Triumphant Technophonia! Local students perform Olympic music

Disabled musicians using new technology took centre stage with City of Edinburgh Music School students when they performed Technophonia, an orchestral arrangement to celebrate the Olympics, to great acclaim recently. 

The disabled musicians played specially designed, weird and wonderful instruments – with brilliant names like skoog, soundbeam and brainfingers! – which detect tiny movements, making it easier for people with disabilities to perform. The ensemble rehearsed weekly at Broughton High School, home of the renowned City of Edinburgh Music School, the new wave instruments playing in harmony with the conventional.

The children have been working with the charity Drake Music Scotland, established in 1997 with the ethos that ‘disability is no barrier to making music’. DMS’s Thursa Sanderson said: “We had no pre-existing link with the school, but our artistic director knew Tudor (Morris, head of the City of Edinburgh Music School).  When we were applying for the New Music 20×12 funding for the commission, we thought it would be great to approach Tudor and ask if pupils from the City of Edinburgh Music School would like to be involved as they are recognised as the best young players from Edinburgh and the surrounding area.”

She went on:  “It makes a huge difference for our young musicians with disabilities to play in an ensemble with them, because they rarely, if ever, get the chance to play or perform along with their peers, so it is a great experience for them. I think it works both ways, as it opens the eyes of the CEMS students to the technology and what you can do creatively with it, allowing them to see how young people with disabilities are able to play music – they just need the right resources and support.”

Tudor Morris said: “We were delighted to be involved in this initiative with Drake Music Scotland. It has been an incredibly rewarding project and a really great experience for our students.”

Scots composer Oliver Searle (pictured above) was one of twenty composers commissioned to write a twelve-minute piece to celebrate the Cultural Olympiad. He said: ”Part of this project was trying to write specifically for these instruments so you could say: this is a skoog piece, this is a piece for soundbeam and chamber ensemble, or this is for brainfingers. Not only have we used these instruments, but there are also solos for them!”

The soloists were Anthony Swift and Chris Jacquin, who both have cerebral palsy, and Stephanie Forrest on soundbeam, brainfingers and skoog respectively.

Andrew (15) said: ”When I was wee all I wanted to do was play an instrument. It’s just so amazing to get the opportunity to show people what I can actually be capable of.”

Technophonia, Scots composer Oliver Searle’s specially commissioned piece, was premiered in Edinburgh’s Queens Hall on 15 June, followed up with a Royal Conservatoire of Scotland on 22 June before a gala performance at London’s Southbank Centre on 15 July as part of the New Music 20×12 Weekend Celebration.

The performances received great acclaim. Triumphant Technophonia!”, “momentous achievement”, “brilliantly conceived” and “astonishing demonstration” were just a few of the many glowing comments on the three performances.

Technophonia demonstrated just  how technology can aid disabled musicians perform on an equal footing with their peers, and that skoogs, soundbeams and brainfingers could become a regular sight in orchestras and bands. And yes, that disability is no barrier to making music. Congratulations to all concerned – bravo!