Scottish arts organisations have received new funding to enhance cultural engagement within local communities. Think Circus, Stellar Quines and Media Education are among 20 UK/international exchange partnerships to have secured a share of £360,000 in the latest round of the Cultural Bridge programme.
Edinburgh-based Think Circus is partnering with socio cultural German theatre companies, WHEELS and Junges Theater Münster for Missing Link, an exchange project that will bring circus arts into communities and create new creative opportunities for young people.
Think Circus’ Founder Kat Borrowdalesaid: “We are delighted to be building an international connection with WHEELS and Junges Theatre Münster.
“Our organisations all have roots in community theatre practice but take very different approaches.
“This collaboration will introduce new methods for our teachers and performers, which will be shared with the children and young people in our community projects – enhancing their skills, enjoyment and creativity.”
Fife-based Stellar Quines Theatre Company is teaming up with German film education leadership group, MPower on a project giving voice to women of colour in Scotland and Germany through writing and filmmaking. Specially tailored residencies in Scotland and Berlin will enable refugee and migrant women to develop their skills via workshops, film production and public showcases.
Caitlin Skinner, Stellar Quines’ Artistic Director said: “MPower and Stellar Quines are over the moon to have this support to continue our partnership.
“Our time with MPower has already been transformational for us as practitioners and as organisations and we’re so excited to be able to extend this work to more participants.
“In the current global climate our collaboration is a vital opportunity for young women to use film and theatre to explore the connections between feminism and migrant justice and to share their experience across borders.”
Empowering individuals with lived experiences of trauma, discrimination, and adversity is central to a new collaboration between Scottish grassroots activists Media Education and digital inclusion innovators Q3.
This partnership aims to enhance cultural engagement and empower underrepresented communities through knowledge exchange. By providing opportunities to build skills, explore identities, and express creativity through filmmaking and podcasts, participants can find audiences and make a meaningful impact with their stories.
The insights gained will be shared locally and across Europe, shaping future social arts practices and fostering a more inclusive society.
Iain Shaw, Media Education’s Company Directorsaid: “We’re thrilled to start our collaboration with Q3, whose important work we deeply admire.
“At the heart of our partnership is the belief that sharing lived experiences is key to building bridges between people from all walks of life and creating a fair and equitable society.
“This programme gives both organisations the time to strengthen practice by exploring similarities and differences in our approaches and sharing that learning more widely.”
Karen Dick, Creative Scotland’s Head of Place, Partnerships & Communities said: “Central to the ethos of the Cultural Bridge initiative is the gift of time, empowering meaningful collaborative international exchange between socially engaged and grassroots arts organisations and fostering lasting connections within local communities.
“The programme’s diverse activities and projects will have the freedom to explore new approaches to cultural practice, promote co-creation and community engagement, working together to shape local place, shared identity and collective agency.
“We extend our warm congratulations to Stellar Quines, Think Circus and Media Education on their awards and, thanks to our partners’ continued support, we’re excited to build on the programme’s successes further enriching the creative and cultural lives of communities in the UK and Germany.”
The Traditional Dance Forum of Scotland is delighted to announce full details of its fourth Pomegranates Festival which will run from Friday 25 to Wednesday 30 April 2025 at various venues across Edinburgh.
The Pomegranates Festival in partnership with TRACS (Traditional Arts and Culture Scotland) and Moray House School of Education and Sport, at the University of Edinburgh celebrates Scottish traditional dance alongside world traditional dance practised by New Scots and cultural migrant communities across Scotland.
It is supported by Creative Scotland and includes exhibitions, ceilidhs, workshops, walking tours, and talks about traditional dance from Scotland and around the world. Every year the Pomegranates Festival explores the intrinsic links of traditional dance with live music, film, fashion, poetry, art and heritage craft.
This year’s festival theme is masks invitingfestival-goers to experience the power of masks used in different traditions; and reflect on the significance, beauty and mystery of masks and mask-making in traditional dance from antiquity to modern days.
The festival opens on Friday 25 April with a packed programme of short films of traditional dance followed by a Q&A with featured creatives, including the award-winning filmmakers Marlene Millar and Mare Tralla. Marlene’s films include To Begin the Dance Once More(2023) which tells the story of displacement and water crisis reimagined through the mythological world by three climate refugees from Scotland and Egypt; and Bhairava (2018) filmed on location in India which evokes Shiva, the Lord of Dance as both the destroyer of evil driving out terrible deeds, and the guardian of time.
Also screening is Mare Tralla’s new screen dance The Bright Fabric of Life (2024) which tenderly addresses the life-altering injuries sustained by women in labour, told using traditional African dance and music; Home (2023, Dir. Kes Tagney) which explores the deep connection people have for the place they call home featuring Scottish Step dancer Sophie Stephenson;Crowned by Flame (2024, Dir. Lyuxian Yu) about the Chinese Yi ethnic community’s Cigarette Box dance; Armea (2024. Dir. Letila Mitchell)which chronicles the homecoming of the dancers and musicians of the Pacific island of Rotuma; On Canada Day(2024, Dir. Gurdeep Pandher) reflecting on Canada’s past through a dance fusion of Punjabi and Celtic traditions; and Autocorrect (2022, Dir. Jonzi D) inspired by the COVID-19 face masks, set to the spoken word of Saul Williams and commissioned by Sadler’s Wells.
Hip-hop dance theatre artist, choreographer and dancer Jonzi D returns to the festival as this year’s choreographer-in-residence and will be working with traditional dance artists based in Scotland to create this year’s masked festival finaleHidden Faces which will premiere on the International Day of Dance (29 April 2025).
Other highlights include:
● The premiere sharing of not for glory – a skirling new dance-theatre performance of bodies and bagpipes, and rebellious unravelling of traditional dance and music by Jack Anderson, Charlotte Mclean and in collaboration with musician Malin Lewis.
● The premiere sharing of Sequins – a new hip hop dance theatre solo show by Kalubi Mukangela-Jacoby set to the Pomegranates Festival spoken word commission of Sequins of Poems to Dance To by Ian McMillan.
● An evening of poetry, dance and discussion focusing on Intangible Cultural Heritage and its relationship with Scottish traditional dance.
● A new exhibition of masks (3 Apr-12 May) by Pomegranates Festival artist-in-residence Lorraine Pritchard – anEdinburgh-based mask maker, costume-designer and fashion model, plus the only Scottish artist performing at the Venice Carnival 2025. Lorraine’s first solo exhibition, especially curated for the festival, zooms on the relationship between the heritage craft of mask-making and traditional dance and features masks, photographs, films and books, including Lorraine’s new Venetian Carnival masks which ahead of the exhibition will be premiered and modelled by the artist at this year’s Carnevale in Venice 21 February – 4 March.
● A day of walking tours led by dance historians Alena Shmakova and Agnes Ness about the role of women in traditional dance past and present, with focus on the role of Mary, Queen of Scots.
● A dance theatre matinee which is the culmination of Pomegranates dance artists-in-residence at Edinburgh’s Abbeyhill and Royal Mile Primary Schools. Over 20 resident dancers – all postgraduate students in Dance Science and Education at the University of Edinburgh will perform alongside the Scot Polish musician-in-residence Aga Idczak. The choreography of the Scot Cypriot artist Sotirios Panagoulias and the costume design by the New York born Scot Polish designer Gerry Gapinski are co-created with over fifty pupils aged 10-11 years. The matinee is the outcome of an unique co-devising method of Socratic Circles, weaving in the children’s ideas, drawings and poems about the wee objects selected by each pupil to represent their diverse heritage.
In the lead up to the start of the festival there will also be a podcast released on 8 March to celebrate International Women’s Day, previewing the story of Mary, Queen of Scots in Edinburgh and her passion for dance, with New Scot Alena Shmakova.
Plus, there will be a Ceilidh Plus mixing Scottish, Bulgarian and Irish traditional dancing on 21 March to celebrate 10 years of the Bulgarian traditional dance school in Edinburgh and St Patrick’s Day on 17 March.
This popular event is part of the festival’s year-round programme of Ceilidh Plus evenings held at the Kings Hall that combine Scottish dancing with traditional dances from the migrant and diaspora communities in Scotland.
During the festival the Ceilidh Plus event will showcase a mix of Scottish, Polish and Hungarian dance styles.
All festival events are presented on a free or affordable ‘pay what you can‘ basis.
Wendy Timmons and Iliyana Nedkova, Festival Co-curators said:“In 2025 when we celebrate Edinburgh’s 900 years journey from the 12th Century City of David to the 21st City of Diversity, we are very proud to present the fourth edition of Pomegranates – Edinburgh’s festival of diversity in traditional dance, the festival that has already made it to the #ListHot100 as one of the 100 most influential cultural events of the year.
“Expect a flair of mystery as this year our festival artists will don their dance masks and take on whole new personalities honouring their traditions and our global living heritage.”
John Ravenscroft, Head of the Centre for Research in Education, Inclusion and Diversity (CREID) at Moray House School of Education and Sport, University of Edinburgh said: “I am very pleased to continue to forge our strategic academic partnership with the Traditional Dance Forum of Scotland which dates back to 2018. Great to see the return of the Pomegranates Festival choreographer-in-residence Jonzi D who delivered the seminal Decolonising the Curriculum keynote lecture at Moray House School of Education and Sport as part of last year’s festival.
“I am also excited about the opening matinee which is part of the wider campaign advocating for the diverse forms of world traditional dance becoming a primary ingredient of our children’s primary education.
“This campaign is run by the Traditional Dance Forum of Scotland in conjunction with our Centre and our School while the matinee is funded by the University of Edinburgh through the Edinburgh Local Community Fund.”
MC, Jonzi D, hip hop dance theatre artist and choreographer-in-residence at this year’s Festival, said: “Following my Pomegranates festival debut last year, I am really honoured to be invited back as this year’s choreographer-in-residence, plus I am particularly partial to the new festival theme of masks.
“Traditional dance is important, including masked dance, because it represents living heritage while celebrating difference. I think we’ve reached a period in society where our differences are being used against us; our differences are being used to keep us separated; our differences are being used as judgmental tools. Manufactured polarisation. But our infinite differences define our identities, and still we have more in common than we have apart. Pomegranates festival celebrates our differences.”
Vanessa Boyd, Interim Head of Dance at Creative Scotland says: “Pomegranates Festival continues to be an important platform celebrating Scotland’s rich traditional dance heritage alongside the diverse influences that shape our communities today.
“This year’s focus on masks highlights a powerful symbol that has been used in dance for centuries, transforming performers and deepening storytelling across cultures.
“Audiences can look forward to experiencing new work and exploring the rich and diverse traditional dance forms that the Pomegranates Festival has to offer across a packed programme of live performance, screen, workshops and community gatherings.”
The Pomegranates Festival (25 – 30 Apr) is the annual platform for the diverse 250+ individual and organisational members of the Traditional Dance Forum of Scotland to teach, learn and perform in new dance theatre and screen dance shows, as well as new productions and residencies.
This is the fourth edition of Scotland’s annual festival of international traditional dance, initiated, curated and produced by the Traditional DanceForum of Scotland.
It is presented in partnership with TRACS (Traditional Arts and Culture Scotland), Moray House School of Education and Sport, University of Edinburgh, Edinburgh Central Library, Dance Base and the Scottish Storytelling Centre.
In 2025 the Pomegranates Festival is funded by Creative Scotland Multi-Year Funding through TRACS (Traditional Arts and Culture Scotland); the City of Edinburgh Council and University of Edinburgh through the Edinburgh Local Community Fund.
We’re over the moon to announce that we have been awarded multi-year funding from @creativescots !!!
This will help us to plan for the future in ways we have never managed to before, to build on recent successes like our Adopt a Piano scheme and to help us one day find a permanent home for the Pianodrome Amphitheatre in Edinburgh.
Huge credit must go to Creative Scotland for recognising the potential of small cultural organisations to make huge positive impacts.
Creative Scotland have done great work advocating on behalf of artists and culture and we’re chuffed to bits to have this core funding secured for the next three years.
Over the last 7 years we have developed from project to project; articulating new ideas, saving over 600 pianos from landfill, working with hundreds of artists and welcoming tens of thousands of participants into to our community-focused interactive spaces.
Thank you to the local and international communities who have supported and believed in the Pianodrome thus far.
We’ll continue to strive towards our conviction that no piano is junk, and no person is unmusical!
Open Letter from SHONA McCARTHY, Chief Executive, Edinburgh Festival Fringe Society
What a fantastic week for the cultural sector of Scotland. All the lobbying, advocacy and effort from so many, for so long, has resulted in some desperately needed stability and longer-term security; and Culture Counts did a sterling job in leading the charge.
It has been uplifting and joyful to see so many brilliant theatres, companies, community art centres, creatives and festivals across Scotland, invested in, and supported to make new work and do ambitious things.
A special nod to the success of our sister festivals – the Film, Children’s, Art, Book and Jazz festivals; and with over £5million in public sector support per year, the Edinburgh International festival will be enabled to undertake some truly wonderful commissions and programming. Perhaps this will be the moment for some shared resource into a collaboration of all six summer festivals to create a spectacular, free-to-access opening and closing of the whole season for Edinburgh’s residents. Exciting times and I look forward to the imaginative programming to come.
It is also wonderful to see Hidden Door secure some core support – its devolved curatorial approach and fusions of genre and imagination have brought something new to the whole festivals landscape. Congratulations are due all-round and hats off to the Scottish Government for recognising the value of the arts to the heart and soul of the nation, to job creation, well-being and the economy. All of this in the same week that the Fringe Society has had its own news to share, with the announcement of our new Chief Executive coming in to post in April this year.
However, I hope support can also be found for those who didn’t make the list this time.
The Fringe is a different beast. It is complex, but only if you want it to be. However, its complexity should not be a reason not to support the very event that gives Edinburgh’s festivals their global brand, economic success and enormous impact for the performing arts across Scotland, the UK and the world. It truly is an access point for so many artists and audiences alike, into the arts.
Here’s where we are:
The Edinburgh Festival Fringe is made up of thousands of moving parts. All of those are important and are what make it unique. The Fringe is not a funded, curated arts festival, it is a platform and a marketplace that is open to anyone. Every artist or show that comes to Edinburgh does so at their own financial risk, and with their own set of objectives for what they want from participating in the Fringe. There are many producers who will annually develop and support a selection of shows to present at the Edinburgh Fringe, who share the risk with their artists. The venues that host them are all different models, but many of them also take significant risk, or share risk with producers and artists.
Then there is the Fringe Society – the small charity that is made up of Fringe members and provides core services to the festival: artist support, box office, marketing, promotion, and audience navigational tools. Income generated from participants through registration fees and box office commission pays for these services. The Fringe Society delivers a whole programme of added value that is designed to remove barriers to participants and audiences and ensure inclusion. This work isn’t financed by income from the Fringe, but is supported by donations, fundraising and ring-fenced public funds for projects. In keeping costs to participants low or frozen for 18 years, the income generated from registration fees and tickets, has long-since come far short of covering the costs of services to the Fringe.
Once upon a time the Fringe was a self-financing ecosystem with a collective effort from all the fringe-makers on keeping it affordable for artists and audiences. However, the well-documented economic context of recent years changed that. In this moment, if Edinburgh, Scotland and the UK wants to keep the Edinburgh Festival Fringe, then the whole thing needs support, and that has to come from multiple sources and has to support both the Fringe and the Fringe Society.
The Fringe Society needs core annual public sector support if it is to continue to provide services to the Fringe at an affordable level. It also needs to be able to adjust its fees to meet some of the rising costs too. A stable Fringe Society can continue to play a positive convening role for the wider Fringe community and in recent recovery years we have been able to redistribute some £6.3million out through the Fringe ecology in funds for artists, producing venues and support for Scottish work, to help it survive and stabilise.
The Fringe Society will continue to use its convening role to raise funds to support artists through the Keep it Fringe fund and Made in Scotland. We must also ensure that the essential digital infrastructure that supports festival systems – online tools and wayfinding, are future-proofed, and will seek support and donations to retain our 32 community partnerships across the city so that they can continue to experience their Fringe their way, both during August and year-round.
What could a whole Fringe support strategy look like.
For a stable, healthy Fringe we need a joined-up investment strategy that includes the Scottish Government, the City of Edinburgh Council and the UK Government. We have continuously made the case and both UK and Scottish Governments have recognised the unique place that the Fringe occupies as a platform, a showcase, a marketplace and global expo. There is nothing else like it on these islands, and it offers something unique in the world as an annual global meeting place to celebrate the performing arts in all their glory and for the business of the performing arts to be done.
We of course need a stable Fringe community with companies, producers and theatres able to produce work, and the investment from the Scottish Government last week goes a long way towards this. We will continue to lobby until Scotland is on a par with the best of Europe.
The Fringe Society’s new year-round Fringe Central secured a capital grant that will create new affordable rehearsal spaces for artists, and also unlocked £1million in Keep it Fringe funds for direct bursaries to 360 artists over 2024 and 2025.
The Fringe Society are aiming to sustain the Keep it Fringe fund in some form, and producer James Seabright has already committed financial support.
Investment in the Fringe Society from the Scottish Government is needed to ensure the charity can continue to provide core services to this vital event.
The Scottish Government have recognised that this organisation falls between the cracks and have made the commitment to support, and this is a work in progress. Scottish artists, companies and many local producing theatres and venues are supported through the multi-year funding programme, the Open Fund, and the Made In Scotland showcase at the Fringe and this helps. Yet there is still a gap in support for the whole Fringe operation, and there is a continuing disparity between the infrastructural needs and financial support made available for major sport events as opposed to the investment in sustained, annual arts events with longitudinal impact, like the Edinburgh Fringe.
For the UK Government – the Edinburgh Fringe hosts artists from all over the UK, with over 2,000 shows coming from England alone every year; with producers and promoters bringing work to be showcased and booked for onward opportunities. The Fringe ecosystem needs support to host all of this.
The UK Government have so far provided a Capital Grant to the Fringe Society to create a year-round Fringe Central space, and we have been making the case to build on this investment for the whole ecology. This could happen in several ways:
Theatre Tax Relief could be extended to support the venue infrastructure set up at the Fringe that is undoubtedly part of the production process
The Fringe should be supported by UK Government for its role as a driver of the Creative industries – Industrial strategy, and well-positioned for support from the £65 million recently announced by Secretary of State Lisa Nandy
It should be recognised as a Major Event for the UK, and its operating structures supported as would so readily be done with a sporting event of this scale and reach, such as an Olympic or Commonwealth Games
Arts Councils across UK should be investing in their artists to support them coming to the Fringe, as international showcases already do
The City of Edinburgh Council is crucial in providing a supportive operating context:
The Fringe will generate over £1million in Visitor Levy – this money should be ring-fenced to be redistributed in supporting the event
Affordable accommodation is the single biggest barrier to making the Fringe truly inclusive for creatives, workers and audiences. There are three ways this could be alleviated
Exemptions on home-letting and home-sharing being real, effective and immediate
A mechanism for HMOs (houses of multiple occupancy) privately run student accommodation to be made available to artists during the summer months
A map of accommodation capacity within a one-hour commute of Edinburgh and the supporting transport routes to make that underused capacity viable
New structures have already been set up to create this joined up approach through a National Festivals Partnership and a Festival City Infrastructure group. Let’s hope these structures can finally bring a strategic and supportive approach, to enable the Fringe to sit comfortably within Scotland’s national cultural asset base whilst also being properly enabled to welcome the emerging performing artists and breakthrough work from across the UK and the world.
The Edinburgh Fringe is unlike any other cultural event in the world, in that it is largely self-financed by those who take the risk to make and show work. It is made up of hundreds of parts, all of which are important. It is a wonderful balance of ticketed venues, street performance, free shows and pay what you want shows; from new discoveries to world-class and established artists.
It is the sum of these parts that makes it distinctive, inclusive, extraordinary and with something to say in the world. The stability of the Fringe is dependent on a recognition by everyone involved in it; that it is not owned by anyone – no organisation, group, or collective. It has no super league or participant base that is any more important than any other. It is a platform for freedom of expression like no other – ever evolving, growing, contracting and contorting.
It is not stuck in any one period of time, and should never allow any single interest group or sense of entitlement to derail its beautiful, messy and joyful mission for inclusion and cultural democracy
Its mantra is to give anyone a stage and everyone a seat – and that’s a mantra worth protecting and championing. That’s the Fringe. What a welcome it would be for the incoming CEO of the Fringe Society, if this extraordinary event was set on a new foundation stone where both the Fringe itself and the charity that supports it are validated and supported. With that support and validation, the whole Fringe community can move forward together collaboratively to secure the future of this vital event.
The cultural sector review will perhaps take a closer look at why the Edinburgh Fringe doesn’t sit comfortably within the established mechanisms of investment in the cultural sector, and a new way may be found to give it investment and support. Edinburgh is a city that has given huge recognition to new infrastructure and investment in classical music and the classic artforms.
It would be wonderful to see some validation of the forms of creative expression, such as comedy and street performance, which allow a significant point of access into the arts, and anyone to step into the opportunity to perform.
Often all that is required is space, a microphone and a story to tell.
Shona McCarthy, Chief Executive, Edinburgh Festival Fringe Society
A record number of cultural organisations to receive stable, year-on-year funding to deliver culture and creativity for Scotland’s people
All organisations currently funded by Creative Scotland to receive a significant uplift after years of standstill funding
An additional 141 organisations will receive a multi-year funding commitment for the first time
Significant increase in community-focused organisations being supported, alongside established cultural organisations, better representing Scotland’s geography and diversity
Overall funding to the portfolio will increase further in 2026/27
This cultural shift has been made possible thanks to a significant budget commitment from the Scottish Government
Today, Thursday 30 January 2025, in a significant moment for culture in Scotland, Creative Scotland has announced the largest portfolio of cultural organisations ever to be supported on a multi-year basis.
The recent uplift in Grant-in-Aid funding from the Scottish Government, releasing the largest budget ever available to Creative Scotland, enables more than £200m in support to be provided to 251 organisations over the next three years.
Further to this, 13 other organisations, will be supported by a £3.2m Development Fund, with a view to them joining the Multi-Year Funding portfolio in 2026/27.
Over half of the organisations in the portfolio are being offered a multi-year funding commitment for the first time, reaching more parts of Scotland, and more parts of our society, than ever before.
Those organisations which have an existing regular funding relationship with Creative Scotland will receive an average uplift of 34% in their funding in 2025/26, increasing to an average of 54% from 2026/27, bringing certainty and stability.
North Edinburgh Arts is one of the organisations to receive three year funding. They said: ‘We are delighted to share that North Edinburgh Arts has been awarded Multi-Year Funding from Creative Scotland! We are looking forward to re-opening our venue in the coming weeks, so the confirmation of Multi-Year Funding has come at the ideal time.
“NEA’s venue is owned, used, and loved by our community. The stability of long-term funding will allow us to plan with confidence and make a real difference for the hundreds of artists, participants, volunteers, and visitors coming through our door.”
Hidden Door also received good news. They announced: “We’re proud to be one of 13 organisations to receive Creative Scotland development funding with a view to joining their Multi-Year Funding portfolio in 2026
This is a huge vote of confidence in our support for emerging artists, connecting audiences with inspirational cultural experiences.
‘We’re acutely aware of the challenges facing the creative sector, and we know that not everyone will have received good news today. But we warmly congratulate all those who secured funding, and we look forward to collaborating with many more wonderful projects in the years to come.’
Together, the organisations in this portfolio deliver cultural and creative work of quality, breadth and depth to audiences across Scotland and internationally and the portfolio is more representative of Scotland’s geography, diversity, people and communities than ever before. All this underlines Scotland’s reputation as a thriving creative nation where culture is valued and developed for all.
Importantly, the portfolio also provides significant support to Scotland’s local and national economy, through direct employment, by creating opportunities for freelancers, and by supporting individual artists and creative practitioners of all types.
Robert Wilson, Chair of Creative Scotlandsaid: “This is an extremely positive moment for culture in Scotland, bringing with it a renewed sense of stability and certainty to Scotland’s culture sector.
“Thanks to the vote of confidence in the culture sector, demonstrated by the recently announced budget from the Scottish Government, Creative Scotland can offer stable, year-on-year funding to more organisations than ever before.
“I’m particularly pleased that this funding will increase further from next year, enabling even more fantastic artistic and creative work to be developed here in Scotland.
“Stable, long-term funding for as many organisations as possible is the underlying principle of the Multi-Year Funding programme, and we are delighted to be able to bring it to fruition.
“This funding means that we are able to bring so many new, community focused organisations into the portfolio, while also providing significant increases to those more established organisations which have been on standstill, regular funding for so many years.
“I’m also very pleased to be able to offer 13 further organisations significant amounts of development funding, to enable them to come into the portfolio in its second year.
“This signals a significant moment of positive change for Scotland’s cultural community, and I hope that, after the deeply challenging time of the pandemic, and the difficulties that have faced the sector in the subsequent years, that now is the time that we can look forward with confidence and the Scottish culture sector can get on with what it does best, producing outstanding art and creativity for everyone to enjoy.”
Angus Robertson, Cabinet Secretary for Culturesaid: “This is a foundational moment for culture and the arts in Scotland. More organisations than ever, in more parts of the country will benefit from the stability of Multi-Year Funding with the number of funded organisations more than doubling, from 119 to 251.
“Funded as part of a record £34 million increase for culture in the draft 2025-26 Scottish Budget, this significant increase in both the number of funded organisations, and the level of grant funding they will receive, has the potential to be truly transformational. It secures the future of key cultural organisations of all sizes across Scotland, which are major assets to our communities and our economy, supporting thousands of jobs and creating new opportunities for freelancers, artists and other creative practitioners.
“It means 251 culture organisations across Scotland, from Argyll and Bute to Shetland, Na h-Eileanan Siar, and the Borders, will receive Multi-Year Funding from April this year and a further 13 have the possibility of doing so from 2026-27.
“I am also reassured that the remaining unsuccessful applicants will all be offered bespoke support from Creative Scotland to adapt their business models.”
Following the ministerial statement in the Scottish Parliament, Labour Lothians MSP Foysol Choudhury welcomed the funding: “This funding decision is a step forward for Scotland’s cultural community. It reflects the collective determination of local groups, artists, and advocates who have worked tirelessly to highlight the importance of the arts in our society.
“I am proud to have played a role in advocating for multi-year funding, and I hope this provides some temporary relief to the culture sector. Festivals have struggled with standstill government funding for years, stunting their growth. The culture sector should not just be fighting for its survival.”
The list of organisations being awarded Multi-Year Funding, and their award for the next three years, is available on our website.
The list of organisations being offered development funding, and their conditional award for the next three years, is also available on our website.
Dame Sue Bruce will chair the review of Creative Scotland, Culture Secretary Angus Robertson has announced.
The review will examine Creative Scotland’s remit, functions and how it can best support the culture sector’s ambitions for renewal. It will be the first review of Creative Scotland since its establishment in 2010, as part of a wider commitment to review how the culture sector is supported.
Culture Secretary Angus Robertson welcomed the “wealth of experience” Dame Sue Bruce will bring to the review, with previous roles in Scotland’s arts and local government sectors.
Mr Robertson said: “I’m delighted that Dame Sue Bruce has agreed to chair the Creative Scotland review. She brings a wealth of experience from previous roles in the arts and local government sectors, making her well-placed to conduct a thorough and independent review into how Creative Scotland supports the arts in Scotland.
“The 2025-26 Scottish Budget includes a record £34 million uplift for culture. I am determined to maximise the impact of every penny of that. The review will consider the diversity of potential sources of funding, such as philanthropy, for culture – to underpin a more sustainable and resilient cultural sector in the years to come.
“The intention of this review is to ensure views the length and breadth of Scotland are heard swiftly and the vitally important contribution that artists and cultural organisations do for our nation and our identity is recognised, valued and well-supported.
“The Scottish Government has also today launched a new survey seeking views on how culture and the arts are currently supported in Scotland and areas for change. The responses will help inform the scope of the review so I would encourage all those with an interest to respond to our survey.”
Dame Sue Bruce said: “Culture and the arts reflect our values, aspirations and history as a country and the people who work in the sector make an invaluable contribution to our society and our economy.
“I look forward to working with the sector and Creative Scotland to ensure that it’s remit and functions continue to be relevant for the culture sector today, recognising that there has been much change in the sector since 2010 when Creative Scotland was first established.”
Music fans packed out the Traverse Theatre in Edinburgh for Soundhouse’s first ever Winter Festival (28 Nov to 2 Dec). Bringing in an audience mostly comprised of locals (73% from the capital, with 21% from the rest of Scotland), it proved the best antidote to a dark time of year and a great way to mark St Andrew’s Day.
The festival ran over five days thanks to support from The National Lottery through Creative Scotland and included some of the finest jazz, indy and folk musicians from Scotland. Sellouts included the Nicole Smit Quintet; Fergus McCreadie with an outstanding performance from guest Italian star Mattia Galeotti on drums; and Su-a Lee performing alongside a stellar line-up of trad favourites – Duncan Chisholm, Donald Shaw and Hamish Napier.
Other popular highlights included a screening of The Rugged Island: A Shetland Lyric (1933), opened by Shetland pianist Amy Laurenson, and accompanied by music composed by award winning multi-instrumentalist Inge Thomson from Fair Isle with Shetlander Catriona Macdonald; a preview of rock goddess Megan Black’s new album; and a performance of Unwritten Women read by Edinburgh’s former Makar Hannah Lavery to a new score written and performed by Kate Young.
The Festival also received five star reviews and was a key part of this year’s Fair Saturday celebrations in Edinburgh.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled with the appetite that audiences have shown for live music during the winter months.
“We knew that people would come out for the festival if we programmed great music, so that’s what we did and it paid off.
“It’s been an absolute blast to present five days of jazz, rock, punk, poetry, and silent film, not a line-up we have had the opportunity to programme before, but one that we would definitely look to repeat next year.”
The Soundhouse Organisation returns in May with more live music at the Traverse for Edinburgh’s Tradfest (2-12 May 2025). Dates for the Soundhouse Winter Festival 2025 are to be confirmed.
The 2025-26 Budget will deliver progress for the people of Scotland, with a record increase in frontline NHS spending, and plans to lift 15,000 children out of poverty by mitigating the UK Government’s two-child limit from 2026.
Setting out the Budget to Parliament, Finance Secretary Shona Robison said the government had listened and would now act on the priorities of people, businesses and organisations across the country – delivering progress for Scotland, by Scotland.
The 2025-26 Budget includes:
a record £2 billion increase in frontline NHS spending taking overall health and social care investment to £21 billion to reduce NHS waiting lists, making it easier for people to see their GP, and progress the Belford Hospital, Monklands Hospital and Edinburgh Eye Pavilion projects
funding for universal winter heating payments for older Scots, and investment to allow the mitigation of the two-child cap from 2026
tax choices that freeze income tax rates, increase the Basic and Intermediate rate thresholds to put more money in the pockets of low and middle-income earners, and provide business rates relief for hard-pressed local pubs and restaurants
a record £15 billion for local government to support the services communities rely on and £768 million to provide 8,000 more affordable homes
£4.9 billion of action on the climate and nature crises to lower emissions and energy bills, protect the environment, and create new jobs and opportunities
a real-terms uplift of 3% for spending on education and skills to maintain teacher levels and invest in school infrastructure, as well as new funding to put more breakfast clubs in primary schools
a £34 million uplift for culture in 2025-26
The Finance Secretary said: “I am proud to present a budget that delivers on the priorities of the people of Scotland.
“Parliament can show that we understand the pressures people are facing. We can choose to come together to bring hope to people, to renew our public services, and deliver a wealth of new opportunities in our economy.
“This Budget invests in public services, lifts children out of poverty, acts in the face of the climate emergency, and supports jobs and economic growth.
“It is a budget filled with hope for Scotland’s future and I look forward to working with all parties in Parliament to secure agreement around its provisions.”
£6.9 billion total investment in social security, including the Scottish Child Payment
almost £4.2 billion across the justice system in 2025-26, including £1.62 billion for policing to support capacity and capability, £881.1 million for prisons, including £347 million for the prison estate to deliver HMP Glasgow and HMP Highland, and £159 million for community justice services to support the wider use of community interventions
over £2.6 billion towards public transport to support bus, rail and ferry services and increases the dedicated funding available to the four councils operating their own ferry services to £50.3 million
over £660 million for rural communities to support the crucial contribution of Scotland’s farmers, crofters and the wider rural economy
almost £90 million to protect, maintain and increase our woodlands and peatlands, to restore more than 15,000 hectares of degraded peatland and ensure the creation of more than 11,000 hectares of woodland across Scotland
a £34 million uplift for culture in 2025-26, building on the £15.8 million increase in the last Budget to take the total incremental increase in culture funding to almost £50 million – the halfway point in our commitment to increase funding to culture and the arts by £100 million more annually by 2028-29
£6 million for the National Islands Plan to deliver infrastructure projects designed in partnership with islanders to support successful and resilient island communities
protection for free tuition and a 3.5% increase in total investment in Higher Education, compared to a 3.08% increase in university funding in England
Ben Macpherson MSP has welcomed the Scottish Government’s budget commitment to provide significant additional funding for the Granton Waterfront regeneration project, with a long-term agreement to be formalised in 2025.
Having spoken regularly about Granton in the Scottish Parliament this year, and previously, to promote the area as a strategic development site for Edinburgh and Scotland as a whole, Ben Macpherson MSP is delighted that the Scottish Government has committed financial support to significantly progress the City of Edinburgh Council’s ambitions plans.
The budget statement by Shona Robison MSP included: “I can confirm today that we will be working with Edinburgh City Council to unlock over 800 new, net zero homes at their Granton development site.”
In the Scottish Parliament, during the Budget statement and question session, Ben Macpherson MSP for Edinburgh Northern and Leith said: “As the local constituency MSP, I believe passionately in the significant potential for the development of Granton Waterfront to help tackle Edinburgh’s housing challenges, to transform the northern part of our capital city for the common good, and to deliver economic growth, new opportunities and multiple positive benefits for existing communities and our country more broadly – that’s why I have worked constructively to highlight all of this to Ministers, and am therefore delighted and grateful that the Finance Secretary has committed to working with City of Edinburgh Council to deliver 800 more homes.
“Can the Finance Secretary say more about the Scottish Government’s commitment to the development of Granton Waterfront – as a strategic site – and the positive impact this will deliver for the people of Northern Edinburgh and Scotland as a whole?”
The Cabinet Secretary for Finance, Shona Robison MSP, replied: “Ben Macpherson is absolutely right, the Granton Waterfront development is a big deal for Edinburgh, and we will work with Edinburgh Council over the coming months and hope to announce a deal on the detail early in the 2025-26 financial year to support this multi-year project.
“And I talked in my statement about it unlocking 800 new net-zero homes of mixed types and tenures but also sustainable transport links and placemaking initiatives.
“This can be a gamechanger for Edinburgh and I am very acutely aware of the housing need in Edinburgh, and I think this will go a long way to helping as part of this solution.”
Ben Macpherson MSP for Edinburgh Northern and Leith, added: ““This is a very significant step forward towards tackling Edinburgh’s housing emergency and realising all of North Edinburgh’s remarkable potential.
“I have passionately and consistently supported the regeneration of Granton Waterfront throughout my time as the MSP for Edinburgh Northern and Leith, and have worked to be a constructive link between the Scottish Government and the City of Edinburgh Council in this collective endeavour.
“The vacant and derelict land in Granton has the potential to be transformed into a new residential hub and a destination to visit for locals and tourists alike – just like in Dundee and other waterfront cities across the world. It is fantastic that the Scottish Government has committed to this vision and given pivotal financial backing to make it happen!
“Edinburgh continues to face significant, various housing challenges and building more affordable homes is crucial in helping to tackle this. With Scottish Government support, the development plans for Granton will deliver transformational change to benefit the local area and the wider economy.
“It has been a consistent priority since my election to promote and deliver more affordable housing in Northern Edinburgh – as well as accompanying infrastructure and facilities in the area, like cultural and creative hubs, opportunities for small businesses to thrive, and key services such as schools and health centres – and I look forward to seeing the development of Granton benefit the people of Edinburgh in the years ahead, and the additional investment and opportunities that will be created.”
BUDGET REACTION:
Responding to today’s Budget statement by the Finance Secretary, John Dickie, Director of Child Poverty Action Group (CPAG) in Scotland, said: “The Finance Secretary is absolutely right to mitigate the two-child limit in the absence of abolition at UK level.It’s a pernicious policy that pushes 15,000 children into poverty in Scotland alone.
“Investing in social security for families is key to delivering on the First Minister’s number one priority of eradicating child poverty.
“The devil will be in the detail and families really can’t wait until 2026 to see their incomes boosted, so an above inflation increase to the Scottish child payment is still needed in the meantime.
“But there is no question this is the right focus for prioritising spend. We need the UK government take the same approach to investing in family benefits as a matter of utmost urgency.”
CHILD POVERTY ACTION GROUP
COSLA
Responding to today’s Scottish Government draft budget, Poverty Alliance chief executive Peter Kelly said: “The two-child limit is a huge injustice that has no place in a compassionate society – because every child matters and every child should get support they need.
“We welcome the Scottish Government’s proposals today, and we hope that the UK Government works positively and quickly to get this extra support to households with children. We hope it adds to the pressure to scrap the two-child limit across the UK.
“With record numbers of children in temporary accommodation, additional investment in affordable homes and homelessness prevention is necessary and welcome. But we know that more social homes are needed to tackle the housing emergency in Scotland – meeting that challenge requires further investment.
“Many of our members have called for the Scottish Government to make up the difference for pensioners who have had Winter Fuel Payments taken away from them. They will welcome today’s plans.
“We have worked directly with people who are forced to live on a pittance by the unjust UK asylum system, and we supported their campaigns for free bus travel. It is welcome that the Scottish Government have allocated to funding to that proposal, which will increase their freedom to build a life beyond poverty and take part in society. We hope this is the start of a move to provide bus passes to more people – starting with those eligible for benefits.
“But we can do more. There are around 240,000 children in poverty in Scotland. We need to go further and faster if we are going eradicate child poverty.
“That means more immediate support through the Scottish Child Payment and using our powers over tax and investment to build a stronger society for all of us – especially people in poverty.”
POVERTY ALLIANCE
SAVE THE CHILDREN SCOTLAND
SCVO
SCOTTISH HOSPICES
“Today @scotgov announced £768m to buy or build 8k affordable homes next year. It is a sign it’s taking the housing emergency seriously but it is only a reverse of previous cuts. As a result, it’s a cut in real terms as same money buys less now compared to two years ago.
“Though it is a step forward, 8,000 homes is a drop in the ocean compared to what is needed There are 243,000 people on waiting lists in Scotland. The last decades have seen the decimation of council housing because of a lack of funding, stock transfer and right to buy.
“This government needs to deliver more social housing by allocating greater funding for stock buy back and for social and council house building programmes, to ensure more people have a stable, secure, affordable place to live.”
LIVING RENT
We welcome the budget statement from the Scottish Government signalling the value it places on culture & the arts.
Culture is the beating heart of Scotland & this budget offers us all hope for a more stable, positive future.
EDINBURGH INTERNATIONAL FESTIVAL
Creative Scotland wholeheartedly welcomes the positive news of the substantial uplift for Culture, including Creative Scotland, in the Scottish Government’s draft budget announced today.
In 2025/26, Creative Scotland’s draft Grant-in-Aid budget from the Scottish Government will be £80m, up from £51.4m in the previous year. Included in this is an additional £20m, specifically for use in supporting the Multi-Year Funding programme and an additional £2m to support delivery of Screen Scotland’s strategy.
The Board of Creative Scotland will meet on 16 December to agree the final budget for Multi-Year Funding and a further update will be made following that meeting.
The final outcomes from the programme will be announced by the end of January.
Creative Scotland’s Chair, Robert Wilson, said: “Today’s draft budget announcement by the Scottish Government is enormously welcome. The major boost to Multi-Year Funding and other activities opens up wider opportunities, and we are grateful to the Scottish Government for this significant vote of confidence in Creative Scotland and the creative and culture sector.
“This is especially positive in the light of the long-term financial challenges the sector has been dealing with and will enable people and organisations to once again look forward with more confidence.”
CREATIVE SCOTLAND
Today’s budget released by the Scottish government is a “step in the right direction” but comes too late to ease the winter crisis already hitting some of the country’s A&Es.
This is the response from The Royal College of Emergency Medicine (RCEM) following the budget announcement today – Wednesday 4 December 2024 – by Finance Secretary Shona Robison MSP.
Dr Fiona Hunter, RCEM’s Vice Chair for Scotland said: “We welcome the government’s commitment to addressing many of the systemic issues that have plagued our health care system – its patients and staff – for far too long.
“However, it has not come soon enough to ease pressures faced by A&Es who are working under extreme pressure to care for patients right now.
“We restate our commitment to working with the Scottish government to bring an end to this reality and #ResuscitateEmergencyCare in Scotland, for generations to come.”
The budget statement comes just one day after an Audit Scotland report revealed the number of people remaining in hospital because their discharge has been delayed – often due to a lack of social care capacity – is the highest on record.
ROYAL COLLEGE OF EMERGENCY MEDICINE
In response to today’s Scottish Government Budget,Debbie Horne, Scotland Policy and Public Affairs Manager at Independent Age said: “Older people across Scotland will be relieved to see the return of some help with winter energy bills through the Pension Age Winter Heating Payment from next year.
“For many not currently receiving Pension Credit, or those just above the eligibility, this money is desperately needed. Although not what they were originally due to receive, last week’s decision has been welcomed by older people in financial hardship across Scotland.
“It’s also good news that Scottish Social Security has been uprated with inflation, including entitlements that are important to older people, such as Pension Age Disability Payment and Winter Heating Payment. Many people in later life will be reassured that this has been confirmed.
“We are pleased to see that the Scottish Government is focussed on supporting renters. Over recent years both the number of older people renting privately and the proportion in poverty has risen. The increase in the Discretionary Housing Payment funding pot is an important lifeline to many older private renters, making up rent shortfalls, and the increased investment in social homes building should give tenants of all ages more security.
“However, it is concerning that the Scottish Welfare Fund, which can be a crucial safety net for older people when emergencies occur, such as needing help with food or heating costs, has not been increased.
“Generally, the older people in financial hardship that we speak to will feel heard by the Scottish Government today. However, we remain concerned about older people this winter. Going forward, the Scottish Government must continue to make decisions that improve the lives of older people in poverty.”
INDEPENDENT AGE
Jonathan Carr-West, Chief Executive, LGIU Scotland,said: “We know from our annual survey that local government finances in Scotland are hanging by a thread. One in four councils are afraid they won’t be able to pass a balanced budget next year. Three quarters are warning that they may not be able to do so within the next five years. Today’s Budget from the Scottish Government does not engage with the scale of that challenge.
“Local government may welcome commitments to the New Deal with Local Government continuing work on a fiscal framework and plans to deliver new revenue raising powers. However, they will be dismayed to see how much funding continues to be ring fenced.
“There is an increase in core funding in today’s Budget but it doesn’t cover the ever growing costs of core statutory services.
“The Scottish Government has responded to the concerns of councils and has removed the freeze on council tax rises, but the Cabinet Secretary’s expectation that record funding levels should mean councils do not need to put up council tax is too complacent.
“The truth is that even with the additional funding announced today, local authorities will still need to raise council tax and make cuts to services and will still edge closer to being unable to balance their books.”
LOCAL GOVERNMENT INFORMATION UNIT
Commenting on the Finance Secretary’s Budget statement this afternoon, Director of CAMRA Scotland Stuart McMahon said:“Pub goers and licensees will be raising a glass to the news that the Scottish Government are finally introducing help with the burden of business rates that have contributed to scores of pubs having to close their doors in recent years, and at a higher rate than elsewhere on these islands.
“Pubs are a vital part of our social fabric and it is right that they will now get the same 40% reduction in business rates that pubs in England get. It is also encouraging that pubs on island communities will continue to get a 100% reduction with their business rates.
“In order to make sure our pubs survive and thrive at the heart of our communities ministers must now commit to reforming the entire Business Rates system to make it fairer. The Scottish Government should level the playing field between online and bricks-and-mortar businesses and finally end the shocking overpayment that pubs have to cough up under the current system.”
CAMRA
Mary Glasgow, chief executive at Children First said: “The Cabinet Secretary says this budget will lift children out of poverty but given that Scotland faces a childhood emergency it is difficult to see how.
“The promise of jam tomorrow, in the form of mitigating the UK two-child cap does nothing to alleviate the plight of thousands of children and families across Scotland who are going hungry today.
“We called on the Scottish Government to invest in early help and support for families and to increase the Scottish child payment. It is disappointing that they have chosen to delay investing in children rather than taking immediate action. Children can’t wait.”
There is just one day to go before the brand new Soundhouse Winter Festival kicks off in Edinburgh, thanks to support from The National Lottery through Creative Scotland.
The programme is packed with big names and up and coming bands from across Scotland including award winning feminist rock goddess Megan Back, who hasrecently returned from gigs in California, performing tracks from her new album out next year; and impulsive punk/rock n’ roll multi-instrumentalist Callum Easter performing with his full band the Roulettes and special guest indie/folk soloist Iona Zajac.
They will be headliningalongside some of Scotland’s finest jazz and trad musicians including Fergus McCreadie, Su-a-Lee, Duncan Chisholm, Hamish Napier, and Donald Shaw; a screening of silent film The Rugged Island: A Shetland Lyric accompanied by music composed by multi-instrumentalist Inge Thomson and fiddle player Catriona Macdonald; and live performance poetry with Edinburgh’s previous Makar Hannah Lavery accompanied by music from Kate Young.
Callum Easter & The Roulettes who play the Queen’s Hall, Edinburgh on Monday, 2 December with special guest Iona Zajac
The festival’s programme also includes early evening concerts at the Traverse with Nicole Smit performing some cool jazzy numbers with her Quintet (Vid Gobac on drums, Cameron Bradley on piano, Dave Toule guitar, and Kassandra E’Silva on saxophone); Gaelic singer-songwriter Rachel Walker performing with one of the country’s foremost folksingers and accompanists Aaron Jones; Edinburgh-based poetic psychedelic supergroup Acolyte (Ruairidh Morrison on bass, Gloria Black on synth and backing vocals, Daniel Hill on percussion and led by award-winning poet and spoken word artist Iona Lee); and acclaimed singer songwriter Victoria Hume, joined by long-term collaborator Chris Letcher.
Plus, there will be a showcase of emerging new jazz musicians including the Rosalind Orr Trio, TAO and C.A.L.I.E; a masterclass with jazz pianist Fergus McCreadie; and two workshops -Gaelic lullabies with Rachel Walker, and jazz saxophone with one of Scotland’s leading jazz instrumentalists Helena Kay.
Jane Ann Purdy and Douglas Robertson, producers of the Soundhouse Winter Festival said: “We are thrilled to be presenting a five-day festival of live ‘music from Scotland’ at this time of year.
“There are so many world class musicians working here right now that we were literally spoilt for choice. We hope the Soundhouse Winter Festival will not only be a chance for music lovers to hear some of their favourite live bands, but also a chance to hear some of the best up and coming artists of the moment.”
Scotland’s national celebration of books, Book Week Scotland 2024, returns from 18-24 November to uplift Edinburgh and Lothians with its theme of Hope.
This year’s programme offers unique perspectives on resilience, community, and the landscapes that define the region. Over the years, Book Week Scotland has deepened its impact on Edinburgh and the Lothians, delivering literary events to even the remotest locations and fostering connections in towns and communities.
The 2024 programme spotlights regional authors and local libraries as community cornerstones. 65,000 copies of a new free book, Scotland’s Stories: Hope, will be distributed during the week.
It is made up of real-life stories from people across Scotland, including contributions from people in Edinburgh and Lothians.
Local voices in this year’s Hope book include:
· “A Wee Pocket of Joy” by Rosemary Henderson, East Lothian
· “Dancing for Hope” by Georgia Marlborough, Edinburgh
· “Ribbons and New Socks” by Sheena Mason, Dalkeith
· “Hope and Consolation” by David Pickering, Edinburgh
· “It’s The Hope That Kills You” by Julie Drybrough, Edinburgh
· “Thorin” by Sam Eastop, Edinburgh (also adapted as a comic strip by Mollie Ray)
Each piece reflects the theme of Hope in unique and personal ways, highlighting the power of local stories.
Book Week Scotland event highlights in Edinburgh and the Lothians:
· Landscapes of Hope and Inspiration, Fruitmarket Gallery, Edinburgh, 18 November—This event will bring together visual artist Julie Brook, writer Linda Cracknell, and musician Duncan Chisholm to discuss how Scotland’s landscapes inspire and provide hope.
· The Pleasures of Reading with Jackie Kay, Portobello Bookshop, 20 November – Jackie Kay shares the books that have inspired her, joined by Dr Sarah McGeown to explore the benefits of reading for pleasure.
· Various Author Events Across Edinburgh and East Lothian – Libraries and regional community centres will host readings, discussions, and family events celebrating the joy of reading.
The variety of events this year reflects Edinburgh and Lothians’ longstanding engagement with Book Week Scotland, now in its 13th year and supported by Creative Scotland.
