There is just one day to go before the brand new Soundhouse Winter Festival kicks off in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The programme is packed with big names and up and coming bands from across Scotland including award winning feminist rock goddess Megan Back, who hasrecently returned from gigs in California, performing tracks from her new album out next year; and impulsive punk/rock n’ roll multi-instrumentalist Callum Easter performing with his full band the Roulettes and special guest indie/folk soloist Iona Zajac.
They will be headliningalongside some of Scotland’s finest jazz and trad musicians including Fergus McCreadie, Su-a-Lee, Duncan Chisholm, Hamish Napier, and Donald Shaw; a screening of silent film The Rugged Island: A Shetland Lyric accompanied by music composed by multi-instrumentalist Inge Thomson and fiddle player Catriona Macdonald; and live performance poetry with Edinburgh’s previous Makar Hannah Lavery accompanied by music from Kate Young.
Callum Easter & The Roulettes who play the Queen’s Hall, Edinburgh on Monday, 2 December with special guest Iona Zajac
The festival’s programme also includes early evening concerts at the Traverse with Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone); Gaelic singer-songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); and acclaimed singer songwriter Victoria Hume, joined by long-term collaborator Chris Letcher.
Plus, there will be a showcase of emerging new jazz musicians including the Rosalind Orr Trio, TAO and C.A.L.I.E; a masterclass with jazz pianist Fergus McCreadie; and two workshops -Gaelic lullabies with Rachel Walker, and jazz saxophone with one of Scotland’s leading jazz instrumentalists Helena Kay.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled to be presenting a five-day festival of live ‘music from Scotland’ at this time of year.
“There are so many world class musicians working here right now that we were literally spoilt for choice. We hope the Soundhouse Winter Festival will not only be a chance for music lovers to hear some of their favourite live bands, but also a chance to hear some of the best up and coming artists of the moment.”
Scotland’s national celebration of books, Book Week Scotland 2024, returns from 18-24 November to uplift Edinburgh and Lothians with its theme of Hope.
This year’s programme offers unique perspectives on resilience, community, and the landscapes that define the region. Over the years, Book Week Scotland has deepened its impact on Edinburgh and the Lothians, delivering literary events to even the remotest locations and fostering connections in towns and communities.
The 2024 programme spotlights regional authors and local libraries as community cornerstones. 65,000 copies of a new free book, Scotland’s Stories: Hope, will be distributed during the week.
It is made up of real-life stories from people across Scotland, including contributions from people in Edinburgh and Lothians.
Local voices in this year’s Hope book include:
· “A Wee Pocket of Joy” by Rosemary Henderson, East Lothian
· “Dancing for Hope” by Georgia Marlborough, Edinburgh
· “Ribbons and New Socks” by Sheena Mason, Dalkeith
· “Hope and Consolation” by David Pickering, Edinburgh
· “It’s The Hope That Kills You” by Julie Drybrough, Edinburgh
· “Thorin” by Sam Eastop, Edinburgh (also adapted as a comic strip by Mollie Ray)
Each piece reflects the theme of Hope in unique and personal ways, highlighting the power of local stories.
Book Week Scotland event highlights in Edinburgh and the Lothians:
· Landscapes of Hope and Inspiration, Fruitmarket Gallery, Edinburgh, 18 November—This event will bring together visual artist Julie Brook, writer Linda Cracknell, and musician Duncan Chisholm to discuss how Scotland’s landscapes inspire and provide hope.
· The Pleasures of Reading with Jackie Kay, Portobello Bookshop, 20 November – Jackie Kay shares the books that have inspired her, joined by Dr Sarah McGeown to explore the benefits of reading for pleasure.
· Various Author Events Across Edinburgh and East Lothian – Libraries and regional community centres will host readings, discussions, and family events celebrating the joy of reading.
The variety of events this year reflects Edinburgh and Lothians’ longstanding engagement with Book Week Scotland, now in its 13th year and supported by Creative Scotland.
A year on from the Scottish Government commitment to increase investment in culture by £100 million annually by 2028-29, stakeholders have indicated confidence in the culture sector remains low due to the lack of clarity from the Government regarding how the additional investment will be rolled out, say the Constitution, Europe, External Affairs and Culture Committee.
The Committee say the Scottish Government should provide this greater clarity and certainty to the sector following the UK Spending Review, when it has more clarity on its longer-term budgetary outlook. The findings are part of the Committee’s pre-budget scrutiny of the culture portfolio ahead of the Scottish Government Budget 2025-26.
The Committee says it recognises the challenging environment facing public finances currently and welcome the Scottish Government’s commitment to increase investment in culture by £100 million annually by 2028-29. It also welcomes the intended minimum £25 million increase in culture funding for 2025-26.
The Committee say the recent temporary closure of the Open Fund for Individuals was unhelpful given the urgent need to restore confidence in the culture sector.
It says it’s unclear why Creative Scotland and the Scottish Government were unable to resolve any issues before the fund closure was announced and is seeking reassurances from both that lessons have been learned from the significant uncertainty this caused to the sector.
The Committee add that the recent postponement of announcing the Multi-Year Funding Programme outcomes until January 2025, a matter of weeks before those decisions were scheduled to be announced, has led to yet more uncertainty for the sector.
The Committee say there is a need for a substantially improved relationship between Creative Scotland and the Scottish Government and therefore welcome the proposed review of Creative Scotland.
As part of this review the Committee say it should review the legislation which sets out Creative Scotland’s statutory roles and responsibilities, consider where it sits within the wider culture sector, and the level of resourcing it requires to fulfil its functions.
Following the significant concerns highlighted by the Committee regarding Creative Scotland’s handling of the funding for Rein, the Committee say the review must also consider effective governance and transparency.
The Committee also welcome that this will form part of a wider review of the way the culture sector is supported, which it says will be valuable in supporting the effective distribution and investment of additional funding for the sector. However, the Committee say it is key this review does not delay the delivery of additional investment, including the planned minimum £25 million additional funding for 2025-26.
The Convener of the Constitution, Europe, External Affairs and Culture Committee, Clare Adamson MSP, said:“We recognise the funding challenges facing the Scottish Government and we welcome their commitment to increase investment in culture by £100 million annually by 2028-29 and the intended £25 million at least increase for culture in 2025-26.
“We think the Scottish Government should provide greater clarity and certainty to the culture sector on planned funding increases following the UK Spending Review, when it has greater clarity on its own budgetary outlook as this can increase confidence in the sector.
“There must also be a strategic approach taken for any increased funding to ensure the Scottish Government maximises the impact of the increased investment in culture that it has committed to deliver. That’s why we welcome the review of the way the culture sector is supported.”
The Deputy Convener, Alexander Stewart MSP added: “The temporary closure of Creative Scotland’s Open Fund for Individuals and the postponement of announcing the outcomes of their Multi-Year Funding Programme only add to the feeling of uncertainty and precariousness across the culture sector.
“We believe the relationship between Creative Scotland and the Scottish Government must substantially improve and while we welcome the proposed review of Creative Scotland, we recommend it should be independent and look at effective governance and transparency.
“We support this forming part of a wider review of the whole culture sector, how it is supported and funded, in order to foster a sustainable and thriving sector for all.”
Following discussions with the Scottish Government throughout the Multi-Year process, we have now received confirmation that Creative Scotland’s budget to enable Multi-Year decisions will not be clarified until the overall Scottish Government draft budget announcement, scheduled for 04 December 2024.
As a result, the outcome from the Multi-Year Funding programme is being postponed until the end of January 2025. This is a revision to the published guidance.
281 applications to the programme, with an annual ask of £87.5m, are currently being assessed as part of Stage 2 of the published process. Final decisions on the level of support we will be able to provide to successful organisations will be made once we have budget clarity.
The National Lottery reserves that we hold, currently £11m, remain allocated to support Transition Funding from April 2025 for organisations currently in receipt of ongoing funding from Creative Scotland but are unsuccessful in their application for Multi-Year Funding.
Robert Wilson, Chair of Creative Scotland, said: “While we would have preferred to announce the outcome from this application process in October as planned and have been working collaboratively with Scottish Government to endeavour to do so, we also understand the extreme budget pressures that exist.
“These pressures mean we are required to postpone the outcome until such time as we have budget clarity. This will enable us to make final decisions in a context of budget confidence and to support as many organisations on a multi-year basis as we possibly can.”
Angus Robertson, Cabinet Secretary for Culture, said: “The cultural sector is an integral part of our identity as a country. This is why we’re working hard to help the sector to fulfil its potential in Scotland by assuring at least £100 million more annually in funding by 2028-29.
“We await the Chancellor of the Exchequer’s budget announcement on 30 October which has a hugely significant bearing on the Scottish budget. Following that we will be able to set detailed budgets for the coming financial year including for the culture sector.
“I will continue to work in collaboration with Creative Scotland and the sector over the coming months to ensure stability until Creative Scotland have sufficient clarity to be able to announce the recipients of their multi-year funding awards.”
The Soundhouse Winter Festival, is a brand new music festival which will take place from Thursday 28 November to Monday 2 December in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
Fergus McCreadie headlines the Soundhouse Winter Festival on Sat 30 Nov
The festival showcases musicians either from, or based in Scotland, and runs over St Andrews Day and the Fair Saturday weekend. The programme includes some of Scotland’s finest jazz, and trad musicians, a showcase of emerging new musicians, music workshops for adults and young people, a silent film accompanied by live music, and live performance poetry.
Headliners include award-winning pianist Fergus McCreadie performing solo and with fellow leading world musicians Mindaugas Stumbras (guitar), Michelangeol Scanroglio (doublebass) and Mattia Galeotti (drums); rising star Megan Black whose music has been described as 70s blues rock meets queer feminist pop, and whose latest EP ‘Full Circle (Part 1)’ has recently been nominated for ‘EP of the Year’ in Scotland; Su-a Lee and Friends (Duncan Chisholm, Donald Shaw and Hamish Napier) who sold out The Soundhouse’s Rose Theatre Fringe run in 2023; and Callum Easter & the Roulettes, fresh from touring the USA, who will play The Queen’s Hall with special guest Iona Zajac whose powerful voice seamlessly blends folk and indie and alternative genres with an authentic grit that has captivated audiences across Europe.
The festival is also delighted to present a brand new collaboration between outgoing Edinburgh Makar Hannah Lavery and acclaimed composer Kate Young. This one hour show will be based on Lavery’s work Unwritten Women with a new score by Young.
The festival’s programme also includes some unmissable early evening concerts at the Traverse with Gaelic singer songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); acclaimed singer-songwriter Victoria Hume, joined by long-term collaborator Chris Letcher, playing alt-folk songs from her new album Radical Abundance, about the dying days of capitalism and what might emerge next; and singer Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone).
Other highlights over the weekend include the SWF Spotlight, a showcase of the jazz stars of tomorrow programmed by Helena Kay; and a screening of The Rugged Island: A Shetland Lyric accompanied by music composed by award-winning multi-instrumentalist Inge Thomson from Fair Isle with Shetlander Catriona Macdonald. The Rugged Island: A Shetland Lyric is a beautiful tender dramatisation of Shetland life, and was originally filmed in 1933 by pioneering Glasgow filmmaker Jenny Gilbertson. It will be opened by a short solo set by award-winning Shetland pianist Amy Laurenson.
Douglas Robertson and Jane-Ann Purdy, co-producers said:“The Soundhouse Winter Festival presents a snapshot of the very best music produced in Scotland today.
“There’s no doubt that our small country produces some of the world’s finest musicians and we are honoured to give them a platform at our new festival.
“Shining a light on our home-grown stars seems an appropriate way to extend the St Andrew’s Day celebrations across this 5-day event. Despite the current gloom in the Scottish arts world, we hope the event will be inspirational and the first of many Soundhouse Winter Festivals.”
Siobhan Anderson, Music Officer at Creative Scotland said: “The Soundhouse Winter Festival looks to showcase some of Scotland’s finest musical talent and brighten up dark evenings with a dazzling array of acts.
“St Andrew’s weekend is the perfect time to hold such an event and it is great to see the cross section of artists from across different genres with experimental and innovative programming and collaborations.”
Creative Scotland is pleased to announce the Open Fund for Individuals will reopen for applications at 2pm on Tuesday 8 October, following confirmation of release of the necessary budget from the Scottish Government.
By the time the fund closed on Friday 30 August, Creative Scotland received an additional 819 applications totalling £11.9 million in requested funding. As the fund prepares to reopen, we will be in touch with all applicants who submitted before the closure to advise them of their options.
Updates to the Open Fund for Individuals
The Open Fund for Individuals has been under increasing pressure. Since 2019, applications have more than doubled – from 628 to 1,395 in 2022/23, with funding requests increasing by £7.8 million to £21.2 million.
Notably, there has been a 42% increase in requested funding in the past year alone. However, during this same period, Creative Scotland’s budgets have remained at the same level, making this growth unsustainable.
To help address this, Creative Scotland is revising the Open Fund for Individuals to better meet the growing demand.
Updates will include the maximum award amount reducing from £100,000 to £50,000 and decision timescales extending by two weeks.
The updated guidance will be published on Tuesday 8 October.
Guidance for both funds and application questions will be available from this Thursday – 19 September.
Iain Munro, CEO of Creative Scotland said: “We recognise the time and effort that goes into applying for funding and know how vital these funds are for the sector.
“We understand how challenging recent events have been and sincerely thank everyone for their continued efforts in highlighting the value of culture and creativity.”
For clarity and completeness, this is the full letter I sent on behalf of many affected constituents who wrote to me. The Scottish Government is very strongly committed to supporting the arts and culture and, in a constructive spirit, I hope this particular fund can be restored.
The Creative Scotland Fund for individuals has now closed.
On behalf of Out of the Blue and our studio artists we’ve written to First Minster John Swinney, MSP Ben Macpherson and Angus Robertson, Cabinet Secretary for Constitution, External Affairs and Culture.
You can read the full statement below:
To Ben Macpherson, Angus Robertson & John Swinney:
Out of the Blue is an arts and education social enterprise that provides studio space to over 200 artists in four buildings across Edinburgh. We have been working with artists and arts organisations for thirty years.
Throughout that time we have been witness, time and again, to the vital contribution they make to communities. Artists produce inspiring work and bring creative opportunities to many people, improving the quality of life in cities, towns and rural areas. Economically, artists, arts organisations and creative enterprises contribute more than £5 billion to the Scottish economy every year.
However, in working with artists we are constantly reminded of the precarious position in which so many are trying to create new work. Working from project to project, uncertain of how much income they will make from month to month, struggling to find and rent space in which to create.
Yet despite this, our artists remain committed to creating art, and to enriching lives. Artists have always created more value for Scotland than what it has cost Scotland to support them. The least we can do is to treat artists with the same dignity and respect that is afforded to other workers. In a country committed to fair work, this should go without saying.
Cutting grants to individual artists will have a major impact on their ability to make a living and decimate the plethora of creative projects they undertake individually and with others. Without access to Creative Scotland grants many artists will not be able to continue with their creative practice, which in turn will have a huge impact on the organisations, communities and individuals they work with.
With local Government spending on the arts also decreasing rapidly we are facing a tipping point. The devastation that this lack of funding will cause to the cultural sector in Scotland may take a generation to recover from. Pursuing a career as an artist will be for the few, not the many, and the lives of every person in Scotland will be poorer because of it.
We call on you to urgently release the outstanding funding to Creative Scotland and set out a clear timeframe by which you will deliver your commitment to increase funding for culture by £100 million. Each day you delay, more artists will abandon hope and with it their careers.
Regards
Rob Hoon – Out of the Blue CEO
Professor David Stevenson – Chair, Out of the Blue Board
And signed by the following Out of the Blue studio artists:
Ailis Mundin (Strange Town)
Alison McConachie
Ally Hill (The Bongo Club)
Andres Perez (Urban Works)
Aoife O’Callaghan
Beck Elphinstone
Bethany Thompson (Out of the Blueprint)
Blyth Mackenzie (Little Yellow Scribbles)
Bob Giulianotti (Out of the Blue and Strange Town Youth Theatre)
Calum Duncan (Calum Duncan Architects)
Cameron Murdoch (Cam Life Designs)
Caroline Grevers
Casey Campbell
Catherine Lazcano – Thornton (Catherine Giselle)
Clare Duffy (Civic Digits)
Cosimo Damiano Angiulli
Daisy Crooke (Take One Action Film Festival)
Daniel Murray (Daniel Murray Artist)
Dee Thangden
Duncan Jones (Knockwood Studios)
Elaine Wilson
Felicity Inkpen
Fiona Fraser (Fi Fraser Production Management)
Frances Priest
Francesca Grech
Graeme Walker
Helen Miles (Helen Miles Mosaics)
Holly Summerson
Ian Gonczarow
Jen Byrne
Jennifer Paterson (All or Nothing)
Johnny Gailey (Out of the Blueprint)
Jolon Yeoman (Knockwood Studios)
Judy Clark
Julija Pustovrh (Emporium Julium Ceramics)
Kate Livingstone
Kelly Zou
Kuluna Yoga
Leanne Bell Gonczarow
Leigh Robieson-Cleaver (Curious Seed)
Louise Lacaille
Mairi MacSween (Mairi MacSween Designs) Mark Whyles (Mark Whyles Management) Matthew Shepherd
Max Machen
Meg Buick
Megan Chapman
Nicole Lambeng (Out of the Blue) Pierre Forissier (Biomorphis)
Pippa Lobban
Rabiya Choudray
Remode Collective
Robin Paine
Sandy Lobban
Sheena Walker (The Clarsach Society) Snap Elastic
Solen Collet (Solen Collet Photography) Steve Small (Strange Town)
To whom it may concern: As the 2024 Edinburgh Festival Fringe comes to a close, an open letter from SHONA McCARTHY, Chief Executive of the Edinburgh Festival Fringe Society
As the curtain falls on the 2024 Festival Fringe, much is being discussed in the spaces, rooms, cafes, and streets of Edinburgh, on the success of this year.
Today it was announced that 2.6 million tickets were issued during the 2024 Fringe, however there is no doubt that the current environment for artists across the UK is of great concern; and the fragility of the performing arts community is palpable.
An outward veneer of success cannot mask the struggle for artists to emerge let alone thrive in the UK right now. While Fringe 2024 has been brilliant, and it is to be celebrated that artists, companies, venues, producers and promoters took huge financial risks and pieced it together and put on the show.
However, the dominant message as we close this year’s festival is that there is no Fringe without art. There is no art without artists.
The cumulative effect of the relentless rise in the cost of everything, and an unhelpful policy environment facing the arts sector has resulted in widespread concern that is keenly felt by artists.
From the availability of affordable accommodation, blunt policy changes which have consequences for major events, to continuous public sector cuts; we need to ensure that the hard won and fragile success isn’t met with complacency by those who can influence change.
It is not enough to have old stories of how important Edinburgh’s festivals were in providing healing and connection after the Second World War. They are important now, contributing hugely to health, well-being, joy and job creation.
The Edinburgh Fringe vision is to give anyone a stage and everyone a seat. That is a commitment to inclusion, to freedom of expression and to being allowed to try and to fail. It is a vision that is increasingly easier to say than it is to do.
I have worked in the arts across the UK for 35 years now, and in the last two decades there has been a journey away from elitism, monoculturalism and exclusion with inspiring developments in access to the arts for all, with still a long way to go.
If the UK continues on an upward trajectory of cuts to arts education, and Scotland continues to decimate investment in the sector, breaking promises of support; then we are on a direct course to job losses, exclusion and boring art that is only the privilege of those who can afford to be part of it, as performers or as audiences.
Here at the Fringe and across the UK, the pipeline of creative potential is under threat. Artistic risk and ambition is hamstrung by an operating context that squeezes out emerging artists that have made the Fringe globally renowned, unique and joyful.
How can the Edinburgh Fringe remain exemplary, exciting, experimental; the only place in the world to be every August? As the most influential arts marketplace in the world, this year over 1,800 arts industry accredited with the Fringe Society, and came to Edinburgh to seek new work for onward touring and broadcast opportunities. Nearly 900 accredited media reviewed shows, interviewed artists and worked tirelessly to support the 3,746 shows that took place this year.
There is no future for the Fringe without art. There isno art without artists. Artists and the venues who host them are at the heart of this event, and there would be no Fringe without them.
They take the risk of bringing work to the festival every year, and while the arts landscape is at a crossroads, we need to ensure that the Fringe, one of the greatest celebrations of arts and culture in the world, is protected for the future.
As we celebrate the hundreds of thousands of people who have been moved, delighted, awed, shocked and entertained by the stories artists present across Fringe stages, it feels that now, more than ever, we must not take artists for granted; we would do so at our peril.
SHONA McCARTHY,
Chief Executive of the Edinburgh Festival Fringe Society
We, the undersigned, are artists, arts workers, and/or audience members from across Scotland. We are the people of Scotland. We live and work here. We value the arts and the artists who make it.
We are writing to you about the closure of Creative Scotland’s Open Fund for Individuals, due to the Scottish Government being unable to confirm the release of £6.6 million of funding from the Grant-in-Aid budget. This decision shocks and deeply concerns us, and places the future of the arts in Scotland at risk.
The Open Fund for Individuals is the cornerstone of the arts in Scotland. It is the only fund of its kind to support artists to lead projects, develop their practice, support their professional development and collaborate with other artists and/or communities.
One grant awarded to an individual provides meaningful employment, creative development, allows space for artistic risk and experimentation. Many of these grants support multiple artists and arts workers through paid job opportunities. Grants for individuals can also support organisations through the filling of theatres, galleries and music festivals.
One grant can kickstart or extend a career, allow an artist to present their work to the public, develop a new stream of income, develop their entrepreneurial and business skills. Take artworks to market and present for Scottish audiences, leading to international tours and commercial successes. They provide a training ground for the arts leaders of tomorrow, allowing artists to skill up through experience of running their own projects and developing new networks.
One grant can place artists in schools, in care homes, working 1-to-1 with folk who do not like a crowd, or with whole communities at a time, and bring a multitude of positive personal, social and wellbeing benefits. It can reduce isolation and bring people together. It can inspire and delight. It can help people find their voice, and see their experiences and stories represented.
The Open Fund for Individuals has an enormous impact. It is a lifeline for artists and arts workers. Beyond the individual grants and their benefits, its existence also means an enormous amount to people across Scotland, because it supports people who are not independently wealthy to be artists. It tells us that we have a right to creativity and the arts, a right to joy and wellbeing, and a right to emotion and expression.
Without the fund, the future is bleak, and bleakest for those who are isolated and marginalised by income, geography, race, class, age, faith, caring responsibilities, gender, sex, sexuality, or disability. Those who do not have savings to fall back on, family support to sustain them, or who have to work harder to bring their work to audiences are at risk of being unable to sustain a career in the arts. The loss of these talents and perspectives in the arts leaves us all poorer.
The arts in Scotland contribute £5bn annually to the economy but they are now at breaking point. We cannot continue without direct support for our artists, arts workers & self employed people. The damage to the arts caused by the closure of the fund is immediate and long lasting. Cut it now, and it could take a generation to build back.
We urge you to fund the reopening of the Open Fund for Individuals as a matter of urgency. We ask that you provide clear guidance on the in-year and future annual budgets so that the arts in Scotland can begin to plan, develop ideas, build upon past successes and deliver a vibrant future for us all.
[Please sign with your first name, last name and postcode at the bottom of the document]
[If you’re having trouble accessing this document, please email mharirobinson@gmail.com with your name and post code and I will add you in]
Traverse Theatre statement on closure of the Open Fund
The Scottish theatre community is in need of support more than ever in light of the cuts to arts funding. Gareth Nicholls, Artistic Director of the Traverse, said last night:
“We at the Traverse wanted to use our platform to the world on the final day of the festival to make you aware of this, and of the significant impact funding cuts are having on our nation’s artists and theatres.
“New work in Scotland doesn’t come from nothing. And one of the key ways this has been achieved is through an open fund where an individual artist can ask for money when their idea is but a seed.
“The open fund is the incubator for Scottish work, but Creative Scotland has been forced to close the fund at 2pm on Friday. It will be closed indefinitely, due to the Scottish Government being unable to confirm funding for its delivery.
“Many on our stages, and whose work you’ve enjoyed at the festivals, have been dependent upon it, alongside wider arts subsidy. It is a fund that helps build careers and craft to get an idea off the ground, and which helps places like the Traverse keep our theatres alive with bold new ideas.
“If you enjoy seeing Scottish work right here in Scotland, then please continue to support the artists who make the powerful work that appears our stages.”
Creative Scotland has taken the difficult decision to close the Open Fund for Individuals to new applications due to the Scottish Government being unable to confirm release of £6.6m in Grant-in-Aid budget in the current financial year, 2024-25.
The Fund will close to new applications from 2pm on Friday 30th August 2024.
Creative Scotland planned to apply £3m of the £6.6m budget to support the Open Fund for Individuals in 2024-25, alongside £3m of National Lottery income.
Without confirmation of release of this budget, Creative Scotland does not have enough funds available to support all the funding routes that we currently provide, as set out in our Annual Plan for 2024-25.
All currently submitted Open Fund for Individuals applications will be processed as per the published Guidance. The National Lottery Open Fund for Organisations remains open.
Iain Munro, CEO of Creative Scotland said: “The level of uncertainty regarding the provision of Grant-in-Aid budgets from the Scottish Government is creating critical problems for the ongoing support we can provide to Scotland’s culture sector.
“This decision to close the Open Fund for Individuals is not one we would have wanted to take but is unavoidable without the funding from the Scottish Government being available.
“Like everyone working in Scotland’s culture and creative sector, we understand the extreme pressures on public finances but want to see longer term budget certainty from the Scottish Government, including the additional £100m announced in October 2023, details of which have yet to emerge.”
