Bach tops Mozart and Beethoven to claim crown as world’s favourite composer

  • Bach is the world’s favourite composer with 5,447,956 monthly listeners on Spotify and 86,400 YouTube subscribers. 
  • Beethoven is the second most popular composer, while Mozart comes in third. 
  • The most streamed song by any of the top ten is Vivaldi’s The Four Seasons, with 233 million views on YouTube  

Johann Sebastian Bach has beaten Mozart and Beethoven to claim his position as the world’s most popular classical composer. 

He has 5,447,956 monthly listeners on Spotify and 86,400 YouTube subscribers, according to a new study by gambling community hub Casino Grounds

Beethoven follows just behind as the second most popular composer with 5,085,293 listeners on Spotify each month, and 125,000 YouTube subscribers. 

Beethoven has the second most streamed song by any classical composer, earning 173 million views on YouTube for his iconic Moonlight Sonata. 

Though Mozart comes in third with 5,007,303 monthly Spotify listeners, he has the most YouTube subscribers with 135,000 to his name, providing strong representation for Austria.  

Germany may dominate the top spots, but Polish composer Chopin is next in fourth place. With 4,771,732 Spotify listeners each month and 68,400 subscribers on YouTube, he also has the third most streamed song in the top ten across all platforms for Spring Waltz, which has 131 million views on YouTube. 

In position five is French maestro Debussy with 3,722,304 monthly Spotify listeners and 29,100 YouTube subscribers. Russian composer Tchaikovsky is next with 2,164 260 listeners on Spotify each month and 34,600 YouTube subscribers.  

Italian virtuoso Vivaldi is in position seven with 3,079,070 monthly Spotify listeners and   48,900 YouTube subscribers. He notably has the most streamed song by any of the top ten for The Four Seasons, which has 233 million views on YouTube.  

Vivaldi is also the “oldest” composer out of the top ten, born in 1678, a little ahead of Bach in 1685. The two are the only composers on the list from as far back as the 17th Century or Baroque historical period. 

Frenchman Saint-Saens is in position eight with 2,689,709 listeners on Spotify each month and 4,280 YouTube subscribers, followed by Schubert – the second Austrian on the list. Schubert has 2,334,386 monthly Spotify listeners and 22,900 YouTube subscribers. He also had the shortest lifespan, passing away at just 31 years old in 1897. 

The final spot in the top ten list of most popular classical musicians belongs to Brahms, solidifying Germany as the country that produced the most composers who have remained popular over the centuries. Brahms has 2,153,966 monthly Spotify listeners and 23,100 YouTube subscribers. 

A spokesperson for Casino Grounds said, “Most people would expect Mozart and Beethoven to top any list of the most popular classical composers, so it’s fascinating to see Bach in number one here. This could be a result of soundtracks from popular films and TV shows such as The Godfather and The Simpsons favouring Bach’s music for its dramatic impact.” 

The research was conducted by Casinogrounds.com, which is the leading online gambling community, which promotes safe and responsible practise and discussions around gambling. 

Top Ten Most Popular Classical Composers 2021 

Composer Monthly  Spotify  Listeners  YouTube Subscribers  Most Popular Song on Spotify  Most Popular Song on YouTube  Lifespan  Country 
1. Bach 5,447,956 86.4K 168, 758 083 – Cello Suite No. 1 in G Major 72M – Air 1685-1750 (aged 65) German 
2. Beethoven 5,085,293 125 K  94, 946 611 – The Piano Sonata No. 14 in C-sharp minor (Moonlight Sonata) 173M – Moonlight Sonata 1770-1827 (aged 56) German 
3. Mozart 5,007,303 135 K  50, 489 179 – The Piano Concerto No. 21 in C major, K. 467 100 M – Requiem 1756-1791 (aged 35) Austria  
4. Chopin 4,771,732 68.4 K  44, 252 266 – Nocturne No. 20 131 M –Spring Waltz 1810-1849 (aged 39) Poland 
5. Debussy 3,722,304 29.1 K  57, 774 138 – Clair de Lune 78M –  Clair de Lune 1862-1918 (aged 56) France 
6. Tchaikovsky 3,164,260 34.6 K  49, 728 602 – Swan Lake 53M – Waltz of the Flowers 1840-1893 (aged 53) Russia 
7. Vivaldi 3,079,070 48.9 K 28, 842 882 – The Four Seasons 233M  –  The Four Seasons 1678-1741 (aged 69) Italy 
8. Saint-Saens 2,689709 4.28 K  63, 620 387 – The Carnival of the Animals 65M –  The Carnival of the Animals 1835-1921 (aged 86) France 
9.  Schubert 2,334,386 22.9K  23, 887 588 – 4 Impromptus Op. 90  48 M – Serenade  1797-1828 (aged 31) Austria 
10. Brahms  2,153,966 23.1 K  33, 128 007 –Wiegenlied Op. 49, No. 4   39 M Hungarian Dance No. 5 1833-1897  (aged  64) German 

Scottish Ensemble & Social Bite serve up Sound Bites

Scottish Ensemble (SE) and Social Bite are teaming up this summer to spread the joy of shared food and live music with new collaboration Sound Bites.

Based on the notion that these simple pleasures are at the heart of peoples’ lives as social beings, Sound Bites connects the worlds of food and music with a themed picnic box available for audience members to enjoy during upcoming performances as part of month-long outdoor festival Live at No.40.

Scottish Ensemble will bring to life Vivaldi’s iconic masterpiece, The Four Seasons, as audiences enjoy a bespoke picnic of handmade goodies sprinkled with a touch of the Four Seasons by Scottish charity and social enterprise Social Bite. Each picnic basket will contain a duo of tasty baguettes with two different fillings, and depending on dietary preference, a selection of pies, frittatas, sausage rolls, salads and even some of Social Bite’s famous brownie bites.

In solidarity with the Social Bite cause to end homelessness and in keeping with its reputation for thinking outside the (picnic) box, 10% of ticket sales for Scottish Ensemble performances are being donated to Social Bite and its work helping and supporting some of the most vulnerable individuals and communities across Scotland and the UK.

Taking place from the 3 July to 1 August 2021, Live at No.40. will unfold at Scottish Opera’s Production Studio car park at 40 Edington Street, Glasgow. Joined by Scottish Opera and Citizens Theatre in a specially created outdoor theatre, Scottish Ensemble will perform four concerts over two days, accompanied by Scottish charity and social enterprise Social Bite.

At a time when the country is cautiously celebrating new beginnings, Vivaldi’s works of art speaks poignantly to disruption and the inevitability of change with piercing precision. By bringing audiences together, not only for possible the first live performance in over a year, but to ‘break bread’ with fellow music lovers, friends and family, SE and Social Bite mark an important milestone during a turbulent time. 

William Norris, Interim Chief Executive at Scottish Ensemble, said: “One of the things we’ve all missed in the last year has been sharing. Sharing time with friends. Sharing experiences. Sharing food. Sharing music.

“Our Sound Bites performances of Vivaldi’s ever-green Four Seasons promise to provide all of the above, but also share a portion of everyone’s ticket purchase with our partners in this project, Social Bite, who do incredibly important work in tackling homelessness.

“We’re really excited to be partnering with them on this project which marks our return to live performance in a characteristically different way.”

Co-founder and CEO of Social Bite, Josh LittleJohn MBE said: “This collaboration will not only be a brilliant celebration of enjoying food, drink and music together, something we’ve all missed over the past year, it’s also an opportunity to bring about real positive change.

“This fantastic event will deliver funding to our innovative programmes that support people out of homelessness and help them to build independent lives.

“We hope everyone who joins us at Sound Bites enjoys the performance, along with our delicious picnics – specifically crafted for this event by our talented kitchen staff of which 1/3 have come from a background of homelessness.

Thank you for your support and for joining us in our mission to ensure everyone has a safe place to call home.”