Tag: world premiere

Cast and musicians announced for new show “KELI” about Brass Bands

  • New cast, musicians, and creatives announced for KELI, the debut play from Ivor Novello Award-winning composer Martin Green (Lau).
  • Based on personal stories from the critically acclaimed BBC Radio 4 series ‘Love, Spit and Valve Oil’

WORLD PREMIERE 

National Theatre of Scotland and Lepus Productions present 

KELI 

A play by Martin Green

Written and music composed by Martin Green

Directed by Bryony Shanahan 

Cast: Liberty Black (Keli), Karen Fishwick (Jayne), Olivia Hemmati (Amy/Saskia), Billy Mack (Willie Knox)and Phil McKee (Brian). 

Performing Musical Director – Louis Abbott and small brass ensemble – 

Stacey Ghent, Flugelhorn; Hanna Mbuya, Tuba and Karen Fishwick, Euphonium 

Set and Costume Designer – Alisa Kalyanova, Sound Designer – George Dennis, Lighting Designer – Robbie Butler, Casting Director – Anna Dawson 

Touring Scotland from Saturday 10 May to Saturday 14 June 2025. 

Previews at Macrobert Arts Centre, Stirling before opening at the Lyceum Theatre, Edinburgh and touring to Dundee Rep Theatre; Perth Theatre and Tramway, Glasgow from May to June 2025.  

Opening performance at the Lyceum Theatre, Edinburgh on Thursday 15 May 2025. 

Best known as the virtuoso accordionist in the visionary folk trio Lau, Martin Green has spent the past two years on an odyssey deep into the world of brass bands, culminating in this staging of KELI, marking its world premiere as a stage play. Making his professional debut as a playwright, Green was inspired by conversations he had for the BBC Radio 4 series ‘Love, Spit and Valve Oil’.  

KELI will feature brass band music from Green’s acclaimed album SPLIT THE AIR. Each performance will feature a live brass band performance from a leading Scottish brass band or ensemble of leading brass band players.

National Theatre of Scotland and Lepus Productions are delighted that Whitburn band and Kingdom Brass will be part of this Scottish tour, sustaining ongoing relationships with Scottish brass bands and the communities they represent. 

Whitburn Band, one of Scotland’s leading brass bands, was formed in the heart of the coal mining area of West Lothian in 1870 originally serving as an outlet for members of the mining community to perform at local parades and gala days. The Band has been Scottish Champion 22 times, competes throughout the UK and Europe, and performs regularly at major Scottish events. Recent performances include Celtic Connections and the Edinburgh International Festival.  

Kingdom Brass was formed in 1999, after the amalgamation of the Cowdenbeath and the Kelty & Blairadam Bands. In the same year, the band competed for the first time at the Fife Championships and swept the boards. Since then, the band has competed locally and nationally winning numerous trophies and is established as one of Scotland’s top bands. The band performs at concerts, bandstand events, and local Gala days. 

Liberty Black will play the titular role of Keli in her professional theatre debut and Karen Fishwick plays her mother Jayne. They are joined by Phil McKee as band leader Brian, Billy Mack who plays 135-year-old ex-miner and town hero Willie Knox and Olivia Hemmati playing multiple roles. 

Liberty Black is in her final year at the Royal Conservatoire of Scotland. She performs and writes music and toured the UK with a band. Royal Conservatoire of Scotland credits include: The Cosmonauts Last Message…, Uncle Vanya and Romeo and Juliet.  

Karen Fishwick previously appeared in Our Ladies of Perpetual Succour, National Theatre of Scotland and Live Theatre’s smash hit musical production which toured internationally and had a run in London’s West End. Theatre credits include Romeo and Juliet and The Merry Wives of Windsor (Royal Shakespeare Company) and 101 Dalmations (Regents Park Open Air Theatre). Karen’s screen appearances include Outlander (Sony/Starz) and Call the Midwife (BBC).  

Billy Mack is an award-winning actor, previously appearing in The Cheviot, The Stag and The Black, Black Oil and The Enemy (National Theatre of Scotland). Recent theatre and TV/film credits include Men Don’t Talk (Genesis Theatre Company), Only Child (Happy Tramp/BBC) and On Falling (Sixteen Films).  

Phil McKee has worked extensively across theatre, film and TV. Previous work with National Theatre on Scotland includes Mary Stuart and Dunsinane (National Theatre of Scotland/RSC/Royal Lyceum Theatre). Screen credits include Clash of the Titans (Gorgon Films), The Rig (Amazon) and Deadwater Fell (Channel 4).  

Olivia Hemmati trained at Bristol Old Vic Theatre School where she was a finalist for the Carleton and Hobbs Award 2024. Olivia is making her professional stage debut in KELI. 

The production features a brass ensemble of musicians led by Stacey Ghent on flugelhorn with Hanna Mbuya on tuba alongside Karen Fishwick on the euphonium. 

Stacey Ghent is a hard of hearing actress and musician raised in South Shields. Stacey’s TV/screen and theatre credits include a role as a teacher of the deaf in Coronation Street (ITV); A Thousand Blows (Disney+); Brassed Off and Blonde Bombshells of 1943 (Octagon Bolton/Theatre by the Lake, Keswick/Stephen Joseph, Scarborough).  

Tuba player Hanna Mbuya is a member of Mercury-nominated 10-piece seed, Chineke! Orchestra and Nu Civilisation. Other collaborations have included those with artists  

Anna Meredith, Jon Batiste and Soweto Kinch, in addition to appearances with horn sections alongside artists including Solange, Joy Anonymous and Arlo Parks. Recent work in theatre includes Richard III (2024) & Hansel and Gretel (2024) at Shakespeare’s Globe.   

Performing Musical Director for KELI, Louis Abbott, is a multi-instrumentalist and singer and the songwriter for the chamber-pop band Admiral Fallow. Recent theatre work includes his role as co-musical director on the award-winning A Giant on the Bridge (Edinburgh Festival Fringe 2024). As a musician, drummer, engineer and producer Louis has collaborated with some of Scotland’s finest musicians including King Creosote, Camera Obscura and Eddi Reader. 

“The skill, the craft, is in controlling the pressure.” 

KELI tells the story of a fiery, sharp-witted teenager in a former mining town. Coal means little to Keli, but the mines left music in the blood of this place.  

As the best player her brass band has ever had, music is easy. Everything else is a fight. Feeling trapped in small-town life, pressure mounts.  

When the chance to change everything arises, can Keli keep a lid on it all?  

Marking 40 years since the miners’ strikes and featuring a sharp, hilarious script and live brass score by Ivor Novello winner Martin Green, KELI is a gripping show about community, creativity, and the power of music.  

Touring Scotland in 2025, the show will reach audiences across the country who belong to communities that were hugely affected by the miners’ strike of 1984-85. 

Green’s journey began by chance near his home in Midlothian. Following a poster advertising ‘BRASS IN THE PARK’, he discovered a self-sustaining world of music-making that – like the folk tradition – had retained its social function and was part of the warp and weft of the communities that performed it.  

The fictional play has evolved from the critically acclaimed BBC Radio 4 series Love, Spit and Valve Oil which explored the phenomenon of modern brass banding and featured interviews with members of brass bands. These interviews have inspired aspects of the characters in the play. In 2022 KELI was commissioned by The Royal Lyceum Theatre, Edinburgh as a three-part audio drama. 

“KELI is a hard story about the limitations placed on working-class lives, capturing teenage desperation, depression and fulfilment through music…forces of dialogue, music and folklore harmonise to a riveting final episode.”  The Guardian (on the audio drama, KELI) 

Martin Green is a multi-award-winning musician and Ivor Novello winning composer. As a member of Lau, he has won four BBC Radio 2 Folk Awards for Best Group an unprecedented four times. In 2014 he received a Paul Hamlyn Foundation Award for Artists in recognition of his talent as a composer. In 2019 he won the Ivor Novello award for his large-scale installation Aeons that was part of The Great Exhibition of the North. 

Most recently Martin has gone on to create critically acclaimed work for BBC Radio 4 exploring different communities all over the UK and their relationship with music. These have reached millions of listeners and been highly commended by Association of International Broadcasters. 

Martin shared the stage with Whitburn Band as part of Celtic Connections at Tramway in early 2024 – “a profoundly moving affair” ***** The Scotsman. 

Martin is the Artistic Director of Lepus Productions, who are co-producing KELI with National Theatre of Scotland, marking the first time the companies have collaborated.  

Bryony Shanahan directs, marking her NTS debut. Previously Bryony was Joint Artistic Director of the Royal Exchange Theatre, Manchester, and most recently directed the acclaimed, Same Team – A Street Soccer Story for the Traverse Theatre. Other notable productions include Bloody Elle (Edinburgh Festival Fringe, Soho Theatre and West End) and also for the Royal Exchange Theatre, No Pay? No Way! Beginning, Let The Right One In, Nora: A Doll’s House, Wuthering Heights, Queens of the Coal Age, Weald, and Nothing.   

Martin Green, writer and composer, said: “To be making KELI with National Theatre of Scotland and Bryony Shanahan forty years on from the Miners’ Strike, feels absolutely right; an incredible team of visionary people. Perfect.” 

Bryony Shanahan, director, said: “My introduction to this project was that it was about a 17-year-old called Keli – foul-mouthed, hilarious and a virtuoso flugelhorn player – who finds herself in a disused coal mine with a 150-year-old Marxist miner after the strangest night of her life.

“Oh, and that it features a live brass band. I was in! I am so thrilled to be working with National Theatre of Scotland, Lepus and Martin Green to bring KELI to life.

“It’s a story about community, legacy and above all, music and I can’t wait to invite audiences into Keli’s remarkable world and heart.” 

KELI was developed with National Theatre of Scotland and The National Theatre, London’s Generate programme and was originally commissioned as an audio drama by The Royal Lyceum Theatre, Edinburgh. Both KELI and SPLIT THE AIRwere developed with the support of Creative Scotland and The Space.Development of KELI was also supported by Freedom Festival, Hull. The music for KELI, Split the Air, was originally commissioned by PRS Foundation for the New Music Biennial at The Southbank Centre, and UK City of Culture. 

Macrobert Arts Centre, Stirling (preview Sat 10 May); Lyceum Theatre, Edinburgh (previews Tues 13 to Wed 14 May) Thurs 15 to Sat 17 May; Dundee Rep Thurs 22 to Sat 24 May; Perth Theatre Wed 4 to Sat 7 June; Tramway, Glasgow Wed 11 to Sat 14 June 2025. 

On social: #KELI 

Access info: There will be audio described, captioned performances and touch tours in Edinburgh, Dundee, Perth and Glasgow. There will also be integrated BSL interpreted and chilled performances on offer. All performances will be autism-friendly.  

Theatre for a Fiver tickets are also available for 14-to-26 years and those on low-income benefits at the venues above. 

Full access info here. 

Full performance information and creative biogs here. 

Brian Cox returns to Scottish stages in James Graham’s new play Make It Happen

  • Brian Cox (Succession, Braveheart) returns to Scottish stages in a new play by leading British playwright James Graham (Dear England, Sherwood)
  • The first major artwork to tell the story of Royal Bank of Scotland’s role in the 2008 financial crash

WORLD PREMIERE

A National Theatre of Scotland, Edinburgh International Festival and Dundee Rep Theatre co-production in association with Playful Productions and Neal Street Productions

Make It Happen
Written by James Graham                                                                                                    
Directed by Andrew Panton                                                                                                              
With Brian Cox

Opening performance of the 2025 Edinburgh International Festival on Friday 1 August 2025, then running until Saturday 9 August. Previewing at Dundee Rep Theatre in late July and at the International Festival on Wednesday 30 and Thursday 31 July.

Make It Happen is an epic new satirical play by acclaimed playwright James Graham, directed by Andrew Panton, Artistic Director of Dundee Rep Theatre. This unique co-production between National Theatre of Scotland, Edinburgh International Festival and Dundee Rep Theatre marks the return of Brian Cox to Scottish stages for the first time in a decade.

The world premiere of Make It Happen opens the Edinburgh International Festival’s 2025 programme of theatre, music, opera, and dance. It runs for a week at the Festival Theatre from 1–9 August, with previews at the International Festival on 30 and 31 July and at Dundee Rep Theatre from late July.

‘There is no such thing – as too big.’

Behold the rise, fall and fail of the biggest bank in the world – The Royal Bank of Scotland.

Helmed by Fred ”The Shred” Goodwin, with his fervent belief in the wisdom of the ‘founder of modern capitalism’, Adam Smith, the once prudent RBS soon plummets, placing Scotland at the heart of the global financial crash of 2008.

Set in Edinburgh, Make It Happen sees legendary actor Brian Cox return to the Scottish stage for the first time in a decade as Adam Smith, the ghost of fiscal past. Written by James Graham (Sherwood, Dear England), hailed as one of the most influential and finger-on-the-pulse writers of our time, and directed by the award-winning Andrew Panton, this bitingly funny new satire delves into the unchecked growth, spiralling greed and nail-biting hubris that brought the world’s economy to its knees.

This fictionalised satire features a mixture of characters and incidents inspired by real-life events, with others entirely imagined.

James Graham, writer, said: “Like many writers, an Edinburgh stage is the first place ever I dared put a full play in front of an audience.

“To be invited to join the prestigious Edinburgh International Festival programme this summer is an honour and a thrill. And to work with the National Theatre of Scotland, the Dundee Rep, and of course – Brian Cox, whom I’ve been desperate to write for for as long as I can remember.

We still live in the long shadow of the 2008 financial crash and our inability to reset from that inheritance and its divisive legacies, so it feels right to be interrogating it artistically. But we hope to do so in a show full of music and story, larger-than-life characters, cheeky humour, and some ghosts from Scotland’s centuries’ long past thrown in as well…”

Andrew Panton, director, said: ​​”It’s a personal honour and huge responsibility to tell what became a global story that started in the city close to where I grew up.

“Working with an exceptionally talented cast, creative and production teams, I’m excited to be directing this new play, bringing it to audiences at Dundee Rep Theatre and Edinburgh International Festival stages.”

Brian Cox, actor, said: “I’m excited to be doing a play written by James Graham who is such a great writer.

“It’s been a long time since I played in Scotland – it’s good to be back.”

Jackie Wylie, Artistic Director of the National Theatre of Scotland said: “I am thrilled that audiences will get to experience the combined talents of James Graham and Brian Cox, taking on the collapse of Royal Bank of Scotland in this epic new play, directed by the gifted Andrew Panton, produced in partnership with the brilliant institutions, Dundee Rep and Edinburgh International Festival.

“Dealing with seismic global moments that have shaped our national psyche, at the world’s most significant arts Festival is the perfect project for the National Theatre of Scotland  and we are truly proud of this special collaboration”

Nicola Benedetti, Edinburgh International Festival Director, said: “We are extremely proud to present a brand-new play by James Graham,  ‘Make It Happen’, which will open the 2025 International Festival in August.

“This co-commission with the National Theatre of Scotland and Dundee Rep demonstrates our ongoing commitment to bringing vital Scottish stories to the world stage, and invites us to examine events that took place in Edinburgh but rippled across the globe.

“Illuminating this year’s festival theme ‘The Truth We Seek’, ‘Make it Happen’ exemplifies the level of ambition and thought-provoking work that defines the Edinburgh International Festival. We cannot wait to see you there.”

Paisley born Fred Goodwin was the Chief Executive Officer of the Royal Bank of Scotland Group between 2001 and 2009, presiding over RBS’s rapid rise to become the world’s largest company (by assets) and the fifth-largest bank (by stock market value), and their even more rapid fall in 2008, which coincided with the worldwide economic crisis. Make It Happen is the first major artwork exploring RBS’s role in this tumultuous period in recent history.

‘James Graham is fast becoming the pre-eminent playwright of his generation.’ The Guardian

James Graham is an award-winning screenwriter and playwright, whose recent work includes Dear England (National Theatre of GB and West End) which won the Olivier award for Best Play in 2024 and is currently being adapted into a BBC miniseries.

Other theatre work includes: This House (National Theatre of GB, West End and UK tour), which was chosen by popular vote as the best play of the 2010’s for the major theatre publisher Methuen; Punch (Nottingham Playhouse and transferring to the Young Vic in spring 2025); Best of Enemies (Young Vic, 2022), winner of the Critics’ Circle Theatre Award; Tammy Faye (The Almeida), and Ink (The Almeida), which transferred to Broadway and was nominated for six Tony Awards; Labour of Love (Noel Coward Theatre, 2018) which won the Olivier award for Best Comedy.

For television, James is the writer and creator of Sherwood which first aired on BBC One in 2022 to five star reviews, winning the Royal Television Society Award for Best Drama and two BAFTAS. Other TV includes Brexit: An Uncivil War, broadcast on Channel 4 and HBO, and was nominated for an Emmy for Outstanding Television Movie. His Channel 4 drama, Coalition won the RTS Award for Best Single Drama (2019), and Quiz (ITV and AMC), adapted from his stage play and directed by Stephen Frears, was one of the most watched UK TV dramas of 2020.

Andrew Panton is an award-winning theatre director and currently Artistic Director and Joint CEO of Dundee Rep Theatre. For Dundee Rep, his directorial credits include August: Osage County, The Children, A Christmas Carol, Oor Wullie, Passing Places and Spring Awakening.

He has previously worked with National Theatre of Scotland as director on digital lockdown short Out of the Woods with Alan Cumming and A Sheep Called Skye, and as staff director on the original UK & International tours of Black Watch. He has also directed productions for the Royal Lyceum Theatre Edinburgh, Citizens Theatre Glasgow, Royal & Derngate, Perth Theatre and The Stephen Joseph Theatre.

His recent work includes A History of Paper, which won a Scotsman Fringe First, an immersive production of Peter Greenaway’s The Cook, The Thief, His Wife and Her Lover, and the gig-theatre musical No Love Songs which will transfer to Sydney and New York in spring 2025. Andrew’s work for television includes: Children in Need, The Naked Choir and The Voice (BBC) and he was a creative director for the opening ceremony of the Glasgow 2014 Commonwealth Games.

Brian Cox is an award-winning Scottish actor, known for his work on stage and screen. Born in Dundee, he trained at Dundee Rep Theatre before going on to work at the Royal Lyceum Theatre, Royal National Theatre and the Royal Shakespeare Company where he first gained recognition for his portrayal of King Lear.

His numerous accolades include two Olivier Awards, a Primetime Emmy Award and a Golden Globe Award. Recent entries on his extensive list of theatre credits include Long Day’s Journey Into Night (Wyndham’s Theatre) and The Score (Theatre Royal Bath). His screen work includes Succession (HBO), Braveheart (Paramount Pictures, 20th Century Fox) and Nuremberg (TNT).

Brian returns to Scottish stages for the first time in a decade, last appearing on Scottish stages in 2015 in Waiting For Godot at the Royal Lyceum Theatre. He previously worked with National Theatre of Scotland in 2020 when he played Inspector Rebus in a special digital short, John Rebus: The Lockdown Blues written by Ian Rankin for their lockdown Scenes for Survival series, created in partnership with BBC Scotland.

Creative Team: Set Designer: Anna Fleischle; Costume Co-Designers: Anna Fleischle and Angelica Rush; Movement Director: Emily Jane Boyle; Musical Supervisor and Arranger: Martin Lowe; Lighting Designer: Lizzie Powell; Sound Designer: Tingying Dong; Video co-designers: Lewis den Hertog and Anna Fleischle; Associate Designer: Angelica Rush; Casting Director: Stuart Burt CDG

Supported by Sir Ewan and Lady Brown

Make It Happen is also supported by the Scottish Government’s Festivals EXPO Fund through Creative Scotland.

Previewing at Dundee Rep Theatre (late July); opening at Edinburgh International Festival, at the Festival Theatre, (previews Wed 30 & Thurs 31 July) Fri 1 August – Sat 9 August

Full cast to be announced.

More information here: https://www.eif.co.uk/events/make-it-happen

Tickets will go on sale for performances at Edinburgh International Festival on 27 March, with priority booking available.          

The Edinburgh International Festival’s full programme will be announced on 13 March 2025.

Through the Shortbread Tin comes to Scottish stages in 2025

WORLD PREMIERE  

National Theatre of Scotland presents 

Through the Shortbread Tin 

Written and performed by Martin O’Connor 
Directed by Lu Kemp 

Musical Director and Composer – Oliver Searle, Sound and Video Designer – Rob Willoughby, Set and Costume designed by Emma Bailey and Rachel O’Neill 

1 April to 2 May 2025 

A Scotland-wide tour opening at Melrose, touring to Glasgow, Edinburgh, Ullapool, Stornoway (Isle of Lewis), Portree (Skye), Dornie (Lochalsh), Cumbernauld, Oban, Helensburgh, Lerwick (Shetland) and Inverness.  

Opening Performance at Corn Exchange, Melrose on 2 April 2025 

The story of the greatest literary hoax of all time.  

In 1760 Scottish poet James Macpherson set the world ablaze with stories of the third-century Scottish bard, Ossian. This tartan-trimmed tale of Highland history spread far and wide, capturing the imagination of thousands– but was it built on a deception? 

In 2025 Scottish poet Martin O’Connor decides to revisit Macpherson’s epic and begins to question his own relationship with Scottish culture. The sporrans, the stags, the shortbread – do these ‘gift-shop’ images of Scotland hold us back or bring us forward? What does it mean to be authentic, and is the truth sometimes better told in a lie?  

Imagine that you didnae ignore the myths.

Imagine you were telt your history. 

Imagine ye could hod onto the stories.

Imagine ye could create yer ain truth. 

© Eoin Carey

Through The Shortbread Tin is a new show, performed in Scots, with Gaelic songs, which explores Scottish culture, myths, history and identity.  

Martin will be joined on stage by three female Gaelic choral singers, singing original songs composed by Oliver Searle.  

Audiences are invited to join Martin and Macpherson on an oral odyssey spanning centuries of Scottish history, exploring the myths we tell each other and the stories we tell ourselves.  

BACKGROUND TO OSSIAN

In 1760 Highlander Macpherson published Fragments of Ancient Poetry to great critical and commercial acclaim. The poems were collected from oral sources around Scotland and were presented as the work of a third century bard, Ossian, soon dubbed The Homer of the North. 

There soon followed two other publications, Fingal and Temora, and together they set the Scottish and European literary world alight. The ‘Ossian effect’ soon saw a rise in interest in Scottish and Highland ways of life and an increase in tourism and cultural interest.

The impact of Ossian was immediate and permanent, even if the individual poems eventually fell out of fashion. But soon after publication, debates over Ossian’s aesthetic and moral ‘legitimacy’ surfaced, which plagued the writer and the impact and legacy of the work.  

Martin O’Connor is an award-winning theatre-maker, performer and poet from Glasgow. He is interested in exploring ideas of voice and identity through theatre and poetry, with particular interest in Scots, Gaelic and verbatim.   He won Scots Performer of the Year Award at this year’s Scots Language Awards.

He was granted a Gavin Wallace Fellowship in 2018, hosted by Playwrights’ Studio Scotland and the Lyceum Theatre, marking the first stage in his research into James Macpherson and Ossian. 

He makes work for solo performance as well as with, and for, other people. He was the National Theatre of Scotland Writer in Residence in 2020. Previous projects include Turntable (MJ McCarthy/Red Bridge Arts), Mark of the Beast (Martin O’Connor/Platform), Togail Nàisean/ Building a Nation (Glasgow Life).

Martin O’Connor, writer and performer said: “I’m looking forward to staging this work after many years of research and development, and I can’t wait to begin working with Lu and the rest of the creative team to tell this story.

“I have been fascinated with the history of Ossian and Macpherson since I started learning Gaelic and since I have rediscovered my Scots voice, and it gave me a jumping off point to explore all things linguistic, cultural and historical about Scotland, and my own upbringing.

“It seems that not many people know about Ossian and Macpherson, the hoax that he created, and the impact that it had on him and wider Scottish culture, so I am very excited to be staging this work and telling this tale at a time when we are still asking big questions about our country and identity.” 

Through the Shortbread Tin is directed by Lu Kemp, a theatre director and dramaturg with a distinctive reputation for her work in new writing. Lu was Artistic Director of Perth Theatre between 2016 to 2023.

Her tenure was notable for supporting the creation of new work by Scottish artists and community engaged productions. As a freelance director, Lu has worked for The Citizens, The Royal Lyceum Theatre, National Theatre of Scotland, Artangel, London,The Tricycle, Almeida and The Royal Shakespeare Company.     

Touring to Corn Exchange, Melrose (Preview Tues 1 April) Wed 2 April; Tron Theatre, Glasgow Fri 4 & Sat 5 April; Storytelling Centre, Edinburgh Tues 8 & Wed 9 April; Macphail Centre, Ullapool Saturday 12 April; An Lanntair, Stornoway Tues 15 April; Aros Centre, Skye (with SEALL) Thurs 17 April; Dornie Community Hall, Lochalsh (with SEALL) Fri 18 April; Cumbernauld Theatre Wed 23 April; Corran Halls, Oban Thurs 24 April; Cove Burgh Halls, Helensburgh Fri 25 April; Mareel, Shetland Mon 28 & Tues 29 April; Eden Court, Inverness Thurs 1 & Fri 2 May. 

On social: #ShortbreadTin 

World Premiere at St Mary’s

🎵 Join us for a world première!

✨ Our renowned choir will give the first performance of Joanna Marsh composer‘s new piece ‘The Everlasting Covenant’ at Choral Evensong on Sun 6th Oct at 3.30pm!

💡 All welcome to join us, for FREE. https://tinyurl.com/3w9pnztw

Edinburgh International Film Festival announces new guests, special screenings and more tickets on sale

  • Damian Lewis and Kelly Macdonald will attend the World Premiere of Euros Lyn’s The Radleys
  • Filmmakers Nina Conti and Mark Cousins also present new work
  • New guests join previously announced Saoirse Ronan, Thelma Schoonmaker, Alex Garland, Andrew Macdonald and Gaspar Noé in attendance at the Festival this year
  • A special late night screening of 28 Days Later will take place along with a late night Surprise Film presented by Gaspar Noé
  • Tickets across all events released from 3pm Thursday 1 August
  • The relaunched EIFF runs from Thursday 15 August to Wednesday 21 August

The relaunched Edinburgh International Film Festival (EIFF) has today announced a new selection of guests attending this year’s Festival in support of World and UK Premieres and events.

The Festival will also release more tickets across all screenings today from 3pm via edfilmfest.org, edfringe.com and via the EdFringe official app.

Newly announced to attend this year’s Festival are Damian Lewis and Kelly Macdonald who will present the World Premiere of Euros Lyn’s fresh reimagining of the vampire genre The Radleys.

Filmmaker Mark Cousins will attend the UK Premiere of his new award-winning documentary on Scottish artist Wilhelmina Barns-Graham A Sudden Glimpse to Deeper Things.

In attendance as part of the The Sean Connery Prize for Feature Filmmaking Excellence will be Arash Rakhsha for the urgent documentary All the Mountains Give, Jack King for the powerful Yorkshire-set drama The Ceremony; Mary Jiménez and Bénédicte Liénard for the richly poetic Fugue: Will Seefried for the haunting queer drama Lilies Not for Me:  Daisy-May Hudson for the stirring film Lollipop: Abdolreza Kahani for the subversive comedy drama A Shrine; Bryan Carberry for the clear-eyed take on artificial intelligence **smiles and kisses you**; Nina Conti for the absurdist comedy road movie Sunlight; Kelsey Taylor for the dark psychological thriller To Kill a Wolf and Manuela Irene for the delicately moving Xibalba Monster.

Also in attendance for the Festival’s Out of Competition films will be fillmaker Sophie Fiennes for the immersive documentary Acting; Daniel Reisinger for the bittersweet comedy And Mrs, Halfdan Ullmann Tøndel for the Camera D’Or Winner Armand; Ben Rivers for Bogancloch about Jake Williams, a hermit living in the Scottish wilderness, Jake will also attend the Festival; Suzanne Smith and Sylvia Solf for their dance-filled South African documentary Joy Dancer; Polly Steele for the courageous documentary The Mountain Within Me, Greg Kwedar for the transcendent prison drama Sing Sing.

Previously announced guests include filmmaker Nora Fingscheidt and producer and actor Saoirse Ronan who will present the Opening Night UK Premiere of The Outrun the legendary Thelma Schoonmaker will present the inaugural Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition Shorts as well as introducing a retrospective screening of Emeric Pressburger and Michael Powell’s much loved classic I Know Where I’m Going! (1945) set on the Isle of Mull.

Filmmakers Carla J. Easton and Blair Young will be in attendance for the Festival’s Closing Night film, the World Premiere of the powerful new documentary Since Yesterday: The Untold Story of Scotland’s Girl Bands.

Master provocateur Gaspar Noé (Irreversible, Climax, Enter The Void) will attend the Festival for a special In Conversation event discussing his filmmaking career, ahead of presenting a special screening of Dario Argento’s horror masterpiece Suspiria (1977).

Writer, academic and former EIFF Director Lynda Myles will present Lynda Myles Celebrates: is a new special screening showcase for visionary cinematic work which this year is the World Premiere of Argentinian filmmaker Axel Cheb Terrab’s film Gala & Kiwi Axel Cheb Terrab and the cast will also be in attendance.

Also attending as part of the Midnight Madness strand will be Kit Redstone and Arran Shearing for the enigmatic and unexpected King Baby, and James Clarke and Daniel Shephard for the adrenaline fuelled thriller Sunray: Fallen Soldier which stars a cast of former Royal Marine Commandos who will also be in attendance.

Tickets for the recently announced Keynote Address In Conversation: Alex Garland and Andrew Macdonald will go on sale at 3pm today. Press and industry tickets for this event will be made available to EIFF delegates at 8.45am the day before, on a first come first served basis.

A special late night screening of 28 Days Later will take place on Saturday 17 August at 1am in Red Lecture Theatre at Summerhall.

GASPAR NOÉ PRESENTS: SURPRISE FILM and ALI PLUMB’S UNTITLED FILM QUIZ PROJECT were also released at 3pm yesterday (Thursday 1 August).

This year’s Festival programme features musical odysseys, dystopian worlds, laughter in the face of darkness, vivid portraits of characters from the fringes of society and reimagined inner and outer spaces. It showcases new work from filmmakers from the UK, US, Canada, Mexico, Norway, China, Kazakhstan, Belgium, Iran and beyond.

37 new feature films, 18 World Premieres including 10 World Premieres competing for the new Sean Connery Prize for Feature Filmmaking Excellence, 4 special retrospective screenings, 5 short film programmes including the new Thelma Schoonmaker Prize for Short Filmmaking Excellence competition, an In Conversation event with iconic filmmaker Gaspar Noé and a strand of thrilling Midnight Madness screenings make up a seven-day celebration of world-class new cinema which also allows audiences, press and industry to easily engage with the best of Edinburgh’s other arts and cultural Festivals.

EIFF venue partners this year embed the Festival in the heart of the Fringe landscape with screenings taking place at Cameo Cinema, Summerhall, 50 George Square, in partnership with Assembly Festival; Inspace on Crichton Street in partnership with Monkey Barrel Comedy; and Tollcross Central Hall, in a programme which champions a new generation of UK and international talent, including a strong selection of first and second features.

This year’s 77th edition of the Festival honours the film festival’s history, showcasing the very best talent in filmmaking in a format rooted in a local Scottish context whilst embracing the international diversity of creative expression. EIFF encourages audiences, film fans and industry professionals to make the trip this summer to Edinburgh.

Tickets are now on sale via edfilmfest.org, edfringe.com and via the EdFringe official app. Press and Industry accreditation for EIFF is open and closes on 2 August.

EIFF 2024 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, the Industry Programme is backed by EXPO funding from the Scottish Government through Creative Scotland, and EventScotland part of VisitScotland’s Events Directorate.

Edinburgh International Film Festival runs from Thursday 15 to Wednesday 21 August 2024.  

Scottish Opera Young Company present world premiere of Red this summer

This July, Scottish Opera Young Company is presenting the world premiere of RED, a darkly comedic piece drawn from fairy tales by The Brothers Grimm, at the Company’s Production Studios in Glasgow.

An interwoven story of the four stages of women’s lives that often feature in folk tales, RED is by award-winning composer Karen MacIver, with a libretto by Scottish Opera’s Director of Outreach and Education, Jane Davidson MBE.

The conductor is Young Company’s Artistic Director Chris Gray, with Flora Emily Thomson (Maud & Down in the Valley 2023 and As The Seasons Turn 2022) returning to direct the 14 young performers aged between 17 to 21. Set and costume designs are by Finlay McLay.

RED is inspired by Little Red Riding Hood, Rapunzel, Snow White and Hansel & Gretel, and features aspects of the ages of unnamed female figures — girl, maiden, mother, crone — that often appear in these famous stories. The 70-minute opera examines the circular, metamorphic nature of these tales as well as experiences shared by generations of women across time through magical realism.

Karen MacIver (above) and Jane Davidson said: ‘RED is an exploration of the some of the key defining characteristics of the female protagonist in stories – bringing the tradition from its beginnings in folk tales and right up to contemporary interpretations.

‘Women are judged by a different set of values, and many still face the unenviable choices of relationships (family) versus personal aspiration. In more recent times, the medium of stage and film – and of music composed for these– has gained dominance in terms of how we experience storytelling.

‘Stephen Sondheim and Bernard Herrmann are masters in the art of musically driven plots. Their works have greatly influenced the score, not only in the musical choices made, but also as a guiding light for compelling storytelling in terms of the landscape of sound.

‘Literary influences include Margaret Atwood, whose beautifully concise, darkly humorous style, with twists and turns at the most unexpected of moments, we have tried to capture in the libretto.

‘Working within the parameters of four short acts drove the need for a musical score that describes the plot every bit as much as the words. Interspersed throughout are strands of magical realism, lending an everyday quality to the more outrageous aspects of the story arc that we are confident most of the audience will recognise.

‘So, throw in some chatty crockery, firefighters with a nice line in barbershop singing, some 1980s shoulder padded glamour, a wolf that needs therapy and you might just get a sense of what to expect.’

Director Flora Emily Thomson said: ‘I’m so excited to be working with the Young Company again to bring to life RED. 

“Karen MacIver and Jane Davidson’s intricate and charged piece is brimming with possibilities, compelling us to consider the relationship between women, power and patriarchy across a lifetime, and the shifts and sacrifices needed to navigate these.

“As we follow our protagonist through her ages, our ensemble uses dynamic and sensory movement to build her worlds and destroy them, constantly moving the goal posts and manipulating the parameters of her world.

“Taking place on a striking and stark, angular set, prepare to experience some of society’s oldest tales in a thoroughly modern way.’

Scottish Opera Young Company offers young singers a unique and practical introduction to the world of opera and the chance to develop their talent through a year-long programme, working with a range of music professionals.

For many of the singers, it is the first step towards building a career in the arts, and gives them the opportunity to perform music written especially for young voices.

Tickets for RED, which is supported by Scottish Opera’s Education Angels and The Rose Fund, are available to buy now from www.scottishopera.org.uk/shows/red

Kidnapped Sets Sail!

World Premiere 

National Theatre of Scotland presents  

KIDNAPPED

A Swashbuckling Rom-Com Adventure 

Adapted by Isobel McArthur with Michael John McCarthy 

Co-directed by Isobel McArthur and Gareth Nicholls  

Based on the novel by Robert Louis Stevenson 

Full cast:  Malcolm Cumming, Christina Gordon, Kim Ismay, Danielle Jam, Fatima Jawara, Ryan J Mackay, Grant O’Rourke, David Rankine, Isaac Savage, and Karen Young. 

Composer and Music Supervisor Michael John McCarthy Set and Costume Design Anna Orton, Sound Design Clare Hibberd Movement Director Emily Jane Boyle Video Design Tim Reid Lighting Design Ben Ormerod Associate Director Isla Cowan Fight Director Claire Llewellyn Casting by Michael Howell 

Supported by Sir Ewan and Lady Brown 

Touring the UK from Tuesday 28 March to Saturday 20 May 2023 

Opening at the Beacon Arts Centre, Greenock and touring to Theatre Royal, Glasgow; Royal Lyceum Theatre, Edinburgh; Eden Court, Inverness; Perth Theatre; Northern Stage, Newcastle and Theatre Royal, Brighton, as part of Brighton Festival, from March to May 2023.   

 Opening Performance at the Beacon Arts Centre on 31 March 2023 

Kidnapped, Robert Louis Stevenson’s adventure-classic is touring Scotland and England in a riotous new retelling for 2023.  

This swashbuckling new production from the National Theatre of Scotland, adapted by Isobel McArthur with Michael John McCarthy, premieres at the Beacon Arts Centre in Greenock in March 2023 before touring to Glasgow, Edinburgh, Inverness, Perth, Newcastle and Brighton. 

Kidnapped is a colourful new take on Stevenson’s historical novella about David Balfour who leaves home for the first time and must grow up fast to solve a family mystery and take revenge on an evil assailant. This vibrant production is a coming-of-age romcom for today, which celebrates the poetry, humour and heart of Stevenson’s writing.  

Co-created by Isobel McArthur and Michael John McCarthy, writer and musical supervisor of the Olivier award-winning Pride & Prejudice* (*sort of), Kidnapped is packed full of 20th century pop music and 18th century romance, all performed by a dynamic ensemble of actor-musicians. 

Kidnapped - Rehearsal Photos 11 - Photo credit Julie Howden

Davie Balfour will be played by Ryan J Mackay, who was most recently seen on stage in Harry Potter and the Cursed Child, and he will be joined by Malcolm Cumming as Alan Breck Stewart, familiar to Scottish audiences from the acclaimed James IV: Queen of the Fight, (Raw Material and Capital Theatres, in association with National Theatre of Scotland) which toured Scotland in late 2022. Kim Ismay will be playing Frances and is perhaps most familiar to audiences for playing the role of Tanya in the West End production of Mamma Mia, and Madame Morrible in the international and UK & Ireland tours of Wicked.

Kidnapped - Rehearsal Photos 05 - Photo credit Julie Howden

They will be joined on this adventure by a talented ensemble including: Christina Gordon, who will be reuniting with Isobel McArthur and Michael John McCarthy after her run as an original cast member of Pride and Prejudice* (*sort of), for which she was nominated for a Laurence Olivier Award for Best Actress in a Supporting Role; David Rankine who is a Scottish actor most recently seen in the revival of the National Theatre of Scotland production of Rocket Post, which featured song arrangements from Michael John McCarthy; Danielle Jam, who recently worked with Raw Material, Capital Theatres and National Theatre of Scotland as one of the lead roles in James IV: Queen of the Fight and will be reunited with her James IV co-star Malcolm Cumming in Kidnapped; Grant O’Rourke has done extensive work in theatre, television, film and radio, and is most familiar to Scottish audiences for his role in Outlander, and more recently, Shetland; Isaac Savage is an actor, musician and composer who will joining the ensemble as the Performing Musical Director for Kidnapped, and last year was the Performing Musical Director for Cinderella at Dundee Rep; Karen Young is a Scottish actress, recently appeared in Cinderella at Dundee Rep; Fatima Jawara was most recently seen as the titular role in Eastern Angles’ Christmas production of Little Red.  

Kidnapped - Rehearsal Photos 10 - Photo credit Julie Howden

“I don’t believe it……I finally have a chance at a decent future – and my only surviving relative pays to have me knocked unconscious and forced onto a knackered old boat by a load of bloody… Pirates!” 

19-year-old Davie Balfour has never left home, never been kissed and never fired a gun. Armed with nothing but a hand-drawn map, he heads off on an adventure like no other – quickly realising that he has a lot of catching up to do. The production follows Davie on a journey of eye-opening discovery as he navigates murderous foes, Jacobite outlaws and the most inept crew of pirates this side of the Atlantic. 

This version of Kidnapped reframes the relationship between the central characters Davie Balfour and Alan Breck Stewart as a romance, which is played out through their adventures across the Lowlands and Highlands of a Scotland still reeling from the aftermath of the 1745 Jacobite rebellion. Robert Louis Stevenson’s wife, Frances, an American writer who supported her husband throughout his writing, also features in the production in the role of a spirit guide to the protagonist.  

The music – performed live – is arranged by Michael John McCarthy and will include well-loved songs including denim-clad Americana, late 90s love songs, art rock, protest anthems, 80s synth-pop, Gaelic folk song and more. 

Kidnapped - Rehearsal Photos 12 - Photo credit Julie Howden

Isobel McArthur is an Oliver award-winning actor, director and playwright. Her plays have toured the UK and been performed internationally. Her five-star West End adaptation of the classic novel Pride & Prejudice* (*sort of) is currently on tour across the UK. Previous work for National Theatre of Scotland as an actor includes Edwin Morgan’s Scots language Cyrano De Bergerac (with Citizens Theatre) and as writer/co-director of The Quiz! (with BBC Scotland) as part of Scenes for Survival. 

Michael John McCarthy is a musician, sound designer and composer for stage and screen. He has worked on over eighty theatrical productions and has collaborated on the making of ten Scotsman Fringe First Award winners, most recently The Last Return by Druid Theatre Company.

He is the musical supervisor & co-sound designer on Pride and Prejudice* (*sort of), winner of the 2022 Olivier Award for Best Entertainment or Comedy Play, and his previous work for National Theatre of Scotland includes The Cheviot, The Stag, & The Black, Black Oil, Rocket Post and In Time O’ Strife. 

Isobel McArthur and Michael John McCarthy – Kidnapped co-creators said: “In Kidnapped, there seemed to us to be more of Stevenson the man, his beliefs and experiences, than in any other of his works of fiction.

“His deeply romantic view of being human, his attempts to hold onto a sense of innocence and wonder at the world, his lust for travel, his attraction to glamour and physical strength… they are all here! In this novella, Stevenson asks what it is to be Scottish, to be in in love, to be a grown-up – all through the telling of a historical tale, full of humour, heart and song.

“It’s a true adventure story – where body and soul are put through their paces – to, by turns, thrilling, moving and humorous effect. We just couldn’t pass it up.” 

Kidnapped was originally written as serialised fiction in the magazine Young Folks from May to July 1886. The novel first appeared in book form from Cassell and Company in July 1886 and has since been adapted several times with numerous versions for film and television.

Edinburgh born Stevenson based many of the characters and events in the much-loved classic on actual people and places. Principal characters Davie Balfour and Alan Breck Stewart are celebrated in a 15-foot-tall statue by Alexander Stoddart situated on the outskirts of Edinburgh near Corstorphine Hill. 

Join the conversation: #Kidnapped 

Touring to Beacon Arts Centre, Greenock (previews Tue 28, Wed 29, Thurs 30 March) Fri 31 March – Sat 1 April 2023; Theatre Royal, Glasgow Wed 5 – Sat 8 April 2023, Royal Lyceum Theatre, Edinburgh Tue 11 – Sat 22 April 2023; Eden Court, Inverness Wed 26 – Sat 29 April 2023; Perth Theatre Wed 3 – Sat 6 May 2023 and Northern Stage, Newcastle Tues 9 – Sat 13 May 2023.  

Live Music Now announce world premiere at Holy Cross Church in Davidsons Mains this Sunday

  • Live Music Now Scotland (LMNS) bring Live performance to Edinburgh with world premiere of ‘What’s for you…’ by composer Jennifer Martin
  • The piece will be performed by clarinettist Calum Robertson and pianist Juliette Philogene who will also perform the second LMNS piece commissioned from Jennifer, ‘Bi-Cycle’
  • The concert will take place at 3pm on Sunday 24 October at Holy Cross Church, Davidson’s Mains

Live Music Now Scotland (LMNS) is delighted to announce its next public, live and in person performance this coming Sunday (24 October).

Taking place at Holy Cross Church in Davidsons Mains, this one-off concert will feature a world premiere of a new piece for clarinet and piano by Jennifer Martin, performed by and commissioned for clarinettist Calum Robertson and pianist Juliette Philogene.

Entitled ‘What’s for you…’ the piece is one of two commissioned by Live Music Now Scotland and written by Jennifer Martin, who recently published a book Creative Composition for the Classroom co-written with composer Sir James MacMillan.

‘What’s for you…’ is a reflective piece that was inspired by the hopes, joys and fears that must come with motherhood; joyous, irregular, humorous, difficult, but always looking on the bright side.

Jennifer Martin, author of Creative Composition for the Classroom and Chief Executive of the Cumnock Tryst, said: “It is a huge honour to have been asked to create two bespoke pieces for Live Music Now Scotland, an organization whose work is so vitally important when it comes to getting live music to those who may not otherwise get a chance to hear it, and in the career development of musicians. 

“Both ‘Bi-Cycle’ and ‘What’s for you…’ examine the relationship between mother and daughter in a myriad of ways, and I can’t wait to hear them in the beautiful surroundings of Holy Cross Church, performed by the brilliantly talented Calum and Juliette.”

The concert is free of charge although booking is required, and the concert will also feature Nocturne by Ronald Stevenson and Three dances by Germaine Tailleferre.

The location of this exciting performance is no coincidence. Throughout lockdown Holy Cross Church was incredibly supportive of LMNS, engaging artists to sing and play as part of worship when live performances were not allowed elsewhere.

Not only that, but the costs were also covered by the congregation, meaning a live world premiere seemed like a fitting tribute. The concert will slot into a new series of afternoon events in the church.

Carol Main MBE, Director at Live Music Now Scotland, said: “We are so excited to see a public LMNS performance, and a world premiere no less, return to the wonderful surrounds of Holy Cross Church in Edinburgh. Not only is a beautiful space, but one we feel a deep affinity with after the support they have shown our musicians throughout the pandemic.

“We also feel incredibly lucky to be able to hear these two pieces, commissioned especially for our musicians by the amazingly talented Jennifer Martin and performed by the equally talented Calum and Juliette, surrounded by a live audience.”

The two LMNS commissions were made possible by funding from Gavin McEwan.

Tickets for the performance can be purchased at scotland@livemusicnow.org