With new Indiana Jones and Mission Impossible movies hitting the big screen this summer, film fans can take the experience a step further and explore the locations that double as fictional worlds with small-group tour specialists, Rabbie’s (www.rabbies.com).
This summer, blockbusters The Flash and Indiana Jones: The Dial of Destiny see the titular heroes chase nefarious villains along the streets of Glasgow. While the highly anticipated, Mission Impossible: Dead Reckoning Part 1 has seen incredible action scenes shot around the UK – including a train crashing into a quarry at Stoney Middleton. With a Rabbie’s private tour, guests can design an exclusive, personalised tour to visit the worlds of their favourite franchises.
Described as ‘perfectly cast’ as Gotham, Glasgow features prominently in an opening chase scene from The Flash where the hero and Batman pursue several villains. Design a tour following in their tracks along George Square before exploring other iconic DC locations across Scotland – like the Glasgow Necropolis, Cathedral and Bridge of Sighs from The Batman (2022) and the beautiful Caringorms as seen in the opening plane scene from The Dark Knight Rises.
Indiana Jones is famed for his continental adventures, but Scotland features heavily in this summer’s Indiana Jones and the Dial of Destiny. Follow the intrepid archaeologist’s chase down the iconic St. Vincent Street in central Glasgow, before journeying south to the Leaderfoot Viaduct in Melrose where an intense action scene is rumoured to take place.
Mission Impossible: Dead Reckoning Part 1 is one of this year’s most hotly anticipated films. Shot across the UK, action star Tom Cruise left a trail of excitement and debris in his wake. Journey to Lewisham to see where Cruise ran on top of a train in an exhilarating sequence, before visiting Stoney Middleton, where the hero witnessed a train crash into a quarry.
See the spot in the Lake District where Cruise attempted a daredevil parachute jump from a helicopter and visit the centre of London to follow the chase scene which was a highlight of the previous instalment, Mission Impossible: Fallout (and from which Cruise famously broke his ankle).
Rabbie’s UK and Ireland tours depart from Edinburgh, Glasgow, Inverness, Aberdeen, London, Manchester, Bristol, Belfast and Dublin.
For more information about Rabbie’s and to book a private or a scheduled tour, visit www.rabbies.com.
Full programme announced of 24 new feature films, 5 retrospective titles, 5 short film programmes, and an outdoor screening weekend including 7 further features in a six-day celebration of bold and eclectic cinema at the heart of the world’s biggest celebration of arts.
Complementing the previously announced Opening Night film ‘Silent Roar’, the Festival presents a selection rich with new voices. Amongst the festival’s 11 debut features, the Festival is delighted to champion a new generation of UK talent.
Scottish productions include 5 feature films and 19 short films, including the World Premiere presentations of six freshly commissioned documentaries in the Bridging The Gap Documentary Short Films programme.
Closing Night film ‘Fremont’ caps an international selection that includes work from celebrated arthouse directors Kelly Reichardt, Ira Sachs, Cauleen Smith, and Christian Petzold, and showcases enticing work from Argentina, Brazil, China, Denmark, France, Germany, Hong Kong, India, Japan, South Korea, and the United States.
American independent cinema is celebrated in a retrospective of four films made by rebellious filmmaking voices in the 1980s and 1990s, while Shane Meadows’ ‘Dead Man’s Shoes’, which had its World Premiere at EIFF in 2004, is given a Retrospective Gala presentation.
Five feature films will be presented as World Premieres, and the Festival also sees the launch of The Lynda Myles Project, including a discussion event on the living legacy of Myles’ contributions to film culture, and a special work-in-progress preview of new documentary, ‘The Lynda Myles Project: A Manifesto’.
Placing an emphasis on deeper engagement for audiences, Encounters is a new series of discussion events place dialogue at the centre of the Festival and positioning cinema in conversation with other artforms.
Themes across the film programme include: incisive works of non-fiction activism; films making thrilling use of genre to explore social, sexual and psychological issues; films made by artists; LGBTQIA+ stories; a lip-smacking selection of animation; and category-defying films that are just damn stylish and entertaining.
Listings will go live on the EIF website from 10am on Thursday 6 July with tickets going on sale midday on Friday 7 July viahttps://www.eif.co.uk/edfilmfest
Edinburgh International Film Festival (EIFF), which this year is hosted by Edinburgh International Festival, has today announced the programme for its special 2023 edition.
The hand-picked programme celebrates the work of exceptional local and global filmmakers ensuring the flame of independent cinema burns bright for future generations of passionate film fans.
EIFF is pleased to be working with its cinema venue partners Vue Edinburgh Omni and Everyman Edinburgh at the St James Quarter, while the Old College Quad at the University of Edinburgh is the beautiful setting for a weekend of outdoor screenings, Cinema Under the Stars, offering audiences a welcoming selection of films set to make the heart sing.
This year’s Edinburgh International Film Festival programme has been brought together by a team of programmers led by Kate Taylor, Programme Director of the Festival, including feature film programmers Rafa Sales Ross and Anna Bogutskaya, and short film programmers Abigail Addison, Lydia Beilby and Holly Daniel. Alongside Taylor, the EIFF Team is led by Executive Producer Tamara Van Strijthem and Festival Producer Emma Boa.
EIFF is supported by Screen Scotland, and enhanced engagement activities are supported by the Scottish Government’s Festivals Expo Fund alongside the PLaCE Programme (a partnership between the Scottish Government, City of Edinburgh Council and the Edinburgh Festivals).
Kate Taylor, Programme Director, Edinburgh International Film Festival, said: “With this year’s vivid film selection the EIFF programme team has favoured the bold, drawn to filmmakers with searching perspectives and style to burn.
“Designed for an eclectic spectrum of film fans, and defined by a love of independent cinema, this compact programme shines a light on new talent, and offers a smashing six-day journey for the EIFF’s passionate audiences.”
Isabel Davis, Executive Director of Screen Scotland said: “EIFF has put exceptional debut filmmakers front and centre, from Johnny Barrington’s Silent Roar, Rodger Griffiths’ Kill’, to Ella Glendining’s Is There Anybody Out There? alongside an impeccable curation of internationally acclaimed work.
“The infectious energy of Edinburgh in August is palpable in the EIFF team and we’re excited for audiences to discover this year’s wonderful programme.”
Francesca Hegyi, Chief Executive, Edinburgh International Festival, said: “A festival is a gathering of perspectives in a moment in time that reflect the world around us.
“This year, the Edinburgh International Festival is proud to host the return of this forward-looking programme from the Edinburgh International Film Festival, and support these moments of curiosity and connection that imbue our festival city each August.”
Culture Secretary Angus Robertson said: ““I’m delighted to see so much Scottish and international film talent represented in this year’s Edinburgh International Film Festival programme.
“The Scottish Government is proud to support the festival with £155,000 from the PLaCE Fund – run jointly with the City of Edinburgh Council – and £59,000 from our Expo Fund. They both support Scottish talent development particularly emerging film programmers and mid-career writers in the case of our Expo Fund.”
Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August 2023.
All tickets for Edinburgh International Film Festival go on sale at midday on 7 July via eif.co.uk/edfilmfest
Edinburgh International Film Festival (EIFF) which this year is hosted by Edinburgh International Festival, is delighted to announce that the Festival will open on Friday 18 August 2023 with the world premiere of Silent Roar, the debut feature from Scottish writer and director Johnny Barrington.
A teenage tale of surfing, sex and hellfire set in Scotland’s Outer Hebrides, Silent Roarstars newcomer Louis McCartney as Dondo, a young surfer struggling to accept his father’s recent disappearance at sea. Caught up in grief, he is brought to his senses by rebellious crush Sas (Ella Lily Hyland), a high achiever who dreams of escaping the island. When an oddly-behaved new minister arrives on the island, Dondo begins to have cosmic visions …
Silent Roar is the first feature film from BAFTA-nominated writer and director Johnny Barrington, and has been produced by Scottish producer Chris Young (The Inbetweeners Movie).
The film was shot in the beautiful surroundings of Uig, on the Isle of Lewis, and draws inspiration from Barrington’s teenage years on the Isle of Skye.
The cast includes Louis McCartney (Hope Street), Ella Lily Hyland (Fifteen Love), Mark Lockyer (Harry Potter and the Half-Blood Prince), Fiona Bell (The Nest, Shetland), Victoria Balnaves (Trust Me), Anders Hayward (Looted) and Chinenye Ezeudu (Sex Education).
Hosted by Edinburgh International Festival in 2023, Edinburgh International Film Festival will present a bold, hand-picked programme celebrating the work of exceptional local and global filmmakers and ensuring the flame of EIFF burns bright for future generations of passionate cinema fans.
Writer/Director of Silent Roar, Johnny Barrington has said:“I’m delighted for Silent Roar to have its world premiere at EIFF, and start its life from a festival and a city so close to my heart.
“The film is a fun ride into surfing, death and the cosmos and awkward high school memories from the 90’s. The shoot was the best time of my life, with the best cast and crew in the world sweating creative blood… (and partying hard at weekends – or so I have been told).
“What formed is a story well wadded with ineffable nonsense, tears and laughter. So, if you like staring into sea caves, the human soul and cement mixers, then you’ll love Silent Roar.”
Kate Taylor, Programme Director, Edinburgh International Film Festival, said: “Silent Roar is a very easy film to fall in love with. From the idiosyncratic charm of Louis McCartney’s performance, to Ella Lily Hyland’s turn as crisp-chomping cool girl Sas, to Hannah Peel’s soaring score, the film is infused with mystic charisma.
“Johnny Barrington renders the Hebridean landscape, shot on film, as something strange and elemental: a place where we can see transgressive explorations of mourning exist alongside witty forays into religion and teenage hormonal curiosity.
“Stylistically, Silent Roar is the kind of bold, vivid and highly absorbing cinema that EIFF wants to champion, and we can’t wait to give the film a beautiful launch into the world.”
Isabel Davis, Executive Director at Screen Scotland said: “It is so exciting that Johnny’s hotly anticipated debut feature will first meet its audience at Edinburgh.As one of Scotland’s most distinctive and beguiling new voices, it’s been a privilege to have supported his creative journey.”
Silent Roar was made with the participation of Screen Scotland, BBC Films, and BFI.
Edinburgh International Film Festival 2023 programme including participating film festival venue information launches on Thursday 6 July 2023.
Edinburgh International Film Festival runs from Friday 18 to Wednesday 23 August 2023.
All tickets for Edinburgh International Film Festival go on sale at midday on 7 July via eif.co.uk/edfilmfest
Sign up for all the latest EIFF news on the newsletter here.
TICKETS REDUCED TO £3 FOR ALL FILMS, ALL DAY, ONLY IN IMAX
OFFER VALID ACROSS ALL 27 IMAX CINEMA SITES IN THE UK & IRELAND
Cineworld, the UK’s leading cinema chain, will be holding its sixth annual IMAX Film Fest on Saturday 22nd April 2023.
To celebrate the world’s most immersive viewing experience, this exclusive one-day event will give movie buffs all across the country the opportunity to watch a film of their choice in IMAX for only £3.00 a ticket.
Cineworld is bringing back some of the biggest blockbusters from the last year including: Avatar: The Way of Water, Top Gun: Maverick, Academy Award Best Picture-winning Everything Everywhere All at Once, and residents can also exclusively catch Ponniyin Selvan: 1 on the day, one week ahead of its sequel release.
The festival will give guests the chance to experience the IMAX difference, with the clearest images on the largest screens and heart-pounding audio that puts you in the middle of the action.
Stuart Crane, VP of Film Cineworld Group, said: “We look forward to offering guests the chance to escape to other worlds in IMAX for only £3.
“Whether that’s immersing yourself with Avatar: The Way of Water or going Mach 10 and beyond with Top Gun: Maverick, the stunning images and powerful, heart-pounding audio in our IMAX auditoriums will give customers a chance to experience films to the fullest.
“There really is no better way to experience a blockbuster than with IMAX at Cineworld.”
David King, VP, Distribution EMEA & Film Development at IMAX: “We are delighted that Cineworld is hosting the IMAX film festival for the sixth year in a row to celebrate the world’s most immersive cinematic technology.
“With crystal clear life-like images and powerful audio to the highest quality, these auditoriums are made to bring the film to life and transport audiences into their favourite blockbusters – take advantage of the reduced rate while you can, you’re in for a treat!”
Tickets for this unforgettable experience can now be purchased from the Cineworld website or the Cineworld app.
Whitney Houston’s biopic “I Wanna Dance with Somebody” takes first place with over 2,5 billion streams
“Top Gun: Maverick” comes in second, while “Elvis” is third
“I Wanna Dance with Somebody” has the most popular soundtrack of 2022, a new study has revealed.
The study conducted by CasinoBonusCA analyzed 50 of the most popular movies of 2022 and compared their official soundtrack albums on Spotify, summing the streams for each song, to determine which soundtrack is the most popular of last year.
Whitney Houston’s biopic “I Wanna Dance with Somebody” is first, as the album got a total of 2.5 billion streams. The soundtrack is composed of 35 songs, including some of Houston’s most famous hits, such as “How Will I Know”, “Saving All My Love for You” and the song which gave the movie its name, which also has the most streams in the whole album – almost one billion.
Second on the list is “Top Gun: Maverick” with 1.4 billion streams overall. The highly anticipated sequel of the 1986 hit movie was released on May 27th, 2022, in North America, with its soundtrack dropping on Spotify in the same week.
The album includes original songs which quickly became popular, such as “I Ain’t Worried” by OneRepublic, which has 733 million streams alone.
Another biopic, “Elvis” comes in third place with 508 million streams. The album comprises 36 songs, among which there are covers of Presley’s songs, remixes and some original scores.
Further down on the list, “Don’t Worry Darling”, starring Harry Styles and Florence Pugh, is fourth with 407 million streams. The album contains only 13 songs but managed to be among the most listened of the year.
“Black Panther: Wakanda Forever” closes the top five with 382 million streams. The soundtrack comprises original songs by Ludwig Goransson, Rihanna, Burna Boy and more.
Top 10 most popular soundtracks 2022
Rank
Movie/Tv Show
Spotify album play count
1
Whitney Houston: I Wanna Dance with Somebody
2,530,000,000
2
Top Gun: Maverick
1,400,000,000
3
Elvis
508,000,000
4
Don’t Worry Darling
407,000,000
5
Black Panther: Wakanda Forever
382,000,000
6
Turning Red
184,000,000
7
Purple Hearts
179,000,000
8
Marry Me
147,000,000
9
Nope
67,794,980
10
Bullet Train
67,404,044
A spokesperson for CasinoBonusCA commented on the findings: “It is interesting to see the biopics of Whitney Houston and Elvis where the soundtrack is a foundational part of the movie, are next to “regular” movies, which had an original and fairly new soundtrack that was created and curated specifically for it.
“An example of this is Top Gun: Maverick, which includes original songs by OneRepublic and Lady Gaga, as well as Black Panther: Wakanda Forever, with features by Rihanna and Burna Boy”.
Wildscreen has announced the full programme for their upcoming two-day natural world storytelling film screening showcase, with tickets available for as little as £12.
Four-time Panda Award winning film, ‘My Garden of a Thousand Bees’, and an impressive list of Scottish artists and filmmakers complete the line up.
Additional networking opportunities will give delegates, both professionals and enthusiasts, a chance to connect with key players in the Scottish natural history TV and film industry.
Wildscreen, the leading conservation charity, has revealed the full line up for their two-day natural world storytelling film showcase, taking place at the Glasgow Science Centre on 18th-19th March, 2023, with tickets available for as little as £12.
‘My Garden of a Thousand Bees’, winner of the coveted Golden Panda Award at the 2022 Festival and Royal Television Society Programme Award 2023 nominee, joins the jam-packed agenda alongside other film screenings exploring the lives of some of nature’s most underrepresented and enduring stories.
The showcase will also feature talks and Q&A sessions from global filmmakers and conservationists, with a celebration of renowned and emerging Scottish talent speaking at the event.
New to the Glasgow Roadshow is ‘My Garden of a Thousand Bees’, winner of four Panda Awards AKA the Green Oscars and it has been recently nominated in the Science & The Natural World category at the Royal Television Society Programme Awards 2023.
Directed by acclaimed Bristol-based wildlife filmmaker Martin Dohrn, it explores the fascinating lives of bees living in his urban garden during lockdown. Following the screening, a Q&A, featuring two of the team who worked on the film – Glasgow-based music composer Fraser Purdie and Olivia Massey, will take place providing a chance to uncover the secrets behind this inspiring nature documentary.
The panel will also feature Jasmine Isa Qureshi, ambassador for the Bumble Bee Conservation Trust and will be chaired by Jackie Savery, Director and Founder of Glasgow production company Maramedia.
Other screening highlights, including ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’, allow attendees to experience the lives of the last wild cats on earth and the best-kept secrets in Europe’s wilderness. The Young Programmers Selection sees a carefully selected series of short films curated by local creative talent.
There will also be a collection of films exploring the latest efforts in ocean conservation featuring an expert panel, including Save our Seas’ Science Communicator, Dr. Isla Hodgson and Scottish Artivist, Rachel Brooks.
Lucie Muir, CEO of Wildscreen, said: “Glasgow has a long history as a hub for natural world storytelling and environmental action, as a previous European City of Culture and home to the recent COP26 conference.
“This Roadshow allows us to bring our selection of acclaimed films to Scotland, whilst giving a platform to local filmmaking talent. Delegates will get a chance to understand some of nature’s most fascinating stories at a time when climate action and conservation are most needed. If you have an interest in natural history, this is not one to miss.”
A separate networking drinks reception, at the Saramago Terrace Bar, CCA on Friday 17th March, will take place before the showcase, with opportunities to catch up with existing colleagues and make new connections in the natural world filmmaking industry. The Glasgow Roadshow is supported by the National Lottery through Screen Scotland, and it is sponsored by the Save our Seas Foundation.
Tickets are still available from as little as £12 with a variety of passes and concessions available to those seeking employment, in full-time education, registered disabled or over the age of 65. Free tickets and attendance support are available to local community groups working with underrepresented young people. Please do reach out to find out more.
Glasgow has been selected to host Wildscreen’s two day film screening and networking event.
A brand new gathering for the city sees a clutch of screenings from Wildscreen Festival’s Official Selection 2022, including ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’.
The event is supported by the National Lottery through Screen Scotland and sponsored by Save our Seas Foundation.
Tickets are now on sale with both day and weekend passes available.
Returning to the city for the first time since 2016, Glasgow will host the first ever Wildscreen Roadshow event, a two day natural world storytelling film celebration. Taking place on 18th – 19th March at Tower North in the Glasgow Science Centre, the event has several film screenings, talks and Q&A sessions.
The films, from Wildscreen Festival’s Official Selection 2022, include ‘Panteras, Living Among Wild Cats’ and ‘Wild Romania’, as well as a series of three ocean films and the Young Programmers Selection. In addition, leading industry filmmakers and conservationists will be taking part in discussions and presentations, bringing global storytellers to Scotland.
Opening the event, which is supported by Screen Scotland, is the Wildscreen Festival Official Selection Programmer Prize Winner 2022 ‘Panteras, Living Among Wild Cats’, directed by Andoni Canela (Spain). It follows the renowned nature photographer and his son as they travel in search of the last wild cats on the planet. The full Saturday programme is set to be published in the coming weeks.
Sunday will begin with a series of ocean conservation films, including ‘CAUGHT’, directed by Emma Silverstone Segal (Canada) and ‘Whales in a Changing Ocean’, directed by Richard Sidey (New Zealand), followed by a Q&A with underwater filmmakers and marine conservationists.
The Young Programmers Selection will feature a carefully selected collection of short films curated by young programmers. Closing the two-day event, ‘Wild Romania’, directed by Dan Dinu and Cosmin Dumitrache and Wildscreen Festival Official Selection Audience Award Winner 2022, will follow the four seasons of the year to unveil the best kept secrets of Europe’s wilderness.
Gail Robertson, Screen Education Officer at Creative Scotland: “This event addresses a continued and vital need to provide young people with an opportunity to engage with climate change issues, natural filmmaking, and the screen industry.
“We hope it encourages their future involvement in all these arenas and tells them that their presence and voices in this area are not just welcome, but a necessity.”
Lucie Muir, CEO of Wildscreen, said: “Following our most successful festival to date alongside the launch of our Global Hubs in 2022, our Glasgow Roadshow will help us to further the crucial discussions around natural world storytelling. We must bring filmmaking into cities where people perhaps feel more of a disconnection from wildlife but still have a curiosity about nature.
“As the planet and biodiversity face increasing threats from climate change, our showcase will help to highlight some of the most underrepresented stories and voices from across the world whilst inspiring those in Glasgow and across Scotland to find their own stories closer to home. The time for action is now and we invite you to join us next month in what is our first of many Roadshows.”
Glasgow was chosen to host the showcase as it is considered the home of natural history in Scotland, with leading television and film production companies, including Maramedia and Hello Halo, also based in the city. As a previous European City of Culture, it has a long heritage and history with arts, creativity and storytelling.
Tickets are now on sale from as little as £12 with a variety of passes and concessions available to those seeking employment, in full-time education, registered disabled or over the age of 65.
The event is supported by the National Lottery through Screen Scotland, who is providing funding specifically to help underrepresented young people in the area, and it is sponsored by Save our Seas Foundation.
Whether you’re looking for the perfect gift for that someone special, or you’re planning the ultimate date night, St James Quarter is your go to destination.
From heavenly scents at H Beauty, champagne truffles from Hotel Chocolat, jewellery to treasure at Beaverbrooks, premium beauty at Rituals and Aesop, luxury leather goods at Coach and Kate Spade, stylish homewares at John Lewis and new season fashions at Boss and Zara – there’s plenty of gift ideas that are sure to put you in your Valentine’s good books!
If it’s a memorable date night you’re after, you’ll be spoilt for choice with an array of enticing eating and drinking destinations. There are creative cocktails in The Alchemist, authentic Mediterranean sharing platters at The Real Greek and mouth-watering burgers at Gordon Ramsay’s Street Burger.
For the early birds out there, EL&N are pulling out all the stops, providing the ideal date day with Insta-worthy shimmering mocktails and ruby pink hot chocolates, perfect for Cupid himself, alongside delicious cakes coated in lashings of heavenly buttered cream.
Guests looking to celebrate in style can visit Everyman Cinema to enjoy a first-class movie going experience and cosy up on a comfortable love seat. Those wanting to indulge in a little luxury can visit acclaimed restaurant Duck & Waffle to enjoy a specially curated Valentine’s Day set menu with champagne on arrival, snacks for the table, a choice of specially created dishes and delightful pink truffles to finish.
As part of St James Quarter’s Valentine’s celebrations, from Thursday, 9th February, guests are invited to visit the ‘Crazy in Love’ booth on Level 2, outside John Lewis, to record a video reciting the craziest thing they did for love to be in with a chance of winning an incredible date night experience at St James Quarter; to be enjoyed with your Valentine, Galentine, best buddy or favourite family member – the choice is yours!
On 11th and 14th February, St James Quarter will be sharing its own tokens of affection with guests by giving away a limited number of beautiful fresh red roses to celebrate Valentine’s Day. Those who are lucky enough to get their hands on one of these beautiful blooms will also be in with a chance to win a £50 gift card through an exclusive prize draw, redeemable at The Quarter.
Are you #CrazyInLove #LoveAroundTheQuarter
Nick Peel, Managing Director at St James Quarter, said: “Love is truly around The Quarter this Spring. Whether you’re looking to treat yourself or your significant other this Valentine’s Day, St James Quarter is the go to destination for that perfect gift or date night with a difference.
“We are looking forward to hearing all the crazy in love stories and are inviting guests to vote for the winner via our YouTube channel.”
Valentine’s day activities and retailer events will be taking place at St James Quarter from 9th – 14th February.
The Dr. Seuss classic Grinch is the UK’s most popular Christmas jumper inspired by a Christmas movie
Die Hard is the second most popular Christmas jumper
Home Alone and Gremlins are 3rd and 4th most popular Christmas movie jumpers.
A new study reveals the most popular Christmas jumpers inspired by Christmas movies, with jumpers themed from Dr. Seuss’ The Grinch being the most popular.
The research conducted byBoohoo analysed the monthly UK search volume for the Christmas movie-themed clothing to establish which Christmas jumper is the most sought-after this festive season.
(1) The Grinch
The most popular Christmas jumper is none other than Dr. Seuss’ The Grinch. Searches for the term ‘Grinch Christmas jumper’ average 4,700 times per month in the United Kingdom, proving how much fans are willing to be seen wearing a Grinch-themed jumper.
The Grinch first hit screens as a TV special on CBS in December 1966, which featured the green cartoon storybook character causing mayhem in the world of Whoville. Then, in the year 2000, Jim Carrey took on the role of the Grinch and brought Whoville to the big screens in How the Grinch Stole Christmas. The most recent film within the Grinch franchise, The Grinch, was released in 2018 as an animated adaptation of the Christmas classic.
(2) Die Hard
The second most popular Christmas movie jumper is worn by Karl Vreski, portrayed by Alexander Godunov, in Die Hard. Karl is the film’s main antagonist’s right-hand man and the only character not killed by John McClane (Bruce Willis) in the movie. The Christmas jumper in question is a grey knitted number with ‘Now I Have a Machine Gun – HO HO HO’ written on the front, paired with a Santa hat.
Searches for ‘Die Hard Christmas jumper’ receive 2,400 searches per month, on average. Many speculate whether Die Hard is a Christmas movie due to its action/thriller genre, which caused the writer to note that the film is set at a Christmas party during the holidays and features many Christmas songs, meaning it is a Christmas film.
(3) Home Alone
The 1990 classic Home Alone places third in the rankings, which features a young Kevin McCallister (Macaulay Culkin) who is accidentally left home alone at Christmas time and faced with scaring off two burglars from breaking into his house.
During the film, Kevin looks cosy in a few different winter knits, but the most iconic is the heathered red knit that surprisingly can hold his entire weight when he is hung on a coat hook. Despite the red knit not being the craziest of prints, it hasn’t stopped film fans from wanting to get their hands on a Home-Alone themed jumper for themselves.
Searches for ‘Home Alone Christmas Jumper’ average 1,600 searches per month in the UK.
(4) Gremlins
Fourth place in the rankings goes to Gremlins, released in 1984 and follows the shenanigans and destruction forced upon the small town of Kingston Falls, by a horde of mischievous monsters. The comedy-horror, written by Home Alone director Chris Columbus, is an unusual tale for a Christmas movie but presents some of the most valued messages common in holiday films, such as the importance of loyalty and kindness.
Searches for ‘Gremlins Christmas Jumper’ average 1,000 searches per month in the UK, proving just how popular the miniature furry beasts are and how much fans want to rock a green Gremlin-themed jumper.
(5) Arthur Christmas
The 2011 animated family-adventure film Arthur Christmas places fifth in the rankings and is undoubtedly a film for all ages. The film’s overall premise is to answer the most important question of them all: how does Santa deliver everyone’s presents in one night? The film’s budget is estimated to have been $100 million (£81 million) and ended up seeing $147 million (£120 million) worldwide gross.
Searches for ‘Arthur Christmas Jumper’ average around 750 searches per month in the UK; despite the show being an animated film, the main character Arthur (James McAvoy), rocks some festive and colourful jumpers throughout the film.
A spokesperson from Boohoo commented on the findings: “Christmas movies are the ultimate way to get into the Christmas spirit.
“With office parties, family photos and Christmas jumper competitions taking over this time of year, it is exciting to see just how many of our most iconic and beloved films influence our Christmas wardrobes and how many people want to get their hands on a festive-themed jumper”.
New data has predicted that Kevin McCallister would have racked up a £66.19 (or $80.65) energy bill in his three days Home Alone if the film was set in 2022.
Although it was released 32 years ago, in many ways, Home Alone is a timeless classic. However, if you’ve started your Christmas movie marathon already this year, you may be shocked by the HUGE amount of electricity that young Kevin McCallister uses in his time ‘Home Alone’.
In light of the cost of living crisis, researchers at interiors brand, Bobbi Beck, have analysed the film to estimate how much money Kevin’s escapades would cost his parents if the film was set in the modern day:
The Bill
Researchers calculated that Kevin McCallister would have used at least 472.22kwh of energy in his three days left Home Alone. Based on the average residential electricity rate in his hometown of Chicago (Source: EnergyBot), Bobbi Beck predicts that Kevin’s energy bill would be AT LEAST $80.65 (or £66.19).
For context, in the UK, the average daily energy bill is around £2.70 (Source: Uswitch).
It is estimated that Kevin would have spent almost FIVE TIMES more than the average in his local area of Chicago, where the typical daily energy bill is $4.57 (Source: Energy Sage).
The Setup
How did Kevin rack up such a huge energy bill? We know that Kevin is alone for a total of three days (Source: IMDB) in a huge Chicago house, with six bedrooms and six baths (Source: Zillow). The house is apparently 4,243 square feet on a lot over half an acre in size (Source: Realtor).
Kevin uses a lot of electricity in his various schemes, from heating up the doorknob with an electric barbeque lighter to using a record player and toy train track to mimic a party.
However, the most significant energy usage comes from the lights, both indoors and outside. During the infamous booby trap scene, we can see that every single light is on, but Kevin does turn them off when he leaves for church (Source: Youtube).
To calculate Kevin’s energy bill, Bobbi Beck investigated three areas of electricity usage: outdoor lights, indoor lights and TV use.
Outdoor Lights
The data estimates that Kevin would have used £7.57 (or $9.22) on outdoor lighting alone if the film was set in 2022. With each side of the house stretching around 20 meters, around 10 sets of lights would be required, guzzling an estimated 54kwh for the three days (Source: Simply LED).
Indoor Lights
Kevin spent an estimated £58.59 (or $71.39) on indoor lighting. Researchers calculated that his home is 2.49 times bigger than an average U.S. house, meaning that they would have an estimated 99.60 lights inside (Source: Visual Capitalist).
The lights are likely to be an older, less energy-efficient model, most likely 100W in the estimation of Bobbi Beck’s researchers. They use 0.1kw an hour (Source: Ideal Home) and, because an average eight-year-old boy sleeps for around 10 hours (Source: Sleep Foundation), the lights would be on for roughly 42 hours. Therefore, Kevin would use 418kwh on indoor lights.
TV Use
Although it’s only a minor cost, researchers also uncovered that Kevin would have spent just 3p (or 4¢) on TV use. One of the most memorable Home Alone scenes sees Kevin watching a gangster film. He has a TV that is typically less energy efficient than a plasma and uses about 100 Watts of electricity (Source: Scientific American). An average film lasts 2 hours and 10 minutes (Source: Statista), so the gangster film alone would use up 0.217kwh.
James Mellan-Matulewicz, CEO of luxury wallpaper brand Bobbi Beck commented: “Most of us are currently feeling the impact of the cost of living crisis, with energy costs and food prices soaring. Not only does this impact our day-to-day finances, but it can also change our perspective on things – and Christmas movies are no exception …
“Home Alone is arguably the best Christmas movie of all time, particularly well known for its spectacular festive interiors. But when watching the film back, the amount of electricity that Kevin uses is really shocking! That’s why we wanted to crunch the numbers to find out just how much money he would have cost his parents in his three days of chaos.”
“We investigated Kevin’s lighting and TV usage to find that his energy bill would have been at least $80.65 for three days – that’s £66.19 in pounds. His TV use only cost a measly 3p, whereas his indoor lights have racked up a £58.59 bill. Given the average daily electricity bill in the UK is £2.70, it’s really shocking to see how much energy he used!”
These calculations were released by luxury, sustainable wallpaper brand Bobbi Beck, which provides a number of wallpaper designs to suit a range of tastes and personalities.
