Tag: Scottish Ensemble

Scottish Ensemble announce 2024-25 season

Scottish Ensemble, a pioneering collective of musicians who champion music for strings, announces its 2024-25 season of events.

Exploring the power and breadth of musical experience, Scottish Ensemble’s 2024-25 season will take audiences on a bold adventure with new ideas and collaborations and the return of the ever-popular Concerts by Candlelight and Concerts for a Summer’s Night tours. 

Collaborating with creative minds to blur the boundaries between genres and artforms is a hallmark of Scottish Ensemble. In The Law of Gravity (February 2025 – Edinburgh, Dundee, Glasgow) Scottish Ensemble collaborate with master puppeteer Mark Down and his team at Blind Summit to explore what puppetry can reveal about music.

Performances of Schoenberg’s Transfigured Night and Philip Glass’ Symphony No. 3, will breathe life into the puppet, fleetingly revealing the composer’s intentions, ambitions and ideas. Blind Summit are a cohort of puppet makers and puppeteers, who have contributed to the creation of some of the most extraordinary spectacles of recent years: from the giant storybook characters in the opening ceremony of London’s 2012 Olympic Games to critically acclaimed productions of War Horse and Pinocchio. 

Following a memorable performance during Celtic Connections 2024, Donald Grant and Scottish Ensemble once again join forces to revel in the joy of making music together (April 2025 – Edinburgh, Inverness, Aberdeen, Findhorn). Featuring traditional and contemporary string music that bridges genres and tells of life in the Highlands, through Donald’s new work Thuit an Oidhche Oirnn (The Night Overtook Us). 

The 2024-25 season begins with Resound (September 2024 – Arran, Kirkcudbright, Perth, Mull, Seil, Glasgow), an intimate guided listening experience that journeys through five centuries of mind-expanding music.

Curated by Scottish Ensemble’s violist Andrew Berridge the works performed will explore how music can transport and inspire, lifting spirits and strengthening connections.

Music has the power to improve wellbeing and Resound complements Scottish Ensemble’s Music for Wellbeing programme. 2024-25 will see the continuation of a long-term partnership with Maggie’s,, whose centres support people who are affected by cancer, and further partnerships with schools across Scotland to support young people’s mental health. 

Scottish Ensemble has a proven track record of commissioning works from a new generation of composers – and during this year’s Concerts by Candlelight tour (December 2024 – Perth, Inverness, Aberdeen, Dundee, Edinburgh, Glasgow, Dunblane) performs the world premiere of a new work by Hannah Kendall.

Hannah’s music has been performed across the world, and she share’s Scottish Ensemble’s collaborative spirit, often working with visual artists, choreographers, and poets. This piece marks the second composition supported by Scottish Ensemble’s Calder Commissioning Fund, created through a transformative donation, made in memory of Scottish Ensemble’s late founder John Calder.  

Scottish Ensemble’s work with a new generation of musicians also continues with its Young Artists programme, in partnership with the Royal Conservatoire of Scotland. As well as supporting talented young string players through a week-long residency in January, selected Young Artists are offered the opportunity to join one of the ensemble’s Scottish tours as a performer in 2025. 

Singer and composer Héloïse Werner features as both soloist and composer in Concerts for a Summer’s Night (June 2025 – Perthshire, Strathpeffer, Aberdeen, Glasgow, Edinburgh, Dundee). Words and music will take flight in a vibrant end to the season in light-filled venues across Scotland. 

In addition, Scottish Ensemble head to London to perform at the opening weekend of the Southbank Centre’s 2024-25 classical season, with a dynamic programme, that includes Philip Glass’ meditative Symphony No. 3  and explores new musical paths and connections.  

in Sync, the acclaimed collaboration with MishMash Productions, also heads south with performances at the Southbank Centre and Nottingham. Further events in Scotland include a special project with Sonica at the Burrell Collection and a concert as part of RCS’s Fridays at One lunchtime series.                         

For full details visit https://scottishensemble.co.uk/whats-on/ 

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Scottish Ensemble announce Concerts for a Summer’s Night

Scottish Ensemble have built a devoted following for their Concerts by Candlelight in the Midwinter, and they now present a series of concerts revelling in the long days and abundance of natural light around the Summer Solstice.

Light-filled venues will resonate to the sounds of vibrant, uplifting music, performed with Scottish Ensemble’s characteristic zest and warmth.

From the 17th to the 21st of June, Concerts for a Summer’s Night will celebrate that magical juncture when daylight outlasts the night, filling the air with the promise of endless possibilities. Performances will take place in Rossie Byre in Perthshire, Strathpeffer Pavilion, Aberdeen Art Gallery, The National Museum of Scotland in Edinburgh and Glasgow’s Kelvingrove Art Gallery and Museum.

Audiences can expect a treat as the ensemble blend classical and contemporary works for string orchestra into a joyful sonic summer cocktail.

From familiar works by Elgar and Mendelssohn to the innovative sounds of Tunde Jegede and Sigur Rós, the programme promises to transport listeners through centuries and musical styles, focusing on themes of joy and connection.

The much-awaited second instalment of Glasgow-based composer David Fennessy’s two-part commission will also feature. Following the warmly received debut of RAIN I during Scottish Ensemble’s Concerts by Candlelight performances last December, this new piece promises to captivate and inspire.

Jonathan Morton, Artistic Director of Scottish Ensemble, said: “Following on from last year’s second and warmly received Concerts for a Summer’s Night, I am looking forward to the third edition!

“We hope these events will become – like Concerts by Candlelight in December – a regular and anticipated feature of our season.

“At this time of year, natural light is almost a constant, tempting us to spend more time outside and reconnect with the natural world as well as with each other.

“There is a unique kind of energy around the time of the summer solstice, and I hope that hearing live music in these light-filled venues will be a vibrant and memorable experience.”

Tickets range from £9 – £22.50 and are free for under 16s.

Tickets are available from:

 https://scottishensemble.co.uk/programme/2023-24/concerts-for-a-summers-night-2/

Listings information

Monday 17 June

Rossie Byre, Perthshire, 8pm

Tuesday 18 June

Strathpeffer Pavilion, Strathpeffer, 8pm

Wednesday 19 June

Aberdeen Art Gallery, 8pm

Thursday 20 June

The National Museum of Scotland, Edinburgh, 8pm

Friday 21 June

Kelvingrove Art Gallery, Glasgow, 8pm

Concerts for a Summer’s Night programme

Jörg Widmann 180 beats per minute

Tunde Jegede Dancing in the Spirit

Peter Sculthorpe Movement I from Jabiru Dreaming

Caroline Shaw Valencia

Sigur Rós arr. Guy Button Fljótavík

Felix Mendelssohn arr. Lynne Latham Movement I from Violin Concerto in E minor

Edward Elgar Movement II from Serenade for Strings

Ana Sokolović Innamorati from Commedia dell’arte III

Leoš Janáček arr. Jarmil Burghauser On an Overgrown Path

Jessie Montgomery Smoke from Break Away

Sufjan Stevens arr. Michael Atkinson Year of the Ox from Run Rabbit Run

David Fennessy RAIN II (World Premiere)

Scottish Ensemble announce Concerts by Candlelight

Scottish Ensemble bring moments of stillness and contemplation amidst the slight chaos of the festive season with music to warm your soul as they perform their annual Concerts by Candlelight across Scotland …

From the 7th to the 13th December the pioneering ensemble will visit some of the country’s awe-inspiring churches and cathedrals. Concerts by Candlelight will take place in Aberdeen, Inverness, Dundee, Perth, Edinburgh and Glasgow. 

A staple of the Scottish festive calendar these concerts feature vibrant compositions illuminated by the warm glow of candlelight.

Audiences can expect a musical journey that features voices from different centuries and musical styles and focuses on beauty, reflection and connection. Alongside compositions with seasonal resonances by JS Bach, Arvo Pärt and John Tavener, there will also be pieces that will take listeners to unexpected places including Shaker Loops by John Adams, Heads or Tails by Dani Howard and music by Ed Finnis. 

A dramatic and atmospheric opening to the concerts is provided by Glasgow-based composer David Fennessey’s Rain I. Commissioned by Scottish Ensemble and given its world premiere during this year’s Concerts by Candlelight, David composed the piece with the resonant and dramatic spaces of the venues in mind. 

Rain I is the first instalment of a two-part commission featuring in Scottish Ensembles 2023-24 season, the second of which will feature in Concerts for a Summer’s Night.

Jonathan Morton, Artistic Director of Scottish Ensemble, said: “Our Concerts by Candlelight are a particular highlight of the year at Scottish Ensemble, both for our audiences and our musicians.

“We love going back to these beautifully atmospheric buildings, exploring a broad range of music that we hope will comfort the soul and bolster the spirit.” 

Tickets range from £9 – £21.50 and are free for under 16s. Tickets are available from:

 https://scottishensemble.co.uk/programme/2023-24/concerts-by-candlelight-4/

Anna Meredith’s “Tull” – Scottish Ensemble presents the first of two specially-commissioned performance films with Glasgow production company Forest of Black

Scottish Ensemble presents the first of two specially-commissioned performance films with Glasgow production company Forest of Black: Anna Meredith’s “Tull”

The musical score comes alive when a forest of pink plinths – each with their own independent character – grows homogeneously in response to the music.

Scottish Ensemble musicians – as if museum objects on display – balance precariously on top, whilst performing Anna Meredith’s gripping piece with laser focus.

Released in partnership with Delphian Records, Tull joins Scottish Ensemble’s growing catalogue of visually-striking music videos, from Philip Glass’ Symphony No. 3, to a gripping excerpt from Shostakovich’s Chamber Symphony, the second film of their partnership with Forest of Black which will be released in Spring 2024.

“Through creative video techniques, carefully styled set design, and compelling performances, I sought to introduce the audience to a whole new way of experiencing a Scottish Ensemble performance.

“The music’s rich interplay of light and shadow, as well as a sense of spontaneity and playfulness, played a pivotal role in shaping the overall creative direction of the video.

“The final product is a testament to the creative collaboration and dedication of the entire team. Considering the high level of ambition and the numerous technical challenges we faced, I am really pleased that we successfully brought this concept to life!” – AINS Director, Forest of Black

Key Dates:

NOW – single pre-add links live across 20+ streaming services: https://orcd.co/tull

17 November 2023 – Single and Music Video released on Scottish Ensemble YT channel and becomes widely available

Scottish Ensemble are joined by Jasdeep Singh Degun for latest ambitious cross-genre collaboration

  • Scottish Ensemble are joined by Jasdeep Singh Degun for their latest ambitious cross-genre collaboration.
  • Scottish Ensemble partner with composer and sitarist Jasdeep Singh Degun, for a collaborative tour across Scotland this October.
  • Jasdeep is one of Britain’s leading voices in the Indian Classical Music tradition, and this tour will see him performing for the first time in Scotland.
  • The performance will feature the premier of a new composition by Jasdeep forsitar, tabla and strings, written specifically to be performed alongside Scottish Ensemble’s musicians.
  • Touring to Dundee, Edinburgh, Inverness, Glasgow and Manchester, this performance promises to spin a music tale of mesmerising melody, not to be missed!

“Showcases the classical music of the subcontinent but also mixes, melds and
modernises it.” – Financial Times, on Jasdeep’s debut album Anomaly

Scottish Ensemble kick off the first collaboration of their 2023/24 season performing alongside Leeds-born sitarist and composer, Jasdeep Singh Degun. Jasdeep has earned a reputation as one of the UK’s leading voices in the Indian Classical Music tradition.

He has performed at a wide range of prestigious and high-profile venues across the UK and abroad, including performing for Prince Harry as part of BBC Documentary Goldies Band; at the UN opening of the Amphitheatre in Doha, Qatar in 2012 in a concert led by composer Vangelis; accompanying Donovan at the Royal Court Theatre in Liverpool; and in a sell-outperformance of his album Anomaly at the Southbank Centre’s Purcell Room.

Partnering with Scottish Ensemble, Jasdeep will be bringing his unique approach to Indian classical composition to Scottish audiences for the first time. Scottish Ensemble and Jasdeep will tour to Dundee, Edinburgh, Inverness and Glasgow, with an additional afternoon performance at the Royal Northern College of Music in Manchester.

Jasdeep began work with Scottish Ensemble in July, when a quintet of string musicians to joined him and tabla player Harkiret Singh Bahra to begin developing this performance.

Together they began to bring together the complex and contrasting traditions of Indian and Western classical music. Scottish Ensemble took this opportunity to get to grips with the uber-tight rhythms and the beautiful balance of structure and freedom at the heart of the Indian classical music.

Scottish Ensemble are well-known for their innovative and ambitious cross-genre and crossartform collaborations. They strive to create exhilarating musical experiences through working with musicians from a wide array of genres and musical traditions. The development of this work has tested their musicians’ skills and challenged how they think about music and performance.

These moments are where collaboration flourishes, pushing the boundaries of form and genre, and challenging conventional musical labels or categorisation.

This performance will feature a number of compositions by Jasdeep Singh Degun, including works from his album Anomaly, alongside work by medieval German composer Hildegard von Bingen, and American contemporary composer Terry Riley.

These pieces of western repertoire are rooted in minimalism, drones, and improvisation, and were selected to complement and enhance the experience of Jasdeep’s compositions.

Hildegard von Bingen was a 12th-century abbess and polymath and is one of the most well known and most recorded composers of sacred monophony – Christian religious music which follows a single melodic line.

Drawing a contrast with this ancient music, is Terry Riley’s Sunrise of the
Planetary Dream Collector written for the Kronos Quartet in 1980.

This work allows its performers to “co-compose” a version of the piece. It is composed of 24 repeating modules designed to be combined, juxtaposed, and overlapped freely by the musicians in performance.

A highlight of the concert will come with the world premiere of a new work by Jasdeep, commissioned by Scottish Ensemble specifically for this tour.

This new work, composed for sitar, tabla, and string quintet, draws upon the creative collaboration between Jasdeep and Scottish Ensemble’s players from their initial rehearsals. Jasdeep spent two days with Scottish Ensemble’s musicians, sharing knowledge and experience, rehearsing arrangements of Jasdeep’s work and the western repertoire.

This experience and exchange of knowledge has built the foundation for Jasdeep’s new work, which is written specifically to be performed with Scottish Ensemble’s quintet of musicians.

Join Scottish Ensemble and Jasdeep Singh Degun this October for a musical tale, driven by the beautiful spontaneity of the Indian Classical tradition, transporting you through layers of mesmerising melody.

Listings Details

Dundee – Wed 4 October, 8pm – Marryat Hall
Edinburgh – Thu 5 October, 8pm – The Queen’s Hall
Inverness – Fri 6 October, 8pm – Eden Court
Glasgow – Sat 7 October, 8pm – Adelaide Place
Manchester – Sun 8 October, 4pm– Royal Northern College of Music

Tickets – https://scottishensemble.co.uk/programme/2023-24/jasdeep-singh-degun/

A concert and a drink

Scottish Ensemble returns to light-filled venues across Scotland for their sophomore Concerts for a Summer’s Night tour

‘A fine mixture of well-known favourites and amazing new pieces all perfect for a summer night’s entertainment‘

‘Please make this an annual event, we loved it so so much. Really wonderful, music to soothe the soul.‘

Audience Reviews on Concerts for a Summer’s Night 2022

  • Concerts for a Summer’s Night will be performed in Perthshire, Strathpeffer, Aberdeen, Edinburgh and Glasgow from the 19th – 23rd June.
  • Returning after its debut last year, this concert series promises a variety of uplifting and inspiring compositions, selected by Artistic Director Jonathan Morton.
  • Scottish Ensemble are announcing their 2023-24 season alongside this tour -– audiences will be able to pick up a copy of the new season brochure on arrival, getting first access to next year’s shows.
  • Audiences are invited to enjoy a welcome drink on arrival at the venue, then sit back relax and let Scottish Ensemble take them on a vibrant and vivid musical journey.

Scotland’s leading string ensemble will be returning to light– filled venues across Scotland in June for their latest Concert’s for a Summer’s Night tour.

Each concert will be presented in an open atmospheric space, where sunlight pours in through wide windows. Audiences will enjoy the late evening sunshine, as the natural light slowly fades throughout the concert, providing an immersive experience of the music that evolves over time.

Performing at Rossie Byre, Strathpeffer Pavilion, Aberdeen Art Gallery, The National Museum of Scotland, and Kelvingrove Art Gallery, Concerts for a Summers Night promises a unique evening of musical delights, in beautiful and inviting spaces.

The concert series made its debut last summer and is a companion to Scottish Ensemble’s annual Concerts by Candlelight tour which visits stunning churches and cathedrals across Scotland in December for an intimate and restorative musical experience bathed in comforting candlelight.

After the success of its 2022 tour, performing to sold– out audiences in Edinburgh and Aberdeen, Concerts for a Summer’s Night is back, with an additional date in Strathpeffer for Highland audiences.

Concerts for a Summer’s Night features an atmospheric programme, curated by Scottish Ensemble’s Artistic Director, Jonathan Morton.

Having led Scottish Ensemble for almost 20 years, Jonathan has forged a trademark programming style that seamlessly combines varied short works of string repertoire into a delicately crafted collage of sound, bringing audiences on a journey through different composers, eras and genres of string music.

This year’s programme includes music by familiar names including Claude Debussy, Frederic Choipin and Maurice Ravel alongside a variety of more unexpected pieces from composers including Isobel Waller-Bridge, Chick Corea and Britta Byström.

This programming style prioritises the atmosphere of the performance and finds unexpected connections between classic works of string repertoire and contemporary compositions, offering listeners an opportunity to be introduced to new pieces, and to discover new favourite composers. Audiences will be swept away by Scottish Ensemble’s skilled musicians on a journey of sonic discovery.

Alongside their Concerts for a Summers Night tour, Scottish Ensemble will be announcing their 2023-24 Season, which goes on sale on 19 June.

With six Scottish tours, as well as festival visits, performances in schools and the continuation of their long running series of Music for Wellbeing concerts in Maggie’s Centres, Scottish Ensemble are preparing for a bold new season.

Audiences,  who can arrive from 7.15pm for Concerts for a Summer’s Night, will be treated to a copy of the Season Brochure, and, whilst enjoying a welcome drink, will have an opportunity to discuss the new shows with Scottish Ensemble’s team.

Join Scottish Ensemble this June for a musical celebration of the summer solstice and enjoy a wide programme of contemporary and classical music in beautiful lit venues at Concerts for a Summer’s Night – touring to Perthshire, Strathpeffer, Aberdeen, Edinburgh and Glasgow.

Listings information

  • 19 June, 8pm  – Rossie Byre, Perthshire
  • 20 June. 8pm – Strathpeffer Pavilion
  • 21 June, 8pm – Aberdeen Art Gallery
  • 22 June, 8pm – National Museum of Scotland, Edinburgh
  • 23 June, 8pm – Kelvingrove Art Gallery and Museum, Glasgow

Tickets £19, Concessions £9 (plus booking fees)

Doors open at 7.15pm for welcome drinks, concert begins at 8pm.

Scottish Ensemble announces Concerts by Candlelight tour

Music for Warmth and Restoration

This December Scottish Ensemble will take its annual Concerts by Candlelight on tour to locations across Scotland for the first time since the Covid-19 pandemic.

Taking place at venues in Aberdeen, Inverness, Perth, Dundee, Edinburgh, and Glasgow from the 2 – 8 December 2021, Concerts by Candlelight: Music for Warmth and Restoration is the perfect pre-Christmas musical feast set against a backdrop of shimmering light.  

For the first time ever the incisive and dynamic presence of violinist and director Matthew Truscott will lead proceedings and Concerts by Candlelight: Music for Warmth and Restoration will offer something for every taste, with a selection of music spanning centuries, inclusive of a variety of genre and styles.

A web of connectedness binds this string programme around its central work, Beethoven’s taut and beautiful ‘Heiliger Dankgesang’. A song of thanks for recovery from illness it is one of the most celebrated, profound and joyful pieces of string music from any period, and its intimations of past, present and future make it a very fitting tribute to the past 18 months, as we emerge into the ‘new normal’ and enjoy live music all together, once again.

From the gorgeous musical balm of Henry Purcell to the warmth and generosity of Brahms, the touching music by Biber, and the thick, treacly sonic textures of Julia Wolfe’s Four Marys, wherever you are in Scotland this winter, Concerts by Candlelight is the perfect outing for both families and friends.  

Violinist and director Matthew Truscott said: “I am very much looking forward to working with Scottish Ensemble to help bring some warmth and restoration to audiences across Scotland with Concerts by Candlelight this December.

“The programme features music that channels sentiments of courage and overcoming adversity, which seems fitting this year, and I can’t wait to perform in front of live audiences in Scotland once again.”

Concerts by Candlelight Ticket Details

2 December – St Machar’s, Aberdeen

3 December – Inverness Cathedral, Inverness

4 December -St John’s Kirk, Perth

6 December – Caird Hall, Dundee

7 December – Greyfriars’s, Edinburgh

8 December – Wellington Church, Glasgow

Available from www.scottishensemble.com

Repetoire

Henry Purcell In Nomine in 7 parts, Dorian

Julia Wolfe Four Marys for string orchestra

Heinrich Biber Balletti Lamentabili a 4

Johannes Brahms Adagio from String Quintet No.2 in G major

Franz Schubert Der Leiermann (The Hurdy-Gurdy Man) from Winterreise (arranged for string orchestra by Dobrinka Tabakova)

Henry Purcell

Symphony and Here the deities from Welcome to all the pleasures

Fantasy on One Note

Ludwig van Beethoven Molto Adagio (Holy song of thanksgiving) from String Quartet No.15

(arranged for string orchestra by Iain Farrington)

Anon In Nomine in 6 parts

Common Sound: Why is live performance so important?

Scottish Ensemble & Nemone Metaxas launch Common Sound, a concert and discussion celebrating collective experience touring Scotland this October

  • Scottish Ensemble teams up with 6 Music DJ and psychotherapist Nemone Metaxas for Common Sound
  • Common Sound is a mix of music and discussion exploring what performance means for audiences & performers
  • Taking place in Dundee, Glasgow, Inverness and Edinburgh with performance options adapted to accommodate those social distancing
  • All tickets are at the special price of £10 to welcome back audiences to live performance

Scottish Ensemble is excited to return to live performance at locations across Scotland for the first time since the pandemic. Common Sound is a brand-new programme of live, in person events exploring the importance of live performance, which will take place at four locations across Scotland this autumn.

Common Sound is an hour-long event that asks the question ‘why is live music important?’ and Scottish Ensemble are inviting audiences from Edinburgh, Glasgow, Dundee and Inverness to come along, take part and share thoughts, insights and inspiration.

At a time when many, if not most, performances – from music through to dance and theatre – are available to watch online, Nemone and Scottish Ensemble performers will discuss what it is about being in the same room as other people who are all seeing and hearing the same thing, that elevates the quality and impact of a performance.

Blending live musical performance with provocations, conversation and debate, Common Sound will see Nemone and Scottish Ensemble musicians sharing their perspectives on what music does to us and why. Carefully devised sets of music, including tracks by Jonny Greenwood, Caroline Shaw and Steve Reich, will create an absorbing listening experience for mind and body, and a specially developed atmospheric lighting design will bring the music to life on stage.

After 18 months of primarily online performance, SE can’t wait to get back in front of audiences from across the country at this exciting set of events which have been tailored to accommodate those with concerns around safety, as we emerge from the pandemic. In a nod to those who are still adjusting to the ‘new normal’ and seek the reassurance of social distancing, SE will host both socially and non-socially distanced events at all locations, apart from in Dundee Where the single performance will be socially distanced

Common Sound will take place at Cottiers in Glasgow on Wednesday 21 October, at Eden Court in Inverness on Friday 22 October, at Assembly Roxy in Edinburgh on Saturday 23 October and finally at Marryat Hall in Dundee on Sunday 24 October 2021.  The performance in Edinburgh on the Saturday 23 October, will be live streamed (audio only) via Mixcloud (full programme below).

William Norris, Interim Chief Executive at Scottish Ensemble, said: “It’s hard to put your finger on what it is exactly, but there’s something very special about sharing a performance with a room full of expectant audience members.

“We hope that Common Sound will go some way to exploring what that intangible something is, and it’s particularly apt as this will be the first time we’ve gathered indoors for live music with audiences across Scotland for almost two years.

“Developing these concerts with Nemone has been a privilege and joy, there have been so many creative ideas being exchanged, and we’re going to have our work cut out to fit it all into a 60 minute show!

“I’m thrilled to be meeting audiences across Scotland, face to face, and exploring our relationship to live music in more depth. It feels like such an important conversation to have, particularly after the events, or rather the non-events of the past 18 months.

“We very excited to share this project with audiences, and as a thank you to them for sticking with us during the last 18 months we’re going to be offering all seats at just £10.”

Nemone Metaxas, 6 Music DJ and psychotherapist, said: “I’m really excited by my first collaboration with Scottish Ensemble. It’s been fantastic devising the Common Sound project with their Artistic Director Jonathan Morton.

“It’s going to be so reaffirming to be back in front of live audiences for Common Sound and listening to live music together once again.”

Music scene launches Scottish Classical Music Green Guide

  • Set up by Nevis Ensemble and Scottish Ensemble in July 2020 the Scottish Classical Sustainability Group (SCSG) brings together more than 30 of Scotland’s music organisations
  • SCSG are excited to launch its first Scottish Classical Music Green Guide today
  • The SCSG won the Environmental Sustainability Award at the 2021 Scottish Awards for New Music hosted by New Music Scotland

Set up during the pandemic, the Scottish Classical Sustainability Group (SCSG) is putting the welfare of our planet in the spotlight with the launch of its first ever Scottish Classical Music Green Guide. 

Given the events of the past eighteen months, both in terms of how the COVID-19 pandemic has made us reconsider our impact on the environment, and the natural disasters – from floods through to wildfires – that we have witnessed taking place across the globe, the issue of environmental sustainability has been top of the agenda for many, and not least Scotland’s musical sector, who have come together to discuss how they can reduce the impact of their work on the planet.  

The SCSG brings together more than 30 of Scotland’s music organisations, alongside Creative Scotland, Creative Carbon Scotland, Musicians’ Union and Association of British Orchestras (ABO) and was set up in July 2020 by Nevis Ensemble and Scottish Ensemble.

Today, 28 July 2021 it launches its first ever Scottish Classical Music Green Guide.

Aimed at changing behaviours not only in organisations, but in individual musicians and audiences across the country, and for both professional and leisure-time ensembles, the guide is the culmination of discussions around how the sector can best address the Climate Emergency as we aim for a Net Zero society.

Established in the midst of the COVID-19 pandemic, the work of the SCSG has already seen it win the Environmental Sustainability Award at the 2021 Scottish Awards for New Music hosted by New Music Scotland.

The Green Guide, building on the 2010 Green Orchestras Guide, put together by the ABO, Julie’s Bicycle and Orchestras Live, shares ideas, knowledge and tips on how organisations can engage with staff, musicians and audiences, but also on how individual musicians can exert influence, whether as freelancers or as part of a larger organisation.

Examples of best practice from across the Scottish classical sector, including Royal Conservatoire of Scotland, Drake Music Scotland, Live Music Now Scotland and the National Youth Choir of Scotland are also highlighted.

The guide ends with a series of pledges from members, detailing actions they plan to take in the next twelve months to concretely reduce their emissions.

Actions include stopping all staff flights within the UK, engaging international promoters in discussions about how the greater costs of more sustainable land travel can be covered when planning tours, and replacing one-off performances from international guests with longer residencies.

William Norris, Interim Chief Executive at Scottish Ensemble, said: “We are hugely proud of the way in which Scotland’s ensembles, orchestras, organisations and musicians have come together to put the health and sustainability of our planet centre stage. Particularly after a year to eighteen months of huge instability and insecurity for everyone within the sector, and indeed across the world.

“This guide represents our collective commitment to ensuring best practice not only within our own organisation, but with the other organisations, individuals and audiences we engage with on a regular basis, and we really hope it help others as much as it us.”

Ben Twist, Director of Creative Carbon Scotland says: “We’ve learned a lot from seeing how the members of the Scottish Classical Sustainability Group have collaborated over the past year, even during the exceptionally difficult circumstances that the COVID-19 pandemic has presented for those working in the arts.

“This detailed guide is testament to the group members’ commitment to playing a part in addressing climate change, their ability to share and learn from each other, and the growing environmental expertise that they are developing within the classical music sector.”

Scott Crawford Morrison of the Scottish Classical Sustainability Group says: “We are thrilled to launch this Guide, which we hope will be used not only by organisations, but also by individual musicians, whether professional, student or leisure-time. 

“As music organisations and individuals, we pride ourselves on having close relationships to our communities and audiences – let us also make full use of the amazing power of culture to inform and transform thinking, and work collectively to reduce the emissions associated with our current ways of living and working.”

Gavin Reid, Chief Executive of the Scottish Chamber Orchestra says: “With the climate emergency and issues of global sustainability ever present in our minds, this comprehensive guide for the orchestral sector is a vital touchstone which will help inform our collective thinking, planning and knowledge as we work towards a sustainable musical future.”

Read and download the Scottish Classical Music Green Guide here

Here are some suggestions from the Scottish Classical Sustainability Group for how to make the most of the guide:

  • Share it widely within your network: with friends and colleagues, different teams across your organisation – including musicians, and with senior management staff, and board/committee members.
  • Discuss it: online or in person. A discussion of the guide will provide a good opportunity to create momentum, engage in meaningful conversations and agree on actions.
  • Make it visible: the more people who read the guide, the more effective it will be! You can share it on social media and add news stories or blog posts to your website linking to the guide.
  • Arrange an event: if you would like to arrange an event for staff or audiences to talk about the ideas in the guide, and would like members of the Scottish Classical Sustainability Group to talk at this, drop them an email at: georgina@nevisensemble.org

Scottish Ensemble & Social Bite serve up Sound Bites

Scottish Ensemble (SE) and Social Bite are teaming up this summer to spread the joy of shared food and live music with new collaboration Sound Bites.

Based on the notion that these simple pleasures are at the heart of peoples’ lives as social beings, Sound Bites connects the worlds of food and music with a themed picnic box available for audience members to enjoy during upcoming performances as part of month-long outdoor festival Live at No.40.

Scottish Ensemble will bring to life Vivaldi’s iconic masterpiece, The Four Seasons, as audiences enjoy a bespoke picnic of handmade goodies sprinkled with a touch of the Four Seasons by Scottish charity and social enterprise Social Bite. Each picnic basket will contain a duo of tasty baguettes with two different fillings, and depending on dietary preference, a selection of pies, frittatas, sausage rolls, salads and even some of Social Bite’s famous brownie bites.

In solidarity with the Social Bite cause to end homelessness and in keeping with its reputation for thinking outside the (picnic) box, 10% of ticket sales for Scottish Ensemble performances are being donated to Social Bite and its work helping and supporting some of the most vulnerable individuals and communities across Scotland and the UK.

Taking place from the 3 July to 1 August 2021, Live at No.40. will unfold at Scottish Opera’s Production Studio car park at 40 Edington Street, Glasgow. Joined by Scottish Opera and Citizens Theatre in a specially created outdoor theatre, Scottish Ensemble will perform four concerts over two days, accompanied by Scottish charity and social enterprise Social Bite.

At a time when the country is cautiously celebrating new beginnings, Vivaldi’s works of art speaks poignantly to disruption and the inevitability of change with piercing precision. By bringing audiences together, not only for possible the first live performance in over a year, but to ‘break bread’ with fellow music lovers, friends and family, SE and Social Bite mark an important milestone during a turbulent time. 

William Norris, Interim Chief Executive at Scottish Ensemble, said: “One of the things we’ve all missed in the last year has been sharing. Sharing time with friends. Sharing experiences. Sharing food. Sharing music.

“Our Sound Bites performances of Vivaldi’s ever-green Four Seasons promise to provide all of the above, but also share a portion of everyone’s ticket purchase with our partners in this project, Social Bite, who do incredibly important work in tackling homelessness.

“We’re really excited to be partnering with them on this project which marks our return to live performance in a characteristically different way.”

Co-founder and CEO of Social Bite, Josh LittleJohn MBE said: “This collaboration will not only be a brilliant celebration of enjoying food, drink and music together, something we’ve all missed over the past year, it’s also an opportunity to bring about real positive change.

“This fantastic event will deliver funding to our innovative programmes that support people out of homelessness and help them to build independent lives.

“We hope everyone who joins us at Sound Bites enjoys the performance, along with our delicious picnics – specifically crafted for this event by our talented kitchen staff of which 1/3 have come from a background of homelessness.

Thank you for your support and for joining us in our mission to ensure everyone has a safe place to call home.”