29 million workers receive largest ever cut to National Insurance
Government is sticking to its economic plan and rewarding hard work in this month’s pay packet, with over £900 a year boost for typical worker
Signals government’s long-term ambition to end unfair double tax on work
29 million workers will see their hard work rewarded from tomorrow (6 April), as record tax cuts come into full force.
Since Autumn 2023, National Insurance Contributions (NICs) for workers have been slashed by a third – the largest cut to NICs in history – with a longer-term ambition to end the unfair double tax on work and abolish employee and self-employed NICs altogether.
Since January, the main rate of employee National Insurance has been cut for 27 million workers from 12% to 8%, saving the average employee on £35,400 over £900 a year.
Over 2 million self-employed people will benefit from the main rate of Class 4 NICs being cut from 9% to 6% alongside the abolition of the requirement to pay Class 2 NICs – simplifying the tax system and saving an average self-employed person on £28,000 over £650 a year.
These cuts are possible because the economy is turning a corner, thanks to the government’s decisive action to bring inflation down from 11.1% to 3.4% and ensure borrowing costs start to fall. Because of this progress, the government can now cut taxes to reward work and grow the economy.
The tax cuts – worth £20 billion a year – mean that those individuals on average salaries will now pay less in personal taxes than they would in any other G7 country.
Prime Minister Rishi Sunak said:“Hard work is one of my core values, and the progress we have made on the economy means we can reward work with a tax cut worth £900 for the average earner.
“This marks the next step in our plan to end the unfairness of double taxation of work by abolishing National Insurance in the long term.”
Chancellor of the Exchequer, Jeremy Hunt, said:“The record tax cuts taking effect tomorrow show our economic plan is working – because of the progress we’ve made we’re putting hundreds of pounds a year back into the pockets of working people across the country.
“It shows we stand behind those who work hard and fires the starting gun on our long-term ambition to end the unfair double tax on work.”
The tax cuts will also help grow the economy by bringing more people into the labour market. The Office for Budget Responsibility (OBR) expects that, as a result of these combined cuts, total hours worked will increase by the equivalent of almost 200,000 full-time workers by 2028-29.
To mark the record cuts to NICs, HMRC has launched an updated online tool to help people understand how much they personally could save in National Insurance this year.
They come into effect on the same day as an increase to the income threshold at which the High Income Child Benefit Charge (HICBC) starts – from £50,000 to £60,000 – taking 170,000 families out of paying the charge altogether.
The rate at which the HICBC is charged will also be halved from 1% of the Child Benefit payment for every additional £100 earnt above the threshold, to 1% for every £200, meaning Child Benefit will not be withdrawn in full until individuals earn £80,000 or higher.
As a result of these changes, 485,000 hard-working families will gain an average of £1,260 towards the costs of raising their children in 2024/25.
The government has also committed to consulting in due course on administering the HICBC on a household basis by April 2026, in recognition of how charging on an individual basis can sometimes lead to unfair outcomes, in particular for single parents and single earner families.
These changes to support hard-working families follow a raft of measures that came into force on 1 April that could save households up to £3,850 a year on average to help those struggling with cost-of-living while igniting the economy.
This includes a record increase in the National Living Wage from £10.42 an hour to £11.44, and a 12.3% drop in energy bills from the previous quarter. In addition, households can benefit from a separate increase to the Local Housing Allowance that will mean some of the poorest families on either Universal Credit or Housing Benefit will gain £800 a year on average.
And on Monday 8 April, the government will stand by its commitment to maintain the Triple Lock by raising the full basic State Pension by 8.5% to almost £170 a week, after the largest ever cash increase last year.
Changes like the introduction of the Triple Lock and new State Pension have meant pensioners are on average £1,000 better off than in 2010, according to the Resolution Foundation.
Fort Kinnaird has announced that a brand new Home Bargains store is set to join the centre later this year.
The variety store chain will bring its wide selection of discounted items and brands to the centre, including household goods, food, clothing and toys.
The popular chain will be opening its new 18,500 sq ft space next to Superdrug.
Liam Smith, centre director at Fort Kinnaird, said: “We’re really pleased that Home Bargains has chosen Fort Kinnaird as the location of its next store opening.
“We know the retailer is a firm family favourite with so many staples at an affordable price and I’m sure it’ll prove popular with our shoppers.”
Home Bargains will join a range of other retailers at Fort Kinnaird, including M&S, NEXT and JD Sports.
“It is not the mountain we conquer but ourselves” – Edmund Hillary
An inspirational group of child abuse survivors, supported by friends and family, are raising awareness and funds for child protection charity the NSPCC by climbing Mount Everest.
Giles Moffatt (51), a survivor of physical abuse as a young boy at boarding school, is one of 12 men and women in ‘Team Uprising’ who have travelled to Nepal to trek 150km at ultra-high altitude on the world’s highest mountain.
Giles spoke about the cruel and abusive behaviour he experienced while he was a pupil at Edinburgh Academy when he gave evidence at the Scottish Child Abuse Inquiry in Edinburgh last year.
Giles now wants to turn his negative childhood experiences into something positive by raising money for the NSPCC and awareness of the impact of abuse.
In preparation for the inquiry Giles set up a survivors’ group which now has over 70 members, and when he said he would like to climb Everest to raise money for the NSPCC, several members wanted to join him.
The team will trek over nine days to Everest Base Camp together, and then Giles will continue with fellow Edinburgh Academy abuse survivors Neil MacDonald and Neil Russell and their good friends and supporters, Andy Leslie and Mitch Smith, to undertake an ice climb to the 6,119-metre summit of Lobuche.
Giles and Andy will carry on even higher through the heart of the Himalayas with legendary mountaineer and guide, Ang Tshering Lama, who has climbed Everest five times, with the aim of reaching the summit of Everest by the end of May.
On the expedition they will have to contend with altitude sickness, the treacherous Khumbu icefall and on summit day what is referred to as the mountain’s ‘Death Zone’ where there is not enough oxygen to survive, and they will carry specialist equipment to assist them.
The funds they raise will go towards supporting NSPCC services. These include Childline, the charity’s free counselling service for children, the adult Helpline for reporting concerns about a child and the charity’s educational programmes, such as Talk PANTS and Speak Out Stay Safe, which aim to help prevent child abuse and neglect.
Giles Moffatt
Giles, who lives in Rye, East Sussex, said: “Childhood abuse causes mental health problems, addictions, self-harm, low self-worth, anxiety, relationship and work problems throughout life.
“We want to use our own negative childhood experiences to help other children who have been abused, and those who may be at risk, and raise awareness of the wide-ranging and long-lasting impact of childhood abuse.
“This trip is part climbing, part fundraising, part therapy.
“We can’t change our past, but we can do something to prevent other children from experiencing the horrors that we endured. We want a zero-tolerance of any form of abuse of children and hope to inspire others to have the courage to speak up and seek support.”
Another member of Team Uprising, Neil Russell (67), also gave evidence at the Scottish Child Abuse Inquiry in Edinburgh last year about his experience of physical, sexual and emotional abuse when he was a pupil at Edinburgh Academy.
The main perpetrator of Neil’s abuse was Hamish Dawson, who died in 2009. At the inquiry Dawson was accused of multiple instances of emotional and physical abuse on young boys at the school, some of which Neil experienced and witnessed.
Neil, who lives in Bedfordshire but plans to move to Perthshire this year, said: “Dawson would beat all the boys if something happened, and no one confessed. The incidents of abuse by Dawson have haunted me and tormented my mind throughout my life.
“The habitual and extreme violence have stayed with me. It took me two years of psychotherapy before I was even able to say his name.”
Neil has struggled with the impact of the abuse throughout his adult life. It has caused him difficulties with his mental health, including severe depression and anxiety, emotional and physical breakdowns and he has attempted suicide. He has also struggled to maintain relationships, including previous marriages, because he finds it hard to trust people.
‘Team Uprising’ also includes former pupils Frazer Macdonald, Graeme Sneddon, Adrian Blakemore, Niall Mackinlay, and friends and family Cat Bolten, Rachel Leslie, Andrea Christensen, Jacob Christensen.
They would like to thank Ooni Pizza Ovens, Tiso and Thermos, the Altitude Centre in London, Lindores Abbey Distillery and ‘Taking the Pea’ snacks for their financial support.
Young people looking for support can contact Childline on 0800 1111 or visit Childline.org.uk. Childline is available to all young people until their 19th birthday.
Any adult concerned about a child can contact the NSPCC Helpline by calling 0808 800 5000 or emailing help@NSPCC.org.uk. But should call the police on 999 straight away if they think a child is in immediate danger.
Edinburgh Central Library, 7-9 George IV Bridge, Edinburgh EH1 1EG
A new exhibition displaying over 100 items on loan from public and private collections of world traditional dance books and artefacts, opened today as part of this year’s Pomegranates Festival in Edinburgh.
Portrait of dance artist Ella Moore wearing a Ukrainian headdress and scarf featured in the exhibition. Commissioned by the Traditional Dance Forum of Scotland for the inaugural Pomegranates festival in April 2022 by floral artist Fiona Rose Gregory. Photo by Iliyana Nedkova
Dance Around the World will feature items from over 20 different countries including Scotland, Greece, Estonia, Poland, Bali and Japan. Highlights include a Ukrainian headdress commissioned by the festival in 2022 in tribute to the millions of displaced Ukrainians around the world (pictured above); an original Estonian dance dolly ‘rescued’ from a Finnish flea market and a full outfit worn at Scottish country dances since 1978 by a lifetime member of the Royal Scottish Country Dance Society.
This year’s festival commission is a Barbie doll clad in a tartan frock by festival’s fashion designer-in-residence Alison Harm of Edinburgh’s Psychomoda brand. (Alison Harm’s solo exhibition of sustainable tartan exploring the role of tartan in Scottish trad dance is at the Scottish Storytelling Centre 23-30 April.)
Barbie in Highland Dance Dress – Commissioned by the Traditional Dance Forum of Scotland for Pomegranates Festival 2024. Outfit by Alison Harm of Psychomoda.
Alongside the numerous books on display selected from five private collections, as well as the catalogue of the Edinburgh City Libraries, visitors will revel in rare artefacts, including a pair of exquisite lacquer Geta shoes and an Obi bow and sash worn as part of the traditional wrap-around costumes for the Bon Odori summer dance festivals in Japan, and at the inaugural Pomegranates festival in Scotland.
Amongst the heirlooms in the exhibition is a silver brooch with a Viking ship motif which used to adorn the trad dance and song costume of the Estonian grandmother of the festival’s artist-in-residence Mare Tralla.
Mare, who co-curated Dance Around the World is a Scottish Estonian artist and activist currently working and living in Edinburgh. Her professional art career started in Tallinn in the early 1990s, where she became one of the leading interdisciplinary artists of the younger generation, conducting a feminist revolution in the field of contemporary art in Estonia.
Mare combines a variety of media in her work, from video, photography and painting to performance and interactivity. She also often utilises traditional crafts like knitting and weaving in her practice, including through her long-term craft projectNatty Peeps.
Artist-in-residence and co-curator Mare Tralla said: “I am so grateful for the opportunity to co-curate the Dance Around the World exhibition in collaboration with this year’s Pomegranates Festival and Edinburgh City Libraries and to offer hands-on craft workshops.
“I hope that any craft enthusiasts will join me to seek inspiration from the new exhibition to make our own costume jewellery and homeware while tracing the importance of tassels and pom-poms across the trad dance costumes from all corners of the world, including the sporran in the show”.
Edinburgh-based dance artist and art historian who is one of the major contributors to the exhibition Agnes Ness said: “I was so excited to go through my own library, photo albums and memorabilia and select a range of books, postcards and medals for the Dance Around the World exhibition.
“A wee testimony of my lifelong passion for art history and dance which dates back to my childhood spent in competitive Highland dance in the 1950s, leading to my current adventures as a teacher in Dance History at Dance Base, Scotland’s National Centre for dance where I am a founding member of the 24 Carat Gold Dance Group for those aged 60 and above.”
Iliyana Nedkova and Wendy Timmons, Pomegranates Festival Co-curators said: “Our collaboration with Edinburgh Libraries began in June 2023 when we brought live trad dance to the library, possibly for the first time, while celebrating the feisty women-tradition keepers and dance innovators as part of the 10th anniversary of the Harpies, Fechters and Quines Festival.
“We even recorded live in the George Washington Browne Room one of our Trad Dance Cast video podcast episodes with the legendary trad dance artist and costume designer Margaret Belford, 85.
“It was then when we pencilled and penned our love letter to the library – this very dance exhibition and all the related festival activities, including the craft workshops and walking tours.”
Dance Around the World
3rd to 30th April 2024, Open Mon-Wed 10am-8pm, Thu-Sat 10am-5pm, Closed Sun Central Library, 7-9 George IV Bridge, Edinburgh EH1 1EG
This exhibition is part of the Traditional Dance Forum of Scotland and TRACS’s programme of events showcasing Scotland’s traditional arts and cultural heritage alongside international collections.On display are over 100 items on loan from public and private collections of world traditional dance books and artefacts.
Co-curator Mare Tralla‘s festival residency follows in the footsteps of the artists-in-residence in the Pomegranates festivals 2022 and 2023: Claudia Nocentini (Italy / Scotland) and Gabriel Schmitz (Germany/Spain). Likewise, Mare will create a new commission in her media of choice in response to the festival activities – a new screen dance that will be premiered at the festival finale.
10th, 17th and 30th April at 6pm Central Library, (George Washington Browne Room) George IV Bridge, Edinburgh EH1 1EG Led by artist-in-residence Mare Tralla, these hands-on craft workshops, inspired by the new exhibition include crafting your own costume jewellery and homeware while exploring the role of tassels and pom-poms across trad dance costumes. All materials such as natural fibres and up-cycled fabric will be provided. Suitable for anyone aged 18+.
Admission Free
Walking Tour
27th April at 11am Meet at the Scottish Storytelling Centre, 43-45 High Street, Edinburgh EH1 1SR Led by storyteller Donald Smith this is a relaxed festival walking tour exploring the dance traditions of Edinburgh’s Old Town, including their locations and social contexts. An opportunity to learn about the local folk traditions, the Scottish Court and ‘polite’ society. The tour will start from the Scottish Storytelling Centre with a preview of the festival exhibition Vengefully Changed Allegiance by Alison Harm of Psychomoda. The tour will end at Edinburgh’s Central Library with a preview of the festival exhibition Dance Around the World featuring trad dance books and artefacts from Edinburgh and beyond.
Admission Pay What You Can
Pomegranates
Established in 2022, Pomegranates is Scotland’s springtime festival of Scottish and international traditional danceproduced by the Traditional Dance Forum of Scotland and TRACS in partnership with Moray House School of Education and Sport, University of Edinburgh, Edinburgh City Libraries, Dance Base and the Scottish Storytelling Centre. The festival celebrates Scottish traditional dance and traditional dance practised by cultural migrant communities across Scotland. It provides a platform to showcase new dance commissions and residencies accompanied by live music, poetry, and art; and invites audiences to participate in ceilidhs, workshops (both in person and live streamed), tours, and talks about traditional dance from Scotland and around the world.
Work will soon get underway to significantly improve public spaces on Melville Crescent, thanks to £2.1m in Transport Scotland funding secured by the City of Edinburgh Council.
Improvements to the historic west end street will complement the recently completed City Centre West to East Link (CCWEL) scheme, which connects Roseburn to Leith Walk via Haymarket and the West End with a safe and direct cycle route, as well as enhancing streets for those walking and wheeling.
The public realm scheme, which begins on 22 April, will include wider and resurfaced pavements using sandstone slabs in-keeping with the World Heritage Site and the reintroduction of setts on the road along Melville Crescent, reusing the setts which currently lie hidden under the existing asphalt surface.
There will also be improved and additional crossing points, new lawn areas and street trees and cycle parking and benches added.
Designs for the project were originally developed as part of CCWEL and involved close collaboration with local stakeholders, along with Edinburgh World Heritage Trust, to ensure that proposals celebrate the unique World Heritage Site location.
Councillor Scott Arthur, Transport and Environment Convener, said: “I’m delighted that we’re now able to press ahead with these improvements on Melville Crescent thanks to this significant funding secured from Transport Scotland.
“Not only will the changes create a much more welcoming environment, but they will restore some of the historic features unique to the street’s World Heritage status.
“As well as street trees and wider sandstone footways, I am delighted the setted street carriageway throughout Melville Crescent will return – using the setts which currently lie hidden under the existing asphalt surface.
“What’s more, the project will also benefit people travelling by foot, wheel or bike, complementing the fantastic, world-class CCWEL route, which I helped celebrate the opening of last week.”
There will be some changes to traffic during the work, which will be delivered by CCWEL contractors Balfour Beatty and is expected to last until December. This includes the closure of Walker Street North and one-way, northbound traffic only on Walker Street South, from William Street to Melville Street.
CCWEL was completed in March following two years of construction and will tie into a new George Street cycling thoroughfare delivered as part of the George Street and First New Town project.
Blind Veterans UK, the national charity for vision-impaired ex-Service men and women, is calling for people to take on a fundraising challenge in the month of June to mark the 80th anniversary of D-Day and National Armed Forces Day.
On 6 June, the United Kingdom will come together to commemorate the Normandy landings. This historic operation saw the Allied Forces mount the largest seaborne mission in history which resulted in the liberation of France and ultimately changed the course of the Second World War in favour of victory for the Allies.
Almost 133,000 troops from the Allied Forces landed on D-Day. 4,414 Allied troops were killed and over 5,000 were wounded, these men paid the ultimate sacrifice.
Blind veteran John McOwan, 103, and from Peebles, joined the Royal Artillery in 1939 at the age of 18 and was with them for nine months before the Second World War broke out. He was then transferred to the Royal Electrical and Mechanical Engineers.
During the war, John was a Desert Rat and was stationed in the Middle East and Italy before taking part in the D-Day Landings.
He said: “We were in camps near Felixstowe and just prior to the mission we boarded the landing crafts and sailed the English Channel overnight and then laid anchor off the beaches in the morning of D-Day.
“Some of us had to lay to for some time before we could get ashore which wasn’t very comfortable when we were under fire from the Luftwaffe. But it was an epic sight to see so many ships in one area that one had the feeling you could almost walk from one ship to another.”
John lost his sight due to macular degeneration and he has a pseudophakia (false lens) in both eyes. John has no vision in his left eye and only a small amount of vision in his right eye.
In 2019, John joined a group of veterans on an organised trip to Normandy to mark 75 years since the D-Day Landings. During the trip a lot of memories that had laid dormant for many years were rekindled. A few months later, the outbreak of the Covid-19 pandemic led John to write his memoirs with the support of Blind Veterans UK.
John said: “Everything the charity does to help veterans makes a huge difference to our quality of life. When writing my memoirs, the charity provided a volunteer to write up my handwritten notes, wide-lined paper, a magnifier and lighting.”
Blind Veterans UK has many activities planned to ensure the veterans they support can be part of commemorations and celebrations taking place throughout June.
If you, or your organisation, are looking for ways you can mark this poignant month, while also raising money to provide life changing support to veterans like John, there are lots of ways in which you can do this.
Perhaps you could highlight the 80th anniversary of D-Day by getting creative with “80” or step back in time to the 1940s.
You could plan a fundraising challenge with an £80 target per person, bake 80 cakes for your work colleagues, walk, run or cycle 80 kilometres during the month of June or hold a 1940s tea dance.
If you would like to find out more about taking on a challenge for Blind Veterans UK visit the charity’s website: blindveterans.org.uk/afm
John is one of 16 veterans that have been interviewed about their D-Day experiences by Blind Veterans UK to commemorate the 80th anniversary. His full story will be shared in a special commemorative booklet on the Blind Veterans UK website.
Blind Veterans UK supports thousands of blind veterans across the country, but knows there are many thousands more who still need its support to rebuild their lives after sight loss.
If you, or someone you know, served in the Armed Forces, including National Service, and are now struggling with sight loss, then please get in touch.
Cash boost for households as ‘historic’ National Living Wage increase comes into effect
More money in people’s pockets as a result of economic measures coming into effect today
Raft of economic policies are set to boost UK households and reward work
Low pay eliminated with largest ever cash increase to National Living Wage
Thousands of households across the UK are set to be around £3,850 better off as a raft of economic policies come into force this week.
An increase in the National Living Wage and a drop in energy prices mean certain households will stand to get this extra cash in their pockets.
The National Living Wage has officially risen from £10.42 an hour to £11.44, meaning no full-time worker over 21 will earn less than two-thirds of the average hourly wage. This marks a £1,800 annual boost to their pay packet – delivering a manifesto commitment to eliminate low pay.
Households will also save around £250 a year on average thanks to a drop in energy bills introduced by Ofgem today. This marks a 12.3% fall from the previous quarter, which brings prices down to their lowest since Russia’s invasion of the Ukraine in February 2022.
The Prime Minister, Rishi Sunak, said: “These measures could save households around £3,850 year on average which – taken with the upcoming cuts to NICs – will put more money in their pockets to help ignite the economy.
“Although recent years have tested our resolve, we have not bowed. We have stuck to the plan, more than halved inflation, and set us on a path to growth.
“Because of this determination, we find ourselves in a new economic moment and – thanks to our bumper package of economic reforms coming into force today – 2024 is set to be the year Britain bounces back.”
An increase to the Local Housing Allowance, also introduced on Monday, means some of the poorest families on either Universal Credit or Housing Benefit will gain around £800 a year on average.
That runs alongside the roll out of 15 hours of free childcare, which will save working parents an average of £3,450 a year – the first stage in the £8 billion childcare package that was announced by the Chancellor last year.
Meanwhile, tax cuts to SMEs and the UK film industry will start benefitting firms up and down the UK to help drive growth in the economy.
This includes increasing the VAT threshold for small businesses, slashing business rates for high street businesses, funding apprenticeships, and igniting the British film industry with a 10 year tax relief.
This bumper package of measures are coming into force today will fire up businesses and push the UK further into this new economic moment which sees Britain bouncing back.
The last few years have not been easy for the UK economy – the legacy of Covid, and global instability have tested financial systems across the world.
Since the beginning of 2023, the Prime Minister has been working on five priorities – three of which were economic: to halve inflation, grow the economy and reduce debt. This has been achieved – and given us the headroom to deliver today’s package and slash the average workers taxes by £900 a year.
This puts the UK in a strong position to achieve the long-term ambition to abolish NICs entirely. This will put an end to the unfair system which means workers are taxed twice for the same work – NICs and Income Tax.
Chancellor of the Exchequer Jeremy Hunt said: “Today we are addressing low hourly pay, with increases for people earning the National Living Wage worth £1,800 to a full time worker.
“It’s part of our plan to reward work which is why we’re also cutting National Insurance and delivering on our promise of more free childcare. All paid for by our progress in getting the economy back on track.
Baroness Philippa Stroud, Low Pay Commission Chair, said: “Today’s increases in the NMW and NLW mark a really significant milestone for the UK’s labour market. The Government set an ambitious, long-term target for the NLW which is being delivered. Today’s increases for young workers also reflect our ambition not to leave these groups behind.
“The target has boosted the incomes of low-paid workers in especially turbulent times and the evidence suggests the increases to date have been implemented steadily and carefully so as not to damage employment opportunities.
“Our work at the LPC to monitor the impacts of these increases is more important than ever. We invite contributions from workers, employers and other organisations to our imminent consultation.”
The measures coming into effect this week include:
National Living Wage increase
National Living Wage will increase from £10.42 an hour to £11.44 – representing a £1,800 boost to their yearly pay cheque.
This means nobody over 21 will earn less than two-thirds of the average hourly wage increase – putting more money in the pockets of around 3 million of UK’s lowest paid workers.
A full-time worker on the National Living Wage will see their gross annual earnings increase by over £8,600 since it was announced in 2015, and by over £10,000 since 2010.
Since its introduction, the National Living Wage has boosted the pay of millions of low-paid workers without any significant effects on employment.
SME VAT rate boost
The VAT threshold is being raised from £85,000 to £90,000. This means 28,000 fewer small businesses will be paying VAT at all from today.
The UK has a higher threshold than all EU countries, giving UK small businesses more cash to scale and grow their companies.
Apprenticeships fully funded by Government
The Government will fully fund apprenticeships for young people in small businesses from today by paying the full cost of training for anyone up to age 21.
This is backed by £60 million of funding and will support up to 20,000 new apprenticeships.
Business rate cuts for high street businesses
Retail, hospitality and leisure businesses will continue to benefit from 75% off their business rates relief for yet another year.
This protects 230,000 high street properties from rising costs and saves the average pub nearly £13,000 over the next tax year.
The small business multiplier for business rates will be frozen for a fourth consecutive year, protecting over one million ratepayers from a 6.6% increase in bills.
Tax relief for UK film industry (England)
Film studios across England will receive 40% business rates relief on gross business rates bills until 2034.
This £470 million tax cut will ensure the UK remains an attractive place for its £11.9 billion film and high-end TV sector.
This is alongside the transformational UK Independent Film Tax Credit (IFTC), designed to boost the production of UK independent films and support UK talent in films.
Under the IFTC, eligible films will be able to claim an enhanced credit, at a rate of 53%, on their qualifying expenditure.
Local Housing Allowance boosted
Depending on the benefit you receive and your payment schedule, eligible claimants will start to see an increase in their Local Housing Allowance rates.
The boost will benefit some of the poorest families on either Universal Credit or Housing Benefit who will gain around £800 a year on average.
This puts more money in the pockets of the lowest earners – giving them more spending power to boost their local economy.
New Energy Price Cap begins
Energy bills will fall by around £238, saving millions of households around £20 a month.
Energy prices are now at their lowest level in two years/since Putin’s illegal invasion of Ukraine, putting more money back into the pockets of hardworking families.
Households will now also benefit from £30 compensation if switching their supplier takes more than 5 working days, thanks to changes from Ofgem coming into force.
The move will give families reassurance that switching to cheaper deals can be quick and easy, as competition starts to return to the market.
Household Support Fund extended by six months(in England)
The six-month extension to the Household Support Fund starts today – backed by £500 million (£421 million to LAs in England and £79 million to DAs via Barnett.
This boost to the Household Support Fund will give vital, targeted support to millions of vulnerable households across England.
The fund has previously been used to help with water bills, provide health visits, disabled children services, free school meals and more.
Since launching in October 2021 over £2.5 billion has been invested into the Household Support Fund.
Since October 2022, CPI has already more than halved from 11.1% to 3.4%. This is stabilising the financial situation for many families, and the OBR expects that by Quarter 4 2024 (October-December) CPI will have fallen to 1.4%.
Childcare rolled out for working parents of 2 year olds (in England)
15 hours free childcare has been rolled out to parents of 2 year olds, which will save working parents an average of £3,450 a year.
This is the first stage in the £8 billion childcare package that was announced by the Chancellor last year – the biggest expansion of Government childcare provision in history.
Audiences: start longlisting and booking early to support artists and #UnleashYourFringe
Today, Thursday 04 April 2024, a new batch of shows to be staged at the 2024 Edinburgh Festival Fringe has been revealed. All shows will be available to view on edfringe.com from 12:00 today.
The 1,373 shows span many genres of the Fringe programme, including cabaret and variety; children’s shows; comedy; dance, physical theatre and circus; music; musicals and opera; spoken word; and theatre. They join the 274 shows revealed previously, resulting in a total of 1,647 shows so far.
More shows are set to be announced on Thursday 09 May, while the official programme launch will take place on Wednesday 12 June.
Audience members are encouraged to start compiling their favourite shows and booking early to support artists, using the hashtag #UnleashYourFringe in the run-up to this year’s festival.
Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It’s super exciting when a new batch of shows gets announced – you can really feel the momentum gathering as August gets closer and closer! I can’t wait to get stuck in and add some more shows to my favourites list – and to book a few in, just in case they sell out.”
“Artists are the backbone of this festival and they’re at the heart of everything we do at the Fringe Society.
“Booking tickets in advance, adding free and unticketed shows to your favourites list, giving shout-outs to artists and companies on social media using #UnleashYourFringe – these are things that Fringe audiences can do to show some essential early support and boost morale for the artists they love.
“So if your fave is coming to Edinburgh, or if a show tackles an issue that’s close to your heart, get it locked in now!”
Below is a small representative sample of shows available to book from today. The full list of shows so far can be found at edfringe.com from 12:00:
Cabaret
Yes-Ya-Yebo! at Laughing Horse is ‘an all-singing, all-dancing extravaganza celebrating South Africa’s 12 official languages, sprinkled with that incredible township vibe’. Meanwhile, audiences are invited to ‘indulge in the hottest pop-up cabaret experience on Cowgate with a rotating selection of the most electrifying and scandalous performers at the festival’ in Big Gay Afterparty at Just the Tonic.
La Clique brings its ‘breathtaking, hilarious, sexy, dangerous and iconic’ mix of circus, cabaret and comedy back to Underbelly with two shows, the traditional main event and a family-friendly Sideshow. At Eve, ‘the award-winning comedy trio Bad Clowns’ present ‘a night of the best comedy acts from this year’s festival’ in Bad Clowns and Good Friends. And The Burlesque Show at Hill Street Theatre is ‘a competition with a brilliant prize that will satisfy the experienced as well as the novice burlesque watcher’.
‘Award-winning magician’ Dan Bastianelli returns with an all-new evening of close-up magic’ in Deception at Paradise Green. German magician Thomas W Kuenstner ‘combines applied psychology, storytelling and old-school conjuring to generate original mysteries’ in Truth. Lies. And Other Illusions at the Arthur Conan Doyle Centre. Caspar Thomas demonstrates The Art of Close-Up Magic at Gilded Balloon while Andrew Frost lays his Cards on the Table at Pleasance. And ‘mind-reading and unbelievable trickery abound in this exploration of how autism and magic make anything possible’: it’s Naughty or Neurodiverse – Magic from Another Planet at theSpaceUK.
In Melody at The Voodoo Rooms, Aidan Sadler guides audiences ‘through the top steps to surviving the apocalypse with 80s-inspired synth-wave melodies’. Australian piano cabaret entertainer Antony (Dr H) Hubmayer brings two shows to artSpace@StMarks – A Monty Python Cabaret Singalong Circus and Another Unwasted Evening – The Genius of Tom Lehrer – plus a third, Meat Loaf – Just the Best Bits, to PBH’s Free Fringe. At Greenside, Baby Belle: Young, Dumb and Full of Autism is ‘a whimsical, musical exploration of social versus personal identity from the perspective of a late-identified and diagnosed non-binary autistic person’. And in Sawdust Symphony at ZOO, ‘obsessed characters discover and transform their space and themselves, transporting the spectator into a unique DIY experience’.
‘Rome Mosaic explores sisterhood and the sibling dynamic – with dance, lipsyncing and good old-fashioned sibling rivalry’ in Sisters? at Hootenannies. Award-winning cabaret star Ada Campe shows off her Big Duck Energy at The Stand Comedy Club, while ‘glamorous, hilarious and fiercely clever Jens Radda… reinvents Sinatra’s classics through saucy modern twists’ in Skank Sinatra at Assembly. In The Taylor Swift Eras Drag Party at The Three Sisters, hosts ‘Blaze, Rujazzle and Rozie Cheeks… take you on a journey through the eras of Taylor Swift’.
Children’s shows
‘The disability Taskmaster’ Blue Badge Bunch returns to Pleasance ‘as two teams battle it out to come up trumps in a show where disadvantage is an advantage’. At Royal College of Physicians, games-master Jes presents ‘crazy bingo variations like you’ve never seen before’ in Amazing Prize Family Comedy Bingo. And ‘your little ones will move, groove and dream, plus you’ll walk away with your very own custom-made medal,’ in The Comedy Games with Coach Mon (theSpaceUK).
‘Full of inviting, imagination-tickling charm’, Taiwan Season: Little Drops of Rain (Assembly) ‘is a feat of non-verbal, environmentally-conscious storytelling ingeniously led by Foley sound’. How to Catch a Book Witch at Underbelly is ‘an open-hearted show aimed at children ages 4+ exploring the importance of libraries and sharing stories’. And ‘when the directors call for auditions for new actors, comedy and mayhem ensue’ in Reach for the Stars at Hill Street Theatre. Meanwhile, Dragon Song Productions presents a trilogy of shows for children aged six and under at the LifeCare Centre – Ice Dragon, Moon Dragon and Sea Dragon – plus Dragon Shows for Babies, each ‘a magical and stimulating show to start a love of the theatre’.
‘Featuring stories by Scottish icon Alan Cumming’, Dragonory: Magic and Music at Edinburgh Fringe! (Hootenannies) ‘offers an unforgettable mix of storytelling and music, promoting love and acceptance’, while Newbury Youth Theatre presents The Fantastical World of My Uncle Arly at Paradise Green, ‘a voyage through the absurd world of Edward Lear.
‘Reimagined from a beloved Korean tale by Jung-saeng Kwon’, Aha! Doggy Poo (Bedlam Theatre) ‘incorporates dance, magic and Korean music to embody the philosophy that nothing in the world is useless’. Meanwhile, ‘Edinburgh’s gruesome past is brought to life by two performers (as seen on CBBC’s Saturday Mash Up)’ in Plague, Poo ‘n’ Punishment at Greenside.
FlamenKids at the Edinburgh New Town Church gives kids ‘a fun and visual way to learn about Spanish culture and flamenco art: rhythms, dance movements, clapping, guitar, singing, castanets, percussion and language expressions’. And a ‘professional violinist and cellist perform familiar classical melodies and tell a musical version of Pinocchio’ in Heads, Shoulders, Strings and Bows at Stockbridge Church.
The Spanish Gentleman Juggler is at Laughing Horse, ‘bringing to life everyday objects such as fishing poles, drinking glasses and kebab sticks alongside invented props and gymnastic balls’. Sing, Sign and Sensory at Gilded Balloon offers ‘an immersive, creative experience in customised, inflatable sensory pods’ for ages 0–2.
Comedy
As ever, there’s a strong international flavour at the Fringe. Taiwanese American comedian Titi Lee is a Good Girl Gone Baddie at Just the Tonic, discussing ‘coming out to their immigrant parents as bisexual, and then non-binary, getting pandemic boobs, and renouncing their good girl ways’. Prev Reddy, ‘the first South African comic that is Indian, queer and outspoken’ is at the Arthur Conan Doyle Centre in Prev Reddy is a Triple Threat. In Antidepressed at Greenside, ‘Ege Öztokat talks, sings and screams about the wonderfully terrible predicament of her existence as a young woman in Turkey’. Mumbai-based ‘global stand-up star’ Rahul Subramanian makes his Edinburgh debut with Who Are You? at Assembly. Bodega Bonnies at The Stand Comedy Club features ‘a new rotation of the fest’s best comics from around the globe (but mostly from New York)’. And ‘in his debut hour, Jin Hao walks you through the seascape of his mind, filled with nightmares of being a spider, dreams of joining the yakuza and breezy memories of serving in the military with the boys’ in Swimming in a Submarine at Pleasance.
Suchandrika Chakrabarti ‘tries to explain our chronically online era to her niece (5), and speculates about the future’ in Doomscrolling at Hootenannies. And audiences are invited to join Jack Freeman ‘as he learns how to love and be loved in this hilarious solo show combining stand-up with lots of heart and even more limp’: Embrace Me: A Solo Show About Dating and Disability That is Also Funny (Laughing Horse). ‘He’s been a TV presenter, DJ, double-glazing salesman, footballer and comedian’ – now James Gardner: Journeyman (WIP) is at Boteco do Brasil. Musical comedian Amelia Bayler ‘navigates a year of heartbreak and learning to be alone’ in Easy Second Album at the Scottish Comedy Festival. And Robin Cairns, ‘with his array of comedy characters, gives us a riotous hour exploring the (hopefully friendly) rivalry between Scotland’s major cities’ in Edinburgh’s Pandas Were Just Weegies in Disguise! (St Columba’s by theCastle Scottish Episcopal Church).
‘Imagine an Englishman, an Irishman and a Scotsman finally in the same bar as a therapist’ – it’s Five Mugs, No Tea at Leith Depot. The Leith Comedy Festival Presents… The Edinburgh Fringe Edition at The Biscuit Factory, boasting a different line-up every night and ‘your golden ticket to a great night out’. And A Political Breakfast at PBH’s FreeFringe is a ‘political comedy panel show chaired by Chris O’Neill or Harun Musho’d involving up to four comedians (subject to alarm clocks working) and the audience’.
Lady ADHD is at theSpaceUK and online, ‘tracing how Blaire Postman’s unique comedy bits (fueled by a rollercoaster of flipchart rabbit-holes) at first revealed to her the unexpected connections of life’s intricacies, then panned out further to expose the true nature of her own brain’. Character Building Experience at Bedlam Theatre ‘is a Dungeons-and-Dragons-style comedic interactive roleplaying game show, suitable for the experts, the novices and the uninitiated-but-curious’. At Hill Street Theatre, BBC Radio 4’s ‘cop-turned-comedian Alfie Moore returns with a brand-new show’: Fair Cop – Live!
‘Shameless, charmingly aggressive and unladylike, she’s the funniest half-Sri Lankan gal from Coventry’ – she’s Stella Graham, and her show Phoenix is on at PBH’s FreeFringe. In Good Girl at Paradise Green, Rhiannon Jenkins goes on ‘an immersive, interactive clown adventure as she plays with male fantasies, female sexuality, and how we navigate 21st century womanhood’. And Daliso Chaponda ‘revisits the themes of [his] ancient debut show’ two decades later in Feed This Black Man Again at Underbelly.
Among the familiar Fringe faces returning to this year’s festival are David O’Doherty, Flo & Joan, Reginald D Hunter, Milton Jones, Adam Hills, Dara Ó Briain (Assembly); Adam Kay (Edinburgh Playhouse); Bobby Davro (Frankenstein Pub); Andrew Maxwell, Craig Hill, Lucy Porter and Patrick Monahan (Just the Tonic); Raul Kohli (Just the Tonic and Laughing Horse); Sian Davis (Laughing Horse); Sara Pascoe, Nish Kumar and Glenn Moore (Monkey Barrel Comedy); Ahir Shah, Kieran Hodgson, Nina Conti, Rose Matafeo, Sophie Duker, Jordan Brookes, Paul Merton and Suki Webster (Pleasance); and Mark Thomas (The Stand), while former politician Mhairi Black makes her Fringe comedy debut at Gilded Balloon.
Ivo Graham is at the Fringe in three capacities in 2024: with his stand-up show Grand Designs at Pleasance, his theatre show Carousel at Assembly and as the host of Comedians’ DJ Battles at La Belle Angele.
Dance, physical theatre and circus
‘Marrying traditional rhythms with modern dance’, HuXi / Breath (Paradise Green) ‘allows audiences to embody the intricate connection of Qi within and beyond, fostering links between self-realisation and higher realms’. In Korean Painter at theSpaceUK, the Contemporary Yunhee company paints ‘various pictures on stage using the traditional Korean hat called sangmo’, offering audiences a ‘mysterious experience’.
‘Award-winning choreographer Aparna Ramaswamy weaves together threads of body, memory, desire and devotion to describe the eternal relationship between the deity and the devotee’ in Ananta, the Eternal at Assembly. In The Flock and Moving Cloud at ZOO (part of the Made in Scotland showcase), Scottish Dance Theatre present works by ‘two of the most-exciting female choreographers in the European dance scene: Roser López Espinosa and Sofia Nappi’.
At Edinburgh New Town Church, Flamenco in Scotland is ‘directed and choreographed by Inma Montero and performed by top flamenco professional artists’. Flamenco Fiesta at Alba Flamenca ‘offers the audience an intimate and delicate atmosphere to enjoy the wonders of the passionate art of Flamenco’. And 2Flamenco brings a ‘powerful, exquisite, beautiful and unforgettable Flamenco experience’ to Argyle Cellar Bar, while ‘Jolly performers from Japan will take you on a journey through a dazzling world of rhythm, tap dance and comedy’ in Sushi Tap Show 2024 at Greenside.
Part of the Sacred Arts Festival at Old Saint Paul’s Church, Dancing Ash Wednesday is ‘a piece in which movement interacts with the speaker’ in TS Eliot’s titular poem. ‘Towers grow and decay, bodies leap and are caught, physical limits are pushed to their extreme’ in Circa: Humans 2.0 at Underbelly. the Curve at Just the Tonic ‘stitches together acrobatics, dance, physical comedy and spoken word to form the image of life as a circus performer – and what happens to the body and mind in the process’. And audiences can ‘come and witness Martin and Logy’s ongoing battle against the gravitational pull of the planet’ in Circus Sonas Presents: Down with Gravity at Laughing Horse.
Music
‘Hailed by critics and fans alike as one of the finest songwriters of his generation,’ Dean Friedman brings his Words and Music to The Stables at Prestonfield. ‘After nearly a decade-long absence, Sandi Thom makes her long-awaited reintroduction to the iconic Edinburgh Festival Fringe this year’ at The Voodoo Rooms with her new song collection, Warpaint. Valery Ponomarev: The Jazz Messenger! at The Jazz Bar features ‘an unmissable exclusive performance from legendary Russian-American trumpeter and Jazz Messengers alumnus, Valery Ponomarev, who dramatically escaped 70s USSR and toured the world with Art Blakey and The Jazz Messengers’.
The songs of Jo Carley and The Old Dry Skulls ‘tell stories of deals with the devil, demons in love, witch doctors, zombies, ghosts, ghouls, journeys to the deepest jungles and other exotic adventures’ – hear them at the Argyle Cellar Bar. At Greenside, ‘iuchair tells a tale of debauchery played out in the coarsest catches of Henry Purcell and his contemporaries’ in To Your Rude Health! At Paradise Green, The Seas Are Rising: Stories of a Climate in Crisis is ‘a multimedia concert experience calling attention to the urgency of the climate crisis through original songs by American musician and songwriter Dan Sheehan’. And Grammy-winning cellist Leah Coloff ‘has played alongside the greatest names in contemporary music – from David Bowie to Debbie Harry’; her show, Super Second Rate, is at theSpaceUK.
Audiences are invited to ‘join Delhi maestro Manmohan Dogra for a journey through soulful Hindustani classical music, featuring vocal ragas and a tabla solo in Banares style,’ in Raag Rang: A Journey Through Indian Musical Traditions at Arthur Conan Doyle Centre. Seckou Keita and his Homeland Band are at The Queen’s Hall – formed in 2020, ‘they’ve been lifting audiences to their feet and leaving them buzzing ever since’. And at Valvona & Crolla, Pitchblenders: Só Danço Samba is ‘an evening of vibrant bossa nova, ebullient bal musette and soul-stirring contemporary songs from Spain, France and Brazil’.
At Assembly, ‘Out of the Blue is an internationally acclaimed a cappella group from the University of Oxford and, after jet-setting across the world earlier this year, the group is excited to return to their home turf to showcase new talent and new songs’. Meanwhile, ‘an all-male a cappella group of nerds from Imperial College London’ deliver The Techtonics: 44 Days of Liz Truss (A Cappella) at Gilded Balloon.
The Sacred Arts Festival has programmed church performances across the city this August, with Ave Maria: Centuries of Prayer and Praise at Old Saint Paul’s Church, Sacred Jazz at St Mary’s Catholic Cathedral and The Lord is my Shepherd: Sacred song of the English musical renaissance at St Vincent’s Chapel. ‘The Howe Street Singers, directed by Les Shankland, perform Faure’s much-loved Requiem and equally beautiful Cantique de Jean Racine alongside Leonard Bernstein’s Chichester Psalms’ as part of the Sacred Arts Festival Music at the Church of the Sacred Heart.
Edinburgh-based chamber choir Calton Consort ‘presents an hour of choral music from LGBTQ+ composers and allies’ in Choral Pride at Canongate Kirk. St Giles’ Cathedral hosts a programme of Celebrity Recitals on its ‘world-famous Rieger organ’, with performances from Francesca Massey, Tom Bell and Michael Harris. St Mary’s Lunchtime Recitals return to St Mary’s Episcopal Cathedral, featuring ‘a wide variety of performers playing and singing in one of Edinburgh’s most beautiful concert spaces’. And at Edinburgh New Town Church, Scottish Voices and Friends features ‘an imaginative and diverse program, including world premieres of new classical music, with a special focus on settings of Gaelic poetry by Catriona Montgomery and from the Orthodox poetry of Konstantin Balmont and traditional Ukrainian carols’.
‘16-year-old Brit School pianist, guitarist and singer’ George Cassidy brings his second show, Piano Boy, to Laughing Horse, mixing ‘his own songs with those of Elton, the Beatles and many more’. Lisa Scott and the All-Stars bring their Fabulous Sounds of the 60s to Leith Dockers Club, ‘covering all genres of music and top-class musicians, including The Beatles, The Rolling Stones, Tina Turner and more’. Vocalist Georg Tormann performs ‘a touching and entertaining tribute to Old Blue Eyes’ in Sinatra – The Greatest Hits at Frankenstein Pub. Absolutely (not) Free – An Evening of Zappa is ‘a smorgasbord of Frank Zappa classics hand-delivered by those finest purveyors of conceptual continuity, Pygmy Twylyte’ – catch them at Bannermans. Brian Kennedy toured the US with Bob Dylan, Van Morrison and Joni Mitchell in 1998 – now he celebrates the latter’s 80th year in Brian Kennedy – A Love Letter To Joni Volume 2 at Greyfriars Hall at Virgin Hotels Edinburgh. And at Le Monde, All the Hits of Frankie Valli and The Four Seasons offers exactly what it says on the tin, with ‘favourites including Sherry, Let’s Hang On, Big Girls Don’t Cry, Walk Like a Man, Grease and many more’.
‘Guitar, piano, violin, harmonium, banjo, vocals, and sometimes double bass create a folky sound with elements of classical, ambient metal, spoken word, Celtic reels and Eastern European scales’ in The Seventh Season at The Royal Oak. Fiddler Alastair Savage has two shows at St Cuthbert’s Church: Scotland and Beyond with cellist Alice Allen and The Scottish Fiddle Story ‘alongside Gregor Blamey on piano / accordion, with a specially written script read by legendary actor John Shedden’; he’s also at Canongate Kirk with Scots Fiddle Old and New. Audiences can catch ‘Wendy Weatherby (cello, vocals), John Sampson (trumpet, crumhorn, recorders), Sandy Brechin (accordion, piano), Andy Cannon (storyteller) and Allan and Rosemary McMillan (vocals, guitar) for a cheerful, poignant or nostalgic jaunt through our favourite songs, tunes and stories’ in Mrs Weatherby’s Concert Party at artSpace@StMarks.
‘Exploring classical works for viola and piano… the Kosonen Ranieri Duo will evoke the feeling of having just woken from a sweet slumber’ in Viola and Piano: Aprés un Rêve at Stockbridge Church. At St Cecilia’s Hall, The Triumph of Time and Truth: Handel and Vivaldi is ‘a vocal programme… threaded with gorgeous instrumental harpsichord and violin instrumental pieces’. Audiences can ‘join Duo Malvina for an afternoon of beautiful Classical Guitar music for two’ at St Columba’s by the Castle Scottish EpiscopalChurch. And ‘rising American opera star and composer Johan Hartman is joined by Edinburgh’s Ailsa Aitkenhead’ in 2 Artists, 2 Concerts, 2 Premieres at Greyfriars Kirk.
In Massaoke at Underbelly, audiences ae invited to join Rockstar Weekend ‘for their biggest and most spectacular show ever – a high-voltage, spandex-clad, crowd-powered, sing-along megamix of the biggest hairbrush anthems from across the decades, live and unleashed with giant video lyrics’.
Musicals and opera
The Wellbrick Centre on Roswell Drive (Paradise Green) is ‘a conversational musical with poignant, comedic and absurd elements’, focusing on two patients at a fictional NHS facility. SOFTPLANET Productions bring a pair of grisly historical musicals to the Mackenzie Building: Deacon Brodie is ‘packed with deceit, love, laughs, theft and some great contemporary songs’, while Flesh uncovers ‘the real-life drama of Burke and Hare, Scotland’s first serial killers, with a comic twist and original folk-rock songs’. On a similar theme, Ripper at Hill Street Theatre is ‘a terrifying musical look through the eyes of Jack the Ripper, the officer who pursued him, and one of his victims’.
Macbeth at Saint Stephen’s Theatre offers a new take on Shakespeare, mixing original and modern text with ‘songs from the likes of Foo Fighters, The Prodigy, Siouxsie and the Banshees and Dire Straits to name a few’. In ‘brand-new comedy musical’ The Weird Sisters (Just the Tonic), Amaranth, Scarlett and Blush ‘attempt to initiate the audience into their coven’ to a soundtrack of ‘punchy power-pop’. At Assembly, You & It: The Musical explores romance and technology with the story of Gyujin, who ‘orders an AI robot that eventually replicates his dead wife’.
Beowulf the Musical at Greyfriars Kirk ‘presents two medieval myths intertwined: on one side the famous hero as strong as 30 men, and on the other a princess who must live her life in service to her kingdom against her own heart’.
At Greenside, BANNED the musical ‘follows a group of gender misfits through the events leading up to their debut at a local performing arts festival’. Kafka’s Metamorphosis: The Musical! With Puppets! is at Pleasance, ‘a silly, surreal take on Kafka’s paranoid, mystifying masterpiece to commemorate the 100th anniversary of his death’.
Captivate Theatre brings its own mini-festival programme to The Edinburgh Academy, with performances of The Phantom of the Opera, Charlie and the Chocolate Factory, Roald Dahl’s Matilda The Musical Junior, Disney’s Frozen Junior and Les Misérables School Edition. At Underbelly, DIVA: Live From Hell! is a ‘blood-stained love letter to Broadway – a solo musical about rivalry, vengeance, and killer ambition’.
Arias in the Afternoon at the Edinburgh New Town Church features ‘international opera singer Brian Bannatye-Scott (bass) with rising stars Caroline Taylor (soprano), Catherine Backhouse (mezzo-soprano), Laurie Slavin (tenor) and James Atkinson (baritone), accompanied by dazzling Polish pianist, Michal Gajzler’. And at theSpaceUK, Fringe – The Musical isn’t what you think – it’s ‘a hilarious musical comedy about a cherished family run hairdressing salon in Essex’.
Spoken word
At Hill Street Theatre, writer Gigi Bella explores ‘mental health, feminism and the gospel of Taco Bell through poetry, comedy and music’ with show Big Feelings. Poets Christine De Luca and Elspeth Murray, in combination with Katharine Wake on the flute, return to Edinburgh Festival of the Sacred Arts at Canongate Kirk, ‘with poetry and music, offering a reflection on home and homelessness’. Also at the Festival of the Sacred Arts will be Sacred Arts Festival Poetry at Church of the Sacred Heart, promising work ranging ‘widely from masterpieces of the Middle Ages, through ballads and hymns of the Reformation, to satirical and meditative poetry from the 20th and 21st centuries’.
Ben Kassoy brings poems from his ‘spectacularly original book to life in a solo show’ at Zoo. The Funny Thing About a Panic Attack uses ‘physical theatre, dance and traditional poetry reading to reveal the connections between mental health, art and pancakes’.
Storyteller and classicist Jo Kelen brings a ‘new, poetic reimagining of the myth of Achilles’ with Achilles, Death of the Gods at Paradise Green. ‘The warrior Achilles finds himself in Troy, fighting a war that is not his. When Achilles’ lover Patroclus is killed in battle, Achilles inflicts unspeakable horrors upon those around him.’ Iain Dale returns to the Fringe with his All Talk series of political interviews at the Pleasance including Humza Yousaf, Alex Salmond, Liz Truss, Anas Sarwar and Ruth Davidson.
Among the familiar faces returning to Edinburgh are David Harmer and Ray Globe, ‘the irrepressible Glummer Twins’, back with The Beat Goes On at theSpaceUK, offering ‘stand-up comedy, spoken word and music from the beat generation through eight decades.’ Performance poet and musician Attila the Stockbroker performs 14 Days, 14 Completely Different Shows at PBH’s Free Fringe, alongside his Early Music Show at St Ceceilia’s Hall.
‘Humour and horror are woven together with empathy in a shocking insight into the untold stories of ordinary women caught up in a whirlwind of politics, religion and magic’ in Witch? Women on Trial at Greenside. Tales of Haunted Edinburgh – Echoes From Beyond the Grave at Arthur Conan Doyle Centre invites audiences to hear ‘tales of the undead from a paranormal investigator as you discover a host of terrifying stories of hauntings from the city’s dark past’. Anne Bayne of Dunsapie Loch is available online, a ‘poignant audio play [and] a journey into the heart of Edinburgh’s literary history of 1740’.
Theatre
Deaf Action present *Smoke Not Included, a scripted stoner stage play. ‘I cannae tell if I’m having fun or I’m scared he’s gonnae murder us aw’. At Edinburgh Palette, a Pan-Africanist painter, Eda, is ‘cajoled by his friend and former agent Reki to go steal some of Da Vinci’s works that are presumably on tour in an art museum in Nigeria’ in Who Tiff Monalisa? Jeremy McClain stars in Rat Tails (WIP) at Fruitmarket, a new one-man show directed by Matt McBrier. ‘As he muses on his childhood and everything that got him to this moment, follow the Prozac-popping, biracial millennial who’s married into a wealthy, British aristocratic family’.
The Good Iranian makes its Edinburgh Fringe debut with ‘a mesmerising and moving production directed by Sepy Baghaei. Enjoy the art of storytelling and the triumph of good over evil, all in one educational hour’ at Just the Tonic. ‘Though dementia is increasingly common in an ageing population, it remains an unknown quantity to many’. In William Kite has Memory Issues, follow William’s experience of seeking support for someone with early-onset Alzheimer’s as he faces his changing reality (Paradise Green). When their daughter announces that she wants to transition, a couple ‘find themselves divided in their attitudes and judgements’. In Divided, the mother – who has always seen herself as inclusive – struggles with losing a daughter and gaining a son (The Royal Scots Club).
A historical satire championing John Kay, one of Edinburgh’s unsung artists, Passing Likeness at Virgin Hotels Roof Terrace is ‘a play of grotesque caricatures and still more grotesque originals’.
Enjoy a sip of mezcal at Comala, Comala, a ‘Day of the Dead-style theatrical experience’ at Zoo. Adapted from a novel by Johnny Tait, Naked Truth is ‘an extreme satire on false-celebrity culture. Not for the easily offended. A deep, dark rollercoaster ride’ at Saint Stephen’s Theatre. In Why Am I (Still) Like This? at theSpaceUK and online, Nicole Nadler asks why she still can’t ‘leave the house on time, pay her credit card on time or know where she put her glasses’ following her ADHD diagnosis. At Laughing Horse, The Guerilla Autistics show returns for its tenth year and asks ‘are you eccentric?’ The Basement Entertainer at PBH’s Free Fringe is ‘a comedy about being a performer at heart’, as basement-dwelling artist Kate performs her sketches ‘to an audience of miscellaneous junk with faces drawn on’… until one of them starts talking back. Ne’er the Twain at Mayfield Salisbury Church is a ‘laugh-a-minute comedy’ that tackles the historic joining of Edinburgh with the port of Leith, and a family caught on the boundary line.
‘Two rising Ghanaian creatives navigate their perception of identity, success, assimilation and home’ in DRUM at Underbelly. A US writer ‘with a big nose grows up hearing stories of mixed ethnic heritage to discover the stories are not true, sort of true, then true in a way that no one expects’ in Journey to Long Nose at Greenside. The Shroud Maker at Pleasance weaves ‘a harrowing story of courage, love, escape and disappointment with comic fantasy and true stories to create a vivid portrait of life in Palestine before the recent heartbreaking events’. In Do This One Thing for Me at Bedlam Theatre, Jane Elias tackles questions of Holocaust remembrance and how we move forward through an ‘acute portrait of her relationship with her father, a Greek Holocaust survivor’.
Fix Your Mind at Gilded Balloon is a ‘a contemporary exploration of patriarchy, love and the internet’, as two siblings are drawn in different directions by their chosen communities, while I Sell Windows at Assembly is ‘one Black woman’s exploration of what is birthed at the collision of grief, ambition and sex’.
Stepping Out at Inverleith St Serf’s Church Centre ‘charts the lives of seven women and one man attempting to tap their troubles away at a weekly dancing class’, and at Hill Street Theatre, Rave is a jukebox musical set in a nightclub, where ‘we see the lives and battles of a group of friends coming to terms with getting older and the reality of faded dreams’. A musical comedy about coming of age in the 1980s, ‘mashing hundreds of classic 80s songs into both dialogue and song (a la Moulin Rouge). Don’t Stop Believing: A Theatric Remix of the 1980s is at PBH’s Free Fringe.
Eight live folk and country music acts will perform across Friday 21st and Saturday 22nd June at The Royal Highland Centre
Includes Nathan Evans of Wellerman (Sea Shanty) fame and ‘Cotton Eye Joe’ chart toppers, Rednex
The line-up for this year’s Royal Highland Hoolie, which will see some of Scotland and Ireland’s liveliest musicians take to the stage, has been revealed, with eight folk and country acts set to entertain crowds across two nights in June, the same weekend as the Royal Highland Show.
Joining Friday (21st June) night’s headline act, Tide Lines, who have just released their latest single, Homeward Bound, and recently returned from a European tour to the Netherlands, Denmark, and Germany is six-piece line-up, Trail West, who continue to rise in popularity from their modest roots as a four-piece West Coast Ceilidh Band to an awe-inspiring live act.
The Peatbog Faeries, recognised as one of Scotland’s best known contemporary folk music bands and Tik Tok star and singer, Nathan Evans who’s official Wellerman (Sea Shanty) video has racked up over 300 million views, will complete Friday’s line-up.
On the Saturday (22nd June) night, award-winning Irish country music singer and songwriter, Derek Ryan, returns to headline the Highland Hoolie. He will be joined by Scottish singer Lisa McHugh, Highland accordionist and vocalist, Calum MacPhail and “Cotton Eye Joe” chart toppers, Rednex, whowill make an exclusive appearance.
The Highland Hoolie is run in partnership with promoters Farmers Bash.
Jim Warnock, Chairman of Royal Highland Show organisers, RHASS (the Royal Highland and Agricultural Society of Scotland), said:“The Highland Hoolie brings together some of the very best of Scotland and Ireland’s homegrown talent to the Royal Highland Centre.
“With the Royal Highland Show one of Europe’s most prestigious agricultural shows, we are absolutely honoured to have some of the best names across folk and country music join us as to contribute towards what we hope to be a fantastic weekend for the agricultural and wider community.”
Farmers Bash organiser Nigel Campbell, added:“The Highland Hoolie offers something for everyone, whether you’re a fan of the musicians involved or looking to enjoy an evening of live music with friends.
“We’re excited to have some fantastic names join our line-up this year and encourage those hoping to come along to get their tickets early to avoid disappointment.”
Various ticket types are available, including two combined Royal Highland Show and Royal Highland Hoolie tickets which allow for people to enjoy both events at a discounted rate with a limited number of Hoolie only tickets.
Ticket prices start at £35.00 and are available to buy from the Royal Highland Show website www.royalhighlandshow.org
