This week, storytellers and audiences are invited to gather at the Tree of Memory in the Storytelling Centre to hear stories of our great tradition bearers, and add a leaf to honour their elders and celebrate their own memories of lives well lived.
The Tree of Memory by artist Katie Warner is created from willow and forms the centrepiece to four Tree of Memory events during this year’s Scottish International Storytelling Festival:
Mon 28 Oct, 4pm
Edinburgh-based storyteller Claire McNicol hosts a celebration of Irish and Scots storyteller Audrey Parks who has been described as the founding mother and grandmother of Scotland’s storytelling renaissance.
Tues 29 Oct, 4pm
Liz Tulloch hosts a celebration of her father, well-known Shetland storyteller Lawrence Tulloch who was a familiar voice on BBC Radio Shetland and wrote for many magazines and newspapers.
Wed 30 Oct, 4pm
Storyteller Tim Porteous and Festival Director Donald Smith host a celebration of Edinburgh storytellers Jack Martin and John Fee.
Jack Martin who died in 2023, became a storyteller after a lifetime as an entertainer, puppeteer, and stand up comedian.
John Fee who died aged 80 was known as a master of storytelling and performed regularly at the Waverley Bar’s Guid Crack Club and on the Netherbow stage.
Thu 31st Oct, 4pm
Douglas Mackay hosts a celebration of David Campbell with a basket of blessings to all absent friends.
David Campbell is a writer, broadcaster, poet and an acclaimed international storyteller whose repertoire ranges from ancient Celtic epics of Ireland and Scotland through stories of adventure, romance, faith, love and quirky comic tales.
Donald Smith, Director of the Scottish International Storytelling Festival, said: “Stories are passed between the generations.Our Tree of Memory honours the elders – those who are preciously still with us, and those who have passed on.
“We invite everyone who wishes to honour a storyteller in their life to add a leaf to our Tree.”
The Scottish International Storytelling Festival runs until Thursday 31 October. 2024 marks the 35thanniversary of the festival and its packed programme of events take place in venues in Edinburgh and across Scotland thanks to support from the Scottish Government’s Festivals EXPO Fund and Creative Scotland.
For details of the full programme, visitsisf.org.uk
NHS Greater Glasgow and Clyde has received its 10,000th story on Care Opinion, the independent healthcare feedback platform.
Care Opinion is a national resource that gathers feedback anonymously and shares it with NHS services so they can pass on positive feedback and learn from any instances where levels of care may fall short of expectations.
Sandra Bustillo, Director of Communications and Public Engagement at NHS Greater Glasgow and Clyde who has executive responsibility for patient feedback and engagement, said: “Every day, staff throughout NHS Greater Glasgow and Clyde work hard to give the best possible care to our patients, and to support families and friends through what can be a very difficult time.
“Everyone at NHSGGC is very proud of the work we do and the care we give, and open and honest feedback is an important way for us to build on what works well and improve what could be better.
“Care Opinion, which is one of a number of ways feedback can be shared with NHSGGC, allows patients, or someone close to them to five anonymous feedback, and we would encourage people to use the service to give us their views on the care they or a loved one received.
“NHS Greater Glasgow and Clyde always endeavours to answer the feedback we receive, if that’s appropriate, and what is said will always be passed on to the relevant service so they can continue to improve the care they give.
“We are however delighted that more than 75 percent of the feedback we receive on Care Opinion is positive, which is due to work that NHSGGC staff day do every day to provide high quality, person-centred healthcare.
“We would like to thank patients and their families for their feedback, and all our staff for their continuing hard work and professionalism.”
Fraser Gilmore, Executive Director and Head of Care Opinion Scotland, added: “We are absolutely delighted to be celebrating with NHS Greater Glasgow and Clyde on being the first Scottish Health Board to receive their 10,000th story on Care Opinion from members of the public.
“This is testament to hard work of staff and services who truly believe in the power of public feedback in shaping service improvement.
“Care Opinion gives patients, relatives and carers the opportunity to share what was good and what could be improved, so services can learn from this feedback and make improvements for everyone.
“NHS Greater Glasgow and Clyde staff have responded to these stories more than 13,000 times, each time thanking authors for their gift of feedback and explaining how they are going to use the feedback to learn, grow and change.
“The number of stories shared about NHS Greater Glasgow and Clyde services has increased year on year, and in 2023/24, 78 per cent of all stories shared were completely positive and in total, all the stories shared about the board have been read more than 4 million times.
“NHS Greater Glasgow and Clyde has really shown how much it values proactively seeking feedback from patients, relatives and carers, in a way that is open, transparent and leads to learning and change.
“At Care Opinion we are delighted to have been part of the board’s journey to actively seek feedback from the public and we look forward to our continued collaboration.”
WISHING my CITIZEN friends and colleagues good luck as they take to the stage at Edinburgh International Book Festival this evening.
They will be reading their stories about the old Royal Infirmary in Edinburgh Futures Institute, which was built on the grounds of the old Royal off Lauriston Place.
In spring 2024 EIBF called for people from Edinburgh to submit stories about the former Royal Infirmary, to capture and honour the experiences and memories that people connect with the building’s previous life.
Tonight’s local writers readers will joined by special guest Lisa Williams to perform their work and commemorate the building’s rich history.
The event is free – well worth seeing if you can make it along!
Cottrell-Boyce pledges to address ‘invisible privilege and inequality’ within books and reading
Announces summit plans to ‘make people with power properly listen and take action’
Marks 25th anniversary of role as foremost representative of children’s literature
Frank Cottrell-Boyce, the multi award-winning author and screenwriter, has been crowned the Waterstones Children’s Laureate 2024 – 2026.
Cottrell-Boyce was presented with the bespoke silver Laureate medal by outgoing Waterstones Children’s Laureate, Joseph Coelho, at a ceremony held at Howard Assembly Room, Leeds.
For 25 years, the Waterstones Children’s Laureate has been the foremost representative of children’s literature, awarded biannually to a renowned writer or illustrator in recognition of exceptional talent.
Managed by BookTrust – the UK’s largest children’s reading charity – and sponsored by Waterstones, this prestigious role celebrates creativity and storytelling, promotes the vital importance of reading and children’s literature, and champions the right of every child to enjoy a lifetime enriched with books and stories. Each Laureate brings their own passion and creativity to their tenure.
Liverpool-based Frank Cottrell-Boyce is a multi-award-winning children’s author. Since his debut Millions won the CILIP Carnegie Medal (and was made into a film directed by Danny Boyle) he has penned a plethora of much-loved books including Chitty Chitty Bang Bang Flies Again (the official sequel commissioned by the Fleming Estate), Cosmic, Framed, The Astounding Broccoli Boy and Runaway Robot.
He is also a highly esteemed script and screenwriter, devising the London 2012 Olympics Opening Ceremony, co-writing the Platinum Jubilee Paddington sketch, alongside writing for Doctor Who, Goodbye Christopher Robin and most recently The Beautiful Game, starring Bill Nighy and Micheal Ward.
At yesterday’s ceremony, Cottrell-Boyce launched his Laureateship with a powerful speech declaring his ambitions for children’s books and the life-changing benefits of reading to be ‘taken seriously’.
He pledged to dedicate his two-year tenure to igniting a fierce national conversation about the role books and reading can play in transforming children’s lives, referencing the decades of compelling evidence showing that reading for pleasure is the single biggest factor impacting the life-chances of a child, as well as the ‘crisis point’ facing the millions of children now living in poverty, warning: ‘we risk losing a generation unless we act.’
This campaign – which is called Reading Rights: Books Build a Brighter Future– also includes plans for a national summit bringing together expert voices in the political, education, literacy and early years sectors.
Frank Cottrell-Boyce, Waterstones Children’s Laureate 2024–2026, added:“Our children are living through the aftermath of a series of crises, the pandemic, a series of wars and an unfolding environmental crisis.
“The only public conversation is about how we can make our children “catch up” – which seems to me a kind of code for forgetting this ever happened. None of us has the slightest idea about what the future now holds for them – but the one thing we do know is that they will need to know how to be happy.
“Every child has to have the opportunity to begin to build the apparatus of happiness within themselves.
“I will use my time as Waterstones Children’s Laureate to call for a reset in our attitude towards how we value children’s books and reading – to start this story again – and to campaign for the millions of children living in poverty to be given the same life-changing chances. To stand up for the children in this country and their Reading Rights.
“So, whoever wins Thursday’s election has a huge responsibility. Whoever we wake up to Friday morning, they have the power to make a revolutionary change in children’s lives.”
Diana Gerald, CEO at BookTrust, said:“Reading can help young children who missed out on critical development opportunities during the pandemic and who have fallen behind in terms of literacy, language development, and communication skills.
“It can help children overcome the consequences of rising levels of poverty and inequality, particularly if we read with them in their early years.
“The appointment of Frank as Children’s Laureate gives us a powerful advocate for the disadvantaged and vulnerable children and the transformative effect that reading can have on their lives.”
Kate Edwards, Chair of the Waterstones Children’s Laureate Steering Group and Chair of the Waterstones Children’s Laureate 2024-26 Judging Panel, said: “The Waterstones Children’s Laureate selection panel invites nominations from a range of organisations across the UK representing librarians, critics, writers, literature development workers and booksellers – on behalf of everyone, I extend Frank our warmest congratulations.
“We couldn’t be more thrilled to welcome Frank to this prestigious role as the Laureateship celebrates its 25th anniversary – not only does his wonderful writing entertain and inspire, but he has long been a passionate voice in the campaign for children’s books to be given the value and recognition that they deserve.
“Frank is a wonderful Laureate for these times and the Steering Group is looking forward to working with him over the next two years, helping to bring his vital plans and ambitions to life so that every child can enjoy a life rich in books and reading.”
Nick Campbell, Children’s Campaign Manager at Waterstones, said: ““On behalf of our booksellers, particularly our experts in children’s reading, we’re thrilled to welcome Frank Cottrell-Boyce to the role of Waterstones Children’s Laureate 2024-2026.
“In the twenty years since his debut novel, Frank’s work has been a cornerstone of our children’s sections, deploying his wit and genius for storytelling in celebration of young people’s imaginative potential.
“We are so pleased to support him as Laureate in championing those young people and the transformative power of reading.”
Interactive map launched to celebrate Billy Connolly
A BIG MAP FOR THE BIG YIN!
National Theatre of Scotland launches a new interactive map for Scotland to demonstrate its love for the Big Yin, inviting people to share their own Billy Connolly memories.
National Theatre of Scotland’s acclaimed, five-star, sell-out production, celebrating Scotland’s most loved comedian, Billy Connolly, returns to stages in 2024.
ABOUT THE BIG MAP FOR THE BIG YIN
Billy Connolly’s relationship with Scotland spans his extraordinary life and career over the last 80 years. The National Theatre of Scotland wants to create a map of all the places that have a personal connection to Billy, to help create a love letter from the people of Scotland to their favourite comedian. They are inviting people to share their knowledge of Billy, stories, memories and photos, to make a living tribute to The Big Yin.
Billy Connolly toured the folk clubs, the grand theatres and workings men’s clubs of Scotland from 1970’s, retiring from live performance in 2018.
Born at 69 Dover Street, Anderston, he worked the shipyards of Glasgow’s Clydeside in the 1960’s, before taking to the road with folk rock band The Humblebums.
He made his theatrical debut, in 1972 at the Cottage Theatre in Cumbernauld, ahead of performing in The Great Northern Welly Boot Show at the Edinburgh Festival Fringe, also that year.
Billy first established himself as a star, selling out a run and breaking box office records at Glasgow’s Pavilion Theatre in Jan/Feb 1974, returning to the theatre on many occasions.
In January 1994, he undertook a World Tour of Scotland on a Harley Davidson, taking him from Kelso to Kirkwall with a stop off at Eden Court, Inverness, broadcast on the BBC later in the year. His love affair with his native country, continued with his residence at Candacraig House, in Aberdeenshire.
Billy Connolly’s relationship with Scotland spans his extraordinary life and career over the last 80 years. The National Theatre of Scotland wants to create a map of all the places that have a personal connection to Billy, to help create a love letter from the people of Scotland to their favourite comedian. They are inviting people to share their knowledge of Billy, stories, memories and photos, to make a living tribute to The Big Yin.
Billy Connolly toured the folk clubs, the grand theatres and workings men’s clubs of Scotland from 1970’s, retiring from live performance in 2018.
Born at 69 Dover Street, Anderston, he worked the shipyards of Glasgow’s Clydeside in the 1960’s, before taking to the road with folk rock band The Humblebums.
He made his theatrical debut, in 1972 at the Cottage Theatre in Cumbernauld, ahead of performing in The Great Northern Welly Boot Show at the Edinburgh Festival Fringe, also that year.
Billy first established himself as a star, selling out a run and breaking box office records at Glasgow’s Pavilion Theatre in Jan/Feb 1974, returning to the theatre on many occasions.
In January 1994, he undertook a World Tour of Scotland on a Harley Davidson, taking him from Kelso to Kirkwall with a stop off at Eden Court, Inverness, broadcast on the BBC later in the year. His love affair with his native country, continued with his residence at Candacraig House, in Aberdeenshire.
Gary McNair – writer and performer of Dear Billy said: “I’m delighted we are launching the Big Map for the Big Yin where people can pin their own stories and connections to Billy. As we learned when interviewing people to make this show- everyone has something to say about Billy, whether that’s a memorable meeting or a connection to his work.
“The great thing about the Big Map is that there is a space where people can continue to share and hopefully build an interactive document about what he means to us all.
“I’m beyond giddy to be bringing the show Dear Billy back so soon after it’s tour last year. It is a genuine honour to have been trusted to make this show, Billy is so important to so many people that it was so well received was a dream come true.
“I can’t wait to get back on the road with the band and meet new amazing audience.”
ABOUT THE SHOW
National Theatre of Scotland presents
DEAR BILLY
A Love Letter to the Big Yin From the People of Scotland
Written and performed by Gary McNair, Directed by Joe Douglas
Music performed and composed by Simon Liddell and Jill O’Sullivan, Set and Costume designed by Claire Halleran, Lighting design by Kate Bonney and Simon Hayes, dramaturgy by Joe Douglas.
Touring Scotland and England in May followed by a run at Edinburgh Festival Fringe in August 2024
Opening at His Majesty’s Theatre, Aberdeen then touring to Pavilion Theatre, Glasgow; and Eden Court, Inverness.
Followed by a two-week run at the Assembly Rooms as part of the Assembly Festival programme for the Edinburgh Festival Fringe 2024.
“Vivid, funny and poignant.” ★★★★★ The Guardian
“A gloriously masterful 90 minutes of theatre.” ★★★★★ The Telegraph
In 2023 National Theatre of Scotland’s production of Dear Billy undertook a 17 venue Scotland-wide tour, reaching over 8000 people.
Originally announced to mark Billy Connolly’s 80th birthday year, the production was enthusiastically received by audiences, selling-out at venues across Scotland, garnering a wealth of positive reviews and due to popular demand is now back on tour again in 2024.
“If you want to know about Billy Connolly, ask the people of Scotland. If you want to know about the people of Scotland, ask them about Billy Connolly.”
Billy Connolly needs no introduction. He is a national treasure. From the shipyards of the Clydeside to his trailblazing and extraordinary stage and movie exploits, he is woven into Scottish culture.
Everyone has a Billy story. An expert team of story gatherers has created a collection of these moving and hilarious tales. Gary McNair, one of Scotland’s most renowned theatre-makers, has turned these stories into a special show celebrating the Big Yin and what he means to the people of Scotland.
The production will tour in May 2024, opening at His Majesty’s Theatre, Aberdeen before touring to Pavilion Theatre, Glasgow and Eden Court in Inverness with a two-week run at the Edinburgh Festival Fringe in August 2024.
Dear Billy is a unique touring production that evolved on the road. It travelled the length and breadth of Scotland in 2023, visiting local theatres, arts and community centres gathering stories along the way which were woven into the show as the tour progressed.
Gary McNair is hitting the road once more with two musicians. Audience members are welcomed to share their own Billy stories, with the possibility of those stories making it into the performance. Each show offers a unique chance for audiences to laugh, sing, and celebrate the man and the legend.
“The perfect tribute to a man who has left his gloriously indelible mark, not only on the art of stand-up comedy, but on the culture of Scotland.” The National
“What emerges is a brilliant portrait not only of the Big Yin as others see him, but of his importance as a cultural touchstone to many Scots” ★★★★, The Times
Dear Billy is written and performed by leading Scottish theatre-maker Gary McNair whose recent work includes the acclaimed Nae Expectations, a fresh take on the Dickens classic for the Tron Theatre; Ugly! A Cinderella Story for Cumbernauld Theatre Company and a new adaptation of Robert Louis Stevenson’s Jekyll and Hyde featuring a solo performance from Forbes Masson which opened at the Royal Lyceum Theatre, Edinburgh in January 2024 before touring.
The production is directed by Joe Douglas whose work for National Theatre of Scotland includes The Cheviot, The Stag and the Black, Black Oil, Dear Scotland and Associate Director for Black Watch. Joe previously collaborated with Gary on McGonagall’s Chronicles (Which Will Be Remembered for a Very Long Time).
Musicians re-joining Gary on the road are Simon Liddell whose work for theatre includes The Domestic (Scenes for Survival/National Theatre of Scotland) and McGonagall’s Chronicles (Which Will Be Remembered for a Very Long Time) and Jill O’Sullivan who writes and performs across the worlds of popular music, theatre and dance.
“A vivid, charismatic piece of theatre.” ★★★★★ The Skinny
Billy Connolly, or, the Big Yin, whom this show is dedicated to, is Scotland’s most beloved comedian, with an impressive career as a stand-up, actor, writer and musician spanning more than 50 years. In 2022, Connolly was awarded the BAFTA Fellowship for lifetime achievement.
Gary McNair is a Glasgow based writer and performer. He is a three-time Fringe First winner and has produced work for and with many of Scotland’s major theatre companies.
His plays have been translated and performed all over the world, from Germany to Japan, from New York to New Zealand. Gary’s work includes A Gambler’s Guide to Dying, Square Go (co-written with Kieran Hurley); McGonagall’s Chronicles Which Will Be Remembered for a Very Long Time, Donald Robertson Is Not a Stand-Up Comedian, After The Cuts, Letters to Morrissey and Locker Room Talk. These plays are published by Methuen.
Joe Douglas is a theatre director, playwright and performer.
Joe’s career began as Trainee Director at the National Theatre of Scotland from 2007 to 2008. He was the Artistic Director of Live Theatre from 2018 to 2020, and before that, Asspcoate Artistic Director of Dundee Rep and Co-Artistic Director of the Utter touring company. His work includes Clear White Light, Death of a Salesman, Spoiling, The BFG, George’s Marvellous Medicine, The Resistible Rise of Arturo Ui, Educating Ronnie, Letters Home, The Red Shed, Stand By and The Cheviot, the Stag and the Black, Black Oil.
Touring to His Majesty’s Theatre, Aberdeen (Thu 16-Sat 18 May); Pavilion Theatre, Glasgow (Wed 22-Sat 25 May); Eden Court, Inverness (Tue 28-Wed 29 May); Quays Theatre, The Lowry, Salford (Sat 1 June); Assembly Rooms,Edinburgh Festival Fringe (Tues 13 – Sun 25 August, no shows on Wednesdays)
On social: #DearBilly
Access: Theatre for a Fiver tickets available for under 26’s and those on Universal Credit
BSL interpreted, audio described and captioned performances full information here.
Edinburgh locals and those with a connection to the city are being invited to share stories and memories of the former Edinburgh Royal Infirmary, now redeveloped as the University of Edinburgh’s Edinburgh Futures Institute, as part of a new mass-participatory writing project at this year’s Edinburgh International Book Festival.
Celebrating the Book Festival’s move to its new home at EFI, Words from the Wards will see collected stories from both Edinburgh residents and those from further afield, shared as part of a programme of multi-artform events that will take place in the iconic Category A-listed building during the Festival in August.
The Old Royal Infirmary was central to the city’s life, with generations of Edinburgh residents and visitors passing through its doors, corridors and wards. With the 20,000m² space now transformed into a world-leading venue for collaboration, conversation, and creativity, Words from the Wards will allow the memories already created in the building – from new births and mourned passings to the careers of the doctors and nurses who worked there – to be celebrated.
Alongside the public submissions, Words from the Wards will also feature contributions from leading Edinburgh writers and artists, including Dr Gavin Francis, Michael Pederson, Hannah Lavery, Sara Sheridan, Lisa Williams and Kirstin Innes.
Submitted stories from the public will be published at the Book Festival’s ‘On the Road’ blog at www.ontheroad.edbookfest.co.uk, creating a time capsule of memories about the Old infirmary through the eyes of those who worked and visited there throughout the years.
A selection of the submitted stories will be read by their authors, alongside the professional writers, at special events on-site at EFI on one of the former hospital wards during the Festival.
During the Book Festival there will also be a tie-in with Edinburgh Futures Institute Culture and Community team’s ongoing Recycling a Hospital project, which will see a new object created from materials preserved from the building’s original interiors (floorboards and slates), and poetry written by community members, installed within the space. The object, called ‘The Spirit Case’, will become a hub for gathering further stories, with Book Festival visitors invited to engage with the existing stories and contribute their own reflections and memories of the building.
Noëlle Cobden, Communities Programme Director at Edinburgh International Book Festival, said: “We’re incredibly excited that the Book Festival’s new home is the Edinburgh Futures Institute – not just because of the visionary ideas and projects at its heart, but because of its building’s rich and meaningful history.
“The Old Royal Infirmary is where many local residents – and those now further afield – took their first breaths, and its walls have witnessed uncountable moments of hope, fear, joy, and grief.
“We want to capture and honour the experiences, relationships and memories that people connect with the building’s previous life, as the Book Festival becomes part of its future. We hope that as many people as possible will share their stories with us, as our fantastic associated writers will also do, and can’t wait to discover the hidden, personal histories which make this place so special.”
Writer Kirstin Innes said: “Like many, many people born in Edinburgh, I began in this building. Of course, I don’t remember that but I do remember being 19 and going back there, visiting my grandfather in the early stages of dementia, after he’d had a stroke.
“Thinking about this commission has already started conjuring scents and sounds – hospital bleach, my footsteps on the stone staircase, the scrape of a chair on aged linoleum. This place means so much to so many of us – it’s an honour to be asked to write something about it.”
Working with architecture firm Bennetts Associates, the University of Edinburgh has been transforming the iconic, category-A listed Old Royal Infirmary of Edinburgh into Edinburgh Futures Institute to develop a space for multidisciplinary collaboration, data-led innovation, education, research, and partnership.
The Edinburgh Futures Institute includes state-of-the-art teaching facilities, rooms for co-working with industry partners, incubation areas for businesses, labs for innovation and prototyping, and exhibition and performance spaces.
The revitalised building is transforming the local area, creating a major public piazza, new garden spaces, and several new points of access from Lauriston Place, Middle Meadow Walk and Quartermile – opening this historic site once again to the public and welcoming Edinburgh communities, residents and visitors, as well as University of Edinburgh staff and students.
The winners of the UK’s most successful children’s writing competition, 500 Words, have been unveiled on World Book Day® in a special episode of The One Show – 500 Words with The One Show – on BBC One and iPlayer.
From thousands of talented entries, six exceptional young authors who submitted their stories to the BBC’s 500 words competition were crowned last week at the Grand Final in Buckingham Palace, with their identities kept secret until the big reveal on today’s special edition of The One Show.
Her Majesty the Queen invited Romesh Ranganathan and a host of celebrity readers including Hugh Bonneville, Oti Mabuse, Luke Evans, Olivia Dean, Tom Hiddleston and star of Matilda, Alisha Weir, to Buckingham Palace for the final event which opened with a special performance of ‘Pure Imagination’ from ‘Wonka’, courtesy of Warner Bros. Pictures, followed by ‘When I Grow Up’ performed by the West End cast of Matilda The Musical.
All the excitement from entire event, including all the live performances by celebrity readers of the winning stories, will be available to watch on CBBC at 4pm Friday 8 March.
Speaking at the Grand Final, Her Majesty The Queen said: “In the three years that we have been without this wonderful competition, I think we have realised how much we have missed it.
“Over the years, it has actually turned into half a billion words that have been written, typed, scribbled and tumbled onto thousands of pages by children across the UK, read by an army of volunteers and then sent to Oxford University Press to form the biggest collection of children’s writing in the world.
“That means that between you, you have created more than a million stories of thought-provoking adventure for future generations to study and enjoy. Thank you to everybody who has taken part in 500 Words – it is a huge pleasure to have you back.”
BBC Head of Education, Helen Foulkes said: “It’s incredible that we received almost 44,000 entries – the calibre of stories submitted this year have been exceptionally high.
“500 Words is all about encouraging children from across the UK to enjoy writing and let their imaginations run wild, without fear of spelling, punctuation or grammar. Our hope is that every child that entered continues to fall in love with writing.”
The six winners were chosen from two age group categories, ages 5-7 and 8-11 with each consisting of gold, silver and bronze awards.
500 Words Gold Winners
The GOLD Winner for 5-7 age group is Evan from London, his story, Message in a Bottle was read by singer Olivia Dean. Evan said: “I like writing descriptions, letters and diaries.”
The GOLD Winner for the 8-11 age group is Olive from London, her story, Cellmate was read by actor, Tom Hiddleston. Olive said: “It came from the depths of my brain, I never knew what was down there, now I do!”
500 Words Silver Winners
The SILVER Winner for the 5-7 age group is Clara from Leicestershire, her story, Pony With a Coat on – Solving Crimes was read by Matilda star, Alisha Weir.
The SILVER Winner for the 8-11 age group was Spencer from Glasgow, his story, The Scottish Gangsta was read by Hugh Bonneville.
500 Words Bronze Winners
The BRONZE Winner for the 5-7 age group was Henry from Oxfordshire, his story The Alien and the Purple Planet was read by Oti Mabuse.
The BRONZE Winner for the 8-11 age group was Aaron from Oxfordshire, his story A Very Important Lesson was read by actor and singer, Luke Evans.
The 500 Words judges included Sir Lenny Henry, Frank Cottrell-Boyce, Francesca Simon, Charlie Higson, and Malorie Blackman, who were chaired by BBC Breakfast’s Jon Kay.
Each of the finalist’s stories are available to read now on the BBC Teach website, alongside audio versions which have been voiced specially by BBC Radio Drama Actors
Strachan House Care Home in Blackhall have recently hosted an intergenerational playgroup for residents and members of the local community.
The home on Craigcrook Road recently welcomed the group from the local Cargilifield Nursery to enjoy some storytelling magic with the residents at the home.
The group of children and colleagues enjoyed a book reading of the Judith Kerr classic ‘The Tiger Who Came for Tea’ and the more recent story ‘Little Goose’s autumn’ before enjoying a series of games with our residents.
General Manager, Fran Fisher of Strachan House Care Home said: “We invited the group to the home as a way of promoting intergenerational links between our seniors and the children.
“The home had a lot of fun on the day, and they loved seeing our young visitors. If anyone ever wants to stop in for a lovely afternoon with your young ones, or just for a cuppa and a break, we’d love to have you join us.”
Strachan House Care Home is run by Barchester Healthcare, one of the UK’s largest care providers, which is committed to delivering personalised care across its care homes and hospitals.
Strachan House provides residential care, nursing care and dementia care for 83 residents from respite care to long term stays.
