Tag: Screen Scotland

Edinburgh International Film Festival returns this summer for 76th edition

Screen Scotland, Edinburgh International Festival and Edinburgh International Film Festival are delighted to confirm that the 76th Edinburgh International Film Festival will take place this summer, from 18 to 23 August 2023, in a special one-year iteration as part of the Edinburgh International Festival. 

Since December, members of the 2022 EIFF programming team Kate Taylor and Kristy Matheson, have been researching and developing plans for the 2023 edition of Edinburgh’s Film Festival.

The 2023 programme will be led by EIFF’s new Programme Director Kate Taylor, with full programme details for the EIFF 2023 to be released in June 2023. Kristy will shortly take up her new position as BFI Festivals Director at London Film Festival.

With the support of the Edinburgh International Festival, a compact selection of films will be presented under the EIFF banner this August, complementing the International Festival’s programme of world-class performing arts. The hand-picked programme will celebrate the work of exceptional local and global filmmakers and ensure the flame of EIFF burns bright for future generations of passionate cinema fans. 

Kate Taylor, Programme Director, Edinburgh International Film Festival, said: “Attending first as audience member, then as film worker, my experience of Edinburgh International Film Festival has always been of a place that sparks inspiring conversations about film, and over the past few months it has been nourishing to hear the stories of many people – filmmakers, audience and industry who hold this festival dear.

“I’m excited to deliver the ideas that the team and I have been working on over the past few months and be a custodian for this year’s programme, ensuring the flame of EIFF burns bright, and I can’t wait to welcome audiences to enjoy the curated selection of films we’ll be presenting in August.”

Isabel Davis, Executive Director, Screen Scotland says: “From the Opening Night screening of Aftersun, the 2022 edition of EIFF had a great energy and was welcomed by audiences and industry.  

“We are glad to be working again with Kate, the programme team and our colleagues in the International Festival to build on that success. Huge thanks to the Edinburgh International Festival Board and the amazing International Festival team for their proactive and positive work in delivering the EIFF as part of their world-renowned Festival with Kate in post as Programme Director. We’d like to take this opportunity to thank Kristy for her work towards the 2023 edition and wish her every success in her new role.”

With the EIFF artistic programme devised and delivered by the Film Festival team, the supporting infrastructure including box office, HR and promotion of the 2023 Film Festival is being provided by the Edinburgh International Festival, who have also been working with Screen Scotland to support the continuation of the Film Festival across the last five months.

Francesca Hegyi, Chief Executive, Edinburgh International Festival, said: “The Edinburgh International Film Festival is an important cultural touchstone in our festival city, and we are pleased to be able to support its return.

“Over the last few months the EIFF programming team have been developing a plan for an ambitious film programme to add to the International Festival’s world-class dance, theatre, music and opera programme, ensuring that the Film Festival has a bright future.

“We look forward to working further with Kate and her team as we prepare for a compelling EIFF programme to be revealed in June this year.”

Culture Minister of Scottish Government Neil Gray said: “The Scottish Government is a strong supporter of the Edinburgh International Film Festival and I’m delighted that there will be a 76th edition this summer.

“Film Festivals play an important part in Scotland’s screen industry success story by promoting domestic productions, supporting talent development, showcasing high-quality international films and encouraging more people to go to the cinema.

“We have vibrant creative and screen industries in Scotland and our film festivals provide a fantastic opportunity to highlight this abundance of talent to audiences at home and abroad.”

Screen Scotland remains in place as the Edinburgh International Film Festival’s primary public funder.

In parallel with the delivery of the 76th Edinburgh International Film Festival as part of the Edinburgh International Festival, Screen Scotland will work across the summer with a working group of industry experts to deliver a long-term future for a stand-alone Film Festival, which will be presented annually from August 2024. 

Full programme details for the film selection will be released in June 2023.

Bringing nature films into the city! Glasgow hosts Wildscreen screenings

  • Glasgow has been selected to host Wildscreen’s two day film screening and networking event.
  • A brand new gathering for the city sees a clutch of screenings from Wildscreen Festival’s Official Selection 2022, including ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’.
  • The event is supported by the National Lottery through Screen Scotland and sponsored by Save our Seas Foundation.
  • Tickets are now on sale with both day and weekend passes available.

Returning to the city for the first time since 2016, Glasgow will host the first ever Wildscreen Roadshow event, a two day natural world storytelling film celebration. Taking place on 18th – 19th March at Tower North in the Glasgow Science Centre, the event has several film screenings, talks and Q&A sessions.

The films, from Wildscreen Festival’s Official Selection 2022, include ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’, as well as a series of three ocean films and the Young Programmers Selection. In addition, leading industry filmmakers and conservationists will be taking part in discussions and presentations, bringing global storytellers to Scotland.

Opening the event, which is supported by Screen Scotland, is the Wildscreen Festival Official Selection Programmer Prize Winner 2022 ‘Panteras, Living Among Wild Cats’, directed by Andoni Canela (Spain). It follows the renowned nature photographer and his son as they travel in search of the last wild cats on the planet. The full Saturday programme is set to be published in the coming weeks.

Sunday will begin with a series of ocean conservation films, including ‘CAUGHT’, directed by Emma Silverstone Segal (Canada) and ‘Whales in a Changing Ocean’, directed by Richard Sidey (New Zealand), followed by a Q&A with underwater filmmakers and marine conservationists.

The Young Programmers Selection will feature a carefully selected collection of short films curated by young programmers. Closing the two-day event, ‘Wild Romania’, directed by Dan Dinu and Cosmin Dumitrache and Wildscreen Festival Official Selection Audience Award Winner 2022, will follow the four seasons of the year to unveil the best kept secrets of Europe’s wilderness.​​​​​​

Gail Robertson, Screen Education Officer at Creative Scotland: “This event addresses a continued and vital need to provide young people with an opportunity to engage with climate change issues, natural filmmaking, and the screen industry.

“We hope it encourages their future involvement in all these arenas and tells them that their presence and voices in this area are not just welcome, but a necessity.”

Lucie Muir, CEO of Wildscreen, said: “Following our most successful festival to date alongside the launch of our Global Hubs in 2022, our Glasgow Roadshow will help us to further the crucial discussions around natural world storytelling. We must bring filmmaking into cities where people perhaps feel more of a disconnection from wildlife but still have a curiosity about nature.

“As the planet and biodiversity face increasing threats from climate change, our showcase will help to highlight some of the most underrepresented stories and voices from across the world whilst inspiring those in Glasgow and across Scotland to find their own stories closer to home. The time for action is now and we invite you to join us next month in what is our first of many Roadshows.”

Glasgow was chosen to host the showcase as it is considered the home of natural history in Scotland, with leading television and film production companies, including Maramedia and Hello Halo, also based in the city. As a previous European City of Culture, it has a long heritage and history with arts, creativity and storytelling.

Tickets are now on sale from as little as £12 with a variety of passes and concessions available to those seeking employment, in full-time education, registered disabled or over the age of 65.

The event is supported by the National Lottery through Screen Scotland, who is providing funding specifically to help underrepresented young people in the area, and it is sponsored by Save our Seas Foundation.

Find out more here.

EIFF to support bold new voices with talent development programmes

Edinburgh International Film Festival (EIFF) has today revealed an inclusive range of new and continuing programmes created to support and develop burgeoning filmmaking and curatorial talent across the film industry.  

With EIFF celebrating its 75th anniversary this year, these programmes feed into the film festival’s history of supporting new film talent by connecting audiences with innovative and essential storytellers. 

The programmes are supported both through the PLACE programme, a partnership between the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals and also through the Scottish Government’s Festivals Expo Fund. 

Kristy Matheson, Creative Director of EIFF said: “This suite of programmes acknowledges that storytelling takes infinite forms – from the production of new films to the creative interpretation of cinema for audiences. 

“Creating meaningful connections is a value we hold dear, and as we celebrate our 75th anniversary, Edinburgh International Film Festival is excited to look to the future of our industry and the makers and audiences who will shape it.” 

Sambrooke Scott, Head of Audience Development at Screen Scotland said: “Screen Scotland and Creative Scotland are proud supporters of EIFF. As the festival celebrates its 75th year we’re excited that the talent-development programme offers a suite of forward-looking initiatives and bold new schemes that will support voices at different points in their careers from across the film industry.

“The programme sets out an exciting new vision for EIFF’s talent development activity, defined by experimentation and inclusion.” 

Cllr Amy McNeese-Mechan, Culture and Communities Vice Convener for the City of Edinburgh Council, said: “The festival’s continued commitment to emerging talent is further cemented with this announcement. 

“We’re proud to support the city’s Film Festival as it continues to identify, support and highlight new screen talent. It is a great example of what the PLACE festivals funding programme can support, which in this instance is providing pathways to television and film industry skills development for participants from across Scotland.” 

Running since 2011, EIFF Talent Lab sees four days of workshops, masterclasses and 1-2-1 sessions bringing together 30 emerging writers, writer/directors, directors and producers with established industry professionals. Past participants in the programme include: Anna Griffin (CALIBRE); Ben Sharrock (LIMBO); Claire Oakley (MAKE UP); Daniel Kokotajlo (APOSTASY); Eva Riley (PERFECT 10); John McPhail (ANNA AND THE APOCALYPSE); Lucy Brydon (BODY OF WATER); Moin Hussain (BIRCHANGER LANE); Rob Savage (HOST); Sarah Brocklehurst (ANIMALS). 

Talent Lab Connects, running since 2019, is a 9-month programme to help support filmmaking teams with professional script editing and mentoring.

The initiative is open to EIFF Talent Lab alumni and their collaborators to develop a feature film or serial drama project. EIFF will work with story editor Kate Leys and industry mentors to guide the 6 selected teams towards achieving a series of specific goals for their projects. 

The 6 selected projects are:  

  • BEFORE I WAKE | Producer: David Brown (Talent Lab 2017) | Writer/Director: Kevin Pickering (Talent Lab 2018)  
  • DROVERS ROAD | Producer: Deb Charles | Writer: Morna Young | Director: Robin Haig (Talent Lab 2016)  
  • PUNZEL | Producer: Rajita Shah (Talent Lab 2012) | Writer: Polly Courtney | Director: Tessa Joffe  
  • SUNBURN | Producer: Hollie Bryan | Writer/Director: Jack King (Talent Lab 2021)  
  • THE COMPUTER | Producer: Jessie Mangum (Talent Lab 2018) | Writer/Director: Lynsey Murdoch (Talent Lab 2018)  
  • ULA (working title) | Producer: Cat Marshall | Writer: Lucy Kaya & Mandy Lee (Talent Lab 2012) | Director: Alex Browning  

EIFF & Curate-It Fellowship is a 12-week online curatorial training programme for 7 early career programmers created to develop an online programme with digital access on the Curate-It platform and a public event for EIFF in 2022. This programme is developed and delivered by professional curators, Justine Atkinson (director) and Carmen Thompson (producer) of Curate-It.    

EIFF Curatorial Commission is an annual commission for world class film programming based on a particular theme or provocation. In 2022, EIFF will invite 3 mid-career programmers to develop a programme for public presentation. 

EIFF Curatorial Mentoring Programme is a 1:1 mentoring programme pairing 3 mid-career programmers with a leading international curator. Support will also include actively connecting participants with key decision makers at institutions. 

EIFF Critical Writing Commission is an annual writing commission based on a particular theme or provocation that connects 10 mid-career Scottish born or based cultural critics to global editors and audiences. This opportunity opens soon! 

Justine Atkinson, Director of Curate-It said ‘We are delighted to be partnering with the EIFF this year to create the Fellowship programme.

“Curate-It uses the digital space to make information about film curation more accessible, creating a unique platform to learn and share curatorial perspectives. Through this we hope to bring together a programme of films that will inspire, entertain and inform audiences as we celebrate the historic 50th anniversary of the Women’s Film Festival”. 

Curate-It is a training app that uses the digital space to make information about film curation more accessible. Through doing this it creates a unique platform through which people from all over the world can learn the processes of implementing their own screening event, connect and collaborate. 

The app will be launched during EIFF in August. 

EIFF 2022 Theme: 

In 1972, the Edinburgh International Film Festival (EIFF) presented the first global film event entirely dedicated to the cinematic achievements of female directors. Comprising works drawn from historical and contemporary cinema, the Women’s Film Festival was produced by Claire Johnston, Lynda Myles, Laura Mulvey.

Honouring the spirit of the original event, in 2022, EIFF welcomes the opportunity to work with independent collaborators to craft a bold, political, and wildly celebratory responses to the 50th anniversary of the Women’s Film Festival that acknowledges the multiplicity and variety of feminisms.  

Rebuilding and Revitalising Independent Cinema in Scotland

New Funding for Cinemas Across the Country

From Annan’s Lonsdale Cinema to Mareel in Shetland, 29 independent cinemas and two touring cinema operators from across Scotland have received new funding support from the Scottish Government through Screen Scotland. 
The £3.19 million Recovery Fund for Indie Cinemas will help stabilise, rebuild and revitalise independent cinema businesses in Scotland, by supporting new activity and initiatives that help address the fundamental shifts to the industry brought about by COVID-19. 

Edinburgh’s Dominion Cinema is among the beneficiaries.

Sambrooke Scott, Head of Audience Development at Screen Scotland said: “Scotland has a marvellously unique cohort of independent cinemas serving communities across the country, from historic purpose-built venues to arts centres and multi-screen cinemas.

“Despite facing unprecedented challenges as we adapt to living with COVID they have continued to provide vital cultural, social and economic hubs for the towns and cities they serve.

“This fund will ensure they are able to continue that work and make vital changes to welcome cinema-goers back, to reach new audiences and future generations to come.” 

Culture Secretary Angus Robertson said: “We’re delighted to support independent cinemas across the country to build back and adapt their businesses in the light of the challenges faced by the industry throughout the Covid pandemic.  

“Local cinemas are a focal point for communities and these funds will help them to develop new activities to re-engage with, and grow, their audiences.”    

This latest funding takes the total emergency funds awarded to cinemas, from the Scottish Government through Screen Scotland, since the pandemic began in March 2020 to £8,727,829 through the Independent Cinema Recovery and Resilience Fund and the Recovery Fund for Indie Cinemas.  

Climate Challenge: 1.5 Degree films to launch Summer 2021

Youth groups, schools, community organisations, activist groups and individuals of all ages, abilities and filmmaking experience will soon be invited to take part in a major Challenge to create 90‑second short films in response to climate change, to be screened in and around this November’s UN Climate Change Conference (COP26).

Led by Film Access Scotland with support from Screen Scotland and Keep Scotland Beautiful, the Climate Challenge: 1.5 Degree Films project will invite people to make films to share their thoughts and ideas about climate change and how it is affecting us as individuals, our surroundings, families and communities.

Local filmmaking training and support will be provided to groups in Scotland from film educators based in community hubs and within partner arts and cultural organisations. Regardless of background, age or filmmaking experience, anyone anywhere can submit a film to the Challenge, with resources available online to help people get started.

Films must be short, only 1.5 minutes long – like the hoped-for maximum limit on global warming of 1.5 degrees – and can be made using any technology, including smartphones and tablets.

Films will be available online, providing a platform for sharing views on climate change. Many will go on to be screened at fringe events in Glasgow during COP26 and there will be a special celebratory event in December where films will be awarded commendations and prizes.

Submissions from young people aged up to 25 years will automatically be entered into Film Access Scotland’s film festival in November.

Chief Executive of Film Access Scotland, Natalie Usher said “Global leaders will come together in Glasgow at COP26 to discuss urgent climate action to limit global warming to 1.5 degrees.

“This Challenge invites you to make 1.5 minute films to join the climate debate and help us create a collective snapshot of this response to climate change. Through the filmmaking support offered by the project, we want to connect people with arts and community organisations across Scotland in order to facilitate public engagement and awareness about climate change.”

Scott Donaldson, Screen Scotland’s Head of Film Education said: “We all have a huge stake in the outcome of COP26 and everyone has a story to tell about their relationship with the environment and climate crisis.

“Film Access Scotland’s open access Film Challenge will inspire people to learn more about the climate crisis, promote greater public engagement with environmental issues and support people across Scotland to make films and have their voices heard at the COP26 and beyond.”

Barry Fisher, CEO of Keep Scotland Beautiful said: “To become a Net Zero Nation, the people of Scotland need to be supported to understand the Climate Emergency and identify actions we can take as individuals and as a nation to tackle it.

“Our experience working with people across Scotland is that ordinary citizens are some of the best climate change communicators, sharing messages in culturally relevant ways that resonate with their own friends, families and communities.

“That’s why we are delighted to be a partner in this project, giving a voice to people across Scotland and encouraging action on climate change at every level.”

If you are a representative of a group based in Scotland that would like to submit your expression of interest in participating, email info@filmaccess.scot.  To keep up to date with latest developments, use #90SecondClimateFilms and visit Film Access Scotland.

Full details about the Climate Challenge: 1.5° Films project including eligibility criteria and submission deadlines will be announced in July 2021.

The big screen lights up again at Edinburgh’s independent cinemas

The Dominion Cinema, Edinburgh Filmhouse, Edinburgh-based touring cinema operator INDY Cinema Group and cinemas all over the country, Scotland’s local independent cinemas and operators are re-opening their doors and welcoming cinema goers from today, Monday 17 May 2021, and over the coming weeks and months. 

The re-opening is being supported with an additional £1.98million Scottish Government support for 29* independent cinemas and one touring operator through Screen Scotland’s Independent Cinema Recovery and Resilience Fund. 

Meanwhile, every precaution is being taken to ensure a safe and enjoyable experience including spaced seating, enhanced cleaning, fresh air ventilated screens, more opportunities to pre-book online and distanced queuing and foyer spacing. 

There is a fantastic schedule of releases hitting the big screen over the coming weeks and months with audiences able to catch Oscar Winning films The Sound of Metal and Nomadland in all their glory on the big screen when they are released today, Monday 17 May, the Black Widow blockbuster and BAFTA-nominated Limbo (from Scottish-based filmmakers Director Ben Sharrock and producer Irune Gurtubai) landing in July and Edinburgh will also be coming to the big screen when it plays a starring role in Fast and Furious 9, also due for release in the summer. 

Ken Hay CEO of CMI (Edinburgh Filmhouse) said: “We can’t wait to welcome everyone back to Filmhouse and Belmont Filmhouse when we reopen our doors on the 31st of May. 

“Seven months of darkness are finally coming to an end and the magic of the communal cinema experience is coming back.”

Sambrooke Scott, Head of Audience Development at Screen Scotland said: “The COVID crisis has presented independent cinemas with one of the toughest challenges ever faced.

“As restrictions ease and hope grows, Screen Scotland would like to pay particular tribute to the passionate, dedicated staff who are working hard to ensure the safe return of the big-screen experience.  

“Cinemas are magical, transportive places where we come together to experience stories that move us, thrill us and excite us.  Cinema goers are eager to enjoy the big screen and support in the recovery of the cinemas they love, and Screen Scotland will continue to work tirelessly to support cinemas return and further growth.” 

The latest survey results – commissioned by the Film Distributors Association – confirm that the UK public is more eager than ever to return to cinemas, with 59% citing the cinema as their most missed out-of-home entertainment activity, with 40% of audiences planning to return within the first few weeks after reopening and a further 36% within the first couple of months. 

The research also confirmed that lockdown over the last year has reignited audiences’ passion for seeing films on the big screen, with those who have digitally rented or purchased films highlighted as the most likely to return to the cinema as soon as they reopen.

The encouraging findings also confirm two thirds of respondents favouring the spectacular big screen experience, immersive sound, special effects, that only cinema can offer. 

With the wide-reaching safety measures in place to protect the health and safety of staff and audiences. 93% of cinemagoers who returned last year enjoyed an overwhelmingly positive experience, and 99% were satisfied with the health and safety measures at their local cinema. 

Following 12 months of lockdowns and restrictions, the survey further endorsed how well-loved cinemagoing is. Past research has consistently proved that cinemas provide vital support for the health and well-being of our communities. Getting out of the house and watching a film on the big screen allows us to escape and immerse ourselves in another world, if only for a few hours. 

Phil Clapp, Chief Executive at UK Cinema Association said: “We are delighted that cinemas in Scotland and across much of the UK will from today be once again able to welcome audiences back. At this time more than ever, we know how much local communities value their local cinemas. 

“Our own audience research, but also the many messages of support and encouragement received by our members, confirm that many people have missed the big screen more than anything during lockdown and every cinema venue in Scotland has been working hard in recent weeks to ensure that when allowed to re-open they will be able to offer the safest and most enjoyable experience possible.” 

Follow the campaign on social media via #BackToTheCinema or #LoveCinema and visit: 

https://www.screen.scot/news/2021/05/back-to-the-cinema 

Emergency funding for culture

Small movie theater

Creative Scotland has published details of the Independent Cinema Recovery and Resilience Fund, the first of five emergency funds to be delivered over the coming weeks. 

The Independent Cinema Recovery and Resilience Fund is a £3.5million fund from the Scottish Government. The aim of the Fund is to help secure the survival of Scotland’s independent cinemas, enabling them to re-establish and adjust their business models in response to Covid-19.

The fund addresses the critical financial need faced by Scotland’s independent cinemas to enable them to return to full-time operation, significantly reducing the risk of wide-spread redundancies and closure of vital community assets.  

Guidelines for applying to the Fund have now been published ahead opening for applications on Monday 14 September.  

Sambrooke Scott, Head of Audience Development at Screen Scotland said: “We very much welcome the First Minister’s recent announcement of £31.5m in emergency funding for culture in Scotland and are pleased, as part of that, to be able to quickly offer £3.5m of that funding to support Scotland’s independent cinemas.  

“These cinemas not only present a broad range of high-quality creative programming to a varied audience, but they also serve as community hubs in geographically diverse parts of Scotland, including some of our more remote places.  

“This fund will offer a vital lifeline to those independent cinemas which have been impacted by the Covid-19 pandemic, helping them to return to full-time operation and protect jobs.” 

The Independent Cinema Recovery and Resilience Fund is the first of five new emergency funds to be delivered by Creative Scotland over the coming weeks as follows: 

  • The £15m Culture Organisations and Venues Recovery Fund will support organisations that provide opportunities for cultural engagement and who have been unable to trade due to the impact of Covid-19. It includes both organisations who provide opportunities for audience engagement (such as galleries, performing arts spaces, commercial theatres, comedy clubs and nightclubs) as well as those that enable and deliver cultural activity (such as production facilities, music and dance companies). Eligibility criteria and guidelines for applying are currently in development and will be published on Thursday 10 September. The fund will open for applications on Thursday 17 September and awards will be made by the first week in November.  
  • The £5m Creative Freelancer Hardship Fund will address the current financial hardship being felt by creative freelancers who normally work in the culture sector, but whose work has been impacted by Covid-19. We are currently working to appoint partners to ensure a wide spread of coverage of this fund and we anticipate opening for applications from early October. 
  • The £5m Sustaining Creative Practice Fund will support artists to continue developing new creative work that will make a significant contribution to Scotland’s recovery from COVID-19. This includes £1.5 million for the Culture Collective programme, mentioned in the Scottish Government’s Programme for Government, supporting organisations employing freelance artists to work in and with communities across Scotland. The remaining £3.5m will be added to Creative Scotland’s existing open fund which is open for applications from individuals now.  
  • The £3m Youth Arts Fund will ensure creative opportunities for children and young people continue to exist across Scotland despite the Covid-19 pandemic. The fund will include targeted and open funding to youth music and wider youth arts organisations, a scheme to devolve grants locally to artists who work with young people and small grants delivered directly to young people to support them fulfil their creative ambitions. 

Details of all funds will be published on the Creative Scotland website and publicised through media and social media communications. 

Transforming local cinema provision in Edinburgh

CENTRE for the Moving Image (Edinburgh Filmhouse) and Africa in Motion Film Festival which takes place in Edinburgh and Glasgow, 25 October- 3rd November, are among 12 community cinema projects across Scotland receiving new funding to transform the local cinema going experience. Continue reading Transforming local cinema provision in Edinburgh

Screen Scotland teams up with world’s largest arts festival to secure new film and TV content

Screen Scotland has launched a new collaboration with the world’s largest arts festival – the Edinburgh Festival Fringe – to secure new film and TV content. Continue reading Screen Scotland teams up with world’s largest arts festival to secure new film and TV content