new home at the newly opened Edinburgh Futures Institute from 10-25 August 2024, with ticket and book sales significantly up on previous years, and thousands of curious passers-by exploring and enjoying the new site, amongst the heart of Edinburgh’s festival action.

Future Tense, the first Book Festival programme to unfold under new Director Jenny Niven, tackled topics of global importance ranging from AI to the climate crisis, capitalism to the war in the Middle East, migration to inheritance, and more besides.

Legendary authors, writers, poets, thinkers and entertainers including Margaret Atwood and Salman Rushdie (who joined down the line), Richard Osman, Dolly Alderton, Alan Cumming & Forbes Masson, Phillipa Gregory, Jackie Kay, James O’Brien, Lemn Sissay, Elif Shafak, Louise Welsh, Raja Shehadeh, Marian Keyes, Roger McGough appeared on stage, alongside RF Kuang, Blindboy, Esmie Jikiemi-Pearson, Evie Wyld, Julius Roberts, and Samantha Shannon.

As well as greats from the literary sector, stars of music and film (Stuart Brathwaite of Mogwai, Esther Swift, Evelynn Glennie, Stuart Murdoch, Steven Moffat, Anjoa Andoh), theatre makers (including Grid Iron’s Ben Harrison), producers, publishers (many appearing as part of the Business of Books strand aimed at those in the industry, and artists (Ruth Millington, Kate Leiper) and actors also featured, bringing the multi disciplinary magic of the Edinburgh Festivals to life, right at the heart of the city.

This year saw a number of brand new types of events unfold, many celebrating cross-discipline collaboration, including the ambitious digital experience, Perambulations of a Justified Sinner and the intimate Have Lunch With… series at Elliott’s Studio, featuring chef-writers (Asma Khan, Sami Tamimi and Rachel Roddy). Clean Money: Can Fundraising Ever Be Ethical brought in audience members with a variety of views to discuss the detail and nuance of modern arts funding in a safe and supported space, and events including ThinkTanks offered audiences unparalleled access to world-class minds including Harold Hongju Koh, Ingrid Robeyns, Joseph Stiglitz and Ken Costa.

Voices from across the political spectrum also joined the conversation, with appearances from John Swinney, Jess Phillips, Caroline Lucas, Andy Burnham and Sadiq Khan. 

Jenny Niven, Director of the Edinburgh International Book Festival, said: “We are absolutely thrilled with the success of the Book Festival this year. Audiences have voted with their feet and we’ve seen full houses and brilliant, engaged crowds.

“Debate and discussion has been relished by audiences and authors alike proving the Festival is a truly important space for people to be inspired and come together.

“Edinburgh Futures Institute as a Book Festival venue has been terrific and we’re already looking at the ways we can build on what we’ve created for next year.

“We’re looking forward to beginning conversations in the Autumn with everyone who will be part of our story in our next glorious edition.”

Creative Scotland’s Open Fund: Sign the petition!

1500 folk signed already! “We are the people of Scotland. We live and work here. We value the arts and the artists who make it.”

Please sign and share if you live in Scotland and value the arts:

http://bit.ly/4dyphen

Independent producer Mairi Robinson’s letter reads:

Open Letter to Scottish Government, on the closing of Creative Scotland’s Open Fund for Individuals

Listen to this letter here: https://on.soundcloud.com/3zuSaySKzEnftzJL8 

We, the undersigned, are artists, arts workers, and/or audience members from across Scotland. We are the people of Scotland. We live and work here. We value the arts and the artists who make it.

We are writing to you about the closure of Creative Scotland’s Open Fund for Individuals, due to the Scottish Government being unable to confirm the release of £6.6 million of funding from the Grant-in-Aid budget. This decision shocks and deeply concerns us, and places the future of the arts in Scotland at risk.  

The Open Fund for Individuals is the cornerstone of the arts in Scotland. It is the only fund of its kind to support artists to lead projects, develop their practice, support their professional development and collaborate with other artists and/or communities.

One grant awarded to an individual provides meaningful employment, creative development, allows space for artistic risk and experimentation. Many of these grants support multiple artists and arts workers through paid job opportunities. Grants for individuals can also support organisations through the filling of theatres, galleries and music festivals. 

One grant can kickstart or extend a career, allow an artist to present their work to the public, develop a new stream of income, develop their entrepreneurial and business skills. Take artworks to market and present for Scottish audiences, leading to international tours and commercial successes. They provide a training ground for the arts leaders of tomorrow, allowing artists to skill up through experience of running their own projects and developing new networks.    

One grant can place artists in schools, in care homes, working 1-to-1 with folk who do not like a crowd, or with whole communities at a time, and bring a multitude of positive personal, social and wellbeing benefits. It can reduce isolation and bring people together. It can inspire and delight. It can help people find their voice, and see their experiences and stories represented. 

The Open Fund for Individuals has an enormous impact. It is a lifeline for artists and arts workers. Beyond the individual grants and their benefits, its existence also means an enormous amount to people across Scotland, because it supports people who are not independently wealthy to be artists. It tells us that we have a right to creativity and the arts, a right to joy and wellbeing, and a right to emotion and expression. 

Without the fund, the future is bleak, and bleakest for those who are isolated and marginalised by income, geography, race, class, age, faith, caring responsibilities, gender, sex, sexuality, or disability. Those who do not have savings to fall back on, family support to sustain them, or who have to work harder to bring their work to audiences are at risk of being unable to sustain a career in the arts. The loss of these talents and perspectives in the arts leaves us all poorer.

The arts in Scotland contribute £5bn annually to the economy but they are now at breaking point. We cannot continue without direct support for our artists, arts workers & self employed people. The damage to the arts caused by the closure of the fund is immediate and long lasting. Cut it now, and it could take a generation to build back.

We urge you to fund the reopening of the Open Fund for Individuals as a matter of urgency. We ask that you provide clear guidance on the in-year and future annual budgets so that the arts in Scotland can begin to plan, develop ideas, build upon past successes and deliver a vibrant future for us all.   

[Please sign with your first name, last name and postcode at the bottom of the document]

[If you’re having trouble accessing this document, please email mharirobinson@gmail.com with your name and post code and I will add you in] 

YOU CAN ADD YOUR NAME TO THE PETITION HERE:

http://bit.ly/4dyphen

Traverse Theatre statement on closure of the Open Fund

The Scottish theatre community is in need of support more than ever in light of the cuts to arts funding. Gareth Nicholls, Artistic Director of the Traverse, said last night:

“We at the Traverse wanted to use our platform to the world on the final day of the festival to make you aware of this, and of the significant impact funding cuts are having on our nation’s artists and theatres.

“New work in Scotland doesn’t come from nothing. And one of the key ways this has been achieved is through an open fund where an individual artist can ask for money when their idea is but a seed.

“The open fund is the incubator for Scottish work, but Creative Scotland has been forced to close the fund at 2pm on Friday. It will be closed indefinitely, due to the Scottish Government being unable to confirm funding for its delivery.

“Many on our stages, and whose work you’ve enjoyed at the festivals, have been dependent upon it, alongside wider arts subsidy. It is a fund that helps build careers and craft to get an idea off the ground, and which helps places like the Traverse keep our theatres alive with bold new ideas.

“If you enjoy seeing Scottish work right here in Scotland, then please continue to support the artists who make the powerful work that appears our stages.”

Further information can be found at www.campaignforthearts.org

Celebrating three years of funded childcare in Scotland

Helping children get the best start in life

This month marks three years since funded early learning and childcare (ELC) was nearly doubled for eligible two-year-olds and all three and four-year-olds in Scotland. 

Scotland remains the only part of the UK to offer 1,140 hours a year of funded ELC to all 3 and 4-year-olds and eligible 2-year-olds regardless of their parents’ working status – putting children first.

If families paid for this themselves, it would cost them more than £5,500 per eligible child per year.

Uptake of the Scottish Government’s flagship offer remains high, with 97% of three to four-years-old accessing funded ELC in 2023. 

Children and Young People Minister Natalie Don-Innes said: “Our investment in funded early learning and childcare is vital to achieving our ambition for a diverse, thriving and sustainable childcare sector and I’m proud of the progress made through the 1140 expansion so far.

“We are working to eradicate child poverty and improve the lives of children. This includes increasing uptake of our childcare offer for two-year-olds, and testing new systems of childcare through our investment in six Early Adopter Communities, which are local systems of funded childcare for families who need it most.


“We have also provided funding of £16 million for a pay uplift to £12 an hour for staff delivering ELC in the private and third sectors, and funded a new programme to recruit and retain childminders. All of this is helping parents back into work, study or training, which is not only good for their wellbeing, but good for the economy.

“I am committed to continuing to work together with providers and local government to safeguard the sector and ensure our children get the best start in life through access to high quality funded ELC.”