Celebrated local singer songwriter Sophie Bancroft’s short film Old Mother Blackbird has recently been chosen as part of a dementia-responsive programme of short films, screening on Virgin Atlantic flights over the next six months.
Old Mother Blackbird, which will also be highlighted in Virgin’s onboard magazine Vera as a ‘Vera Loves’ highlighted film, is a story about maternal love, caring for your children as they grow up, and the emptiness often felt when they finally leave home.
It was first screened at the Women Over Fifty Film Festival (WOFFF) in 2023, and was inspired by a mother blackbird who nested in Sophie’s own garden in Pathhead, a village situated 12 miles south of Edinburgh, during lockdown.
The music and words are written and performed by Sophie with her duo Bancroft & Lyne, and her collage used to illustrate the story, is hand-made.
Sophie works as a solo artist, collaborator, and as part of duo Bancroft & Lyne with bass player and partner Tom Lyne.
She has released nine albums to date and plans to release the song from Old Mother Blackbird as a track on the duo’s forthcoming album.
Sophie’s first short film (S)kin about a mother’s hands and the generational love between mothers, grandmothers, and their children, won best documentary short at the 8 & HalFilm Awards and was screened at the Women Over Fifty Film Festival – WOFFF in 2021 and Italian film festival Cinema D’Idea in 2022.
Sophie’s creative work has often reflected her own personal story. Her current work is inspired by the perspectives of middle age. She has recently collaborated on creative ageing projects with her local choir and with arts organisation Deepness Dementia Media, who are based in the Isle of Lewis.
Deepness Dementia Media provide help for people with dementia to ‘live well’, become autonomous and get the most out of life, and Sophie is currently working with them as music director, songwriter and composer for Dementia: The Musical written by Ron Coleman, which will tour major theatres around Scotland this autumn.
Sophie said: “I am thrilled that my short film Old Mother Blackbird is part of this dementia-responsive programme.
“Inspired by an extraordinarily brave and loyal mother blackbird that set up nest in my garden in a wee village south of Edinburgh, Scotland, it is wonderful to see her universal story of maternal love and family taking flight across the world.”
Sophie Bancroft is a singer and songwriter with a unique blend of jazz and folk influences. She has released nine CDs to date including Songs which was listed as one of The Herald’s top 50 Scottish albums of 2015.
Monday Nights, the most recent release from her duo Bancroft & Lyne was listed in Jazzviews top jazz albums of 2020.
Her music has been used on HBO’s award winning TV series Six Feet Under and recorded by top jazz vocalists including Liane Carroll with the Prague Philharmonic Orchestra.
In 2019 she was awarded a Masters with distinction in Creative Writing and more recently she has expanded her creative practice to include creative writing, photography and film-making.
Sophie also co-leads The Pathhead Choir, is a founder member of the award-winning Pathhead Music Collective, and of Jazz Forward, a new collective music organisation representing and showcasing some of the original jazz being written in Scotland.
Old Mother Blackbird is available to watch on YouTube and as part of Virgin’s inflight entertainment package from now until December 2024.
Scottish film star Graham McTavish dives into the dramatic seascape that is William McTaggart’s The Sailing of the Emigrant Ship in the newest film in the Perspectives series by National Galleries of Scotland.
Released on 6 February the Outlander actor explores how the painting resonates with his own personal experiences of emigration and shares his research into the passage of Scots to New Zealand during the Highland Clearances.
McTavish has long been engrossed in the extraordinary history of Scotland, exploring the heritage of his birth country and its people.
Together with Outlander co-star Sam Heughan, the intrepid Scotsmen recently published a book on their adventures journeying across New Zealand, Clanlands in New Zealand: Kiwis, Kilts, and an Adventure Down Under.
While exploring the new Scottish galleries at the National in Edinburgh, which is home to the nation’s historic collection of Scottish art from 1800 to 1945, McTavish became gripped by the work of McTaggart and the significance of the moments captured in his paintings.
The Sailing of the Emigrant Ship, painted in 1895, depicts a ship of Scottish emigrants moving off under a stormy sky, with a glimpse of a hopeful rainbow in it. On the shore, other members of the clan have been left behind.
In the Perspectives film, McTavish discusses the painting with the National Galleries of Scotland’s Outreach Co-Ordinator, Robin Baillie, detailing his research.
McTavish admits that Outlander has played some part in romanticising these landscapes, but that it is important to remember the historical significance of what these people went through.
‘I don’t think we can imagine it now, what it must have been like for Scots in the 1800s. Wearing big woollen coats and getting on the boat knowing it could take about 120 days on average to get to New Zealand.
‘The rainbow in the painting is showing this idea of a promised land, but a lot of them were sold a lie. Those people were told there were beautiful plots of land for them to farm on, but when they arrived it was thick bush down to the shoreline and precipitous cliffs. They must have got there and thought “we have been robbed” but they didn’t have the option to turn back, they had to get off the ship.’
McTavish has spent years discovering Scotland’s torrid history and is fascinated by how this has changed Scotland’s landscapes and how the country is viewed worldwide today.
The Sailing of the Emigrant Ship is one of very few 19th-century paintings which explore this topic directly ̶ the wider topic of the Highland (and Lowland) Clearances is also addressed in the new Scottish galleries through the interpretation and in landscape paintings.
‘I speak to many, many people, Americans in particular, and when they talk about that Scottish landscape, I try to explain they are experiencing a landscape which has been decimated.
“The emptiness of those glens and straths, that wasn’t how they were. And now they talk about the great vistas and beautiful views across the mountains, views that would have been populated by people living and having their own communities.
“But the absence of those people is what tells the story of those clearances.’
Having moved around from a young age, McTavish was born in Scotland, then his family relocated to London before emigrating to Canada, and then (several years later) to New Zealand.
Exploring his experience, McTavish shares his own resonance with the painting: ‘In the book Sam and I just published, Clanlands in New Zealand: Kiwis, Kilts, and an Adventure Down Under, I became particularly interested in the emigration of Scots to New Zealand and what that experience would have looked like.
‘I was an emigrant, first of all I left Scotland to go to England, then I left there to go to Canada. You feel very alone, I think is one way of describing it. I felt this enormous pressure to speak in a Canadian accent, it sounds silly, but I was 8 and I wanted to fit in. So, to think of all these people that are portrayed here and what they left behind and the unknown they were going to – it really is amazing.’
‘There’s a courage involved in stepping off the shore of your home and knowing you may never return. It takes a particular type of person or a particular type of circumstance that takes you there. Many of them would have had no choice.’
In the recently released Perspectives film, McTavish explores how McTaggart’s painting evokes his own memories of emigrating throughout his life and the emotions it sparks.
‘I have made choices in my life that have moved my family across the world but that was nothing compared to what these people did. I made the decision to move to LA from London, with my wife and child. I remember telling friends at the time and they’d say “what, you’re moving to America? When am I ever going to see you?”. And that’s in the 21st Century!
“It would have been a knife in the heart for a lot of these people in the painting, doing that in the 1800s and never seeing many of your loved ones again.’
‘It would have been this tangle of emotions that they would have felt. There would be some sort of feeling of hope, along with the desperate need for change. So desperate that it would force them to leave the place they loved and grew up in.’
‘To me the artist’s choices, of how McTaggart depicts the people, in the painting shows this. They look like they are disappearing, they are fading, they are not fully fleshed out and you can see through them. It is that sort of sense that the world is just dissolving. For the people looking back that is what they are seeing, their world as they know it disappearing.’
Throughout his travels and living in locations across the world, McTavish notes that the Scots he has met along the way have a strong pride in their heritage. McTavish himself admits he feels lucky that he always has Scotland to come back to.
Reminiscing about one particular line by his character Dougal in the hit TV show Outlander, he says it was a significant line for him to say, not just for the character but for himself.
‘Catriona Balfe’s character, Claire, talks about Dougal’s narcissism and how he is self-obsessed. He stands there and he takes the insults and then he says, “you’re right, it’s true I do love myself, but I love Scotland more”.
‘It meant so much for me to say that and to give him that grounding. We can all look at people like Dougal and think “what was he thinking?” But during that period of the second Jacobite rebellion, they really thought they could win, they absolutely did.’
‘Starting in Scottish theatre, I was constantly moving I didn’t have a sense of rooted home, wherever I was I made it home. But it is strange whenever I come back to Scotland there is a deep feeling of relief when I get here. It’s just a sense of real belonging, I don’t have a home in Scotland but when I am here, I feel at home.’
There is even more Scottish art, history and stories to discover at the new Scottish galleries at the National. Dive into dramatic landscapes, encounter iconic images and be wowed by colour.
A free experience for everyone right in the heart of Edinburgh’s city centre.
Christmas cinemagoers in Edinburgh get the chance to enjoy a new heart-warming animated short film this month and raise funds for the homeless.
The Scotsman Picturehouse on North Bridge, The Cameo Cinema in Home Street and the Dominion Cinema on Newbattle Terrace are among cinemas all over Scotland showing Scottish author Angela Proctor’s festive story Arthur’s Christmas Tale.
Angela, who writes under the name AH Proctor, initially crafted the story as a poem highlighting kindness and homelessness for schoolchildren doing a charity sleep-in.
The tale of a brave little dog defying a Scrooge-like misery guts who despises Christmas was so successful that she has now transformed it into a short film, Arthur’s Christmas Tale, to raise funds for Shelter Scotland.
The animation features a little pug, Arthur, who encounters cold-hearted Jack Frost as he watches over his homeless master, James, sleeping on cardboard in the snow. The little dog wins over the icy, stranger with an act of kindness demonstrating the true spirit of Christmas.
“I love Christmas, I’m a big kid at heart, although I’m not really interested in presents,” says Angela, also a successful businesswoman, mentor and mother.
“It’s family time I love and togetherness and spending time with loved ones is what is reflected in Arthur’s Christmas Tale. The little dog is happy because he’s with James whom he loves unconditionally. He feels sorry for Jack Frost because he’s all alone, so sorry in fact that he gives him the only possession he has in the whole world – a shiny white bone, so that Jack doesn’t feel so alone anymore.
“It’s a poignant message and I’m hoping it will resonate with cinemagoers, where it is being shown during trailers throughout December, and help raise much-needed funds for Shelter Scotland.”
Sharryn McKelvie, Shelter Scotland Senior Community Fundraising Area Manager said: “This is a fantastic initiative by Angela at a time of year that can be full of despair for those without a home.
“We hope that those lucky enough to enjoy quality time in the warmth of a cinema will think about others less fortunate and donate what they can to help make sure no one has to fight the threat of homelessness alone.
“Shelter Scotland exists to defend the right to a safe home and fight the devastating impact the housing emergency has on people and society. Shelter Scotland believes that home is everything.
“As of 31 March 2023, there were 15,039 households in temporary accommodation, 9,595 of them children, the highest number recorded. Between April 2022 and March 2023, another 32,242 households became homeless – the equivalent of a household losing their home every 16 minutes.”
Angela, from the East End of Glasgow, who is best known for her Thumble Tumble series of stories for children, was determined to support art in Scotland by ensuring that all those involved in creating the film came from small, aspiring Scottish companies. She worked with Glasgow-based independent animation studio Clubhouse Animations and StrangeWorx Productions.
Arthur’s Christmas Tale is being shown in independent cinemas from Inverness to Dumfries throughout this month. Visitors will be able to donate via the Shelter Scotland Giving Page or by donating cash to collection buckets at cinemas across Scotland.
‘These people are going to bend over backwards to get you to the point where you can stand straight and walk down the road with a bit of pride in yourself again’
On Tuesday (March 21), Glasgow’s Helping Heroes (GHH) of SSAFA, the Armed Forces charity held an event – sponsored by Paul Sweeney MSP – in the Scottish Parliament.
The event celebrated the unique holistic service GHH, which a two-year long independent service evaluation, funded by the Forces in Mind Trust (FiMT) and conducted by the University of Stirling, identified as “vital” and “life changing” to Glasgow’s Armed Forces community.
The report found that GHH produced a Social Return On Investment (SROI) of £6.63 for every £1 spent during the evaluation period.
As the evaluation was conducted during the Covid pandemic, and included the multiple lockdowns where several of the measures in SROI generation such as employment and housing were effectively shut for all of society, the researchers estimate that in “normal circumstances” the SROI for GHH would exceed £11 for every £1 spent.
During the evening, guests heard from Paul Sweeney MSP, Chairman of SSAFA Sir Gary Coward, GHH’s Manager Rachel Tribble, and FiMT’s Chief Executive Tom McBarnett.
The highlight of the evening, however, was the launch of short film, Courage, which addresses the stigma surrounding mental health challenges for Armed Forces personnel.
The film focuses on the strength it takes to seek help and also how once a person walks through the door at GHH, they will find a team that will, as one of the beneficiaries says in the film says:
“These people are going to bend over backwards to get you to the point where you can stand straight and walk down the road with a bit of pride in yourself again.”
The film features two GHH beneficiaries, Patrick, and Joe, who were among the guests at Holyrood as well as Alan, their GHH peer support worker. Once the film ended and the audience erupted into applause, Alan was heard to say to both men how proud he was of them. The bond between them was palpable.
More than 65 guests were in attendance and the evening was hailed a success.
A talented autistic musician has reached the final of a Channel 4 talent show to find the UK’s best pianists.Sean Logan, from Edinburgh, previously appeared in a BAFTA-winning short film, Harmonic Spectrum.
The Piano is a TV talent competition to find four of the UK’s top amateur pianists, hosted by Claudia Winkleman and judged by global popstar Mika and world-renowned pianist Lang Lang.
In the show, amateur piano players share their experiences and perform on public pianos in train stations the UK, while their playing is judged in secret by Mica and Lang Lang.
The chosen finalists get the opportunity to perform in a grand concert finale at the Royal Festival Hall in London, which will be aired on Channel 4 at 9pm on Wednesday.
Sean also performed his own Edinburgh Fringe show last year focused on his experiences as an autistic musician and will be appearing at the festival again this year.
Sean Logan, The Piano finalist, said:“It’s been a fantastic experience being on the show, I’ve really enjoyed it and it was great to get to perform as a finalist alongside such talented musicians at the Royal Festival Hall.
“Music brings people together in a positive way and, for me, as an autistic person, it is a great way to connect with others. I think it’s really important that autistic people are seen on TV and portrayed in an honest way, as it inspires other autistic people to be themselves and to not hide away or think that they aren’t valued. This show, like Harmonic Spectrum, does just that.
“In my experience, the help is out there if you’re autistic and you need it, but it can often be difficult to find. I think that getting that help and support is vital, because when autistic people are supported and encouraged, they can achieve great things.”
Rob Holland, Director of the National Autistic Society Scotland, said:“We’re delighted to see Sean reach the final of The Piano, and that he has the platform to showcase his exceptional talent.
“It’s also a step forward for positive autistic representation on TV, as it challenges the stereotypical view as to what autistic people can achieve. It also draws attention to the benefits of creative musical interaction, which we know helps many autistic people to enhance their confidence and self-expression.
“We hope that this achievement will inspire more autistic people like Sean to express themselves creatively and have the opportunity to showcase their skills and abilities.”
Bikers from Evolution Women’s Motorcycle Club rolled out the red carpet and declared ‘Action!’ on the latest film from motorcycle safety campaign Live Fast Die Old, by The Scottish Government and Road Safety Scotland.
Part of the campaign’s Breathtaking Roads series, the stunning new film highlights the thrill of riding while also reminding motorcyclists to enjoy Scotland’s roads safely.
Shot on the scenic Isle of Skye, the short film uses striking slo-mo footage to highlight the importance of considering the entire picture and every potential hazard before making the decision to overtake. It urges motorcyclists exploring Scotland’s roads to ‘take your time to take it all in’.
Despite accounting for less than 1% of all road traffic in Scotland motorcyclists are over represented in reported casualties. In 2020, there were 418 reported motorcyclist casualties on Scotland’s roads. Of these, 16 were fatalities (17% of all road deaths) and 242 resulted in serious injury.1
Loss of control is the most commonly reported contributory factor for motorcyclists, involved in 19% of all accidents. Bends and overtaking continue to be among the riskiest manoeuvres, with bends being a factor in 22% of all reported injury accidents, and overtaking in 10%.
Minister for Transport Jenny Gilruth, said: “We’re seeing lots of bikers on the roads with many taking advantage of the longer days and enjoying the incredible scenery Scotland has to offer.
“The Live Fast Die Old campaign celebrates biking, but we know motorcyclists face significant risks on our roads and we want to ensure they practise safe riding habits – especially when overtaking and going round bends which can be particularly risky manoeuvres.
“I’d urge any motorcyclists exploring Scotland’s breathtaking roads this season to take their time, adjust their speed and consider their surroundings before overtaking. Enjoy the ride – but get home in one piece.”
The new film coincides with Police Scotland’s motorcycle safety campaign.
Fellow biker and deputy head of road policing, Superintendent Stewart Mackie, said: “We speak to bikers and other road users all year round but as the better weather arrives, there is a real focus on motorbike safety and educating all drivers.
“Motorcyclists are more vulnerable than other road users. My plea to other riders is a straightforward one – get home safe.
“I have bitter experience of attending fatal collisions over the years and we must all be cautious on bends, especially left hand bends and think twice before every single overtake.
“I understand the pleasure of being on a bike and exploring Scotland but there’s nothing more important than returning home to your loved ones safe and well.”
Previous films in the Breathtaking Roads series were popular with Scotland’s biking community and showcased stunning routes in coastal, forest and mountain regions of Scotland, while focusing on key manoeuvres such as overtaking, cornering and riding as a group.
Scottish biker Jayne Tollan, Chairwoman of Evolution Women’s Motorcycle Club, said: “We’re really excited to support the launch of the new Live Fast Die Old film and get behind its main message.
“As bikers we can be vulnerable on the road, especially when we’re overtaking, so it’s important we remember to take our time and take in everything that’s happening around us before making the move.
“We all love riding in Scotland – so let’s do it safely.”
The campaign will run across social media and digital channels, with posters displayed at key locations targeting motorcyclists across Scotland, including dealers, petrol stations, garages and cafes along Scotland’s most popular biker routes.
The dedicated Live Fast Die Old website and Facebook page offer rich and engaging content for motorcyclists, with films and blogs from Scottish bikers sharing their first-hand experience and tips with peers, as well as route inspiration and best practice advice.
The Live Fast Die Old campaign is looking for bikers across Scotland to get involved by sharing their experience, advice, top routes and ride-out tips with other bikers. If you’d like to be part of the campaign, follow Live Fast Die Old on Facebook or get in touch at roadsafety@smarts.agency.
To watch the latest Breathtaking Roads film and join the conversation, visit the Live Fast Die Old website (livefastdieold.scot) / or Facebook page facebook.com/livefastdieoldscotland.
· Miniature vertical farms called ‘Cubes of Perpetual Light’ become music installations carrying 12 specially commissioned works by 15 Scottish & international artists including Craig Armstrong, Arooj Aftab & Maeve Gilchrist, and Jason Singh
· The music cube installations are set to tour to locations across Scotland, including the V&A Dundee, Edinburgh Book Festival, the Kelburn Garden Party & Inverness Botanic Gardens
· Cubes will also tour to other locations around Scotland on specially adapted bikes, taking Dandelion’s cubes into the heart of communities across the country
· ‘Free for All’ events encouraging everyone to ‘Sow, Grow and Share’ will see 75,000 free vegetable plugs given away to members of the public
· A short film marks the beginning of Dandelion and follows the story of musician and crofter Pàdruig Morrison to the island of Heisgeir, considering sustainable growing into the future
Dandelion gets underway today [28 April 2022], a major creative programme demonstrating the power of collective action through an ambitious ‘grow your own’ initiative that aims to reach hundreds of thousands of people throughout Scotland and further afield.
Following the arc of the growing season, from now until September 2022, Dandelion brings together science, technology, art and music to inspire people to ‘Sow, Grow and Share’ – not just food, but music, ideas and knowledge. Commissioned by EventScotland and funded by the Scottish Government, Dandelion is Scotland’s contribution to UNBOXED: Creativity in the UK.
Dandelion aims to make growing your own food as easy and accessible as possible to people of all ages and from all backgrounds, with events and activities taking place all over Scotland in an entirely free programme, from the remotest islands to the centres of cities.
In addition to Dandelion’s previously announced Unexpected Gardens – specially-created edible gardens in 13 locations from North Uist, to Leven and Stranraer – and two three-day Dandelion Festivals in Glasgow and Inverness, more details about the programme of events are revealed today.
The programme culminates in September with a cultural reimagining of Harvest for the 21st century, featuring hundreds of celebrations across Scotland.
To mark the start of its programme, with planting and growing getting underway at Unexpected Gardens across the country, Dandelion has released a specially commissioned short film, telling the family story of one of its founding members and reimagining future ways of growing across Scotland.
75 years ago, the grandparents of crofter and musician Pàdruig Morrison established an experiment in off-grid rural living on Heisgeir in the Outer Hebrides, growing their own food and living sustainably off the land.
The short film charts Pàdruig’s return to the island in 2022 as Dandelion explores high-tech growing in specially created grow cubes alongside traditional growing methods, which will see the cubes travel to different communities all over the country.
The film also features a new score specially composed by Pàdruig for Dandelion.
Cubes of Perpetual Light – where technological innovation meets art
At the centre of Dandelion is a meeting of art and science through the creation of hundreds of unique miniature vertical farms, called the ‘Cubes of Perpetual Light’.
The 1m x 1m cubes are designed to foster accelerated growing and have been developed to grow hundreds of seedlings under LED light, combining design craft, traditional horticultural expertise and technological innovation, manufactured by Liberty Produce.
The Cubes will travel the length of Scotland, demonstrating accelerated growing in unexpected places. From schools to market squares, to Unexpected Gardens – they will bring the inspiration to ‘Sow, Grow and Share’ to the community, inspiring conversations about how we can grow food sustainably now and in the future.
As well as growing thousands of plants, specially designed ‘show cubes’ will come together to create striking musical installations featuring programmable light and quadraphonic sound. Each cube will integrate with multiple speaker systems, showcasing specially commissioned music from a collection of Scottish and international artists.
The music has been created for this particular environment around themes of sustainability, to encourage listeners to think more deeply about how, where and why plants grow.
Commissions include new music from artists including Craig Armstrong, Ravi Bandhu, Arooj Aftab & Maeve Gilchrist, Jason Singh, Claire M. Singer, Manu Delago, Auntie Flo, Amiina & Kathleen MacInnes, Pàdruig Morrison, Trio de Kali, Maya Youssef and Fergus McCreadie.
Each new music piece is commissioned by Dandelion with additional support for international work from British Council Scotland.
These ‘show cubes’ will come together to create special installations hosted by venues and festivals throughout Scotland, including V&A Dundee, Edinburgh International Book Festival, Kelburn Garden Party and Inverness Botanic Gardens.
In another tour, four musical growing cubes carried on four cargo bikes will also travel around Scotland in August, with a preview at Falkirk’s Kelpies on May 14 as part of the Falkirk Science Festival.
Visiting locations from Glasgow to Edinburgh, Greenock, Hawick, Forres, Stranraer, Inverness, Wick, the bikes will introduce audiences to accelerated growing and bring the Dandelion programme to town centres, school playgrounds and green spaces cross the country.
Each site will be visited by the bikes for one day, with a two-day tour being staged at Inverness and Wick.
Music Director for Dandelion, Donald Shaw said: “Just as plants can grow from tiny seeds, great music can grow from small ideas that we nourish till they bloom into full art forms.
“The cubes can demonstrate accelerated growing in a wide range of settings, both the expected and unexpected. Placed in a particular environment they create a micro-world within a world, allowing musicians and listeners to imagine a sonic landscape that surrounds us, providing a space for contemplation and for us to imagine a future where we sow, grow and share differently.”
Inspiring the nation to Sow, Grow and Share
Dandelion is also giving away hundreds of thousands of plant plugs at Free for All events in towns and cities across Scotland, inspiring people all over the country to ‘Sow, Grow and Share’.
Members of the public are invited to pick up their plants and can also enjoy a performance of harvest songs from across the world by a five metre ‘Flower Singer’ accompanied by other performers representing sun, wind and water. A team of growing specialists from Scotland’s Rural College (SRUC) will be distributing the plants and are on hand to give advice and tips to those new to growing.
Kicking off on May 28 in Greenock, Free for All events will be delivered in communities for people who are new to growing.
The Free for Alls will visit Govan, Stranraer, Dundee, Leven, Falkirk, Edinburgh, Hawick and Argyll and Bute throughout May, June and July, encouraging everyone to get growing across the summer months.
In addition, the Dandelion Festival in Glasgow will host a Free for All on Sunday June 19. Taking place over three days, from Friday June 17, the first Dandelion Festival will take root at the heart of Glasgow’s Kelvingrove Park, with the second festival taking place in Inverness at the Northern Meeting Park, from Friday September 2 until Sunday September 4.
Across the weekend, the venues will be transformed with live music, interactive walkabout theatre, science and creative activities for all the family as part of a unique festival that dares to reimagine our relationship with food and the planet.
At both festivals, a spectacular Pavilion installation will form a ‘living’ stage-set, made from’ 60 Cubes of Perpetual Light’ brought together.
Artists including Rura, This is the Kit, Admiral Fallow, Newton Faulkner, Hen Hoose, Niteworks, Darlingside and Les Amazones d’Afrique are among the line-up for the free event Glasgow in June, with Inverness line-up due to be announced in June.
Running alongside the public programme, Dandelion engages the next generation of growers, with over 89,000 children and young people taking part in the Dandelion Schools Growing Initiative, which also started today.
The schools programme sees over 100 specially adapted grow cubes distributed to secondary schools, working in partnership with feeder primary schools, with 464 schools taking part across the country.
Pupils will become citizen scientists in the largest community-led growing experiment ever undertaken in Scotland, comparing future farming techniques with traditional growing, later sharing the food they have produced, alongside art, live music, and stories, at hundreds of playground Harvest events.
The Schools Growing Initiative is delivered in partnership with Keep Scotland Beautiful, a charity providing education initiatives for young people and educators which focus on environmental issues.
All Dandelion events are free to attend and non-ticketed. For full details of all events and activities including the Unexpected Gardens and Dandelion Festivals, visit dandelion.scot.
Culture Minister Neil Gray said: “The principles at the heart of the Dandelion projects and celebrations – of sharing ideas, knowledge and bringing together expertise for the common good – are more important than ever.
“The Dandelion events will seek to show the power of collective action, and its themes align with many of the ambitions of the Scottish Government.
“I would encourage everyone to check out the programme for activity near them, from enjoying one of the Unexpected Gardens, attending a festival, or having the chance to grow some of the hundreds of thousands of seeds and plant plugs being distributed at Free for All events in towns and cities across Scotland.”
Dandelion Futures Director, Fiona Dalgetty said: “Dandelion provides an extraordinary opportunity for people of all ages to come together to grow food and to celebrate all the ways in which our food is also connected to culture, music and song.
“The schools programme places the arts alongside science, technology, engineering, and maths to create an exciting cross-curricular STEAM project for pupils, teachers and the wider community to enjoy.”
Paul Bush OBE, Visit Scotland Director of Events said: “Dandelion is an incredibly diverse and exciting addition to Scotland’s events landscape this summer, fusing ideas and imagination from right across the creative spectrum.
“It’s wonderful to see artists, scientists, and technologists coming together to create a unique events programme that will inspire audiences and visitors right across Scotland to think positively about how we can all play our part in shaping a sustainable future.”
Martin Green, Chief Creative Officer for UNBOXED, said:“Dandelion is a brilliant coming together of artists, designers, technologists and scientists to make something special and important about what we eat, how it grows and what we can do ourselves, wherever we live.
“Through the cubes, the music and the opportunities to participate, Dandelion is sowing the seeds for all of us to think about and put into action how we create a sustainable future. I can’t wait to experience Dandelion alongside four other brilliant UNBOXED projects taking place in Scotland this year.’
A documentary film showcasing a talented autistic pianist has won a prestigious Scottish BAFTA award.
Harmonic Spectrum, which features 25 year old Edinburgh-based Sean Logan, was awarded the distinguished honor in the Short Film & Animation category at the star-studded BAFTA Scotland Awards on Saturday.
The film focuses on Sean, a talented musician using the piano to navigate life on the Autistic Spectrum. As he is drawn into new musical collaborations, he must learn to balance his enthusiasm and compulsive energy with understanding and compromise, redefining his artistic perspective.
The documentary short was produced and directed by Austen McCowan and Will Hewitt (above), and has been shown at several film festivals throughout the UK.
Having already gained Best Short Documentary at the Scottish Mental Health Arts Festival and the Optical Sound Award at the Flatpack Film Festival, the BAFTA win is the film’s most high-profile honour to date.
The BAFTA Scotland awards honour achievement in Scotland’s film, television and video game industries.
Sean Logan, who is starring in Harmonic Spectrum, said:“I hope that the legacy of this film is focused on what art can mean for people on the spectrum. Music is a therapeutic tool for people like myself, it connects me to people, music is something that brings people together.
“What I’ve learned is that the help is out there, and it’s by using tools that are out there already in the world for autistic people like myself, that I’ve succeeded. However, we need to ensure that people have access to those tools, because loads of people are still struggling.
“We’re really coming into a great time for people on the spectrum, as autism is being understood and identified a lot more now, and by 2050, who’s to say that neurodiversity won’t be the norm?”
Rob Holland, External Affairs Manager at the National Autistic Society Scotland, said:“We’re delighted to see Harmonic Spectrum receiving a Scottish BAFTA award, as it represents an important step in raising awareness of the lives and experiences of the 56,000 autistic people in Scotland.
“The depiction of autistic people in film and TV has often been from the perspective of non-autistic people and in many cases has compounded myths and assumptions. This film flips that putting Sean’s voice as well as his music at the heart of the story.
“We hope that this achievement will inspire more stories from autistic people like Sean to be told through film.”
Hearts & Minds charity launched their short film What Do I Need?: Carers Voices online yesterday.
This is the culmination of their PLAY COPE CARE Workshop Project for carers at home, which they developed developed with carers organisations across Scotland, and with funding from BUPA UK Foundation.
Speakers at the event were Kaye Ramage, Glasgow East End Community Carers, Claire Baker-Mosley, Head ofCommunity at BUPA UK Foundation and Rachel Colles, Project Lead for Hearts & Minds.
Hearts & Minds shared their new short film created with carers from Glasgow East End Community Carers who talked about their own personal experiences and thoughts of being a carer at home for a person living with dementia or chronic illness.
Hearts & Minds also shared the outcomes from the Play Cope Care project and discussed their programmes for people living with dementia and their carers.
Carers have had to face unimaginable adversity over the last year. Isolation, loneliness, lack of support and vital services as well as feelings of feeling forgotten by society have been acute during the pandemic.
Through conversations with carers groups, Hearts & Minds realised that they wanted to make something to make carers feel seen and heard, for their feelings to be validated, for their resilience and playfulness in the face of extreme adversity to be celebrated, and for their huge contribution to society to be recognised.
The film is based on Hearts & Minds Play Cope Care workshops for unpaid carers and features the voices of the carers.
The film is available to carers organisations to share and provide 6 minutes of respite to carers who might be feeling alone, at a loss or invisible and act as a reminder they are connected to a huge network of remarkable people who know exactly what they are going through.
The launch of this film is timely as we approach Carers Week 2021, 7 – 13 June.
