Music fans packed out the Traverse Theatre in Edinburgh for Soundhouse’s first ever Winter Festival (28 Nov to 2 Dec). Bringing in an audience mostly comprised of locals (73% from the capital, with 21% from the rest of Scotland), it proved the best antidote to a dark time of year and a great way to mark St Andrew’s Day.
The festival ran over five days thanks to support from The National Lottery through Creative Scotland and included some of the finest jazz, indy and folk musicians from Scotland. Sellouts included the Nicole Smit Quintet; Fergus McCreadie with an outstanding performance from guest Italian star Mattia Galeotti on drums; and Su-a Lee performing alongside a stellar line-up of trad favourites – Duncan Chisholm, Donald Shaw and Hamish Napier.
Other popular highlights included a screening of The Rugged Island: A Shetland Lyric (1933), opened by Shetland pianist Amy Laurenson, and accompanied by music composed by award winning multi-instrumentalist Inge Thomson from Fair Isle with Shetlander Catriona Macdonald; a preview of rock goddess Megan Black’s new album; and a performance of Unwritten Women read by Edinburgh’s former Makar Hannah Lavery to a new score written and performed by Kate Young.
The Festival also received five star reviews and was a key part of this year’s Fair Saturday celebrations in Edinburgh.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled with the appetite that audiences have shown for live music during the winter months.
“We knew that people would come out for the festival if we programmed great music, so that’s what we did and it paid off.
“It’s been an absolute blast to present five days of jazz, rock, punk, poetry, and silent film, not a line-up we have had the opportunity to programme before, but one that we would definitely look to repeat next year.”
The Soundhouse Organisation returns in May with more live music at the Traverse for Edinburgh’s Tradfest (2-12 May 2025). Dates for the Soundhouse Winter Festival 2025 are to be confirmed.
The 2025-26 Budget will deliver progress for the people of Scotland, with a record increase in frontline NHS spending, and plans to lift 15,000 children out of poverty by mitigating the UK Government’s two-child limit from 2026.
Setting out the Budget to Parliament, Finance Secretary Shona Robison said the government had listened and would now act on the priorities of people, businesses and organisations across the country – delivering progress for Scotland, by Scotland.
The 2025-26 Budget includes:
a record £2 billion increase in frontline NHS spending taking overall health and social care investment to £21 billion to reduce NHS waiting lists, making it easier for people to see their GP, and progress the Belford Hospital, Monklands Hospital and Edinburgh Eye Pavilion projects
funding for universal winter heating payments for older Scots, and investment to allow the mitigation of the two-child cap from 2026
tax choices that freeze income tax rates, increase the Basic and Intermediate rate thresholds to put more money in the pockets of low and middle-income earners, and provide business rates relief for hard-pressed local pubs and restaurants
a record £15 billion for local government to support the services communities rely on and £768 million to provide 8,000 more affordable homes
£4.9 billion of action on the climate and nature crises to lower emissions and energy bills, protect the environment, and create new jobs and opportunities
a real-terms uplift of 3% for spending on education and skills to maintain teacher levels and invest in school infrastructure, as well as new funding to put more breakfast clubs in primary schools
a £34 million uplift for culture in 2025-26
The Finance Secretary said: “I am proud to present a budget that delivers on the priorities of the people of Scotland.
“Parliament can show that we understand the pressures people are facing. We can choose to come together to bring hope to people, to renew our public services, and deliver a wealth of new opportunities in our economy.
“This Budget invests in public services, lifts children out of poverty, acts in the face of the climate emergency, and supports jobs and economic growth.
“It is a budget filled with hope for Scotland’s future and I look forward to working with all parties in Parliament to secure agreement around its provisions.”
£6.9 billion total investment in social security, including the Scottish Child Payment
almost £4.2 billion across the justice system in 2025-26, including £1.62 billion for policing to support capacity and capability, £881.1 million for prisons, including £347 million for the prison estate to deliver HMP Glasgow and HMP Highland, and £159 million for community justice services to support the wider use of community interventions
over £2.6 billion towards public transport to support bus, rail and ferry services and increases the dedicated funding available to the four councils operating their own ferry services to £50.3 million
over £660 million for rural communities to support the crucial contribution of Scotland’s farmers, crofters and the wider rural economy
almost £90 million to protect, maintain and increase our woodlands and peatlands, to restore more than 15,000 hectares of degraded peatland and ensure the creation of more than 11,000 hectares of woodland across Scotland
a £34 million uplift for culture in 2025-26, building on the £15.8 million increase in the last Budget to take the total incremental increase in culture funding to almost £50 million – the halfway point in our commitment to increase funding to culture and the arts by £100 million more annually by 2028-29
£6 million for the National Islands Plan to deliver infrastructure projects designed in partnership with islanders to support successful and resilient island communities
protection for free tuition and a 3.5% increase in total investment in Higher Education, compared to a 3.08% increase in university funding in England
Ben Macpherson MSP has welcomed the Scottish Government’s budget commitment to provide significant additional funding for the Granton Waterfront regeneration project, with a long-term agreement to be formalised in 2025.
Having spoken regularly about Granton in the Scottish Parliament this year, and previously, to promote the area as a strategic development site for Edinburgh and Scotland as a whole, Ben Macpherson MSP is delighted that the Scottish Government has committed financial support to significantly progress the City of Edinburgh Council’s ambitions plans.
The budget statement by Shona Robison MSP included: “I can confirm today that we will be working with Edinburgh City Council to unlock over 800 new, net zero homes at their Granton development site.”
In the Scottish Parliament, during the Budget statement and question session, Ben Macpherson MSP for Edinburgh Northern and Leith said: “As the local constituency MSP, I believe passionately in the significant potential for the development of Granton Waterfront to help tackle Edinburgh’s housing challenges, to transform the northern part of our capital city for the common good, and to deliver economic growth, new opportunities and multiple positive benefits for existing communities and our country more broadly – that’s why I have worked constructively to highlight all of this to Ministers, and am therefore delighted and grateful that the Finance Secretary has committed to working with City of Edinburgh Council to deliver 800 more homes.
“Can the Finance Secretary say more about the Scottish Government’s commitment to the development of Granton Waterfront – as a strategic site – and the positive impact this will deliver for the people of Northern Edinburgh and Scotland as a whole?”
The Cabinet Secretary for Finance, Shona Robison MSP, replied: “Ben Macpherson is absolutely right, the Granton Waterfront development is a big deal for Edinburgh, and we will work with Edinburgh Council over the coming months and hope to announce a deal on the detail early in the 2025-26 financial year to support this multi-year project.
“And I talked in my statement about it unlocking 800 new net-zero homes of mixed types and tenures but also sustainable transport links and placemaking initiatives.
“This can be a gamechanger for Edinburgh and I am very acutely aware of the housing need in Edinburgh, and I think this will go a long way to helping as part of this solution.”
Ben Macpherson MSP for Edinburgh Northern and Leith, added: ““This is a very significant step forward towards tackling Edinburgh’s housing emergency and realising all of North Edinburgh’s remarkable potential.
“I have passionately and consistently supported the regeneration of Granton Waterfront throughout my time as the MSP for Edinburgh Northern and Leith, and have worked to be a constructive link between the Scottish Government and the City of Edinburgh Council in this collective endeavour.
“The vacant and derelict land in Granton has the potential to be transformed into a new residential hub and a destination to visit for locals and tourists alike – just like in Dundee and other waterfront cities across the world. It is fantastic that the Scottish Government has committed to this vision and given pivotal financial backing to make it happen!
“Edinburgh continues to face significant, various housing challenges and building more affordable homes is crucial in helping to tackle this. With Scottish Government support, the development plans for Granton will deliver transformational change to benefit the local area and the wider economy.
“It has been a consistent priority since my election to promote and deliver more affordable housing in Northern Edinburgh – as well as accompanying infrastructure and facilities in the area, like cultural and creative hubs, opportunities for small businesses to thrive, and key services such as schools and health centres – and I look forward to seeing the development of Granton benefit the people of Edinburgh in the years ahead, and the additional investment and opportunities that will be created.”
BUDGET REACTION:
Responding to today’s Budget statement by the Finance Secretary, John Dickie, Director of Child Poverty Action Group (CPAG) in Scotland, said: “The Finance Secretary is absolutely right to mitigate the two-child limit in the absence of abolition at UK level.It’s a pernicious policy that pushes 15,000 children into poverty in Scotland alone.
“Investing in social security for families is key to delivering on the First Minister’s number one priority of eradicating child poverty.
“The devil will be in the detail and families really can’t wait until 2026 to see their incomes boosted, so an above inflation increase to the Scottish child payment is still needed in the meantime.
“But there is no question this is the right focus for prioritising spend. We need the UK government take the same approach to investing in family benefits as a matter of utmost urgency.”
CHILD POVERTY ACTION GROUP
COSLA
Responding to today’s Scottish Government draft budget, Poverty Alliance chief executive Peter Kelly said: “The two-child limit is a huge injustice that has no place in a compassionate society – because every child matters and every child should get support they need.
“We welcome the Scottish Government’s proposals today, and we hope that the UK Government works positively and quickly to get this extra support to households with children. We hope it adds to the pressure to scrap the two-child limit across the UK.
“With record numbers of children in temporary accommodation, additional investment in affordable homes and homelessness prevention is necessary and welcome. But we know that more social homes are needed to tackle the housing emergency in Scotland – meeting that challenge requires further investment.
“Many of our members have called for the Scottish Government to make up the difference for pensioners who have had Winter Fuel Payments taken away from them. They will welcome today’s plans.
“We have worked directly with people who are forced to live on a pittance by the unjust UK asylum system, and we supported their campaigns for free bus travel. It is welcome that the Scottish Government have allocated to funding to that proposal, which will increase their freedom to build a life beyond poverty and take part in society. We hope this is the start of a move to provide bus passes to more people – starting with those eligible for benefits.
“But we can do more. There are around 240,000 children in poverty in Scotland. We need to go further and faster if we are going eradicate child poverty.
“That means more immediate support through the Scottish Child Payment and using our powers over tax and investment to build a stronger society for all of us – especially people in poverty.”
POVERTY ALLIANCE
SAVE THE CHILDREN SCOTLAND
SCVO
SCOTTISH HOSPICES
“Today @scotgov announced £768m to buy or build 8k affordable homes next year. It is a sign it’s taking the housing emergency seriously but it is only a reverse of previous cuts. As a result, it’s a cut in real terms as same money buys less now compared to two years ago.
“Though it is a step forward, 8,000 homes is a drop in the ocean compared to what is needed There are 243,000 people on waiting lists in Scotland. The last decades have seen the decimation of council housing because of a lack of funding, stock transfer and right to buy.
“This government needs to deliver more social housing by allocating greater funding for stock buy back and for social and council house building programmes, to ensure more people have a stable, secure, affordable place to live.”
LIVING RENT
We welcome the budget statement from the Scottish Government signalling the value it places on culture & the arts.
Culture is the beating heart of Scotland & this budget offers us all hope for a more stable, positive future.
EDINBURGH INTERNATIONAL FESTIVAL
Creative Scotland wholeheartedly welcomes the positive news of the substantial uplift for Culture, including Creative Scotland, in the Scottish Government’s draft budget announced today.
In 2025/26, Creative Scotland’s draft Grant-in-Aid budget from the Scottish Government will be £80m, up from £51.4m in the previous year. Included in this is an additional £20m, specifically for use in supporting the Multi-Year Funding programme and an additional £2m to support delivery of Screen Scotland’s strategy.
The Board of Creative Scotland will meet on 16 December to agree the final budget for Multi-Year Funding and a further update will be made following that meeting.
The final outcomes from the programme will be announced by the end of January.
Creative Scotland’s Chair, Robert Wilson, said: “Today’s draft budget announcement by the Scottish Government is enormously welcome. The major boost to Multi-Year Funding and other activities opens up wider opportunities, and we are grateful to the Scottish Government for this significant vote of confidence in Creative Scotland and the creative and culture sector.
“This is especially positive in the light of the long-term financial challenges the sector has been dealing with and will enable people and organisations to once again look forward with more confidence.”
CREATIVE SCOTLAND
Today’s budget released by the Scottish government is a “step in the right direction” but comes too late to ease the winter crisis already hitting some of the country’s A&Es.
This is the response from The Royal College of Emergency Medicine (RCEM) following the budget announcement today – Wednesday 4 December 2024 – by Finance Secretary Shona Robison MSP.
Dr Fiona Hunter, RCEM’s Vice Chair for Scotland said: “We welcome the government’s commitment to addressing many of the systemic issues that have plagued our health care system – its patients and staff – for far too long.
“However, it has not come soon enough to ease pressures faced by A&Es who are working under extreme pressure to care for patients right now.
“We restate our commitment to working with the Scottish government to bring an end to this reality and #ResuscitateEmergencyCare in Scotland, for generations to come.”
The budget statement comes just one day after an Audit Scotland report revealed the number of people remaining in hospital because their discharge has been delayed – often due to a lack of social care capacity – is the highest on record.
ROYAL COLLEGE OF EMERGENCY MEDICINE
In response to today’s Scottish Government Budget,Debbie Horne, Scotland Policy and Public Affairs Manager at Independent Age said: “Older people across Scotland will be relieved to see the return of some help with winter energy bills through the Pension Age Winter Heating Payment from next year.
“For many not currently receiving Pension Credit, or those just above the eligibility, this money is desperately needed. Although not what they were originally due to receive, last week’s decision has been welcomed by older people in financial hardship across Scotland.
“It’s also good news that Scottish Social Security has been uprated with inflation, including entitlements that are important to older people, such as Pension Age Disability Payment and Winter Heating Payment. Many people in later life will be reassured that this has been confirmed.
“We are pleased to see that the Scottish Government is focussed on supporting renters. Over recent years both the number of older people renting privately and the proportion in poverty has risen. The increase in the Discretionary Housing Payment funding pot is an important lifeline to many older private renters, making up rent shortfalls, and the increased investment in social homes building should give tenants of all ages more security.
“However, it is concerning that the Scottish Welfare Fund, which can be a crucial safety net for older people when emergencies occur, such as needing help with food or heating costs, has not been increased.
“Generally, the older people in financial hardship that we speak to will feel heard by the Scottish Government today. However, we remain concerned about older people this winter. Going forward, the Scottish Government must continue to make decisions that improve the lives of older people in poverty.”
INDEPENDENT AGE
Jonathan Carr-West, Chief Executive, LGIU Scotland,said: “We know from our annual survey that local government finances in Scotland are hanging by a thread. One in four councils are afraid they won’t be able to pass a balanced budget next year. Three quarters are warning that they may not be able to do so within the next five years. Today’s Budget from the Scottish Government does not engage with the scale of that challenge.
“Local government may welcome commitments to the New Deal with Local Government continuing work on a fiscal framework and plans to deliver new revenue raising powers. However, they will be dismayed to see how much funding continues to be ring fenced.
“There is an increase in core funding in today’s Budget but it doesn’t cover the ever growing costs of core statutory services.
“The Scottish Government has responded to the concerns of councils and has removed the freeze on council tax rises, but the Cabinet Secretary’s expectation that record funding levels should mean councils do not need to put up council tax is too complacent.
“The truth is that even with the additional funding announced today, local authorities will still need to raise council tax and make cuts to services and will still edge closer to being unable to balance their books.”
LOCAL GOVERNMENT INFORMATION UNIT
Commenting on the Finance Secretary’s Budget statement this afternoon, Director of CAMRA Scotland Stuart McMahon said:“Pub goers and licensees will be raising a glass to the news that the Scottish Government are finally introducing help with the burden of business rates that have contributed to scores of pubs having to close their doors in recent years, and at a higher rate than elsewhere on these islands.
“Pubs are a vital part of our social fabric and it is right that they will now get the same 40% reduction in business rates that pubs in England get. It is also encouraging that pubs on island communities will continue to get a 100% reduction with their business rates.
“In order to make sure our pubs survive and thrive at the heart of our communities ministers must now commit to reforming the entire Business Rates system to make it fairer. The Scottish Government should level the playing field between online and bricks-and-mortar businesses and finally end the shocking overpayment that pubs have to cough up under the current system.”
CAMRA
Mary Glasgow, chief executive at Children First said: “The Cabinet Secretary says this budget will lift children out of poverty but given that Scotland faces a childhood emergency it is difficult to see how.
“The promise of jam tomorrow, in the form of mitigating the UK two-child cap does nothing to alleviate the plight of thousands of children and families across Scotland who are going hungry today.
“We called on the Scottish Government to invest in early help and support for families and to increase the Scottish child payment. It is disappointing that they have chosen to delay investing in children rather than taking immediate action. Children can’t wait.”
There is just one day to go before the brand new Soundhouse Winter Festival kicks off in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The programme is packed with big names and up and coming bands from across Scotland including award winning feminist rock goddess Megan Back, who hasrecently returned from gigs in California, performing tracks from her new album out next year; and impulsive punk/rock n’ roll multi-instrumentalist Callum Easter performing with his full band the Roulettes and special guest indie/folk soloist Iona Zajac.
They will be headliningalongside some of Scotland’s finest jazz and trad musicians including Fergus McCreadie, Su-a-Lee, Duncan Chisholm, Hamish Napier, and Donald Shaw; a screening of silent film The Rugged Island: A Shetland Lyric accompanied by music composed by multi-instrumentalist Inge Thomson and fiddle player Catriona Macdonald; and live performance poetry with Edinburgh’s previous Makar Hannah Lavery accompanied by music from Kate Young.
Callum Easter & The Roulettes who play the Queen’s Hall, Edinburgh on Monday, 2 December with special guest Iona Zajac
The festival’s programme also includes early evening concerts at the Traverse with Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone); Gaelic singer-songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); and acclaimed singer songwriter Victoria Hume, joined by long-term collaborator Chris Letcher.
Plus, there will be a showcase of emerging new jazz musicians including the Rosalind Orr Trio, TAO and C.A.L.I.E; a masterclass with jazz pianist Fergus McCreadie; and two workshops -Gaelic lullabies with Rachel Walker, and jazz saxophone with one of Scotland’s leading jazz instrumentalists Helena Kay.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled to be presenting a five-day festival of live ‘music from Scotland’ at this time of year.
“There are so many world class musicians working here right now that we were literally spoilt for choice. We hope the Soundhouse Winter Festival will not only be a chance for music lovers to hear some of their favourite live bands, but also a chance to hear some of the best up and coming artists of the moment.”
Scotland’s national celebration of books, Book Week Scotland 2024, returns from 18-24 November to uplift Edinburgh and Lothians with its theme of Hope.
This year’s programme offers unique perspectives on resilience, community, and the landscapes that define the region. Over the years, Book Week Scotland has deepened its impact on Edinburgh and the Lothians, delivering literary events to even the remotest locations and fostering connections in towns and communities.
The 2024 programme spotlights regional authors and local libraries as community cornerstones. 65,000 copies of a new free book, Scotland’s Stories: Hope, will be distributed during the week.
It is made up of real-life stories from people across Scotland, including contributions from people in Edinburgh and Lothians.
Local voices in this year’s Hope book include:
· “A Wee Pocket of Joy” by Rosemary Henderson, East Lothian
· “Dancing for Hope” by Georgia Marlborough, Edinburgh
· “Ribbons and New Socks” by Sheena Mason, Dalkeith
· “Hope and Consolation” by David Pickering, Edinburgh
· “It’s The Hope That Kills You” by Julie Drybrough, Edinburgh
· “Thorin” by Sam Eastop, Edinburgh (also adapted as a comic strip by Mollie Ray)
Each piece reflects the theme of Hope in unique and personal ways, highlighting the power of local stories.
Book Week Scotland event highlights in Edinburgh and the Lothians:
· Landscapes of Hope and Inspiration, Fruitmarket Gallery, Edinburgh, 18 November—This event will bring together visual artist Julie Brook, writer Linda Cracknell, and musician Duncan Chisholm to discuss how Scotland’s landscapes inspire and provide hope.
· The Pleasures of Reading with Jackie Kay, Portobello Bookshop, 20 November – Jackie Kay shares the books that have inspired her, joined by Dr Sarah McGeown to explore the benefits of reading for pleasure.
· Various Author Events Across Edinburgh and East Lothian – Libraries and regional community centres will host readings, discussions, and family events celebrating the joy of reading.
The variety of events this year reflects Edinburgh and Lothians’ longstanding engagement with Book Week Scotland, now in its 13th year and supported by Creative Scotland.
A year on from the Scottish Government commitment to increase investment in culture by £100 million annually by 2028-29, stakeholders have indicated confidence in the culture sector remains low due to the lack of clarity from the Government regarding how the additional investment will be rolled out, say the Constitution, Europe, External Affairs and Culture Committee.
The Committee say the Scottish Government should provide this greater clarity and certainty to the sector following the UK Spending Review, when it has more clarity on its longer-term budgetary outlook. The findings are part of the Committee’s pre-budget scrutiny of the culture portfolio ahead of the Scottish Government Budget 2025-26.
The Committee says it recognises the challenging environment facing public finances currently and welcome the Scottish Government’s commitment to increase investment in culture by £100 million annually by 2028-29. It also welcomes the intended minimum £25 million increase in culture funding for 2025-26.
The Committee say the recent temporary closure of the Open Fund for Individuals was unhelpful given the urgent need to restore confidence in the culture sector.
It says it’s unclear why Creative Scotland and the Scottish Government were unable to resolve any issues before the fund closure was announced and is seeking reassurances from both that lessons have been learned from the significant uncertainty this caused to the sector.
The Committee add that the recent postponement of announcing the Multi-Year Funding Programme outcomes until January 2025, a matter of weeks before those decisions were scheduled to be announced, has led to yet more uncertainty for the sector.
The Committee say there is a need for a substantially improved relationship between Creative Scotland and the Scottish Government and therefore welcome the proposed review of Creative Scotland.
As part of this review the Committee say it should review the legislation which sets out Creative Scotland’s statutory roles and responsibilities, consider where it sits within the wider culture sector, and the level of resourcing it requires to fulfil its functions.
Following the significant concerns highlighted by the Committee regarding Creative Scotland’s handling of the funding for Rein, the Committee say the review must also consider effective governance and transparency.
The Committee also welcome that this will form part of a wider review of the way the culture sector is supported, which it says will be valuable in supporting the effective distribution and investment of additional funding for the sector. However, the Committee say it is key this review does not delay the delivery of additional investment, including the planned minimum £25 million additional funding for 2025-26.
The Convener of the Constitution, Europe, External Affairs and Culture Committee, Clare Adamson MSP, said:“We recognise the funding challenges facing the Scottish Government and we welcome their commitment to increase investment in culture by £100 million annually by 2028-29 and the intended £25 million at least increase for culture in 2025-26.
“We think the Scottish Government should provide greater clarity and certainty to the culture sector on planned funding increases following the UK Spending Review, when it has greater clarity on its own budgetary outlook as this can increase confidence in the sector.
“There must also be a strategic approach taken for any increased funding to ensure the Scottish Government maximises the impact of the increased investment in culture that it has committed to deliver. That’s why we welcome the review of the way the culture sector is supported.”
The Deputy Convener, Alexander Stewart MSP added: “The temporary closure of Creative Scotland’s Open Fund for Individuals and the postponement of announcing the outcomes of their Multi-Year Funding Programme only add to the feeling of uncertainty and precariousness across the culture sector.
“We believe the relationship between Creative Scotland and the Scottish Government must substantially improve and while we welcome the proposed review of Creative Scotland, we recommend it should be independent and look at effective governance and transparency.
“We support this forming part of a wider review of the whole culture sector, how it is supported and funded, in order to foster a sustainable and thriving sector for all.”
Following discussions with the Scottish Government throughout the Multi-Year process, we have now received confirmation that Creative Scotland’s budget to enable Multi-Year decisions will not be clarified until the overall Scottish Government draft budget announcement, scheduled for 04 December 2024.
As a result, the outcome from the Multi-Year Funding programme is being postponed until the end of January 2025. This is a revision to the published guidance.
281 applications to the programme, with an annual ask of £87.5m, are currently being assessed as part of Stage 2 of the published process. Final decisions on the level of support we will be able to provide to successful organisations will be made once we have budget clarity.
The National Lottery reserves that we hold, currently £11m, remain allocated to support Transition Funding from April 2025 for organisations currently in receipt of ongoing funding from Creative Scotland but are unsuccessful in their application for Multi-Year Funding.
Robert Wilson, Chair of Creative Scotland, said: “While we would have preferred to announce the outcome from this application process in October as planned and have been working collaboratively with Scottish Government to endeavour to do so, we also understand the extreme budget pressures that exist.
“These pressures mean we are required to postpone the outcome until such time as we have budget clarity. This will enable us to make final decisions in a context of budget confidence and to support as many organisations on a multi-year basis as we possibly can.”
Angus Robertson, Cabinet Secretary for Culture, said: “The cultural sector is an integral part of our identity as a country. This is why we’re working hard to help the sector to fulfil its potential in Scotland by assuring at least £100 million more annually in funding by 2028-29.
“We await the Chancellor of the Exchequer’s budget announcement on 30 October which has a hugely significant bearing on the Scottish budget. Following that we will be able to set detailed budgets for the coming financial year including for the culture sector.
“I will continue to work in collaboration with Creative Scotland and the sector over the coming months to ensure stability until Creative Scotland have sufficient clarity to be able to announce the recipients of their multi-year funding awards.”
The Soundhouse Winter Festival, is a brand new music festival which will take place from Thursday 28 November to Monday 2 December in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
Fergus McCreadie headlines the Soundhouse Winter Festival on Sat 30 Nov
The festival showcases musicians either from, or based in Scotland, and runs over St Andrews Day and the Fair Saturday weekend. The programme includes some of Scotland’s finest jazz, and trad musicians, a showcase of emerging new musicians, music workshops for adults and young people, a silent film accompanied by live music, and live performance poetry.
Headliners include award-winning pianist Fergus McCreadie performing solo and with fellow leading world musicians Mindaugas Stumbras (guitar), Michelangeol Scanroglio (doublebass) and Mattia Galeotti (drums); rising star Megan Black whose music has been described as 70s blues rock meets queer feminist pop, and whose latest EP ‘Full Circle (Part 1)’ has recently been nominated for ‘EP of the Year’ in Scotland; Su-a Lee and Friends (Duncan Chisholm, Donald Shaw and Hamish Napier) who sold out The Soundhouse’s Rose Theatre Fringe run in 2023; and Callum Easter & the Roulettes, fresh from touring the USA, who will play The Queen’s Hall with special guest Iona Zajac whose powerful voice seamlessly blends folk and indie and alternative genres with an authentic grit that has captivated audiences across Europe.
The festival is also delighted to present a brand new collaboration between outgoing Edinburgh Makar Hannah Lavery and acclaimed composer Kate Young. This one hour show will be based on Lavery’s work Unwritten Women with a new score by Young.
The festival’s programme also includes some unmissable early evening concerts at the Traverse with Gaelic singer songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); acclaimed singer-songwriter Victoria Hume, joined by long-term collaborator Chris Letcher, playing alt-folk songs from her new album Radical Abundance, about the dying days of capitalism and what might emerge next; and singer Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone).
Other highlights over the weekend include the SWF Spotlight, a showcase of the jazz stars of tomorrow programmed by Helena Kay; and a screening of The Rugged Island: A Shetland Lyric accompanied by music composed by award-winning multi-instrumentalist Inge Thomson from Fair Isle with Shetlander Catriona Macdonald. The Rugged Island: A Shetland Lyric is a beautiful tender dramatisation of Shetland life, and was originally filmed in 1933 by pioneering Glasgow filmmaker Jenny Gilbertson. It will be opened by a short solo set by award-winning Shetland pianist Amy Laurenson.
Douglas Robertson and Jane-Ann Purdy, co-producers said:“The Soundhouse Winter Festival presents a snapshot of the very best music produced in Scotland today.
“There’s no doubt that our small country produces some of the world’s finest musicians and we are honoured to give them a platform at our new festival.
“Shining a light on our home-grown stars seems an appropriate way to extend the St Andrew’s Day celebrations across this 5-day event. Despite the current gloom in the Scottish arts world, we hope the event will be inspirational and the first of many Soundhouse Winter Festivals.”
Siobhan Anderson, Music Officer at Creative Scotland said: “The Soundhouse Winter Festival looks to showcase some of Scotland’s finest musical talent and brighten up dark evenings with a dazzling array of acts.
“St Andrew’s weekend is the perfect time to hold such an event and it is great to see the cross section of artists from across different genres with experimental and innovative programming and collaborations.”
Creative Scotland is pleased to announce the Open Fund for Individuals will reopen for applications at 2pm on Tuesday 8 October, following confirmation of release of the necessary budget from the Scottish Government.
By the time the fund closed on Friday 30 August, Creative Scotland received an additional 819 applications totalling £11.9 million in requested funding. As the fund prepares to reopen, we will be in touch with all applicants who submitted before the closure to advise them of their options.
Updates to the Open Fund for Individuals
The Open Fund for Individuals has been under increasing pressure. Since 2019, applications have more than doubled – from 628 to 1,395 in 2022/23, with funding requests increasing by £7.8 million to £21.2 million.
Notably, there has been a 42% increase in requested funding in the past year alone. However, during this same period, Creative Scotland’s budgets have remained at the same level, making this growth unsustainable.
To help address this, Creative Scotland is revising the Open Fund for Individuals to better meet the growing demand.
Updates will include the maximum award amount reducing from £100,000 to £50,000 and decision timescales extending by two weeks.
The updated guidance will be published on Tuesday 8 October.
Guidance for both funds and application questions will be available from this Thursday – 19 September.
Iain Munro, CEO of Creative Scotland said: “We recognise the time and effort that goes into applying for funding and know how vital these funds are for the sector.
“We understand how challenging recent events have been and sincerely thank everyone for their continued efforts in highlighting the value of culture and creativity.”
For clarity and completeness, this is the full letter I sent on behalf of many affected constituents who wrote to me. The Scottish Government is very strongly committed to supporting the arts and culture and, in a constructive spirit, I hope this particular fund can be restored.
The Creative Scotland Fund for individuals has now closed.
On behalf of Out of the Blue and our studio artists we’ve written to First Minster John Swinney, MSP Ben Macpherson and Angus Robertson, Cabinet Secretary for Constitution, External Affairs and Culture.
You can read the full statement below:
To Ben Macpherson, Angus Robertson & John Swinney:
Out of the Blue is an arts and education social enterprise that provides studio space to over 200 artists in four buildings across Edinburgh. We have been working with artists and arts organisations for thirty years.
Throughout that time we have been witness, time and again, to the vital contribution they make to communities. Artists produce inspiring work and bring creative opportunities to many people, improving the quality of life in cities, towns and rural areas. Economically, artists, arts organisations and creative enterprises contribute more than £5 billion to the Scottish economy every year.
However, in working with artists we are constantly reminded of the precarious position in which so many are trying to create new work. Working from project to project, uncertain of how much income they will make from month to month, struggling to find and rent space in which to create.
Yet despite this, our artists remain committed to creating art, and to enriching lives. Artists have always created more value for Scotland than what it has cost Scotland to support them. The least we can do is to treat artists with the same dignity and respect that is afforded to other workers. In a country committed to fair work, this should go without saying.
Cutting grants to individual artists will have a major impact on their ability to make a living and decimate the plethora of creative projects they undertake individually and with others. Without access to Creative Scotland grants many artists will not be able to continue with their creative practice, which in turn will have a huge impact on the organisations, communities and individuals they work with.
With local Government spending on the arts also decreasing rapidly we are facing a tipping point. The devastation that this lack of funding will cause to the cultural sector in Scotland may take a generation to recover from. Pursuing a career as an artist will be for the few, not the many, and the lives of every person in Scotland will be poorer because of it.
We call on you to urgently release the outstanding funding to Creative Scotland and set out a clear timeframe by which you will deliver your commitment to increase funding for culture by £100 million. Each day you delay, more artists will abandon hope and with it their careers.
Regards
Rob Hoon – Out of the Blue CEO
Professor David Stevenson – Chair, Out of the Blue Board
And signed by the following Out of the Blue studio artists:
Ailis Mundin (Strange Town)
Alison McConachie
Ally Hill (The Bongo Club)
Andres Perez (Urban Works)
Aoife O’Callaghan
Beck Elphinstone
Bethany Thompson (Out of the Blueprint)
Blyth Mackenzie (Little Yellow Scribbles)
Bob Giulianotti (Out of the Blue and Strange Town Youth Theatre)
Calum Duncan (Calum Duncan Architects)
Cameron Murdoch (Cam Life Designs)
Caroline Grevers
Casey Campbell
Catherine Lazcano – Thornton (Catherine Giselle)
Clare Duffy (Civic Digits)
Cosimo Damiano Angiulli
Daisy Crooke (Take One Action Film Festival)
Daniel Murray (Daniel Murray Artist)
Dee Thangden
Duncan Jones (Knockwood Studios)
Elaine Wilson
Felicity Inkpen
Fiona Fraser (Fi Fraser Production Management)
Frances Priest
Francesca Grech
Graeme Walker
Helen Miles (Helen Miles Mosaics)
Holly Summerson
Ian Gonczarow
Jen Byrne
Jennifer Paterson (All or Nothing)
Johnny Gailey (Out of the Blueprint)
Jolon Yeoman (Knockwood Studios)
Judy Clark
Julija Pustovrh (Emporium Julium Ceramics)
Kate Livingstone
Kelly Zou
Kuluna Yoga
Leanne Bell Gonczarow
Leigh Robieson-Cleaver (Curious Seed)
Louise Lacaille
Mairi MacSween (Mairi MacSween Designs) Mark Whyles (Mark Whyles Management) Matthew Shepherd
Max Machen
Meg Buick
Megan Chapman
Nicole Lambeng (Out of the Blue) Pierre Forissier (Biomorphis)
Pippa Lobban
Rabiya Choudray
Remode Collective
Robin Paine
Sandy Lobban
Sheena Walker (The Clarsach Society) Snap Elastic
Solen Collet (Solen Collet Photography) Steve Small (Strange Town)
To whom it may concern: As the 2024 Edinburgh Festival Fringe comes to a close, an open letter from SHONA McCARTHY, Chief Executive of the Edinburgh Festival Fringe Society
As the curtain falls on the 2024 Festival Fringe, much is being discussed in the spaces, rooms, cafes, and streets of Edinburgh, on the success of this year.
Today it was announced that 2.6 million tickets were issued during the 2024 Fringe, however there is no doubt that the current environment for artists across the UK is of great concern; and the fragility of the performing arts community is palpable.
An outward veneer of success cannot mask the struggle for artists to emerge let alone thrive in the UK right now. While Fringe 2024 has been brilliant, and it is to be celebrated that artists, companies, venues, producers and promoters took huge financial risks and pieced it together and put on the show.
However, the dominant message as we close this year’s festival is that there is no Fringe without art. There is no art without artists.
The cumulative effect of the relentless rise in the cost of everything, and an unhelpful policy environment facing the arts sector has resulted in widespread concern that is keenly felt by artists.
From the availability of affordable accommodation, blunt policy changes which have consequences for major events, to continuous public sector cuts; we need to ensure that the hard won and fragile success isn’t met with complacency by those who can influence change.
It is not enough to have old stories of how important Edinburgh’s festivals were in providing healing and connection after the Second World War. They are important now, contributing hugely to health, well-being, joy and job creation.
The Edinburgh Fringe vision is to give anyone a stage and everyone a seat. That is a commitment to inclusion, to freedom of expression and to being allowed to try and to fail. It is a vision that is increasingly easier to say than it is to do.
I have worked in the arts across the UK for 35 years now, and in the last two decades there has been a journey away from elitism, monoculturalism and exclusion with inspiring developments in access to the arts for all, with still a long way to go.
If the UK continues on an upward trajectory of cuts to arts education, and Scotland continues to decimate investment in the sector, breaking promises of support; then we are on a direct course to job losses, exclusion and boring art that is only the privilege of those who can afford to be part of it, as performers or as audiences.
Here at the Fringe and across the UK, the pipeline of creative potential is under threat. Artistic risk and ambition is hamstrung by an operating context that squeezes out emerging artists that have made the Fringe globally renowned, unique and joyful.
How can the Edinburgh Fringe remain exemplary, exciting, experimental; the only place in the world to be every August? As the most influential arts marketplace in the world, this year over 1,800 arts industry accredited with the Fringe Society, and came to Edinburgh to seek new work for onward touring and broadcast opportunities. Nearly 900 accredited media reviewed shows, interviewed artists and worked tirelessly to support the 3,746 shows that took place this year.
There is no future for the Fringe without art. There isno art without artists. Artists and the venues who host them are at the heart of this event, and there would be no Fringe without them.
They take the risk of bringing work to the festival every year, and while the arts landscape is at a crossroads, we need to ensure that the Fringe, one of the greatest celebrations of arts and culture in the world, is protected for the future.
As we celebrate the hundreds of thousands of people who have been moved, delighted, awed, shocked and entertained by the stories artists present across Fringe stages, it feels that now, more than ever, we must not take artists for granted; we would do so at our peril.
SHONA McCARTHY,
Chief Executive of the Edinburgh Festival Fringe Society
