Women in Revolt! takes over Modern Two for its only Scottish tour date

Women in Revolt! set to take over Modern Two in Edinburgh for its only Scottish tour date

Women in Revolt!

Modern Two 

25 May 2024 –26 January 2025 

Tickets £4–£14 | Friends go free  

Women in Revolt! Art and Activism in the UK 1970–1990 | National Galleries of Scotland 

Be inspired by stories of collaboration, creativity and rebellion in Women in Revolt! Art and Activism in the UK 1970-1990 at Modern Two in Edinburgh. 

The first of its kind, Women in Revolt! is a major survey of feminist art, celebrating the women whose radical ideas and rebellious methods changed the face of British culture. Come and discover the powerful and often provocative work of over 100 women artists and collectives, forged against the backdrop of seismic social and economic change over two decades. The exhibition will open to the public on Saturday 25 May and tickets are on sale now from the National Galleries of Scotland website

Curated by Linsey Young, Curator of British Contemporary Art at Tate Britain, in collaboration with the National Galleries of Scotland and The Whitworth, The University of Manchester, Women in Revolt! will take over the entire Modern Two gallery in Edinburgh until 26 January 2025. Following its debut at Tate Britain in November 2023, the exhibition will bring to Edinburgh a select range of works from the London show, drawing from public and private collections across the country in what will be the only chance to see this landmark exhibition in Scotland. 

Women in Revolt! spans two decades of art and activism, charting a range of themes and social issues that influenced and impacted on women artists.

Topics such as the Women’s Liberation Movement, maternal and domestic experiences, Punk and independent music, Greenham Common and the peace movement, the visibility of Black and South Asian women artists, and Section 28 and the AIDS epidemic will be explored in six thematic galleries platforming the creative contributions, ideas and activism of a diverse set of communities living and working in the UK throughout this period.

Women in Revolt! will highlight the ways in which women challenged societal norms through their creativity, both collectively and in isolation, using their lived experiences to create art and fight injustice.  

Paintings, drawings, sculptures, textiles, films, photography, and documentation of performances will be shown alongside a range of archival materials, with many artworks on display for the first time since the 1970s.

Work by well-known artists including Sonia Boyce, Helen Chadwick and Linder will be displayed side by side with an array of artists who, despite their long careers, have been left out of the mainstream art historical narratives. 

Featuring artists from across the UK, the powerful work and pioneering techniques of Scottish-based women artists will also be showcased. Visitors will encounter works such as Cool Bitch and Hot Dog (1978) by Edinburgh-based artist and weaver Elizabeth Radcliffe.

Her sculptural three-dimensional tapestry reflects the artist’s desire to be a modern woman, defying the passive stereotypes of mother, caregiver, cleaner or sexual object. Glasgow-born artist Rita McGurn utilised a range of found and domestic materials to create work, using techniques such as crochet, a long-undervalued artistic medium due to its domestic associations. Several of McGurn’s characterful life-sized soft sculptures will go on display at Modern Two.  

Select works from Scotland’s national collection will also go on display, including two important new acquisitions by Penny Slinger: Wedding Cake – Open Secret (1973) and Bride and Groom – Ceremonial Cutting of the Cake (1973).

Part of her Bride’s Cake series (1973), these works document a performance in which Slinger wears a handmade wedding cake costume. The artist describes the series as ‘both a parody of a wedding ritual, and recreation from a woman’s point of view’.

Further works to be seen from the Scotland’s national collection include Urania from the series Zabat (1989) by the Scottish-Ghanaian artist and writer Maud Sulter.

A significant figure in the Black Arts Movement, Sulter used her practice to challenge white supremacy and reconsider history through a personal lens as a Black woman.

The monumental Warrior Woman V: The Artist (1986), by Glasgow-based Sam Ainsley will be shown in Scotland for the first time in nearly four decades as part of this tour. Standing at over 11 feet tall and brimming with the spirit of protest, Ainsley’s work embodies the artist’s expression of feminist concerns, challenging the patriarchy and asserting female power. 

The dramatic evolution of women’s relationships with work, domesticity and motherhood created an extensive source of inspiration for artists throughout this period. Frustrations fuelled by the expectations of domestic labour are palpable in a range of impactful works on display by artists such as Bobby Baker, Alexis Hunter and the See Red Women’s Workshop whose bold poster works challenge sexist stereotypes and directly reflect the demands and concerns of the Women’s Liberation Movement.

The social and political implications of women raising a family also comes into play in works such as The Hackney Flashers’ Who’s Holding the Baby (1978). The installation critiques the lack of government supported childcare and sheds light on the impossible position of being both a mother and a worker in 1970s Britain. 

The riotous and expressive era of Punk and Post-Punk movements will be examined through collage, painting, film and photography by artists and musicians including Marianne Elliott-Said (A.K.A Poly Styrene), Caroline Coon, Linder and The Neo Naturists, whose ritualistic performance art of the 1980s used bold body paint to challenge the objectification of the female form.

Gina Birch, a founding member of the experimental Punk band The Raincoats, also presents her 1977 film 3 Minute Scream, where the artist can be heard screaming for the duration of a Super 8 cartridge. The film communicates a powerful statement of defiance, conveying what many young women felt but were not given the opportunity to articulate. 

The art of protest and women’s role in activism will form a key element of the show, with a range of banners, posters and journals, as well as documentary photography by Format Photography Agency, and artists such as Mumtaz Karimjee,  and Bhajan Hunjan telling the story of rousing, women-led protests throughout this time.

Women in Revolt! focuses on causes such as the Greenham Common Women’s Peace Camp, established in 1981 to protest the placement of nuclear weapons, as well as the Section 28 protests, fighting against laws prohibiting the promotion of homosexuality.

Materials exploring the 1984 Miners’ Strike and anti-racism campaigns are also represented, highlighting the central role women have played in activism. 

Women in Revolt! will also platform the crucial contribution of Black and South Asian women artists and activists.

The exhibition will explore the impact of women involved in movements including the BLK Art Group and the advocacy group and archive Panchayat, as well as their role in the first National Black Art Convention in 1982.

Key works by artists including Sutapa Biswas, Lubaina Himid, Claudette Johnson, Joy Gregory, Pratibha Parmar and Rita Keegan will feature alongside recently conserved works such as Nina Edge’s Snakes and Ladders (1985), an installation made of batik on paper and ceramics and exhibited as part of Women in Revolt! for the first time in three decades. 

The final room brings together work created in the context of the AIDS epidemic and Section 28 in the late 1980s, with a focus on lesbian communities.

Discover the powerful work of artists including Jill Posener, Del LaGrace Volcano, Rosy Martin, Poulomi Desai and Tessa Boffin. Women in Revolt! concludes with works that reflect on the changing economic landscape and women’s place within it by Kate Walker, Franki Raffles and Roshini Kempadoo. 

Women in Revolt! is a timely and urgent exhibition celebrating the women who paved the way for future generations through their creativity and activism. The power of their work continues to resonate with audiences today.  

Anne Lyden, Director-General at the National Galleries of Scotland said: “We are proud to platform the work of women artists who have been underrepresented throughout their careers and are grateful to Tate for bringing this important exhibition to the forefront.

Women in Revolt! also presents a fantastic opportunity to consider the Scottish women artists who have contributed significantly not only to the world of art, but the world around us.

“We hope visitors to Modern Two will be inspired by the tenacity, creativity and strength of the remarkable women they will encounter throughout this exhibition.”

Linsey Young, Curator of British Contemporary Art at Tate Britain said:Being from Edinburgh, I’m thrilled that Women in Revolt! is touring to the National Galleries of Scotland.

“I’m particularly excited to see it take over Modern Two where the gallery’s unique space will allow it to a develop a new character and encourage different readings of the work.

“It’s a real joy to be able to present works by local artists such as Maud Sulter, Sam Ainsley, Rita McGurn, Erica Rutherford and Elizabeth Radcliffe in the exhibition along with so many of their celebrated peers, demonstrating the importance of Scottish women’s artistic practice in the broader context of feminist art history across the UK. 

Women in Revolt! Art and Activism in the UK 1970-1990 is yours to discover at National Galleries Scotland: Modern Two from Saturday 25 May 2024. Find out more and book tickets now Women in Revolt! Art and Activism in the UK 1970–1990 | National Galleries of Scotland 

Women in Revolt! Art and Activism in the UK 1970-1990 at Modern Two

Be inspired by stories of collaboration, creativity and rebellion in Women in Revolt! Art and Activism in the UK 1970-1990 at Modern Two in Edinburgh. 

The first of its kind, Women in Revolt! is a major survey of feminist art, celebrating the women whose radical ideas and rebellious methods changed the face of British culture.

Come and discover the powerful and often provocative work of over 100 women artists and collectives, forged against the backdrop of seismic social and economic change over two decades.

Tickets are on sale now from the National Galleries of Scotland website.  

Curated by Linsey Young, Curator of British Contemporary Art at Tate Britain, in collaboration with the National Galleries of Scotland and The Whitworth, The University of Manchester, Women in Revolt! will take over the entire Modern Two gallery in Edinburgh from 25 May 2024 until 26 January 2025.

Following its debut at Tate Britain in November 2023, the exhibition will bring to Edinburgh a select range of works from the London show, drawing from public and private collections across the country in what will be the only chance to see this landmark exhibition in Scotland. 

Women in Revolt! spans two decades of art and activism, charting a range of themes and social issues that influenced and impacted on women artists.

Topics such as the Women’s Liberation Movement, maternal and domestic experiences, Punk and independent music, Greenham Common and the peace movement, the visibility of Black and South Asian women artists, and Section 28 and the AIDS epidemic will be explored in six thematic galleries platforming the creative contributions, ideas and activism of a diverse set of communities living and working in the UK throughout this period.

The exhibition will highlight the ways in which women challenged societal norms through their creativity, both collectively and in isolation, using their lived experiences to create art and fight injustice. 

Women in Revolt! is a timely and urgent exhibition celebrating the women who paved the way for future generations through their creativity and activism. The power of their work continues to resonate with audiences today.

About the exhibition

Women in Revolt! Art and Activism in the UK from 1970-1990 

National Galleries Scotland: Modern Two 

Belford Road, Edinburgh 

25 May 2024–26 January 2025  

Tickets £4–£14 | Friends go free  

Women in Revolt! Art and Activism in the UK 1970–1990 | National Galleries of Scotland 

Women in Revolt! set to take over Modern Two in Edinburgh

Be inspired by stories of collaboration, creativity and rebellion in Women in Revolt! Art and Activism in the UK 1970-1990 at Modern Two in Edinburgh 

Women in Revolt! Art and Activism in the UK 1970-1990 

Modern Two 

25 May 2024–26 January 2025 

Tickets £4 –£14 | Friends go free  

Women in Revolt! Art and Activism in the UK 1970–1990 | National Galleries of Scotland 

The first of its kind, Women in Revolt! is a major survey of feminist art, celebrating the women whose radical ideas and rebellious methods changed the face of British culture.

Come and discover the powerful and often provocative work of over 100 women artists and collectives, forged against the backdrop of seismic social and economic change over two decades.

Tickets are on sale now from the National Galleries of Scotland website

Curated by Linsey Young, Curator of British Contemporary Art at Tate Britain, in collaboration with the National Galleries of Scotland and The Whitworth, The University of Manchester, Women in Revolt! will take over the entire Modern Two gallery in Edinburgh from 25 May 2024 until 26 January 2025.

Following its debut at Tate Britain in November 2023, the exhibition will bring to Edinburgh a select range of works from the London show, drawing from public and private collections across the country in what will be the only chance to see this landmark exhibition in Scotland. 

Women in Revolt! spans two decades of art and activism, charting a range of themes and social issues that influenced and impacted on women artists.

Topics such as the Women’s Liberation Movement, maternal and domestic experiences, Punk and independent music, Greenham Common and the peace movement, the visibility of Black and South Asian women artists, and Section 28 and the AIDS epidemic will be explored in six thematic galleries platforming the creative contributions, ideas and activism of a diverse set of communities living and working in the UK throughout this period.

Women in Revolt! will highlight the ways in which women challenged societal norms through their creativity, both collectively and in isolation, using their lived experiences to create art and fight injustice.  

Paintings, drawings, sculptures, textiles, films, photography, and documentation of performances will be shown alongside a range of archival materials, with many artworks on display for the first time since the 1970s.

Work by well-known artists including Sonia Boyce, Helen Chadwick and Linder will be displayed side by side with an array of artists who, despite their long careers, have been left out of the mainstream art historical narratives. 

Featuring artists from across the UK, the powerful work and pioneering techniques of Scottish-based women artists will also be showcased. Visitors will encounter works such as Cool Bitch and Hot Dog (1978) by Edinburgh-based artist and weaver Elizabeth Radcliffe. Her sculptural three-dimensional tapestry reflects the artist’s desire to be a modern woman, defying the passive stereotypes of mother, caregiver, cleaner or sexual object.

Glasgow-born artist Rita McGurn utilised a range of found and domestic materials to create work, using techniques such as crochet, a long-undervalued artistic medium due to its domestic associations. Several of McGurn’s characterful life-sized soft sculptures will go on display at Modern Two.  

Maud Sulter

Select works from Scotland’s national collection will also go on display, including Urania from the series Zabat (1989) by the Scots-Ghanaian artist and writer Maud Sulter.

A significant figure in the Black Arts Movement, Sulter used her practice to challenge white supremacy and reconsider history through a personal lens as a Black woman.

The monumental Warrior Woman V: The Artist (1986), by Glasgow-based Sam Ainsley will be shown in Scotland for the first time in nearly four decades as part of this tour. Standing at over 11 feet tall and brimming with the spirit of protest, Ainsley’s work presents a striking figure, embodying the artist’s expression of feminist concerns, challenging the patriarchy and asserting female power. 

GMA 3026

The dramatic evolution of women’s relationships with work, domesticity and motherhood created an extensive source of inspiration for artists throughout this period. Frustrations fuelled by the expectations of domestic labour are palpable in a range of impactful works on display by artists such as Bobby Baker, Alexis Hunter and the See Red Women’s Workshop whose bold poster works challenge sexist stereotypes and directly reflect the demands and concerns of the Women’s Liberation Movement.

The social and political implications of women raising a family also comes into play in works such as The Hackney Flashers’ Who’s Holding the Baby (1978). The installation critiques the lack of government supported childcare and sheds light on the impossible position of being both a mother and a worker in 1970s Britain. 

The riotous and expressive era of Punk and Post-Punk movements will be examined through collage, film and photography by artists and musicians including Marianne Elliott-Said (A.K.A Poly Styrene), Caroline Coon, and The Neo Naturists, whose ritualistic performance art of the 1980s used bold body paint to challenge the objectification of the female form.

Gina Birch, a founding member of the experimental Punk band The Raincoats, also presents her 1977 film 3 Minute Scream, where the artist can be heard screaming for the duration of a Super 8 cartridge. The film communicates a powerful statement of defiance, conveying what many young women felt but were not given the opportunity to articulate. 

The art of protest and women’s role in activism will form a key element of the show, with a range of banners, posters and journals, as well as documentary photography by Format Photography Agency, Mumtaz Karimjee, and Bhajan Hunjan telling the story of rousing, women-led protests throughout this time.

Women in Revolt! focuses on causes such as the Greenham Common Women’s Peace Camp, established in 1981 to protest the placement of nuclear weapons, and the Section 28 protests, fighting against laws prohibiting the promotion of homosexuality.

Materials exploring the 1984 Miners’ Strike and anti-racism campaigns are also represented, highlighting the central role women have played in activism. 

Women in Revolt! will also platform the crucial contribution of Black and South Asian women artists and activists. The exhibition will explore the impact of women involved in movements including the BLK Art Group and the advocacy group and archive Panchayat, as well as their role in the first National Black Art Convention in 1982.

Key works by artists including Sutapa Biswas, Lubaina Himid, Claudette Johnson, Joy Gregory, Pratibha Parmar and Rita Keegan will feature alongside recently conserved works such as Nina Edge’s Snakes and Ladders (1985), an installation made of batik on paper and ceramics and exhibited as part of Women in Revolt! for the first time in three decades. 

The final room brings together work created in the context of the AIDS epidemic and Section 28 in the late 1980s, with a focus on lesbian communities. Discover the powerful work of artists including Jill Posener, Del LaGrace Volcano, Poulomi Desai and Tessa Boffin. Women in Revolt! concludes with works that reflect on the changing economic landscape and women’s place within it by Franki Raffles and Roshini Kempadoo. 

Women in Revolt! is a timely and urgent exhibition celebrating the women who paved the way for future generations through their creativity and activism. The power of their work continues to resonate with audiences today.  

Anne Lyden, Director-General at the National Galleries of Scotland said:We are proud to platform the work of women artists who have been under-represented throughout their careers and are grateful to Tate for bringing this important exhibition to the forefront.

Women in Revolt! also presents a fantastic opportunity to consider the Scottish women artists who have contributed significantly not only to the world of art, but the world around us. We hope visitors to Modern Two will be inspired by the tenacity, creativity and strength of the remarkable women they will encounter throughout this exhibition.” 

Linsey Young, Curator of British Contemporary Art at Tate Britain said: “Being from Edinburgh, I’m thrilled that Women in Revolt! is touring to the National Galleries of Scotland.

“I’m particularly excited to see it take over Modern Two where the gallery’s unique space will allow it to a develop a new character and encourage different readings of the work.

“It’s a real joy to be able to present works by local artists such as Maud Sulter, Sam Ainsley, Rita McGurn, Erica Rutherford and Elizabeth Radcliffe in the exhibition along with so many of their celebrated peers, demonstrating the importance of Scottish women’s artistic practice in the broader context of feminist art history across the UK.” 

Women in Revolt! Art and Activism in the UK 1970-1990 is yours to discover at National Galleries Scotland: Modern Two from Saturday 25 May 2024. Find out more and book tickets now Women in Revolt! Art and Activism in the UK 1970–1990 | National Galleries of Scotland 

Paolozzi turns 100! 

Celebrate the Scottish Pop Art icon’s birthday at Modern Two

TODAY – Thursday 7 March 2024 – marks what would have been the 100th birthday of Scottish art icon Eduardo Paolozzi. Join the National Galleries Scotland in celebrating his big day in style at Paolozzi at 100.

Paolozzi at 100 is a tribute to the father of Pop Art. Taking over the ground floor of Modern Two in Edinburgh, this free exhibition takes visitors on a journey through some of Paolozzi’s most popular artworks, including his collages, prints, textiles, ceramics and sculptures. 

In the exhibition, visitors can explore 60 vibrant artworks across two rooms and a special display in the Keiller Library. Discover the colourful life of a cultural icon through a selection of works drawn from Scotland’s national collection.

The exhibition begins with the years following Paolozzi’s first visit to Paris in 1947 and travels through his life. Learn about his eclectic take on popular culture and the machine age. Examine the highly detailed Mickey tapestry made with Dovecot Tapestry Studio and marvel in vibrant graphic and gold ceramic plate collaborations designed for Wedgwood.

Don’t miss the kinetic energy of the Calcium Light Night and Moonstrip Empire News screenprints. Complete the tour with a look into Paolozzi’s epic public art projects, including the vibrant mosaics designed for Tottenham Court Road Underground Station. In the Penrose Gallery, a large projection will focus on Paolozzi’s 1971 collaboration with fashion house, Lanvin. 

All this can be seen alongside the recreation of Paolozzi’s London art studio, the towering Vulcan and the Cleish Castle Ceiling Panels, all permanently on display at Modern Two for visitors to enjoy all year round.

Indulge in a coffee at Paolozzi’s Kitchen, named in tribute to the artist himself, then take a stroll through the grounds and see if you can spot Paolozzi’s imposing sculpture Master of the Universe. Visitors can also delve deeper into the artworks with an eight stop free audioguide on Smartify.

Of Italian descent, Paolozzi was born in Edinburgh’s Leith in 1924, and is a much-loved son of the city. He studied in Edinburgh and London before spending two years in Paris. There, he produced enigmatic, bronze sculptures and Dada and Surrealist-inspired collages that combined magazine advertisements with cartoons and machine parts.

Returning to London to teach at several art schools, Paolozzi continued to develop his printmaking and sculpture techniques, with a particular interest in the mass media and in science and technology, developing a style that would become known as Pop Art. Paolozzi was knighted in 1989 and gifted a major bequest of his works to the National Galleries of Scotland in 1995.  

Anne Lyden, Director-General at the National Galleries of Scotland said: “Eduardo Paolozzi is one of Scotland’s best-known artists and was an Edinburgh icon.

“His powerful influence can still be seen across the city today in everything from sculptures and architecture to fashion to food and drink brands.

“The National Galleries of Scotland is delighted to be celebrating his 100th birthday with an exhibition that brings together 60 key Paolozzi works from Scotland’s national collection.

“We hope everyone will take the opportunity to enjoy this free glimpse into the phenomenal art that is Paolozzi at 100.” 

Paolozzi at 100 is open now at Modern Two. Join us and discover how high art became part of the everyday; from towering sculptures and chaotic prints to luxurious textiles and iconic collages, it’s time to celebrate the city’s favourite artist in style!   

Leith legends team up!

Leith Athletic Football Club girls team netted a visit to Paolozzi at 100 at National Galleries Scotland: Modern Two this weekend.

Celebrating the 100th birthday of Leith artist Eduardo Paolozzi the free exhibition has taken over two rooms on the ground floor of the Edinburgh gallery. 

All kitted out in their brand-new Paolozzi shirts, a tribute to the man himself, the Leith team marvelled in 60 works including prints, tapestries, collages and sculptures.

There’s no substitute for Paolozzi! 

About Paolozzi at 100 

National Galleries Scotland: Modern Two 

Open now till 21 April 2024 

Admission Free  

Paolozzi at 100 | National Galleries of Scotland 

Celebrate 100 years of Scottish art icon Eduardo Paolozzi at National Galleries Scotland: Modern Two

Paolozzi at 100 

National Galleries Scotland: Modern Two 

27 January – 21 April 2024 

Admission Free  

Paolozzi at 100 | National Galleries of Scotland

Visit the National Galleries of Scotland to mark the centenary of the birth of one of Scotland’s most well-known artists, Eduardo Paolozzi. Opening on Saturday (27 January), Paolozzi at 100 is a tribute to the father of Pop Art.

Taking over the ground floor of Modern Two in Edinburgh, this free exhibition takes visitors on a journey through some of Paolozzi’s most popular artworks, including his collages, prints, textiles, ceramics and sculptures. 

Of Italian descent, Paolozzi was born in Leith in 1924, and is a much-loved son of the city. He studied in Edinburgh and London before spending two years in Paris. There, he produced enigmatic, bronze sculptures and Dada and Surrealist-inspired collages that combined magazine advertisements with cartoons and machine parts.

Returning to London to teach at several art schools, Paolozzi continued to develop his printmaking and sculpture techniques, with a particular interest in the mass media and in science and technology, developing a style that would become known as Pop Art. Paolozzi was knighted in 1989 and gifted a major bequest of his works to the National Galleries of Scotland in 1995.  

In Paolozzi at 100 at Modern Two, visitors can explore 60 vibrant artworks across two rooms and a special display in the Keiller Library.

Discover the colourful life of a cultural icon through a selection of works drawn from Scotland’s national collection. The exhibition begins with the years following Paolozzi’s first visit to Paris in 1947 and travels through his life. Learn about his eclectic take on popular culture and the machine age.

Examine the highly detailed Mickey tapestry made with Dovecot Tapestry Studio and marvel in vibrant graphic and gold ceramic plate collaborations designed for Wedgwood. Don’t miss the kinetic energy of the Calcium Light Night and Moonstrip Empire News screenprints.

Complete the tour with a look into Paolozzi’s epic public art projects, including the vibrant mosaics designed for Tottenham Court Road Underground Station. In the Penrose Gallery, a large projection will focus on Paolozzi’s 1971 collaboration with fashion house, Lanvin. 

All this can be seen alongside the recreation of Paolozzi’s London art studio, the towering Vulcan and the Cleish Castle Ceiling Panels, all permanently on display at Modern Two for visitors to enjoy all year round.

Indulge in a coffee at Paolozzi’s Kitchen, named in tribute to the artist himself, then take a stroll through the grounds and see if you can spot Paolozzi’s imposing sculpture Master of the Universe. Visitors can also delve deeper into the artworks with an eight stop free audioguide on Smartify.

Anne Lyden, Director-General at the National Galleries of Scotland said:Eduardo Paolozzi is one of Scotland’s best-known artists and was an Edinburgh icon. His powerful influence can still be seen across the city today in everything from sculptures and architecture to fashion to food and drink brands.

“The National Galleries of Scotland is delighted to be celebrating his 100th birthday with an exhibition that brings together 60 key Paolozzi works from Scotland’s national collection. We hope everyone will take the opportunity to enjoy this free glimpse into the phenomenal art that is Paolozzi at 100.” 

Paolozzi at 100 opens at National Galleries Scotland: Modern Two on Saturday 27 January 2024.

Join us and discover how high art became part of the everyday; from towering sculptures and chaotic prints to luxurious textiles and iconic collages, it’s time to celebrate the city’s favourite artist in style.    

Take a trip through time with  Decades: The Art of Change 1900-1980

Decades: The Art of Change 1900-1980
Opening Saturday 29 April 2023
  

Free   

National Galleries Scotland: Modern Two 

Decades: The Art of Change 1900-1980, is an exploration of the modern art scene, from 1900 through to the 1970s.  See how artists have captured changes in society as you move through the free exhibition, opening at Modern Two this Saturday (29 April).

You will discover how the mood and atmosphere of the work reflects and embodies each changing decade with works that have been carefully selected to best represent the period.  

Filling all of Modern Two and spread across six rooms, the journey begins at the turn of the last century, in 1900. Meet the French artists who painted with electrifying colour in the first room, with work by Henri Matisse and André Derain.

Their brightly coloured landscape paintings were so radically different that the artists were given the derogatory label ‘Fauves’ – meaning ‘wild beasts’. The term stuck and Fauvism had a major impact on British and particularly Scottish art. 

Two new acquisitions, by Scottish Colourists FCB Cadell and JD Fergusson, feature in this room. JD Fergusson, who was born in Leith but lived in Paris before the First World War, was one of the key Scottish artists of the twentieth century.

Painted in 1911, Flowers and Pink Box, has bright bold colour and confident, energetic brushwork. Fergusson’s work of this time often had sexual overtones and covert erotic references. In this painting, the pink box depicted is believed to have been used to store his condoms. 

This is the first still life by Fergusson to enter the national collection. The Rose and the Lacquer Screen, by FCB Cadell, combines several of his favourite still-life props: a rose in a transparent vase, a black fan and its trailing ribbon and a detail of the lacquered screen that dominated the drawing room of his house in Edinburgh’s New Town.   

Moving into the 1930s, artists such as Piet Mondrian believed that abstract art could change society. This room features work by Alexander Calder, Paule Vézelay and Ben Nicholson.

Entering the 1940s, abstraction and idealism were replaced by grim realism. Paintings and sculptures by Francis Bacon, Joan Eardley and Bet Low, created during and immediately after the Second World War, speak of a new reality, reflecting the harsh times. Benno Schotz’s sculpture Lament (1943) speaks of the Holocaust while William McCance’s Atom Horizon refers to the bombing of Hiroshima. 

The 1950s saw a battle between Abstraction and Realism, played out in the shadow of the Cold War and the nuclear age.  This is illustrated in Decades: The Art of Change 1900-1980 by two mural projects created for the great Festival of Britain exhibition of 1951, which are shown together here for the first time.

Josef Hermann’s project shows a row of miners - builders of a new social order; Victor Pasmore’s mural project is instead a daring essay glimpse of spiralling abstract forms. The art of the 1950s reaches into the future yet seems steeped in anxiety.

The display from the 1950s also features exceptional works by Alan Davie, Louise Nevelson, Fernand Léger, Eduardo Paolozzi and Elisabeth Frink.

Art became celebratory, playful and experimental in the 1960s. Sculptors abandoned traditional materials such as bronze and marble for ‘soft sculpture’, exemplified in the work of Jann Haworth, Yayoi Kusama and Duane Hanson’s iconic Tourists.

A firm favourite with visitors to the Modern, Tourists, captures the banality of post-war, consumer society with humour and warmth. Although these two figures are presented as a couple, they were cast from life but never even met. David Hockney’s etching of two gay men in bed dates from 1967, the year in which homosexuality was legalised in England and Wales. 

Throughout the 1970s, artists took Abstraction and Minimalism to extremes. Fred Sandback’s Untitled, 1971 – two coloured cords which cut across the corner of the room – questions the very notion of art as something with three-dimensional form or narrative meaning. 

The Keiller Library presents a witty and original focus on the motif of the hand in Surrealist art and writing. Drawing on works by artists like Man Ray, Edith Rimmington and Salvador Dali, from the national collection’s world- class holding of Surrealist books and archive material. 

From a time when the motor car was just beginning to populate the roads to the dawn of the space race, the world changed significantly in the 80-year timespan that the exhibition covers.  This selection of one hundred works from the national collection shows ways in which artists have continually pushed the boundaries and created art which defines its time. These pieces still have the power to shock and make us think about our world today and the changes and innovations to come. 

Scottish National Gallery of Modern Art 1 & 2, Dean Road, Edinburgh. National Galleries of Scotland.

Director-General of the National Galleries of Scotland, Sir John Leighton, said: ‘National Galleries of Scotland is delighted to reopen Modern Two with an exhibition that celebrates the strength of the national collection.

“Featuring a fascinating range of works by many of Scotland and the world’s greatest artists, Decades: The Art of Change 1900-1980 encourages visitors to think about how art can both reflect and change the way we see the world around us. We welcome you to join us on a voyage of discovery through 80 years of bold artistic achievement.’ 

Neil Hanna Photography www.neilhannaphotography.co.uk 07702 246823

Simon Groom, Director of Modern & Contemporary Art, said:Decades is an amazing opportunity to discover the rich range and depth of art from the national collection in the 20th century.

“Arranged by decades – starting with the beautiful paintings of Henri Matisse, Pablo Picasso, and the Scottish Colourists, the show takes us on fascinating journey to see how artists as diverse as Francis Bacon, Joan Eardley, Eduardo Paolozzi, Yayoi Kusama, Bridget Riley, David Hockney, and Joseph Beuys reflected and gave shape to our experience of the 20th century.’ 

Decades: The Art of Change 1900-1980

National Galleries of Scotland announces Decades: The Art of Change 1900-1980, an exploration of 80 years of art at the newly reopened Modern Two 

Francis Campbell Boileau Cadell

Decades: The Art of Change 1900-1980 

29 April 2023   

Free   

Scottish National Gallery of Modern Art (Modern Two)  

The Scottish National Gallery of Modern Art (Modern Two) in Edinburgh will reopen on 29 April 2023 with a spectacular new exhibition, Decades: The Art of Change 1900-1980.

This fascinating, free exhibition will take a journey through 80 years of art, from 1900 to the 1970s. Spanning a period of dramatic change, moving from the birth of the motorcar to the dawn of the space race, each work on display will be drawn from the Gallery’s world-class collection of modern art.  

Decades: The Art of Change 1900-1980 will take visitors through a series of six chapters across six rooms at Modern Two. Each chapter speaks of a particular moment from across the twentieth century, when artists rebelled against the previous generation, creating works which came to characterise a period.  

Beginning with French artists who painted with electrifying colour, the first room includes work by Henri Matisse and André Derain. Their brightly coloured landscape paintings were so radically different that the artists were given the derogatory label ‘Fauves’ – meaning ‘wild beasts’. The term stuck and Fauvism had a major impact on British and particularly Scottish art. 

Two fabulous new acquisitions, by Scottish Colourists FCB Cadell and JD Fergusson, feature in this room. Leith-born JD Fergusson, who lived in Paris before the First World War, was one of the key Scottish artists of the twentieth century.

Painted in 1911, Flowers and Pink Box, is vigorous and confident in its brushwork, bright and clashing in colour. The Rose and the Lacquer Screen, by FCB Cadell, combines several of his favourite still-life props: a rose in a transparent vase, a black fan and its trailing ribbon and a detail of the lacquered screen that dominated the drawing room of his house in Edinburgh’s New Town. These new acquisitions have been generously donated by private owners. 

Moving into the 1930s, artists such as Piet Mondrian believed that art could change society. This room will feature work by Alexander Calder, Paule Vézelay and Ben Nicholson.  

Entering the 1940s, abstraction and idealism were replaced by grim realism. Featuring work by Francis Bacon, Joan Eardley and Bet Low, these paintings and sculptures, created both during and immediately after the Second World War, speak of a new reality.  

The 1950s saw a battle between Abstraction and Realism. This is illustrated in Decades: The Art of Change 1900-1980 by two mural projects created for the great Festival of Britain exhibition of 1951, which will be shown together here for the first time. Josef Hermann’s project shows a row of miners – builders of a new socialist order; Victor Pasmore’s mural project is instead a daring essay glimpse of spiralling abstract forms. Exceptional creations by Alan Davie, Louise Nevelson, Fernand Léger, Eduardo Paolozzi and Elisabeth Frink will also be on display, making up the 1950s presentation. 

Art became celebratory, playful and experimental in the 1960s. Sculptors abandoned traditional materials such as bronze and marble for ‘soft sculpture’, exemplified in the work of Jann Haworth, Yayoi Kusama and Duane Hanson’s iconic Tourists.  

Throughout the 1970s, artists took Abstraction and Minimalism to extremes. Fred Sandback’s Untitled, 1971 – two coloured cords which cut across the corner of the room – questions the very notion of art as something with three-dimensional form or narrative meaning.  

The Keiller Library will focus on the motif of the hand in Surrealist art and writing. Drawing on works by artists like Man Ray, Edith Rimmington and Salvador Dali, from the national collection’s world-class holding of Surrealist books and archive material. 

Radical, questioning and experimental, this selection of one hundred works from the national collection shows ways in which artists have continually pushed the boundaries and created art which defines its time. These pieces still have the power to shock and make us think about our world today.  

Director-General of the National Galleries of Scotland, Sir John Leighton, said: ‘National Galleries of Scotland is delighted to reopen Modern Two with an exhibition that celebrates the strength of the national collection.

“Featuring a fascinating range of works by many of Scotland and the world’s greatest artists, Decades: The Art of Change 1900-1980 encourages visitors to think about how art can both reflect and change the way we see the world around us.

“We welcome you to join us on a voyage of discovery through 80 years of bold artistic achievement.’  

Café Modern Two at Gallery of Modern Art to undergo complete makeover

The Scottish National Gallery of Modern Art will be temporarily closing the doors of its Café Modern Two on Belford Road from Monday (28th October) until December.

Working alongside catering partner, Heritage Portfolio, an extensive refurbishment programme will be carried out over the next few weeks to refresh the café in order to pave the way for an exciting new concept that has inspired both the interior design and menu offering. Continue reading Café Modern Two at Gallery of Modern Art to undergo complete makeover