Taylor Wessing Photographic Portrait Prize returns to the National Galleries of Scotland

Opening 17 June 2023  

Free 

National Galleries of Scotland: Portrait 

Capturing and sharing emotional, dramatic, or everyday moments in life is the magic of the Taylor Wessing Photographic Portrait Prize 2022.

A truly global affair, the prize celebrates the very best in contemporary photography, drawing on over 4000 entries from 62 countries. Featuring work by celebrated professionals and enthusiastic amateurs alike, the images selected for the exhibition each tell their own story.  

Organised by the National Portrait Gallery (London) and now in its sixteenth year of Taylor Wessing sponsorship, the Taylor Wessing Photographic Portrait Prize makes a welcome return to the National Galleries of Scotland this June for the first time in seven years.

Taylor Wessing Photographic Portrait Prize 2022 comes to Edinburgh in style Our wonderful model was Oskar Kirk Hansen AKA Mystika Glamoor. Neil Hanna www.neilhannaphotography.co.uk 07702 246823

With 51 portraits from 36 artists exhibited in the Portrait’s Robert Mapplethorpe Photography Gallery, this prestigious annual competition provides a vital platform for contemporary photographers; bringing the world as we know it, or perhaps don’t know it, to a multitude of audiences.

The Portrait is the only touring venue for the prize this year, offering Edinburgh locals and international visitors alike the only opportunity to see these remarkable works on display outside London.

This free exhibition, which has been generously supported thanks to funds raised by players of People’s Postcode Lottery, will also form a key part of the Edinburgh Art Festival; the UK’s largest festival dedicated to the visual arts.

This year’s prize-winning photographs examine a range of subjects – from queerness, transness and the concept of chosen family to socially distanced glimpses into daily lockdown life and identity and existence in former Soviet states.

The variety of themes explored throughout the exhibition is matched by the high-quality, contemporary portraiture that reflects the shifting world of today. Strength in diversity, pride in identity, wonder in the everyday, this exhibition highlights a shared human connection through the broad scope of humanity itself.

Visitors can expect a personal audience with well-known cultural figures, including renowned footballer and activist Marcus Rashford and popular star of Stranger Things Finn Wolfhard, along with discovering captivating moments in the more familiar of life’s pursuits. From the aspirational to the relatable, the finalists capture our rapidly changing world through their own individual lens.

The winner of the 2022 prize is Clémentine Schneidermann for the series Laundry Day.

The socially distanced portraits of the series were taken during times of quarantine, self-isolation, and national lockdowns. In the words of the artist, they ‘document micro events which deal with the passage of time through the small moments of our daily lives’.

Schneidermann’s portraits are close, but not too close, evoking the memory of socially distanced living, striving to seek pleasure in the mundane and monotonous and capturing small glimmers of light where possible; wholly relatable after enduring the collective experience of a global pandemic.

Interim Co-Director Collection & Research, National Galleries of Scotland, Anne Lyden said: “This is the first time since 2016 that the Portrait has hosted the Taylor Wessing Photographic Portrait Prize.

“It forms a central part of our summer exhibition programme, showcasing world class photography and documenting impactful moments and individuals. The prize provides a crucial platform to celebrate, question, and highlight cultural identity in many forms.

“I would like to extend my warmest congratulations to this year’s finalists, we are delighted to bring their work to the people of Scotland.”

Shane Gleghorn, Managing Partner at Taylor Wessing said: “Works and artists featured in the 2022 Taylor Wessing Photographic Portrait Prize were exceptional. We are delighted to see the prize returning to the National Galleries of Scotland, enabling this impressive collection of photographs to be viewed by the people of Scotland and its visitors.

“The prize has enabled artists across the world to use their talent and creativity to raise awareness in respect of a number of key issues and that makes for a powerful exhibition.” 

Director of the National Portrait Gallery, London, Dr Nicholas Cullinan said: “The entries to 2022’s Taylor Wessing Photographic Portrait Prize demonstrate the outstanding level at which photographers around the world are approaching the art of portraiture.

“The selected submissions are a remarkable collection of images that reflect the competition’s international reach and demonstrate an extraordinary variety of themes and styles within the parameters of photographic portraiture.” 

Laura Chow, Head of Charities at People’s Postcode Lottery, said: “We’re pleased to be supporting the National Galleries of Scotland as they celebrate the finest examples of contemporary photography.

“Players across Britain have raised over £1.1 billion for thousands of charities and local good causes, and are one of the biggest supporters of arts, culture, and heritage initiatives. We hope visitors make new discoveries and find this experience inspiring.” 

The Taylor Wessing Photographic Portrait Prize 2022 opened to the public on Saturday 17 June until Sunday 10 September at the Portrait. 

Video portrait of renowned human rights activist Sir Geoff Palmer enters the national collection

National Galleries of Scotland is delighted to have acquired a fascinating portrait of renowned human rights activist and scientist, Professor Sir Geoff Palmer, created by Scottish artist, Graham Fagen.

The contemporary video portrait is available to view for free at the Portrait Gallery in Edinburgh. Filmed in the building’s impressive Great Hall, the portrait is now on display in the ambulatory. In the compelling 19-minute video, Graham Fagen truly captures Sir Geoff’s story and spirit.  

Artist Fagen was inspired by Sir Geoff, after seeing and hearing him speak at public events. Sir Geoff’s warmth and compassion, while expressing his life experiences and views on contemporary Scotland and its historic relationship with the transatlantic slave trade, motivated Fagen to create a contemporary portrait that captured the sitter’s essence and personality. 

In this single channel video portrait, Fagen captures Sir Geoff talking about his life, from growing up in Jamaica, to becoming an esteemed academic in Edinburgh. We are shown close ups of a bracelet adorned with the Jamaican flag, which Sir Geoff wears proudly on his wrist showing his connection to his homeland.  

Fagen’s portrait breaks the boundaries of what we think of as traditional portraiture. He wanted to show how Sir Geoff can command our attention with his humility and consideration as he engages us in a brutal history with harsh truths.

Sir Geoff’s research experience as a life scientist enables him to evidence, in a matter-of-fact way, the truths of the history that connects Jamaica, the country of his birth, with Scotland, the country of his home, via the experience of the Windrush generation. By working in collaboration with Sir Geoff, Fagen has made a work that expands our perceptions and offers new thought and knowledge on the complexities of portraiture. 

From seeing and hearing Sir Geoff speak, Fagen wanted to capture his personality in the portrait – his voice; his autobiography, his thoughts, his hopes – as well as a likeness: his head, eyes, nose, ears and mouth. To bring the soundtrack to life Fagen worked with reggae musician Ghetto Priest, with whom he had previously collaborated on The Slave’s Lament.  

Sir Geoff Palmer OBE is a life-long human rights activist and historian of Scotland’s relations with the Caribbean. His story is a remarkable one. After leaving Jamaica for London in 1955 aged 14, he attended school in the city, eventually continuing his studies at Leicester, Edinburgh and Heriot-Watt universities.

As a scientist, his research at the Brewing Research Foundation from 1968–77 led to the discovery of the barley abrasion process – which makes the malting process more efficient. For this research, he was awarded the American Society of Brewing Chemists Award of Distinction in 1998. In 1989, Sir Geoff became the first Black university professor in Scotland.

He is the author of a critically acclaimed book, The Enlightenment Abolished: Citizens of Britishness, in which he argues for maintaining but reinterpreting public monuments associated with the transatlantic slave trade.  

Graham Fagen is one of the UK’s foremost contemporary artists. In video, performance, photography, sculpture and text, he creates works which explore how national and personal identity is created by, and is a response to, one’s cultural contexts. 

Although his works draw on varied references and embrace all manner of materials and media, they all, in some way, touch on the role of society, history and cultural turning points in the lives of both individuals and communities.

Whether made for a gallery or in the public realm, Fagen’s works are frequently developed over time, involving the collaboration and participation of others. Fagen’s points of departure include the history and effect of the transatlantic slave trade, the cultural influences of music, nature and the symbolic power of flowers, urban planning and regeneration.

Born in Glasgow, Fagen studied Sculpture at Glasgow School of Art from 1984-88, followed by Art and Architecture at Kent Institute of Art & Design from 1989-90. Alongside his own work, he is a Professor of Fine Art at Duncan of Jordanstone College of Art & Design.  

Exhibiting this portrait will enable a public sharing of the history, legacy and humanity of Sir Geoff’s human rights work. It will stand as a valuable marker and evidence of the contemporary relevance of the shared history between Scotland and the Caribbean.  

Graham Fagen said: “I was extremely honoured to work with Sir Geoff in order to make an artwork that shares his life and work.

“Geoff’s life is one that has profoundly influenced and shaped the world we live in today.” 

Professor Sir Geoff Palmer said: “We cannot change the past but we can change consequences such as racism for the better using education.

“I hope my portrait can help bring awareness to these matters.” 

Sir John Leighton, Director-General of National Galleries of Scotland said: “We are proud to display Graham’s wonderfully moving portrait of Sir Geoff Palmer.

“This work recognises Sir Geoff’s many achievements and is an important acquisition that we are delighted to welcome into Scotland’s national collection.” 

Pictures: NEIL HANNA

Photography project inspires West African women to tell their stories at the Scottish National Portrait Gallery

A mentorship programme at the National Galleries of Scotland (NGS) has given six West African women the opportunity to tell their unheard life stories through the medium of photography.

Charting their individual physical, mental and spiritual journeys, the photographs will be on display at the Scottish National Portrait Gallery until 8 January 2023.

Today (5 December), the mentees celebrated the publication of a brand-new book. Titled Putting Ourselves in the Picture, the book includes a compelling selection of their photographs created during the mentorship programme.

Designed to develop the skills and confidence of six women, the mentorship programme involved using photography as a means of storytelling, learning how to make photographs using cameras and experimenting with photographic techniques such as collage and photograms.

The weekly sessions were coordinated by workshop leader Sam Rutherford and photographer Wendy McMurdo along with Chief Curator Anne Lyden.

The group took part in a series of workshops held every Monday at North Edinburgh Arts in Autumn 2021. Working with guest facilitator, Morwenna Kearsley, they learned how to use their new DSLR cameras, which they continue to use in their photographic practice.

Now settled in Scotland and residents of North Edinburgh, the mentees who took part chose a subject close to their heart to capture on camera.

The diverse themes explored by the mentees include:

  • Lovelin’s battle with bureaucracy to obtain settled status in the UK.
  • Maureen’s adjustment to high-rise living and comparing her new life in Scotland to her home country, Nigeria.
  • Linda, from Ghana, examined the challenges she overcame in learning how to drive, which was essential for her independence in Scotland.
  • Grace, an Evangelist from Nigeria, captured her experience of preaching about Jesus in Edinburgh.
  • Nwanyi’s motivation and study toward the establishment of her law career in Scotland.
  • Hannah’s weight-loss journey through walking, which helped improve her mental wellbeing during the pandemic.

The photographs along with statements from each of the women are on display in the exhibition You Are Here.

NGS’ mentorship programme was part of a pioneering nationwide project, Putting Ourselves in the Picture. Led by Professor Anna Fox, director and founding member of Fast Forward: Women in Photography, the programme was funded by the Arts and Humanities Research Council, part of the UK Research Initiative. 

Putting Ourselves in the Picture is driven by women from communities around the UK. Alongside NGS, it has enabled several organisations—Impressions Gallery, Bradford; Autograph, London; Women for Refugee Women and WorkShowGrow to support marginalised women and non-binary individuals through the means of photography. The mentees were also the subjects of films and podcasts commissioned by Putting Ourselves in the Picture.

The new hardback publication Putting Ourselves in the Picture brings together photographs and creative writing produced by NGS’ mentorship group, alongside work created by sixteen other women working with our project partners across the UK. The powerful narratives and inspiring images that emerge from the pages of this book confront gender discrimination and the marginalisation of women in our societies. 

Running throughout 2022 at the Scottish National Portrait Gallery, You Are Here amplifies the ways in which communities can engage with art to benefit their health and wellbeing. Drawing upon collaborative projects between NGS and partner organisations across Scotland, identity and belonging are at the forefront of this exhibition.

Anna Fox said: “This is a storytelling project of immense value and importance. I am bowled over by the powerful stories on display at the Scottish National Portrait Gallery, which also feature in this new book.

“The wonderful book is the result of an 18 month-long project which saw five amazing partner organisations, a dozen photographers and educators, and 21 mentees, come together in collaboration.”

Anne Lyden said: “The mentees shared their experiences as African immigrants to Scotland with us, trusting us with their stories and offering insight into a vital community located in North Edinburgh.

“It is a huge privilege to celebrate the culmination of the mentorship programme today with Lovelin, Maureen, Linda, Grace, Nwanyi, and Hannah.”

PICTURES: Neil Hanna

Artists at Work 2: Exhibition celebrating talented colleagues at the National Galleries of Scotland

Artists at Work 2: Exhibition celebrating talented colleagues at the National Galleries of Scotland

‎29 Oct 2022—12 Feb 2023 
‎The Scottish National Portrait Gallery 
‎1 Queen Street, Edinburgh  
‎EH2 1JD| 0131 624 6200 |nationalgalleries.org|  
‎Admission Free

Artists at Work 2 showcases incredible artwork made by colleagues at the National Galleries of Scotland (NGS) in a group exhibition at the Scottish National Portrait Gallery.

The exhibition celebrates the creative talents of over 100 colleagues working across the entire organisation and runs until February 2023. It is a celebration of the passion and skill of a team charged with caring for and sharing the national art collection for the world.

The exhibition displays a wide range of artistic disciplines; from paintings, drawings, illustration and photography to sculpture and jewellery making; all created by, amongst others, gallery attendants, conservators and retail team workers and follows on from the success of the first Artists at Work  exhibition in 2018.

Artist at Work curators ran an open-call submission across the organisation earlier this year and were amazed at the response.

There are 121 artists exhibiting in the show with 157 works on display. Each artwork is supported with information labels that offer insight on the artist, their methods, process, and how their concept came about.

There was no prescriptive theme for the open call which allowed artists to choose art forms and concepts that are personal to their own artistic style and thematic objectives. Themes range from realism to surrealism, the natural world around us and some choose to celebrate topics such as gender and identity with their own personal inflections.

From self-portraits to local landscapes, photographic observations of lockdown life to interpretations of pop culture – Artists at Work 2 is a smorgasbord of artistic talent, colourful reflections, and thoughtful interpretations.

The curatorial team responsible for the exhibition are also exhibitors. The project leads were Darren Duddy and Victoria Gazeley with Aitor Moncho Tudanca (Visitor Assistant) and Silvia Baarlam (Gallery Attendant, Scottish National Portrait Gallery) working alongside them to coordinate the show.

NGS Gallery Shift Attendant, Victoria Gazeley who has co-curated and contributed to the exhibition, said: “We are thrilled to be hosting this exhibition at the Scottish National Portrait Gallery.

“The work on display represents the vast talents of National Galleries of Scotland colleagues and we’re delighted to offer a platform to spotlight this.

“Following on from the popularity of our first Artists at Work exhibition in 2018, we are looking to dazzle our audiences again in a gallery space that matches our growing ambitions. Many talented artists work across our organisation and this exhibition is a wonderful way to celebrate their creativity.”

Darren Duddy, Co-Curator and Conservation Technician at NGS, said: “A gallery is more than just a building and the artworks within. It is also about the people. This exhibition is a great opportunity to see what those of us who work, and volunteer here do in our free time.

“It is a difficult time for artists, and this is a great way for working artists to get their work seen in a national exhibition.”

The first Artists at Work exhibition was held in 2018 and excelled with 300,000 visitors seeing it.

We are delighted to be able to create another exhibition, this time moving from the Scottish National Gallery to the Scottish National Portrait Gallery, Photography Gallery where we have more designated space to display the fantastic works.

The exhibition is open to public from Sat 29 October in Gallery 13 (Robert Mapplethorpe Photography Gallery), Level 1 West, Scottish National Portrait Gallery.

Dare you enter … The Twilight Zone?

twilight zoneI’m writing to tell you about a programme at the Scottish National Portrait Gallery for after-school clubs and family groups called The Twilight Zone.  

Get the gallery to yourselves after-hours or come at the weekends and enjoy fun, interactive tours or creative workshops. Visits are free of charge to community groups.

Read all about it here:

www.nationalgalleries.org/TwilightZone

twilight

Meg Faragher

Families and Communities Learning Co-ordinator

National Galleries of Scotland

Scottish National Portrait Gallery

1 Queen Street, Edinburgh EH2 1JD 

Tel: 0131 624 6428

M: 07814751087

mfaragher@nationalgalleries.org