National charity seeks Scotland’s real-life stories of adventure

Members of the public asked to share their tales and reap the benefits of writing for pleasure

Members of the public are being asked to share their real-life stories by national charity Scottish Book Trust.

In its fifteenth year, Scotland’s Stories is an annual writing opportunity where people can share a true story from their life, around this year’s theme of adventure. A selection of stories submitted will be published in a free book, distributed during Book Week Scotland.

Research has found that flexing your creative muscles can support mental health and wellbeing, increase happiness and even delay or reduce symptoms of dementia. The charity wants as many people across Scotland to take part and enjoy the benefits of writing a story for fun.

The opportunity is open to everyone in Scotland, whether they write regularly or haven’t penned anything since school. Stories can be about little everyday happenings to new challenges or once in a lifetime adventure.

Submissions of up to 1,000 words can be made in English, Scots or Gaelic in any form, such as a written story, poem, comic strip, play or letter. Audio and video formats are also welcomed.

A selection of stories will be chosen to be published in a free book, distributed across Scotland through libraries and community groups during Book Week Scotland (13–19 November 2023), Scotland’s national celebration of books and reading. All entries will also appear on the Scottish Book Trust website.

Alongside the stories from the public, Scottish Book Trust has commissioned pieces from several writers: poet, columnist and performer Len Pennie; current Scots Scriever Shane Strachan; poet and spoken word performer Mae Diansangu; author and food writer Sumayya Usmani; as well as Gaelic writers Seonaidh Charity and Alistair Paul.

Stories should be submitted by Friday 2 June 2023 via scottishbooktrust.com/about-scotlands-stories or by post to: Scotland’s Stories, Scottish Book Trust, Sandeman House, Trunk’s Close, 55 High Street, Edinburgh, EH1 1SR.

Marc Lambert, CEO of Scottish Book Trust, said: ‘Scotland’s Stories is one of the highlights of Scottish Book Trust’s work, giving a platform to people all over Scotland.

“This opportunity is open to anyone, whether you see yourself as a writer or not. It’s a privilege to collect and share these stories. We’d love to see as many people as possible pick up a pen and enjoy the positive benefits of writing for pleasure and share a story of adventure and what that means to them.’

Alison Lang, Director of the Gaelic Books Council, said: “Tha sinn an dòchas gum bi cuspair na bliadhna, ‘dànachd’, a’ brosnachadh dhaoine gu bhith a’ cur peann ri pàipear.

“Tha Seonaidh Charity, Alistair Paul agus ùghdaran stèidhichte eile air pìosan a sgrìobhadh mar-thà, agus tha sinn airson guthan a’ mhòr-shluaigh a chluinntinn cuideachd mar phàirt den iomairt inntinneach seo. Siuthadaibh, ma-tà… agus bithibh dàna.’

‘We hope that this year’s subject, ‘adventure’, will inspire people to put pen to paper. Seonaidh Charity, Alistair Paul and other established authors have already written pieces on this theme, and we want to hear the voices of the public too as part of this fascinating initiative. So get writing… and let the spirit of adventure lead you.’

Biographies

Len Pennie

Len Pennie is a poet who writes predominantly in the Scots language. She is passionate about the promotion of minority languages and the destigmatisation of mental illness. She has a regular column in The Herald, and her first collection, poyums, will be published by Canongate in February 2024.

Shane Strachan

Shane Strachan is the National Library of Scotland’s current Scots Scriever, writing new work in Doric inspired by the national collections. His stories and poems have appeared in New Writing Scotland, Northwords Now, Gutter, Stand and other national literary magazines and anthologies.

He has staged work with the National Theatre of Scotland and, following the award of a Scottish Book Trust Robert Louis Stevenson Fellowship in 2018, he exhibited his spoken-word project The Bill Gibb Line in Aberdeen Art Gallery across 2020–2021. He holds a PhD in Creative Writing from the University of Aberdeen.

Sumayya Usmani

Sumayya Usmani is a Pakistani-born writer, author, and mentor. Sumayya won the Scottish Book Trust, Next Chapter Award 2021 for her memoir, Andaza (Murdoch Books, 2023).

Sumayya went from practising law for twelve years to pursuing food writing. Her first book, Summers Under the Tamarind Tree (Frances Lincoln, 2016) was the first Pakistani cookbook in Britain. It won the Best First Cookbook category in the Gourmand Cookbook Awards in 2016 and was shortlisted for the Edward Stanford Travel Writing Award.

Her second cookbook, Mountain Berries and Desert Spice (Frances Lincoln, 2017) was shortlisted in the Best Cookbook of the Year category at the Food & Travel Magazine Awards. Sumayya is a regular on Radio 4’s The Kitchen Cabinet with Jay Rayner and writes for national and international publications.

Mae Diansangu

Mae Diansangu is a poet and spoken word artist from Aberdeen. She has performed at literary festivals across Scotland and appeared on BBC Scotland’s Big Scottish Book Club and BBC Radio 4’s Tongue and Talk.

Her series of poems ‘black lives, heavy truths’ is part of the National Library of Scotland’s collection. You can read her work in the anthologies Tales fae the Doric Side and Re creation – a queer poetry anthology. Mae writes in both English and Doric and is working on her first collection.  

Seonaidh Charity

’S e tidsear àrd-sgoil a th’ ann an Seonaidh Charity. ’S ann à Loch Bhraoin ach tha e a’ fuireach san Eilean Dubh. Chaidh a’ chiad nobhail aige An Làmh a Bheir fhoillseachadh mar phàirt dhen sreath ‘Lasag’ le Sandstone Press. Chaidh na sgeulachdan goirid aige fhoillseachadh ann an irisean leithid danamag, Northwords Now agus 404 Ink. 

Seonaidh Charity is a secondary school teacher who works in Inverness. He is originally from Lochbroom but now lives on the Black Isle. His first novel An Làmh a Bheir was published as part of the ‘Lasag’ series (Sandstone Press). Seonaidh has had short stories published in danamag, Northwords Now and 404 Ink. 

Alistair Paul

Tha Alistair a’ fuireach an Eilean Arainn far a bheil e ag obair na ghàirnealair. Chaidh na leabhraichean ficsean aige, Linne Dhomhain agus Fir an Diùraidh, fhoillseachadh le Luath, agus tha an obair aige air nochdadh anns na h irisean Tuath, STEALL agus Poblachd nam Bàrd.

Alistair lives on the Isle of Arran where he works as a gardener. His works of fiction, Linne Dhomhain and Fir an Diùraidh, are published by Luath and his writing has also appeared in Tuath, STEALL and The Poets’ Republic.

Start 2023 with the best of  Royal Opera House Stream

  • 6 new recordings launched between January and April
  • The Royal Ballet: The Cellist, Romeo and Juliet and Sylvia
  • The Royal Opera: La traviata, Fidelio and Madama Butterfly

This New Year, the Royal Opera House will add six new performances to Royal Opera House Stream for audiences around the world to enjoy: The Cellist, Romeo and Juliet and Sylvia from The Royal Ballet; and La traviata, Fidelio and Madama Butterfly from The Royal Opera.

The new titles join a library of over 50 beloved productions and over 100 behind-the-scenes videos, giving audiences an opportunity to discover more by the artists they love, and watch world-class art wherever they are.

The year kicks off with a recording of Cathy Marston’s extraordinary one-act ballet The Cellist (2020).

The production – the choreographer’s first work for the Royal Opera House’s Main Stage – is a lyrical memoir of the momentous life of the cellist Jacqueline du Pré, whose brilliant career was cut short by the onset of multiple sclerosis at the age of 28.

Composer Philip Feeney incorporates music by Elgar, Beethoven, Fauré, Mendelssohn, Piatti, Rachmaninoff and Schubert into an exquisite score that is itself an homage to the cello. This multi award-winning production stars Royal Ballet Principals Lauren Cuthbertson, Marcelino Sambé and Matthew Ball.

On Thursday 19 January 2023, our latest revival of Verdi’s ever popular La traviata arrives on Royal Opera House Stream.

Richard Eyre’s production, with sumptuous belle époque-inspired designs by Bob Crowley, has long been a Royal Opera favourite, winning critical acclaim for its exquisite sets, lavish costumes, and unforgettably dramatic staging.

The performance (recorded in 2022) is sung by a truly international cast that includes Pretty Yende as Violetta Valéry, Stephen Costello as Alfredo Germont and Dimitri Platanias as Giorgio Germont.

February begins with the release of Tobias Kratzer’s production of Beethoven’s only opera, Fidelio (2020), with Music Director of The Royal Opera Antonio Pappano conducting a spectacular cast led by Lise Davidsen and David Butt Philip.

Then, on Valentine’s Day 2023, Romeo and Juliet will be made available. Kenneth MacMillan’s classic adaptation of Shakespeare’s play – set to Prokofiev’s iconic score and featuring evocative designs by Nicholas Georgiadis – has remained a firm favourite of The Royal Ballet’s repertory since its premiere in 1965, which was danced by Rudolf Nureyev and Margot Fonteyn.

The production offers dancers in the lead roles a wealth of opportunity for differing interpretations of the star-crossed lovers.

Two further new productions will be available from March: Frederick Ashon’s ballet Sylvia (2005), starring former Royal Ballet Principal Darcey Bussell and Guest Artist Roberto Bolle; and Puccini’s devastating opera Madama Butterfly (2022), conducted by Nicola Luisotti and sung by a stunning cast that includes acclaimed Italian soprano Maria Agresta as Cio-Cio-San, American tenor Joshua Guerrero as Lieutenant B.F Pinkerton, Spanish Baritone Carlos Álvarez as Sharpless, and English mezzo-soprano Christine Rice as Suzuki.

All Royal Opera House Stream productions come complete with extra wraparound material – interviews, masterclasses, rehearsal footage and more – giving audiences a unique behind the scenes insight into one of the world’s leading theatres.

Royal Opera House Stream currently hosts over 50 stunning works from The Royal Ballet and The Royal Opera, with highlights including Wayne McGregor’s The Dante Project, Katie Mitchell’s production of Handel’s Theodora, Frederick Ashton’s La fille mal gardée, Christopher Wheeldon’s The Winter’s Tale and Puccini’s Tosca.

In addition to the 100+ pieces of behind-the-scenes content already online, further features – ranging from rehearsal footage to interviews and masterclasses – will be made available across 2023 for subscribers to enjoy.

Join today to watch the world’s greatest performers, emerging talent, leading choreographers and trailblazing creative teams from the comfort of your own home. From family favourites and modern masterpieces to heartbreaking arias and passionate pas-de-deux, Royal Opera House Stream offers it all: truly transformative experiences for only £9.99 a month or £99 annually.

Whatever your interest – whether classical or contemporary – there’s a breadth of content for you.

New productions from March 2023 will be announced over the coming months.

The Edinburgh Festival Fringe Society launches its review of the year 2022

Summary of the Society’s work over the past 12 months accompanied by headline findings from surveys

This morning the Edinburgh Festival Fringe Society launches its review of the year: an in-depth look at the work it has accomplished over the past 12 months.

With unease caused by a new wave of COVID in early 2022, there was still uncertainty that a fully formed Fringe could take place this August. However, against what felt like impossible odds at times, the Fringe re-emerged in glorious technicolour, with local performers joined by artists from across the UK and 63 nations.

In June, Fringe Society President Phoebe Waller-Bridge launched the Fringe Society’s new vision – to give anyone a stage and everyone a seat. This was followed in August with the announcement of new alumni Patron, Eddie Izzard, who started her career as a street performer on the famous Royal Mile.

As the festival approached,activities to celebrate the Fringe’s 75th anniversary took place, through memories collected from audiences and artists over the years.

The popular street events programme expanded into new areas of Edinburgh’s city centre, with over 3,200 performances taking place, and the Fringe Central participants’ hub opened its doors to over 2,100 arts industry, media, producers and visiting delegations.

Projects such as Fringe Days Out and the Children and Young People ticketing scheme returned as the Society continued with local schools and community groups.  These vital initiatives supported children, young people, and those across Edinburgh who might not otherwise get to experience the Fringe.

By the end of August, over 2.2m tickets had been issued, and artists from 63 countries had performed in over 3,400 shows across Edinburgh.

Read the Fringe Society’s full review of the year 2022 at:

https://edfringe.shorthandstories.com/fringe-review-2022.

Following a year of heightened interest in the Society’s work, today the Society also announce the headline results from a mass feedback project, launched in September.

A significant part of the Society’s annual evaluation is surveying a broad group of stakeholders.  This year was no different, with the largest listening drive since 2019.  The Society commissioned Scotinform to facilitate surveys to registered artists, audience members, venues, workers, arts industry and media, who combine to create the Fringe ecosystem.

More than 10,000 responses across the surveys were received, with results now being used to support the development of new projects, and to target our future plans. These vital data insights also give us the evidence base we need to advocate for focused support and address some of the challenges identified by the Fringe community.

The positioning of the festival continues to be strong: 76% of audience members agreed that the Fringe is one of the most important cultural events in the world. When asked for motivations for attending the 2022 Fringe, respondents cited seeing a variety of events/performances (76%) and enjoying live performance after the pandemic (49%).

Edinburgh’s residents continue to be vital to the festival: 65% feel the Fringe makes the city a better place to live, alongside 75% who feel it makes Edinburgh a better place to visit.  With the cost-of-living crisis likely to extend into 2023, 66% of audiences would like ticket offers or discounted tickets, with 91% of Edinburgh residents interested in a discount for EH postcodes.

The live experience continues to be a major motivator, with only 7% agreeing that they would like to see more online shows at the Fringe. As we look ahead to 2023, there is continued optimism from audiences, with 81% of respondents stating they are likely to come to the Fringe in 2023.

Unsurprisingly, following the intense interest in a Fringe app for 2023, 46% of audience respondents said they felt an app would have improved their Fringe experience, with 66% stating they would use an app in the future. This aligned with artist feedback, with 71% stating a Fringe app is very important to them. Work on the 2023 app is already underway and details on its functionality and launch timings will be announced in the new year.

For artists, the Fringe continues to be a core platform for artists’ careers, with 82% of those attending the Fringe for the first time doing so for professional development reasons. For returning Fringe artists, experiencing the Fringe was the biggest motivator, with 82% citing this as the main reason.

Neil Hanna Photography www.neilhannaphotography.co.uk 07702 246823

Accommodation continues to be a concern for many performers: 87% of artists felt that affordability of accommodation and living costs will be a barrier to future participation in the Fringe; however 70% of artists said they are still likely to bring a show to the Fringe in the future.  Interestingly, 17% of artists did not engage directly with the Society, and as such were not aware of the full offering of services available to them such as Fringe Connect and Fringe Marketplace.

While a small sample of workers responded to their survey, the Society continues to review how we reach and support this group more.  Recognising work undertaken in support of the Real Living Wage, 77% of Fringe workers said they were paid on or above this benchmark at this year’s festival. 91% were also satisfied that they had a line manager to seek help from, if and when they needed it.

In addition to the statistical information, Scotinform evaluated free text responses across the surveys.  In general, there was an appetite for more information to be shared with all respondents, at more regular points of the year. 

Advance detailed information was clearly sought, and as such The Society is refining its communications strategy to ensure first time, and returning artists, have the year-round support they need to attend the Fringe in the future. 

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It’s easy to forget how tumultuous this year has been – between Omicron variants, the cost-of-living crisis and de-stabilising world events, it feels miraculous the Fringe happened at all.

“The fact that it did is a testament to the concerted effort and support of a cast of thousands, including artists, audiences, venues, media, staff, volunteers, crew, sponsors, elected officials and the city of Edinburgh itself.

“Improvements can always be made, and the insights and data gained from our recent listening exercise are already being taken forward.

“We recognise that there are ongoing challenges, and our team are working hard behind the scenes to continue to advocate for our artists, and to support audiences as they plan for Fringe 2023.

Community Chest: regeneration specialist offers £3000 grant for Pennywell initiatives

A new fund, known as the ‘Creative Community Chest’ has launched which will support micro projects in Pennywell, Edinburgh and is established in partnership with North Edinburgh Arts and the OneCity Trust. 

The initiative which has been established as part of the Pennywell Living development has been created by regeneration experts Urban Union with the City of Edinburgh Council. Scottish charities and community groups located in the North Edinburgh Arts membership area are being asked to apply for one of 10 grants of £300, that can be used to deliver creative and engaging content for the local community.  

The governance, monitoring and oversight of grant distribution will be undertaken by the office of the OneCity Trust.  The mission of the OneCity Trust is to fight inequality and exclusion in the City of Edinburgh.  

Neil McKay, Managing Director, Urban Union, said: “At Urban Union we specialise in delivering new homes equipped for modern community living, but investing in these communities is just as important.  

“We know that by working with residents, charities, and local groups we can help to create welcoming places to live and make a real difference to people’s lives.”  

Kate Wimpress, Director, North Edinburgh Arts, said: “North Edinburgh Arts has worked with Urban Union for almost a decade, delivering creativity in the community and enhancing the local area.

“With support from the OneCity Trust, these fantastic individual projects allow us to build community engagement, we look forward to seeing these creative ideas come to fruition.” 

Urban Union has developed 134 new homes and apartments as part of Phase 3 works at Pennywell Living and has been working in conjunction with the City of Edinburgh Council since 2014 to regenerate Pennywell, creating a vibrant residential area.  

Councillor Jane Meagher, Edinburgh’s Housing, Homelessness and Fair Work Convener, said: “Our regeneration of North Edinburgh is a major project for the people of Pennywell and Muirhouse and a great success story.

“It’s all about working together to improve lives, tackle poverty and inequality in the area and create beautiful new homes and community spaces residents can be proud of.  

“It is great news, then, that our contractors are making this pot of money available through the OneCity Trust to local projects and charities which also promote social inclusion. The whole project provides a perfect example of community empowerment, showing how great value can be added to an area when involving those who know it best.” 

The application form to apply for a £300 grant is available to download here. 

Please complete the application form and send to elaine@onecitytrust.com along with the associated documentation noted on page 2 of the application form. If you have any questions, please contact Elaine McCafferty – OneCity Trust at elaine.mccafferty@onecitytrust.com or telephone (0131) 469 3856 

Bed Head launches ‘Stay Headstrong’ campaign that encourages individuals to let their creativity rule

A projection by street artist Pegasus appeared across Scottish Cities this week.

Pegasus, who was close friends with Amy Winehouse, is renowned for his distinctive artwork that can be found across the capital.

Speaking on the project he said, “This campaign struck a chord with me as you need to be headstrong as an artist. It’s important to have integrity and honour your true self – by being bold with your personal style or expressing your creativity in other mediums – and not to fear what anyone else says.”

The projections of three headstrong icons – Harry Styles, Mylie Cyrus, and Munroe Bergdorf – could be seen across the city of Edinburgh with the message ‘Let Your Creativity Rule’ which encourages people to be unapologetically themselves in response to research that shows one in five Brits are told they’re not good enough.

Bed Head launches ‘Stay Headstrong’ campaign that encourages individuals to let their creativity rule

  • Two fifths of Brits wish they could have been braver with their hair growing up and believe their hair is the most important part of personal appearance
  • One in 10 look up to Miley Cyrus, Harry Styles and Vivienne Westwood as headstrong role models
  • Over half of Brits think their hair is an extension of their personality
  • The campaign has just launched a new web series fronted by FFSYTHOLily Phillips and Lucia Blayke to coincide with its first nationwide consumer retail launch at Boots
  • This year, Bed Head is supporting STONEWALL to drive awareness and help create safe and equal opportunities for the LGBTQ+ community
A wall with posters on it

Description automatically generated with low confidence

Posters have appeared across the UK in all major cities 

Original rebel hair brand, Bed Head, has launched ‘Stay Headstrong’, a campaign celebrating fearless self-expression and encouraging experimentation.

The ‘Stay Headstrong’ campaign is a response to new research that shows that one in five (19%) Brits admit they’ve been told they’re not good enough, with one third (30%) being made to feel inadequate at some point in their lives with regards to how they look. Of those surveyed, more than half (60%) rely on their hair to give them confidence, with two fifths (40%) claiming their hair-do is the most important part of their appearance. 

As part of Bed Head’s campaign, the brand has launched ‘Chats from the Chair’, a web content series on its native platform, that features interviews from headstrong queer Grime artist FFSYTHO, cutthroat comedian Lily Phillips, and trans pride activist and creator Lucia Blayke. The interviews shed light on why the ‘stay headstrong’ attitude is so important to each of the stars and illustrates the integral role products play as tools for self-expression, enabling people to be true unapologetic versions of themselves.

When it comes to role models, the consumer research revealed people admire creative challengers Miley Cyrus,Harry Styles and Vivienne Westwood for their bold fearless nature (42%), integrity (47%) and courage to stand up for what they believe in (44%).

The results also showed that half (51%) of Brits think their hair is an extension of their personality, changing their style on average every two or three years (32%).

Of those surveyed, adopting a headstrong attitude has helped people with:

  • Improved confidence – 29%
  • To take more risks in their personal lives – 21%
  • To persevere after rejection – 20%

Katie Westerby, Senior Marketing Manager at Bed Head, said: “At Bed Head, our purpose has always been to champion creativity by equipping artists with elevated professional hair care products and encouraging all consumers to push the boundaries of what they can do.

“Being headstrong is not only something we embody as a brand, but a belief we want to instil in everyone who buys our products. We hope that this campaign will spark conversation and motivate new and existing Bed Head devotees, and we can’t wait to see it.” 

This year, Bed Head is supporting and donating to STONEWALL a charity that stands for lesbian, gay, bi, trans, queer, questioning and ace (LGBTQ+) people everywhere. In the UK, more than a third of employees don’t believe it’s appropriate for their LGBTQ+ colleagues to be out in the workplace.

In response to this, Bed Head and STONEWALL want to help create more equal opportunities in society so LGBTQ+ people feel safer in our modern society.

For more information about Bed Head’s ‘Stay Headstrong’ campaign, please visit bedhead.com

Cubes of Perpetual Light coming to Edinburgh

The Cubes of Perpetual Light will play new music commissions inspired by the themes of sustainability and growth during the Festival of Politics and Edinburgh International Book Festival

Specially designed ‘Cubes of Perpetual Light’ will come together in the Capital this summer to create a striking music installation featuring programmable light and quadraphonic sound.

The unique installation will appear in the iconic surroundings of the Parliament Garden in the Scottish Parliament, open to the public during the Festival of Politics, August 11-13 and Edinburgh International Culture Summit August 26-28.

A second installation will be installed during Edinburgh International Book Festival, 13–29 August.

The installation forms part of Dandelion, a major creative programme demonstrating the power of collective action through an ambitious ‘grow your own’ initiative that aims to reach communities across Scotland this summer.

Commissioned by EventScotland and funded by the Scottish Government,  Dandelion is Scotland’s contribution to UNBOXED: Creativity in the UK.

At the centre of Dandelion, is a meeting of art and science through the creation of hundreds of unique miniature ‘growing cubes’, called the ‘Cubes of Perpetual Light’. The 1m x 1m cubes are designed to foster accelerated plant growing and have been developed to grow hundreds of seedlings under LED light, combining design craft, traditional horticultural expertise and technological innovation.

The Cubes aren’t just miniature growing laboratories however, they’re also the inspiration for new music which people are being invited to experience at festivals and venues across Scotland this summer, now arriving in Edinburgh.

The special installations are each unique, featuring a collection of cubes, with immersive lighting integrated with stunning quadraphonic speaker systems designed to best showcase the new music compositions playing ‘from’ the cubes. This is the only opportunity to hear these unique compositions in their entirety.

For those unable to visit the cube installations in Edinburgh, they will also be visiting Inverness Botanic Gardens, 15–29 August, and on display at V&A Dundee until 30 August. This activity forms part of a summer-long programme of art, music, food and science for everyone to enjoy.

Leading musicians from Scotland and beyond have created 13 new music commissions for the Cubes of Perpetual Light, all inspired by themes of nature and sustainability.

The aim of the commissions, which can only be heard at the installations, is to encourage listeners to think more deeply about how, where and why plants grow. Each new music piece is commissioned by Dandelion with additional support for international work from British Council Scotland.

Optimized by JPEGmini 3.18.4.211102121-AP 0x6acce567

The Edinburgh installation includes 13 tracks of new music from artists:

  • amiina & Kathleen MacInnes: A gorgeous collaboration bridging the mighty North Atlantic, from the Outer Hebrides to Iceland. South Uist native Kathleen MacInnes, one of Scotland’s finest Gaelic folk singers comes together with amiina, from Reykjavik – a strings-and-electronica quartet whose packed portfolio includes many collaborations with Sigur Rós. This unique recording for Dandelion features Gaelic lullabies Crodh Chailein, Dhachaidh along with amiina composition blauwber’.
  • Arooj Aftab & Maeve Gilchrist: Arooj Aftab’s music is a breath-taking blend of Sufi mysticism, contemporary classical, jazz, ambient and much more – and this year, she became the first Pakistani woman to win a Grammy. Her stunning new album Vulture Prince features Edinburgh-born harper, composer and producer Maeve Gilchrist, and the pair are teaming up again to create new music for Dandelion.
  • Claire M Singer: Claire M Singer is an acclaimed Scottish composer and performer whose acoustic and electronic music draws inspiration from the dramatic landscapes of her native country. The Director of Organ Reframed, a festival of new music that reimagines the epic sound of the organ, she’s created a new multi-channel work featuring organs recorded in Aberdeenshire, Inverness, Stonehaven and Glasgow.
  • Vedanth Bharadwaj : Vedanth is a vocalist and composer born in Mumbai, India who trained in Classical music around the age of four, under Neyveli Santhanagopalan. He recorded two beautiful songs for Dandelion featuring himself on vocals, banjo and guitar along with Gurupriya Atreya on vocals. ‘Vrukshan Se Mati Le’ is a song written by Surdas (an Indian mystic poet from the 16th century). He writes about how one ought to learn compassion from trees. Trees neither love you more when you water them, nor do they hate you if you cut them down. It provides us shade, while bearing all the heat from the sun on its own head. If you throw a stone at it, it gives you a fruit! Lucky are we, to live in a world among trees. Surdas pleads to us to learn compassion from trees, or at least, from the indigenous people.
  • Craig Armstrong & Steve Jones: Craig Armstrong is a BAFTA, Golden Globe and Grammy-winning Scottish born composer.  Through his orchestral writing, electronic music and wide-ranging artistic collaborations in classical and film music, Craig Armstrong’s distinct compositional voice has received worldwide acclaim. For Dandelion he created ‘Endless (Study 1)’ with guitarist Steve Jones along with School of Scottish Studies field recordings from the 1960s to create a sense of limitless space and time for the listener.
  • Fergus McCreadie: Fergus McCreadie is one of the UK’s most exciting jazz musicians. Combining vital jazz sounds with influences drawn from Scottish traditional music, his brilliant third album Forest Floor came out in April to universal acclaim and has been nominated for the Mercury Music Prize. His specially recorded Dandelion work ‘Life Cycle’ features piano and strings from Seonaid Aitken, Emma Pantel, Sarah Leonard & Juliette Lemoine.
  • Jason Singh: Jason Singh is a remarkable sound artist, beatboxer, producer and performer whose music is inspired by the natural world. Nicknamed “The Human Sampler” by Cerys Matthews, he’s worked with everyone from Sir David Attenborough to Talvin Singh. His composition for Dandelion, Droop, is a lament in response to our climate crisis. It is a collaboration between plant, humans and technology and has been created by converting the electrical signals generated by the Camellia plant into musical notes played through analogue and digital synthesisers.
  • Maya Youssef: Syria’s Maya Youssef is the ‘Queen of the Qanun’, an extraordinary 78-stringed Middle Eastern plucked zither. Her life-affirming music is rooted in the Arabic classical tradition but forges into jazz, Western classical and Latin music – as heard at the BBC Proms, WOMAD and now here on this special work for Dandelion: Back to Earth, Barley Blessing & Eastern Wind featuring Maya with Scottish musicians Innes White, Catriona Price, Craig Baxter, Alice Allen, Ciorstaidh Beaton and Arabic Nay player Moslem Rahal
  • Ravi Bandhu: Hailing from Sri Lanka, this acclaimed drummer, dancer and choreographer has taken his magnificent drum ensemble to stages as far afield as WOMAD in Reading and the Kennedy Center for the Performing Arts in Washington, DC.
  • Trio Da Kali: In a unique African / Scots collaboration Trio Da Kali brings together Hawa Kassé Mady Diabaté, Lassana Diabaté and Mamadou Kouyaté – three of the best new griot musicians from the Mandé culture of Mali – along with award winning Scots vocalist Kim Carnie & piper Ross Ainslie – to bring a fresh creative vibe to ancient traditions. These songs continue with the long-time folk culture of telling old stories from the past that pay tribute to the people who do good things for the community and talk about the importance of living in the present and enjoying what happens now.
  • Brian d’Souza: An award-winning sound artist aka Auntie Flo, DJ, producer and performer from Glasgow via Goa, Brian makes magic from a blend of electronic sounds and influences from around the globe. Winner of the 2019 Scottish Album of the Year Award for Radio Highlife, he recently debuted immersive installation The Soniferous Forest and for Dandelion has composed ’Spring Symphony (Sage, Basil, Mint and Lavender)’ – a biophilic soundscape that harnesses the power of nature through sound. It was created by using a Plant Wave device to pick up electromagnetic activity from the different plants which translated each into MIDI notes. These notes then literally ‘played’ samples of various traditional instruments from the Hebrides – including Clarsarch, Whistle, Flute, Pipes and Fiddle.”I then let the plants play… totally naturally to produce a kind of ‘acoustic ecology”.
  • Manu Delago: There’s no sound in music quite like the hang, a melodic percussion instrument invented only 20 years ago – and there’s no better exponent of it than Manu Delago, who’s performed with the likes of Björk, the Cinematic Orchestra, Ólafur Arnalds, Nitin Sawhney and Anoushka Shankar while making a succession of brilliant solo records.
  • Pàdruig Morrison: Accordionist Pàdruig Morrison was brought up surrounded by the culture, the music and the language of the Gaels. After bedding in the first Cube of Perpetual Light on the remote Hebridean island of Heisgeir, where his grandparents set up a pioneering experiment in sustainable living, Pàdruig is now making new music to help them grow.

This follows Dandelion’s latest project taking the Cubes of Perpetual Light on tour across Scotland throughout the month of August, traveling on specially designed electric cargo bikes.

The tour visits schools, parks, venues and Dandelion Unexpected Gardens where the commissioned music can be heard.

Music Director for Dandelion, Donald Shaw said: “Just as plants can grow from tiny seeds, great music can grow from small ideas that we nourish till they bloom into full art forms. 

“The cubes can demonstrate accelerated growing in a wide range of settings, both the expected and unexpected. Placed in a particular environment they create a micro-world within a world, allowing musicians and listeners to imagine a sonic landscape that surrounds us, providing a space for contemplation and for us to imagine a future where we sow, grow and share differently.”

The Rt Hon Alison Johnstone MSP, Presiding Officer of the Scottish Parliament said: “The Festival of Politics is all about opening the doors of the Scottish Parliament to people across the country with a variety of things on offer – from debate and discussion to exhibitions and music.

“The cubes of perpetual light is an example of how sustainability and art can come together to grab people’s attention and make people stop and think. I hope many people will take the opportunity to join us.”  

Marie Christie, Head of Development, Events Industry at VisitScotland said: “It’s fantastic to see so many incredible artists create new music inspired by Dandelion’s urgent themes of sustainability and our connection to the natural world.

“By fusing new music and new technologies, the cubes create unique ways for audiences to engage and connect with these issues. It’s wonderful to see the cubes travel to Edinburgh to be part of the city’s world-leading festivals, where audiences from Scotland and all over the world can experience them.”

Martin Green, Chief Creative Officer, UNBOXED said: “Dandelion is a brilliant coming together of artists, designers, technologists and scientists to make something special and important about what we eat, how it grows and how everyone can get involved in growing, wherever they live.

“Through the growing cubes, music and many opportunities to participate in growing initiatives, Dandelion is designed to inspire people to create a sustainable future. Dandelion is one of five UNBOXED projects taking place in Scotland this year as part UNBOXED: Creativity in the UK – a year-long celebration of creativity across the four nations.”

Dandelion is a joyous Scotland-wide celebration of sowing, growing and sharing. Commissioned by EventScotland and funded by the Scottish Government it is part of UNBOXED: Creativity in the UK. Dandelion reimagines our relationship with food and the planet and the way we celebrate it together. 

Night out with a twist: ‘Paint and Sip’ at Edinburgh’s newest speakeasy

Edinburgh’s hottest new bar in town, Counter at Native, has revealed a new take on a night out in the city; a creative ‘Paint and Sip’ workshop. With a delicious drink in one hand and a paintbrush in the other, guests can create their own piece of abstract artwork while enjoying Counter’s classic cocktails.

The Paint and Sip Class is part of Counter’s cultural programming, bringing the best of the city’s eclectic scene to the bar’s plush surroundings and supporting local artists. 

Open to all, including non-residents, the Abstract Paint and Sip Class takes place on Wednesday 10th August, 7pm – 9pm. Spaces are limited – book tickets from £35 now www.classbento.co.uk

Partnering with Class Bento, a creative workshop booking platform which supports local artists, Counter will offer a series of workshops – bringing a few hours of peace and inner bliss to Edinburgh’s city centre, in Counter’s sophisticated surroundings. First up in the series, the Abstract Paint and Sip Class will see guests guided by an expert art tutor, taking inspiration from Native’s Scottish landscape-inspired surroundings. 

The perfect way to unwind after work or embrace your creative side, the tutor will guide guests to create a beautiful piece of art on canvas using acrylic paints while they enjoy some of Counter’s blissful cocktails.

From wall scrapers to cooking spatulas, guests will try out a range of tools to experiment and find their perfect match, soaking up Counter’s idyllic aesthetic. The class is completely beginner-friendly, and guests can take home their artwork to adorn their own homes, and perhaps find a new way to unwind and channel their creative energy. 

Recently revealing an impressive venue refurbishment, Native Edinburgh’s new aesthetic takes its inspiration from the city itself; from the new lobby space with luxurious green hues and botanical themed prints influenced by the nearby Royal Botanic Gardens, to the wall plaques nodding to the venue’s heritage-steeped history, commemorating the birthplace of great Scottish inventors like who lived within the city.

Following the epic refurbishment, Native Edinburgh revealed the jewel in their crown, the one of a kind Counter – coffee by day and cocktails by night. Open 11am – 1am to all, including non-residents, the speakeasy serves up cocktails and wine as well as artisan coffee and bagels, ensuring guests can enjoy a nightcap before bed, or start their day with a hot coffee before setting out to explore the city. 

Native’s aparthotel allows guests to ‘live like a Native’, with the freedom of a spacious apartment and the comfort and convenience of a boutique hotel, perfect for any stay in Scotland’s capital. Counter is set to host everything from spoken word poetry and DJ sets, plus record listening sessions every Wednesday, Thursday and Friday in Native’s stunning lounge. 

Soundtracking an evening of well-crafted cocktails, Native’s upcoming record listening sessions include albums from Diana Ross and Earth Wind and Fire, as well as Oasis’ ‘Definitely Maybe’ and The Beatles ‘Abbey Road’, ensuring an eclectic mix of the very best music.

Keen to encourage guests to unwind and enjoy the records the way they were intended, Counter’s listening sessions take place from 6pm – 8pm with residents and non-residents encouraged to enjoy the 12 “ vinyl spins.  Whether sipping on a Whisky Sour or Espresso Martini or even enjoying an Edinburgh Whisky Tea, Counter’s record listening sessions will be the perfect companion to a late summer evening. 

With 82 apartments comprising studios, one bedrooms, and ground floor leisure and co-working spaces, Native Edinburgh provides the flexibility and amenities of a design-led boutique hotel, coupled with the space, comfort and privacy of a home from home.

Native’s show-stopping new rooms are available to book now via www.nativeplaces.com and Counter is open seven days a week from 11am to 1am.

Counter at Native Edinburgh

Wednesday 10th August 

6-8pm: Record Listening- Aloe Blacc, Good Things

7–9pm: Abstract Paint and Sip class. Book now classbento.co.uk/abstract-paint-and-sip-class-edinburgh-0 

Thursday 11th August

6-8pm: Record Listening – Diana Ross, Diana

Friday 12th August

6-8pm: Record Listening – Earth Wind and Fire, I Am

For full programming, visit www.nativeplaces.com/whats-on-edinburgh

Collective announces Satellites Programme 2022 participants

We are delighted to announce the participants of Satellites Programme 2022 following our open call and selection process earlier this spring.

Satellites is Collective’s development programme for emergent creative practitioners based in Scotland and lies at the core of our mission and creative vision. We aim to support participants to better understand and navigate the sector; equipping them to sustain a creative practice and foster criticality through peer development and reflection. 

This year’s practitioners were selected by artist Rabiya Choudhry, curator Sara Greavu, and writer and artist Jeda Pearl:

Thomas Abercromby

Thomas is a Glasgow-based artist and curator. His work often focuses on complex questions concerning gender, race, sexuality and class, and centres around the challenging of societal power structures. Recent projects include The School of Abolition; You’re Never Done, and the Glasgow Seed Library.

Kaya Fraser

Kaya is a multi-disciplinary artist based in Perth. Kaya works with analogue photography, film, writing and sound to explore the rose-tinted memories of working-class upbringings – her own included. Kaya has worked with Creative Dundee on the Full Picture commissions and held the position of Socially Engaged Artist in Residence 2021 at Mount Stuart, Isle of Bute.

Matthew Rimmer

Matthew is a Glasgow-based artist who creates succulent and vibrantly coloured sculptures, drawings and paintings concerned with the ideologies of nature. He also explores the relationship between plastic and queerness. Recent exhibitions and events include Shocked Quartz, Ugly Duck, London (2022); First Outing, Abingdon Studios, Blackpool (2021), and Air Diving, 16 Nicholson Street, Glasgow (2021).

Rabindranath X Bhose

Rabindranath X Bhose is an artist and writer based in Glasgow. He graduated from the School of the Damned D.I.Y. MFA in 2019. His work centres around sacred transness, spiritual transformation, and (healing from) trauma. Recent projects include In Touch, Embassy Gallery (2021) and group show Platform: 2020, Edinburgh Art Festival (2020).

We are excited to support these practitioners over the coming months. Some of the new works produced will be presented as public events, exhibitions, publications and workshops: watch this space!

Art Buds in Muirhouse Family Day

SATURDAY 9th JULY 10.30 – 12.30

🌞 Art Buds in Muirhouse Family Day ☀️

Art_Buds_Collective will be holding their next Family Day on Saturday 9 July, 10.30am-12.30pm at Granton Beach, and you are invited to come along and bring your family to join in the creative fun. Free, simply drop in!

Art Buds in Muirhouse offer FREE outdoor art classes inspired by nature for children in Muirhouse (postcodes EH4 4, EH4 5, EH5 1, EH5 2) and the surrounding area, and they’re running their July Summer Camp from 18 to 22 July.

We have some final places for children aged 3 – 6 in our morning and afternoon groups.

Find out more and sign up at www.eventbrite.co.uk/e/358458768827

Art Buds in Muirhouse are supported by Creative Scotland

We’ve Been Heard: Young people speak out on Access All Arts funding

MORE than one hundred young people with additional support needs have taken forward creative arts projects as a result of funding from the Access All Arts Fund, led by national charity Children in Scotland.

The fund, delivered through Creative Scotland’s Nurturing Talent Fund: New Routes programme, distributed £68,000 to young people across Scotland, supporting projects ranging from dance to drama and visual art to television.

As a result of the fund’s success, Creative Scotland will be supporting a second phase of the project from 2022-23.

A report on the first year of the Access All Arts Fund, capturing its aims, approach, impact and recommendations, is published today.

Click here to download the report

The Access All Arts Fund was established specifically to support children and young people with an additional support need or disability, a community who have experienced significant challenges during the pandemic.

A cartoon drawing of ballet shoes, drama mask, a microphone and a pencil and notebook. The Access All Arts Fund logo in the centre.

Children in Scotland recruited four children and young people with a range of additional support needs as panellists to lead the design of the fund, make decisions about funding and support creative initiatives. The panel comprised young people aged 12-25 from West Lothian, Stirling and Glasgow.

With year one of the fund successfully completed, recruitment of young people to take part in the year two panel will begin shortly.

Activity in 2022-23 will have a strong emphasis on wellbeing and a continued focus on young people as project co-designers.

Ryan Cuzen, one of the panel members who took part in the project over the past year, said: “Having young people with lived experience of a disability or additional support needs involved in the design of funds, training programmes and opportunities is vital.

“It shows we are being listening to, included and our ideas and voices are being heard.”

David Mackay, Policy & Projects Manager at Children in Scotland and Access All Arts Fund project lead, said: ““It’s been fantastic to work with the young people on our design panel over the past year and to see the incredible response to the fund.

“The Access All Arts Fund has had a significant impact on many children and young people’s lives – helping them to improve their wellbeing, learn new skills and open up new creative opportunities. We are delighted that Creative Scotland has announced it will be supporting a second round of the fund in 2022.

“We look forward to continuing to support children and young people with additional support needs or a disability to access the arts and realise their full potential.”

Sarah Mcadam, Youth Arts Programme Manager at Creative Scotland said: “The high demand for Access All Arts in 2021 showed us the important role that arts and creativity was able to play in the lives of children and young people who were experiencing significant challenges during the pandemic.

“We’re thrilled that through renewed support, this programme will give more children and young people opportunities to lead on decision-making and access the funding they need to bring their creative ideas to life.”

Recommendations in the report on year one of the project include:

  • Creative Scotland should continue to fund Access all Arts. The fund has been successful in reaching a previously under-represented community and evaluation suggests it has had a positive impact for many young people.
  • Creative Scotland and Children in Scotland should share key learning from the project with policy leads and decision-makers, identifying opportunities to influence other initiatives designed to support children and young people’s learning and wellbeing following the pandemic.
  • In additional rounds of the fund, increased time and financial resource should go to outreach work and building relationships with organisations supporting specific communities (for example, deaf children and children and young people with a visual impairment). This would encourage a wider diversity of applications to join the design panel and an increased range of applications.

The fund was open for applications from 11 August – 13 September 2021 and received 236 submissions from children and young people aged 11 to 26.

A large number of applications included requests to purchase items ranging from drawing and painting materials to musical instruments or photographic equipment.

Funding allowed children and young people to attend music, dance or drama tuition classes, realise zine-making projects, progress their song-writing ability and learn silversmithing skills and clothing design.

Evaluation of the project concludes that the fund:

  • Provided opportunities for children and young people to explore their unique personal interests and passions
  • Gave them autonomy and agency to develop projects and learn new skills while supporting their wellbeing
  • Created opportunities for them to overcome barriers and try new creative experiences and, in some cases, supported career development opportunities.