Tag: gigs

Music legend Lulu reveals she has moderate hearing loss as a result of 60 years of live performances

New poll finds nearly a quarter of gig goers in Scotland think loud music has damaged their hearing

  • The revelation comes just weeks after the showbiz icon, who is in her seventh decade of performing, appeared at Glastonbury Festival and announced the second part of her farewell tour.
  • Specsavers has partnered with the music legend, alongside DJ and tinnitus sufferer Woody Cook and the Night Time Industries Association, to encourage people to safeguard their hearing.

British legend Lulu has revealed she is living with moderate hearing loss – after a hearing check at Specsavers revealed the impact that 60 years in the music industry has had on her hearing.

The news that her career has damaged her hearing comes just weeks after the Scottish singing sensation – who is on her seventh decade of performing her debut single ‘Shout’ – wowed crowds at Glastonbury and announced dates in November as part of her farewell ‘Champagne for Lulu’ tour.

The music icon is now calling on music lovers to take steps to protect their own hearing, as a new poll reveals 23% of gig goers in Scotland think loud music has damaged their hearing.

The study, commissioned by Specsavers of 900 adults who attend concerts and festivals, found that, in Scotland, 40% have noticed a negative impact on their hearing immediately after a gig – with 47% experiencing ringing in their ears, 33% buzzing and 35% a muffled sensation. Just over a quarter (26%) said they had suffered temporary hearing loss, while just under a quarter, (21%) experienced pain in their ears.

Despite this, over half (55%) of those in Scotland planning to attend a live music event this summer are unlikely to wear hearing protection. Of these, 48% said they avoid it because they wouldn’t be able to enjoy the experience as much, and over a quarter (33%) thought it would alter the quality of the music, which is not the case.

Lulu said: ‘After being on stage nearly all of my life, I have always noticed ringing and muffled sounds, but never really thought much of it.

‘Music has always been a cornerstone of everything I do, so it’s incredibly important that I can still enjoy it. Wearing hearing aids will mean I can continue to hear every note.

‘But it’s more than just this – connecting with people is a huge part of my life and I want to be able to join the conversation and not be left out of it. The good news is it’s not too late for me to preserve the rest of my hearing.

‘Using hearing protection is such a simple and easy thing to do when around live music and I urge others to wear it.

‘Music is still my life, and I plan to carry on enjoying it for many years to come.’

The average volume at a live music event is between 115 and 120 decibels (dB) – which could damage hearing if exposed to it for long enough without hearing protection. The survey found a quarter (74%) of people in Scotland didn’t know that the average volume was that high.

Romaan Babar, audiologist at Specsavers, said: ‘With festival season well underway, it is crucial music lovers protect their hearing. Repeated exposure to high decibel levels at gigs and festivals has the potential to lead to permanent damage, such as sound-induced hearing loss and tinnitus.

‘In fact, hearing damage can start at around 85 dB if you are exposed to it for eight hours plus – such as at a festival – if you don’t wear ear plugs. Each additional 3 dB of volume cuts that exposure time in half, so by the time the volume reaches 100 dB, which is still less than the average gig, it could only take 15 minutes for your hearing to be damaged – which is quite scary.’

Specsavers has partnered with Lulu, DJ Woody Cook, who has tinnitus, and the Night Time Industries Association (NTIA) to promote the need to wear hearing protection to live music lovers and people who work in the sector.

Woody says he wishes he’d taken steps to protect his hearing earlier. He says: ‘Without doubt, the tinnitus I suffer with today is a result of listening to loud music. Sometimes it makes me feel like I have a continual electric buzz or high-pitched noise in my head which makes me feel really disorientated.

‘I love music – and obviously, I work as a DJ – so my tinnitus has a massive impact on my personal and professional life. I wish I had known about the risks earlier. I’m now taking steps to protect my hearing from any further damage and recommend others to do the same.’

In another survey, among those working in venues with loud music in 91% have experienced a negative impact on their hearing, with reporting tinnitus (36%) or hearing loss (36%). 29%) rarely or never wear hearing protection at work – with a quarter (25%) saying that’s because their employer has not provided them with it.

The NTIA, which represents the UK’s clubs, bars and pubs, launched the Listen for Life campaign last October to raise awareness of the importance of hearing protection. It has partnered with Specsavers as part of a new industry report ‘It’s time to talk about hearing’ to launch a new Night Time Economy Charter, which will help businesses to better look after the hearing health of colleagues and customers.

Mike Kill, CEO of the NTIA, says it’s worrying how common hearing loss and tinnitus are for those working in the night time industries. He added: ‘We want those who enjoy going to festivals, gigs, pubs, bars and clubs to be able to enjoy them without damaging their hearing – and for those who work in loud environments to be given the knowledge and tools to take care of themselves.

“This charter can play a massive part in doing that.’

Romaan Babar adds: ‘What might start as a minor annoyance after a gig can lead to long-term consequences.

“It’s never too late to start protecting your ears. Wearing ear plugs, not standing too close to speakers, and taking breaks from loud environments can all help preserve your hearing.’

You can read about more about hearing protection in the ‘It’s time to talk about hearing’ report here: www.specsavers.co.uk/reports/hearing-health-2024, and more about ‘Listen for life’ and the NTIAs 10-point charter for businesses here: https://ntia.co.uk/listen-for-life-campaign/ 

Find out more about hearing protection at Specsavers at specsavers.co.uk/hearing. 

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Stuart wins competition to enjoy free gigs and help sing the praises of Edinburgh’s music scene

Winner lands eight pairs of gig tickets and his reviews will be published by Forever Edinburgh to encourage more music fans from across the UK to visit the capital

A Learning and Development consultant from Leith with a passion for music and an interest in writing has won a competition to enjoy free gigs and create reviews that encourage more music fans around the UK to visit Edinburgh. 

Stuart Niven, 37, won the competition, which was launched by Forever Edinburgh, the city’s official destination marketing guide, to showcase and support Edinburgh’s music scene to new audiences across the UK. 

Entrants were asked to submit a 250-word review of a gig they’d attended in the past 12-months, describing the event, artist, venue and capturing a sense of Edinburgh as a music-lovers destination. Niven’s winning entry, a review of the hotly tipped band Wet Leg at The Mash House in Edinburgh, was chosen for being written with flair and giving a well-rounded view of the concert. 

Stuart, who was attending around 50 gigs and four festivals a year pre-Covid, wins eight pairs of gig tickets to concerts across Edinburgh venues between May and December 2022.

The gigs will feature local artists and touring acts, with the first event being The Smile, who feature Radiohead members Thom Yorke and Jonny Greenwood alongside Sons of Kemet drummer Tom Skinner, at The Usher Hall on 1st June.  

After each gig, Stuart will be invited to write a by-lined review for the Forever Edinburgh website and social media channels, which are read and followed by visitors from across the world, as well as local residents.

As well as the free tickets and the chance to develop and showcase his writing skills, Niven will be paid a nominal fee of £100 for each of his published reviews. 

In addition, he will be offered the opportunity to review new music by local acts and interview artists and other figures within the city’s music community to further help shine a spotlight on the city’s music scene. 

Stuart, a frequent visitor to the likes of Sneaky Pete’s, The Usher Hall and Leith Theatre,  said: “This news put a huge smile on my face, I was grinning from ear to ear when I found out.

“I work in Learning and Development for a living but I enjoy writing and have often thought about doing some sort of blog or review page for the gigs and festivals I attend – mainly just to keep record and have a memory of them all. It was great to have my review received so positively. This competition has definitely given me the encouragement to continue writing. 

“I think it is a hugely exciting time for the Edinburgh music scene right now. The Usher Hall over the last few years has attracted some huge names from all genres to the capital. O2’s acquisition of the Corn Exchange and subsequent bookings there is encouraging, and we have some incredible small venues like Sneaky Pete’s, which continues to lead the charge.  

“The return of Connect Music Festival and all shows to take place at Ingliston this summer are other hugely exciting events to mark on Edinburgh’s music calendar that show just how important the city can be in staging live music.” 

The competition, which was launched in collaboration with local music blog Edinburgh Music Lovers, is part of Forever Edinburgh’s The Story Never Ends campaign and comes at a time when Edinburgh’s live music scene is entering a new chapter having been shut down during the pandemic. 

Stuart Niven’s reviews will also be published on Edinburgh Music Lovers to help further showcase his reviews and music in Edinburgh. 

Karl Chapman, Head of Heritage, Cultural Venues, Museums & Galleries at City of  Edinburgh Council, said: “My congratulations go to the well-deserved winner of the Forever Edinburgh music competition, Stuart Niven.

“He is clearly a passionate music fan who enjoys creative writing. I’ll be looking forward to reading his reviews of diverse Edinburgh gigs over the next few months. 

“The city’s music scene has been badly hit by the global pandemic, but we’re happy to see it coming back to life with an eclectic array of concerts lined up in venues of all sizes across Edinburgh.” 

Forever Edinburgh is the City of Edinburgh Council’s destination brand which promotes Edinburgh to the world, highlighting details of places to visit, accommodation, days out itineraries, festivals and attractions.  

On The Road Again: Scottish Government to launch Scotland on Tour live music fund

Musicians, bands, artists and venues will be able to apply to a £750,000 Scottish Government fund to bring new and additional concerts to venues and festivals in Scotland next year.

Scotland on Tour will support the staging of concerts across the whole nation from between January 2022 and January 2023.

Funded by Scottish Government and organised by Active Events, its decision-making panel includes representatives from across the music industry, as well as Creative Scotland, Scottish Enterprise, Highlands and Islands Enterprise, XpoNorth and South of Scotland Enterprise.

Participating artists, venues and festivals will be announced later this year.

Culture Minister Jenny Gilruth said: “Due to the impact of COVID-19, I know many concerts from 2020 and 2021 have been postponed – leaving little opportunity for artists to perform new concerts in traditional venues or concert halls up until late 2022, or even spring 2023.

“So I am very pleased to announce Scotland on Tour, a fund to help artists, venues and the wider music industry by creating new concert opportunities across Scotland next year.

“The fund is not only an exciting opportunity for artists and venues, but also for Scottish audiences, who will have the chance to see the best of Scottish music right on their doorstep.”

Director of Active Events Lisa Whytock said: “The past 18 months have been exceptionally challenging for musicians and promoters around Scotland.

“This fund will allow new concerts from professional musicians to take place across the country, bringing world class performances to cities, towns and local communities whilst simultaneously supporting production companies and skilled freelancers in their delivery.

“We are extremely excited about the project and would like to wholeheartedly thank the Scottish Government for their investment.”

Head of Music at Creative Scotland, Alan Morrison, said: “At the height of the pandemic, Active Events applied to Creative Scotland’s Open Fund for a research project that would identify community partners and increase touring opportunities for musicians when restrictions finally lifted.

“This bold vision for recovery has blossomed into a new touring fund, supported by the Scottish Government, that will breathe life back into the live music sector across the entire country.

“It’s extremely encouraging to see how a seed that was sown in darker times is growing into a major year-long programme that will bring music fans and professional artists of all genres back together again.”

Further details will be announced soon as to how artists and venues can apply to the Scotland on Tour fund, which is expected to open for applications in October. 

Registrations of interest to the fund can be recorded by sending an email to info@scotlandontour.com

Crackdown on ticket bots: A better chance of seeing the stars in 2018

Gig goers and sports fans will have more chance to see their favourite stars in 2018 as the Government cracks down on touts using “bots” to bulk buy tickets for resale on secondary ticketing sites. Continue reading Crackdown on ticket bots: A better chance of seeing the stars in 2018